#Pinch Raccoon

[pinchraccoon]

Pinch Reviews: Castlevania: Nocturne

I watched the new 8 episode series from Netflix and Powerhouse Animation, Castlevania: Nocturne. Nocturne serves as a stand-alone sequel to 2017's 4 season "Castlevania" from the same production hands.

While this Tumblr blog is to keep my followers up to date on the games that I've played lately, I have been slacking on my reviews and I am hilariously behind. This is to say, since my initial playthroughs of Rondo of Blood and Symphony of the Night, I've engrossed myself in the Castlevania series wholly, having played a total of 8 games in the series this year, and watched the initial series as well.

This review will come from someone who holds the games in very high regard, and *particularly* the stories and characters of Rondo of Blood and Symphony of the Night.

I'll be starting with a largely "spoiler-less" review of the series for those who would like to watch it, and it'll consist of about 1 paragraph of text.

Castlevania Nocturne is absolutely unrelated to Castlevania at large, with only tangential thematic or plot themes that connect it to the series' larger identity. While some might point to the presence of Vampires, Belmonts, and magic and say "well what else do you need?" I find many aspects of the series' identity in campy fun, but interesting and thoughtful instances of character writing the likes of which are seen in games such as Lament of Innocence and Aria of Sorrow, as well as the immense colorful, high-contrast visual style present in Castlevania media since the *very* beginning as elements that I lament the lack of presence of. At numerous points in the show, I thought "Why is this Castlevania? None of this is related to anything Castlevania? Why not just make an original property?" Which I personally find to be a damning sentiment, but I cannot fault the show for that which it doesn't do. To longtime Castlevania fans, you may find the show somewhat underwhelming. However, on a more general term, the show features more instances than not of choppy, flat animation, flat character writing, an irritating dialogue style, and underwhelming gore elements. However, they do *some* good things! There are a few characters who I could see viewers latching onto, and there's occasionally something cool that happens.

With that out of the way, I'll now be entering my *Very Spoilery Review*

First and foremost, Castlevania Nocturne's premise, while not completely and inherently distasteful, nor impossible to do in a way that's interesting, is done incredibly distastefully and uninterestingly. I am referring specifically to Nocturne's insistence on hilariously, absolutely wildly evil Vampires who "run the planet" essentially, who are motivated to put down the French Revolution because the existence of Democracy threatens the ease of the Vampire elite to control the Royalty of the world. I expressly don't think that this is a dumb, uninteresting, or distasteful idea inherently, HOWEVER, due to the nature of Vampires existence in their original literature and folk lore implications, it's incredibly easy to see the anti-Semitic, anti-immigrant inherent themes of Bram Stoker's "Dracula" all over it.

Again, I'd LOVE to see an idea such as this executed properly, however that isn't present here. Here's why. Nocturne features a cast of characters whose motivations are all in some way or another related to incredibly flat vampire characters who do nothing but kill for their entertainment and pleasure. I'm not calling for a reason to not kill the bourgeoise in the French Revolution, I just want a reason to latch onto the motivations of the characters in a way that isn't just "they're a different species than me and are also doing like, slavery and taxation and stuff and they killed someone close to me." Genuinely, EVERY SINGLE main cast member has someone who was killed by one vampire or another in the past, and while that works somewhat to unite the heroes emotional issues such that they can support one another (theoretically) it serves to illustrate the entire, sentient, living, vampire "species" as comically evil, wildly uninteresting, and most damning, caricatures of marginalized people being blamed for controlling all of human civilization. Which, to spell it out more blatantly to avoid the lack of nuance present on the internet, becomes uncomfortably synonymous with long-running theories of jews, or "lizard people" controlling government institutions.

I want to compare to Castlevania's own interpretation of Dracula as a way of demonstrating a "controlling vampire" done Right. Dracula has *very specific* *very pointed* origins and motivations that make him a far more compelling, and more than that, HUMAN, character who has a degree of feeling, despite the evil that he performs. Dracula does what he does because he's hurting, and he feels as though the world has turned and left all it's goodness behind, which, in his eyes, is the truth! It's not that he wants to control all of humanity, it's not that he wants to be worshipped as a god, it's that he just has beef, like people do.

Few to none of the vampires hold that same quality of "beef" in Nocturne. Most of the vampires don't speak, save for a few main heads of their movement, however, even these heads hold hilariously overblown, stupid, uninteresting, unsympathetic motivations that JUST serve to make me hate them on the notion that they're Objectively evil. Like, OF COURSE, I hate the Caribbean slave-owner vampire, and OF COURSE I side with Annette on hating him. He was a slave owner? Duh? You don't need to provide a thousand other scenes of the man being just flat out cruel in the interest of making me hate this man More. Half of his lines are belittling Annette, the other half is justifying slavery, and I'm not exaggerating.

Or, perhaps, consider the "main villain" of the show, Bathory. She's built up as "The Vampire Messiah" for FOUR EPISODES before we actually see her, and then when we do, FINALLY, get to see who this OVERWHELMING threat is, she just laments about, get this, HATING THE SUN. Of course she hates the sun, she's a vampire! That's the actual lamest conceivable motivation. Not to mention, she's insufferably annoying and isn't remotely entertaining to watch, nor are we ever sold on her power to any degree whatsoever other than a bunch of side characters saying "ah, well, she drank the blood of the Egyptian Goddess Sekhmet, so she's pretty strong, we would die for her." When your allegory for the ruling class is this comically evil in the "killing and maiming people" way as opposed to the "capitalist allegory" way, it reads as really wildly uncomfortable.

To summarize the last point, because of the commitment to making each and every vampire character comically evil, and the premise combined, it easily reads far too similarly to monster literature of the past which would seek to conflate the evils of the monsters in question with a specific demographic of people, which is uncomfortable to watch, and rather distasteful to write.

But my distaste for this show doesn't end there!

I'd like to discuss Annette. A lot of people are getting mad regarding "race swapping" or "omission of character in the interest of wokeness" which I think is a load of shit that I couldn't begin to entertain. I am not perturbed by the same things that those people are. Instead, I feel that the explanation of Annette and Edouard's backstory is incredibly poorly paced, and above all, gratuitous in their depiction of black generational trauma.

Annette in this series is an escaped slave who comes to France in search of a Belmont in order to hopefully be able to kill the Vampire Messiah who was foretold to increase the scale of the institutions of slavery that Annette had been fighting against for her entire life. I actually really like her motivation and how it reflects very real attitudes of Caribbean revolutionaries regarding how they felt about the French Revolution. But my main issues with the communication of her motives comes in the gratuitous depiction of a slightly dramatized form of the *very very real* trauma of slavery. This isn't like Toni Morrison's Beloved, or even something like Django Unchained, both of which don't shy away from detailing slavery in as gruesome of detail as possible for the purpose of demonstrating character as well as history. Nocturne demonstrates slavery comically, as it attempts to roll it's own fantasy elements in the same breath as their real-world slavery depiction. For example, the reason that Annette's mother is killed isn't related to the injustices of the notion of slavery in general, it's instead because her mother was practicing magic. I find that these elements in conjunction with one another create a dissonance that puts a bad taste in my mouth, all for the only real payoff to be such that Annette is knowledgeable of, and holds hatred to, the institution of slavery as well as magic.

It isn't a BAD thing to discuss, depict, or have subject matter related to slavery, that's absolutely not what I'm trying to say. What I feel that the issue here is is that a significant amount of the information and cruelty shown could have been omitted and the viewer would have the same understanding of Annette's character. Because they committed far more to demonstrating than was necessary for what elements they were attempting to explore, the incredible commitment to demonstration of black generational trauma feels gratuitous and somewhat cruel. Sorta like the writer is holding it over your head like "hey! you! did you know that slavery is ALSO bad when vampires do it? let me show you some just TERRIBLE subject matter to let you know!" Like, yes, I knew this already, slavery IS evil and is perhaps THE MOST evil, so we were already on the same page here.

This concludes my largest issues with the show from a standpoint of legitimate mishandling of social issues and sensitive subject matter, the rest is more about the show in general.

I don't entirely dislike the way that Richter is written on the macro scale in Nocturne, I feel that his very real connection to the Belmont Clan and the depictions of his mother Julia Belmont, as well as his grandfather, Juste Belmont (who I felt happy to see), was very interesting and worked to the themes. BUT: On the individual, what the character says level, I find Richter SO annoying. This is related to a larger dialogue writing issue with the show in general, which is the inclination to curse like a third grader who has just learned of what swearing is. The number of times that a character uses the term "fuck" or "fucking" purely to provide unnecessary emphasis to their sentence that was perfectly good without swearing comes of as flat out cringey. Now, I swear a lot! I'm not *against* swearing! But the way that Richter and every other character is written makes them all feel unbelievably annoying. Heroes, villains, everyone says "fucking" like it's going out of style! So much so that I might propose a drinking game where you take a shot every time there's an unnecessary use of the word "fuck" in a scene. Granted, I can guarantee you'll be wildly hungover the next day, so I can't recommend doing that.

One particularly damning scene is Richter's moment of personal growth this season, realizing that he has to fight with the whole of him to protect those who he loves, and has a cool fight scene with a bunch of vampires, in which he then says This:

GENUINE COP OUT. I cannot stress enough how every single character's childish inclination toward being edgy by swearing undermines every single character.

I'm beginning to ramble somewhat though, so let's touch on a few things that I think were good and bad, but don't have a ton to say about before we wrap up.

-Drolta is a cool character, and genuinely should have been the only main villain of the show. I also adore her character design.

-The action scenes lack interesting gore, which I felt was a overwhelming positive of the 2017 Castlevania series.

-The monster designs (and show in general) lack color, and it feels like a deliberate attempt to push against the legacy of the source material.

-The animation is excellent when characters are using whips, but very jarring in scenes of standing and speaking, or even in the use of magic.

-Tera is an awful mother figure character and I felt nothing when she was turned in the finale. It doesn't help that they only drew her face twice and copypasted it between scenes it feels.

-The romance plot between Richter and Annette appearing at the end of the show is the Most Forced shit I have ever seen, almost like the writers forgot that they were love interests in the original and decided that of All of the things they had to include that that was INDISPENSABLE.

-Richter, Annette, and Maria's dynamic as a group barely exists beyond each of them calling eachother "Wankers" "bastards" and other terms of endearment. It's a hollow and ineffective means of emulating the good writing that Trevor, Sypha and Alucard had in the 2017 series, and was that show's highlight.

-I like Edouard's arc of being a monster with a soul, and it DOES help to begin to demonstrate the theme of "the lack of absolutes in good and evil", which I'll discuss later.

-Olrox is excellent. He's written well, his motivations are kept close to the chest, and he's genuinely intriguing as a character. I quite like his motivation, I like his design, I like his voice, no he's great. Best part of the show, honestly. (and the only evidence thus provided [save for alucard] of a "not completely evil" vampire)

-again, the commitment to every character exaggerating their sentences by cursing like a child is unbelievably grating.

My final point is one related to whether or not I think that in it's current state the show is worth watching. Generally, with shows, I prefer that the show have some sort of thematic relevance that reflects the progress of the story, and while I can somewhat see elements of that being shown in the "absolutes of good and evil" theme explored by the Abbot, Olrox, and Edouard, nothing is actually done with this theme, and it only comes into contact with our main cast in the finale. As such, these themes are only seen in the same way that dramatic irony is set up, but not executed on. Because of the half-execution of this theme, I feel that the show feels hollow thematically, and feels as though absolutely nothing happens or changes for a single character throughout it's runtime.

In some ways, this show being 8 episodes is really fitting, as it feels like in any other anime when you watch a show to episode 8 and then stop watching, but in this case they didn't release or make the rest of the season, which will likely be released later on in a "season 2" that does literally anything at all to provide the themes or story elements any merit.

Personally, I think I would confidently call this show "unfinished." There is no "win" to match the characters growth, the little that they did, and I felt that I was left on a lazy cliffhanger because of arbitrary fail-states.

As a fan of Castlevania, this could not be further from its source material, as a fan of shows that are good, Nocturne also manages to fail.

It pains me to say that I don't think it's worth your time, as I really want people to get into Castlevania, but I really cannot stress enough that this show is not even close to a good demonstration of what the series is about, or what the series' themes are. Genuinely, I don't care if you don't care about the games, they are better than this show, which is hard to measure, because they're different mediums, but I'm confident in this assessment.

[sweetpeauserboxes]

[id: a light blue userbox with a pastel blue border and pastel blue text that reads "this user’s comfort character is pinch raccoon." on the left is an image of pinch raccoon from pb&j otter./end id]

[ur-fav-is-a-killjoy]

Pinch Raccoon from PB&J Otter is a Killjoy!!

Requested by: Anonymous

[bryan360]

Here’s my note before I’ll get started….

(NO COPYING OR PLAGIARIZING FROM ME AND ONE OF MY CLOSEST FRIEND’S WORK! THAT INCLUDES OUR CHARACTERS, DESIGNS, STUFF, ETC. IMPOSTERS AND SEXBOTS ARE NOT WELCOME TO FOLLOW MY BLOG WHATSOEVER! 😡 That will be all….I mean it.)

On This Day - April. 2nd, 2017

Just a fun throwback where I did my “PB&J Otter” fanart; featuring the kids of Lake Hoohaw playing in their Nintendo Switch system.

Very fitting as they used to race before; especially back in the soap box derby episode in Season 1. Do hope they’re never get into any fights; same goes to break their controllers.

BTW in a unrelated note, just the reminder for “The Super Mario Bros Movie“ will be coming in 3 days away. I asked my mom if we have much time to get there at the movie theaters. So she asked me that we’re going on Thursday instead. I hope that the case or else I have to go through avoid for a long time….unless getting the dvd copy. 🫤

Tagged: @murumokirby360 @carmenramcat @alexander1301 @rafacaz4lisam2k4

[mrcartoonman]

How would Lindsay from Total Drama interact with Pinch Raccoon from PB&J Otter?

[keeganjeannotte23]

Pinch: Come on, Scootch! Let’s help each other taking apart this beautiful kite.

Scootch: Okay.

Taken from: Baby Butter’s Bankie (Season 2, Episode 19)

[nevesceramics]

a peek at one of my favorites from this little pottery batch... droppin' @ 1 PM CT this friday! 🦝💤 (shop link)

[lilacthebooklover]

my friend and I angsted Bossman Hero during a shitpost RP so hard that now when we derail a shitpost RP to angst we go "oh fuck we have another Bossman Hero moment on our hands"

AS YOU SHOULD, LEGENDS

look at this scrunkly little guy and tell me you don't want to whump him. see? you can't. he's too whumpable <3

[pinkydude]

Scenerid Poses Pack : Judy Romance Scene

18 Animations from Judy’s romance scene 9 poses from Judy and 9 poses from V

Available for all my locomotions :  MAC, GAF, Takemura and Saul, Judy, Panam

Be sure to read the description on how to use the V / Player animations!

You need the Appearance Menu Mod (AMM) to spawn the characters for my custom poses to work (make sure to un-check “Spawn as companion” in AMM’s settings tab)

🟨 Reference drive folder

🟨 Available On Nexus 

[violetncee]

today, i am thinking abt some of yuri’s poems, and feeling soft abt ‘em, so!–

GHOST UNDER THE LIGHT PT. 2

the tendrils of my hair illuminate beneath the amber glow. bathing. in the distance, a blue-green light flickers. a lone figure crosses its path– a silhouette obstructing the eerie glow. my heart pounds. the silhouette grows. closer, closer, i open my umbrella, casting a shadow to shield me from visibility. but i am too late. he steps into the streetlight. i gasp and drop my umbrella. the light flickers. my heart pounds. he raises his arm.

time stops. the only indication of movement is the amber light flicker -ing against his outstretched arm. the flickering light is in rhythm with the pounding of my heart. teasing me for succumbing to this forbidd -en emotion. have you ever heard of a ghost feeling warmth before? giving up on understanding, i laugh. understanding is overrated. i touch his hand. the flickering stops. ghosts are blue-green, my heart is amber.

[frogtablestudios]

Human Pinch and Scootch

[pinchraccoon]

Pinch complains about Castlevania art direction

how the fuck did konami go from this excellent Ayami Kojima classic box art

to THIS.

They did my boy so fuckin dirty, Soma and every character from Aria deserved to look better.

"oh, ayami didn't work on the DS games, she was working on the consle ones!" THERE WERE TWO OF THEM!!!!! Granted, yes! Those games *did* require character design work, and took a lot of time, but I feel like at MINIMUM, Dawn could have had A COVER produced by her?

What's worse, is that it's not like they flattened out the entirety of Dawn, in fact that game, whenever you don't see one of those "would be dubbed by 4kids" ass fuckin character sprites, looks GREAT!

Ayami Kojima (and Masaki Hirooka)'s style(s) best represent the sense of adventure and the poetry of the series' larger narrative. The intricate character designs, androgyny, and intense rendering style all served to really capture that feeling of "vampires and tragedy!"

I would even go so far as to argue that some of the traits from the more "Frazetta-esque" early games ARE reflected naturally in the progression from Rondo of Blood forward. A similar type of high contrast, gender celebratory, art that highlights that sense of Adventure.

And, to touch on Rondo of Blood, which is FAMOUSLY known for being far more "anime" in it's aesthetics than ANY other game in the series until four years later in symphony. THIS GAME plays it straight! It has charming, limited cutscenes that use the assets wisely.

It comes off as far more natural due to this game's incredible attention to detail in it's pixel art everywhere else. Because of the fact that this game's aesthetics are *rooted* where they're meant to be, and are trying to honestly convey events in greater detail it manages to be much more favorable in it's anime aesthetic.

Returning to Dawn of Sorrow, the only explanation, and the one that's been admitted to, is marketability. This aesthetic was selected because the Mid-00s saw the rise of a much flatter style of anime that could be more easily replicated, and the aim for quantity of art over quality of that art was clearly placed in high regard. It's anime slop because at the time, anime slop sold well, regardless of how it would age.

anyway, I'm streaming this game tonight

[dravidious]

You're the most amazing

creature!

I also filled the other 5 color pairs with various frogs

[adoranoia]

today, i am thinking abt some of yuri’s poems, and feeling soft abt ‘em, so!–

GHOST UNDER THE LIGHT PT. 2

the tendrils of my hair illuminate beneath the amber glow. bathing. in the distance, a blue-green light flickers. a lone figure crosses its path– a silhouette obstructing the eerie glow. my heart pounds. the silhouette grows. closer, closer, i open my umbrella, casting a shadow to shield me from visibility. but i am too late. he steps into the streetlight. i gasp and drop my umbrella. the light flickers. my heart pounds. he raises his arm.

time stops. the only indication of movement is the amber light flicker -ing against his outstretched arm. the flickering light is in rhythm with the pounding of my heart. teasing me for succumbing to this forbidd -en emotion. have you ever heard of a ghost feeling warmth before? giving up on understanding, i laugh. understanding is overrated. i touch his hand. the flickering stops. ghosts are blue-green, my heart is amber.

[peachesofteal]

Imagine being a 24/7 lifestyle sub with ghoap being the doms 🫣 with an eternity collar and everything

I’m foaming at the mouth like a rabid raccoon

🪦

18+ / pre- negotiated everything / ghoap x reader / consensual everything Good girl who waits at the door on her knees for her boys to get home.

Good girl who sits quiet and naked and doesn't move a muscle until it swings wide and they appear on the other side, mouths curling into predator's jaws, excited and gleaming with the glint of sadism that makes this entire thing work.

"Have you been good, darling?" Simon circles, inspecting. A firm hand between your shoulder blades presses you the cold, hardwood floor, thumbs spreading your folds wide from behind for inspection.

"Yes, sir." Your tongue tastes polish, the black sheen of a boot.

"Did ye miss us?" Johnny rubs the flat of his palm over the swell of your ass.

"Yes, sir." You breathe. Your body burns, pulses, in the dregs of desire, the ache between your legs long shifted from delicate to ravenous, sweetness to agony.

"Did ye touch?" He explores your body, stroking down your slit, swirling fingertips in the sticky mess that leaks from you. He clicks his tongue. "Ye didnae touch, did ye? Did ye leave this little pussy alone like promised?"

"Y-yes." you stammer, and then bite your tongue. You might have, once. Briefly.

When you fail to punctuate with the honorific, a hand cracks against your ass.

"Sir!" You grit, and Simon chuckles.

"Bet I could make you cum right now then." He thumbs your hole, lightly tapping against where you're desperate for him to push inside, and you bite down on your tongue to keep the pleads from spilling out. "Let's see how swollen you are." He moves you in a blink, your back now flat against the floor, and he positions your feet wide, allowing unfettered access for both of them.

"Poor thing." Johnny coos, spreading your folds with two fingers, knuckle brushing your clit. The contact jolts, sends electric shock up your spine, and your muscles tense, nearly shaking. Simon hooks a finger in your collar and tugs your face up to his for a kiss, long and sweet with emotion before pulling away. The softness in his eyes lingers, and then vanishes, and you know you won't see it again for hours.

"Give her a kiss, Johnny." He instructs, and Johnny knocks your thighs wider, mouth closing just over your clit, tongue flicking against the bud. "That feel good, love?"

"Yes, sir." You're well practiced at speaking under... duress, like this, but it's still a feat. Simon's lips curl into a smirk, and your eyes widen.

"Did you touch yourself, good girl? Did you rub this little clit while we were gone, make yourself come when you weren't supposed to?" He reaches between your legs, stroking a slow circle before closing this thumb and his forefinger in a pinch.

You shriek.

"Tell the truth, now." He's stern, but still, you shake your head.

"Poor darling, just couldn't wait, could you? Couldn't control yourself."

"N-no. No, sir. I didn't- I didn't..." Johnny's pulling something up his phone, video playback of some kind, but you can hardly focus over Simon still holding your clit firm, the pressure too much, but with no friction. Your sanity feels like it's starting to slip away.

"What's this then?" Johnny grabs your face, cheeks squished, and your stomach drops when he presses play, video feed of yourself in bed over a week ago, eyes closed in bliss, hand obviously moving between your legs under the covers. Oh, fuck.

"I didn't mean to." You whisper. You did... but that's not part of the scene. "I swear, sir."

"I think you need some help with this, love. Clearly, you can't be trusted." Simon hums, and then pulls you up to your knees, and then feet.

When he marches you to the bedroom, you know your fate is sealed.

The restraints are always soft. They tie you easily, arms, hands, knees and feet, hooks and o-rings drilled into the bed frame so they can easily string you up. Usually, you love being tied. Love the feeling of helplessness, of being powerless. You're always loved, cherished, taken care of. Unable to make any decisions or do anything on your own, just the way you like it.

Johnny kisses your pussy sloppily, tongue and teeth and lips all over, paying special attention to your clit, working you closer and closer to an orgasm, but pulling away at the last second. It goes on for too long, possibly hours, and you turn to pieces.

It's turned you into a teary, whiny mess. A desperate, pleading girl at the mercy of her boys.

You think you'll finally be given reprieve, finally given your reward when Johnny pulls away to undress, Simon too-

but all hopes are dashed when Simon produces the wand.

"Sir." you whine, trying to flex, but he shakes his head.

"Stay still." It starts on low, not nearly enough to bring you to the edge, and Johnny holds it to your clit, just barely making contact.

You want to scream.

"Please, sir." You won't be able to do hours of this. You'll fall apart, you know it.

Still, they both shake their head. Your hips twitch, head tossing, and Simon smoothes a hand over your belly, stroking the inside of your thighs before covering Johnny's, turning the intensity up, the head of the wand vibrating at the higher frequency, sending shivers and shocks through you. Yes.

"Does it feel good?" Johnny coos, eyes trained on your cunt. You nod, catapulting towards an orgasm.

"Yes, sir... please, can I- ah, fuck, can I cum?" You're going to explode, and you can't until they say. It's ingrained in you.

"Ye can." Johnny says, "give us a big one, good girl, that's it. Look at her, clenchin' up nice and tight." Your orgasm washes you clean, wrings you out, and your spine tenses and then relaxes, thighs desperately trying to close around the wand.

It doesn't stop. Your eyes widen, and Simon presses the button, increasing the intensity- again.

No.

"Stop." You croak, but they only shake their head.

"Cannae stop now, love. Ye've got so many to give us." Your eyes roll back into your skull, body already primed and racing towards another orgasm, muscles too tight.

"N-no, I can't- I- ah, ah- I'm goin' cum, stop, I can't-"

"Go on then." Simon instructs gruffly, giving you permission at the last second, and it rockets through you, explosions erupting through your veins. He doesn't pull it away, and you nearly shriek as it walks the line between pleasure and pain.

Another orgasm comes just as quick as the last, and you cry out, legs straining against the restraints.

Johnny licks your cheeks, kisses your lips, and then slips the velcro belt under your back after it's over.

"No! No, no, please, please-"

"Shhh. It'll feel good, promise." He laughs, bringing the velcro around your belly, strapping the handle of the wand in so the head rests directly over your clit, without anyone having to hold it. "Just what the doctor ordered, hmm? Got to give ye all ye can take, since ye need it so bad. Couldn't wait till we got home."

"I'm s-sorry, sir. I'm-" You choke on your words, and Johnny rubs your arms, positioning himself on all fours above you, nose in your neck.

Not fair.

Simon sees your outrage, and smiles.

"Only good girls get a cock in their hole." He says seriously, and Johnny's eyes flutter shut, lip tugged between his teeth. "Deep breath, good boy- here it comes." You see the moment Simon pushes into his body, the way Johnny's stomach muscles tighten and flutter, how his brows pinch together. He moans, and so does Simon, and your heart aches at being left out.

The wand doesn't allow you to wallow for long. It burns against your sensitive nub now, and when your face starts to heat, Johnny watches intently.

"She's goin' cum again." He groans, body bouncing with the force of Simon's thrusts. His fingers play in the wet slick between your legs. "Fuck, darling. Love when ye get the bed all messy like this." Simon shoves his cock deep and Johnny's mouth drops open, and then they both still, watching, waiting.

"Are you close?" Simon asks sweetly, false sincerity dripping like the tears on your cheeks. You nod pathetically, and they rear back to watch your pussy, more focused there, over your face. "Poor little thing, can't stop 'erself, even if she wanted. Maybe you do need a doctor, love." You're delirious, half listening, half moaning, half delving into madness. You can't tell where your orgasm begins in this moment, the wave of it overtaking you in a gasp.

"Maybe we should have the captain look at her." Johnny grunts, pushing himself back onto Simon, panting. "Have him and his missus give her an inspection."

"Ss-sir," you moan. "sir, please, s-stop. I can't cum anymore." They ignore you.

"We should invite them over." Simon shoves Johnny forward, and his lips curve against your skin, kissing your cheek over and over. You don't know who they're talking about, but sharing is such an alien concept to you right now, the only thing you're able to focus on is the painful bloom of pleasure.

"Fuck, fuck- Simon- Johnny, ah-"

"Again? So soon?" Simon chuckles, and then he cups your pussy, pressing the vibrating head closer, and you scream into your orgasm, black dots spreading across your vision until there's nothing left but a void of darkness.

The next thing you know, you're untied, unstrapped, with your cheek smushed against Simon's chest, Johnny rubbing your back with a washcloth. "There ye are."

"Hi."

"Hi, darling. Welcome back."

[keeganjeannotte23]

What a great summer trip for you guys!