#Music is fucking AWESOME

[veiledfox]

} There really is something to good music making things memorable

[feketeribizli]

dabbled in video editing just to put this stupid thing together so i get to post it here too

[fortjester]

failure to grieve is not failure to love

pressure to party by julia jacklin / gideon the ninth by tamsyn muir / next of kin by lucy dacus / harrow the ninth by tamsyn muir / bluets by maggie nelson / ketchum, id by boygenius / being alive from company

[roychewtoy]

[pyrosomatic-metamorphosis]

mentally i am still here

[doctormarvell0]

I literally know nothing about Eurovision but I do know that it was a CRIME that Joost Klein was disqualified

LOOK AT THIS GUY MAN HE ROCKS

I have legit watched the live performance like ten times tonight I’m obsessed with this song

ALSO BRO.

I LOVED THE SONG AND HE DESERVES TO WIN MAN

Winner in my heart bro even though I don’t know anything about Eurovision

[midnightdotdragon]

Am I thinking of attempting to animate the dimension 20 Fantasy High Junior Year fight

The Last Stand

Their whole like 2 minutes of combat

To the song ‘Berserk—My brother Dragonslayer’

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.

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Yes

[feelingtheaster99]

Oh my goodness the Barbificer subclass is so fucking cool, I’m SO GLAD this man crit earlier to be able to unlock this subclass

[ignatiusteto]

i think sacred music in the kryn dynasty would be very cyclical and repetitive in form to symbolize the idea that life is a continuous thing (at least those who are consecuted right right) and is a cycle across lifetimes and yeah

[whaliiwatching]

CRINGE BUT FREE ERA

[realuity]

it's inevitable for us!

[real-odark]

mischa and ricky listening to music i forgot i drew in class today

[maraschinotopped]

undertale yellow. clutches head in anguish.

[atragicallycrispydude]

I haven't listened to anything but Guilty Gear soundtracks for like a month (since Symphony released) and for a while I didn't really appreciate how fucking good the songs were but they're SO GOOD

A super underrated part of their composition that I don't really see people talk about is the level of complexity that the instrumentals get into without being overwhelmingly loud. It adds such beautiful relistenability, because you can seemingly always hear something new in a lot of the songs. ON TOP OF THAT, they help to capture the vibes of a character supremely well

For example, Sol's Xrd theme, Give Me a Break, starts with a thick, grindy, intense guitar riff. Then slow, crashing drums and cymbals come in, adding to the sense of weight the song already has, along with subtle clacking (i don't know what the instrument is but clacking is the best descriptor, it might be a cowbell?) to help keep the pace and fill out the song. A bass is there too, adding a nice smooth underlying layer of deep notes to the song. Finally, a lead guitar comes in and the grindy rhythm guitar moves to the background of the song, exchanged for a more melodic guitar in a higher pitch, but still with the longer, more intense notes. This is in the first 10 seconds.

It all blends into a rich and dense layered cake of a song, allowing for freedom of expression from the lead guitar, while not relying on it too heavily to carry the song. (It absolutely is the best part of the song, but the background instrumentals are just as important)

Drift (Happy Chaos' theme) does this so fucking well, so fucking fucking beautifully well. When the outro starts, you hear Naoki's vocals, over a piano and some sparse strings, before cymbals crash in with trumpets and a choir and booming drums to accentuate the climax of the song, cutting out as Naoki says "Please don't stop the flow!" It then goes back to the very fast heavy-metal-esque drums and guitar and bass, but WITH the strings and choir backing up Naoki's singing and holy fucking shit it's amazing amazing oh my goooood

Symphony (A.B.A.'s Strive theme) was what really got me hooked onto it, though. The last two minutes of that song are fucking PEAK music. It starts with light drums, an organ, and a bass backing up a piano, cutting the formerly intense tone of the song for a nice break from the intensity. Naoki comes in, shortly followed by that classic grindy Guilty Gear guitar, as the piano and drums speed up to match a slowly rising intensity, before breaking into the final verse and chorus, with Naoki vocalizing over intense drums and guitar (as well as a bass but i do struggle to pick it out,) with the piano providing the main melody. Choral "la la la la" chants accompany the cries of "Break out, break out," filling it out perfectly for the tone of the song

It's honestly extremely difficult to properly articulate how it all comes together in the end for the songs. It ends up being a complex, emotional, BANGER. Go listen to the music from these soundtracks and when you do, pay attention to the main melody, then listen to them again and again and again and again and pick out the little extras in the background to truly understand WHY Guilty Gear music is so good.

[nox-sssscraps]

Gawd I’m. it’s 4:20am and I’ve been listening to exclusively the new 21 savage album since it dropped last night and I’m thinking abt my ocs . And spacewaffles I suppose

[haro-draws]