C2 Spoilers
it drives me NUTS when people say that Taliesin and Matt decided together backstage to kill off Molly. It makes 0 sense and it's ??? just such an unnecessary rumor to spread. People on reddit often spout it like it's just a known fact. Like, as if Taliesin didn't famously complain about having to pull all nighters over a busy weekend to roll and conceptualize a new character cuz he had ZERO backup. As if Molly didn't JUST have a huge lore drop and was clearly building to be a major focus of the next branch of the story. As if Matt didn't have LOADS of lore and planning already done that he had to to redo and reconfigure to fit with the Tomb Takers going and exhuming Molly to continue their plans. Matt said he had this whole thing where Lucien was gonna show up in a different body and hunt down the M9 to kill Molly and take his old body back. He SAID that!
Idk why this drives me nuts. It just feels... almost disrespectful. Like. Y'all. Taliesin isn't a baby. He fucked up. It's okay. He made a dumb choice in the heat of the battle and doubled down and it got his character killed. Things escalated and there wasn't a healer and it's JUST as simple as that. Stop making shit up to justify something that only SEEMS LIKE IT'S ORDAINED because these people are talented story tellers. Blowing all the work they did to reconfigure the story and just HAND WAVING and being like "they planned it ahead of time" is just rude. If it all seems preplanned it's cuz Matt busted his patootie off and reweaved a frayed tapestry into a beautiful work. Happy accidents and all that. CMON.
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why the wedding scene in The Sound of Music (1965) is perfect:
1. Julie is divinely beautiful with her subtle makeup and simple dress and the set is lit such that she literally looks like a glowing angel. Slay Queen.
2. The way it opens with the sisters helping her get ready, much like a bride's actual sisters would, because they really are like her family of origin! And the Mother Abbess giving her the blessing to go forth and joyfully embrace her true calling 😭
3. The organ introduction with all the stops out slaps and I would really love to incorporate it into something in my own church organ playing if it wasn't so recognizable.
4. The Mother Abbess shutting the gate behind Maria as she enters the church being the visual symbolism of her final break with her former life plan, but all of the nuns still being visible through the iron bars and smiling as a sign that they are still supporting her spiritually as she goes forward to join her new family
5. The counterpoint of the wedding march with "how do you solve a problem like Maria" also slaps and turns the comic deprecatory song of the first act into a solemn declaration of triumph. Genius.
6. Christopher Plummer's VERY subtle smile in his closeups is so perfect for the character.
7. The way the procession is filmed makes very effective use of the horizontal length of the church aisle (and you get to see all of the gorgeous Baroque side altars) and the symbolism of a long nave leading to the sanctuary in church architecture, you feel like you are really following Maria on her spiritual journey.
8. The way that there's like 2000 people at this wedding, it's great demonstration of how marriage (and worship in general) is a public social good as well as a private good.
9. Maria ascending the stairs to the choir like she's literally climbing to God!!!! Symbolizes how the sacrament of marriage is an elevated, holy state of being.
10. The key transposing upwards to a triumphant E-flat, mounting tension as we approach the climax of the scene, and the sisters' voices drop out too, as to suggest that words fail to capture the significance of what is about to take place.
11. Continuing tension mounting as the brass in the orchestration increases and everyone approaches the altar and kneels.
12. The final closeup starting on the bishop and panning upwards on the altarpiece; similarly to point 7, this is great use of the verticality of the space and how church architecture draws our eyes upwards on purpose to suggest that we are there to be elevated to God.
There are three symbols of Christian triumph on the altarpiece which, in context, suggest that the sacrament of marriage itself is a Christian triumph and something that leads us towards God, but these three symbols also specifically relate to the story of The Sound of Music:
a. the risen Christ [Georg 'rose' by resolving his grief, waking up to his children's emotional needs, as well as his own]
b. the coronation of the Virgin [Maria is 'crowned' by being married to Georg and fulfilling her true vocation]
c. Michael spearing Lucifer [foreshadowing Nazi Germany's eventual defeat in WWII? Or maybe just Sr. Berthe and Sr. Margaretta wrecking Col. Schneider's car]
Overall, 11/10. My only potential complaint would be that Richard Haydn (Uncle Max) genuflects with the wrong knee but I choose to forgive this.
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