#Peter pan Captain Hook

[why-what-no]

New Obsession

Pairing: Captain James Hook x Reader, Former Peter Pan x Reader

Warnings: Smut, Swearing, Attempted Murder, Dacryphilia

Notes: guys, I finally posted something for the first time in a while! You proud of me?? Sorry for disappearing, I had so much going on irl, but I’ve got a bunch of spare time over the next while so I’m gonna try to get back into writing more often and finally getting through the last couple of requests I haven’t finished yet :):)

Summary: Having visited Neverland many times before as a child, she returned to Neverland after growing and was struck with the realization that it wasn’t what she remembered. Pan was no longer her anchor and protector, and she was forced to realize that everything on the island is a danger to her. Except for, to her surprise, the gentleman pirate whom she used to be terrified of

All around (Y/N), the pirates were reveling on the deck of the Jolly Roger, completely unaware of the way her mind was racing. Her heart heavy as the thoughts of Peter crushed her. The lost boy never stayed away from her thoughts for long, always returning with some good memories as well as the more recent terrible ones.

"Please tell me you forgive me, lost girl." His green eyes were filled with tears and his voice breaking as he held her down against the bed, dagger in his raised hand. Preparing to plunge it down into her heart, a betrayal worse than anything she had ever experienced. "I have to do this. I have to! But I couldn't live if you don't forgive me."

The heartbroken sound in his voice and look on his face made her want to forgive him; an automatic reaction that made her feel sick. Disgusted in herself and her weakness. Did she truly love that boy – any boy – so much that she could forgive him for her murder? With no explanation or attempt at redemption?

But she didn't give him a reply, and when he faltered, she ran. And now, she was with the people she had once considered her enemies. To an extent, they still were, of course. But they were also now her best hope for allies against Peter – against Pan – on this island. And there was something about the forget-me-not blue of their captain's eyes... they almost made her forget that the color green existed.

Now, those eyes were staring at her from the other side of the deck, as Hook sat in his captain's chair, gazing intensely at (Y/N) without any emotions on his face. His crew was cheering and grinning around him, but he didn't even spare them a glance.

It almost made her tense up, she wasn't used to feeling such vulnerability, pinned under the gaze of a man like Hook. She remembered him vaguely from when she was a young girl, although she had never actually interacted with him until the week she had left. He had seemed so old to her, so scary and untouchable. Peter had always encouraged her to feel that way.

Maybe that was why she felt like he was gazing into her soul. Because few people had known her that young, and the ones that did were all either her dearest allies or worst enemies. At the moment, Hook was neither. And so she didn't quite know how to feel about him. There were no boxes to put him into in her head.

But unfortunately for her sanity and dignity, there were words to explain the unsettled allure that his gaze made her feel in the pit of her stomach.

It didn’t help that he looked so… enticing. Strong and angular features, and a gracefulness in the way he moved. Everything was deliberate with him, every action purposeful and stayed in her mind for longer that it should. His pale skin stood in contrast to his long dark hair, cascading over his face and framing those hypnotic forget-me-not blue eyes. 

He stood up, drawing glances from his crew but quickly being ignored again when they recognized that he wasn't about to give any announcements. No, only (Y/N) was looking at him as he made his way towards her. Like a large cat, a mountain lion or a panther ready to pounce. To tear her apart.

But he didn't, merely stopped in front of her, leaning forward as the girl looked up into his eyes. It wasn't that he completely towered over her, but his regality, his aura of power made her feel like he did. "And are you enjoying this evening?" He asked, whispering into her ear. The sound of his voice and the warmth of his breath so close making her nearly shiver.

"Yes." She replied, taking care that her voice sounded even and calm. Trying to ignore how fast her heart was beating, how she had never felt an affect like this before. Like he was a flame that could burn her any second.

Hook's lips curved into a small smile. "Wonderful, a lady such as yourself deserves a fine celebration." His gleaming hook moved to hover against her back, keeping it at a respectful distance. But even though it wasn't touching her, she could practically feel the coolness of the metal against her clothes. It took all her control not to lean into his touch.

"Thank you." She responded, doing her utmost best not to look at him while his eyes stayed glued to her face. "Although I might go to bed soon. I've had enough excitement for the day, I think."

"Of course." Hook responded in a voice that possibly sounded almost... disappointed? "I shall give you the space to relax now, and make sure none of my pirates bother..."

"No -"

(Y/N) mentally slapped herself at her quiet outburst as Hook paused, raising an eyebrow at her.

"No?"

"I..." She could feel warmth on the back of her neck, praying that she was wasn't turning red. "You're fine. I don't mind your company. I don't... you can stay if you want."

What she really wanted was to jump into the ocean out of sheer mortification and let the mermaids drag her down to the depths. She wouldn't even try to kick or scream.

But Hook just looked surprised, beginning to smile once again.

The man offered her his hand, not his hook like he normally did when he wanted to lead her somewhere. It was surprisingly warm, and so gentle. The callouses that came from sword-work were there, but they felt more like the hands of a musician, a writer. That was the one thing that surprised her the most about Hook, he was a gentleman as much as he was a pirate. Equal parts savage and refined.

Perhaps that was what drew her towards him. She knew he could treat her better than any man she knew... and hurt her worse. He made her feel small beside him, but so important.

"Come with me." He told her, and she immediately followed. Letting him hold her hand and lead her towards the captain's quarters.

It was quiet when they got inside, the large and elegant room surprisingly soundproof. Letting go of her hand, he gestured around the room, giving her permission to look around. "Forgive me for my forwardness, but I couldn't bear the thought of forcing you to sleep in the crew's quarters during your time here. You may take my bed if you wish, I rarely use it."

"Where will you sleep?" (Y/N) asked, walking over to the large bed and sitting down on it, facing Hook.

"I have a nasty habit of falling asleep at my desk, my dear." He chuckled for a moment, before tensing up once again. "But if you would prefer to spend your nights alone, I shall disappear until you wake."

She shook her head. "No, it's alright. It's your room, Captain."

"James." He replied.

"What?"

He stepped closer. "My name is James Hook, or has Pan not told you that already?" The captain walked over to his table to pour each of them wine into glasses made from large glimmering seashells.

The lost boy hadn't told (Y/N) that. "He mostly told me stories of your rather violent pursuits. Pan very much wanted me to know that you would torture and kill me if I ever spoke to you. That you were a beast who took pleasure in the pain of others."

"Ah." James Hook said, handing her the wine. "No doubt to make sure your loyalty was to him only."

He was probably right. And (Y/N) was just disappointed that it took so long for her to realize that. So many people had attempted to do that to her in her life, to twist her reasoning and manipulate her into thinking that they were the only people she could trust. And for some reason, Peter had succeeded so easily. Perhaps it was her young age and inexperience, but at that point in her life she should have already known better. Or perhaps it was love that made her blind.

"So, you're telling me that it was all a lie? All his stories about you."

He chuckled, standing over her sitting form while taking a sip of his wine. Her hands were folded almost docilely in her lap as she looked up at him, taking in his elegant features. "The stories were true, I assume. I've done enough pillaging in my lifetime that there are any number of truthful tales for that boy-demon to share with his followers."

He paused.

"However." He smirked down at her, before reaching down to slip a finger under her chin. (Y/N) looked down and away as he did that, cheeks warm but not pushing away his touch. At her lack of pushback, he used those fingers to tilt her head upwards so that he could make sure she continued to stay captivated by his intense blue stare, using his thumb to gently stroke along her chin. She could feel how close his touch was to her lips, and she pressed her thighs together instinctually. "I would never dream of killing a precious jewel such as yourself. And thought of your torture brings me great pain." Hook said to her, almost like a whisper. She didn't reply, too caught off guard by the intimacy in his touch. As well as by the dark desire that he was instilling in her.

But for a brief moment, Hook saw her silence as discomfort. "Forgive me my forwardness." He murmured, stepping just out of reach. His hand by his side once more. A sight that felt so unbearable to (Y/N) that a rush of shame overtook her for a second. She was now she was buckling under the weight of a pirate's glance. Of his quick and gentle touches.

"It's alright." She replied, trying to reassure him that she didn't mind his ‘forwardness’. "Do you want to sit? With me?" She patted a spot beside her on the bed, displaying a forwardness of her own. Not wanting him to have to continue standing (and it was easier for her to speak when he wasn't standing over her), and not wanting him to be far from her.

His surprise at her offer morphed into a small grin as he sat down right beside her. "Thank you, dearest." He faced her while sitting, his whole body turned towards her like a moon orbiting a planet. "You are very kind."

(Y/N) doubted that. Most of her kindness was born from selfish reasons. Mainly, the selfish desire to pull him close to her and get him to make her forget about what was happening in Neverland. "Thank you... James."

He smiled as she spoke his proper name. "I can see why Pan was so immediately taken with you."

And there it was. Pan was like a dark cloud constantly following her, and with Hook's obsession in the boy, perhaps he wasn't the best person to distract her from him.

(Y/N)’s distaste of the mention of Pan's name seems to be visible on her face. "My apologies." Hook murmured, reaching forward to take her hand in his. "I should not have mentioned him to you."

"I just... I don't understand why he would do it. I loved him. He loved me."

"He's not capable of love." Hook told her gently, seemingly believing his words. "It's the price he paid for everlasting life."

"He was. He was capable. It was just... innocent love. Childhood love. And besides, he's older now, we both are. Even you've admitted that things on Neverland aren't what you thought anymore." (Y/N) felt ashamed of her outburst. Ashamed that Pan could pull those emotions out of her.

The pirate captain just looked at her, a sort of resigned look on his face that she couldn't quite decipher. "Of course." He nodded. "You may be right. I'd apologize for my impudence, but I worry that you might be tired of my apologies by now."

"You don't have to apologize. You didn't do anything wrong." The girl sighed. "I just don't want to talk about Peter Pan right now."

"Then what would you wish to speak about? Anything you wish to say will be satisfactory to me."

There was something about Hook's attention, his habit of doing or saying exactly the right thing that made her trust him even less and desire him even more. "I don't know. Tell me a story? If you have any?"

He chuckled. "Many more than most people, my dear. Despite this island and it's promised youth, I'm practically an old man now." The sound of his voice was a little bit self-deprecating.

"I wouldn't say that." (Y/N) denied. Maybe he was older that the children on the island, but it wasn't like he was some decrepit old man who was losing his functions. He was... striking.

"No, no, my dear. It's true." He told her, still holding her hand gently. "Growing up is a nasty business. I'm sure you are aware of what I say. All those pesky feelings, the energy of childhood sapped away."

The girl opened her mouth but closed it again. Maybe it was his warm hand stroking hers, the glint of his hook in the candlelight, his intense blue eyes staring into hers. It felt like she had no self-control. It suddenly felt like whatever answer she gave was an important one. It could lead in any direction. And as for the direction she was secretly hoping for....

"It's not all bad." She slid closer to him. "You still have your energy, I'll bet." And all the things that he could do with that energy raced through her head. "You're the most feared and respected pirate on Neverland."

"And those feelings..." She felt like she was regaining some control as she took his hand that previously covered her and gently rested it on her thigh, keeping eye contact with him as she did. "They're not all bad." She barely breathed with nervous anticipation, waiting to see what the pirate did next.

He was certainly surprised, that much was clear on his face. But as the gleam in his eyes grew more intense, she couldn't bring herself to regret what she did.

His hand slid up her thigh, slowly. (Y/N) was pinned under his gaze as her breathing became heavier. She shivered as he skilfully undid the button to her trousers, and without thinking, she reached up to touch his face.

Never in her dreams had she thought she would ever see this man in this way. He had always been the scary pirate, the dark villain of her hero's stories. But as he leaned into her touch as she cupped his cheek, she couldn't help but pull him forward to kiss him.

He immediately reciprocated. And even more, he did exactly what she was hoping for. Taking over control of the situation and moving his hand so that it was buried into her hair, tugging her as close to him as possible.

She moaned as he pulled on her hair, grabbing at his coat for stability. Gone was the caution and gentlemanly politeness that Hook had been displaying, she could only see the dark pirate captain as he bit her lip and rested his hook against her neck.

She knew she was putting herself in danger by touching him, kissing him like this. Like Icarus soaring too close to the sun. But he already had her caught in his orbit.

"I can't say I expected this, my dear. No idea that you wanted the touch of a pirate so badly." Hook said, his breath warm against her lips. "Although I am certainly not displeased."

"I just want your touch." She replied breathlessly as he moved his mouth down to her throat, nipping at her neck and kissing along her collarbone. Pulling her hair so that she was made to tilt her head back to give him better access.

He chuckled, enjoying her honesty and desperation. "And you'll get it. All night you'll get my touch, until you beg for me to stop. Until we leave this room or you tell me to let you go... you're mine." He let go of her. "Lie down on the bed. And don't make me ask twice."

The speed in which she obeyed only made the lustful darkness in his eyes grow. As she laid down, she watched him raise himself so that he hovered over her, kneeling with his legs encasing hers. His shape of his thighs were visible through his pants, as was the growing bulge of his cock. She couldn’t help but glance at it.

“Any man who had the honour of seeing you like this would be blessed by Poseidon himself.” Hook murmured to her, running his hand along her side and grabbing at her hip, leaning over to kiss her deeply, harshly.

She watched him as he unbuttoned her shirt, leaning forward to he could remove it. (Y/N) was half naked below him, revealed and vulnerable but it only made the electric feeling in the lower part of her stomach stronger. Made her even more wet.

And Hook could tell. “But you’re not innocent at all, my love. You want me to make you beg for me, don’t you?”

She nodded as he pressed kisses along her stomach until he reached her breast. Taking one of her nipples into his mouth, licking and tugging at it with his teeth as he groped at the other.

He chuckled against her chest as she gasped at his touch. The vibration of the sound reverberating against her body, feeling like it went straight between her thighs.

She took initiative and kicked off her trousers herself. Reaching up to bury her hands in Hooks hair, pulling him into a kiss.

“I might not ever anyone take you away from me, love.” He growled as she tugged at his dark curls. “I’ll keep you all to myself.” He kept running his hand over her body, driving her wild as her touched her. Somehow intuitively knowing all the spots that could turn her on.

However, once her pants were fully gone, he immediately turned his attention to her soaked cunt. (Y/N) was grateful that there was a party on the deck above them, she wasn’t able to fully cover up her moans as James Hook pressed his face against her core.

She held on to his hair tightly, trying to gain some type of stability as his tongue pressed against her clit and into her cunt. “So wet.” He smirked. “All for me? You filthy girl.”

He added a finger only a second later, doing everything he could to remove any thoughts from her brain. Wanting pleasure to be her only sensation. There was something about her that made him go feral, wanting to make this succubus of a women moan and cry for him all night and every night.

“Please.” She begged, tears pricking at her eyes at the onslaught of satisfaction that the pirate captain was giving her. “I want you, please James.”

The sight of her tears only turned him on more, and so he submitted to her pleads. “You want me to fuck you, love? Is that right? You want me to make you come so hard that I ruin any other man for you? To make you mine?”

“Yes.” She let out a gasping sob. “Please.”

“Your wish is my command.” Hook grinned darkly, finally pressing his cock against her folds and pushing inside quickly. He wanted to spilt her open, wanted to make her go brainless for him.

She dug her nails into his back as he rocked in and out of her. He delighted in her moans, at the look on her face as he took her closer and closer to her climax.

He couldn’t remember the last time he had someone as seductive as her in his arms, couldn’t remember the last time that fucking someone felt as good as it did as he plunged his cock into this woman.

Everything about her drew him in, and this obvious confirmation that she desired him as well only served to make him need her more. He grew even harder at the thought of doing this with her again. Of holding her tightly as he fucked into her whenever they wanted.

And (Y/N) could barely think that far ahead with how good Hook was making her feel. It felt as though there was nothing in her brain at all except for the thought of how his cock felt rubbing against the walls of her cunt, of hitting her g-spot as he slammed into her. His fingers rubbed her clit as he did, and she could feel her orgasm approaching.

Hook could too. “Do you want to come, my dear?” He asked her, his hook right beside her face, the glean of the lantern next to them gleaming off of it. “Have you been good enough to be allowed to come?”

She nodded quickly, looking into his gorgeous blue eyes desperately. When he told her she could come, the coil that had been building and building within her finally released, and Hook had to muffle her scream of pleasure with a kiss. If they had been alone on the island, he would have been delighted at the noises he was pulling out of her, but he didn’t want one of his pirates rushing in and interrupting them.

The look on her face as she came was more satisfying that any treasure to him, and couldn’t help but kiss her forehead and face as she caught her breath

(Y/N) collapsed against the bed as he did. “You were perfect, my darling.” James murmured to her, moving away to grab a towel to clean her up.

“So were you.” She smiled at him, relaxed as her mind began to return to her. “Although I can now understand why Pan called you a beast.”

Hook chuckled, his gaze was soft as he leaned down to kiss her. “No more talk of Pan.” He told her. “Peter Pan doesn’t need to be thought of at this moment. You… you are my new obsession.”

And he lay next to her in the bed, felt her against his side, remembered the feeling of her around his cock, those words were true to him.

Taglist: @fictional-hooman @norman891 @fairynook @dark-academia-slut @silverhart93

[douglasbradburyverne]

Disney's "Peter Pan", BEHIND THE SCENES (Released on Feb 5th, 1953)

[ballpitbee]

YARR

[anteroom-of-death]

I need to find more people who wanna fuck the 2003 Captain Hook and not the Once Upon a Time one, or I will start eating fiberglass.

[kerrsei]

"What manor of mutant rabbit carries an over sized pocket watch "

[what-is-my-aesthetic]

NO CAPTAIN HOOK HOLDING IT IN DOESN'T DO ANYTHING

[jasonisaacs]

"My new obsession is you. Not dear Peter Pan, or his whereabouts."

[filmmakerdreamst]

P.J.Hogan's 'Peter Pan' is still an underrated masterpiece 20 years later

Peter Pan is a live-action fantasy adventure film directed by P. J. Hogan that reimagines the classic story of Peter and Wendy. The screenplay was written by P. J. Hogan and Michael Goldenberg and was released in cinemas in December 2003. The screenplay is based on the 1904 play Peter Pan, or The Boy Who Wouldn’t Grow Upand the classic novel Peter Pan by J.M.Barrie, which was originally published under the title Peter and Wendy.

The film tells the story of a young Edwardian girl, Wendy Darling (Rachel Hurd-Wood) and her two younger brothers John and Michael. On the night she is told she must grow up, a wild, fairy-like boy called Peter Pan (Jeremy Sumpter) flies into her room with his high-maintenance fairy Tinkerbell. When he learns that she tells stories, he whisks Wendy and her two brothers away to a magical Island called Neverland — where you supposedly don’t “grow up” — so that she can mother his henchmen, the Lost Boys. There she fights pirates led by the evil Captain Hook (Jason Isaacs), meets mermaids, dances with fairies, falls in love and grows up.

I have strong family connections tied to Peter and Wendy and J.M.Barrie. My great, great uncle Nico was one of the sons of Sylvia Llewelyn Davies'. He and his other brothers "the Lost Boys" were adopted by J.M.Barrie; which ultimately inspired him to write Peter Pan. Nico’s daughter Laura — my cousin — who I met for the first time a few years ago, told me that she was flown to Australia for the filming of P.J. Hogan’s Peter Pan because she was J.M.Barrie’s goddaughter. She told me that she was thrilled with the cast, especially Jason Isaacs, who played Captain Hook and Mr Darling. She also mentioned that Jeremy Sumpter, who played Peter Pan, was a lovely boy. However, she said she was very surprised and sad that the film wasn’t a big success as she really liked what they did with the story. I have loved the fairytale of Peter Pan from a young age, and learning that I am literally part of the family that inspired the story was very exciting and I’ve only begun to internalise it more as I’ve grown older.

When I was in my mid-twenties, I was diagnosed with a high level of Autism. One of my main symptoms was labelled “ageless”, which in simple terms means that one half of me is still a child that I can’t mentally leave behind. I can’t do many things that most adults can do, such as pay bills, drive a car, look after my own well being etc. I flap my hands when I get excited. I bounce. I sometimes speak in a baby voice. I overcommit to things I enjoy. I admit that it was hard to come to terms with the diagnosis when I first received it. But over time, I’ve come to believe that the two can coexist in a healthy way. I believe that I am an adult who is able to develop and grow while still carrying the child within me, and that this is not seen as a bad thing. I think Peter and Wendy can be seen as a reflection of that.

I was first introduced to P.J. Hogan’s Peter Pan a few years after it was released (I was maybe nine or ten years old), and I absolutely loved it. It wasn’t only one of my favourite film adaptations, but one of my favourite movies of all time. What surprised me most about the film at that age was how dark and gruesome it was, and full of this underlying sexual tension that I hadn’t expected at all from Peter Pan. Even today, this film still has a special place in my heart. It is made with so much passion and love for the original text that I can automatically put myself back into the story. After watching the film again as an adult, I almost immediately opened my copy of Peter and Wendy and started reading. I would even go so far as to say that I prefer the film to the book. However, part of me wishes that the age rating had been set much higher, as the dark and gruesome moments were some of the strongest parts of the film adaptation. This is possibly why some critics and viewers had difficulty categorising the film at the time.

However, I often consider P.J.Hogan’s Peter Pan to be the same equivalent as Joe Wright’s Pride and Prejudice. (which came out a few years later in 2005, starring Keira Knightley and Matthew Macfadyen). The film moves at the same dreamlike pace. It is light, dark, colourful and deeply romantic.

I also often prefer P.J.Hogan’s Peter Pan to the 1953 Disney Animation of the same name, even though it’s the version I grew up with and liked. I find it much less straightforward and innocent. Also, the 2003 film is much closer to the original source material, which I loved reading as a teenager, and to J.M.Barrie’s original vision. The film manages to reflect the same intellectual subtext and depth of the novel while retaining the whimsy and magic.

Magical Realism

Peter Pan was a perfect blend of fantasy and realism. A lot of media these days focus too much on “realism” and make their sets and CGI look bland and washed out. It’s a common myth these days that no one likes whimsy anymore; it’s somehow seen as too childish. As a result, much of the magic of fantasy is lost. But in this Peter Pan, a lot of colour was used in the set design and cinematography. Everything was so brightly and colourfully lit. Most fantasy films these days, including the new live-action adaptation of Peter Pan and Wendy on Disney+, are all so gloomy and dark. You almost have to light up the screen to make out the actors’ facial expressions or what’s happening in the scene. But this film understands that a viewer who watches fantasy wants to be swept away, but also wants a certain amount of believability. Although the film contained a good amount of darkness, it did not shy away from being cartoonish either (which I think was partly inspired by the Disney animation), i.e. characters blushing or bouncing on the clouds.

The design of Neverland was breathtaking. I think the CGI, although criticised by some, made the island and creatures look more dreamy and fairytale-like. It was a good combination of CGI for the landscapes and real backdrops for the jungle, so there was enough magic and believability to transport the viewer into the story. A bright colour palette was used for the landscapes, while down-to-earth colours such as browns and greens were used on the ground, such as in “The Lost Boys Hide” under the tree, to give a sense of realism. The costume department also reflected this, from the majestic reds and blacks of the pirates, to the earthly colours of blue and red for the Native Americans, to the natural greens and browns of the Lost boys. I noticed that the colours in Neverland were used as a contrast to the Edwardian London back home, which is realistic but dull compared to the island.

One aspect I liked was that the lighting on Neverland always changed depending on the mood of the scene- unlike the naturalistic lighting on Earth. It was almost as if the island was a living being. For example, when there was a fight on the ship, the lighting was red. When Peter took Wendy to the mermaids, who were scary and frightening, the lighting was dark and blue. This created a surrealistic atmosphere, almost like a fever dream or a kind of nightmare.

Sometimes the environment changed depending on Peter Pan’s mood in the respective scene. I particularly liked how Peter Pan influenced the weather on Neverland. Just his mere presence when he flew to the island changed the entire atmosphere in an instant. His feelings also determined whether it was summer or winter. In other words, its suggested in the film that the longer he has been there, the more the island has become a part of him, so that he can no longer leave it. It’s almost as if the island has transformed him into a magical being.

The exuberant musical score by James Newton Howard: I’ll never forget that. I think that was one of the first movies I saw where I actively noticed the music because it was so brilliant. Even today, the “Flying” soundtrack still gives me goosebumps. It perfectly encapsulates the whimsy, joy and imagination of Peter and Wendy. I loved that there were always different variations. One of my favourite pieces from the movie is ‘Fairy Dance’, which starts off cheerfully and moves up and down depending on the characters’ conflict/what they’re saying in the scene.

Cast

The cast of this film adaptation was magnificent. The look of all the actors not only matched the book description, but also the mood, especially with the Darling family. One of the standouts was Olivia Williams as Mrs Darling. She captured the gentleness of the character perfectly. I also loved the new addition of Aunt Millicent, played by Lynn Redgrave. She fitted into the story so well that I was surprised not to find her in the novel. She had the perfect amount of ridiculousness and hilarity that suited J.M.Barrie’s style.

One particular member of the cast we can probably all agree on that was perfect, was Jason Isaacs, who played both Wendy’s father Mr Darling and Captain Hook. He was certainly a star in this film for sure. I just can not think of anyone who could play him better, especially in a live-action film adaptation. He was particularly good in the role of Captain Hook. When I first saw the film as a child, I did not know that Captain Hook and Mr Darling were played by the same person until my dad pointed it out to me because he was so good. I loved how they portrayed Wendy’s dad as shy and reserved, as opposed to Captain Hook who was flamboyant and sinister. Mirror versions of each other in different realities — that’s a common theme throughout the film. As Captain Hook, Jason Isaacs perfectly captured the essence of viciousness, deviousness and brutality that was necessary for the character. But also the deep loneliness and frustration behind it all. I have seen a quote that was supposedly cut from the film (and never should have been) that provides so much context for his hatred of Peter Pan:

“Imagine a lion in a cage and into that cage flies a butterfly. If the lion was free, it would pay no heed to such creature. But the lion is not free…and so the butterfly drives him slowly insane.” — Captain Hook

They did a really good job of showing how Peter Pan and Captain Hook are mirror images of each other. Peter Pan is a child who secretly wants to be an adult, while Captain Hook is an adult who secretly wants to be a child. Both fight each other for different reasons, but the goal is the same. For example, there is a great scene towards the end where Captain Hook uses his wits to defeat Peter in a fight. Here it becomes clear that there is deep symbolism for the inevitability of adulthood and the loss of childhood. Jason Isaacs really showed off his acting talent here. I liked that he wasn’t portrayed as a “dumb villain”, which he easily could have been.

There were also some great performances among the adults. Most notable was Richard Briers as the ‘pirate’’ Smee. But the child actors, especially the lost boys, really held the movie together. Their solid performances made it so believable that the island was ruled by children. I loved Theodore Chester as Slightly. He was very charming and funny in that role.

Another member of the cast I thought was brilliant was Carsen Grey, an indigenous actress of Haida descent, who played Princess Tiger Lily. I liked that they let her speak her ancestral language, Mohican, in this film. Although this film came out in the early 2000s, it is the only version of Peter and Wendy in which Native Americans are neither erased nor white-washed even though the representation is far from great. Considering how they’re treated in the novel, it’s perhaps for the best overall that they limited some of their scenes. However, I liked how firey she was in this adaptation and not the damsel in distress she was portrayed as in the Disney animation. I think it was a wise decision to cut the infatuation she had with Peter Pan, as it was really just one line in the book that would have added unnecessary drama, and all in all, it would have fallen short if all the female characters were jealous of each other.

They also downplayed Tinkerbell’s jealousy in this regard, portraying it more as her trying to protect Peter Pan’s youth from romantic advances, as hinted at in the novel, and also being sad that Wendy is attracting all of Peter Pan’s attention. Ludivine Sagnier has, in my opinion, succeeded well in making Tinkerbell equally repulsive and endearing, as befits the character.

Wendy Darling

Rachel Hurd-Wood was the perfect cast for the role of Wendy Darling.I was actually surprised to learn that this was her first film role ever, because she was a natural. She effortlessly possessed the same caring nature and charm that makes Wendy so endearing. She is exactly how I imagine the character when I read the story. When people talk about Peter and Wendy, they always mention Tinkerbell, Pan or Hook, but personally I am always drawn to Wendy. She is the real heroine of the story. After all, she was the main reason for Peter to bring her and her brothers to Neverland.

What always amazes me about Wendy’s role in the story is the fact that Wendy literally doesn’t spend much time being a “child” in the time she spends in Neverland. When she’s not escaping death at the hands of mermaids or pirates, she acts as a mother to the ‘lost boys’ and her brothers. She asks herself what she really wants from life. In comparison, she was allowed to behave more like a child at home in Edwardian London. Neverland is not a place where you never grow up. It’s the place where she chooses to grow up. Many people have described Neverland as a manifestation of Wendy’s subconscious as a result of trauma, and I’ve never found that to be more true in this adaptation.

One of the reasons why I think P.J. Hogan’s Peter Pan is the best adaptation of the novel is the fact that the film revolves around Wendy’s coming of age. I loved that they expanded on her love of storytelling and also gave her a tomboyish streak. Instead of just being on the sidelines, she’s able to get involved and fight pirates while retaining many of her feminine traits such as her maternal instincts and romantic feelings for Peter. She makes mistakes and sometimes gets dragged into things she knows she shouldn’t do. But in the end, she triumphs.

In many film adaptations of Peter and Wendy that I have seen, Wendy is either only present in passing or not at all. Characters like Peter Pan, Captain Hook and Tinkerbell always take centre stage, which I think is a strange decision as they are part of Wendy’s story and not the other way around. Peter Pan is meant to metaphorically represent the childhood she does not want to give up (which is why the character is always played by a woman in the original play, as he is a mirror image of Wendy). And Captain Hook (J.M.Barrie also wanted him to be played by the same actor as Mr Darling) represents the dark side of her father, or rather what she imagines adulthood to be. This is particularly emphasised in this film adaptation because he is an important factor in her being told to grow up. The father, the concept of adulthood, and Peter Pan, her childhood, are at constant war with each other.

“You’re not supposed to be like Peter, who kept every good and bad aspect of being a child and can’t tell right from wrong. You’re not supposed to be Hook, either. He let go of everything childish and loving about him and became bitter and evil..You’re supposed to fall in the middle, to hold onto the things about childhood that make it beautiful — the wonder, the imagination, the innocence — while still growing up and learning morality and responsibility. You’re not supposed to be Hook. You’re not supposed to be Peter Pan. You’re supposed to be Wendy Darling.” — @maybe-this-time

The 2023 film Peter Pan and Wendy took a different approach, by making Wendy a kind of powerhouse who always saved the day and outshone Peter Pan overall. In my opinion, the 2003 film adaptation emphasised very well that Wendy really is the yin and yang. She's allowed to be romantic, be rescued by others and at the same time determine her own destiny and stand up for herself. Because that’s what her journey in the adaptation is all about. She is pressured by all the adults in her life to grow up. She allows herself to be seduced with the prospect of an eternal childhood by Peter Pan. Then she realises that it is not self-fulfilling. She is tempted by Captain Hook with the concept of adulthood. And finally, she finds a balance between these two extremes on her own terms. By the end of the film, Wendy has made her peace with growing up while still remaining a child at heart. That requires a certain mental strength that we should all strive for.

Peter Pan and Wendy Darling

In most adaptations of Peter and Wendy, such as Hook and Syfy’s Neverland, the focus is on the title character Peter. In the more recent film adaptation Peter Pan and Wendy, the focus is on Wendy. This film adaptation of Peter and Wendy, on the other hand, sticks more closely to the original source material, as the story focuses on Peter and Wendy’s relationship. This is perhaps the reason why I always hesitate when I watch other adaptations, because these two characters are supposed to go together. It’s definitely a relationship that can be portrayed in all sorts of ways because they are symbolically the same person.

Although there is no romance between Peter and Wendy in either the original novel or the play, Wendy quickly develops romantic feelings for Peter which, as a prepubescent child, he does not consciously reciprocate as he has no concept of love other than that of a mother’s. Although Peter cares deeply for her, he ultimately only longs for her to be the maternal figure that is missing in his life. One could go into the symbolism that Peter and Wendy are one and the same, and that this is an expression of Wendy learning to love herself. But in a literal sense, J.M.Barrie had unintentionally created this very strong potential between the two characters. And I personally feel if your'e going to make an adaptation of Peter and Wendy that potential needs to be explored in some way, even if it’s not necessarily romantic.

Hogan recognised this potential and developed the romantic elements, e.g. ‘the “thimble” from the novel, into a very real and tangible plot. In other adaptations, Peter and Wendy’s relationship is rather one-sided. But in P.J. Hogan’s film adaptation, however, it is not at all. Over the course of the film, Peter and Wendy fall deeply in love with each other.

Rachel Hurd-Wood and Jeremy Sumpter had a remarkable on-screen chemistry for young actors, which helped give the adaptation its own identity. Whenever they interacted on screen as Peter and Wendy, it was — like the glittering pixie dust of Tinkerbell — simply magical. The off-screen chemistry between the two definitely helped make the romance so believable as well. When I was younger, I didn’t like romantic subplots in family films. I personally found that they clogged up the main plot because the “romance” tended to be very one-dimensional- but Peter and Wendy in the 2003 film version were simply enchanting.

In the original novel, J.M.Barrie alludes to the possibility of a romance between the two. In the film adaptation, they go all out. Their love story was written so beautifully and profoundly, while staying true to the original text and J.M.Barrie’s themes. This made the conflict hinted at in the novel of “staying in Neverland with Peter or growing up on Earth with Wendy” even more poignant and relevant, because in reality there was only ever one option. They couldn’t find a way to have both. That made the ending even more “heartbreaking” for me as a child, because even though they had the chance to be happy together, she couldn’t give up on growing up to stay. And he couldn’t give up being a child to leave, even though it was a natural progression for him.

Peter Pan

Jeremy Sumpter delivered a fantastic performance as Peter Pan. Not only did he perfectly match the illustrations, but he also managed to perfectly capture the essence of the charismatic, mischievous little boy from the novel. What’s more, of all the versions I have seen so far, he is by far the most accurate, right down to the clothes made of skeleton leaves, the dirty fingernails, the feral mannerisms, the traumatised soul behind the charm and the downright creepy insinuations. By today’s standards, you could almost take Peter Pan for a grown man who consciously decides not to behave like this.

However, when I watch the film again as an adult, I can now understand why he has reservations about growing up in Edwardian England and would rather remain a “child” in Neverland forever. As Peter says in the film, “Would they send me to school? And then to an office?” I feel like most of us today have so many choices as we get older, but back then it was much more limited. The choices were very restricted in that “heterosexist” environment. You could only be a certain thing, and it was much harder to hold on to the pleasures of life. I can now also understand the initial reactions of Michael and John to Peter: He must have seemed scandalous to people at the time. His bright colours, his inappropriate clothing and his behaviour are repulsive to the boys, but Wendy is immediately fascinated and attracted.  I think it was a deliberate choice that he is the only character with an American accent to set him apart from the rest of the cast; to emphasise the wildness of the character and his non-conformity to the people of Edwardian London.

Another small aspect I liked was the suggestion that the Lost Boys, although they lived with Peter and obeyed his commands, lived in constant fear of him and did not worship him as in other adaptations. (A fear that is justified as Peter tries to kill them more than once in the film). What the 2003 film adaptation captured perfectly about Peter's character was: how terrible of a person he really is. Peter Pan is a hero when he goes on adventures and fights pirates. You could argue — via the quote “Leave Hook to me” (which Peter says to her in the film) — that Peter is Wendy’s split self who can fight her father (Captain Hook) for her, just like antibodies do with germs when we can’t handle them ourselves.

However, when it comes to understanding emotions, caring about others, even his henchmen, the Lost Boys, and doing anything that inconveniences him, Peter Pan is possibly as bad as Captain Hook. This makes Wendy’s decision to leave him all the more powerful. Although she was initially seduced by his adventurous life, she soon realises that his “life” of joy and adventure is not fulfilling at all. Because in reality, there is no real joy. There is no real adventure. In reality, his life is empty because it is not earned. In addition, she realises that she is gradually losing her memory of the outside world, including her parents - a sign that she is “slowly awakening from the dream”. This leads Wendy to realise that she wants more than what he can give her in Neverland (e.g. romantic love) and decides to leave. Being alive means feeling, accepting and growing. However, as long as Peter remains a boy, he can never truly be alive. Peter Pan conveyed this important message, whereas earlier film adaptations, including the Disney animation, did not.

One of the reasons why good adaptations of Peter and Wendy are so hard to come by, especially in this day and age, is not only because they adapt a performative story that exists in layers of subtext. They also work with a protagonist who doesn’t change. Who doesn’t develop in any way, neither negatively nor positively. Not even just physically, but also mentally. (Even Eli from Let the Right One In, the child vampire, changes in the course of the story). At the end of day, Peter Pan is ultimately there to serve someone else’s story. It works in a fairy tale format. But it doesn’t usually translate very well to the screen because it often leads to one-dimensional storytelling. Even if it seems so natural, it doesn’t come naturally.

However, this adaptation allows Peter Pan to grow. The writers expanded on the small aspect from the book, which is the moment when Wendy enters Peter’s life; he begins to feel emotions. Not just love. But anger. Fear. Sadness. Pain. Disgust. And above all: self-awareness. Almost like a version of puberty in condensed time, as if the change suddenly caught up with his body. When Wendy brings this up, Peter immediately rejects it out of fear. I think most of us can all relate to this when we were in the midst of growing into a young adult. We experience feelings that are scary and new, that we can’t yet fully understand or even want to. For Peter Pan, falling in love is exactly what he is afraid of: growing up and no longer being a child. This adds to an interesting conflict that arises between the two when she asks him to leave with her.

“The thing about Peter Pan is, he’s a coward. Had the chance of a lifetime and he bottled it. Just fucked off back to Neverland. All alone, forever he was, by his own hand. Poor old Wendy, she had to grow old without him.” — Skins, 6x07 “Alo”

In the original novel, the reason Wendy can’t take Peter Pan with her (apart from the fact that he refuses to grow up) is the same reason Lyra in His Dark Materials can’t take Pan — the animal manifestation of her soul — on the boat to the land of the dead. She has to split in order to grow up and leave a part of herself behind. She can’t keep both in order to move on. But that does not mean I always agree with the ending either. In which Peter remains a child and takes Wendy’s future descendants to Neverland and back to look after him. It leaves an icky aftertaste, but at least it fits in with the story J.M. Barrie wanted to tell.

Even though the adaptation conveys the same message, that Peter Pan is the manifestation of Wendy’s youth, even to the end. In this version of Peter Pan, that is no longer the case. By the end of the film, the way he holds himself is different. The way he looks wistfully through the open window and solemnly says, “To live would be an awfully big adventure,” : a sign of self-awareness, while Wendy happily reunites with her family. So much so that Tinkerbell has to pull him by the hair to stop him from joining them and reconsidering his decision. Peter is now old enough to know that he loves Wendy. Maybe he’s also mature enough to know what he’s missing, but he knows he can’t have her the way he wants, so he does the most selfless thing he’s ever done in the whole film by letting her go.

There is no such conflict at the end of the 1953 Disney animated film. Peter Pan is described by Wendy as “wonderful”. In reality, everyone else gets their happy ending, except him, because he deliberately chooses not to. Peter Pan very much turns himself into a tragic figure because he is afraid of the most natural thing in the world. He is afraid of life. And I feel like this version of the story knew that and expressed it strongly, which makes me conflicted now as an adult. I’ve seen endings like this before, where two people fall in love but do not end up together because they grow apart or they are both interested in different things, and it’s very important to reach those points in different ways. It very much reflects real life and is also reminiscent of first love. How that love never really fades. It reminds you of simple times, even when you’ve grown up and moved on. That a part of you is still at that age when you look back on it. These endings happen because people grow — which Peter Pan does not.

“Peter in the books lives in oblivious tragedy. He may suspect that he’s not fully happy, but he tends to forget about it… yet this Peter doesn’t… Wendy leaving him and growing up to be a wife of another man is his unhappy thought…It’s the loss of innocence since Peter could not forget this…It’s the process of growing up…all but confirms that Peter’s character arc in the film is one of accepting the fact he too must grow up to be happy.” —  @rex-shadao

And I think that’s the real reason why his character is both the strongest and the weakest part of the adaptation. The writers didn’t make it clear enough that Peter Pan forgets in their version of the character. In the novel, Peter Pan forgets everything automatically, which is why he can exist in this limbo of childhood and not go mad. However, as mentioned earlier, this version of Peter Pan is old enough to remember and, more importantly, to feel. Even though he is the closest to J.M. Barrie’s original vision, unlike his counterpart in the book, he is capable of evolving. That’s why the ending sometimes feels strange to me as an adult.

It was hard to say why I had a strange feeling at first, but I realised that a lot of my mixed feelings stemmed from having seen the film adaptation fresh after reading the novel. Since Peter Pan fully reciprocates Wendy’s love in this version, he ends up being a different character than in the book, which is why I now disagree with them keeping the original ending instead of having him grow up with Wendy. It would symbolise that childhood can co-exist with adulthood, that you don’t have to leave a part of yourself behind. That you can be your true and complete self if you find the balance between the two extremes.

The original ending still works however, in all its bittersweetness. I know what it means and understand what it stands for. Wendy basically says goodbye to her childhood and promises never to forget it. There’s a reason it made such an impression on me when I was younger. It could just be because I’m trying to pick up all the pieces of my broken heart from the floor. But personally, as an adult, I just find it weaker compared to the novel. Sometimes I like to imagine an ending to this version of the story where Peter Pan comes back, having quickly realised that he has outgrown Neverland, but doesn’t meet Wendy again until they are both much older, at a time when Wendy is coming to terms with womanhood and the idea of marriage. Or she even meets his real earth counterpart (if we were to delve into the psychology of Neverland being Wendy’s dream). And their relationship is subjected to the natural test of time and growth.

Peter Pan is an almost perfect adaptation. It matches the humour, the tone and the vision of J.M.Barrie. But I can certainly understand why the film didn’t do so well at the box office. In the month it was released, there was an unfair amount of competition, namely the film Lord of the Rings — The Return of the King. And as an adult, I can now understand why it’s not the film people think of or remember when it comes to Peter Pan adaptations. And it’s not just because it doesn’t fit the elfish, jolly trickster persona that Disney has created.

The film adaptation suffers more from what it doesn’t do — such as maintaining a stable tone and consistent editing — than from what it does. It’s one of those films that would have benefited from being much longer. That way, the inconsistent tone and some of the rushed parts of the adaptation would be much more balanced. It feels like it was missing an extra twenty minutes. For example, the film is narrated by an older version of Wendy, but without the deleted ending where it becomes properly clear that it’s her telling the story to tie everything together, the ending feels a little abrupt. Say what you will about Tim Burton’s adaptation of the Series of Unfortunate Events, but the audience could see where the film’s narration was coming from the whole time. I think if they knew the alternate ending wasn’t going to work (that scene is a classic example of something working well in the novel but not in the film), they should have removed the narrator altogether with the deleted ending and adjusted the film accordingly. They should have extended some scenes so that parts of the film weren’t rushed, such as the introduction, and the story would have been left more up to interpretation as there was no voiceover throughout.

Despite its weaknesses, P.J.Hogan’s Peter Pan is still an underrated masterpiece 20 years later. It is an irresistible film that captivates and warms the heart. The film adaptation has certainly stood the test of time, staying true to the original while adding its own flavour to the story. It is full of magic, wonder and heart. It was clearly made by people who loved the origins of the story and explored where they came from, while also digging deep into the text to reshape the character arcs in a fresh and meaningful way. They succeed in capturing J.M.Barrie’s original message, which is that growing up is a natural progression of life, but that doesn’t mean leaving childhood behind entirely. That it is important to maintain a healthy balance between the two: Taking responsibility while appreciating the joys of life. From the vibrant colour palette to the goosebump-inducing music to the solid performances and gorgeous chemistry between Jeremy Sumpter and Rachel Hurd-Wood, my love for this adaptation will never end, no matter how old I am.

[stingrayextraordinaire]

Neverland Moodboards // Captain Hook

Aye, that's the fear that haunts me.

[chess-blackmyre]

People who have NEVER seen Once Upon a Time, tell me which of these plot points you think I’m lying about.

[rollercoaster-robot]

Hi everyone!

I’ve noticed that the Disney’s Peter Pan (mostly Captain Hook) fandom is a lot more alive on here than any other social media. I’m very new to Tumblr and have no idea how it works so excuse my lack of knowledge!

I have spent the past few years obsessing over Captain Hook and the Jolly Roger crew, I’d love to share my art and interests with you all! Fellow pirate fans feel free to message me so I can follow you and see your fan art too!❤️

Here is a small Hook doodle from years ago for now!

[pinkspiderbug]

I-

[one-time-i-dreamt]

I was in Neverland, and Peter Pan showed me that he had a hook for a hand. He told me that he cut off Hook’s hand to them even. I accepted this without question and watched them fight.

[plutoswritingplanet]

Lady Disdain (Captain Hook x Reader)

a/n: so i know i’ve been gone for like a year, but here, have this captain fucking hook smut jesus christ what am i doing.... (jason isaacs is hot tho, so can you blame me?)

Warnings: Dream Donging, Female Reader, Shakespeare quotes as foreplay

Summary:  Dreams can be a fickle thing. You're about to discover that, as Neverland drags you into a chance encounter with the devilishly handsome Captain. (cross-posted on ao3)

The first thing that rattles you from the calm embrace of sleep, is the smell. Gone is the fain scent of a coffee you've made and left forgotten, replaced instead by seawater and fresh air. Your nose scrunches, as new sensations flood your system. And then there's light. Not from the dim lamp in your apartment, but from the sun, warm and bright, coloring the insides of your eyelids orange. Ultimately, that's what brings you back to reality. There is no way you have direct sunlight in your room, so either your roof has fallen in while you've slept, or something even weirder happened.

As you finally open your eyes, you're hit with the realization, that something weirder indeed had happened, because as your sight accommodates to the sunlight, you realizes, this isn't your room that you're standing in. No, there are rough planks underneath your bare feet, splinters just about ready to break your skin. The wind blows around you, messing up your hair and tugging on your night gown. Wait... Since when have you been wearing a night gown? You remember, quite clearly at that, going to sleep in one of your favorite shirts. Your hands tug on the almost sheer fabric, the ruffles slide between your fingers as you marvel at the feeling. There's no way in hell you would be able to afford this from your minimum wage job.

- Captain?

Your eyes snap up, looking straight at a stocky, short man, dressed in a striped shirt, a red beanie on his head. Nervously, he reaches towards his face to push his small glasses up his nose.

- There appears to be a... uh... A woman, on the ship. - he says, hands shaking.

Your hands fly on instinct towards the hem of your gown, pulling it down, over your knees. Suddenly you realize, this really isn't your apartment, and even if this is a dream, being stuck on a ship with a bunch of strange men is not an ideal situation.

- Yes, Smee, I can see that.

Another voice joins the conversation, and with a gasp you look up, towards the steering wheel. There he stands, slowly walking down from his spot above the whole ship, movements elegant and smooth. In all your life, you've met many men, short, tall, skinny and fuller. Some of them pretty, some of them handsome. But, you've never seen a man quite as beautiful as the one walking towards you with such flourish, it takes your breath away from your lungs. The man pushes Smee out of the way, his lavish outfit and a gigantic hat covering your entire field of vision. There are black feathers all around his collar, mixing with lush, inky black locks of hair falling down past his shoulders. Icy blue eyes stare at you with intensity you've never experienced before, before his lips quirk up into a small smirk under his well-groomed moustache.

- Captain James Hook, at your service, my lady - the man bows down, taking his hat off, and you take a step back as the main, gigantic feather brushes over your feet.

- Am I dreaming? - is the first thing you say in this strange scenario, voice quiet and unsure.

The man looks up at you with a brilliant, roguish smile, before slowly pulling himself back to his full height.

- Who's to say? - he answers in such a cryptic way, you feel a sudden urge to roll your eyes.

Deciding for your own mental safety, that this is, in fact, a dream, you grab both sides of your gown, and bow slightly, just like you've seen in the movies. The Captain smiles at your curtsy, before reaching towards your hand. He takes is, rather gently, and brings it towards his lips, keeping eye contact with you and... Oh...

So this is "that" kind of a dream.

Your heart does a somersault in your chest, and you can nearly feel the blood, as it travels straight to your cheeks.

- What is this place? - you ask, after clearing your throat - Who are you people?

As you look at the crew, that has slowly gathered around you, you can't help but notice the way the Captain's expression of friendliness seemed to slip, just as your eyes left him. Replaced by a much more sinister, scheming glint, that sends a shiver down your spine. No matter, dream or reality, you were not about to let your guard down, especially around someone so obviously maleficent.

- This - the Captain makes a broad movement with his left hand - Is the Jolly Roger, the fastest ship on all Seven Seas. And we...

Your eyebrows furrow slightly, as you see the man approach you, swiftly invading your personal space. He smells of tobacco and rum, mixed in with the ever-present smell of the ocean and warm skin. It's nice, too nice, too easy to get intoxicated on. Acting on instinct, you start to walk back, him matching you step for step. Your back hits the wood of the mast, but the Captain doesn't stop, his figure towering over you, as he cages you in your spot.

- ...Are Pirates.

His words are but a whisper, shared between the two of you in a mockery of intimacy. For a split second, you think, you would like to wake up now. Because the Captain's eyes bear into you, like they're trying to drill holes into your very being, and his left hand comes up to caress your chin, pushing it up, until you're forced to look at him fully. Your breath comes out of your mouth in quick pants, heat rising from your chest all the way to the tips of your ears.

- Unhand me, Captain - you try, much weaker than you've intended, and the man flashes you a grin.

For a second, you're struck with how white his teeth are. A strange observation, but when was the last time you've seen a pirate with good oral hygiene. Then, as if a bucket of cold water has been dumped on you, your thoughts start to gallop, one, clear one forming between your ears. You don't like being in this situation.

And so, bracing yourself and taking a strong breath, you raise your hand, place it onto the man's chest, and push rather hard. He seems to be startled by the contact, eyes flickering to your hand, and back to you in confusion.

- For a man of such high standing, you sure lack manners - you wonder if the surrounding men can sense your demeanor is a lie.

By the way some snicker, you guess they can. Captain Hook raises one eyebrow at you, regarding you with a skeptical stare, and then he brings up his right hand. There it is, gleaming in the sun, a sharp, curved hook attached to where his hand should be. Your face falls, and the man smiles cruelly.

- Case and point - you mutter, eyes never leaving the weapon. - I'll have you know, I'm a respectable lady, and I deserve to be treated as such.

Captain Hook laughs, a short snicker, before regarding you with a look filled with irony.

-  A "respectable lady"? On a ship filled with men, in only her night gown?

Now, that sparks a fire in you, hands on your hips, you stand your ground against the Captain's oppressing posture, all the rage and fire following you in tow.

- I'm not responsible for my circumstance!

- Neither am I, I assure you - he raises his hands in mock surrender.

- Oh? And I'm supposed to just trust a Pirate's word like that? - you throw him a judgmental stare.

The man laughs again, his head inclining towards you in something, that vaguely resembles a show of respect.

- Wise, very wise, darling - your eyebrows shoot upwards at the new form of endearment - What are your demands, as a respectable lady?

You think for a second. In your mind, you haven't really arrived at that point yet, and making something up on the spot would pose a risk of exposing, just how much you have no idea what was going on. And yet, it's just a dream, isn't it? Soon, you'll smell your day's old coffee, and wake back up in your apartment, with no ocean in sight. Why not indulge yourself for a moment, while sleep holds you in its arms?

- I demand a tour of the ship - you announce triumphantly.

The man laughs, his eyes jumping around his crew, as if looking for a confirmation, that what you've said demanded ridicule. Apparently, it did, because all around you, you could hear snicker after snicker. You comfort yourself with the fact most of them sounded forced.

- Is that all? - the Captain already takes a couple of steps in your direction, and panic rises in your gut at his proximity.

- And do me no harm in the process!

That makes him laugh again, this one is loud and booming. Before you can get properly mad at him for laughing in your face, however, he takes off his lavish hat and bows again.

- Your wish is my command, my hearty.

Your face twists at the nickname, but you decide to say nothing, not wanting to push your luck, especially after being confronted with his deadly prosthetic. It's just a dream, you remind yourself in your head, as he comes over to stand by your side, arm sliding around your waist. It's just a dream, you keep reciting, when you feel his fingers pick at the thin fabric of your nightgown.

- ...Just a dream... - you mutter, and if he has heard, he decided not to comment, opting instead to pull you towards him, as he began to walk around the ship.

To his credit, the tour of the upper deck is completely respectable and rather interesting. As he explains the different parts of the ship, and introduces his crew along the way, you begin to slowly let yourself be carried through this weird experience. The hand on your waist no longer bothers you, even as it travels towards your hip from time to time. The crew is respectable enough, although the energy feels tense, whenever you're allowed to talk to them. As if everyone knows something that escapes you, some terrifying truth that you're not privy to. It's just a dream though, so you push your worries to the back and lean into the Captain's warm embrace.  

- And now - the Captain leans down to flash you a cheeky grin - pièce de résistance.

He opens the ornate door in front of you with his usual flourish, and you gasp, as you enter the most richly decorated room you've seen in your entire life.

- The Captain's cabin. My cabin. Just like the Royal Palace, isn't it?

You laugh, eyes searching the room in wonder, taking in all the splendor and the treasure. There's a beautiful, black piano standing in the corner in the room, pages upon pages of music sheets thrown around it in disarray. Your eyes skim over the papers filled with black ink. And then, you see it. A gigantic bookcase, climbing the entirety of a wall, from top to bottom, filled with books. Your heart nearly jumps at the sight, and you cross the room with determination.

- Oh, this is just wonderful - you whisper, eyes flowing over the titles, some you recognize, some you don't.

You reach towards one of the books and pull it out with a smile.

- "Much Ado About Nothing" - you announce, and immediately step back, collidig with the bookcase.

You have no idea how the Captain managed to sneak up towards you so quietly, but here he stood, mere inches from you, one arm braced on the bookcase, his long black hair framing his face. His hat was left on top of the piano, and his coat became abandoned as well, leaving him in just a silk black shirt and leather trousers. An interesting combination, worthy of a rockstar.

- Do you enjoy Shakespeare? - he asks in a quiet, casual tone, as if the situation is the most normal it could've been

You swallow hard, regaining your composure, bringing the book closer to your chest, as if to shield yourself from his oppressing aura.

- Not particularly, no - you admit - This is an exception.

The Captain pushes closer, and your eyes start to search a way for potential escape.

- What is it about?

- Oh... it's... - you stammer, the hard cover of the book digging into your chest from how hard you're holding onto it.

His smell invades your senses, swirling in your mind and bringing blush back to your cheeks. Slowly, but surely, you begin to be entranced by this strange, dangerous man. Even the gleaming hook propped right above your head doesn't hold as much power as it used to. It all feels so intimate, nearly suffocating. It makes you wonder. If you're dreaming, what harm could be done, in letting yourself be seduced by this beautiful pirate?

He answers for you, his left hand coming up to brush hair out of your face, silver rings bringing stark, cold contrast to your heated skin.

- It's about two people, who hate each other, but over time discover they're in love.

- Ah, a love story? -  his eyebrows furrow - I was never a fan of those.

You shake your head slightly.

- A love story, in a way yes. Mostly it's just funny. - you try to defend your story - But yes, the romance part is beautiful and witty, it's inspiring, really.

Captain Hook leans down, his hand leaving your face and sliding towards the book. Slowly, he worms his fingers under your hold, pulling the book out of your hands. You stare at him in confusion, as he skims through the pages, eyes jumping over the words with an unreadable expression.

- "Some Cupid kills with arrows, some with traps." - he reads out loud, and you watch his eyes crinkle, as he shoots you a smile. - Wise words.

You observe with growing anticipation, as he opens his hand. The book slides out, falling to the floor with a thud. Your eyes snap back to him, catching him in the process of staring at your lips.

- “I had rather hear my dog bark at a crow, than a man swear he loves me.” - you whisper.

- So cruel - he muses, the ghost of his breath fanning over the side of your neck. - I shan't even suggest "love", my darling "Lady Disdain". I do, however, require payment for guiding you through this ship.

His working hand climbs the expanse of your neck, pushing your head up, enough for you to feel the bookcase behind you. Acting on instinct, your leg travels up, the night gown slipping, exposing your thigh.

- And what would that payment entail? - you ask, your heart thrumming hard against your ribs, like a bird still longing to be freed from the cage.

- A kiss.

Your heated stares meet in the corner of your left eye, where he hovers over your pulse point. Soon, your lips pull back into a crooked smile.

- Just a kiss?

- And whatever more you can give me. - his eyebrows knit together, as he answers with a pout on his lips, a poor attempt at acting innocent.

As if there was ever a time for innocence, on this strange ship sailing through your dreams. So, you arch your back from the bookcase, hand coming up to drag itself along his arm. Meanwhile, your leg hooks itself around his calf, intention clear as day.

- What will I get in return, should I decide to give you more? - you say in a low voice, the huskiness of your tone surprising, but welcomed by the Pirate with open arms.

The cold metal of his hook startles you, as it begins to travel from behind your ear, along the main artery, until it rests between your collar bones.

- You'll become one of my most valued possessions.

At this, you frown with no real malice behind the expression. It is a dream after all. That being said, one of your hands reaches up and behind him, fingers worming their way into his soft hair. It takes one gentle scratching motion to his scalp, and the Captain nearly moans, his knees buckling under your touch. It soon became clear as day he wasn't used to physical contact, or at least, didn't get much of it.

- I'll have you know, I treasure my freedom greatly. - you counter, fingers tangling themselves into his black locks and tugging ever so gently.

- Is that so? - his voice cracks, but he tries to hide it, by dragging his hook down the front of your body, until it catches onto the fabric of your night gown. - So do I. But sometimes, one needs to take some risks, to gain something one wants.

- And what is it, that you want, Captain? - your question dissapears into his mouth, as he finally closes the distance between you.

To his credit, at first he tries to be gentle, to go slow and sensual. But as soon, as you allow him to continue kissing you, all pretense goes out the window. His beard scratches your face, as he presses himself impossibly close to you, tongue slipping past his lips and nearly forcing itself into your mouth. You grant him access with no grace left, sighing loudly, when his teeth drag themselves over your bottom lip, biting hard enough to draw blood. He laps the red liquid like a man dying of thirst, and you start to wonder, perhaps your sleep-deprived mind has conjured a pirate vampire.

Finally, when you think your lungs can't take any second more without air, he pulls back. His eyes scan your face, and his expression turns smug, as he notices the redness around your lips, the way they are swollen from the kiss.

- Right now, I want to take you over this desk there. - he answers your nearly forgotten question, and your heart lurches from your chest.

- What are you waiting for, then? - perhaps, you sound just a little bit desperate, but why should you care, it was just a dream after all, and you were far too turned on to play any more games.

So, you squeal in delight, as his arm sneaks under your thigh, and he hoists you up. Your arms immediately encircle his neck, and as he carries you over to the desk, your mouth begins a journey of exploration of the space under his chin. Your tongue darts out,  licking a long stripe along his pulse, and you begin to worry he'll drop you, from the way his entire  body shivers.

Soon, your ass hits the surface of the desk, rich mahogany carved into many intricate designs, never to be appreciated, because as much as you'd love to explore all the antiques, the man before you looks much more appetizing. God, he's beautiful, as he towers over you in all his glory, hair ruffled and shirt even more undone than before. His eyes bear into you, and from where you're sitting, you start to feel like prey, waiting for the predator to strike. And so, he does, his hooked hand coming up to your gown, and dragging it down. You gasp, as the fabric tears, falling alongside your body in long stripes.

- You'll be the death of me - the Captain mutters, eyes slowly climbing over every inch of your exposed skin.

And then he dives in, like a man starved, and all you can do, is angle your neck to give him better access. There's no need for tenderness, as he all but ravishes your neck with rich kisses, his working hand roaming every inch of your exposed body, still, carefully avoiding the one place you needed it the most. The ,almost, painful pressure between your legs starts to build up, not enough to tip you over the edge, but enough to make you annoyed at the lack of any real friction. So, with a furrowed brow and a desperate pout, your hand finds purchase, tangled in his soft hair. Before long, you pull at the roots. Hard.

His head snaps back, teeth snared at the pain you were suddenly causing him. He gives you a confused expression, and you have to shake yourself from the trance his wild eyes put on you.

- Fuck me already, would you? - you pant out, shame thrown out the window.

You can see his face morph right before your very eyes. From slight confusion, to pure, focused determination. You nearly laugh, as he lets go of you almost imediately, in favor of trying to get his pants untied and off of his body, cursing under his breath, as his hand just can't seem to work fast enough. With an affectionate smile, you pull yourself up, hands coming up to help him, detangling the strings holding his leather pants together. Before you can get a glimpse of what's awaiting you, his hand grabs yours, pushing your body down, to lie on the surface of the desk.

Wooden sculptures dig into your naked skin, but at this point, you can't find any care in the world, because his pants are down, and he watches you with such intensity, one would think you're a science project. You can't trust your words, so you just nod your head,  in response to his silent request for permission. Soon, all thoughts leave your head, as he pushes in, in one, smooth, languid motion, as if savoring every miniscule twitch and twist of your body.

It's obviously been a long time for the both of you. Bodies finding familiarity in almost forgotten rythm, that starts slow, sensual and close. His breathing is shaky. You can feel his chest expand, his heart thrumming against your own. You allow yourself to get used to the feeling of having him inside you, each push and drag melting away at your bones, as your hands find their rightful place, scratching his working shoulder blades.

- C'mon. - you breath after a while of this tender love-making, and as if on cue, his hips snap up.

A squeak dies on your lips, as the Captain leans down to kiss you, his pace becoming faster, hips trying to move deeper. Soon, your whole body jumps on the surface of the desk, as the wood creaks rythmically under the weight of both of your bodies. You have the half-mind to note how sturdy the piece of furniture is, because the way this man above you is going, most of the surfaces in your apartment would've been reduced to splinters by now.

The Captain continues his ministrations, as the both of you grow closer and closer to you finish lines. Your voice slips past your lips as low, guttural groans, the pressure building seemingly with no chance of stopping it. You just need something to tip you over the edge. Pushed by the need for your own release, your right hand leaves the, now covered with sweat, back of the Captain, in favor of slipping between your conjoined bodies. You start rubbing quick circles, something to help you reach your goal, and as your body spasms, your voice grows ever-louder.

The man in front of you nearly trips in his fervor, your moans clearly affecting him. His brows shoot up, towards his hairline, as his hooked hand smashes itself into the surface of the desk. You would've been more alarmed by the violent outburts, if you weren't currently experiencing, what could easily be called one of the best orgasms of your life. Finding purchase in his stuck hook, the Captain resumes his work, going harder now, chasing his own high.

It doesn't take him long, before he topples over, moans and curses spilling freely from his lips, as his whole body weight crushes you. You're too close to being overstimulated, and you whine, as he finally slides out of you, leaving you with a feeling of emptiness, but satisfied nonetheless.

It takes the both of you a while to recover, as you stay for just a moment longer, tangled in eachothers arms, breathing slowly evening out. His head lifts from your chest to look at you, and you push sweat-drenched locks from his flushed cheeks.

He smiles, and for the first time, you can't see any ulterior motive in his expression. It's soft and serene, his eyes glossed over.

- Will the payment be sufficient? - you ask, voice hoarse from all the screaming you've just done.

- Entirely - the man laughs, and you can't help but giggle yourself.

Your body feels heavy with exhaustion. You let your head fall with a thud onto the desk. With half a mind, you note his body weight leaving yours, but there's no energy left in you, to try and look at him. Instead, you choose to close your eyes, the immediate relief of the darkness nearly wrenches a sigh out of you. Blood is pumping through your veins, you can hear it hum in your ears. The desk is slowly getting softer and softer under your body, as if your limbs become accustomed to the wooden surface.

And then, just as you're about to ask for a glass of water, or rum, or whatever the Captain chooses to drink, you smell a familiar scent.

Day's old coffee.

[kerrsei]

Works surprisingly well...

[daily-eah-facts]

Fact #2: Captain Hook and Peter Pan's daughters are backgrounders and seem to be extremely friendly to each other.

Source: the episodes