im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????
THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕
i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:
elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂
when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.
jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).
they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)
elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).
elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now
(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)
until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.
jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.
jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.
jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).
elsa is meticulous about planning and preparing for special occasions.
elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)
so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).
jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.
(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)
(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)
i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).
and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).
elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.
however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.
jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.
jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)
his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.
jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.
after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).
when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.
in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.
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So here I am, unable to sleep again, because of the horrifying attack on Israel.
The stories keep coming out and for every new detail I find out, another part of my soul shatters.
[***massive trigger warning for the rest***]
I feel like I'm living in a parallel world to everyone who is not affected by this situation. It's been surreal to go about my work day and regular life as if the images of blood-soaked cradles, burned corpses, raped and wounded women, captives of all ages being taken away on vehicles, video of a small child being taunted for crying for his mother, body bags lined up in rows on the ground, torched cars and homes, and the raw grief of the surviving family members aren't burned onto the backs of my eyelids.
One account I read from a family member of the deceased was that she was beaten, raped in multiple ways and sticks shoved into each place, and left for dead. Another I came across spoke of a small child being forced to watch his parents tortured, killed, and hacked apart. Still another I saw was a report of several children bludgeoned to death so as not to "waste the bullets."
How can I possibly begin to process this?
These people look just like the people in my communities and the friends I've made across the sea. They have my Hebrew teacher's hair, my rabbi's cheekbones, they sound like the shinshinim kids we have each year. They look like the baby nephews of my fellow congregants. I could have davened next to any of them and never known. It is only sheer dumb luck that I don't personally know someone who has died or lost close family.
There has been a pit of dread in my stomach since Shimini Atzeret that will not go away. I find myself on the verge of tears at all times, yet have not been able to actually cry (which is not a good sign; an inability to express sadness in tears is a known post-trauma response for me) and I cannot rest normally. Sometimes I can distract myself for a bit, but the pain and grief rush back in immediately when I remember.
I can feel, in real time, this Jewish cultural trauma sinking into my bones.
And you might think I might be able to separate myself from it since I'm not there and don't have family there. But I can't, because I don't want to. I can't, because some tether bound me forever to the land as soon as my feet hit the ground there, and some part of my soul stayed behind when I left. I don't want to, because these are my people and so they are my adoptive family, even if I do not know them. I am my brother's keeper.
And so here I stand, half a world away from the danger, nervous and scared and grieving, searching our perfectly blue sky for signs of missiles that are not falling here and being startled constantly by the normal and unbroken landscape. The lush beauty of Midwestern autumn woods is juxtaposed in my mind with Middle Eastern walls painted in the blood of my people and their broken bodies beneath them. I see it in the waking light of day as clear as anything in front of me, and walk around like a person divided, in both places at once yet not being fully present in either. I cannot unsee it.
How can I possibly explain this? To myself? To the people actually having to live this nightmare? To the other people removed from the immediate physical danger but who do have blood relatives and/or other family there that they're just praying stay safe and come home at the end of the day? That they are constantly checking their phones for updates or even minimal signs that they're still alive?
The words fail me, but I the closest thing I have to an answer is love. I love my people and I would rather absorb this pain with them and carry it in my soul forever than look away from Jewish suffering. That is a promise I made by joining this people, that my fate would forever be bound up in the collective fate of klal Yisrael. Wherever you go, I will go; wherever you stay, I will stay; your people shall be my people, and your G-d my G-d. Where you die, I will die, and there I will be buried. Thus and more may Hashem do to me if anything but death parts me from you.
אַל־תִּפְגְּעִי־בִ֔י לְעׇזְבֵ֖ךְ לָשׁ֣וּב מֵאַחֲרָ֑יִךְ כִּ֠י אֶל־אֲשֶׁ֨ר תֵּלְכִ֜י אֵלֵ֗ךְ וּבַאֲשֶׁ֤ר תָּלִ֙ינִי֙ אָלִ֔ין עַמֵּ֣ךְ עַמִּ֔י וֵאלֹהַ֖יִךְ אֱלֹהָֽי׃ בַּאֲשֶׁ֤ר תָּמ֙וּתִי֙ אָמ֔וּת וְשָׁ֖ם אֶקָּבֵ֑ר כֹּה֩ יַעֲשֶׂ֨ה יְהֹוָ֥ה לִי֙ וְכֹ֣ה יוֹסִ֔יף כִּ֣י הַמָּ֔וֶת יַפְרִ֖יד בֵּינִ֥י וּבֵינֵֽךְ׃
[רות א]
I do not take that lightly, and I feel it in my bones. Some core part of me shattered at the same time as the rest of my community.
I cannot, and I will not look away. I will not close my heart or shield myself from this tragedy. And I will not forget.
עַ֥ל נַהֲר֨וֹת ׀ בָּבֶ֗ל שָׁ֣ם יָ֭שַׁבְנוּ גַּם־בָּכִ֑ינוּ בְּ֝זׇכְרֵ֗נוּ אֶת־צִיּֽוֹן׃ עַֽל־עֲרָבִ֥ים בְּתוֹכָ֑הּ תָּ֝לִ֗ינוּ כִּנֹּרוֹתֵֽינוּ׃ כִּ֤י שָׁ֨ם שְֽׁאֵל֪וּנוּ שׁוֹבֵ֡ינוּ דִּבְרֵי־שִׁ֭יר וְתוֹלָלֵ֣ינוּ שִׂמְחָ֑ה שִׁ֥ירוּ לָ֝֗נוּ מִשִּׁ֥יר צִיּֽוֹן׃ אֵ֗יךְ נָשִׁ֥יר אֶת־שִׁיר־יְהֹוָ֑ה עַ֝֗ל אַדְמַ֥ת נֵכָֽר׃ אִֽם־אֶשְׁכָּחֵ֥ךְ יְֽרוּשָׁלָ֗͏ִם תִּשְׁכַּ֥ח יְמִינִֽי׃ תִּדְבַּֽק־לְשׁוֹנִ֨י ׀ לְחִכִּי֮ אִם־לֹ֢א אֶ֫זְכְּרֵ֥כִי אִם־לֹ֣א אַ֭עֲלֶה אֶת־יְרוּשָׁלַ֑͏ִם עַ֝֗ל רֹ֣אשׁ שִׂמְחָתִֽי׃
[תהלים קלז]
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i've been dying to share what i've been up to in minecraft btw. long post warning!! spoilers for minecraft i guess
so i found a bunch of black stuff in a cave, and when i looked it up, everyone just said to RUN 😭 terrifying
there was also an ancient city which i decided to go to eventually but when The Warden came out i panicked and left. luckily a big waterfall spawned right next to the ancient city so i just swam up it and left. i should go back soon tho... i was pissed off actually bc even tho i placed wool everywhere, merely jumping set the alarms off!! why!! all i did was jump on a block of wool!!!
i also built a cool house :3 i might add stairs to the roof. undecided.
i did a good job on the roof tho! i think playing the sims has paid off.
a cool attic for storage (i need more cobwebs though)
with my fun enchantment setup (don't ask me how many cows i murdered for it... i still feel bad)
i also made a bedroom! that has a basement with furnaces and more storage
made a dock in my backyard
made a dance hall for my allays but they all got lost in a cave. which is ok with me because they got kind of annoying after a while.
made a neat bridge with another dock! the dock is only there bc i miscounted by one when placing the pillars and didnt wanna redo them all.
also built a coop for my chickens :D
and the lead on the wandering trader's llamas broke so they're mine now. i bred them but the baby despawned fr some reason :( the donkey baby i bred also despawned :(
also found this super cool bow from fishing! i just wanted infinity because i was having trouble getting flint but i got so much more. (enchanted it from iv to v myself tho)
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To expand on the previous post (with excellent addition by @kerosene-in-a-blender), I genuinely believe Laudna as a character would be a lot stronger in one of two scenarios:
1. Ditch the Whitestone stuff. I say this as someone who has produced almost nothing but de Rolo content—that is too big a part of Campaign 1 not to completely overshadow anything different the character tries to do in a long-form narrative. I think they could have threaded that needle, but that requires so much more focus and attention that a fast-paced story about a moon conspiracy just isn't built for. It's been 65 episodes and Whitestone nostalgia is all the character has meaningfully contributed to the narrative.
They put themselves between a rock and a hard place before the story even started. You can't bring in Delilah too often without inevitably treading on Campaign 1, but you also can't use her too little—not just because she's Delilah Briarwood, but also because that's the patron of a PC and your PCs need to be taking center stage. And yet there is nothing Delilah's presence has done in the story thus far that could not have been accomplished by a completely different, hitherto-unknown necromancer patron. Laudna's experiences in Whitestone could be replaced with a similarly traumatic backstory (it's not like Exandria is hurting for necromancers abusing power) and she'd have to actually elaborate on it and flesh out the worldbuilding and think about the backstory instead of being able to lean on "Hey, you guys remember that Briarwood arc? Freaky, right?"
2. Keep Laudna as she is and use her in an EXU miniseries. Set it in northwestern Tal'Dorei, where she's been wandering aimlessly for thirty years, spending half the time disassociating and half the time making her dolls. She meets a colorful group of people and they go on some adventures, and she finally decides to take back her life and do something about the voice in her head. You'd basically keep the Whitestone episodes of C3 as they are, give or take a few beats, as the climactic episodes of the series, and then the newly fire-forged friends set off for whatever new journey awaits them.
Maybe Laudna switches patrons; maybe she ditches the warlock thing entirely; maybe she ends the miniseries not knowing what she wants but excited to learn about it with her new companions. Mini-campaigns don't have to worry about that kind of thing! You can have your Whitestone nostalgia and some fanservice while still telling a pretty fun story, and it won't feel like a weird extra appendage to a main campaign that otherwise has very little to do with it. I wouldn't say it's a story I'd be interested in seeing continue, but it's perfectly serviceable for something small and self-contained.
What it has not been serviceable for is the long-form story of Campaign 3.
Honestly, I was a little concerned about all of this even before I started watching all the way through, but I wanted to give it time and judge it for myself. I don't believe in unfounded doomsaying, and I wanted to give the show a chance to do something interesting. And it has been 65 episodes, over 260 hours of content, which I think puts us well past the window of "give it a chance", and Laudna has spent the vast majority of her time not meaningfully engaging with her levels of warlock if it doesn't contribute to creepy girl vibes. (She frankly isn't engaging with her levels in sorcerer, either.) She's never even addressed potentially finding a new patron—so does she not want to? But then why is she so distressed about the idea of Delilah resurfacing? And if she does want a new patron, why has nothing actually happened in the almost-thirty episodes we've had since the Whitestone trip? If she's been "fighting Delilah for thirty-odd years", why didn't she take the chance to explicitly try to connect with, say, the Sun Tree? Or literally anyone else?
And honestly, as a Campaign 1 fan I have to say I'm also frustrated at how Delilah's presence specifically undercuts that story. Like, yeah, you have a technical reason for why she's still here, but "well she IS a powerful necromancer" is just a mechanical explanation, not a dramaturgical one. Her story is done. The chapter closed. She had ample opportunity, including when specifically asked by the Hells, to state any specific goals—any at all—and didn't. This is the woman who menaced Percy and Vex? This is the woman who permanently killed Vax? ...Really?
It could have been an interesting challenge to take on in referencing something from the past while bringing something new to the table, and it's not like they haven't done that before; they've already shown with Jester and the Traveler that it can be done. But they haven't done it here; any opportunity for Laudna to grow beyond her vague concepts—"What if Sun Tree Body...with Delilah patron? What if weird scary girl...but happy?"—has been generally ignored. Her killing Bor'dor is the first time in the entire campaign that she's done something that really got my attention, and in two episodes it's almost immediately papered over, followed by some inexplicable "must you continue to reconquer?" word salad about the gods.
Marisha explicitly refused to create a new character until she knew for sure whether or not Laudna would be resurrected. But if she enjoys her so much, when is she going to do anything meaningful with her?
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