Sid Smith (with Marvel Rea) in Nonsense (1920, Jack White)
Pencil-mustachioed Smith worked for Keystone briefly in 1917, but returned more prominently when teamed with Billy Bevan in Del Lord-directed comedies in 1924 like Lizzies of the Field.
A Fairbault, Minnesota native, Smith started in motion pictures in 1911 with Pathé Western under the direction of James Youngdeer, appearing in films such as Her Son, The Bullet's Mark and The Blind Gypsy. He joined Selig around 1913, appearing in Castles in the Air, the three-reeler Garrison's Finish, Her Victory Internal and Tale of a Coat. Smith played Mickey in "The Red Head" series and appeared in their "Chronicles of Bloom Center" series in 1915.
He married Ruth Beckman on Mar 17, 1915, and they divorced in Apr 1921.
Smith's first starring series came with Alkire Photoplays, and in 1920 he made 26 Holly Comedies for Bulls Eye, featuring Paul Parrott and under the direction of Robert Kerr. Smith supported Monty Banks in his Warner comedies, and in 1921-22 he appeared opposite a succession of other comedians in the successful "Hallroom Boys" series for CBC/Federated. Smith made some shorts for Grand Asher in 1923 and starred in Jack White's Cameo Comedies in 1923-24, before his work at Sennett. Smith had appeared as "Ramon Alfaro" in the feature The Ne'er Do Well(Selig) in 1916, and repeated his role in the 1923 Famous Players-Lasky version. He also appeared in Kismet(Waldorf 1920), and starred in many shorts for Al Christie during the 1920s, for Paramount and Pizor in 1927 and for Goodart in 1928. In 1928, Smith was featured in two World War 1 spoof features for Anchor, Dugan of the Dugouts and Top Sergeant Mulligan.
Smith's death in at 36, was attributed to his having imbibed bad liquor at a Malibu beach party. He left his father J.L. Smith of Fairbault, Minnesota, and brother J.C. Smith of Des Moines, Iowa, and is interred at Hollywood Forever Cemetery.
-Walker, B.E., 2010, Mack Sennett's Fun Factory, McFarland&Company, Inc., Publishers, p.543
The director Jack White(center)'s childhood days in Fatty Joins the Force (1913)
A neighborhood kid from Edendale, White appeared in a couple of 1913-14 Keystones (such as the boy who gives Fatty Arbuckle a pie in the face in Fatty Joins the Force). White also briefly worked the Sennett switchboard, but was fired for putting a call through to Ford Sterling that lured the star comedian to another lot. White wound up producing comedies for Educational in the 1920s that competed with Sennett's.
-Walker, B.E., 2010, Mack Sennett's Fun Factory, McFarland&Company, Inc., Publishers, p.597
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Thelma Percy (real bride), Jimmie Adams (suitor 1), Sid Smith (suitor 2), Frank Hayes (a maid who wants to marry suitor 1) in High and Dry (1920, Jack White)
The director Jack White(center)'s childhood days in Fatty Joins the Force (1913)
A neighborhood kid from Edendale, White appeared in a couple of 1913-14 Keystones (such as the boy who gives Fatty Arbuckle a pie in the face in Fatty Joins the Force). White also briefly worked the Sennett switchboard, but was fired for putting a call through to Ford Sterling that lured the star comedian to another lot. White wound up producing comedies for Educational in the 1920s that competed with Sennett's.
-Walker, B.E., 2010, Mack Sennett's Fun Factory, McFarland&Company, Inc., Publishers, p.597
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— THE PACIFIC PREFERENCE
WHEN THEY FIND OUT YOU HAVE A CRUSH ON THEM
Characters: Eugene Sledge, Snafu Shelton, Bob Leckie, Sidney Phillips, Hoosier Smith, Hillbilly Jones + Captain “Ack-Ack” Haldane
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A/N: *sighs* men. let me know if you guys want a part 2 with other characters from the pacific (e.g. john basilone, burgin, jay de l’eau, bill leyden, runner, chuckler etc)!!! pls enjoy and leave a like/reblog/feedback <33 ^.^ // [ko-fi] [commissions] / this was inspired by my love @littlemissvincentvega from this post <3
EUGENE SLEDGE “SLEDGEHAMMER” —
He’s flustered, but he doesn’t do anything about it. Eugene’s frail and bookish, so he’s too shy to pursue you.
Whenever you walk past him, he has to get a good look of you, maybe just a crumb of your face, before keeping his head down.
Sid would tease him and never let it go.
“Give me a break, you ol’ greaser—”
“Hey, I’m just sayin’. The missus needs a friend!”
and Snafu would just make remarks about you, much to Eugene’s annoyance and a sense of motivation to make a move before someone else does.
Eugene is confident that he would get to ask you out some day, because he was raised to be kind and a gentleman. Time will tell.
MERRIELL “SNAFU” SHELTON —
Learning about your crush on him boosts his ego and is way too cocky about it.
“What did I tell ya? Getting to the likes of Y/N is like discovering a goldmine. I’m gonna reel them in.”
Snafu obviously bothers you during the day by flirting with you, trying to get your attention because he likes getting attention.
He doesn’t leave pleasant remarks at first, but he goes straight down to business.
“So, doll. Dinner? Movie? Picnic under the stars? How ‘bout I take you to the back of the train and you can show me your caboose? ;)”
Snafu will eventually learn to be more respectful. But at least he’s polite when he tries to talk and hang out with you more.
ROBERT “BOB” LECKIE —
This man is charming. He managed to win over Stella’s family over dinner, so he could do the same with you.
He won’t stop thinking about you. But he’ll get a bit insecure and overthink about other irrelevant things.
“I wonder what you don’t like about me?”
His friends from How Company make fun of him, reading out loud the letters you wrote to him.
He shows up to your house unexpectedly, all fresh and clean, in uniform, and he asks you out for dinner.
Deep down, he’s nervous af - he’s overthinking if it doesn’t work out if you two ever start dating.
When he takes you out you can tell he’s a nervous wreck and he doesn’t know where else to go from there, but you assure him he’s doing fine.
SIDNEY “SID” PHILLIPS —
Sid is already getting along with you, so nothing really changes when he finds out you have a crush on him. If anything, it brings the two of you closer.
He likes to talk to you about anything, and he’ll eventually bring up taking you out for dinner or a picnic under the stars.
Sid will tell you all about Eugene, life in Mobile, baseball, the rotting coconuts in Pavuvu, anything to keep you around.
“Here, y/n. How about I drop you home? I can squeeze you in on my bike!”
He’s surprised that he’s not as nervous when you two become more than friends.
Sid realizes he’s falling for you hard and it’s gonna kill him once he’s sent off to fight again.
BILL “HOOSIER” SMITH —
This cocky little shit
When Hoosier confronts you about it, he has a big smirk on his face.
“A lil’ bird told me you got your eyes on me.” (The lil’ bird in question was Chuckler.......)
He wastes NO time asking you out. And of course, you accept.
If you smoke, he offers you a cigarette from his pack.
Hoosier is a goofball and he never fails to make you laugh when you two are bonding together.
He’ll stuff cigarettes up his nostrils and once he finally takes you out, let’s say at a fancy restaurant, he’ll stuff the chopsticks up his nostrils. Anything to hear that laugh of yours.
1ST LT. EDDIE “HILLBILLY” JONES —
He’s flattered, all right.
Even from the dungarees and dirt, he’s known for having a clean, fresh and handsome appearance, according to Sledge’s book.
Hillbilly’s a gentleman. If he were to take you out sometime, he’d make you feel like there’s no other person in his life but you.
Ack-Ack pushes him to make a move. He assures him that it wouldn’t hurt to leave some room for a little bit of bonding.
“I know I’m serious when I need to be serious, but I’m a helpless disciple saved by Christ when I found out about you.”
So of course, he’s gonna come in with his guitar and play you a song to win you over.
CAPTAIN ANDREW “ACK-ACK” HALDANE —
Of course, of all people, you develop feelings for the skipper.
Since he’s a good leader who pulls everyone together during the war, you could understand why you like him. He’s also a very sweet guy.
The thing is, he already knows. You’re too shy to even confess your feelings to him in person or in letters, anonymously or not. In fact, no one even told the skipper about it and nobody needed to. He just knows. A good captain is always observant.
You two are alone for a moment, and his casual, calm and friendly tone manages to help you feel more comfortable and less nervous.
He gives you one of the blankets his dad made for everyone. He wraps it around you at night when you’re feeling cold or afraid.
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