#READ MORE PLS WORK

[acid-ixx]

(masterlist &. synopsis) gn! chronically ill reader with a platonic! yandere batfam who accepts their pampering

reblogs and interactions are encouraged and appreciated.

a/n: sorry for the on and off hiatus ^^ i am very much invested in dc and altho i have only read a few comics, i try to be very close to canon with this one. this was written with POTS in mind but the illness is vague for the purpose of inclusivity !! requests will be open soon enough once i fix my account up and add request rules. keep in mind, the reason why i would be posting separate headcanons is because i plan for each of them to be longer than usual.

just imagine life with platonic! yandere batfam after their initial kidnapping. they've abducted you after a few months of stalking, gathering every bit of information about you from either the long or short times you've talked to them, or from watching you from afar at your most vulnerable state inside your very much hidden-camera-free apartment (lies. they have cameras implanted in every crevice of your room and even tampered with security cameras in the entire building just to ensure ultimate surveillance for you!)— it may be illegal, sure, no kidding it is, but they promise it's for your safety (and well-being) and nothing else! (other than the fact that they needed to know everything about you to guarantee your permanent stay with them would be stress-free and enjoyable not only in their eyes but yours too, especially since you require more needs than the average person but, ah! you just perfectly captured the attention of the most capable people who would bend the rules of the universe just for you.

everything was very much an elaborate scheme to get you to easily submit to their whims without a single fibre of fight in your bones. they have your entire room set up; ones with the comfiest sheets, a room where fresh, unpolluted air is accessible through baby-proofed windows— and you can even keep your (hacked) phone to call them whenever you need something. really, you have everything you need! all you have to do is accept their proposal... though, they wouldn't mind being patient either way.

what they didn't know was that they didn't even need to go through so much effort to keep you from escaping. hell, it's like the moment your eyes blink the tiredness away, and your brain registers the entirely new (and bigger) space you were in, it's like you merely accepted your fate.

you're creepily greeted with almost the exact same copy of your room, except the blanket you know and love with the same color, same design, same smell doesn't feel, or much less have the same texture as your previous blanket. in fact the fabric is way more high quality, the texture doesn't overstimulate you as much as the sheets you were used to back at home. the lights aren't as bright, in fact it was a welcoming shade that blends in well with the natural light that floods through the windows— windows that welcome in the faintest scent of floral growth, fresh and unlike the polluted air of gotham that you were never accustomed to.

before you could even force your body to sit up, joints a tad bit heavier and your mind cloudier than before, a soft knock disrupts your train of thought. the door opens and you are greeted with a butler and... even stranger, bruce wayne with his other children in tow.

[mitskikissme]

My very rushed love letter to @rowdyknives fanfic what it means to love her. hes such a talented writer no jokeee

[marblerose-rue]

click for better quality!

are you gonna start climbing, or what? / needletail

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[username8746489]

Sylvester Ashling Power Analysis/Speculation

Sylvie has been on the mind for a while, so here's my interpretation of how his epithet works (with evidence where I can find it)

Sleep Dust

Sylvie's sleep dust exists as a thin coat on him at all times

Evidence: "[Wonder how] your jacket is white with all this... weird orange dandruff?" (Prison of Plastic - CAST LIVESTREAM! [PART 2])

This coat is loose enough that any movement is enough to dislodge it

Evidence: Molly bumping into Sylvie (EP1 - Quiet in the Museum!)

Sylvie can release the sleep dust at will, but the speed changes depending on how spread out it is (Smaller = Faster). The largest range he can release it is at least the size of a museum room.

Evidence: Putting Indus to sleep (EP2 - Bear Trap)/Using Sleep Dust on Molly + Giovanni (EP2 - Bear Trap)

Once the sleep dust leaves Sylvie's body, it doesn't last long

Evidence: The sleep dust disappears completely after Giovanni blows it away instead of falling back down (EP2 - Bear Trap)

The sleep dust is able to put a person to sleep for several hours. However, you can still wake up from it the same way you would as if you fell asleep normally

Evidence: Molly falling asleep for at least 4 1/2 hours (EP1 - Quiet in the Museum!)/Mera waking up Indus (EP3 - The Doctor is In)

Sylvie likely has an immunity to his own sleep dust

Counting Sheep

Counting Sheep trades Sylvie's sleep dust's potency for mobility

Evidence: Molly only becomes sleepy for a few moments when a Counting Sheep hits her, rather than falling asleep for hours like before

Sylvie can summon at least 27 sheep at once

Evidence: 27 sheep onscreen for like one frame (EP2 - Bear Trap)

Nightmare Fuel

Nightmare Fuel requires the target to have a certain amount of drowsiness before it can be activated, but nightmares can still be summoned without the target being asleep

Nightmare Fuel summons a past nightmare the target has had, usually their worst one

Evidence: "That fire he summoned was from my nightmares" (EP3 - The Doctor is In)

Sylvie doesn't need to know what a person's nightmare is to summon it

Evidence: "Pyrophobia, huh?" (EP2 - Bear Trap)/Being confused when Mera's nightmare is already reality (EP4 - Reflection)

Sylvie uses his yo-yo to activate Nightmare Fuel

Evidence: An orange light travel along the string of the yo-yo whenever he activates Nightmare Fuel (EP2 - Bear Trap/EP4 - Reflection)

Sylvie can manipulate any Nightmare Fuel he summons

Evidence: "I'll keep that fire where it is" implies he can control where the fire moves (EP2 - Bear Trap)

Nightmare Fuel can be used based on any nightmare a person has ever had in their life

Evidence: Nightmare Fuel has summoned more things than the target's worst fear (Bear statues coming to life/Duck/Blue fire)

Dream Big

If Sylvie were to use Nightmare Fuel on himself, "he will be paralyzed and his heart and thoughts will race in anxiety until the spell gets dispelled"

Evidence: Majin Ask (Thank you to gayfrogstheremix for providing me the source)

Sylvie can bring dreams to life. This includes himself, but potentially also includes anyone else who is asleep

Evidence: "Can lull targets to sleep and bring their dreams to life" (Sylvie Bio)/"Sylvie can use his powers to examine his patients’ dreams up close and personal." (Epithet Erased Website)

Sylvie had to train himself to lucid dream Beefton, although he is still unable to control him completely

Evidence: "I think Sylvie had to do training, to like, specifically kind of lucid dream a Beefton into existence" (Epithet Erased QnA Stream Part 5)

Beefton was first created when Sylvie was 11

Evidence: Beefton is 4 years old (Beefton PoP Infocard)

Sylvie could bring any of his dreams to life through Wild Dream but chooses not to

Evidence: "He could probably Wild Dream about whatever he wanted, but it might not be helpful, it might be destructive." (Epithet Erased QnA Stream Part 5)

Sylvie likely uses Dream Big in his day-to-day life, even outside of battle

Evidence: Beefton's interests include "Doing Sylvie's homework after Sylvie falls asleep" (Beefton PoP Infocard)

Sylvie could theoretically use Dream Big to use another epithet, but he would have to train to do so

Evidence: "Could Sylvie like fall asleep and then dream of having a different epithet?"/"Yeah?"/"He could. It'd take a while." (Epithet Erased QnA Stream Part 5)

Miscellaneous

Sylvie can likely drop asleep at will. He may also enter the REM stage of sleep (when you have the most vivid dreams) extremely quickly

Evidence: He can dream Beefton only a few seconds after falling asleep when it usually takes ~90 minutes to enter REM sleep

All of Sylvie's summons are made of his sleep dust

Evidence: Counting Sheep explode into Sleep Dust (EP2 - Bear Trap)/Mera's Duck + Beefton is the same color as the Sleep Dust

All of Sylvie's (personal) summons have some form of sentience

Evidence: Counting Sheep have the ability to distinguish themselves from each other ("The pompadour sheep thinks it's the leader of the flock" (Sylvie Trivia 2))/Beefton has a personality and memories separate from Sylvie ("Beefton did all that!?" (EP3 - The Doctor is In))

The 'realness' of a Nightmare Fuel/Dream Big may depend on how asleep the target is

Evidence: Molly's fire leaves no trace behind (EP2 - Bear Trap) but Beefton's damage remains (EP3 - The Doctor is In)

Sylvie will most likely reach tier 2 in a decade or so

Evidence: "Sylvie's stats are currently in the high-stars, but if he continues on his current trajectory then it's very likely he'll reach the Orbit tier in Proficiency by the time he's in his late 20s to early 30s." (Star Mechanics Explanation)

[inspectorcrayon]

i know it's been days since the reanimator movie's anniversary but that's not gonna stop me. (i got way too ambitious with the pic that's why it took so long to finish) Happy 38 years of Re-Animator ig and it's the spooky season so yeh

DISCLAIMER: If you plan to watch Re-Animator, please check for the trigger warnings! There’s a disturbing scene near the end.

[suddencolds]

Atypical Occurrence [1/?]

Happy birthday to my dear friend, @caughtintherain!! I wanted to give you some Vincent suffering to chew on for the occasion, so please take this fic (or, first part of a fic) as a gift <3

this is an OC fic - here is a list of everything I’ve written for these two! chronologically, this fic takes place a month or so after the last installment leaves off :)

Summary: Vincent shows up late to a meeting. It just goes downhill from there. (ft. fake dating, the flu, a house visit)

—

Vincent is late.

Yves tries not to stare at the empty seat across from him. The meeting—their first meeting of the day—started five minutes ago. If there’s anything Yves knows, it’s that Vincent always comes in early. 

In stumbles Cara, handling a morning coffee with probably more espresso shots than anyone should have at 8am. Then Laurent, briefcase in one hand, paging through a folder of files in his other. Then Angelie, Isaac, Garrett, Ray, Sienna. Then they get started, and Yves turns his attention towards the graphs projected onscreen at the front of the room, and tries very hard not to think about Vincent.

It’s five minutes later that the door swings open, near-silent.

Sienna—who’s presenting—stops, for a moment, to look back at Vincent from where he’s standing in the doorway, which means that of course, everyone looks.

Cara turns around in her seat, raising an eyebrow. Angelie frowns at him. 

“Sorry I’m late,” Vincent says, quietly. “It won’t happen again.”

Isaac shrugs. Angelie looks a little concerned, but she turns back to her work, anyways. Sienna resumes her presentation. All in all, it’s nothing—or it should be nothing. Probably traffic, on the way here; a particularly unlucky commute. An unlikely occurrence, but—to anyone else—not anything worth dwelling over.

It might be a sufficient explanation, if Yves didn’t know better.

Vincent takes care to close the door quietly behind him, then heads over to the only open seat, across from Yves. He unzips his briefcase, quietly, unobtrusively, and takes out his laptop. Yves tries to focus on what Sienna is saying—she’s giving a review of a client’s current investment strategies; he’d reviewed her work on this just a couple days ago.

Vincent asks good questions throughout—he always has a good sense of what areas still lack clarity, Yves has found. Today is no exception. He takes part in the meeting with such calculated precision that Yves almost misses it.

Almost misses: the slight stiffness to his shoulders, as if it’s taking more than the usual amount of effort to keep himself upright. The way in which he clears his throat before speaking, like it might actually hurt. The way he rests his head on one hand, halfway into the meeting—as if even now, barely forty minutes into the workday, he’s already exhausted.

It’s subtle enough to go unnoticed, subtle enough that Yves wonders if he’s just reading too much into it—if, perhaps, Vincent is fine, after all.

—

He doesn’t see Vincent again until lunch.

Or, more accurately, he doesn’t see Vincent again until he’s headed down for lunch with Cara and Laurent. Vincent is already on his way out of the cafeteria, a takeout container in hand.

“You’re not going to eat here?” Yves asks.

Vincent doesn’t look at him. “I have some work to get done at my desk,” he says. He clears his throat again, like it’s irritating him.

“Okay,” Yves says. Vincent turns to leave, and Yves thinks of a hundred ways in which he could possibly prolong this conversation, and then decides against it. Vincent is already so busy.

“You look tired,” he settles on, instead.

He expects Vincent to dismiss this, to reassure him that it isn’t true. But Vincent looks up at him at last, blinking, as if he’s surprised that Yves noticed at all. His eyes are a little dark-rimmed underneath his glasses.

He doesn’t deny it, which is as much of a confirmation as Yves needs.

“The sooner I can get this work done, the sooner I can go home,” he says. Yves supposes he can’t argue with that.

“I guess I’ll see you around, then,” Yves says, even though he wants to say more, even though he feels like there’s more that he should be saying. “Don’t work too hard.”

Vincent nods, at this, and resumes walking.

—

Yves is probably overthinking it. There isn’t anything concrete, really, to justify his concern.

Vincent’s lateness to the meeting could just as easily be the consequence of an alarm he’d forgotten to set, his exhaustion just as easily a side effect—of recent late nights in the office, of arbitrary changes to the projects he’s on, of last-minute demands from clients.

The next time he sees Vincent is at the end of the work day. Yves always takes the elevators on the north end of the building—they’re ones that lead directly out into the parking garage. When he gets out to the hallway, Vincent is already standing there, waiting for the elevator.

Yves watches Vincent stiffen, slightly. Watches him raise one hand up to his face to shudder into it with a harsh, “HHihH’iKKTSh-hUH!”

A thin tremor runs through the line of his shoulders, as if he’s too cold, even though the office air conditioning is no colder than usual. His hand, cupped to his face, remains there for a moment more before he lowers it.

He sniffles, then, rummaging through his pocket for—something. When he doesn’t find it, he just frowns a little, sniffling again. 

“Bless you,” Yves says.

“Yves,” Vincent says, his shoulders stiffening a little. He clears his throat, turning around so that he can address Yves properly.

It’s only a few seconds later that he’s turning sharply away, tenting both hands over his nose and mouth for—

“Hh-! hHiH—HIHh’DZSSschh-uhh! snf-!”

“Bless you again.” 

Vincent sighs. “Don’t bother.” He really looks exhausted, Yves realizes. During their brief interaction at lunch, he’d already sensed as much, but the harsh white glare of the bright corporate lighting only makes it more evident.

Vincent looks a little paler than usual, if only slightly, and there’s a slight flush that spreads itself over his cheekbones. He looks—well, nearly as put together as always, distilled only by the slight crookedness of his tie, as if it’s been on too tight; the near-invisible sheen of sweat over his forehead. The slight redness to the bridge of his nose, the slight shiver to his hand as he reaches up to adjust his collar.

Yves frowns, taking this all in. “You look kind of…”

“Terrible?” Vincent finishes for him.

Yves winces. “...Well, terrible is a strong word. I was going to say, you look like you could use some sleep.”

“I’m… feeling a little off,” Vincent says, staring straight ahead, as if it’s not an admission at all. But Yves suspects, from the way he avoids eye contact, that perhaps it was something he was intending on keeping private. “You should keep your distance.”

The elevator dings. The sliding doors part, and he steps inside. 

“First floor?” Yves asks, hesitating next to the panel of buttons.

“Yes,” Vincent says. Then, quietly: “Thanks.”

“You know, now that busy season is over, the world is not going to end if you take a sick day,” Yves tells him. “Even if you do like, twice the amount of work as everyone else on the team, if you needed to call out, I’m sure something could be arranged.”

Vincent smiles at him, a little wryly. “I must look pretty bad if you’re saying this to me.”

“Yes, I was lying,” Yves says. “Clearly, you look terrible.”

It isn’t true at all—even here, even like this, Vincent doesn’t look terrible, not even in the least. But Vincent still smiles, at this—a tired smile.

The elevator doors slide open.

“Text me if you need anything,” Yves says, impulsively. “Seriously. Tissues, soup, medicine—whatever. It’s not far of a drive.”

“That’s very considerate of you,” Vincent says. “I will see you tomorrow.” And then he steps out of the elevator, and Yves is left with an inexplicable sinking feeling in his stomach. As far as he knows, it has no place there. Obviously, Vincent can take care of himself. Obviously, Vincent can handle a cold. Yves has nothing to be concerned about.

—

The next day is rainy—a constant, torrential downpour, which makes his commute to work take almost twice as long as it usually does. It wouldn’t be spring here, Yves supposes, without dreary weather like this.

Back in uni, when he rowed crew, they’d practice out for hours out in the rain. Now that he spends the majority of his day inside, he supposes he can’t complain. The shelter of the office building is a reprieve.

Vincent doesn’t show up.

“I think he’s out sick,” Cara says, when Yves asks. “You know, it’s funny. I don’t think I’ve actually seen him take a sick day before.”

“For how hard he works, he definitely deserves one,” Garrett says.

“He seemed fine yesterday, when I saw him,” Cara says, with a shrug. “Probably came on quickly.” Yves nods.

But that isn’t quite right, is it? Vincent hadn’t seemed fine, had he? Yves thinks back to the things he’d noticed—Vincent, uncharacteristically exhausted during the meeting, though it was clear he’d been just as engaged as usual. Vincent, shivering in the elevator, telling Yves to keep his distance. How poorly had he been feeling already, yesterday? How poorly does he have to be feeling today to have called off of work for it?

He finds some time just before lunch to text.

Y: how are you holding up? Y: yesterday’s offer stands if you need me to bring you anything!

He doesn’t get a response from Vincent, which is a little concerning. He checks his phone halfway through lunch, and then twice more, in between his afternoon meetings, just in case he’s missed a notification.

“Are you expecting a text from someone?” Cara says, looking a little curious.

“Just a friend,” Yves says, which is and isn’t true.

To make a point—to Cara, and possibly to himself—he shuts his phone off. He very pointedly does not look at it again for the remainder of the hour.

It’s not until mid-afternoon that he finally gets a response.

V: Sorry to get back to you so late.

Yves sits upright, fumbling with his phone to get it unlocked. The text bubble pops up again, somewhat intermittently, to show that Vincent is typing.

V: If it’s not too much trouble, there’s a blue folder on my desk labeled 2-A.

Yves blinks at this, a little disbelieving.

Y: you’re asking me to bring you work files? Y: arent you supposed to be resting 🤨 Y: paid sick leave, remember? as in, leave your work at work??

V: I meant to pack them yesterday.

Y: that’s like a genie grants you 3 wishes and you ask for an extra day of assignments Y: terrible waste of a wish if you ask me

V: As a genie, you’re quite judgmental

Y: ok ok Y: as your loyal lamp dweller i’ll be over around 8pm with folder 2-A  Y: you need anything else? 

V: Nothing else V: You can just leave them outside my door 

A beat. Then Vincent sends:

V: Sorry to trouble you

Yves thinks of twenty responses he wants to send to that text. Then, thinking better of himself, he shuts his phone off and gets back to work.

—

It’s a little past seven when he finally checks out of the office.

Outside, the rain hasn’t even begun to let up—it falls, straight and heavy, in large, globular droplets. The streets gleam with water. Yves leaves his umbrella in the trunk, tunes out everything but the static of the rainfall, and drives.

Yves has only ever been to Vincent’s apartment once—to pick him up for the New Years’ party Margot hosted—and even then, Vincent had met him at the door. But he recognizes the unit, nonetheless.

For a moment, he considers leaving the folder of files outside of Vincent’s door and taking his leave.

But it’s windy, and he’s afraid the papers might fly away, torn up by the biting wind, and get lost face down in a puddle somewhere, which would defeat the purpose of him coming here in the first place, and would probably also breach some employee confidentiality policy. So instead, he knocks.

It’s silent for a moment. Rain beats down on the slanted rooftops, a constant thrum. 

Yves is about to reach out to knock again, when the door swings open.

There stands Vincent, in a pale blue hoodie and loose-fitting pajama pants, with neat rectangular cuffs.

He looks tired. It’s the first thing Yves registers—the unusual fatigue to his expression, which he can’t quite seem to blink away; the flush high on his cheekbones. The way he holds himself, his shoulders stiff, carefully, defensively; as if despite his exhaustion, there’s a part of him which wishes to appear presentable still.

It’s only a moment later that he’s taking a halting step back, ducking into a hoodie sleeve. Yves catches the shiver of his expression, his eyebrows pulling together, before it crumples, and his head jerks forward with a harsh—

“hHihh’GKkTT—! Hh-!! iHH-’DZZSCHh-uuUh!”

The second sneeze sounds louder and harsher than usual, even muffled into the fabric of his sleeve. It betrays his congestion all at once. 

“Bless you,” Yves says.

Vincent emerges, sniffling a little. When he speaks, he sounds a little hoarser than he did yesterday. “I thought I said you - snf-! - could leave them on the front step.”

“You did,” Yves says, glancing down at the folder in his hands. “But it’s windy, and it’s raining. I figured you’d prefer to have your files intact. How are you feeling?”

Vincent blinks at him. He’s leaning heavily against the doorframe, Yves realizes, one hand gripped tightly around the frame, his knuckles white from the pressure, as if it would take him too much effort to stay upright otherwise. 

“Alright,” he answers. “Thanks for making the trip here. I… it must’ve taken longer, in the rain.” He squeezes his eyes shut, as if his head hurts, as if the light coming from outside is exacerbating his headache. “If you ever need me to pick something up for you, I owe you.”

“You don’t owe me anything,” Yves says. Despite himself, he reaches up to press his hand against Vincent’s forehead.

The heat under his fingertips is alarming, to say the least. Yves blinks, lowering his hand, and tries to keep the worry out of his voice. “Have you taken your temperature?”

Vincent shakes his head. “I don’t think I have a thermometer.”

“Have you eaten, then?”

Vincent averts his glance, looking sheepish. “I… was planning to stop for groceries, yesterday,” he says. Planning to.

Yves thinks back to the elevator ride yesterday. Vincent had probably already been feeling very unwell, then. And yet, he’d talked with Yves as if nothing was out of the ordinary. I’m feeling a little off, he’d said, as if anything about his current affliction could possibly be characterized as “little.” I will see you tomorrow—as if he had really, genuinely been intending on showing up at work. 

“So I take it that there’s nothing in the fridge, either,” Yves says.

“If it’s any consolation, you’ll be pleased to know that I slept,” Vincent says, in lieu of answering.

Then he shivers—the sort of concerning, full-body shiver that is a little concerning, coming from someone who is usually unaffected by the cold—and Yves is immediately reminded that the door they’re speaking through is open.

“Can I come in?” he asks.

“You probably shouldn’t,” Vincent says, before his expression scrunches up, and he’s ducking away with a— “hh—! hHih-II—TSSCHHh-UH! snf-!”, smothered hurriedly into the palm of his hand. He sniffles, emerging with a slight wince. “This came on pretty quickly. It might be the flu.”

“It’s fine,” Yves says. “I got my flu shot in the winter. And anyways, I’ll be careful.”

Vincent is quiet, for a moment. Then, frowning, he says, “I’d feel terrible if you caught this.”

That’s the least of Yves’s worries—he doubts he’s going to catch this. Even if he does, it will just mean a few days off of work. Not the end of the world, by any means. Nothing to warrant the expression on Vincent’s face—Vincent looks upset, as if he’ll really can’t think of anything worse than Yves catching this. Like even the thought of it is worth being upset over.

Yves shakes his head. “Don’t worry about it, seriously.” He pushes past Vincent to step inside and shuts the door behind him. “Here, I’ll set these down on your desk. Where is it?”

“Down the hallway, to the left,” Vincent says.

Yves takes the folder, leaves his shoes at the door, and heads inside. 

Vincent’s bedroom is small and organized—it’s the kind of bedroom that’s tastefully minimal, in the sort of unified manner that implies that everything in it has been carefully arranged. There’s a small white desk in the corner, a stack of files arranged neatly next to Vincent’s laptop, its lid halfway to shut. There’s a bookshelf, leaned up against the wall far; the bottom shelf looks to be filled with textbooks; the top shelf lined with books, both in Korean and in English. The walls are painted slate gray, the carpets lining the floorboards picked out to match, and there are pale blue curtains hanging from the windows, pulled tightly shut.

There are signs here, too, of his illness, but they are subtle. A tissue box, nestled between his pillow and the headboard, half empty. A waste bin at the foot of the bed, conveniently in reach. A small bottle of aspirin on the bedside counter; an empty packet of cough drops sitting at the edge of his nightstand.

Yves sets the folder at the end of Vincent’s desk, next to the rest of his files, and turns to face him.

“You’re not going to work on these until you’re feeling better, right?” he asks.

“Only if I can’t sleep,” Vincent says, which Yves supposes is a satisfactory answer. Then he twists away, his eyebrows furrowing, lifting a loosely clenched fist to his face to cough, and cough. 

The cough is harsh and grating—his entire frame shudders with the force of it, his breaths shallow and raspy. He really sounds awful. This must have come on quickly, Yves thinks.

If it’s upsetting, seeing Vincent like this, it’s even worse to be standing here, in his room, doing nothing. So—if only to make himself useful, if only to convince himself that there’s something he can do—Yves ducks out into the kitchen.

The pantry is meticulously organized—glasses lined up in neat rows; stacks of bowls sorted by size. He fills a glass with water, shuts the cabinets, and takes it back to the bedroom. 

By the time he gets back, Vincent is sitting at the edge of his bed. His glasses are folded neatly, left at the very edge of the countertop.

“Here,” Yves says, crossing the room, holding out the glass for him to take. 

“Thanks,” Vincent says, taking it gingerly from him. He takes a small, tentative sip, and then another—his hands are a little shaky, Yves notices. “You - snf-! - should really go.”

“I’m not entirely convinced you’ll be fine on your own,” Yves says.

“Of course I will be,” Vincent says, with all of his usual certainty. He lays down, pulling the covers over his body. “I have been fine on my own for years.”

It’s meant to be reassuring, Yves supposes. But he doesn’t feel reassured in the least.

“Thank you again for bringing me the files,” Vincent says, at last, shutting his eyes.

“You could’ve asked me to get you groceries,” Yves says. “There’s a supermarket not far from here, right? And you’re out of cough drops.” He takes a few steps over, towards the desk in the corner of the room. “These—” He examines the bottle of ibuprofen on the table. “—are expired.”

“Just because you’ve extended this kindness to me,” Vincent tells him, “doesn’t mean I should take advantage of it.”

Yves blinks, a little taken aback. “It’s only groceries. I wouldn’t have minded, really.”

“See,” Vincent says, with a note of—something in his voice. It sounds a bit like resignation. “That’s just the kind of person you are.”

Yves doesn’t know what to say, to that. 

Before he can think up a fitting response, Vincent’s breathing evens out. Yves lets himself listen to the shallow, steady cadence of it. Lets himself acknowledge the heavy, painful feeling in his chest for just a moment. Then he shuts the lights off and heads back out into the hallway.

[ Part 2 ]

[littlefankingdom]

Everytime something happens in France in a comic, I realize how little researches comics writers do. And like, if they are this bad with my western country, how bad it is with third-world countries they talk about???

In Nightwing (2016), Raptor is from a circus that was near Paris during Mary Grayson's childhood, so more than 40 years ago at least.

In this flashback, they accuse the mayor of Paris of having given leprosy to the romani and of keeping away the meds they need. Already, with our healthcare's system, it's hardly possible, as they would be able to go to a hospital to get the help they need. Do they think "public healthcare" means the state has a direct control on medication, because that's not the case at all. The French gov control the money put into medication, how much is bought, but a mayor has no power over this. I just don't understand how something like this could happen. You can totally write a racist medical scandal in France, but makes it make sense with our system.

But also, Paris didn't have a mayor until 1977, so if it's before 1977, impossible. And, Paris' mayor from 1977 to 1995 is JACQUES CHIRAC, who was the PRESIDENT after. They wrote a story implying that a French President kept medications away from sick people, was discovered and was still elected President. And, yes, the French government is far from good and they have deeply harmed the romani, but like, maybe don't write shit like that. (Also, Chirac was really against the war of Iraq, and stood up against the US, which France is still paying the price for to this day. So I don't really like an USAmerican to criticize Chirac. Like, we can do it, others can do it, but not USAmericans, y'all have done enough) I'm pretty sure that wasn't the goal of the writers. No, what happen is that they didn't do researches about Paris' mayor and so, wrote that shit.

This may be inspired by the contaminated blood's scandal in the 80s-90s, which was worst in France, but no mayor was found guilty, it was doctors who knowingly contaminated patients with a deadly illness. And the French government was held accountable, even if they had no hand in it, as a matter of principle.

I understand it's a fiction, and they didn't literally wrote "Chirac did this", but it's kind of clumsy. (Especially because of everything I wrote earlier about Chirac's politics and how the US is still punishing France for being against killing civilians and destroying Iraq. France was doing the right thing, and the US worked so France would go back in line and treat Arabs like shit. Do not think western countries are free from the US' imperialism)

And in no way I'm saying that you cannot write France being awful, I know my gov's crimes (rn, they have deported homeless out of Paris for the Olympics, the President is refusing to acknowledge the left won the elections and to take a leftist prime minister so we have no prime minister since mid July and fuck democracy I guess, they support Israel's crimes against humanity, and are behaving like the colonizers that they are in New-Caledonia, sending the armies against the Kanaks that have not enough power on their own land), I'm just saying it should at least be believable enough to work. (Easiest way: make the cops racist. Boom. Also, French cops talk like vilains, it's insane.) And also, not about someone touchy like clumsily painting badly a president that was punished by the US for doing the right thing.

[opens-up-4-nobody]

Aough. Rewatched Goodbye, Farwell, and Amen today...

[necrotic-nephilim]

If you want to be bothered. Maybe this for dick and Bruce???

i ALWAYS want to be bothered these are always the highlight of my day tbh you're a delight for letting me just yap <3

Dick. For the canon isn't real square I am Specifically talking about the Tom Taylor Nightwing run. Usually I ignore bad runs but given this one is ongoing (though about to end THANK GOD and get replaced by Dan Watters who i have high hopes for since i adored his Sword of Azrael (2022) run but i digress) so I counted it. Especially since it's so debated if that run is bad or not, for some reason. I'm a 90s Nightwing truther. I love Dick so dearly and tbh recently I've been more enamored with him the more I read his Discowing era, I didn't used to be as big of a Dick stan as I am these days.

Bruce. Honestly where do you even start with Bruce. I want to fist fight him and also patch him up. He got me into comics and superheroes as a whole but I roll my eyes whenever he shows up in a story. He's a bastard and usually not a good father but also complex and should be dissected under a magnifying glass. I love him dearly. He's also just the worst. I think that's why I love him. I'm always a fan of unabashedly Complicated Asshole Bruce who's generally not always the best person, particularly not to the Batfamily and that being the driving force of his relationships with them, especially in shipping.

And for bonus points, Tim. Because know above all else, I'm a Tim Drake kinnie /deg. He's been my number one for a decade and I've yet to uproot him from my brain. He's literally the Worst half the time and I love him for it. And the canon isn't real refers to Tim Drake: Robin because... that sure was a comic. And that's about all I can say about it. Pre-Flashpoint Tim I miss you so dearly. I think it's fun that I want to put him in a blender and drink the juice but also want Nothing Ever to happen to him.

[madootles]

[sentientsky]

lady cassandra o’brien really truly is nikola orsinov’s wildest fucking dream

[jnnephm]

I rarely do the portrait snapshot as I'm not good with the lighting and posing at all (that's just too much work and I'm lazy af.)

But this. This just changed my mind completely.

Lmao I love how big Sylus hand is.

The whole scene.

I'm definitely gonna work more on the lighting.

That gaze is so soft...

[azure-clockwork]

How Does it Feel to Read Classic Sci-Fi?

Orson Scott Card: Two of the most interesting books you’ll ever read if you’re willing to look past a handful of things. And then you find the planet of Chinese people who worship having debilitating OCD. And the Mormonism. And the fact that the author is wildly homophobic and ought to read his own books.

Robert Heinlein (or at least the Wikipedia Summaries): I guess that’s a neat concept—oh, it’s a sex thing. Um. Gotcha.

Ray Bradbury: Man, I gotta read this thing for class huh. Well here’s hoping it’s good! *three hours later* oh. that’s why he’s famous. this will stick with me forever and I will never look at the phrase ‘soft rain’ the same again. christ. And then repeat 3x.

Isaac Asimov: Wow, this is such an interesting concept! I wonder how the exploration of it will influence the plot! Wait, hey, are you going to add any characters? Any of em? No like, with character traits other than ‘robot psychologist’ and ‘autistic’ and ‘woman’? None of em? No, ‘detective’ isn’t a character trait. Those are all just facts. Aaaand now I’m bored.

Ursula K. Le Guin: Hah, get a load of this guy! He’s never heard of nonbinary people before. Lol, what a riot; how dumb do you have to be to comprehend that these people aren’t men *or* women actually? Oh, wait, what’s happening. Oh shit, it was about society and love and learning to understand each other? And now I’m crying? And perhaps a better human being for it??

Andy Weir: Alright, this guy’s a really good writer. Funny, creative, knows so much engineering stuff…ooh, a new book! …I guess he can’t write women. Well, he wouldn’t be the first sci-fi writer…ooh another new book! And it’s more engineering problem solving and—wow. It’s not just women he can’t write. Please stop letting your characters talk to each other.

Lois Lowry: Oh, I remember this being fun when I was a kid! Wouldn’t it be fucked up to not see color? …upon reread, it would be fucked up to have your humanity stripped away, replaced with a tepid, beige ‘happiness’ for all time. Yeah.

Tamsyn Muir (let me have this ok): Haha, “lesbian necromancers in space” sounds fun. Lemme read this. Oh wow, yeah, this is right up my alley. OH GOD WHAT. NO. FUCK. OH SHIT WHAT IS EVEN HAPPENING AND WHY IS IT REFERENCING THE BOOK OF RUTH AND HOMESTUCK BACK TO BACK!!! AHHHHHHHHH!! Now give me more please.

[daily-hanamura]

[wildflowercryptid]

messed around some new brushes so here's a bunch of dg doodles, (feat. two of the characters from one of the fancase ideas i've been muddling over.)

— credit to @whisperingrockers for harrow's fantastic design once again!