Continued watching DR s1 (Ep 16-17)
Ep16 The Land Of Lost Things
Awwww cole and Nya hug
Zane haircut mentioned
Jay mention
The finders are so cuteee
Cole: Still saving the world, huh? Some things never change.
Theme song time wooo
GEOOOOOOOO
GEO
GEO
GEO
GEO
GEO
Lostshipping moment
Cole is a proud bf
Awww Geo’s power is so pretty
Bonzle :0
I love her
Omg Geo’s ears moved
Kai let’s go
I love him
Geo: Sounds like living in Imperium really broke you.
Sora: Yeah, and sometimes I’ll feel like I’ll never be able to fix it.
Sora is such a good character I can’t take it aaaaa
Bonzle is the best
Nice shot
Cole catching Geo and just saying “fancy meeting you here.”
He’s so flirty
Cole asking geo about the power up
It made a heart ;-;
Little blob creechur
Geo: I was too scared to tell you. I thought you wouldn’t need me anymore
Cole: but, I do need you
Ep17 The Administration
Backrooms
Arin: Hope this isn’t the line for the bathroom
What is bro saying
How did they take over for their parents who took over for their grandparents? Like- where were they born??!
Kai’s character development is beautiful
Wyldfyre: you’re patient I’m not! Remember?
Kai: Okay, no one has ever called me patient.
The cute little drawings
Reminds me of the doodles cole did of Aspheera and the other ninja
Lobbo’s mom?!?!
The agents are so silly
Zaneeeeeeeeeeeeee
Arin’s parents mentioned
There he goes
JAY
JAY IN A SUIT
JAY IN A SUIT SAVE ME
JAY
Arin to the rescue
Zane W
Wuh oh
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I'm rewatching RWBY and I just finished V3 and like. I'm having so many thoughts about Ruby
She was an eager student, yearning to follow in her mother's footsteps and help others, who got accepted into Beacon Academy two years early. But she felt worried that she'd be singled out; she wants to be normal among her peers, not anything special. "I just want to be a normal girl with normal knees," she says to Yang.
Then she's thrown into the position of leadership despite her young age and relative inexperience, and while she takes it in stride she's incredibly hard on herself in the process. "We need to put our teammates first, and ourselves second," she says to Jaune.
And just when she grows comfortable in her skills and her position as team leader, everything falls apart. Beacon falls. Penny and Pyrrha die horrifically right before her eyes and she's left behind to blame herself. Yang loses her arm — and a part of herself. Weiss is snatched away by her father, Blake runs away. Ozpin has vanished, his lieutenants left to pick up the pieces of the broken, ruined Vale. Most of the ppl that Ruby has come to count on, just... gone. And then immediately after she wakes up from all that, Qrow dumps on her that, congratulations kid, you have silver eyes which basically means you're destined to save the world, have fun! "Then what can I do? If I'm so special, I can help, right?" she says to Qrow.
It's no wonder she got such a martyr complex, no wonder she threw herself so heavily into the identity of a hero, no wonder she fell to pieces and grew consumed by guilt and grief and self-loathing later in the show. She just wanted to go to school and learn how to protect ppl. And then she couldn't even protect the ppl who mattered most to her, not out of some failing on her own part, but bcus she is a child, a child with way too much on her shoulders. And it's just gotten worse. Now she's expected to save the whole world, all bcus she inherited her mother's eyes.
The weight of the entire world upon the shoulders of a grieving teen girl.
How would that not be too much for anyone to bear?
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Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.
The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.
Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.
The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.
With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.
For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.
(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)
Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.
It's so interesting to me how they interact here.
Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.
Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.
Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.
When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.
Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).
Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.
They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.
I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).
Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.
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