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#Reflective writing
saintavangeline · 11 months
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November’s Stolen Gold
Saint Avangeline
I remember when I loved November.
When I would hear its name spoken, all I’d see was gold
Everything was golden back then. My mother’s long and fiery hair. Freshly buttered pie crust and kindred laughter. The naïve and thinly intact self-assuredness of an 11 year old girl. The autumn leaves, once vibrant red, fading to bronze and saying their final goodbyes before the wind came to take them away.
The most golden of all: the sun. As if in defiance of the frigid beginnings of the approaching winter cold; its radiance would permeate throughout November. It would shower me in that gold. I could feel it within me; it spoke in a wordless language I could only experience to understand. The air was so crisp, so clear. I’d take a deep breath and I could breathe in and understand all of the forest.
By and by, the fullness and warmth of November wilted and browned as the leaves did. The once welcoming and radiant sunlight began to chill me to the bone. Suddenly, the brisk clarity of a November morning was useless amidst the ever growing fog in my mind. Nowadays, I often find myself in a place unfamiliar to me. The laughter is gone. The trees don’t whisper as they once did. The leaves don’t bid farewell. The glittering gold I once understood is only scarcely found, lost in translation, in a distant memory or a hazy dream I awaken from exceedingly abruptly.
I long to know what the sun said to me on those November afternoons. I’ve asked in my slumber on many occasions, but only the moon ever answers. Perhaps the sun only speaks to those who know themselves. Perhaps it’s a precious secret that It, and the child lost within me, will forever keep.
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imagineurwrld · 4 months
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Welcome
My name is Jaylin and I am a writer.
By that, I mean I turn immediately to books, to a Google Document, and to a paper in one of hundreds of journals I have opened and closed over the course of the past ten years to express unspoken turmoil and delight. The majority of my work remains unpublished, save from the lenghty fanfications that I started at fifteen years old and failed to conclude four years later. Despite so, I harbor a profound fascination of literature, like many who download and scroll through this very app. I seek pieces that will capture me, words that will move me and transport me to realities far from my own.
Like many, for me, writing is an escape. It is a breath of life into words that have the power to construct whatever the sheltered mind desires. Writing is the source of control for those lacking so in their realities. Writing is a place to explore, to form bridges between the real and the fantastical, it is a subconscious connection between foreign voices who share a common passion for art and communication. For me, writing is a beacon of hope, a spark of light in the dark, and an invisible string that ties broken hearts together.
I intend to mold this blog into an encapsulation of my mind's secrets through fiction and reflection, romance and horror, triumph and trial, through words on a page that you may happen to come across. I want to finally share with the world the thoughts that cross my mind consistently, and how they have metamorphosized into the blurbs that I intend to write here.
I hope to create a safe space for all those who fail to find words when the time calls for them. I hope to create a space where people can connect with my foreign world and link themselves to brief sections about heartbreak, happiness, action, fear, adventure, and raw rumination.
To be a writer is to be human, as we all are.
Welcome to my blog "A Literary World of Your Imagination." I hope you stay a while.
-j.s.
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knowlimitations · 5 months
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Mysteries of Language: Sacred Texts and the Collective Unconscious
Recently, I followed an intuitive nudge to read the sacred text of Islam, the Quran. Naturally it has been on my mind with the conflict occurring in the Middle East and I have been studying it in English as well as Arabic, its original language.
I was pondering the Jungian philosophy of genetic memory and the collective unconscious, and how (according to his research) human beings have the capability of tapping into this genetic pool of information which includes ancient languages that an individual may not consciously know, such as Arabic, Hebrew or Greek.
What intrigues me is the ineffable nostalgia or energy surge that the body feels while observing foreign written languages or mundane symbolism, yet is unfamiliar to the brain. Articulating the “energy” into words is incredibly difficult, so it often gets discarded or overlooked. It’s similar to our dreams—upon awakening, we often struggle to recall all the intricate details because they exist in an abstract realm that doesn't neatly fit into our physical reality. However, what does remain is the lingering emotion, essentially encapsulating the essence of the dream. This emotional residue is what we vividly recall throughout the day. We underestimate the genuine value of awareness to recall such significant unconscious events, as it allows us to put them into words that can be expressed with others or “breathe life” into new and expansive ideas. This concept reminds me of the phrase, 'In the beginning, there was the Word,' underscoring the profound role of language in spirituality.
Within the powerful dimension of language, I believe we discover the key to creation. When we wield words as instruments of expression, we unlock the potential to craft something truly significant, transcending the confines of mere linguistic symbols.
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teenbasher · 8 months
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fuck, y’all will never understand how badly I miss the twins. Like I know Alex doesn’t exist in canon & Seb doesn’t have a twin & if he does, people usually make Severin his twin. Who doesn’t actually exist either in canon, but feels way more real because of all of the thousands of people who head canoned him. & don’t get me wrong I LOVE Severin. But in my head obvs he is the responsible, respectable older brother who despite how much of a mess Sebastian may be, he doesn’t give up on his little brother & I love that for him.
Severin is Sebastian’s rock when he is at rock bottom & I like to think that it is because of Severin that Sebastian gets his act together (at least partially lol) & gets into the army after he gets cleaned from the drugs & eventually ends up to live into adulthood & meet Jim.
But the whole story of Alex & Seb being the bestest of friends and inseparable as twins tend to be. Having Alex be Seb’s first ever source of love, companionship, care & encouragement during the twins formative years & equally losing him in such a traumatic & heart breaking way, still during those formative years, to not only go on to be eaten up by guilt from his own, under developed child minded perspective & blame himself, but also be blamed & hated by his father for it the rest of childhood & see first hand how his mother fell apart because of it. is particularly poetically tragic that it makes me long for the sweet, fleeing moments of innocent childhood happiness the two had for the short years Alex was alive. & sometimes I like to imagine how nice it would have been for seb if his brother had grown up with him & maybe softened the harsh environment Sebastian grew up in, practically alone & abandoned since Severin was sent off to school shortly after the accident, having him being much older than the twins in my head canon.
dang. I meant to write this as a reflective pice about the twins relationship because I miss Alex but now I just made myself sad 🥲
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wetravellight · 1 year
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📝Reflection📝
Today I read something about Allah's name البديع (the Originator), and the writer gave several examples of how we can experience this name around us.
Something that really stuck with me is when he said to think about color. Think about things around you that you love to see; flowers, trees, food, paintings, anything. And think about how dull your experience of these things would be if they had no color.
I can't imagine living a life in which all flowers were just another shade of grey, or if I couldn't tell how blue or pink or orange the sky was, or how bright and cheerful a bowl of fruit looked. Allah has put so much beauty into everything he created, and color is just one facet of that.
سبحان الله
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josephkravis · 1 year
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Echoes in Solitude: A Journey of Reflection
The eve is quiet, the world at bay, In solitude, alone I lay. Familiar specters, they come to play, A past remembered, in disarray. #kravis
Echoes in Solitude: A Journey of Reflection As I sit here alone, cocooned in the silence that accompanies solitude, I am left to my thoughts, those silent interlopers that insinuate themselves into every quiet corner. The edges of my solitude are gnawed by memories, both cherished and regretted, as they ebb and flow like a relentless tide on the shore of my consciousness. In the stillness, the…
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lexstellaris · 1 year
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Daily draw - 7/5/23 - Sacred Rebels Oracle (Alana Fairchild)
41 - Bring It Into Form
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I swear I'm not TRYING to pull the same cards lol. XD But I do feel this kind of energy a lot rn. The need to make things, but without the drive to actually create them. Lots of percolating ideas, bc sometimes creativity is like that. You sit and let ideas sit for a while until they decide they want to be written, or drawn, or created in whatever way they want to be manifest in.
It is interesting to have this thread of energy coming through the cards, though. There's all this creative energy flowing around and through me, and my head is buzzing with ideas. I just haven't had the time/energy/inspiration to make them come to life yet.
It's not writer's block, though. Just a pause as ideas take a moment to ferment and figure themselves out, while I sit here waiting to do the thing.
I know there's stuff to come. I know there's things to make and write and draw but the time isn't quite right for them yet. It will be soon, but not yet. The annoying thing is the waiting ngl. Having all this creative energy that's just waiting, rather than pushing me forwards. Soon, though. Just gotta let things settle. Let the ideas finish forming. Then they'll be done. Then they'll be able to be shared.
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lalocreativity · 2 years
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Reflective writing is also a natural part of journal writing. These notes are from this year after spending a little time in nature.
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benjaminwkb · 6 days
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CTS A Week 3 | Emotional Intelligence
I think my strongest aspect is Self-management. I am able to plan my time well and submit all my assignments on time. I do not like to be behind on work as it will cause stress and it may become a habit to leave things to the last minute. I do want to try to improve on Empathy and Relationship Management. I do not always see the signs when someone is struggling, I want to be there for my friends who are in need of emotional support, or even support in general. With today’s activities, we were to act out a scenario, I feel that the collaboration with my group members was very good and exhilarating, everyone was in constant communication and agreement. Once we had the storyline going, everything else fell into place, what was needed to be said during the scenes, etc. During this week’s studio lesson, we were in collaboration with deciding the sourness, bitterness, and sweetness of five different jelly beans. I’d say that our discussion went quite smoothly along with our explanations for why we agreed on said topic. We were all in agreement about which jellybean coincided with each font. Some other collaborations during Studio was on Week 2, where we had to discuss about a quote, we agreed most of the time about the direction of our discussion and mind map. Overall, I’d say that our communication-orientated and task-orientated collaboration has been good for the past 3 weeks and I hope to continue this over the next three years.
(256 words)
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neuvowebtech · 27 days
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A place I hide
My bed is just a place I hide, Roses lined and wrapped in vines. Thorns dig deep and pierce my side— It's no escape from an arsenic mind.
My bed is just a place I hide, A poisoned world I beautified. Black stems encase like haunted mines, A prison keep, my own design.
My bed is just a place I hide, I drift away, retreat inside. I rest my feet and close my eyes, And in sleep, ignore my strife.
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haveacupofjohanny · 2 months
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ThrowbackThursday: Embracing Persistence in the Writing Journey
Reflecting on my writing journey, persistence and stubbornness are key. Editing Under The Flamboyant Tree reminds me how crucial it is to keep going, even when it's tough. My why? To bring authentic stories to life. #ThrowbackThursday #WritingJourney #Per
Reflecting on a blog post I wrote on May 16, 2020, titled “Past the Halfway Mark, Wanting to Give Up,” I am reminded of the power of persistence and stubbornness in the writing journey. As I work on editing Under The Flamboyant Tree, I find these qualities are just as essential now as they were…
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ukdamo · 3 months
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KZ Sachsenhausen ; there and then, here and now
One of mine
In the summer of 1936 the posters on the underground in Berlin declaimed to every traveller, “Escape the big smoke. Come and enjoy the forests and lakes of Oranienburg". A forty-five minute train journey from S-Bahn Friedrichstrasse (1), in the heart of the city, brought sun seekers into the pleasant countryside to the north.
And why not? The dappled forest paths and clear lakes offered welcome relief from the thronged streets of the capital, streets filled with thousands of visitors who had come for the Olympiad being held in the new stadium, built to the west of the city.
People from all over the world had flown in to Flughafen Tempelhof, the airport whose buildings were a stone testament to the vitality of the l000 Year Reich. From there, visitors jostled along Swastika-hung streets to view the city sights: the Brandenburg Gate, the treasures of the Pergamon Museum, Schloss Charlottenburg; to climb to the top of the Siegessäule (2) not yet moved, on Hitler's order, from its home in front of the Reichstag; to stroll down the Unter den Linden - although the crowds were no longer shaded by its eponymous trees since they had been felled so as not to obscure the vista of Nazi (3) parades. Few visitors, admiring the State Opera house, recalled the newsreels of 1933 which showed this building lit by the flickering light of a great bonfire - a bonfire of burning books heaped on the adjacent square. Impressionable tourists lunched in the Café Schottenham, by the Anhalter Bahnhof (4), and then walked admiringly past the Bauhaus designed Europahaus en route to the splendid new Air Ministry building. Only a few years earlier the sightseers might have taken their coffee and cake in the Hotel Prinz Albrecht but this was now the HQ of Reichsfűhrer SS (5), Heinrich Himmler.
With every pavement, café and square teeming with tourists it was no wonder Berliners escaped to the relative calm of Oranienburg, to take a boat out on the lake, or to walk through the woods.
There were some city-dwellers, however, who travelled there under duress and for a more sinister purpose. To prevent the possibility of any embarrassing incidents in Berlin during the period of the Games, to disguise its anti-Semitism, and to forestall any negative publicity, some of the measures taken against the Jews by the regime were suspended. Behind this façade (quietly, unobtrusively, diligently), the Gestapo (6) intensified its labours rounding up the enemies of the Reich - Communists, Social Democrats, trade unionists, liberals, Christians, Jews, Sinti and Romany peoples, pacifists, Jehovah' s Witnesses, homosexuals, those designated 'anti­-socials' or criminals - and took them to the purpose built camp on the outskirts of Oranienburg. It was known as KZ Sachsenhausen. (7)
On a wintry day in February l996, I followed in their footsteps.
I was part way through my week in the city when I made my ‘pilgrimage’. After breakfasting, showering, and dressing in my most colourful clothes and dangliest earring, I picked up the remembrance (8), quitted my Berlin lodgings and set out for Oranienburg. The journey that had brought me to this time and place had begun years before in quite another location. As a younger man, studying Modern History at the University of Liverpool, I had focussed my enthusiasm on nineteenth and twentieth century European history: Berlin was a pivotal place in the scheme of things. My perspective, particularly on twentieth century German history, was informed by the lived experience of being a gay man. There and then reached a spectral hand into the here and now.
The cold February sky was downcast; grey, lowering. pedestrians turned up their coat collars to insulate themselves and hastened to their destinations. Sometimes I drew startled looks - my appearance being somewhat conspicuous - opposing the bleakness of the morning as it did. It was the fluttering ribbons which attracted most interest though. (Like the compelling image of the red coat in the film "Schindler's List"?) The train journey to Oranienburg was a journey in time as much as through a landscape. The train trundled across the city, heading northwards. Tenements gave way to light-industrial enterprises, these, in their turn, to detached houses with steeply-raked roofs. The houses thinned out and were separated by fields, wooded areas, little ponds and watercourses. As we clanked onwards, the landscape became more open. I could see now that the ground was waterlogged; crusty, muddy and frosted with snow. Even the larger lakes were frozen. Denuded trees pointed bony fingers to the sky. Somehow I had drifted into the winter of l944/45. The train reached its terminus and we few passengers reluctantly turned out of the warm carriages to brave the wind-scoured platform. Almost immediately, a gentle dusting of snow began to fall. (I am surprised to find that 1 feel glad it is snowing. It seems appropriate). I am possessed by the unshakeable conviction that no-one should visit at a pretty time of year. It would be sacrilegious. There is a mixture of buildings in the town, old and new, the streets are cobbled not asphalted. It requires no effort of imagination to see columns marching along this road. Straggly columns, sore-footed, threadbare. Oranienburg is a smallish town, similar to my own home town in NE Lancashire. There is some road traffic thudding over the cobbles; Trabbies and Wartburgs as well as VWs and Opels. Some kids look at me with unrestrained interest, older people with more reserve. Some of them even have a reproachful aspect.This is no longer Berlin, where people of unusual aspect arouse little notice and less comment. This is not even Manchester, where gays can be visible with a modicum of safety. This is the familiar, narrow, inhospitable ‘small-town’ Bronski Beat sang about with such eloquence. I recognise it from my own lived experience.
I become conscious of many thoughts; "This building would have been there then" "What must it be like to live here now, with such a legacy?" "What do these little kids make of it?"
Practical considerations imposed themselves and I looked for a signpost. There was one. How sobering, how chilling, to see it written. No longer a name from the past but a place here and now: Gedenkstätte Sachsenhausen (9).
Following the directions indicated, I walked towards the camp. As I neared it, the monument became visible above the rooftops. It stands uncompromisingly - a concrete grey monolith with pinkish triangles on the upper section. You could easily imagine that it was physically holding up the clouded sky, like Atlas.
At the corner of the Strasse der Nationen (10), which leads to the entrance, there is a small display board that remembers those who were killed on the 'Death March'. In the spring of l945, when it became obvious that all was lost, the authorities decided to march the camp inmates to the Baltic, intending to put them on ships and sink them. Six thousand died before the column was liberated - they were shot, beaten to death, or killed by cold and exhaustion. It was a sombre marker for what lay ahead.
Before going into the camp proper visitors walk through an entrance gate and along a wooded way that leads past the information centre. Through the trees to the left (sparse, wintry and naked) glimpses of the perimeter wall can be had. I went in to the office and collected an English guide map. The room was dominated by a big, green-tiled stove that radiated masses of heat. It made the cold outside seem that much more intense. "What must it be like to work in such a place?" I wondered, "Do you grow used to the horror of it all? Can you afford to forget?" I quitted the building and felt very alone. There was just me, the remembrance, and the reality of Sachsenhausen. There and then, here and now. I feel strongly that Sachsenhausen is not history: history has no life in it. Sachsenhausen can never be mere history as long as there is someone who knows, who remembers, who lives in the light of that remembrance.
The first place that presents itself to the visitor is a modern exhibition centre (1961) which houses photographs, archive material, and an allegorical stained glass memorial window. The building dates from the original opening of the camp as a centre for national remembrance, in what was then the GDR (11). It focuses on the wartime history of Sachsenhausen. It stands in what was the SS barrack area, just in front of the gatehouse. Inside, I noted the brief descriptions of the photos in English. Many needed no explanation: the horrors were all-to-evident. Among the most harrowing were the pictures of those murdered on the march to the Baltic. Corpses were scattered along the route - in fields, in ditches, in the woods, by the roadside - killed by a single pistol shot to the head. From under makeshift coverings (which those who found the bodies had used to try and afford them the dignity denied them by their tormentors) poked emaciated limbs, bruised and disfigured faces, unshod feet. Other photographs detailed those who were left behind, the three thousand in the 'hospital', found when the Russians entered the camp on April 22nd 1945.
On that April day, some few miles to the south, Hitler was in the bunker beneath the Reich Chancellery. He had celebrated his last birthday two days previously. The sounds of the strife above ground were muffled and did not disturb the delusions of ultimate victory he cherished. In the cold reality of day, Flughafen Tempelhof was about to fall to the advancing Russians.
Within a week Hitler would be dead.
Some of the prisoners in Sachsenhausen made slow recoveries and joined the sea of 'Displaced Persons' trying to get home in post-war Europe. For others, death's grip was too tight for liberation to make a difference.
Leaving the photograph collection, I turned toward the entrance to the camp proper and walked through. Arbeit Macht Frei (l2) said the mocking inscription on the gate. By the end of 1944, over 204,000 people had read that sentence as they passed under the lintel and in to the Appellplatz (13). Once inside, more than 100,000 of them were systematically put to death. Others met death in camps they were transferred to. It would be invidious to try to describe the sufferings endured by camp inmates in a purely statistical way; in any case, the destruction of records means that an accurate total can never be known. The information in Sachsenhausen suggests that some 30,000 gay men were sent to the camps under the Nazis. Estimates vary. A figure of 60,000 or more may not be unduly high. Perhaps as many as 2/3rds of these men did not survive.
Standing there, 1 felt as if I had ought to remove my boots and go barefoot. A stupid idea but an almost overpowering feeling. I gazed across the open courtyard, at the monument towering beyond, and was filled with unutterable sadness.
The camp is laid out like a gigantic triangle, with the gatehouse in the centre of the baseline. Emotionally, I felt this to be an obscene joke. Apparently, it was simply the result of Nazi thoroughness and the exigencies of security - a shorter perimeter, fewer watchtowers, fewer unobserved corners, better sightlines. All so easily calculated.
The courtyard presented a large semicircle - the placement of the first row of huts being indicated by a latticed wall. Behind me, to my left and right was the neutral zone (actually a killing field); a wire boundary marker, a few yards of bare earth, then an electric fence. Finally, and almost superfluously, there was the perimeter wall with its barbed wire crown. To step over the marker invited being shot without warning. Photographic evidence shows that some prisoners chose this. Still others crossed the death strip and embraced the electrified wire.
I looked down at the map in my hand. It was difficult to use it nimbly because of the cutting wind and my chilled muscles. My eyes were watering, too, but I could not blame the wind for that. The ribbons on the remembrance fluttered; the only colour in the landscape.
Immediately in front of me was a great concrete roller that weighed three metric tonnes. The Häftlinge (14) were forced to run pulling this and were beaten if they moved too slowly. A semicircle just in front of the first row of huts was identified as the Schuhprűfstrecke (15), Here, in a broad arc, were nine sections - each of a different surface - gravel, flint, broken stone, sand etc… Prisoners had to walk over these for ten hours each day (about 25 miles, carrying 35lb in weight) to test the durability of shoe/boot soles. I looked down. The frost-frozen ground cracked beneath my own booted feet and I sank into the mush. Scattered snowflakes flitted by. A few rooks called, screechingly.
A party of British teenagers came in through the gatehouse. They were chatty, boisterous, as kids are. But their voices grated on my ears even more than the shrill rooks. Some places in the world must only ever be silent places. Not because noise is a bad thing. No, Act Up is right when it says that Silence = Death. But in Sachsenhausen the silence is needful. It is what makes it permissible to be noisy elsewhere. If the potent and clamorous silence of that place is ever trodden underfoot, then the laughter, songs, protests, whistles and dancing that enliven and affirm us wherever we are will be themselves in danger of being silenced forever.
There are those who wish it so.
In September of 1992, a number of individuals broke into the camp and burned down two of the huts (known as the Jewish Barracks). It is thought that this act was a deliberate desecration of the memorial and was an indication of the resurgence of xenophobia and anti-Semitism in the recently re-unified Germany. In Berlin itself, on Oranienburger Strasse, stands the recently restored Neue Synagoge (16). It is guarded by three armed policemen and is protected by stringent security measures. Inside is an exhibition that focuses on the history of the Jewish people in Berlin, even so, it acknowledges that racism and prejudice have deep roots are widely prevalent.
Closer to home, there is a latent racism abroad on the streets of my own town. The National Front has contested, and continues to be active, in local elections. Dispersed asylum seekers meet with thinly veiled hostility. In 1994 an NF candidate was successfully elected in local council elections on the Isle of Dogs, London. Jewish cemeteries are regularly vandalized. Violence directed at lesbians and gay men, is, sadly, an unremarkable occurrence.
My train of thought had been interrupted by the noise of the school kids, so I allowed them to go their own way and then turned my attention back to the map. Over to the right was a temporary exhibition that told the story of the Jewish Barracks and their inmates. The future of these two barrack blocks (38 and 39), destroyed in the arson attack, remains to be decided.
Further on was the special detention camp set up for prominent political, and other, prisoners. A number of the cells are still there. Prisoners were often held in solitary confinement for long periods, tortured, denied food and drink, kept in darkened cells for months or even longer. Martin Niemőller (17) was a prisoner here. To walk along and look into the tiny cells (some with memorials inside) was a humbling experience. It was not hard to imagine the clang of steel doors, the turn of keys, the sounds of brutal interrogation echoing down the narrow corridor.
What was the date again?
At the far end, the building opened on to an exercise yard, separated from the rest of the camp by a high wall. I stepped out again into the bleak, dismal light. To the left was the Erdbunker (18), a burial cell or pit where prisoners were virtually entombed, exposed to bitter cold and oozing wet walls with only a small, steel barred hatch above. What would you see from inside? A cross hatched patch of blue? A slate grey torrent?
On the February day I was there, the ground was waterlogged. I could hear the drip of icy melt water as it fell into that dark maw. A great puddle surrounded the hatch, frozen on top, squelchy underneath.
Just beyond the bunker, on the wall, was the memorial plaque that I had come to see; journey’s end for the beribboned remembrance, journey’s beginning for my living remembrance. The plaque is a stark in its simplicity: a black rectangle with the letters punched out by stencil, exposing the wall behind. On the ground below, a few tiles, and, scattered on them, a few carnations. Had they once been pink? The wording of the memorial was as stark in its simplicity as the plaque itself. How else could it be? How can you dress it up in fine language?
TOTGESHLAGEN TOTGESCHWIEGEN DEN HOMOSEXUELLEN OPFERN DES NATIONALSOZIALISMUS
Taking hold of the remembrance, I drove the pole in to the ground as far as it would go and then banked up the mushed, sandy, ice-filled soil around it to hold it steady. Not caring whether I was observed or not, I knelt down in the waterlogged yard, sank back onto my haunches and waited quietly for about the length of time it takes a man to walk a mile slowly. Everything was hushed. The ribbons flapped and the poem waved about as the wind caught it. For a moment or two, there was a dancing rainbow
When the time was right, I stood up to continue my journey. (I returned to the remembrance before I finally left the camp, the hard frost meant that the banked earth at the base of the pole was already beginning to freeze. Almost as if to ward off the chill, the freedom ribbons fluttered gaily. This optimism made the leave-taking that much easier).
I moved on item the exercise yard to the exhibition mounted in the former prisoners’ kitchen. The route took me past the sites of the gallows where prisoners deemed to have committed offences were hung,. Other grisly punishments were also meted out here during roll call "pour encourager les autres". Away to the right, by the perimeter wall stood a monument to those who died in the camp during the period 1945-50. For Sachsenhausen's infamy did not end with the war's end. The Soviets operated the site, under the name of ‘Special Camp No. 7’, and imprisoned former members of the Nazi Party, members of the SS, and the Wehrmacht (20), as well as prisoners of war released by the Western Allies, and others. Later on, inmates included people who were victims of denunciations, people who were arbitrarily arrested, growing numbers of Social Democrats, Christian Democrats and Liberals, opponents of the Soviet occupying power, and of the emerging East German Communist regime. It is estimated that 20,000 people died as a result of the conditions in the camp..
The sights that met the eye once inside the former cook-house were stinging. Further calculated horrors, to which the prisoners were subject, were held up for unwelcome yet necessary inspection.. There were artefacts from the wartime history of the camp – Zyklon B canisters (21). Human hair, gathered for use as war materiel. Fillings from teeth. Striped uniforms, with their triangles of various colours (22). Plates and cutlery, stamped with prisoners’ numbers. The ‘height measurer’ from Station Z (23). This building was a place I wanted to run through quickly and escape from. Instead, I walked slowly and deliberately through it all, step by step, case by case, from one information board to the next. It was like the Stations of the Cross. Is it realistic to hope for a Resurrection? ‘Can there be lyric poetry after the Holocaust?’ someone asked.
Can there be?
I do not feel able to answer that question. But I can witness to this: the even in Sachsenhausen it proved impossible to crush the creativity and aspirations of the human spirit. Prisoners crafted necessarily small but beautiful things from the most basic materials and contraband. They made chess sets, inlaid cigarette cases, even a crude radio receiver. Furthermore, there is at least one recorded instance of resistance, carried out by the ‘Jewish 18’. In the autumn of 1942, in protest at their inhuman treatment, eighteen Jews staged a protest in the Appellplatz. Their act of resistance, though brutally suppressed, did result in some amelioration of camp conditions for the Jewish inmates. It did not save the 18 from Auschwitz-Birkenau.
When I had reached the end of the exhibition I paused for a long time by the visitors’ book because had to frame carefully what I wanted to write there. What response can on make to such horrors?
"Whereof one cannot speak, thereof must one remain silent", noted Wittgenstein in his philosophical investigation of language. He must have been thinking of the situations that test the boundaries of human experience when he formulated that precept. And here was I in such an extremity. Just how do you write down a howl of anguish in the soul? When I left the block I saw the great monument towering before me. I went up close and looked at its huge bronze figures and its concrete vastness. The scale was so big as to be scarcely human. In a way, this is perversely fitting since the dreadful events to which it testifies are equally vast in scope and inhuman in character. The sculpted group of figures at the base of the tower is entitled "Liberation". (A secular version of Resurrection?)
Feeling tiny, I turned and walked the short distance to the site of Station Z.
If Dante's Inferno is taken as a metaphor for Sachsenhausen, then Station Z may be thought of as the deepest and most damned region of that place. Perhaps it is fitting that this was the last place I visited and the place where I most nearly lost what measure of self-control was left to me.
The area is shielded from the elements by a canopy. The suffering and the loss are recalled in an affecting monument; bronze figures two adults with a dead child. More affecting still are the remains of the building that stood on this spot. It was built in l942 and was staffed by the SS. Here thousands upon thousands were gassed, or shot. Their bodies were profaned (treated as the source of raw materials for the war effort) then burned. Any remains were crammed into a subterranean bunker close by.
Given what preceded death, this can be no real surprise. Often, camp inmates were used as a slave work force for various SS-run enterprises. Prisoners from Sachsenhausen were compelled to build the canteen and recreational facilities, used by the Gestapo and SS, on the Prinz Albrecht Terrain (24). In the 'hospital' prisoners were used in experiments to test drugs, chemical weapons, and 'treatments'.
The foundations only remain. No access is allowed: visitors look through a wire fence on to the features that rising up from the earth. Clearly discernible are the rooms that comprised the gas-chamber (disguised as a shower room) the ante-room where prisoners stripped before going in to the 'shower', and the ramp where the dead, having been thrown on to carts, were pulled the few yards to the crematorium. Also evident were rooms used for interrogations and a killing room made to appear like a clinic. Prisoners were stood against a height measurer attached to a wall. (A wooden finger that ran between two slats, marked off in centimetres). Unknown to the inmate, there was a hidden room behind the wall. Once the wooden finger was upon his or her head, someone in that room would shoot them in the back of the neck. Bodies were dragged across the floor and through a door that opened on to the crematorium. All so convenient, so duplicitous, shielded from the eyes of the other inmates. But there could be no secrecy; the smoke, the smell, the miasma, the point of no return. It must have been evident for miles.
The wind whipped up again. Steam rising from the boiler house in the old laundry block caught my eye and was transformed into the smoke from this charnel house. It was suddenly 1944 again. The camp was filled beyond capacity with the enemies of the Reich, 90% of them non-German. There were representative groups from virtually all of Nazi occupied Europe.
Russian prisoners were being systematically exterminated. Food was scarce, warm clothes scarcer still. Prisoners were beaten, worked to death, tortured, subject to crazed experiments.
The rooks sent up a cacophony of cries that brought me to myself again. Here I was, in 1996, looking& back at what had been. Statistics in Sachsenhausen indicate that there were more than 2000 concentration camps, sub-camps and detention centres in Germany alone.
I blinked back tears as I looked through the fence and reconstructed these terrors in my mind's eye. Walking round the site, moving clockwise past the sculpture in the near left hand corner, I caught site of a feature that I did not immediately recognise and so moved closer. Suddenly, even through eyes misted over, it became all-to-evident. The few courses of bricks, the metal doors and the flues, resolved themselves into ovens. There were four in a row. I was absolutely stricken. My legs buckled and I let out an involuntary cry as I stumbled and reached out for the wire to support myself. From then on, I was in a daze. I tottered across the frozen earth and picked my way gingerly down the trench that led down to the bunker where the bones had been dumped. Signs on the sides of the wooden ramparts indicated where prisoners of war had been shot. Others who met their death at this entrance to Hades included those sent to Sachsenhausen by Reichssicherheitshauptampt of the SS and the Gestapo (25). Most sickening was the mechanised gibbet, worked by a winch and pulley, which allowed four people to be hung at one time, with the minimum expenditure of effort or manpower. It was what 1 had come to expect of the Nazis during the course of my visit. That I was no longer shocked by such atrocity was a shock in itself. I stared out of the pit at the vast grey sky, punctured only by the concrete finger of the monument. The sky was heavy under the weight of its own sorrow.
The closing scene from the film Judgment at Nuremberg came to mind. An American (small town) judge visits his leading Nazi counterpart whom he has just sentenced for war crimes. The German judge offers, as mitigating explanation, that he thought the Nazis could be controlled and used, that he never imagined it would come to this. His counterpart dismisses this very cogently and simply: "It came to this the first time you sentenced a person to death whom you knew to be innocent."
If Sachsenhausen indelibly imprinted one idea in me, it is this: that every step down the road which begins with disrespect for another person ends at KZ Sachsenhausen. All the sentences which begin, "I'm not …………… (insert your own favourite prejudice)…… but ……" conclude, ultimately, with the sharp report of a pistol shot, or the creak of rope, or the bolts sliding home on the door to the 'shower'.
Many of the entries in the visitors' book say, "This must not be allowed to happen again". My feeling is that it has never stopped happening. I believe that it may prove truly fatal to think of there and then and exclude here and now. I am convinced that the celebration of life and difference, the promotion of human flourishing, is dependent upon us being ever vigilant, and ever respectful of the dignity of others.
My visit to Berlin showed ample evidence that a significant number of people share this perspective. In the wake of the arson attack on the 'Jewish Barracks' at Sachsenhausen, there was a spontaneous gathering at the memorial to express concern and regret. Subsequently, a demonstration was held which focussed on the theme 'reflecting in Germany - together against xenophobia and anti-Semitism'. 7000 people attended.
When the Berlin city authorities were considering what uses the Prinz Albrecht Terrain might be put to, concerned citizens and organisations took an active interest and even direct action, including a symbolic 'dig' on May 5th., 1985. The discovery of the foundations of the buildings associated with the site, particularly the cells used by the Gestapo, and those parts built by the slave workers from Sachsenhausen, together with the insistent pressure brought to bear by those who saw the necessity of an explicit recognition of the role that the site played during the period of the Third Reich, resulted in the opening of an exhibition pavilion and associated memorials which currently comprise the site. The motto of the groups coordinating the May 5th dig seems very appropriate: "LET NO GRASS GROW OVER IT!"
The city is notable for the number of memorials and plaques that detail the location of many buildings, and chronicle many events, which some would rather forget. Berlin's insistence on facing up to the past and continuing to confront it in the present struck me very forcefully. Less formal but no less striking is the graffiti that can be seen in the city. Particularly in the workers residential areas, like Prenzlauer Berg, graffiti appears to be regarded as necessary.
Graffiti ist kein Verbrechen!
Lesben Pauer
Nazis vertreiben, Auslanderinnen bleiben
This is a Nazi house
Much graffiti was focussed on current concerns – Kurdish refugees, the confrontation between Neo~Nazis and their Anarchist and Anti-Fascist opponents. Some was witty and creative but most was political in its inspiration. Amongst my favourites was the pointed reminder: "Wer bunker baut, wirft bomben" (27).
Comparing this situation to that nearer to home gives cause for unease. I do not feel that we recognise the dangers of forgetfulness, or apathy. Remember Pastor Niemöller's lament? Muted public concern permits our government to play fast and loose with human rights - witness the attempt to expel the Saudi dissident, Mohammed al Mas'ari, to protect lucrative arms deals with the Saudi government. Consider how the Criminal Justice Act is used against travelling people and against those who wish to undertake direct and legitimate protests. Examine closely those churches who claim to esteem the unique dignity of the human person in absolute terms yet couch their teaching and pastoral documents in such a way that the human dignity of some is completely abrogated. This may be noted particularly when the churches address themselves to women’s issues, lesbian and gay issues, or issues of race and ethnic origin. There is no comfort to be had in looking at the wider situation - the former Yugoslavia, Iraq, Chechnya, or Rwanda.
I wish I were able to claim for lesbians and gay men some innate virtue that renders us impervious to the propaganda of racism and sexism, but I can't. Though we may identify more strongly than some with the women, children and men who were butchered there and then in places like Sachsenhausen, and though we might feel their suffering acutely and recoil in genuine horror, still that does not confer an automatic immunity to the hateful thinking patterns that produced the concentration camps.
If it is true that lesbians and gay men (among others) have a 'privileged' access to the experience of the Häftlinge, then we have a particular responsibility to be vigilant. The danger we face because of that propaganda and its attendant terrors may be more subtle and understated in Britain than it is overseas but it is no less invidious. We must be vigilant not simply to prevent the virulent return of those values that consigned us to the camps (the fear of being inmates in the here and now) but also to prevent us from being seduced by the simplistic slogans and false promises that would make us accomplices in their institution. Without such vigilance we face the awful an almost unimaginable possibility of being deceived into acting as the new guards.
The lesson that Pastor Niemöller learned (too late?) was that if it could be you, it could be me, and if it were me, then it could be any of us. For that reason the same thing is demanded of each of us:
Vigilance and respect; there and then, here and now.
2001 © PD Entwistle
Notes
(1) S-Bahn Friedrichstrasse:
Berlin is served by a variety of train and tram routes. S-Bahn refers to the Schnellbahn - the overland train network, Friedrichstrasse to the station in the centre of the city.
(2) Siegessäule:
Victory Column, built to commemorate the military victory over the French which led to the founding of the Second Reich in 1871.
(3) Nazi:
NSDAP Nationalsozialistische Deutsche Arbeiterpartei. The National Socialist German Worker's Party. Elected to power in 1933, the party began to usurp the power of the state, supplanting the rule of law and government by the fiat of the party and the instruments of terror it wielded. Within a few months Hitler had stifled all opposition and abandoned any pretence of democratic rule.
(4) Anhalter Bahnhof:
This was one the chief railway termini for Berlin. Severely damaged in wartime bombing, there now remains only a portion of the facade.
(5) Reichsfűhrer SS:
Himmler’s official title, ‘Reich leader of the SS’. The SS (Schűtzstaffel) was the Protection Squad of the Nazi Party.
(6) Gestapo:
Geheime Staatspolizei, the secret state police.
(7) KZ Sachsenhausen:
Konzentrationslager, concentration camp. In the earlier years of Nazi Germany the camps were sometimes referred to as Schutzhäftlager, protective custody camps.
(8) Remembrance:
This had its origin in two distinct items which seemed to belong together as a 'token' that could be taken to Sachsenhausen and left at the memorial there. The remembrance consisted of 6 freedom ribbons, in the rainbow colours, attached to a pole. These ribbons had been part of a larger banner that had been carried on the Lesbian and Gay Pride March (London) in the summer of 1994. Together with the ribbons was a poem (see below).
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The Colour of Forget-Me-Nots
rose pink
carnation pink
perky pink
panther
champagne pink
in the pink
lily the pink
lipstick
blushing pink
candy floss pink
baby pink
bootees
marshmallow pink
bubblegum pink
fuchsia pink
Triangle
(9) Gedenkstätte Sachsenhausen:
Many of the former camps have been designated as places of national remembrance and reflection. Sachsenhausen is the one closest to Berlin.
(10) Strasse der Nationen:
Street of the nations
(11) GDP:
German Democratic Republic more commonly referred to as East Germany .
Now, of course, no longer in existence since the reunification of Germany.
(12) Arbeit Macht Frei:
The motto which was found at the entrance to the concentration camps. Work shall set you free.
(13) Appellplatz:
The place where inmates were assembled for roll-calls, punishments etc…
(14) Häftlinge:
Prisoners of the camp.
(15) Schuhprűfstrecke:
The shoe-testing ground.
(16) Neue Synagoge:
The 'New Synagogue’, completed in 1866. One of two dozen synagogues vandalised and set alight on Kristallnacht (the night of broken glass), November 9th., 1938. Following this pogrom 12,000 Berlin Jews were brought to Sachsenhausen.
(17) Martin Niemöller:
Pastor Niemöller, U-Boat commander in WWI and a one-time supporter of the
Nazis, came to reject Fascism and was incarcerated in Sachsenhausen.
He is, perhaps, best remembered for the following verse –
First they came for the Jews
And I did not speak out – because I was not a Jew.
Then they cane for the Communists
And I did not speak out because I was not a Communist.
Then they came for the trade unionists
And I did not speak out - because I was not a trade unionist.
Then they came for me
And there was no-one left to speak out for me.
(18) Erdbunker:
Literally, ‘earth bunker’.
(19) Totgeshlagen…:
A literal translation is difficult. The inscription may be read as –
BEATEN TO DEATH
SILENCED TO DEATH
THE
HOMOSEXUAL
VICTIMS
OF
NAZISM
(20) Wehrmacht:
The German Army.
(21) Zyklon B:
The cyanide gas pellets used in the gas chambers.
(22) Triangles:
Prisoners in the camps were made to wear triangles of different colours. The
respective colours indicated the reason for their incarceration, eg. green = criminal,
red = political offender, black = anti-social, pink = homosexual.
(23) Station Z:
The mass extermination facility, built by the SS in 1942, and run by the
Totenkopfstandarte SS (Death’s Head battalions of the SS). Here, thousands
upon thousands were systematically butchered.
(24) Prinz Albrecht Terrain:
An area of central Berlin that housed the offices and HQ of the Nazi state terror
apparatus eg. the Gestapo, the SS. Bounded by (what is now) the Wilhelmstrasse,
Niederkirchnerstrasse, Stresemannstrasse, and Anhalterstrasse.
(25) Reishsicherheitshauptamt:
An approximate translation would be Head Office of Reich Security.
(26) Graffiti:
Colloquial translations might be –
Graffiti is no crime!
Lesbian Power!
Deport the Nazis, let the immigrant women stay
(27) Wer Bunker…:
Whoever builds bunkers, drops bombs
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praiseinchains · 3 months
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Let God Fight Your Battles
I’ve always been a sick person — I was born sick actually—and I still am to this day, but after so many years of searching I finally know what it is I have. The actual diagnosis was hard to swallow, but that wasn’t even the hardest part about my journey; the hardest part was the not knowing — the searching to know just what it was that I’d been battling for so long.
I had fought for many years trying to find a diagnosis, had been to what felt like a hundred doctors, and had what felt like every test imaginable (even a spinal tap, which proved crucial to my diagnosis).
So much of my time had been spent just going from appointment to appointment, praying that each one would be the one where I found answers.
Exodus 14:14 has always been one of my favorite verses because it tells me that the LORD will fight for me. For the longest time, I thought that meant He needed my help. But I now realize I had been relying on my own strength to find answers and hadn’t really let God fight for me. I’d thought that if I fought as hard as I could that I would find an answer, but all it had done was bring me no end of pain and frustration.
It wasn’t until I was diagnosed with large thinning nerves (what my doctor originally thought was early-onset glaucoma) when I was 29 that something clicked: it hadn’t mattered how hard I had fought — I hadn’t been able to stop my illness from getting worse. My own strength hadn’t been enough. It had failed me.
I had let my illness consume so much of my life, but the thought of standing still and doing nothing felt like I was giving up. But my job isn’t to fight this battle alone. My job is to live my life and leave the problem in God’s hands, trusting that He will take care of me like He’s promised He would.
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danipetersen · 5 months
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Reflective Statement Draft
During the process of creating my posters I didn’t research as efficiently as I should have, hence the limited exploration in my designs. Although, my posters lacked in terms of their layout, I did have a look at the TDC website for inspiration. While developing the posters, I attempted to use Helvetica to prove that this particular typeface could be used for any occasion with reference to the Helvetica documentary. I struggled in the typography department, as I wasn’t sure on what would better suit my ‘Lived Experience in Aotearoa Today’. Therefore, I continuously experimented with the placement of text, but more so with the typeface. Some typefaces weren’t exactly adequate for my designs, so I decided to handwrite a typeface digitally. This was a big asset to one of my final posters as it created a nice contrast between handwritten text and typed text. The feedback I received from my development posters helped me realise that the text to image ratio is important, especially in a typography-based poster. Hence, I tested out ways to incorporate images without overwhelming the text. Although, even without images, I learnt how to reflect the meaning of the text through typography. Overall, following my future designs, I wish to improve on certain elements which contribute to and displays professionalism and realism. My emphasis on typography remains lacking, so I will discover more ways to highlight the meaning of the text through its placement. Additionally, experimentation with image in text may be advantageous with regards to the text to image ratio. 
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drgarywood · 7 months
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Reflection and Renewal: Looking Back to Move Forward (Leap into The Leap Year Part 27)
A Moment to Yourself As our ‘Leap into the Leap Year‘ series draws to an end, let’s take a moment to pause and reflect on the journey. During the month, we’ve focused on self-discovery, growth, and wellbeing, with a strong emphasis on taking action. Let’s take a moment on Day 27 to reflect, gain insights, and make connections. We start by discussing the significance of reflection, its connection…
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