if I were doctor who showrunner I would instigate a policy that every season should have one episode where the stakes are so low. like the worst possible outcome is our characters are incredibly embarrassed, just some good low stakes shenanigans (pranks, good-natured competition, etc) however I would also instigate a policy wherein every season should have one episode that lacks violence entirely but is still so wildly fucked up and unsettling that you are afraid to go to sleep that night and haunted by it for years to come. these two episodes CAN be back to back.
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found family coworkers (definition multiple) of all time
[image description under cut]
Comic 1:
First panel, Ingo and Akari are standing together. Someone off-screen asks “oh, is that your dad?”.
Akari has an awkward smile and replies “oh, no no. he’s my...”
There’s a long pause as she looks at Ingo. He’s leaving it up to her.
She finishes, “He’s my coworker... friend... guy.” In smaller font, she continues “yea. that.”
Comic 2:
A dramatic panel of Volo, looking pissed off, shouting “who are you to interfere?!!”
Ingo tugs the brim of his cap lower. The upper half of his face is in shadow, while his eyes stand out. He looks threatening but has his expression is his characteristic neutral-frown, and he says “...I’m her coworker friend guy.”.
In the final panel, Machoke is throwing an incredible amount of punches, a reference to Star Platinum from Jojo. Ingo is pointing with one hand, his battle pose. The background text reads, “What does that even mean??”
Volo is experiencing off-screen violence.
Comic 3:
The comic is titled “Reunion”.
In the first panel, Ingo shows off Akari, with a faint smile on his face. She is labelled “best girl (assigned by god)”. He says, “Emmet, this is Akari, my coworker. She’s the reason I was able to return to this station.” In smaller font, Akari comments to herself, “ooh... so this is the man in white.”
In the second panel, in smaller font Ingo notes “I think I remember now...” He says, “Akari, this is Emmet. He's also my coworker.” Coworker is underlined. Emmet is crying in the background, looking confused, conflicted, distressed, and happy. He says, “Brother...?”
In the final panel, we see a framed photograph of all three together. Underneath are the words, Employee of the Month. Akari is dressed as a depot agent, and she and Ingo pose with peace signs. Emmet is red faced from crying, but he’s smiling widely. He looks happy.
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Yes you’re not fatphobic but are you capable of talking about fat people in a positive manner without saying somft/round/rotund/squishy/tumby/chumby/any other variation of the sort. Are you capable of talking about us in a positive manner without it being about beauty or attractiveness. Are you able to talk about fat people in general without being dehumanizing or infantilizing. Can you treat fat people with respect.
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“When I lost you, I was lost too, in this place… In this place, there’s something (nothing) more…” — This Place by Nicolas Snyder
Rewatched “Scavenger’s Reign” and it gave me the urge to draw something in a way inspired by the beautiful landscapes in the series. I’m out of practice with environmental illustrations, but this was a very calming one to make.
Trees so tall their canopies are lost to the eye, but their seeds drift down in gentle light and land among stones jutting from the ground. Not many beings get to witness it.
Close up and gif below the cut
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