#profitability analysis

[saptutorials]

Mastering COPA Process Flow in SAP FICO for Optimal Financial Control.

Organizations nowadays are always looking for better methods to simplify their procedures in the ever-changing world of financial management. To provide effective financial management, SAP FICO—an essential component of SAP ERP—plays a vital role. Businesses looking to step up their financial management game will find this detailed reference to SAP FICO’s COPA (Profitability Analysis) process…

[blogtey45]

Jon Corteen Understands Profit, Value Systems, and Strategy

[anwarsayyed]

Do you know Financial Analysis Essential Tools? Let's Decode

Introduction Financial analysis serves as a compass for businesses, guiding them through the complex landscape of economic decision-making. By scrutinizing a company’s financial data, financial analysis unveils critical insights about its fiscal health, paving the way for informed recommendations to enhance that health in the future. This article delves into the world of financial analysis,…

[damonp304]

Jon Corteen Understands Profit, Value Systems, and Strategy

🌟I've got a clear-ish vision of where I want to go, a fairly good idea of what I have to accomplish now and in the next....oh, three or four minutes...

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[thepersonperson]

I can't believe it's genuinely canon that Geto was jealous of Sukuna being the one to fill up Gojo.

I know Gojo reassured him but we saw he thought of Toji as the last person who satisfied him. No wonder Geto ended up on a crusade against no cursed energy monkeys.

Geto's insecurity with his place in Gojo's life really was his downfall. (On top of not having access to Karl Marx.) He kind of just assumed that Gojo being in a league of his own after awakening meant they could never be together as The Strongest duo.

That insecurity was so pervasive he initiated their break up by objectifying Gojo for his strength. And he later assumed Gojo stopped loving him too.

But you might be onto something with Geto's jealousy starting with Toji. Though he didn't see Gojo awaken (which was essentially "la petite mort" or the little death), Geto was around to hear Gojo call Toji アンタ (Anta). And that particular usage of Anta was really weird.

(Yeah this is one of those asks that poked my neuroses in just the right way.)

-Content Warning: Brief discussion of teenage sexuality.

-Mangareader(.)to for the raws.

-TCBscans for everything but Vol 0.

(Click images for captions/citations.)

Gojo's You Pronouns

I kind of lost my mind over Sukuna's you pronoun usage if you want to know why this kind of thing matters to me. Thankfully, Gojo's you pronoun usage is much more straightforward. Which is why the use of Anta for Toji sticks out a lot.

Gojo usually uses オマエ (Omae—masculine, informal, between peers or to look down on the addressee) for absolutely everyone. Friends, enemies? Doesn't matter, he's using Omae. It's either that, 君 (Kimi—affectionate towards juniors) with his students, or he avoids using you pronouns to be polite. He has only deviated from this pattern with two people—Uraume with てまえ (Temee—hostile and offensive), and Anta with Toji.

Anta is a contraction of あなた (Anata) and both are used in the exact same way. It's an informal you mostly used by people learning Japanese since normal use suggests a familiar and casual relationship with the addressee. That can be rude depending on the context. In the context of love, it's a romantic thing, colloquially called the wife pronoun as its often used by a wife to her husband. The only real difference between Anta and Anata is the indication of class. As a contraction, Anta is seen as more low class/uneducated than Anata.

So what did Gojo mean by his use of Anta with Toji?

Since Anta can indicate the speaker is casual/friendly, uneducated, or flirting, we'll have to infer what Gojo meant with context. Sometimes, it's easier to look at how other characters use this pronoun to get an idea.

For example, Hanami uses Anata for everyone which is why there's nothing flirtatious about them using it. This is just how they talk in general and they aren't singling anyone out in a special way.

A male character who uses Anta for most people in the way Hanami uses Anata is Ike from Fire Emblem. (I'm so sorry this is the only guy I can think of using this as a default you pronoun and he's from a completely different series.)

Ike uses Ore (masculine, informal) as his personal pronoun and he was raised as a mercenary with no formal education, so the Anta in context is more of him being from the lower class and casual. Anta is also less masculine than Omae, so this is also gives Ike that soft edge to his roughness that everyone loves him for. When he uses Anta while speaking to nobles in Path of Radiance Ch 14, they find it extremely offensive and get pissed because they perceive it as him not showing enough respect. (And he does call them out for being dickholes using Anta which makes them even angrier.)

If I recall correctly, (sorry I only really remember Zelgius and Sephiran's pronouns because it subtly confirms them a queer couple), Ike uses Omae (or Temee? The fudging accessible JP transcript went poof.) for the Black Knight and no one else. The Black Knight killed his father and Ike hates him for this. This Omae is not friendly, it's hostile.

I use this example because it shows how for one character these pronouns mean one thing and other characters it the polar opposite. Gojo uses Omae to be friendly, Ike uses Omae to be hostile. Ike uses Anta to be friendly, Gojo uses Anta to...

I don't know.

I don't know why Gojo uses Anta for Toji. It's really fudging odd and he never uses it again or for anyone else. Gojo for Toji uses Anta then Omae then Anta.

First it's confusion over being stabbed. I think in this context it means more of "hey there, buddy" in the way someone might try to talk down an aggressive person by trying to be chummy.

At the time, it probably told Geto something was really wrong because Gojo never uses that pronoun.

The Omae he swaps to is normal Gojo usage. He explains how Toji screwed up with killing him in the way he's been talking at all the assassins that came after Riko.

But internally? Toji remains Anta. This is weird since Gojo usually just sticks to Omae or some kind of nomer when he doesn't know people's names.

Leading up to this internal monologue, Gojo is not angry. He's extremely zen. So much so that he apologizes to Riko for not being upset she was just murdered. This makes me think the Anta isn’t meant to be disparaging.

Anta has always been less harsh than Omae in comparison. It can imply a distance between the speaker and addressee or it can suggest they're very close.

I can't tell if Gojo is trying to express a unique kinship he feels with Toji or if he's putting Toji on a pedestal of strength he idolizes and considers himself separate from. Perhaps it's both and this confusion is intentional. Gojo is a teenager figuring himself out in the most traumatic way possible here. My point is that this use of Anta indicates Gojo feels some kind of way about Toji he doesn't for anyone else.

Toji is very special to Gojo.

Most people are aware of Gojo picking up certain habits and speech patterns because Geto. Rereading JJK after learning about Gojo's history with Geto turns a lot of his silly quirks into things that are really depressing.

Toji is second to Geto in terms of influencing adult Gojo's behavior I think. Not just in the paranoia he experiences of being made vulnerable again, but some of his speaking mannerisms. Gojo asking for last words before he kills someone started with Toji.

He has that same empty look when he does it each time too. This doesn't seem to be like him mourning Toji in the way he mourns Geto by speaking in the way his beloved suggested. It's like he's reliving trauma. And dear lord did Toji traumatize Gojo. The kind of terror in the faces teenage Gojo makes while being hunted and killed are never made again.

But despite this, Gojo as an adult seems to look back on this awful experience fondly sometimes. When Sukuna starts to make him think he's about to lose, Gojo smiles as he recalls this feeling.

Satisfaction? Being killed by this guy was satisfying? I suppose it makes sense, this temporary death did awaken him to immense power that made him feel amazing. In that sense, Toji was Gojo's greatest teacher. And as a teacher, Gojo molds a philosophy from that experience and tries to imbue it on his students in a less traumatic fashion. (I say tries because this still killed Yuji by accident and caused a lot of unneeded stress for the second years in Vol 0.)

As you can see here, Gojo thinks this way because he did die alone despite having strong allies. And because his death made him stronger, he thinks growth can be triggered in a similar fashion. Geto calls him out on how fudged up this “tough love” is.

Gray morally aside, these beliefs and actions are because of Toji. A lot of what Gojo is as an adult is one giant unhealthy coping mechanism for Toji, fondness included.

When Nanami calls Gojo a Jujutsu Pervert he isn't wrong. Gojo is a freak that gets off to fighting in part due to Toji. It's like this horrible little ball of fear, denial, and horny with him. Thinking about Toji being the last person who satisfied him in that way over Geto isn't out of character. The types of blissed out faces he made during that fight do pop up in the Sukuna fight.

We also have to acknowledge that Toji is at the got dang afterlife airport with everyone else. For some reason, despite all the pain he inflicted, Gojo admires him on a similar level to the people who didn't want him dead.

Toji is a lot of Gojo's firsts. His first fear, his first death, his first awakening, and most importantly his first exposure to revolution. Toji is the first person Gojo met that escaped the bindings of Jujutsu Society and obtained freedom. He defied the Zenins and started a life outside of them. His pride and grief brought him back, but for a few years he was the impossible success story.

Though Geto heavily influenced Gojo’s morality, Toji was the basis for Gojo’s revolutionary ideas. It shows in how he trains his students and values the strength of non-sorcerers. He correctly identifies that Toji only wound up this way because of Jujutsu Society, mainly the higher ups, and vows to do something about it.

Is this to prevent another Toji because of fear? Is this how Gojo honors his memory too? Both, probably. Toji basically asked Gojo to be the godfather to Megumi, his son named Blessing, and prevent him from being raised a Zenin. In other words, he gave Gojo his blessing to do better than him and break that awful generational cycle. Gojo has taken that very seriously.

Megumi knows next to nothing about the Zenins until he's made the head after Naobito dies and Maki massacres them. The fact that Megumi being made the head ultimately triggered Maki's massacre of the Zenin Clan is like Toji getting exactly what he wanted from beyond the grave. A mini revolution made possible with Gojo laying the groundwork by providing a space where Maki can exist without hate.

Geto's Jealousy

As Geto was spiralling, he probably thought back on Gojo’s use of Anta with Toji and got a little jealous. After all, Toji was the reason Gojo grew so much as a sorcerer instead of him.

Can you imagine? The love of your life keeps telling you that together you're The Strongest and that's why he's with you. But he goes off with some dude after calling him something he's never called you and comes back a god. He grew more in those few minutes with this rando than the years he spent with you combined. Inadequate wouldn't even scratch the surface of that feeling.

It was always a one-sided admiration—Toji was a bum who leeched off women as you would expect any straight dude would coming from an immensely misogynistic household. He killed children for money and had beef with an 8 year old after looking at him once. But Geto still might've been envious that a non-sorcerer did more for Gojo’s growth than any sorcerer.

Geto’s Coping

The aftermath of Toji put a strain on their relationship in more ways than one. First and foremost, it made Gojo The Strongest. As I said earlier, this caused Geto to become insecure with his place in Gojo’s life. But what I didn’t mention is that the higher ups exploiting this newfound strength is why this never got addressed until it was way too late.

As shown here Geto’s condition gets worse because not only is he mentally isolated from Gojo, but physically as well. A horrible little detail—changes in weight can be very gradual. If you're with someone all the time, you'll likely never notice it. Gojo was kept separate from Geto for so long that this difference was noticeable.

They fall out of sync because Jujutsu Society has decided that their labor is more valuable apart. The problem here exploitation. Toji made it extremely clear to both Gojo and Geto that was the problem. Geto unfortunately came to the wrong conclusion on how to deal with it.

Tags from @nyan-bynary on this post sum up my feelings on this nicely.

#OK OK I HAVE BEEN THINKING ABOUT HOW GETO GOT RADICALIZED BASICALLY INTO FASCISM BC HE ENDED UP BLAMING THE WRONG CLASS FOR THEIR OPPRESSION #LIKE THIS IS SO VERY MUCH THE CASE WITH LIKE RANDO WHITE LIBERTARIANS AND SHIT IRL TOO LIKE THEY NOTICE SHIT SUCKS #BUT THEY END UP BLAMING THE EVEN MORE OPPRESSED PEOPLE INSTEAD OF TAKING THAT ANGER UPWARDS TOWARDS THE ACTUAL PPL DESTROYING EVERYTHING

#like geto saw a man who was so fucking abused and treated like shit by his clan that he basically ran away and started a new life #where he resents the people who were oppressing him but he still had to work for similar people to make ends meet #and in doing so was made a pawn for the internal power struggles of the higher ups #which hurt the other people lower in the hierarchy as well including gojo and geto #but instead of seeing the hand that guided everything here he blamed the toy in the hand instead #devoting himself to destroy every single toy which unknowingly included himself and the sorcerers he wanted to protect so badly as well

#like in his efforts to gather sorcerers he ended up doing a better more inclusive job of gathering sorceres from EVERYWHERE he could reach #he had the true potential to make real grassroot connections with fellow oppressed people but he was misguided on who the target should be #like it's ironic that the only black sorcerer that we see is in the group of the guy that calls non sorceres 'monkeys' #because it says something about him that his problem actually wasn't racism (against non-sorcerers) #it was the high risk terrible lifestyle forced upon every sorcerer in the name of non-sorcerers #WHO DON'T EVEN KNOW YOU GUYS EXIST AND ARE BEING EXPLOITED LIKE THIS IN THEIR NAME IN THE FIRST PLACE MAYBE TRY TO FIX THAT AT SOME POINT???

#it's all so sad bc the moment he chose the wrong people to blame his fate was sealed and it sucks bc he could've done real good things #gojo was the closest to doing anything remotely revolutionary but he went the too peaceful route and it cost him everything #he didn't organize or protest with enough destruction or maybe he thought he couldn't until it became a last resort

#like I find it funny that despite everything gojo wanted to do bc his form of resistance was so lax he ended up alienating hakari and kirara #and the elders. the divide and conquerers that they were used it to expel them from the school #just ahhhhhhhhh so many thoughts I wish they could've done more I wish I wish I wish

In that post, I joked that Karl Marx could’ve saved Geto, but that wasn’t really a joke. Trying to address exploitation without the theoretical framework to be productive about it is like swimming against an ocean riptide at night. You can recognize that you’re drowning, but not knowing where the shore is or that you need to swim at an angle instead of directly against the current dooms you.

The really sad thing is that Geto never realized that non-sorcerers were exploited just like him. Nanami worked directly alongside them and realized their exploitation was one in the same.

He realized that this exploitation was a systemic issue. Gojo realized that those in power were responsible for enforcing it. Both of them lacked the drive to be aggressive about that in the way Geto was. Together, the 3 of them really could’ve unionized to obtain the work-life balance they desperately needed.

But that was never going to happen. The higher ups isolated them until their communication skills and therefore relationships deteriorated alongside their mental states. (Notice how even outside of Jujustu Nanami has no friends. He's just as alone as those two.)

Geto's Love

I don’t think Geto ever learned how to love properly after Toji in a very similar vein to Gojo. Though he more outwardly shows affection to his family, there’s this sense of distance he has between them as a cult leader. His children call him Master and do not take his last name. He’s worshiped as a figurehead and for his beauty. And no one really understands him in the way Gojo used to.

And it must also be noted that the anguish from his family and daughters at his possession did not cause his body to stir. Only Gojo calling his name did.

It's not that Geto doesn't love his family, he just loves Gojo more despite having spent less time with him. (10 years with his family vs 3 years with Gojo.) Even Geto himself says that his family isn’t enough for him to be truly happy.

A world where sorcerers are not exploited is what he thinks will fix this. He wants this for himself, his family, and Gojo. Especially Gojo.

Their breakup was caused by Gojo being exploited more than anyone else. Geto has always objected to that. A world of only sorcerers hypothetically gets rid of the labor exploitation Geto hates for every sorcerer. And it also creates a world where Gojo doesn't need to be The Strongest. It's a world where instead of being overworked, Gojo will have all the time in the world for Geto.

This love Geto holds for Gojo underlies his actions. Him setting this ridiculous plan into motion on December 24th is a grandiose romantic gesture. You can feel the resentment and the longing. He tried to fill the Gojo hole in his heart with a new family and hatred only to fail.

Gojo reciprocated. He always did. But neither of them realized the love was mutual until both of them were dead because work came first.

So yeah anon, Geto was jealous. Both Toji and Sukuna got to know Gojo in ways he couldn’t because being an enemy of Gojo ironically gives them more direct attention from him since that’s a part of work.

Jujustu Society vs Queerness

Even if Gojo and Geto realized their love before everything went to hell, I'm not sure if they would've acted on it due to societal stigma.

Like @nyan-bynary mentioned, Kiara's transness is something the higher ups no doubt rejected. The type of conservatism modern Japan is under does not embrace the open queerness of the past that was especially prevalent during the Heian Era, you know the Jujutsu Golden Age. In a reflection of these politics, the Zenins embody the type of sexual hierarchy wanted by the elders—men run everything and women have children. Even though Hakari and Kiara are a straight couple, they're unable to have children together which is rebellion in of itself. Why Gojo didn't do more for them is kind of baffling.

To be fair, Gojo kind of sucks at sticking up against injustices like this. Hakari and Kiara aren't the only failed in this way. When Geto is verbally discriminatory towards Maki, Gojo doesn't refute his beliefs, Yuta does.

This is honestly, pretty fudged up. Gojo just lets Geto be horrible and offers a weak "don't do that" as a response instead of arguing for Maki's personhood. And we know for a fact he is strong enough to do something and be taken seriously. After all, he did threaten the elders to protect Yuta's life. He didn't stop Geto until he became a large-scale physical threat. For some reason, that's the only type of discrimination Gojo will act on—violent acts that will result in death.

I think this is because Geto told him he needed a really good reason to kill other humans before he snapped. It took a lot of convincing for Gojo to slaughter the higher ups as the result of this. His inaction here could also stem from Gojo being so used to dehumanization that he hardly recognizes it as a problem. But Gojo did force Nanami to address Yuji as a human child instead of Sukuna's Vessel later, so perhaps he reflected on this exchange and tried to do better. (Despite allowing everyone else from Kyoto to be weird about Yuji.)

Regardless, it's this passive mentality when it comes to non-violent discrimination that makes me think Gojo wouldn't have acted on his feelings for Geto.

There's probably a lot of pressure on Gojo to have progeny of some kind (aka be straight and have babies). I do find it a bit odd we've seen nothing of his Clan to the point that Megumi also knows nothing about it. (Though this was probably to spare him the politics drama for the enjoyment of his youth.) They did spoil Gojo rotten, but that doesn't mean backwards societal expectations weren't thrust on him from birth. He was raised to be a living weapon you know. Suppression of his own queerness was likely a part of that education.

And though Gojo is pretty rebellious when it comes to challenging the status quo, like antagonizing those older than him and letting those younger than him speak freely around him, he still has some toxic ideas from his youth he hasn't let go of. He prioritizes his strength over bonds and allows himself to be exploited while trying to make sure his students don't wind up like him...by having them prioritize strength through pushing their limits.

In other words, Gojo would likely just repress his feelings for Geto if it meant obtaining his goals. A queer relationship would be used against him by the higher ups since it rebels against the expectations of Jujustu Society in a way he hasn't pushed hard against. (I'm so sorry Hakari and Kiara.)

With that being said, it's not all that surprising that a lot of the curse users are openly queer. They've freed themselves of exploitation and expectations. Their genders and sexualities are theirs to control. None of them are shy about it. Larue openly loves Geto, Sukuna will kill you for not respecting his disinterest in romance and sex, Uraume will kill you for not respecting that, Kashimo will hit on a man as he's being killed by him, Kenjaku is Kenjaku.

I don't think it's a coincidence that Gojo is at his horniest when he's fighting other men. It's like the one space where he's allowed to engage that side of himself without fear of repercussion because at the end of the day, one of them is going to be dead anyways. (His flirting with Nanami when they're alone together not included.) Sometimes queer people want their love with violence because it’s the only way they can have their sexuality without guilt. That punishment absolves the sin.

Jujutsu Society as it stands is not compatible with queerness. Gojo has a really fudged up way of expressing his attraction to men as the result of this. And if you ask me, I think Toji is the one who really got his wires crossed.

[zvaigzdelasas]

"just because what china is doing with BRI is better than colonialism doesn't mean it's not a form of colonialism"

"just because free ice cream and puppy dogs dancing through meadows is better than burning in fire for 513 years doesn't mean free ice cream and puppy dogs dancing through meadows aren't a form of burning in fire for 513 years"

[nightswatchdisbandmentera]

The similarities between Julius Caesar’s assassination and the Ides of Marsh are well documented in fandom. It’s also generally agreed that the fall of the Night’s Watch will mirror the fall of the Roman Republic, which was quite ironically brought on by Caesar’s death. But I never see it acknowledged that Julius Caesar, some time after the establishment of Octavian’s Augustus’ rule, became deified (meaning that he was worshipped as a god or to put it bluntly, Julius Caesar ascended to godhood).

What does this have to do with Jon Snow? Well, apotheosis (1, 2) is one of the most important stages that comes towards the end of a hero’s journey. Here, the hero reaches some higher level of understanding or personhood, and this allows them to complete the hardest trials still to come in their journey. We see mental changes, but these could also be accompanied by physical changes. A good example of this in high fantasy is Gandalf’s death and return as Gandalf the White. In other myths and stories, we can point to the death and resurrection of Jesus Christ. In ASOIAF, we have mini versions of this with Bran Stark and Jojen Reed, two children who experience life or death situations but came back with heightened magical power (Bran especially).

Jon Snow is currently at his “journey to the underworld”/“belly of the whale” moment, where he is to (presumably) face his greatest trials. Apotheosis usually comes after this stage (and is often preceded by other stages such as the “meeting of the goddess” and “atonement with the father”, both of which could very well appear in Jon’s journey as he learns of his true identity and purpose).

But what would apotheosis mean for Jon? That’s the key question. He is sure to experience profound mental changes and trauma, but these are sure to be accompanied by great magical changes that manifest physically. In the same way that Bran came out of his coma and started his journey as the last greenseer (well, once Bloodraven kicks the bucket), Jon is sure to come out of his death experience a far more powerful being. The thing is that Jon needs to change into the hero Westeros needs and the magical act of dying and coming back to life should play a role in that.

However, it won’t all be fine and dandy for him. GRRM has criticized Gandalf’s return where he seemingly came back to life better than ever with no great effects. In the same way that Jon is literally experiencing a descent into the underworld (a step that is sometimes figurative for many modern heroes), we can also ascertain that he will experience a very literal ascension into godhood (or the closest thing we have to that in ASOIAF). But magic always comes with a price. And whatever sort of “god” Jon turns into post-resurrection, he won’t be a very pretty one.

[banefort]

This doesn’t really need to be said but a Valyria spinoff show just Wouldn’t work I’m surprised I still see so many people asking for it. There’s such little detail about it in the texts that the show runners would have to build the entire empire’s history, arts, political and economic systems from scratch, all while marrying it in a satisfying way to the main ASOIAF plot. Besides a scant few Valyrians and dragons, the general culture doesn’t have enough/any presence in the main series for a show based in Valyria to feel familiar or gratifying at all.

Not to mention, I cant see a Valyrian-centered show having the confidence to unpack the politics and machinations of a slave-based empire, let alone frame the ruling Valyrians in any critical light

[zoomzooml]

Rewatched Bumblebee movie so Alert: random thoughts of sleep deprived person go--

Bumblebee has hella powerful legs. Not only when he uses them in fight, but also when he jumps.

I just love how Bumblebee uses his legs in combat, like hell yeah dude! They may catchin' those hands but they ain't catchin' those legs (they actually did couple of times but shhhh).

Fight sequences are muah. Love them, the best ones in Transformers movies I think. I'm not sure but I also think they were storyboarded/planned by animator so if it's truth it does explain things lol.

Bumblebee is smaller and weaker than the Decepticons he has come to fight, and he doesn't just use their weight or size against them, but all the time seems to be looking for an advantage in his surroundings. This is likely not very unique to him, but it clearly stands out when his opponents the moment they realized their advantage wanted to simply overpower Bee.

Also love how everyone is trying to use their alt-mode during combat.

They could have done more with the fact that G1 Bumblebee was said to like swimming, and Charlie was swimmer in the past (specifically was in school's dive team if I remember correctly). Like some kind of bonding scene? Whatever, it was just such an opportunity. (And I know we had this seconds-post-end-battle scene but it is not what I'm talking about at all if it makes sense???)

Shatter often folds her hands behind her back in a gesture that I personally associate with a business woman (also in base scene she and military man both hold hands that way when talking so yeah). I feel that this reinforces her image as the leader/representative of the duo when Dropkick maintains a looser posture. Just cool body language.

I didn't pay attention to this in the movie, but I was reminded of how someone noticed the Autobot symbol on Shockwave's arm. If that's true, they could make it cool to pull it up under Senator Shockwave's MTMTE-style backstory, or maybe some variation of the spy (before he was known as a Decepticon, especially a high-level one) in TFA style. As far as I know the entire thing was because of recycling model parts but still.

I don't like Bumblebee's camaro root-mode. Idk, he was all round and huggable almost the entire movie, even when he had jeep as alt-mode, and then he is all blocky :((. Maybe it's because even as jeep he still has his chest mostly flat and as camaro it moves so much forward. His Cybertronian root-mode also has chest moved forward a bit but it's a lot more aerodynamic (you know what I mean) so he still looks round. Like, he is huggable all the time and then his camaro-boob looks like it would cut you. Idk how to say it, hope you get what I'm trying to communicate anyway :')

I really like how Decepticons were casually showing off that they are Triplechangers. I understand why they were doing this from storytelling point of view but it's still funny from in-universe one. ("Look how cool and badass we are.") I'm probably turning it up but oh well.

Also this will be a bit off but I never liked the idea of hammer as Bumblebee's weapon. Like his thing almost always was being small, kinda fast and not very strong and boom. They give him one of the weapons that is most effective welded by someone big, strong who doesn't loose much fighting weapon that kinda slows them down a bit (I think hammer does but you can correct me lol) because damn, this thing is big, at least in his serwos.

Plus, still on the hammer's topic, actual war hammers had this spike on the one end of the head so you could actually pierce armor of your opponent or just your opponent but not this one. This one is just for smashing like your mom's meat mallet. Ok, I'm done with this saltyness lol

But really, hammer as weapon doesn't fit Bee at all. Or it's just me.

[tu-es-gegg]

I need to know,

Was I the only person who was thinking during the last episode of generation loss thinking, " This isn't the end, also long as we are watching the show will go on. "

Or am I just a tab bit insane?

NO YOURE RIGHT I WAS THINKING THE SAME THING BECAUSE LIKE;

Generation Loss (Gen 1), to me at least, was about the effect of an audience, what sort of things happen when suddenly a mass of eyes flock towards a person so suddenly, its so prevalent throughout.

It's a commentary on the media industry and how its focus seems to be ONLY the audience, not its creators. They don't have any problems torturing their subjects, forcing filters and inhibitions to act on a democratic whim, just so they can have an audience. But the audience is not exempt from being used by the industry either. The audience is a part of the social experiment, we are just as much the lab rats as the streamers are.

The ending of the 3rd episode brought that home for me because literally the audience is a perpetrator and witness to a poor guy's death. It's what the audience chose to do when they cant look away. It's what the audience will ruminate on as the credits roll with his dead body being zoomed away from. They can't stop seeing the corpse, the camera won't let them all the way until the end.

All the glitches into the "reality" were intentional otherwise the cameras would've panned away, cut to a technical diffulties break. But no, they showed the blood in Charlie's gut for a split second, they showed the characters freezing on hold as Sneeg is being reset.

The audience can't help but watch a comedy and a tragedy. So the show goes on with that in mind. They want the audience to laugh at the bits and jokes, they want us to cry and plead when our favourite character is threatened. The audience gives Showfall Media power when they react, when they give their eyes where they shouldn't be.

The only way it ends is when people look away, but Showfall Media won't let that happen.

[kaus-quietis]

Greetings, Anon! Thank you for your questions. I have to admit, even in the past, I refrained from posting reactions or speculations as BSD chapters release, but you already knew that, so I will indulge you. I'll answer each part of your ask. BSD ch113 thoughts below, manga spoilers ahead.

♠ "What was your raw reaction?" It was not a calm, quiet one, I can tell you that. No, in fact I screamed with excitement as if I was in a Roman amphitheatre and my favourite gladiator just got back up on his feet, out of sheer force of will, grinning and sweaty. My scream was the fastest way I could "verbalize" the fact that I was overjoyed to see him alive again, even if it's in the 15th century, and on top of that he seemed to be some kind of spy monk all chained up and having what seems to be a ridiculous amount of fun getting caught and discussing with Bram. This is all very in-character for him.

♠ "Was that something you expected?" Absolutely not. Yes, yes, I truly did not expect a jump back in time and this infobomb drop, despite the fact that we did get a few hints that Fedya seemed present at past events when all the other character really appeared younger than him (near the end of S4ep3, where on a rooftop Fedya says "It's not V, it's Five" and I am seriously like bruh I give up what I want to say is I need more data to work with, what am I supposed to do with this, rationally speaking?). However, we can't yet extract anything conclusive from this. Is he ageless? A time-traveler? Immortal? Does he revive? When was he born? Was he born at all or created differently somehow? Is he of BSD's world, or an external one (Beast liveaction finale anyone?)? Is this all within the Book and he's just… idk flipping the pages? Anything is possible and I refuse to spend a lot of time working with incomplete data. This is not very follower-friendly (as in, my blog is basically inactive in-between), I know and I apologize, but if after many chapters there will be something worthwile to add to my essay (with what Fukuchi said in ch113 I already have important stuff to add), under those circumstances I will consider writing an update. It's not yet time.

♠ "<Was that> something you felt different for the characterization we all made for Fyodor?" Hmm, I would hesitate to refer to a characterization "we all made" for him (I wish! T o T), because my analysis and blog are but a tiny tiny part of the fandom (I think…? I wonder about my Fedya essay's reach or influence sometimes). But let's say here we refer to one that comes close to what I tried to show in my essay. In that case, I would say that there is nothing to fear here in this chapter, but it's very understandable to have massive trust issues at this point. We went through a miserable, miserable time when the previous ones made the guy who visually memorized a full deck of used cards somehow not notice Chuuya wearing contacts and fake vampire teeth, despite knowing the vampire race since… well, the 15th century! I cannot even begin to describe what I felt reading ch111.5-112, I was beyond repulsed. Lovers of "villain" characters understand the following thing well: in most media, our fav has to lose, he has to die or disappear at some point, with rare exceptions. I, too, know this well, but that was no compelling way to solve BSD's villain threat. I still don't know how BSD will wash away that narrative stain, as I consider it, but then again one of the reasons we love this manga is that it keeps us on the edge of our seats and the most absurd yet fun turns can happen out of the blue. We can reasonably ask ourselves: ok, what is the purpose of showing Fedya's backstory now? If it's for build-up, we can already start grinning like Cheshire cats. What could possibly be next? I'm cautiously optimistic, things look in-character and good to me. Very good, in fact.

♠ "Or do you think it is later on going add some depth to his character?" Backstories are shown usually for a very clear purpose. We don't know the purpose yet, but if it's done well, then… then my whole essay could be at risk lmao (and I love this sensation). New info could add so much depth to his character, in fact, that his previously observed traits could gain new meanings, or even contradictory ones. Whichever it will be, I think it's pretty safe to bet on "his backstory will be very relevant".

♠ Bonus: even if I enjoy going "full analytical" and enter conference speech mode when asked, I am driven by strong emotions, by which I want to say – I am not immune to assassin/spy monk Fedya chained up like that and having the time of his life again. I missed seeing him entertained like that, and his current …………. visual representation in the.. uh. ..chapter, yeah, well, it's doing things to my Depeche Mode-worshipping heart.

Anyway, to conclude with some facts we know as of now:

a. Fedya and Bram are inside the Bran Castle, close to the Romanian city of Brașov, "deep in the Carpathians" although not built at high altitude itself. It's basically a fortress built between 1377-1388, with several later additions. The BSD representation of it is very accurate to how it looks today. It's near perfect, actually, I applaud.

b. Bram mentions King Matthias, and in this context that can only mean Matthias Corvinus, King of Hungary for 1458-1490. The meeting between Fedya and Bram thus happens some year during his reign, when Transylvania was still part of the Kingdom of Hungary. What is still strange to me is that I can't pinpoint Bram's exact position, as in… were his people independent? Or avoided? I feel like I need to re-read past Bram-related chapters to think about this.

c. Nevermind Bram, the things that Fukuchi says, those are the real goldmine here, but the gold is still… encrypted? I mean: Fedya made the DoA plan (more than confirmed now), and because Fukuchi asked for the condition to keep casualties under 500, Fedya respected that and we got entertained for like half of the whole BSD manga: using coin bombs for terror, for economic/political destabilization, using the vampire infection to avoid further violence, these things. The more you think about it, the more insane it gets. Since Fedya agreed to this condition, it means causing (more) deaths and violence were expendable things to him. (But imagine this: Fukuchi said "I want max. 500 deaths" and Fedya said "Yeah I can do that", now if Fukuchi would've said "I want max. 2 deaths" I really believe Fedya would've still said "Yeah I can do that". What can't he do, especially since murder for murder's sake isn't his goal?). This is in perfect harmony with his "necessary deaths only" approach so far, and much much more. There are far more implications in what Fukuchi said, which I won't type out here now. Gotta keep them and build around them for a future analysis update.

This was a rather long read, but still, I hope this satisfies your curiosities, Anon. *bows dramatically & disappears in a borderline insufferable ENTP way*

[pulchrasilva]

Anyway. Unfortunately racist video essay has made me realise that the word for world is forest and avatar (blue people movie not atla) share a lot of similarities and if I was less lazy I'd write a proper comparison of them

[allaboutforexworld]

Success and Failure in Forex Trading

Forex trading, or foreign exchange trading, is a challenging yet potentially rewarding endeavor. Traders enter the market with hopes of achieving financial success, but the path is often fraught with both triumphs and setbacks. Understanding the factors that contribute to success and failure in forex trading is crucial for any trader aiming to navigate this volatile market…