Snatch (2000)
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When I look on the "#snatch 2000" tag and nothing new cums up
Its so silly... pls watch and post more ab it🔥🔥
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23 year old me going watching the new Teenage Mutant Ninja Turtles movie:
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Forgot to post this yesterday 🐢💚❤🧡💙💛
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Chibson USA - MOUSE
formerly the RAT...
"To commemorate the recent news of Walt Disney’s famous mouse entering into the public domain, Chibson USA is excited to share our short documentary on our YT channel (Linkin Bio) that tells the untold story of Dan O’Neill & his team of underground comics “The Air Pirates” and the longest copyright and first amendment case in US history."
cred: instagram.com/chibson_usa
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Rottmnt spoiler below
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The movie was amazing the facial expression throughout the film split my sides and the fight scene animation was breathtaking and I was happy that we got an explanation what og Casey was doing during the invasion.😍👍
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Dan O'Neill & The Air Pirates, a short film by Chibson USA
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Gary Hallgren “Hall of Mirrors” Unused Dan O'Neill's Comics and Stories and Air Pirates Mickey Mouse w/Phantom Blot (undated) Source
“Second board has airbrushed areas for color breaks but was not broken down further into 4 colors.”
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Bunch of quick scetches I did while lessons and conferences
...maybe i little too many obsessed with their kisses i guess that's fine
And more solid scetches for KND AU
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Thank God that Future Casey didn't start having a crush on April, like his previous incarnations. He's so respectful and chill with her. And Commander O'Neil???? What a fucking boss title
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My top 5 brad Pitt movies are(not in order):
Fight club(1999)
Se7en(1995)
12 monkeys(1995)
Snatch(2000)
The Devils own(1997)
(THE BOTTOM CONTAINS SPOILERS FOR SOME OF THE MOVIES)
All five characters are very relatable to me.
12 monkeys is so underrated(the film). I dont care too much for the show, but the film is amazing. Jeffery is so cute and silly!! I got lost a couple of times, and I was so happy when I figured out Jeffery wasn't the antagonist. I knew he isnt evil
Fight club is just amazing. The plot, the characters, the script, and the twist. The ending was one of the best out of every movie I've watched. I screamed so loud when I found out what was going on, and then I had to rewatch it. I would pay anything to watch Fight Club for the first time again
Se7en wow. That movie made me an emotional wreck. It made me realize how much I love Brad Pitt and that I might be a little obsessed with him.. But se7en was amazing, it wasn't too long it fit everything in perfectly, it wasn't fast and it made me feel so many different emotions. Beautiful movie!
Snatch was amazing. Did I get confused and forget some of the characters? Yes. But did I still absolutely love the movie? Also, yes! This movie was hilarious and Mickey was such a cutie pie, silly movie🫶 I was so happy when they killed Brick top. I HATED HIM😡
The devils own.. Irish brad pitt. That's all I have to say. Kidding! When I first was watching it I saw the shooting and was interested because I hadn't read the description, I didn't know what was going on then when Frankie went and loved with Tom amd found out Tom was a cop I immediately knew what was going on!! The ending made me cry and sob omg.
I WOULD RECOMMEND ALL OF THESE MOVIES TO EVERYONE GO WATCH THEM ALL THEY ARE AMAZING!
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The best thing about Val Pearson is that he’s the only actually happy character I’ve seen Con play so far because Jesus fuck is everything else sad and dark and angry
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February-March 1979. In the second part of an unsettling two-part Batman story by Jim Starlin, with finishes by P. Craig Russell, a bizarre murder investigation segues into outright horror:
If you're familiar with Earth-2 villains, you might wonder if this is the Ultra-Humanite, a Golden Age Superman bad guy with a penchant for brain swaps. It's not, and in fact the Humanite didn't adopt his mutated white ape body until JUSTICE LEAGUE OF AMERICA #195, published a year and a half after this story. The mind in the white ape belongs to Xavier Simon, an old enemy of Thomas Wayne's, who is using the ape as an intermediary step in a complex and sinister plot. Having brutally murdered his three other surviving enemies, Simon now means to take Bruce Wayne's body, his money, and his life:
This is a silly premise that Starlin has transformed into a surprisingly creepy horror story by approaching it completely seriously, with effective pacing and evocative art aided by Tatjana Wood's excellent colors — the shifting color overlays to emphasize Batman's reactions are a great touch, and Russell breaks out the Zipatone for some interesting texture fills. (In this era, the use of Zipatone always signaled to me an artist especially committed to achieving a particular look; my understanding is that the publishers didn't pay for it, so it was a matter of the artist taking on the extra expense and effort out of creative rather than commercial ambition.) The ensuing fight is genuinely tense, emphasizing that Batman is physically overmatched. There aren't many Batman stories of this era that really suggest that Batman is in mortal jeopardy, but this is one of them.
I'm a little curious about the genesis of this story, which is quite a bit different in tone than the usual fare in BATMAN and DETECTIVE COMICS at the time. DETECTIVE COMICS had recently absorbed the defunct BATMAN FAMILY anthology, so some of the material included in DETECTIVE in this period (including solo strips for Robin, Batgirl, and Man-Bat) had obviously been commissioned for that title. THE BATMAN FAMILY hadn't originally included a Batman feature, but one was added when the book became an anthology with issue #17, presumably in an effort to spark interest in a title that was bleeding sales. The Batman stories in THE BATMAN FAMILY #18–20 had featured some very attractive artwork by Michael Golden, the standout being "The Tomb of the White Bat!" in #19, a Denny O'Neil script with art credited to Golden and Russell:
My tentative guess is that this Starlin/Russell story was intended to run in THE BATMAN FAMILY #21–22, and ended up in DETECTIVE #481–482 instead. That may be why DETECTIVE COMICS #481 had two Batman features: the first part of the Xavier Simon story ("Murder in the Night") and also a Denny O'Neil story with stylish art by Marshall Rogers.
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