#Parallel park

[classycookiexo]

[freshthoughts2020]

[unashamedly-enthusiastic]

I would put that on my cv

[confused-transfag]

i just wanted to see how many people can parallel park since this is the gay people site. reblog for sample size etc etc.

[michaelworthy25]

[dcxdpdabbles]

DCxDP Fanfic: Shift

Danny wanders down the street, confused.

A few minutes ago, he had been sure that the tour guide and his school group were only a few feet away. They were on the last day of their three-day field trip, covering the history of one of the oldest cities in the USA.

It's not the oldest, but the closest Casper High could offer. Gotham City is much bigger than Amity, but it didn't have anything really interesting about it besides having more things to do. Its only claim of fame was how old some significant buildings were in Old Gotham.

Still, for some students who have yet to leave the small town of Amity Park, Gotham was a thing of wonder. Danny couldn't wait to explore with Sam and Tucker tomorrow on their free day. They were going to walk around the plaza market and the mall.

Gotham's mall had five floors. Five.

Then Danny noticed the hotdog cart just a few feet away from the guide informing the group about the large theater, the first public building in Gotham. He hadn't cared for how many balls were held there or how, a few hundred years later, the building gained a stage and seats.

He gestured to the cart to tell Sam he wanted to buy one. He turned to Tucker, but his friend was genuinely interested in the history lesson and shook his head. Danny figured they would cover for him, so he stepped to the side to buy a hotdog, keeping Tucker and Sam in his provisional vision.

He had just finished putting the ketchup on his food when he realized the sounds of the busy city had shifted. It wasn't that it went silent or anything. It was more like sound traveling from one headphone to another.

But he wasn't wearing earbuds, which made the shifting noise extremely alarming. He looked up and around, but everything seemed to stay the same, except there was less traffic, and the sidewalk wasn't as clean as he initially thought. Also, what happened to the sun? Where did all these clouds come from?

Danny turned to ask Tucker and Sam if a freak storm was supposed to happen, but they were gone. So was the Amity Park group. Swinging his head back and forth, he attempts to spot them in the moving crowd, but he can't spot a familiar face.

How did twenty-seven people move that quickly and silently?

"Hey! You need to pay for that!" The hotdog vendor on the other side of the cart shouts. "The ketchup isn't free!"

"But I just bought these two from you." Danny raises his food so that the man can see the logo of his own cart. The man's eyes widen when he sees it. "I just paid-"

"You little thief! You stole from my cart!" The man sneers. Danny reels back, surprised by the accusation as much as the rage in which the man yells. It seems like an overreaction to the student.

"No, I literally just handed you seven dollars for-" Whatever Danny is going to say is cut off by the man cocking a gun, now aimed at his face. Nearby, a woman screams, and the walking crowd breaks into a run, almost as if it's practice clearing the street in seconds.

Wow, it's a much better reaction time than the people of Amity Park. He would have been impressed if he hadn't had a gun aimed at his face.

"What are you doing?"

"You damn street rats are the reason good upstanding citizens like me are struggling! Go back to your county!" The man hisses, and Danny is confused by the sudden attitude shift of what he previously thought was a friendly vendor to take the gun in his face seriously.

The guy wasn't even that scary, not with that pathetic stance. Danny had learned a better stance by the time he was five, and his father had pointed a gun at him in a more threatening way that one time he was dressed as a rubber duck than this.

Scowling, Danny pushes the gun away with the tips of his fingers. "Rude. See if I give your food any stars."

The man makes the motion to pull the trigger, so Danny moves his hand into a strike, knocking the gun from his grip. In one quick turn, he turns it around and points it at the gawking man with a bored expression.

"I'm going to walk away with my meal now," He tells him, watching sweat gathering on the vendor's forehead. The pulse in the older man is rapidly bouncing around his neck, making Danny smirk.

Hotdog man goes sheet white but shutters out, "Alright."

Danny keeps the gun aimed at him even as he gathers his two dogs in one hand and backs away into the street. It's only when he turns a corner, out of sight, that Danny lowers his weapon.

He texts his friends in the three-way chat they have, asking where they went. When a few minutes goes by without the little read sign next to his words goes by, Danny tries calling them. His phone, however, claims his services are out, making him wonder if his Dad forgot to pay the bill again.

Jack could afford it, but the bill deadline always slipped his mind, and he would like to have to wait till Monday to turn it back on. Sighing, Danny decides to head back to the hotel where the school is staying, thinking it would be better to wait out for Mr.Lancer than get lost in the big city.

He strides down the street, following the same path the group took from the Hotel. As he does so, he notices something odd.

Gotham seems wrong. Darker somehow, and the previously friendly people had all vanished as everyone around him gave him dark, mistrustful glances. Not everyone smiles back when Danny says, "We're strangers, but this is a quick, friendly acknowledgment" smile.

It couldn't be the gun. Danny hides it in his pants, the same way he hides his thermos. No one should be able to tell what he's carrying.

It is strange. He's so busy trying to figure out what happened that he nearly misses the fact that the previously well-kept streets have been replaced with closed-down, decrypted buildings. He does notice that the hotel he was staying at for the past two days was boarded up, looking like it's been years since someone last used it.

"What?" He whispers, checking the large sign twice. It's the same name, but three letters are missing.

"That's what I want to know." A man grunts behind him, causing Danny to wirl around and stare in horror at the approaching police officer. "What are you doing with here?"

"I was staying at this hotel." He tells the other man, too disorientated to notice how silent the street had become. He can spot some people watching from the alleyway despite broad daylight. They were hiding. From what?

"Were you? And how much do you have on you?" The cop asks casually.

"Of what?"

The man rolls his eyes before he suddenly kicks Danny in the stomach. The boy is knocked to the floor with a soft grunt of pain. A stomp on his hand has him screaming in pain, but what really makes him angry is the fingers moving around the back of his hands until they close around his wallet.

Nah, was this cop trying to mug him?

Danny throws up a hand, using the palm of his hand to slam it against the chin of the mugger. The man's head is knocked back, and he tilts over, falling into a dead heap. Danny stands, dusts his clothes, and kicks the cop once.

He looks back to the hotel.

Where should he go now? A few seconds go by, and he can see the people in the alley cautiously start to climb out of their hiding, and he thinks it's better to try to find a phone to call home.

He twists on his heels and marches down the street, unaware of the man in yellow watching from a nearby roof.

The man reaches up to his ear, clicking on his communicator as the stranger looks confused despite knowing where he is going. "This is Signal. I found the guy that triggers the Nest's alarms. He seems trained but can't be, at most, sixteen. He also just took down Jeff, the one Gordon was talking about. Let's keep an eye on him. He looks like radiation grew legs and took the shape of a human. "

[inkskinned]

actually sometimes being neurodivergent is great bc you have a particular kind of Silly Mode that just . manifests glory. harmless fun is my precious side quest & i have a high score in whimsy. like okay if i gotta be the first dork in the dance pit it's gonna be me and this random toddler and we're gonna avril-style rock ouuuuttt

[forged-in-kaoss]

What can you do when you can't even pull yourself out of the water? NOTHING! THAT'S WHY I NEED HELP! I DON'T KNOW HOW TO USE SWORDS, YOU BASTARD. I can't navigate. I can't cook. I can't lie, either. I'm confident that I can't live without help!

[rjshope]

MiniMoni + their bond

for @outroindigo✨

[hyper-fixer]

She is going to fucking kill him

[not a ship, do not tag as a ship]

[thejakeformerlyknownasprince]

I really want you to get started on Jurassic Park now after reading your tags.

All right, you asked for it! This post is going to be long because I've been rereading Jurassic Park since I was about 10 years old. But. My thoughts:

Jurassic Park is the oldest story in the world: one about hubris, and the price men pay for their ignorance of nature. From the first moment the protagonists step foot on the island, they can see it. There are poisonous plants next to the pool because they "look pretty." The harbor has no retaining wall because tropical storms aren't considered important. And there's a steep price for that hubris. Wu doesn't bother to learn the dinosaurs' names before breeding them, Nedry ignores them as unprogrammable, Malcolm mansplains them to their own creators, Regis laughs at the idea of them escaping, Hammond relentlessly monetizes them, Arnold insists he can control them... And they all get eaten by dinosaurs. It's the characters with the good sense to be overawed and scared (Muldoon, Gennaro, the paleontologists, the kids) who make it out alive. Almost paradigm.

More specifically, it's a book about the most fundamental principle of engineering: be scared, be confused, and then do something anyway. Then do something else, then something else, until something works. Timmy isn't a master hacker in the book; he's just (unlike Grant) willing to push buttons on the computer until he finds the power grid. Gennaro's still a scaredy cat in the book, but he clenches his teeth and goes into the velociraptor nest anyway. The heroic characters are the ones who conclude someone has to do something, despite not knowing what that something is. The villainous ones are the ones who refuse responsibility.

Speaking of which, can we talk about Ian Malcolm? I'm a sucker for a good Cassandra character, especially one that manages to get even the genre-savvy reader rolling their eyes and going "will you shut up?" And Malcolm is one of the best, every off-putting academic habit rolled into one: He thinks he's better than other people for not liking sports. He brags about not caring about appearances and then comments on Sattler's legs. He assumes Hammond has read his monograph and — when Hammond reveals he hasn't — pulls out a copy that he keeps on his person at all times to have Hammond read on the plane. He smugly explains that other characters should've foreseen they'd be killed by dinosaurs, only to be killed by dinosaurs. He calls his theory the Malcolm Effect. I do love Jeff Goldblum's gentler, more charming take on the character ("See, here, now I'm sitting by myself, talking to myself, that's chaos theory" I say literally every time I ask a question of someone who just left the room). But I prefer the way original Malcolm gets away with being right about everything because we so so badly want him to be wrong.

Speaking of that comment about the legs: by the low low bar of 80s/90s thriller writers, Crichton is surprisingly progressive. Jurassic Park invites us to laugh with (and roll our eyes with) Sattler, every time someone expresses shock the world's top paleobotanist is a woman. The Lost World perfectly captures the "women in STEM have to be twice as competent to get half the respect" dynamic, and it's a story about the male characters over-estimating their own competence as the female ones go about saving the day. Race isn't handled perfectly, but it is discussed in both books. Malcolm's chauvinism is designed to make everything else he says a bitter pill, to poison us against him. Crichton's no feminist. But Sattler's hardiness — later Harding's and Kelly's as well — are shown as hard-won in a world that batters nerdy girls so hard that only the toughest survive.

And Malcolm is just one of the many ways Jurassic Park masterfully lampoons scientific bullshit. After little Tina is bitten by a "strange lizard" and nearly dies from the swelling, Dr. Cruz assures her parents that lizards bite zookeepers all the time, that some people are allergic to lizard venom, and that the lizard Tina drew resembles a basilisk — and then we cut to him talking to his fellow MD. Where we find out that lizards don't attack humans in the wild, no human they know of has ever been hospitalized for a lizard bite, basilisks aren't venomous, and Tina's condition doesn't resemble an allergic reaction. They have no idea what this "lizard" (a Procompsognathus) could be or how it poisoned this kid, but they've been taught to obfuscate rather than admit that. Scientists are arrogant, and ignorant of their ignorance.

But the book is every bit as positive about empiricism as it is negative about individual scientists. The seamless way Crichton blends science fiction with science fact gets me every time. His preface connects Watson & Crick to Swanson & Boyer to Malcolm & Levine, explaining each step of the research process as he goes. He goes on to explain how Genetech developed its ideas from IBM, and that IBM and Genetech both contributed to InGen, which in turn influenced Biosyn, funded by Hamaguri... and only two of those names are fictional, but don't worry about which. Crichton does his homework, and then he presents his homework in the most compelling way of any writer I've ever encountered.

You need no further proof than the technologies — satellite phones, electric cars, touchscreens, gene editing — that were sci fi in 1990, commonplace today. Crichton did the reading. And he rolls that science out ever-so-slowly: dribbling first the mystery of the worker with a 3-foot gash in his torso who claims a bird of prey did it, then the mystery of the resort that needs the world's most powerful data storage, then the mystery of the billionaire who calls in the middle of the night with "urgent" questions about what baby dinosaurs eat... Until even 10-year-old me could look at that picture of a fractal and go "ohhh, I see how the unstable phase shifts of chaos theory explain the fact that a thunderstorm caused that guy to get eaten by a T. rex." Almost paradigm.

And all Jurassic Park's banging on about chaos theory belies a deep understanding of how interconnected ecosystems are. Animals, like plants, like subatomic particles, must be understood holistically. Pretending that the best way to learn the truth of any system is through breaking it down "is like saying scrambled eggs and bacon for breakfast is human nature. It's nothing of the sort. It's uniquely Western training." Crichton clearly loves biology: "a single fertilized egg has a 100,000 genes, which act in a coordinated way, switching on and off at specific times, to transform that single cell... A house is simple in comparison. But even so, workmen build the stairs wrong, they put the sink in backward, the tile man doesn't show up when he's supposed to. All kinds of things go wrong. And yet the fly that lands on the workman's lunch is perfect." And he clearly hates what capitalism has done to biotechnology.

Hammond the venture capitalist is a perfectly despicable villain: No dinosaurs have escaped, because I said so. If there are problems, no there aren't. Put on a good show for investors, no matter how many contractors die in the process. Talk about all the "good" the park will do by making tons of money. The kids are stranded and the tech expert's dead? No they're not, because I said so, now pass the ice cream. It's truly a delight watching him get eaten by dinosaurs.

For that matter, Jurassic Park is bursting with details of style over substance. There are cutesy Apatosaurus cutouts in the hotel rooms and bars on the widows, a half-finished restaurant covered in Pterosaur poop, and a celebrity-narrated tour track that can't synchronize with the dinosaurs. It's trying to be Disney World, and it's actually a roadside zoo. The signage — "When Dinosaurs Ruled the Earth," the hand-lettered "Welcome to Jurassic Park", the room (and department) called "Control" — isn't subtle in its irony. But it is fun.

Which is yet another great sci fi trick. "Our funding is infinite but our peer review sucks" perfectly sets up the blend of the accurate with the plot-fueling (likely why Crichton reuses it several times). Why are there Pterosaurs in a dinosaur park? Our funding is infinite but our peer review sucks. Why are so many Cretaceous dinosaurs in Jurassic Park? Our funding is infinite but our peer review sucks. You didn't know Dilophosaurus is venomous? Our funding is infinite... It's perfect, because it's the opposite of how the scientific process usually works. Again: Crichton knows his shit, and he knows how to communicate it.

Like, even when I'm reading Sphere or Terminal Man — books where I'm perfectly aware I know more than Crichton on the subject, not in the least because their science inevitably became outdated — I still find myself believing, at least for the length of the story. You don't have to suspend disbelief when reading Crichton's work; he hoists it into the stratosphere for you. Half the time he won't give it back even after you're done. Almost paradigm.

But despite all that nerdery, Jurassic Park is still a rocking adventure story that builds momentum until it smashes to its conclusion at 70 miles an hour, ending the millisecond it can do so with not a word of denouement. You can practically hear that last deep piano note on the final words. It's cinematic as hell. This is Crichton post-Westworld, pre-Twister, the ultimate adventure writer. He reads, clearly, avoiding the errors of sci fi amateurs who watch too many movies (the T. rex has a distinctive smell, the island is relentlessly humid, so on) but he knows how to make a tight fast-moving story that you can consume in under three hours. His imagery is powerful, his pacing is on point, and his plot sucks you in and shoots you out like a water slide.

Jurassic Park is fun. It's informative. It makes you laugh, and gasp, and sigh, and think. It has its flaws (Harding Sr. fades out in the 3rd act, Grant's Maiasaura expertise never pays off) but those are minor in a book that stands up so well to rerereading. Almost paradigm.

[flintsilvers]

of all the phrases ive seen the bs fandom come up with i think the most influential for me was 'he parallel parked a ship'. he fucking parallel parked a ship fr

[summerfullofsnow]

Hey! You assholes! I told you to leave Baekjin alone!

Baekjin-ah. I'm sorry. But you should be sorry too.

[goyurim]

Undercover High School ↳ tfw you're so deep undercover you begin questioning your identity 🤔

[gyeongseok]

love is pointing a gun at the guy you've been obsessively staring at for days. maybe even before the games started.

[dirtbagdefender]