Favourite pre-timeskip Sanji moments
These are a few of my favourite pre ts sanji moments
(1) Baratie arc when sanji served fresh food for don krieg despite everyone telling him that krieg was notorious for betraying people. Sanji still served the food because of his value of "feeding the hungry no matter what"
(2) Sweet sanji preparing bentos for Luffy vivi and a special drink for Vivi's duck karoo so they can go explore the little garden island. Also packing and tying the lunches for the kids (luffy and karoo) by himself
(3) water 7 Sanji following his principle of "never waste food" while fighting CP7's ramen guy wanze (who had a full ramen armour and sanji cut his armour up and served the ramens all in different plates around the kitchen)
(4) thriller bark Sanji holding an unconscious nami up so she won't get injured while he takes all the hits from Absalom He's not just a simp, he genuinely cares for nami
(5) water 7 Sanji smoking a cigarette while spying and finding out sensitive government information
(6) Post enies lobby filler sanji crying throwing up stressing over finding out the right spices of a fried rice. He is a true chef at heart and has so much love for his craft
(7) post skypiea filler G-8 arc sanji when someone says he is better than all of the navy chefs and sanji cutely offers to give his recipes to them. He is so cute kind and humble
(8) sabaody sanji kicking the Celestial dragon knowing what'll happen and not giving a fuck anyway
(9) skypiea sanji being all big smiles and happy while showing conis the bento he has arranged for her and telling them how arranging food is an art (look at the little winged angel he put there as a representation for conis who has wings)
(10) Sanji leaving a message for nami in water 7, even in the dire situation they were in (usopp left, robin was abducted, they were all accused of murder) sanji being his usual cute loser self
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do you have any advice on capturing a person's likeness?
HOO BOY well first off, the unfortunate main answer is just,,,,,,lots of practice. The more you draw from references, do studies, the better you eye-to-hand connection will be. So. Yeah. Sorry.
OTHER THAN THAT
one thing i like to do is do a really simple rough sketch first, not worrying at all about correctness, but just getting down the way shapes interact with each other, like if you squinted your eyes at the reference image to make it all blurry, what would the shapes be.
here, i like to exaggerate proportion, make the hair one big block, and work almost entirely with long, curved strokes. it also really helps me in particular by not having a totally blank canvas when im starting actually trying to get the likeness right.
if i were to try to actually make his nose right with just a circle for the head down on the paper, i would erase it so so many times.
then, with my clean sketch, I focus a lot on like, relativity? Where does the top of his eye line up with the bridge of his nose? if i draw a straight line up from the corner of his mouth, where would that intersect with his eye?
i like doing that to make sure that everything is placed in roughly the correct spot, and as a way to zoom in on details without getting lost in them
RANDOM OTHER THINGS
I think noses are my favorite to draw, especially for capturing likenesses. They have a lot of personality, and a lot more variety than you see in other places of the face
i know hockey doesn't have like, the widest range of hairstyle ever, but man if you're starting out, please use no-bucket photos as reference. anime was right that hair is such a useful defining feature
if youre drawing digitally, the liquify tool is GOD. if something looks funky it is so nice to be able to just kinda push it into the right spot without having to redraw anything
LOWER YOUR STANDARDS!!!! 95% of the time you're gonna finish a study and be like 'well this is not right' and then when you post it and caption it with who it is, people will see what you're getting at anyways! close enough IS, in fact, good enough
hope something in this helps at least a bit! thank you for the ask!
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"Heart of Rome" (1970/1971)
Written by Geoff Stephens, Alan Blaikley and Ken Howard, recorded by Elvis Presley on June 6, 1970 at the RCA’s Studio B in Nashville, Tennessee, "Heart of Rome" was released on the album "Love Letters from Elvis" on June 16, 1971.
MUSICIANS FOR THE TRACK
Guitar: James Burton, Chip Young, Elvis Presley. Bass: Norbert Putnam. Drums: Jerry Carrigan. Piano: David Briggs. Organ & Harmonica: Charlie McCoy. OVERDUBS, Guitar: James Burton. Organ: David Briggs. Percussion: Jerry Carrigan. Percussion & Vibes: Farrell Morris. Steel Guitar: Weldon Myrick. Trumpet: Charlie McCoy, George Tidwell, Don Sheffield, Glenn Baxter. Saxophone: Wayne Butler, Norman Ray. Flute, Saxophone & Clarinet: Skip Lane. Trombone: Gene Mullins. Flute & Trombone: William Puett. Vocals: Elvis Presley, Mary Holladay, Mary (Jeannie) Green, Dolores Edgin, Ginger Holladay, Millie Kirkham, June Page, Temple Riser, Sonja Montgomery, Joe Babcock, The Jordanaires, The Imperials.
THE RECORDING SESSION
Studio Sessions for RCA on June 6, 1970: RCA’s Studio B, Nashville
The last entry of the evening, “Heart Of Rome,” was an up-tempo dramatic ballad in the operatic vein of “It’s Now Or Never” or “Surrender”; it may have had a little more irony going for it than the earlier cuts, but by the end it had Elvis straining for the high notes — and the band struggling to keep awake.
Excerpt: "Elvis Presley: A Life in Music" by Ernst Jorgensen. Foreword by Peter Guralnick (1998)
The song was recorded on the same day as the hits "You Don't Have To Say You Love Me" and "Just Pretend", as well as "I Didn't Make It On Playing Guitar", "It Ain't No Big Thing ( But It's Growing)", "This is Our Dance" and "Life".
It was past midnight when they were working on "Heart of Rome", the last song recorded that night. Elvis, the recording team and musicians spent about ten hours working at the RCA's studio during the Nashville sessions from June 4 to 8, 1970, reporting each evening at 6pm and working until the wee hours, wrapping up the sessions around 4:30 am. Elvis and his band recorded 35 masters over the five-days 1970 recording sessions in Nashville.
June 1970, at RCA's Studio B in Nashville, Tennessee.
Top (left to right) David Briggs (piano), Norbert Putnam (bass), Elvis (vocals and guitar), Al Pachucki (engineer), Jerry Carrigan (drums/percussion); bottom Felton Jarvis (producer), Chip Young (guitar), Charlie McCoy (organ & harmonica/trumpet), James Burton (guitar).
ADDITIONAL INFO
Elvis on June 4, 1970 in Nashville, stepping out of a car at RCA's studio B parking lot on his way to the studio's back entrance. Photography source: elvis-collectors.com.
During that first recording session in Nashville in June 1970, Elvis would record the songs "Twenty Days And Twenty Nights", "I've Lost You", "I Was Born About Ten Thousand Years Ago", "Little Cabin On The Hill", "The Fool", "The Sound Of Your Cry", "A Hundred Years From Now" and "Cindy, Cindy".
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[ID three ellens in gray red tones. she smiles at the camera in one, looks dejected while holding a genderqueer and rainbow gay flag in the next, and smirks while holding her suit jacket open in the third. ellen is a human looking robot man with visibly robotic legs. /End ID]
my first entry "fave oc" for bweird's oc-tober prompts! :}
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hello yes, this book is destroying me in the best way
"Who among us hasn't noticed it, the strange doubling of forms and faces - the echo of the world? The waves in rock, the veins in leaves, the ghostly flowerings of frost. As though god, deep in his labors, had suddenly run out of ideas, or, perhaps, surprised by the loneliness of his creation, had set out, int eh eleventh hour, to stitch the world together: the sound of wind to the sound of water, the ruffling of field to the ruffling of fur, the memoires of the living to the hopes of the dead. A familiar universe. A sea of small recognitions. A vast brotherhood of thoughts and things. This is what he dreamed." - "Jumping Johnny" from (Lost Lake: Stories by Mark Slouka)
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“I was screaming all the words
Shouting lyrics out the sunroof of my car
Singing -
Hey there Delilah
I don't need someone to love
I'm a million miles from anyone but that's where I belong
With the city speeding past me I have never felt so free beneath the sky
They say we’re born to die
But I was born to be alive”
- “Born To Be Alive” by Bea and her Business
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