#Semi-Automatic Labeling

[technogenenterprise]

Discover Different Sticker Labeling Machines for Industries

Labeling plays a crucial role in various industries, including pharmaceuticals, food and beverages, cosmetics, and chemicals. Proper labeling ensures compliance with regulations, enhances brand visibility, and improves efficiency in production lines. With the advancement of automation, sticker labeling machines have become an integral part of industrial packaging. These machines streamline the…

[adinathinternationalindia]

A manufacturing line that includes a variety of equipment for cleaning, filling, capping, and labeling syrup bottles is known as a pharmaceutical syrup filling line. It’s interesting that it also has an automated syrup production facility. We are a well-known manufacturer of syrup filling lines with uses in the culinary, pharmaceutical, nutraceutical, and herbal industries. Our syrup suspension filling line, which has an elegant appearance, is furnished with state-of-the-art components for production, cleaning, filling, capping, and labeling tasks. The entire suspension fill line functions as a single, integrated system, streamlining the production process.

As one of the top exporters of oral suspension filling lines from India, Adinath has developed both fully automatic and semi-automated oral liquid filling lines. The manufacturing capacity of our filling lines ranges from 500 to 50,000 liters per day.

Let’s have a look on some of the key equipments of our syrup filling line:

Syrup Manufacturing Plant

The pharmaceutical business uses oral liquid manufacturing plants as the best instruments for producing oral liquids. It is specifically made to address two important issues that have a direct impact on the liquids’ quality. Minimal liquid handling by hand and efficient cleanliness throughout production.

Automatic Bottle Washing Machine

Our bottle washing machine, sometimes called a linear bottle washer, is widely utilized in the pharmaceutical business. It has an all-automatic setup that guarantees hassle-free vial loading on the stainless steel wire mesh conveyor. You can also push them manually from the feed table if you’re comfortable doing things that way. Use this automated machine to save a lot of labor, and you can even opt to have an automatic emptying mechanism when needed. The latter is not required.

Automatic Bottle Filling Machine

The pharmaceutical business frequently uses bottle filling machines, also referred to as bottle fillers, to pack various liquids into various bottle types. This adaptable device can be used to fill bottles, jars, and containers made of glass, plastic, aluminum, steel, copper, and PET, among other materials. It can also fill aqueous solutions, foamy liquid, and semi-viscous solutions. The machine’s essential components include feeding needles, a piston pump, a quality stainless steel slat conveyor belt, and a robust foundation structure.

Automatic Bottle Capping Machine

We provide bottle stoppers that are used to cap bottles in a variety of industries, including the manufacturing of chemicals, pharmaceuticals, food and beverage products, pesticides, and alcoholic beverages. Our bottle capping machine is constructed with an M.S. frame and stainless steel enclosures or cladding. An orientation-style cap feeder is included with our ROPP bottle cap sealing machine to ensure smooth cap feeding.

Bottle Visual Inspection Machine

Adinath International produces and exports a cGMP certified bottle inspection machine with a three track conveyor and hooded lighting configuration. Aside from an inspection table with an SS construction, there is a background that alternates between black and white for a perfect visual inspection. A slat chain made of stainless steel is also a part of it. This machine will last for many years because of its sturdy adjustable bolt support and stainless steel square pipes.

Automatic Bottle Sticker Labeling Machine

This machine is widely used for labeling PET, aluminum, glass, plastic, and copper bottles, cans, jars, and other containers. With the most advanced microprocessor control label dispensing mechanism available, this linear design machine can detect labels and items with maximum efficiency. Additionally, it features a specially created mechanical and electronic technology that is useful for quickly applying transparent labels on bottles. For the labeling of different bottle types, there are no sections that need to be changed.

[pokepara]

I want you to know

If you name your pokemon something like Gentleman Pancake

Or Mr. Murdermitts

You make my day 10x better.

Thank you.

-Professor Clove

[strayheartless]

Things in Zack’s ADHD apartment that are necessary for him to function (as implemented by Angeal.)

His toothbrush lives on his nightstand. Not in the draw, not in a cabinet over the sink, not in a little pot on the sink. On. His. Nightstand. Because in Zack’s brain, if the first thing he see’s in a morning is his toothbrush he thinks “I need to remember to do that, I’ll do it now” and then gets to the bathroom and thinks “I might as well shower and do my hair too…. Hey I need to pee!”

Everything he needs for meal prep goes in a little container in the fridge and is labeled with the days they are to be consumed by. Even the stuff that doesn’t classically live in the fridge go in to these cubbies. Angeal checks them every week and if there is left over stuff he takes it away, makes small lunch portions, freezes them and leaves a note on Zack’s fridge that says lunches are already there for him.

Speaking of, there is a dry erase whiteboard on Zack’s fridge door. It has a grocery list side and a calendar on it. Cloud tends to be the one who updates it when Zack forgets (which is a lot).

Zack’s game consoles are in a cupboard with his games to stop himself getting distracted while he typed up his reports. This was Zack’s own solution and it works semi well.

His sword hangs on a peg on the back of the door now.

Shoe rack. It’s messy but he can see all of his shoe options.

Files on his shelf that are clearly labeled: “pay checks, bills and taxes”, “letters from home”, “bills part 2”, “commission certificate and graduation paperwork”, “legal thingies”, “passport, birth certificates, and other Identification stuff”. The files were Genesis’ idea. They are written in fun fonts and in colourful felt tips, so he knows where they go.

If he forgets to put things in files they are usually on the coffee table and Sephiroth (the filing fiend) usually does a weekly sweep and sort of his documents.

Laundry basket hoop. Doesn’t always work but sometimes it gives him the dopamine.

A physical letter box on the wall by his front door. He gets a dopamine hit from using a key to check his mail…. Nobodies willing to question it.

The worlds most irritating alarm clock.

Cloud. Just Cloud.

Bottles and kitchen tools all hung at eye level.

Spiny spice rack. He could have had a shelf but the spiny one entertains him.

The smart watch Lazard had Reeve make him. It reminds him of basically everything.

Stamp the dog hydration app that makes sad puppy noises when he needs to drink water (he was irritated about it but he doesn’t actually like upsetting the dog.)

A roomba with googly eyes on it called George. George is on a timer.

Electric air freshener and automatic air filtration.

Kunsel.

[maxdibert]

It is crucial to recognize that understanding the factors that led Snape to join the Death Eaters does not equate to justifying his actions. Instead, it provides a context for his behavior—a context that, if ignored, can lead to an oversimplified and morally absolutist assessment of his character. Labeling him as inherently “horrible” because he became involved with the Death Eaters neglects a broader, more nuanced reality about how extremist and cult-like groups recruit vulnerable individuals, and it disregards important class dynamics that help explain why certain individuals are more susceptible to such influences.

A substantial body of research in political psychology and sociology demonstrates that extremist groups often target vulnerable individuals rather than recruiting solely based on free will. Studies have shown that many extremist organizations, whether political, religious, or cultic in nature, actively seek out individuals who are experiencing personal crises, identity confusion, or social isolation. For instance, many sociologists argues that groups engaging in radical behavior often “identify and exploit the vulnerabilities of potential recruits” by offering them a sense of belonging and purpose that they might otherwise lack in their lives. In Snape’s case, his troubled past, personal losses, and internal conflicts created an environment in which the promises of power or recognition offered by the Death Eaters might have seemed compelling—even if those promises were ultimately manipulative and destructive.

The acholara McCauley and Moskalenko outline that radicalization is typically a process rather than a single choice. This process is influenced by both personal vulnerabilities and external pressures. The fact that someone like Snape was drawn into the ranks of a dangerous group does not automatically render him morally reprehensible; rather, it situates his decision within a broader social and psychological framework. Such recruitment tactics are not unique to the fictional universe of Harry Potter—they echo real-world phenomena where extremist groups (ranging from terrorist organizations to cults) deliberately target young or disenfranchised individuals who are searching for identity or validation.

Beyond personal vulnerability, class dynamics play a significant role in shaping an individual’s susceptibility to extremist recruitment. I’ve talked yet about Pierre Bourdieu’s theory of social capital teaches us that an individual’s position within a social hierarchy—and the resources available or denied because of that position—can heavily influence life choices. In the case of Snape, his background and the social environment he inhabited might have contributed to a sense of alienation or inadequacy. When extremist groups or cults offer an alternative sense of identity, one that is tied to power and exclusivity, they often find fertile ground among those who feel marginalized by the dominant socio-economic order.

The Death Eaters, as depicted in the series, are not a mass movement but rather a group composed largely of individuals from particular elite or semi-elite backgrounds. Their ideology is steeped in ideas about blood purity and social superiority, ideas that resonate with established class prejudices. However, their recruitment strategies also demonstrate how these groups exploit the vulnerabilities of individuals from outside those circles. It is a mistake to assume that joining such a group is solely the result of a clear-eyed, rational choice. Instead, it is often the culmination of cumulative social pressures, feelings of resentment, and a misguided search for identity—a phenomenon well documented in social psychology.

Acknowledging these factors is not about exonerating or excusing Snape’s later actions as a Death Eater. Rather, it is about contextualizing his choices. Recognizing that his involvement was shaped by a host of external pressures—ranging from personal vulnerabilities to exploitative recruitment tactics—provides a more complete picture of his character. This approach aligns with works that argues that understanding the radicalization process involves looking at the interplay of individual circumstances and structural factors. By accepting that Snape’s environment played a key role in his decision-making, we avoid the trap of moral oversimplification.

It is important to note that even if one accepts this contextualization, it does not mean that Snape’s actions are morally excusable. The harm caused by his involvement with the Death Eaters remains real and significant. What it does mean, however, is that a comprehensive moral evaluation must consider both the individual’s choices and the context in which those choices were made. Ignoring the latter does a disservice to the complexity of human behavior and to the documented processes of extremist recruitment.

Critics who use Snape’s recruitment as a simple moral litmus test—arguing that joining the Death Eaters automatically makes him a horrible person—tend to overlook how extremist groups operate. Such critics often assume that membership in an extremist group is the result of a fully autonomous, rational decision made in a vacuum. This perspective neglects substantial empirical evidence demonstrating that many individuals are coerced, manipulated, or otherwise influenced by group dynamics. Aronson in his work on social influence, explains that individuals often conform to group behavior not out of a conscious endorsement of its values but as a result of subtle psychological pressures that diminish their sense of agency.

Furthermore, when people claim that someone “chose” to join such a group entirely of their own free will, they ignore the systematic targeting tactics that many extremist groups employ. These tactics often include isolating potential recruits from alternative viewpoints, creating echo chambers of ideology, and exploiting personal insecurities. Such strategies have been documented in studies of extremist recruitment and radicalization. By denying the influence of these factors, critics engage in a form of victim blaming—suggesting that the individual is solely at fault for their involvement, rather than recognizing the role of predatory social dynamics.

Understanding that factors such as vulnerability, social isolation, and class dynamics contributed to Snape’s recruitment into the Death Eaters is essential for a nuanced analysis of his character. This understanding does not serve to justify or excuse the harmful actions that ensued. Rather, it highlights the importance of context in shaping individual behavior—a context that extremist groups have long exploited in both fiction and reality.

By situating Snape’s recruitment within this broader context, we recognize that while his later actions are indeed condemnable, they are also the outcome of a deliberate process of exploitation—one that many extremist groups utilize to prey upon the vulnerable. This comprehensive view underscores that simplistic moral condemnations fail to account for the full material and social reality of extremist recruitment.

[sgiandubh]

'We few, we happy few, we band of brothers'

It is one thing to disprove and even despise The Shire and its netizens. It is a whole other affair to violently bash S's skills, based on absolutely nothing else than spiteful disappointment.

We are being told by Mordor's basement polymaths the man cannot act. It is probably by an unelucidated strike of luck or by charity that he was cast by *** to embody book boyfriend JAMMF, when he has only 5 (five) known facial expressions in his quiver. He was the weakest link of Season 1 cast: I suppose the BJ/Frank Randall 2-in-1 does have a fan club, after all. His acting is wooden. He has chemistry only with C and by Her grace only, because you know, gay as a bag of popcorn. He is a semi-literate hunk, with documented spelling problems. Even more so, when we conveniently toss aside the mounting hysteria during Quarantein Ha-wa-wee disgrace (hey Pooks and all the sock account Dobermans: I hope you remember your Twitter blaze of glory moment every single morning while brushing your teeth). And (also a favorite) he doesn't read, he doesn't prepare, he is sloppy, like that.

God forbid you'd try to set this colossal unfairness straight. You are automatically signed up to the Mommies for Sam Committee and labeled accordingly. Brainless victim (of what, since he is basically useless, but let's not embarrass ourselves with logic), unapologetic limerent inamorata, romantic whale, delusional rural shipper, conspiracy theory troll. Anything goes, really and we know the tune by heart, at this point in time.

Not so long ago, I was re-watching the oath sequence of (5.01) The Fiery Cross, for which I suppose all background/context is superfluous. The only clip I could find has appalling sound, but should still immediately take you back to the Return of the Kilt (starts at 0:56):

It immediately reminded me of this:

This is the extraordinary Henry V Saint Crispin's Day speech. Pure Shakespeare and unmatchable Olivier. It is also a well-documented kamikaze moment of the Battle of Agincourt (1415), when a heavily outnumbered English army defeated in an almost miraculous turn of events the French. Granted, the real speech must have been way more concise, but nevertheless a potent affair, with Henry's cunning use of rumors having it that the French would cut two fingers off each captured archer's right hand, to virtually neutralize them. And his army was, essentially, an army of longbows.

Whatever it was, it worked. It worked so well, that it even gave Winston Churchill the idea of asking Laurence Olivier to broadcast this speech for the BBC some time around 1942 and then make a movie of the whole play, in 1944. Again, context is important -it always is, by the way - and it sheds the right light on Olivier's performance. More than acting, it is damn effective war propaganda, a wonderful patriotic act and completely representative for the "we shall fight them on the beaches and we shall never surrender" spirit. It is also all about acting as summoning of energy: Olivier manages to channel Henry V, he is Henry V and this immediately gives an irresistible depth and truth to his performance.

For contrast, one could compare his version with Branagh's 1989 interpretation (https://youtu.be/y1BhnepZnoo), which I am not adding here for the sake of levity. The main difference is, for me at least, palpable: Olivier completely suppressed his ego, which I am afraid is something impossible to achieve for Branagh. His take on the speech aims to be more modern and natural, and yet it is still all about Branagh promoting his art. And we know it immediately. A fairly honest tableau vivant, but no depth and nowhere near as majestic as the other.

I am not saying here that S is on par with Laurence Olivier. That would really mean being a romantic whale and I am the one you start to get, I hope, acquainted with. What I am saying is that this guy you just love to humiliate and endlessly cackle about every single day God makes, really, deliberately knows what he is doing in there. I would bet handsome money on S carefully watching and re-watching Olivier's Saint Crispin's Day monologue, in order to prepare for that particular scene. The similarities are, to me, evident, as is the consistent hard work and - dare I say it?- massive talent. It's all about owning the scene and being in the moment. And it is arresting, at times.

All of this is not exactly some shipper far-fetched speculation. S wrote, after all, in Waypoints (and the reference is way too spot on to believe in a kind gesture of the ghostwriter) that he "devoured"

I see great things. I see a very gifted guy who has no ego (C was spot on and for an actor, that is a blessing) and also probably no idea of his (considerable) acting range. I also see a guy who, spare for OL, has been grossly, unfairly miscast and overlooked. And who was determined to take whatever was available or easy on the schedule, in order to remain relevant. I may not be a good client for his booze, but I would pay handsomely to see him in something along the lines of For Whom The Bell Tolls. Or even (if you want a more exotic but oh, so rewarding alternative) a still inexplicably missing Western adaptation of Bulgakov's Master and Margarita (probably not the best times for that one, but still: Bulgakov was, after all, born in Kyiv and not really a fan, to say the least, of tyrants). That's exactly how damn good he is.

How was it, Kidneystone BIF? Oh. "No boundaries. No respect. No class." Exactly, madam. You said it yourself.

[ionalottabookmarks]

So the thing about potentially losing "All Media Types" tags

Is that a reader, it's annoying. The primary tag I use for looking for fic would no longer exist, and I would have to choose a specific, smaller piece of the fandom instead. I wouldn't be able to exclude crossovers like Danny Phantom and Miraculous Ladybug without also excluding a dozen different versions of Batman that would now count as crossovers, too, without the umbrella tag. Some very specific fandom tag - who knows which one - would be flooded with all of the previous All Media Types fics, which may or may not belong there, and which are going to be a major nuisance to people actually looking for that specific tag.

But I'm much more concerned about this as a writer. Batman (All Media Types) is the tag I chose for my work, because it's where I feel my work belongs. If someone deletes that tag and moves my work elsewhere, that's a problem. I can hope it'll be moved somewhere semi-reasonable, like Batman (Comics), but given the Sherlock catastrophe, it could just as easily wind up somewhere like Batman (Nolan-verse). But wherever they move it, if I don't like it, I can go back and move it to somewhere else, to whatever I feel is the next best thing after All Media Types.

Because I've been hearing about this happening, and am still active on AO3.

If this hadn't become a topic of discussion online this week, it might, based on my writing patterns, have taken me up to a year to notice this change on my own, after it had been implemented. I would have noticed when I uploaded a new fic, tried to tag it Batman (All Media Types), and couldn't.

A lot of writers whose fic AO3 hosts are no longer consistently using AO3, or no longer writing for the same fandom, or go several years between posting new works, or otherwise are not going to stumble upon this change on their own. A lot of writers will never know their fics were arbitrarily sorted into a new category. And those fics are forever going to be where AO3 puts them, regardless of how poorly they fit there.

If I put my fic in Batman (All Media Types), and AO3 moves it to Batman (Somewhere Else), they're making a change to my fic - to how it's labelled, how it's stored, how it's perceived, that I did not consent to, and wouldn't even have been informed of by AO3. I do believe that this decision qualifies as changing my work, which is something I thought I could trust AO3 to never do.

If they're going to delete an existing fandom tag, the VERY LEAST AO3 needs to be doing first is sending some sort of notice to every user who's written for that tag, outlining where AO3 will be automatically moving the fic, what your other fandom tag options are for moving it yourself, and a date - several weeks in the future - when the change will actually be implemented.

Which still leaves plenty of authors uninformed and unable to do what they can for their works - authors who've changed emails, authors who've passed away, potentially authors who've orphaned their works or posted anonymously - admittedly I'm unclear on exactly how those processes work.

This change is currently on hold, and we don't know yet how it'll all shake out. But I'm very concerned about the potential implications for authors, and the precedent it sets. If they can just go and delete these long-standing and frequently-used tags, they could delete others. If they decide not to support the umbrella fandom Batman (All Media Types), what's to stop them also deciding not to support any other, smaller fandom that doesn't have another tag to go to?

I do believe that no one involved in this had any bad intentions, and I'm hopeful that with the feedback they've gotten, everything is going to work out well. But them quietly deleting fandom tags like this, without even making an announcement, has definitely shaken my faith in the organization as a whole.

[antonsautismlife]

A lot of things have changed, so I make a new introduction.

Basic infos

Name: Anton

Age: 18 | born on 5th April 2007

Conditions:

- LSN autism 🧩♾️ (read the blue text please⬇️)

- adhd 🦋

- anxiety disorder 😨

- ptsd 💥

- ocd 🧠

- infantile eye nystagmus 👁 [a condition which lets my eyes wiggle 24/7 automatically. I'm nearly visually impaired due to it.]

Gender: binary transmale 🏳️‍⚧️♂️ (out since September 2018 , name legally changed since March 2025)

Other queer stuff: I'm (completely) aroace 🏳️‍🌈

My life situation

I live at a care home for mentally ill people since 4th April 2025. Before that I have lived in a care home for intellectual disableds for around one year but it wasn't a long term solution for my federal state because I'm not intellectual disabled. I was at a sheltered workplace from December 2022 to the day I moved out of my former care home but I was just there to have care takers while day the last year so it was more like a day center for me. Now I'm at a day center.

My goal is to develop better life skills, self-control skills, and a better mental health in the next months to be fit for semi independent living as soon as possible. I feel not so good at the new care home, but I hope it's a motivation for me to get fit for semi independent living.

Why are there post on my account where I said I would be MSN ?

Because I really thought I would be MSN. Due to a good meant behaviour of my mom when I lived with her (she didn't motivate me to independence. She didn't forbid me to do things independently but if I wanted she just did it for me helped me.) and due to really thinking, it would be helpful for me to reduce stress due to letting people help me with some ADLS and letting most IADLs be completed for me I development like an MSN autistic person. I don't know if I really was really MSN autistic at some point in my life, but probably I'm it not anymore since more than 1-2 years.

I'm honest. I was already thinking if I'm really MSN in the last year, but I was to scared of a changing label because of restricted thinking. This also made me scared of symptom improvement.

But now I overcome my fear and say that I'm LSN autistic. If I'm L , M, or H LSN, is unclear for me. I need to try which IADLs work and which do not, but I think it's unlikely that I'm L-LSN.

I will mark post about gaining independence and working on myself with the hashtag #soldierboyswaytoindependence

I'm LSN but I will never talk bad about the higher support needs autism community. There are a lot of people who really are MSN , MSN-HSN or HSN. I will talk about my symptom improvements due to medication and using strategies and I also will talk about gaining independence but to the people who read this hold in mind that there are so much autistic people who never can learn the things I learn.

My connection to the topic military 🪖

I have a special connection to the topic military. It gives me energy , motivation and hope. I feel like my soul was made to be in the body of a soldier. I know I never will be able to be a soldier, but this belief gives me motivation, hope, and energy, so it's helpful. I listen to military music because engaging with the topic military is helpful for me and because it's calming for me because it's a slow kind of music that mostly doesn't get suddenly faster or louder. I call myself in my head things like Soldierboy, Solboy, or Soldatenjunge, which ist basically the German version of Soldierboy.

Other stuff about me

- I'm interested in the topics disability ♿️ and military 🪖 but I also have a good general knowledge in most areas.

(I need to be careful with engaging with the topic disability to not fall back into restricted thinking.)

- I have a plushie pig as my comfort item. It's called Nilschwein 🐷.. The name comes from the german words Nilpferd (hippo) and Schwein (pig) because Nilschwein is a pig that looks a bit like a hippo.

- I wear eardefenders with built in Bluetooth nearly my whole wake time but often only on one ear because it reduces sensory input but I also hear my environment.

- I use Fidgettoys and mental health apps

[adinathinternationalindia]

Vial Powder Line

Vial Powder Line, also known as the vial production line, is comprised of a machine for labeling, cap sealing, powder filling, washing, and sterilizing vials. Every machine was oriented to function as a single, cohesive system. Both Automatic and Semi Automatic Vial Powder Lines are available in our inventory. Automatic lines, also known as fully automatic vial powder lines, have conveyors on each machine that are connected to one another for uninterrupted automatic operations.

Automatic Vial Powder Line

Automatic Vial Powder Lines are made up of machines for labeling, filling, sterilizing, and washing. Every machine is connected to function as a single, cohesive system. Automation is used in operations to reduce the need for human intervention. These lines are also known as Production Scale Vial Filling Lines or High Speed Vial Production Lines. The equipment in this kind of filling line is listed below:

Vial Washing Machine

The AI-VRW Automatic Rotary Vial Washing Machine is made to wash glass vials without letting non-contact machine parts come into touch with the vials. A gripper system on the Automatic Rotary Vial Washing Machine model grips the vial from the neck and inverts it while the washing process is underway. Once the washing process is complete, the vial is released on the outfeed star wheel arrangement in a vertical position, ensuring a positive wash of the vials. With the use of spare components, our machine model can clean glass vials and containers ranging in capacity from 2 to 100 milliliters. A specifically constructed Gripper holds the glass vial from its neck, inverts it, and moves it further on a rotary moving system for the washing process. The glass vial feeds through a turn table to the infeed Star Wheel.

Sterilization Tunnel

In order to sterilize and dehydrogenate cleaned empty pharmaceutical glassware used in parenteral product packaging, this type of continuous sterilizer is a fully automated system that specifically uses forced convection of filtered air through a high efficiency particulate air filter.

Vial Powder Filling Machine

A filling tool used to fill injection powder vials is called a vial powder filler or vial powder filling machine. The monoblock equipment that performs filling and stoppering/bunging operations on the same platform is the sterile powder filler. For cGMP compliance, all contact parts are constructed from FDA-approved materials or stainless steel 316L.

Vial Cap Sealing Machine

The PP/Flip-ff cap sealing onto round glass vials is appropriate for the Automatic Vial Cap Sealing Machine. The machine for capping vials is specifically made of stainless steel and has a mild steel frame with stainless steel cladding and enclosures. The Vial Capping Machine has a vibratory bowl feeder that allows the cap to be continuously fed for online operation on any liquid or powder filling line. Machine adaptable to different Vial sizes and, with the use of spare parts, to Plain/Flip-Off Caps. The Capping Machine is a useful tool for the pharmaceutical industry because it may operate automatically online and has fewer production requirements.

Vial Inspection Machine

Glass vials that can be injected are appropriate for inspection using an automatic vial inspection machine. The four tracks that make up the Vial Inspection Machine are made of nylon-6 roller chain, and they can be purchased with a spinning assembly that includes 24V DC wiring and AC drive rejection units. Additionally, the ability to modify speed was made possible with a variable AC frequency drive. All of the machine’s contact parts are composed of authorized engineered polymers and stainless steel, in compliance with cGMP regulations.

Vial Sticker Labeling Machine

One of the easiest vertical vial sticker labeler devices to use is the Automatic Vial Sticker Labeling Machine. This apparatus has a cutting-edge Micro Processor Control label dispensing mechanism with a product and label detection system. The Vial Labeler can be used to label spherical objects such as vials. Depending on the vial and label size, it may label up to 100 vials in a minute. An optional unique label sensing system allows an electronic and mechanical system specifically developed to put transparent (No Look) labels on vials at a very fast speed.

Semi-Automatic Vial Powder Line

Machines for washing, sterilizing, filling stoppers, sealing caps, inspecting, and labeling make up a semi-automated vial powder line. These devices operate autonomously and integrate with one another. These lines are also known as small-scale vial powder lines or low-cost vial production lines. The equipment in this kind of filling line is listed below:

Semi-Automatic Vial Washing Machine

A reliable, ampoule and vial washing machine that complies with cGMP standards is the semi-automatic vial washer, also known as the vial jet washer. It is small, adaptable, and semi-automatic. With the use of appropriate replacement components, the Multijet Vial Washing Machine’s stainless steel architecture allows it to wash glass vial sizes ranging from 2 to 100 milliliters and ampoule sizes from 1 to 20 milliliters. FDA-approved materials or stainless steel 316L are used to make all contact parts.

Dry Heat Sterilizer

Bottles, vials, and ampoules that have been cleaned can be sterilized using an ampoule sterilizer or dry heat sterilizer. It is constructed from MS heavy angles with an exterior wall composed of stainless steel 304 and an inner wall made of stainless steel 316. Our double door DHS is manufactured in compliance with cGMP requirements that are authorized in injectable pharmaceutical factories that uphold a class 100 environment. For cGMP compliance, all contact parts are constructed from FDA-approved materials or stainless steel 316L.

Vial Powder Filling Machine

A filling tool used to fill injection powder vials is called a vial powder filler or vial powder filling machine. The monoblock equipment that performs filling and stoppering/bunging operations on the same platform is the sterile powder filler. For cGMP compliance, all contact parts are constructed from FDA-approved materials or stainless steel 316L.

Vial Cap Sealing Machine

The PP/Flip-ff cap sealing onto round glass vials is appropriate for the Automatic Vial Cap Sealing Machine. The machine for capping vials is specifically made of stainless steel and has a mild steel frame with stainless steel cladding and enclosures. The Vial Capping Machine has a vibratory bowl feeder that allows the cap to be continuously fed for online operation on any liquid or powder filling line. Machine adaptable to different Vial sizes and, with the use of spare parts, to Plain/Flip-Off Caps. The Capping Machine is a useful tool for the pharmaceutical industry because it may operate automatically online and has fewer production requirements.

Vial Inspection Machine

Glass vials that can be injected are appropriate for inspection using an automatic vial inspection machine. The four tracks that make up the Vial Inspection Machine are made of nylon-6 roller chain, and they can be purchased with a spinning assembly that includes 24V DC wiring and AC drive rejection units. Additionally, the ability to modify speed was made possible with a variable AC frequency drive. All of the machine’s contact parts are composed of authorized engineered polymers and stainless steel, in compliance with cGMP regulations.

Vial Sticker Labeling Machine

One of the easiest vertical vial sticker labeler devices to use is the Automatic Vial Sticker Labeling Machine. This apparatus has a cutting-edge Micro Processor Control label dispensing mechanism with a product and label detection system. The Vial Labeler can be used to label spherical objects such as vials. Depending on the vial and label size, it may label up to 100 vials in a minute. Using an optional unique label sensing system, a specially built mechanical and electrical system applies clear (No Look) labels to vials at a very high speed.

[multi-fandom-bullshittery]

1, 3 and 27 for Fracture and Genesis?

Big boy post!

You're really enjoying these huh Sivon? /t /pos

[1] What first impression do they typically make? Are they likeable from the get go, or take time to grow on people?

For: Fracture

For the people who are more observant, Fracture's first impression is "oh, this guys is trying way too hard." To some, this automatically labels him as a loser. For others, it makes Fracture seem suspicious as hell. It can take Fracture a while to get past that barrier of trying too hard to be accepted. He's... not entirely certain he has a real personality outside of the various masks he puts on when around other people, it keeps him up at night. Once he's able to drop the mask, he doesn't really know how to act, so he's pretty awkward, and everyone can see it. He tends to adopt parts of the personality of the nearest person to compensate. But, overall, he's more like Deimos than anyone else. It takes time and effort to get to know the real him, but its surprisingly easy for people to become fond of him.

[1] What first impression do they typically make? Are they likeable from the get go, or take time to grow on people?

For: Genesis

Genesis is a sopping wet tissue. It is the wettest, saddest, most pathetic beast you've ever seen. Before you take in how thin and fragile and timid they are, though, it can come across as intimidating for about half a second. I mean, it's 7'6 while slouching severely. But with it spending most of its time curled up in the corner, trying to look as small as possible, trembling violently, occasionally whimpering in pain... yeah, no, that is a wet paper towel. Don't even breathe too close to it or it will break. However, this makes it extremely easy to pity it, which in turn makes it easier to become attached to.

[3] What emotion is the hardest for them to deal with?

For: Fracture

If "the need to people-please" was an emotion, it would be that. But otherwise, Fracture struggles the most with guilt. It's become all-too-common after getting the Parasite, but experiencing it frequently doesn't make it easier. Few in Nevada can afford to be heartthrobs, but Fracture really doesn't like the way the Parasite does things. Feeding is.. upsetting.

[3] What emotion is the hardest for them to deal with?

For: Genesis

Genesis struggles with most emotions. Their base emotion is fear; they don't really get angry, and it's in too much pain to be happy very often. So, you could say Genesis struggles with most emotions. They definitely struggle with fear, though. They don't know how to process it or react to scary situations, it just kind of shuts down and either freezes, or tries to flee, which doesn't get it much farther than the nearest corner. Genesis struggles with everything, really. Poor thing.

[27] Do they have any scars, how did they get them and how do they feel about them?

For: Fracture

In terms of scars, Fracture has gotten off pretty easy. He fights if he needs to, not much else. The scar over his right eye is the only one from a semi-major injury. He got it fighting off a mugger in Nexus City. He thinks it makes him look cooler, but was, reasonably, annoyed by the loss of part of his vision. The rest are mostly little cuts or nicks from defending himself. However, that trap did a number on his leg, and that's definitely going to leave a significantly bigger mark than the one over his eye. And that one will have more of an emotional impact; a direct reminder of how he was abandoned.

Again.

[27] Do they have any scars, how did they get them and how do they feel about them?

For: Genesis

Genesis surprisingly doesn't have many visible scars. But, honestly, with everything that's happened to it, its entire body is one big scar, or covered in them. Everything still hurts. As much as it tries not to think about what's been done to it... it's impossible to escape from. This is its life now.

[simantopia]

i semi-mentioned this before but crispin will struggle with growing older later in his life. and i wanted to delve deeper into that (even if it may be a common insecurity / worry) but see, it hurts for crispin because his youth... is a BIG part of his image. he was celebrated for becoming so famous at such a young age. he was known as diamond height's youngest model, then became a impresario with his own gallery at a young age. many of crispin's accomplishments are seen as even more impressive because of his age. for a while, that feels like a big part of him.

it's not just his accomplishments either, but crispin is HIP. he's hip with other people his age, he knows all the current trends and labels -- all the subcultures.

but those will start disappearing eventually. it's not really cool to be a skater anymore, goths are way more "lite" & full of posers than they once were, who the FUCK wants to be a hipster anymore? and what a hipster is was not what it was when crispin was one. just like it's always been, everything changes, and eventually, crispin will struggle to keep up with it, especially due to nostalgia for what things once were. even if he does, his age automatically makes him uncool, and most ppl will see him as "trying too hard" to stay hip. his coolness no longer comes to him naturally.

so yes, aging is definitely something crispin will struggle with later in life.

[dxc-95]

One Piece OC Template

Full name *last name, first name format*

Japanese Name: *name written in katakana script* Romanized Name: *name written in romaji script* Official English Name: *name written in English* Debut: *manga chapter number*; *anime episode number* Affiliations: *what group/crew they belong to, including former ones* Occupations: *their job/position, including former ones* Origin: *sea/region origins, plus specific area* Residence: *current and previous homes/semi-permanent residences; ships do not count* Alias: *any alternative identities; English (Japanese, Romanized)* Epithet: *reputational title, sometimes followed by first name* Birth Name: *only if the OC was known by a different name before it was changed (for example, Franky having the birth name of Cutty Flam, but isn't known by that anymore) Status: *alive, dead, or unknown* Age: *debut, if applicable, pre-timeskip, and post-timeskip; flashbacks do not count* Birthday: *month and day (holiday if birthdate lands on it)* Height: *height in cm (feet',inches"), with labels pertaining to debut and pre/post-timeskip, if applicable; flashbacks do not count* Blood Type: *F, FX, X, S, S (RH-); if OC is part of Straw Hats, it cannot be F* Bounty: *bounty in Beri B, followed by any previous bounties crossed out* Japanese VA: *headcanon Japanese voice actor/actress* 4Kids VA: *if OC was implemented in Jaya Arc onwards, this is not applicable* Funimation VA: *headcanon English-dub voice actor/actress*

Devil Fruit *only if OC has a devil fruit*

Japanese Name: *Japanese word for one-to-two suffix word repeated twice, followed by 'no Mi'; if Zoan, followed by 'Model: animal'* English Name: *English word repeated twice and hyphenated, followed by 'Fruit'; if Zoan, followed by 'animal name: Model'* Meaning: *either the word used for Devil Fruit, or further definition of word* Type: *Paramecia, Zoan, or Logia*

Extra Info

Favorite Food: Least Favorite Food: *it can be a least favorite for the silliest of reasons* Ice Cubes: *do they chew on ice cubes or not* Favorite Dish to Cook: *different from their favorite food, but can be related* Fried Eggs: *how they like their eggs fried, and with what condiment* Alcohol Tolerance: *how well they hold their liquor; not how much they like it* Favorite Island Type and Weather: *the island type and weather may or may not match* Number: *a number pertaining to the character; it could be the number order they joined the Straw Hats, or a number special to them* Color: *signature color they have, no matter the clothing types* Scent: *what scent Chopper could identify them by* Straw Hats Family Dynamic: *if they're a member of the Straw Hats, what kind of family member they would be* Animal: *what animal they are represented by* RW Country: *what real-world country they would be from* Thoughts: *five things that are constantly on the character's mind, some of which can repeat depending on how important it is to the character; if part of the Straw Hats, "friendship" is automatically added, but isn't one of the five things Flower: *what flower they are represented by* Bath: *how often they bathe in a week* Law Nickname: *a nickname that Law would use to refer to them; either their name, a nickname, or their epithet, with the suffix -ya at the end* Prefecture: *what prefecture of Japan would represent them* Sleep: *The time they go to bed and wake up; naps could be added if they tend to doze off* Job: *what job they would have if not a pirate; sometimes it doesn't even fit their personality/description* Hobbies: *two or three activities they enjoy doing in their spare time; either they all relate entirely to the character's personality, or at least one might sound outlandish* Straw Hats 50-Meter Race: *how well they would place in a 50-meter dash against the other Straw Hats* Sabaody Number: *If they're a Straw Hat, and they joined pre-timeskip, the number order in which they returned to Sabaody after the two year timeskip; cannot be first nor last* Devil Fruit: *if they don't have a Devil Fruit already, what Devil Fruit they would be given* Laugh: *if they have a special laugh*

Eyecatcher Info (only for StrawHat!OCs)

Music: *what music plays during their eyecatchers, what theme it is, and how it represents them; bonus points if you can write the music sheet and/or actually play it* Eyecatcher 1 Bounty Poster: *the picture on the bounty poster in the eyecatchers that played from Episode 1 to Episode 206; does not match the actual bounty poster pictures, but does represent their personality)* Eyecatcher 2 Action: *the actions the character makes when looking through the telescope, and then the object/s associated with them in the eyecatchers that played from Episode 207 to Episode 516* Eyecatcher 2 Object: *the special object relating to the OC that they grab as they run past the table in the eyecatchers that played from Episode 517 to Episode 746* Eyecatcher 3 Background and Bounty Poster: *an animated background depicting either the OC's home or significant place is shown, and then the OC's post-timeskip poster flies in the wind before hitting the screen, in the eyecatchers that played from Episode 746 to Episode ---*

---

This template is heavily-based off of the One Piece Wiki profile pages. I added the explanations in asterisk in case anyone was confused, plus if there was anything important to be added; those can be erased if you choose to fill this out.

If you do plan to fill this out, please be careful in case your profile contains spoilers for anyone not caught up with the manga/anime; I recommend putting it under a "Keep Reading" tab.

I'll be filling this out myself for my own OP OC, though they won't use the Devil Fruit section (unless I decide to give them one later)

Forgot I wanted to add some miscellaneous trivia; I know one or two are missing, but we're not caught up with the anime, so those will be added later. Also, any more that Oda releases per fan questions will be added.

Added options for StrawHat!OC eyecatchers.

Some websites to help with the names: English to Katakana https://www.sljfaq.org/cgi/e2k.cgi?word= Kana to Romaji https://www.sljfaq.org/cgi/kana-romaji.cgi

[teruthecreator]

norm for the askgame ^^

PAPA NEEDS HIS SILLY PIIIIIIIIILLS

Sexuality Headcanon:

bisexual but he’s too busy being like 39 and the sheriff of dialtown so absolutely no time to unpack dat goku

Gender Headcanon:

cis guy. tho any and all butch norms i accept with open and loving arms. sometimes a man can be so butch do you understand

A ship I have with said character:

(looks pointedly at my mingus ask) uhhhhhhhh ANYWAYS other than normingus i also rlly rlly like normgingi!!!!! probably my second favorite gingi ship (first being oliver and gingi) and definitely one i think about often. the like immediate blood bond they forge over the course of ch3 is insane like norm goes from wanting to kill gingi dead to DOING IT ALL FOR THEM WAHHHHHHHHH WAHHHHHHHHHHHH. also dare i say he’s a little yandere for gingi??? i don’t mean that seriously me and my friends just like to call him yandere. he has a yandere face and everything it’s great. anyways idk if i’d call normgingi wholly romantic but it’s certainly something. norm already had a wife but maybe he now has a second one??? in the form of a trash goblin??? idk i dont think they have a label for what they are and it confuses norm but he’s decided just to roll with it for now

A BROTP I have with said character:

norm with the rest of the dateables cast is so fucking important to me. literal besties squad. like the dialtown tool friends epilogue series made me just become OBSESSED with all of them interacting casually. and like every aspect of it is funny and good. i have a hc that norm builds a house just behind the funfair (like in a semi secluded spot) and that house is the hangout center for the entire polycule. karen is over there painting the scenery, olivers hosting movie nights, randy just Comes Over whenever shes too scared to stay at the ticket booth, fucking BIGFOOT drops by sometimes to hang. it’s just kind of beautiful the life norm leads post ch3 like going from being a hermit and wanting to stay secluded to having this rich tapestry of friends?????? genuinely brings a tear to my eye i LOVE NORM AND HIS FRIENDS WAHHHH

A NOTP I have with said character:

i dont really like norm/callum To Be Quite Honest. just isn’t my thang. also don’t care about norm/mr. dickens seems like we are filling a Yaoi Quota with that one but also you could probably convince me of it if u were compelling enough

A random headcanon:

(stares openly at tryt) so i have some opinions about norm’s family… HJGNFHFJFBFJ in seriousness tho i have this whole backstory devised about norm’s wife and the child they have right before he gets shipped off to space and the life that his widowed wife and child lead after he’s gone. his wife’s name is betsy and his child’s name is sylvia-grace but she goes by sylvie and they lead a relatively normal life in arizona until sylvie’s old enough to move out and then she goes to california. betsy dies long before norm makes the jump to the present, but sylvie is still kicking! she has a wife and two adult children of her own by then. i don’t think norm would ever get to really Meet them but that’s for very specific reasons that i map out in my fic The Road Yet Traveled, so if this idea intrigues you feel free to read that or just send me an ask! i could talk about this little family forever

General Opinion over said character:

norm has very quickly climbed the ranks in terms of the dateables. like i adore karen and oliver and randy, but norm is just….ohhhhhhhh he’s norm allen!!!!! he has such an interesting outlook on life and again i think he kinda brushes up with mingus in terms of like . characters i think deeply about. i mean i literally wrote a 30k fic that is Mainly about norm’s reconciliation with the past in forging his future. he’s just a guy i think about often!!!! also i do a voice for him and i will randomly pull it out in vcs just to make everyone laugh, which automatically means he’s one of my favs :-)

i turned his face into a penis one time. dont remember why i did that

[jbird-the-manwich]

Hate to be the one to break it to y'all but uh... This is more tiktok bunk.

It is absolutely not going to prevent a model from being trained effectively on an input image by setting a semi-opaque noise pattern over it. The entire thought process is flawed??? Deeply. Models don't exactly "count every pixel"???? [ where is this information coming from??? This is insane. ] and even if they did, shifting each ones color by a semi-arbitrary amount, leaving the art itself visible, is not going to do anything but cause any renders based on labels used for your style [which is probably not even being bothered with at this point, unless you're incredibly talented or draw really novel porn] to possibly be shidded out with a similar noise pattern. (though, honestly, training a model to output in a way that ignores these patterns would be trivial, especially since they've been posted publicly and consist of a very small sample size. Literally imagemagick and thirty minutes of scripting with a dataset of images to duplicate with these overlays would be all that's required to generate a dataset to counter even the tiny amount of noise these are introducing. And that's to entirely ignore the fact that training a LORA on custom art is so trivial anyone could do it. )

Also, the "Ai" is not sniffing the entire internet, eating every image automatically, and training against it. Datasets have to be collected, curated, labeled, and built, in a multi-step process, even today. That's why uploading "poisoned" art doesn't work.

Your understanding of the technology you are trying to wield amounts to a clumsily shoveled together superstition based on here-say and misunderstandings of diffusion as a process.

AI disturbance overlays for those who don't have Ibis paint premium. found them on tiktok

[aim-technologies]

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