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business-in-indonesia · 2 years

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How Does a Profit and Loss Statement Help Your Business?

At a basic level, the profit and loss statements help you keep track of the net profit- as well as the net loss – that you may be making in your business. This is perhaps the most important benefit that you get from the same. This provides you with a good indication of how well – or not – your business is doing.

It helps you track the indirect expenses

By using such a statement you can easily track the indirect expenses happening in your business for any particular period that you want to. The data provided in such a statement plays the main role in this regard.

This way, with the help of a profit and loss statement you can bring down the expenses that are not really necessary for your business. This in turn can help you be more profitable down the line.

It helps you ascertain the net profit ratio

Such a statement is immensely helpful when it comes to analyzing your financial statement. When you know the net profit you are earning as a business it helps you determine with ease the ratios that are linked to your net profit.

It helps you make business-related decisions

With the help of an income statement, it becomes that much easier for you to make those decisions that are so crucial for your business. You can easily use the data for the current year and compare it with the data from the previous year or any other period in your past. This helps you get a good idea of how well or poorly you may do in the future. This in turn makes it easier for you to make those crucial decisions and plans for the betterment of your business in the days to come. You can be sure that it would be even better if you prepared one by using software from the best providers such as Tally Solutions.

Conclusion

It is not as if there are no disadvantages to these statements. For starters, you cannot always expect them to provide you with a complete picture of your business. It may not always be right to make certain decisions in your business just because you are being profitable. These statements do not provide you with any insight into the kind of cash that you may be generating. The period of reporting can also be problematic at times, especially for potential stakeholders.

#profit and loss statement #income statement

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pppondi · 2 days

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‘At least I broke even on the table’

I am seeing this statement again and again at the moment in comics circles and it breaks my heart a little bit (strap in lads, it’s a long one).

Firstly what are people referring to? The amount of money they are making selling their work at in-person tabled events. So however much they paid to be there that day to showcase their work - that is what their end of day takings are. The majority of people I see making that statement are usually trying to find some positive from an otherwise crappy day or weekend - and I really do understand that. But I am here to tell you that THIS SHOULD NOT BE GOOD ENOUGH FOR YOU!

Factoring in your manufacturing costs, and your labour time means that breaking even on the table is a loss! You have worked SUPER HARD! You deserve to be in profit at these things!

Right. Do I think this is the fault of the people tabling? NO. ABSOLUTELY NOT.

There are things you can do to help maximise your sales, so if people have tips/advice please share them here for everyone to see💕

What do I think the actual issue is? It’s a mix of stuff. Firstly, let’s get over this idea that it’s a bad thing to want to make money from your art. I love making comics. If I make money making comics it means I get to make more comics! It can take a little while to build up your audience so you start making profit at events. But I’m here to tell you that I do generally make profit! And I’m nobody!

Conventions, zine fairs, comic fairs etc. are a big topic. They take many different forms and are aimed at massively different demographics. In the last few years, the costs of tabling at some events have skyrocketed. And let me make this clear. Comic artist - most events have more than made their money back off your table. If you are not doing the same this is not a fair deal.

From my own research, getting people to table events is not the issue - so telling the public about how wonderful and talented YOU ALL ARE and getting them excited about it should be the focus. The success of Thought Bubble and Shortbox is proof people want indie comics.

Events might tell you that their costs are going up because Brexit and Covid. And this is true! But so are yours dude. Paper is more expensive, printing is more expensive, travel is more expensive. It all is. So if that event is pulling more money out of you to compensate for rising costs, but then doesn’t work their arse off to get punters through the door, the only person covering their rising costs is the con.

This is also one of the many barriers that keep marginalised people out of comics. I honestly cannot afford to spend £100 a day on a table and not make that money back. My margins are too tight. So if that’s the case for ME (someone who lives with a loving partner that subsidises things a bit) how is anyone else supposed to make that work?? I’ve just stopped tabling at events where I know I’m not going to make money. I literally cannot afford to do them - I can’t risk it

Is the blame squarely on events themselves? No. Like everything it’s more complicated than that. Cossy lives etc. However, the difference in my takings from events that are enthusiastically promoting, and those that aren’t, is WILD.

There are aspects to this I haven’t covered here. Like I say, it’s a HUGE topic. So pls let me know what you think also💕

So all this to say. Comic artist! You work hard! You deserve to keep making that work you’re so passionate about. Stop tabling events that aren’t meeting you halfway and working their arses off to make this viable for you!

Kiss kiss xx

#comics #comic con #comic art #comic advice

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judesmoonbeauty · 2 months

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WC: 1,745 Writing Prompt: Play Fighting/Playing with Hair Pronouns: She/Her Tags: SWF ┃Modern AU ┃Road Trip ┃Fluff ┃Slice of Life ┃Pinching Kisses┃Established Relationship┃Teasing Dividers: @/natimiles This may potentially have a part two! Part 2: Here. [Master List] [Invitation to Crown]

Arid desert air swept through the hair of three beautiful Crown members riding in a black convertible as it sped down the blacktop that stretched for miles beneath them, just as the boundless blue sky did above them. The static of an FM radio played even though no one was listening to it, and a cloud of smoke that breezily escaped Jude’s lips, quickly disappeared into the air. Lying reclined in the passenger seat with his feet propped on the dashboard, he finished the cigarette he smoked right after he woke up from a rare nap that he usually wouldn’t take.

As Ellis drove them towards their destination that was still a few hours away, Jude had intended to review his prospective business partner’s profit and loss statements they’d submitted to him one more time, but the hot climate had relaxed his tense muscles into a much needed slumber. Jude lifted his black, round sunglasses and massaged his eyes in order to rid himself of his last bit of drowsiness, when he started to wonder if she had gotten any rest herself?

She hadn’t slept since departing from London for their overseas trip. It was like she was hardwired the entire flight. If she wasn’t looking out the window snapping pictures of the clouds or of the food that was served to them in the first class cabin, she was hard at work, arranging Crown’s ever-growing missions itinerary, along with his own work schedule. She was skilled and diligent, but this was concerning.

Subtly turning his his head to find her laying down in the back seat, Jude found her typing away on her tablet and check her watch for messages.

“That damned princess is going to work herself to death,” Jude grumbled under his breath.

Ellis said, “She’s been awake the entire time. What’s wrong, Jude? I thought you liked it when we work hard for you, it makes you happy doesn’t it?”

“The hell it does. I may wanna work ya both to the bone, but if ya work yourselves to death, then I just lose out when ya both die of exhaustion.”

The entire point of inviting her to tag along on this trip was to get her away from Crown for a while. Yes, while it was her choice to be a part of it’s darkness, and by extension, the darkness of his world due to the enemies he’s accumulated along the way of growing a successful business. But, Jude still felt disgusted at himself for grabbing hold of her and keeping her in his clutches when she offered herself and her love to him.

Poor lil’ bird. He’d often think this since she had no one who could save her from him now, but every once in a while, he simply wanted her to experience a somewhat normal life - one she would’ve had if she hadn’t chose him and Crown. And this business trip for his first overseas venture afford the perfect opportunity to do just that.

After a short while, Jude felt her wrap her arms around him from behind, and looking up at her as she looked down at him, he watched her hair dance wildly in the wind.

“So, how much longer before we get there?” she asked him.

Jude grabbed her face with his hand and slightly shook it, “What are ya, five? Get off me.”

“No.” she snapped back playfully while sticking her tongue out at him.

“Careful princess, I’ll clip that tongue off if ya get too sassy with me.”

She laughed at him and shifted her head around the head rest to place her face closer to his, and asked him, “Really? Ya promise? Remember, contract’s a contract, even if it’s just a verbal agreement.”

Imitating his accent and snarky attitude, she kissed his cheek and chuckled at him. The sweetness of her kiss spreads over his skin, prompting him to return her love with his own by pinching her cheek hard.

“Owww!”

Jude snickers evilly at her pain, “There’s more where that came from princess. Keep it up.”

She pulls her face back and rubs her cheek when Ellis speaks up, “Kate, it’s not safe to be moving around without your seatbelt on. Jude would be unhappy if something happened to you, please put it on, or do I need to hand the wheel over to Jude to go back there and restrain you myself?”

A pair of twilight eyes teasingly peek at her through his sunglasses with a slightly mean smile, and before she could even be attracted to drown in their wicked sweetness, Jude shoved Ellis’ face away.

“Quit makin’ eyes at my woman, ya nutcase and keep ‘em on the damn road instead.”

“Yea, okay,” Ellis smiled and turned his attention ahead of himself.

Turning her attention back to Jude she asked again, “No, but really, why did you have to rent a mansion in the middle of the desert, hours from the city when there’s a perfectly suitable hotel 10 minutes from the business meeting?”

He let an exasperated sigh, “’Cause I can afford to, that’s why. Now, sit back ‘n get some sleep. I don’t want my woman lookin’ haggard for our meetin’.”

Jude puts another cigarette in his mouth, but she grabs it from his mouth and puts it in her own as she goes back to her seat with a triumphant grin on her face.

“I’m not tired, and I’ve rested plenty. Oh! We should pick up some items from the market after the meeting….let’s see….we’ll need a cooler for the cold items, bags of ice, meat, vegetables, fruits…..”

No sooner had she lay back down on her seat had she started making lists and researching local markets.

“Oh, Jude, can you please confirm the tasks that I sent you while you were sleeping? I need to coordinate them with your schedule when we return to London, and - Oh, Victor just sent us more missions that require intelligence gathering, and Ellis there is another scheduled assassination for yourself….”

Growing weary of his love’s constant prattle about work and irritated that she stole his cigarette, Jude climbed into the back seat.

“Hey, Jude! That’s not safe!”

“Can it, Ellis.”

Jude steps into the back seat, grabs his love’s arm to pull her off the seat, and seats her on top his lap.

“Woah, Jude!” The unlit cigarette that she chewed between her teeth fell to the floorboard.

“What? Don’t trust me? ‘Fraid I’ll toss ya out the car?”

“No! But you scared me. What did you miss me that much?”

“Ha!” Jude pinched her thigh through shorts.

“Ouch! Stop pinching me!” She wrapped her arms around his neck and put her forehead to his.

She looks so tired. The silvery, thin bags under her eyes were worse than he thought, and all of a sudden he felt a pang of guilt for falling asleep while she stayed awake. How was that protecting her well-being? Feeling frustrated at his self-proclaimed failure, Jude determined that he was going to kill that guilt right now.

“C’mon princess, we both know ya love a little pain. Like when I do this….”

His lips caress her earlobe sending a tingly spark through her as he slowly sucked on it for the some time before he bit down on it hard.

“Nngh…”

“That’s for stealin’ my cigarette and droppin’ it on the floor.”

“S-sorry..”

Hearing her soft moan-filled apology blend into the wind, Jude gently kisses her all over her face, the tip of her nose, her eyelids, and brow bone. Saving her forehead for last he planted the most tender kiss there.

His eyes found her smiling at the shower of love he had just poured onto her, and when she opened her eyes, he said, “’Night, princess.”

Poking her on the forehead, Jude caught his beloved and laid her head to rest in his lap, rolling his eyes that he had to go to such lengths in the first place, but at least now she’s resting.

“That was mean, Jude.”

“Hah? Do ya not see the bags under her eyes? She’s been actin’ like a hyper-active lemur since we left Crown, and now she looks like she damned exhausted panda with circle under eyes!”

“That’s not what I meant….I meant the lie you told her. Aren’t you going to tell her the real reason why we’re staying in the desert? You know about toni-”

“Shuddup, or I’ll shove tumble weed down your throat, ya idiot!” Jude kicked Ellis’ seat as if she would over hear their conversation, though that wouldn’t happen due to the strength of Jude’s ability.

“Sorry…..”

Jude’s nerves chaffed when he thought of the real reason why they were staying in the middle of nowhere, so he tried to distract himself from that any way he could. Jude stared down at his other half, both stroking her cheek and pinching it to his satisfaction now that she couldn’t protest. Noticing her fly away hairs whipping around, he decided to braid her hair to prevent them from hitting her face, and he did just that. In the heat of this quiet desert, he carefully separated and twisted her hair until everything was neatly in place.

She truly was like the Sleeping Beauty of his cursed fairytale, the only good thing about it, the blessing that offset his curse. Lifting her hand to lips for a kiss, he gently mumbled against her warm skin, “Love ya, helpless princess.”

Tag List: @judejazza @ichigostellaglynn @atelierquinn @mrslelouch Please let me know if you want to be added to my tags list.

#invitation2crownCC #Jude Jazza #Ikevil Jude #Jude Jazza Fanfiction #Jude Jazza Fanfic #Fanfiction #ikevil fanfiction #ikevil fanfic #ikemen villains #Ikevil Jude fluff #Jude Jazza Fluff

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invisibleicewands · 4 months

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Michael Sheen's The Way echoes Tata steelworks reality

When Michael Sheen was filming clashes between steelworkers and riot police in his home town Port Talbot, little did he know 2,000 jobs at its steelworks would be at risk by the time it premiered.

"We had no idea when we were developing the story what would be happening at the steelworks when this came out," he said.

"It's incredibly unfortunate that the story we've written has come bizarrely very close to the truth."

Speaking ahead of The Way's premiere at Port Talbot's Reel Cinema, he insisted the three-part BBC drama - originally conceived in 2016 - was a fictional story and not about the Tata steelworks.

"But obviously, knowing the town, knowing the relationship the town has with the steelworks, knowing the insecurities and the anxieties that have always been there in my lifetime around employment and work there - that was part of what drew us to setting the story in this town," said Sheen, 55, who both directed and starred in the drama.

He said Port Talbot's steelworks was the "spiritual centre of the town" and "part of our DNA" and the news of job losses had been "devastating".

The Way is written by James Graham, created by Sheen, Graham and documentary filmmaker Adam Curtis and stars a number of Welsh actors.

The cast includes Steffan Rhodri (Steeltown Murders and Gavin & Stacey), Mali Harries (Hinterland), Sophie Melville (The Pact), Callum Scott Howells (It's a Sin) and Mark Lewis Jones (Men Up and Keeping Faith).

Episode one sees growing concern over the future of the steelworks, leading to protests, which later turn to riots.

Some take to the streets to join the fight, others frantically try to escape or hide in their homes as helicopters fly overhead.

The streets become a warzone and the town is locked down by armed police.

With Port Talbot facing an uncertain future, could life imitate art?

"It's not like we're saying 'this is what you should do as a result of what's going on' by any means, but obviously I have huge sympathy for the steelworkers," said Sheen.

"In no way is this a blueprint to how people should react, but you don't know do you? I have no idea how people are going to react.

"People will try and be as resourceful and as positive about it as they possibly can I'd imagine because that is the spirit of the people in this place - but at the same time you don't know and people are very angry as well."

For Sheen, "everything" is political.

A long-term champion of the NHS, in 2015 he was applauded for delivering a passionate speech to a pro-NHS march in Tredegar, Blaenau Gwent, and he is currently in rehearsal for a National Theatre production about NHS founder Aneurin Bevan.

In 2019, he sold property to bankroll the Homeless World Cup in Cardiff when funding for the £2m project fell through at the last moment.

In 2020, the actor, who was born in Newport and raised in Port Talbot, said he had handed back his OBE so he could air his views about the monarchy without being a "hypocrite".

In 2021, he said he had turned himself into a "not-for-profit" actor, using the money he earned from acting to fund projects.

He has been vocal on a range of issues from children in care to Welsh independence.

Was he trying to make a political statement in The Way?

"Everything is connected, everything happens for a reason, things are the way they are in this town and any town not just by chance, it's because of choices and various things... I think inevitably this was going to be a political story," he said.

"Part of the reason why we wanted to set it here... we needed to feel there was a great sense of discontent amongst a lot of people in the place, a lot of anxiety, a lot of feeling of not having their voices heard."

He said when people were made to feel that they were not being listened to and did not matter "that sense of frustration and anger can boil over".

Sheen made his name as an actor initially in the theatre before winning acclaim as a screen actor playing real people from Tony Blair, David Frost, Kenneth Williams and Chris Tarrant to lead roles in series including Good Omens, Masters of Sex and Staged.

In 2011, he directed and starred in a 72-hour epic theatrical production of The Passion, which moved around different locations across Port Talbot drawing huge crowds and critical acclaim.

It is perhaps unsurprising that he would choose to make his TV directorial debut in the town too.

"[The Way] was definitely very personal," he said.

"I feel like I knew what I was filming and I felt anchored and connected to what was going on."

Sheen now lives near Port Talbot with his partner Anna Lundberg and their two children Lyra and Mabli.

"It's somewhere I inevitably keep coming back to and it's an endless source of inspiration," he said of the town.

"It's the source of all my imaginative explorations really because it's my home.

"It's where I grew up, it's where all the most important things happened to me, it's where my family still lives, it's where I now live again and as I've got older I've realised more and more how important the beginning of my life was and all the opportunities people gave to me."

One of those people who gave him opportunities was Godfrey Evans, a drama teacher who helped shaped generations of actors through the West Glamorgan Youth Theatre and died in November, aged 82.

At the premiere across the road from the town's Aberavon Beach, Sheen dedicated the screening to both his former teacher and Port Talbot's steelworkers.

What are his hopes for those in his home town currently fearing for their jobs?

"Particularly at a time like this when there's so much anxiety and so much concern about the future it is so important to feel like you're supported and you can talk about what's going on and to find connection with other people who are maybe going through the same things," he said.

"We wish everyone the best and hope there's plenty of support for people in the future."

#Michael Sheen #The Way #Port Talbot #Interview #Movie #BBC

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