#Substack Boost success strategies

[mehmetyildizmelbourne-blog]

Substack Mastery Book: Chapter 9

How Do the Mighty BOOST Options Work on Substack, and How Can I Supplement It With Community Power? Dear beta readers, Thank you for your valuable feedback on the previous seven chapters, which is helping me refine this book and enhance it as a valuable resource for fellow writers. I have covered seven critical aspects that have helped many readers jumpstart their Substack journey. Receiving…

[wherechaoswins]

50 Essential To-Do List Items for Writers to Earn Online in 2025

Discover the 50 actionable tasks every freelance writer should include in their to-do list to maximize online income. From setting up profiles to mastering SEO, get started today!

Whether you are a seasoned wordsmith or just starting out, earning online as a writer requires more than just a knack for language. You need a clear roadmap—a to-do list that guides you through building your brand, honing your skills, finding clients, and optimizing your online presence. In this article, we will break down 50 essential tasks that will help you launch and grow a sustainable online writing career in 2025.

1. Set Your Foundations

Define Your Niche

Establish Your Writing Goals

Outline Your Unique Value Proposition

Create a Professional Email Address

Purchase a Domain Name

2. Build Your Online Portfolio

Set Up a Personal Website or Blog

Showcase 3–5 High-Quality Writing Samples

Write an “About Me” Page with Keywords

Add a Clear Call-to-Action (CTA)

Include Testimonials or Case Studies

3. Optimize for SEO

Research High-Value Keywords

Implement On-Page SEO Best Practices

Write SEO-Friendly Headlines (H1/H2/H3)

Use Internal and External Links Strategically

Ensure Fast Page Load Times

4. Establish Your Presence on Freelancer Platforms

Create Profiles on Upwork, Fiverr, and Freelancer

Write Compelling Profile Summaries with Keywords

Set Competitive—but Sustainable—Rates

Apply to 5 Relevant Gigs per Week

Solicit Initial Reviews from Small Jobs

5. Leverage Content Marketplaces & Agencies

Join Contena, Scripted, or Clear Voice

Submit Proposals to 3–5 Agencies

Complete Platform Skill Tests

Network with Other Writers in Private Groups

Track Applications in a Spreadsheet

6. Grow Your Network

Engage in Writing Communities on LinkedIn

Participate in Twitter Chats (e.g., #WritingCommunity)

Attend Virtual and Local Writing Workshops

Collaborate on Guest Posts

Ask for Referrals from Past Clients

7. Develop Your Skills

Enroll in an SEO Writing Course

Practice Copywriting Techniques Weekly

Learn Basic HTML/CSS for Formatting

Study Content Marketing Strategies

Read 1–2 Industry Blogs Every Day

8. Diversify Your Income Streams

Write and Self-publish an eBook

Create a Paid Newsletter (e.g., Substack)

Offer Editing and Proofreading Services

Run Paid Writing Workshops or Webinars

Develop a Patreon or Membership Tier

9. Market Yourself Effectively

Build an Email List & Send Weekly Updates

Optimize Social Media Profiles

Share 2–3 Samples of Your Work Per Month

Use Tailored Pitches for Prospective Clients

Invest in Targeted Ads (LinkedIn/Facebook)

10. Stay Organized & Maintain Growth

Use a Project Management Tool (Trello/Asana)

Set Weekly and Monthly Income Targets

Review Analytics (Website & Social)

Schedule Time for Rest and Skill Building

Periodically Update Your Portfolio & Rates

Building a successful online writing career is a marathon, not a sprint. By systematically working through these 50 to-do list items, you will create a robust foundation for attracting clients, boosting your visibility, and maximizing your earnings in 2025. Bookmark this article, check off tasks as you go, and revisit it regularly to stay on track—your freelance writing empire starts today!

Ready to act? Start with item #1: define your niche—and watch your online writing income grow!

[visionaryvogues03]

How Brands Are Partnering with the Creator Economy to Drive Revenue?

The creator economy has been a cathartic innovation for many online creators. On the other hand, it has gained commercial business value for brands. Collaborations with online creators have caused a shift from conventional celebrity endorsements to online influencer endorsements. The digital advertising industry has taken the internet by storm & is the sole reason for brands mulling over the idea of engagement rates, expecting higher revenue figures, resulting in adapting creative ways to attract the target audiences. 

The Rise of the Creator Economy in Brand Partnerships

The digital content economy consists of content creators, influencers, and digital entrepreneurs who use platforms like YouTube, Instagram, TikTok, and Substack to monetize their expertise and audience. With billions of users engaging daily, brands have recognized the immense potential of partnering with these creators to tap into highly engaged niche communities.

Unlike traditional marketing, where businesses push one-size-fits-all messaging, creator collaborations allow for a more personalized approach. Creators build trust and credibility within their communities, making their endorsements more authentic and impactful than conventional advertising.

How Brands Are Leveraging the Creator Economy?

To drive revenue, brands are adopting several key strategies to integrate with the creator economy:

1. Co-creation of Branded Content

Brands are moving beyond sponsorships and actively co-creating content with creators. This strategy ensures the brand’s message is seamlessly integrated into the creator’s authentic storytelling. Examples include:

Fashion brands collaborating with influencers to launch limited-edition collections.

Tech companies work with YouTube reviewers to showcase product features.

Financial brands partnering with creators to simplify complex topics like investing and cryptocurrency.

2. Performance-Based Influencer Marketing

Instead of flat-fee sponsorships, businesses are shifting toward performance-based partnerships where creators earn commissions through affiliate marketing, referral programs, or revenue-sharing agreements. This approach aligns incentives, ensuring that creators drive actual business results, such as sales or sign-ups, rather than just engagement metrics.

3. Creator-Led Product Innovation

Some of the most successful brands in the creator economy are those that involve influencers in product development. Companies like Nike, Glossier, and Logitech have launched products in collaboration with creators, leveraging their insights and audience feedback to fine-tune offerings. This not only boosts sales but also strengthens brand loyalty.

4. Exclusive Membership and Subscription Models

Brands are increasingly utilizing the subscription-based model of the creator economy by offering premium content, courses, and behind-the-scenes access through platforms like Patreon and OnlyFans (for non-adult content). By providing value-driven exclusive content, brands can create recurring revenue streams while fostering community engagement.

Expanding Revenue Streams Through Creator Collaborations

Beyond direct sponsorships and content partnerships, brands are discovering innovative ways to integrate creators into their business models:

5. Creator-Driven E-commerce Strategies

E-commerce brands are embedding creators into their sales funnels by:

Hosting live shopping events on social platforms like TikTok, Instagram, and YouTube.

Partnering with creators to launch limited-time product drops.

Utilizing creator-led reviews to drive conversions on e-commerce sites.

6. Leveraging AI and Data Analytics for Creator Partnerships

AI-powered tools now enable brands to:

Identify the best-matched creators for their target audiences.

Measure ROI through advanced sentiment analysis and performance tracking.

Optimize influencer campaigns in real-time, ensuring maximum impact.

Case Studies: Brands Winning with the Creator Economy

Nike’s Partnership with Digital Athletes

Nike has successfully integrated itself into the online creator business by collaborating with fitness influencers and digital athletes. Through personalized sponsorships and co-branded training programs, Nike has expanded its reach and enhanced customer loyalty without relying on traditional advertising.

Chipotle’s TikTok Strategy

Chipotle has leveraged TikTok creators to drive viral marketing campaigns, resulting in significant spikes in sales. By engaging influencers to create fun, challenge-based content, Chipotle taps into the organic appeal of the creator economy to make its brand a trending topic.

Adobe’s Collaboration with Digital Creators

Adobe’s approach to the creator economy focuses on providing tools and resources to digital artists and content creators. Through partnerships with leading creatives, Adobe ensures its software remains a staple for professionals and aspiring creators alike.

L’Oréal’s Beauty Creator Program

L’Oréal has taken a strategic approach to the creator economy by building long-term relationships with beauty influencers. Through exclusive training programs and product collaborations, L’Oréal empowers creators to become brand ambassadors, driving sales while reinforcing brand credibility.

Challenges and Considerations for Brands

While the social media entrepreneurship presents enormous opportunities, brands must navigate certain challenges:

Finding the Right Creators: Aligning with influencers who genuinely represent a brand’s values is crucial for authenticity.

Regulatory Compliance: Brands must ensure transparency in partnerships, including proper disclosure of sponsored content.

Measuring ROI: Unlike traditional marketing, tracking direct revenue impact from creator partnerships requires a mix of analytics tools and performance-based metrics.

Brand Safety: Ensuring that brand messages remain consistent across creator collaborations is crucial to avoid misalignment or controversy.

The Future of Brand-Driven Creator Partnerships

As the creator economy continues to evolve, brands that embrace innovation will lead the way. Emerging technologies like AI-driven influencer analytics, blockchain-based creator payments, and decentralized content ownership will further shape how businesses interact with digital entrepreneurs.

Forward-thinking brands will not only collaborate with creators but also empower them—whether through co-branded ventures, equity partnerships, or shared revenue models. By deeply embedding into the creator economy, businesses can cultivate loyal customer communities, drive sustainable revenue growth, and future-proof their marketing strategies.

Brands that integrate creators into product development, customer engagement, and marketing strategies will set themselves apart in the increasingly competitive digital landscape. As Web3 technologies, decentralized content creation, and virtual influencers gain traction, the next wave of the digital content economy will bring even greater opportunities for brands willing to adapt.

Conclusion

The shift toward the creator economy is not just a passing trend—it represents a fundamental transformation in how brands engage with consumers. By leveraging creator partnerships, businesses can drive revenue, enhance brand trust, and create marketing that feels organic and impactful. As more companies embrace this model, those that strategically integrate with the digital content economy will find themselves at the forefront of the next wave of digital commerce and brand storytelling.

With continued innovation, collaboration, and data-driven strategies, brands can fully unlock the potential of the influencer economy and create long-term, sustainable business success.

Uncover the latest trends and insights with our articles on Visionary Vogues

[maxtratechnologiesseo]

Boosting Your Online Visibility with Top-Tier SEO Services in India

Businesses are adapting to the digital age by developing new ways to deliver services and products, making a strong online presence essential for companies of all sizes. To achieve top rankings on search engine results pages (SERPs) and drive organic traffic to your website, you need a robust Search Engine Optimization Service in India. This is where expert SEO Services in India like those offered by Maxtra Technologies can make a significant difference.

Visit Us: https://maxtratechnologiesseo.blogspot.com/2025/01/boosting-your-online-visibility-with.html

[iksoikotbd]

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Our professional content promotion service empowers writers by enhancing visibility and fostering connections, leading to increased engagement and success.

Don’t let your hard work go unnoticed!

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[bethestaryouareradio]

Speaking Tips, Purging Belongings, Garden Goals

Tune in LIVE weekly to the upbeat, positive lifestyle broadcast where producer and host Cynthia Brian showcases strategies for success on StarStyle®-Be the Star You Are!®. Available wherever you listen to your favorite programs!

Do you fear speaking in public? It’s the number one fear, even more that dying. You can conquer your fright and speak with confidence with a few tips from professional lecturer, Cynthia Brian

What do you do with all the sentimental items of a lifetime? Have you inherited precious mementos from family or friends but you don’t know what to do with them. Maybe it is time to purge. It’s difficult to get rid of things that our loved ones have enjoyed. Find out what you can do to free yourself.

Sprout a new year’s garden with hope, faith, and garden goals.

Gardening is good for you. Gardening boosts morale, lowers your grocery bill, and is a free fitness center. Goddess Gardener, Cynthia Brian provides the tools for planning to plant.

Follow StarStyle®:

Listen at the Voice America Network, Empowerment Channel: https://www.voiceamerica.com/episode/148623/speaking-tips-purging-belongings-garden-goals

RECENTLY PUBLISHED BOOK: Family Forever: https://cynthiabrian.substack.com/p/family-forever Available at www.CynthiaBrian.com/online-store or  www.StarStyleStore.net

LIVE SHOW 4-5pm PT: https://bit.ly/3cDti0Z

Places to Listen to StarStyle Radio:

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Spotify: https://open.spotify.com/show/4zDdwzlsHH44caWiMQdD25

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Be the Star You Are! 501 c3 charity offers help, hope, and healing for women, families and youth in need.

BTSYA Operation Disaster Relief. Please donate. http://ow.ly/ks8A30lekGe

Read how BTSYA is Making a Difference: https://www.ibpa-online.org/news/460747/IBPA-Member-Spotlight-Cynthia-Brian.htm 

Read our Newsletter:With appreciation and positivity

Read Cynthia’s Voice America Blog Press Pass: https://blog.voiceamerica.com/author/cynthia-brian/

Make a DONATION through PAYPAL GIVING FUND and PAYPAL with 100% going to BTSYA with NO FEES:  https://www.paypal.com/fundraiser/charity/1504

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Small DONATIONS Make a Big Difference to Others: Decrease Violence. Increase Literacy. 

$25 provides 5 new books.

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[tlbodine]

Things That Do (And Don’t) Sell Books (in my experience)

I’ve just finished reading this book:

I am both amused and a bit disheartened to have read the whole thing and discovered that I knew pretty much everything in it. Amused, because I guess I’ve picked up a lot of knowledge over the years. Disheartened, because it clearly has not led to me becoming the break-away success I always dreamed of. Ah well. Live and learn. 

I’m all about transparency in this business, so I wanted to talk honestly for a while about book marketing and what I’ve experienced in terms of what does and does not seem to work. I’d love to hear your thoughts, so chime in with your own experiences! 

Branding and Audience 

The first third of Burke’s book is dedicated to this aspect, and it’s an important marketing step that’s easy to overlook. The idea is basically that you can’t market a product unless it has a brand identity. To create your brand, you need to do the following: 

Identify the audience who you are trying to reach with your work, or who would be most receptive to what you’re writing

Identify your dreams and goals so you have a clear picture in mind of what you want to accomplish 

Figure out how to position yourself in such a way that you a.) stand out from the competition but b.) people can still relate to and understand at a glance

Find a way to communicate your brand consistently in terms of the language used, your aesthetic, the way you act online, and so forth. 

When it comes to brand-building as an author, I think I’ve got a bit of a corner nailed down. I at least hope to be perceived as someone level-headed, thoughtful, generally positive/empathetic and humanist, but also critical and looking deeper into the meanings of things -- all of which are traits I personally possess and which are baked in to the work I do. In support of that branding, I curate my activity online as best I can: I post things that are of a certain horror aesthetic that I feel overlaps with my own interests/style; I give writing advice and boost people in the community where I can; I wade into discourse selectively and thoughtfully; I give media reviews and analysis that I think would be interesting to like-minded people. 

The “identify the audience” part is much harder for me. I’m still honestly not sure who my ideal reader is, or where exactly to go to find my audience. At this point I’m kind of scattering crumbs of myself out into the wind and hoping it will attract people who will, in turn, be interested in the work that I do (and both willing and able to support it financially). 

Things I’ve Done With Varying Degrees of Success: 

Aforementioned blogging activities. I have slowly but steadily grown my following her on tumblr and other social media sites as well as my author newsletter on substack, but it’s not clear to what extent that following translates into book sales. My writing advice posts vastly out-perform all of my other content, but I haven’t seen compelling evidence that the people interested in my writing advice are especially interested in my fiction -- it seems to be two separate groups, with maybe a sliver of overlap. 

Content marketing with more short fiction. This seems like it should be the safest, surest way to find more readers, but it’s time-consuming and discouraging because of the discoverability cycle. My horror flash fiction posts don’t get nearly as many notes as my advice posts. My attempts to get into the big anthologies that pop up have so far amounted to little, although I do need to write more. It’s just that coming up with new ideas and writing them all the time is a lot of work, and if it’s not paying off maybe I’m still better off dedicating that work to my novels. 

Sending ARCs to book bloggers/reviewers/booktube etc. I sent out dozens, if not hundreds, of these and got next to no response. I do think part of the problem is that, at the time, I had no Twitter presence, and -- like it or not -- there seems to be a bit of cliqueishness to this aspect of the book world. Now that I’ve spent more time on Twitter ingratiating myself with the horror community, I suspect I’ll have a somewhat easier job securing blurbs and reviews at least from the people in my extended social circle. But I won’t know until I try it again. *I also know I would have greater success with this if I’d been sending paperback ARCs instead of digital. I didn’t, because the cost of buying more author copies + shipping was prohibitive. 

Author Newsletter. I maintain mine in conjunction with my Patreon account. I send a monthly news round-up, making a point of shouting out both industry news and the milestones/achievements of others in the community as well as providing what I hope to be value-added or interesting content (in the form of blog posts my patrons vote on). It does OK. I average a couple of new sign-ups per month this way and tend to hover around a 25% open rate, which isn’t terrible. But it’s not great, either, and I won’t know for sure whether any of those opens will actually yield sales at any point. 

Interpersonal relationships/community building. Hands down the most successful “marketing” thing I’ve ever done is make friends with people. My writing discord group is small but very close-knit and interacting with them is one of the genuine highlights of my day. I didn’t really make it with mercenary intentions of selling books, but it has directly resulted in sales. Similarly, there are a handful of authors from Twitter and Wattpad that I’ve developed genuine friendships with, and we buy each other’s books and support one another. This whole community aspect is extremely rewarding and I’d do it whether or not it sold books, but it’s also not exactly easy to scale. I can only maintain genuine friendships with so many people. 

Posting in reading groups. The books that allow self-promo are so saturated with it that nobody pays any attention. The good groups do not allow self-promo, unless it’s in the form of getting down in the comments and recommending a book on a per-person basis to people looking for a specific thing, and only then if you’re not being spammy. Again, this is time-consuming. You could spend your entire life in these groups, hand-selling books to these people, and maybe picking up a few sales. They do seem like a good place to identify trends, though, so they’re good for market research if not direct selling. 

Things I Have Not Done, But Which I Suspect Would Sell Books 

Paid promotions. The golden ticket for book sales still seems to be landing a BookBub promo. If you’re unfamiliar, this is where you price your book at 99 cents or free and then pay bookbub to include it in their deals newsletter. Bookbub is very popular and moves a lot of copies. Ideally, you want to set it up so that your cheap book is the first in a series, and people snap that up and then come back to read the rest. This requires you to have written a series. Also bookbub is expensive because these are premium ads. We’re talking hundreds of dollars for one ad. There are other book promos that are cheaper but don’t have the same buy-through rate. 

Ads on facebook/amazon. I’m only dimly familiar with the ins and outs of these ads. They can be relatively cheap, but the amount of visibility they have is tied to your budget -- so the more you can spend on a campaign, the better your performance will be. 

Calling bookstores/libraries and asking them to order. I should do this. I have not done this purely because I am a coward. 

I am not certain what more I can do to promote my books without spending money. 

I understand the “spend money to make money” concept, but I also understand the “I have a limited budget and cannot spend it willy nilly on things that still might not actually pay off, especially considering how expensive self-publishing is when you want to do it right.” 

...This post ended up in a much more bitter place than I meant for it to. Sorry. I’ll check in if I remember additional points that could be successful strategies. 

[shadowfromthestarlight]

The moment a group of people stormed the Capitol building last Wednesday, news  companies began the process of sorting and commoditizing information that  long ago became standard in American media.

Media firms work backward. They first ask, “How does our target demographic want to  understand what’s just unfolded?” Then they pick both the words and the facts  they want to emphasize.

It’s why  Fox News uses the term, “Pro-Trump protesters,” while New York and The Atlantic use “Insurrectionists.” It’s why conservative media today is stressing how Apple, Google, and Amazon shut down the “Free Speech” platform Parler over  the weekend, while mainstream outlets are emphasizing a new round of  potentially armed protests reportedly planned for January 19th or 20th.

What happened last Wednesday was the apotheosis of the Hate Inc. era, when this  audience-first model became the primary means of communicating facts to the population. For a hundred reasons dating back to the mid-eighties, from the advent of the Internet to the development of the 24-hour news cycle to the end of the Fairness Doctrine and the Fox-led  discovery that news can be sold as character-driven, episodic TV in the  manner of soap operas, the concept of a “Just the facts” newscast designed to  be consumed by everyone died out.

News companies now clean world events like whalers, using every part of the  animal, funneling different facts to different consumers based upon  calculations about what will bring back the biggest engagement kick. The  Migrant Caravan? Fox slices  off comments from a Homeland Security official describing most of the  border-crossers as single adults coming for “economic reasons.” The New York Times counters  by running a story about how the caravan was deployed as a political issue by a Trump White  House staring at poor results in midterm elections.

Repeat this info-sifting process a few billion times and this is how we became, as none other than Mitch McConnell put it last week, a country:

Drifting apart into two separate tribes, with a separate set of facts and separate realities, with nothing in common except our hostility towards each other and mistrust for the few national institutions that we all still share.

The flaw in the system is that even the biggest news companies now operate under the assumption that at least half their potential audience isn’t listening. This leads to all sorts of problems, and the fact that the easiest way to keep your own demographic is to feed it negative stories about others is only the most  obvious. On all sides, we now lean into inflammatory caricatures, because the  financial incentives encourage it.

Everyone monetized Trump. The Fox  wing surrendered to the Trump phenomenon from the start, abandoning its  supposed fealty to “family values” from the Megyn Kelly incident on. Without  a thought, Rupert Murdoch sacrificed the paper-thin veneer of  pseudo-respectability Fox  had always maintained up to a point (that point being the moment advertisers  started to bail in horror, as they did with Glenn Beck). He reinvented Fox as a platform for  Trump’s conspiratorial brand of cartoon populism, rather than let some more-Fox-than-Fox imitator like OAN sell the  ads to Trump’s voters for four years.

In between its titillating quasi-porn headlines (“Lesbian Prison Gangs Waiting To Get Hands on Lindsay  Lohan, Inmate Says” is one from years ago that stuck in my mind), Fox’s business model has  long been based on scaring the crap out of aging Silent Majority viewers with  a parade of anything-but-the-truth explanations for America’s decline. It  villainized immigrants, Muslims, the new Black Panthers, environmentalists —  anyone but ADM, Wal-Mart, Countrywide, JP Morgan Chase, and other sponsors of  Fortress America. Donald Trump was one of the people who got hooked on Fox’s  narrative.

The rival media ecosystem chose cash over truth also. It could have responded to  the last election by looking harder at the tensions they didn’t see coming in  Trump’s America, which might have meant a more intense examination of the  problems that gave Trump his opening: the jobs that never came back after  bankers and retailers decided to move them to unfree labor zones in places  like China, the severe debt and addiction crises, the ridiculous  contradiction of an expanding international military garrison manned by a  population fast losing belief in the mission, etc., etc.

Instead, outlets like CNN and MSNBC took a Fox-like approach, downplaying issues in  favor of shoving Trump’s agitating personality in the faces of audiences over  and over, to the point where many people could no longer think about anything  else. To juice ratings, the Trump story — which didn’t need the slightest  exaggeration to be fantastic — was more or less constantly distorted.

Trump  began to be described as a cause of America’s problems, rather than a symptom,  and his followers, every last one, were demonized right along with him, in  caricatures that tickled the urbane audiences of channels like CNN but made  conservatives want to reach for something sharp. This technique was borrowed  from Fox,  which learned in the Bush years that you could boost ratings by selling  audiences on the idea that their liberal neighbors were terrorist traitors.  Such messaging worked better by far than bashing al-Qaeda, because this enemy  was closer, making the hate more real.

I came  into the news business convinced that the traditional “objective” style of  reporting was boring, deceptive, and deserving of mockery. I used to laugh at  the parade of “above the fray” columnists and stone-dull house editorials  that took no position on anything and always ended, “Only one thing’s for  sure: time will tell.” As a teenager I was struck by a passage in Tim  Crouse’s book about the 1972 presidential campaign, The Boys in the Bus, describing  the work of Hunter Thompson:

Thompson  had the freedom to describe the campaign as he actually experienced it: the  crummy hotels, the tedium of the press bus, the calculated lies of the press  secretaries, the agony of writing about the campaign when it seemed dull and  meaningless, the hopeless fatigue. When other reporters went home, their  wives asked them, “What was it really like?” Thompson’s wife knew from  reading his pieces.

What Rolling Stone did in  giving a political reporter the freedom to write about the banalities of the  system was revolutionary at the time. They also allowed their writer to be a  sides-taker and a rooter, which seemed natural and appropriate because biases  end up in media anyway. They were just hidden in the traditional dull  “objective” format.

The  problem is that the pendulum has swung so far in the opposite direction of  politicized hot-taking that reporters now lack freedom in the opposite  direction, i.e. the freedom to mitigate.

If you  work in conservative media, you probably felt tremendous pressure all  November to stay away from information suggesting Trump lost the election. If  you work in the other ecosystem, you probably feel right now that even  suggesting what happened last Wednesday was not a coup in the literal sense  of the word (e.g. an attempt at seizing power with an actual chance of  success) not only wouldn’t clear an editor, but might make you suspect in the  eyes of co-workers, a potentially job-imperiling problem in this environment.  

We need  a new media channel, the press version of a third party, where those  financial pressures to maintain audience are absent. Ideally, it would:

not be aligned with either Democrats or Republicans;

employ a Fairness Doctrine-inspired approach that discourages       groupthink and requires at  least occasional explorations of alternative points of view;

embrace a utilitarian mission stressing credibility over ratings, including by;

operating on a distribution model that as  much as possible doesn’t depend upon the indulgence of Apple, Google, and Amazon.

Innovations like Substack are great for opinionated individual voices like me, but what’s  desperately needed is an institutional reporting mechanism that has credibility with the whole population. That means a channel that sees its mission as something separate from politics, or at least as separate from politics as possible.

The media used to derive its institutional power from this perception of separateness. Politicians feared investigation by the news media precisely because they knew audiences perceived them as neutral arbiters.

Now there are no major commercial outlets not firmly associated with one or the other political party. Criticism of Republicans is as baked into New York Times coverage as the lambasting of Democrats is at Fox, and politicians don’t fear them as much because they know their  constituents do not consider rival media sources credible. Probably, they  don’t even read them. Echo chambers have limited utility in changing minds.

Media companies need to get out of the audience-stroking business, and by extension  the politics business. They’d then be more likely to be believed when making  pronouncements about elections or masks or anything else, for that matter.  Creating that kind of outlet also has a much better shot of restoring sanity  to the country than the current strategy, which seems based on stamping out  access to “wrong” information.

What we’ve been watching for four years, and what we saw explode last week, is a paradox: a political and informational system that profits from division and  conflict, and uses a factory-style process to stimulate it, but professes  shock and horror when real conflict happens. It’s time to admit this is a  failed system. You can’t sell hatred and seriously expect it to end.

Matt Taibbi is one of the only people I subscribe to. He’s one of the few journalists I like because I actually believe he’s genuine.

[mehmetyildizmelbourne-blog]

Substack Mastery Boost Submission Guidelines

A New Publication for Freelance Writers on Medium.com From Inspiration to a Business Hub Publication Welcome to Substack Mastery Boost publication initially created on Medium.com which will expand to multiple platforms! This is your guidelines for writing business success. Substack Mastery Boost is is not a usual Medium publication. We have 15 publications serving this purpose on Medium. This…

[mehmetyildizmelbourne-blog]

Free December Gift for Freelance Writers

Creating a Plan and Strategy to Boost Your Newsletters A Free Video and Audio Book Presentation of Substack Mastery Book for Your Enjoyment Dear Subscribers, Happy December! I hope this post finds you well. This month is very busy for me as I am helping our editors, updating all submission guidelines, and creating a new onboarding pack for 2025.  I will publish it soon as so many new writers…

[mehmetyildizmelbourne-blog]

Inspiration: Content Marketing Insights Pub Hits Top #24 in Education, Serving 25K+ Free Subscribers

Education for Freelance Writers How freelance writers and content entrepreneurs benefit from this unique publication in 3-tiers + 10 tips to scale and sustain your Substack newsletters When I established ILLUMINATION in March 2020, many freelance writers and bloggers approached me, asking if I could guide them outside Medium. At that time, I explored the market, and Substack stood out as the…

[mehmetyildizmelbourne-blog]

Good News for New Writers & Bad News for Established Ones

But Both Can Be Winners with a Strategic Approach I am pleased that my new account, with 100 followers, now gets more visibility than my old account, with 101835 followers. Here is what new and established writers could do to adapt.  Today, I experienced a mix of emotions when I discovered that my new Medium account, created out of necessity after being targeted by scammers, organically gained…

[mehmetyildizmelbourne-blog]

Why Creating a New Account on Medium Was an Absolute Waste of Time for Me

How Disappointment and Frustration Led to Empowerment and an Emerging Perspective on Writing Success for Aspiring Writers Inspiration I know this story’s title might surprise some of my loyal readers. My writing rarely carries such a stark, somber tone. But sometimes, sharing hard truths is the most constructive and caring thing one can do for collective consciousness.  Though it may seem…

[mehmetyildizmelbourne-blog]

Substack Mastery Book: Chapter 5

Editorial Excellence and Practical Tips for Self-Editing Newsletters for Cost Effectiveness and Reader Satisfaction Image designed by Dr Mehmet Yildiz at digitalmehmet as the artifacts of Substack Mastery Book Dear beta readers, thank you for your valuable feedback, which will refine this book and help me create a valuable information source for fellow writers. Now that you have learned the…

[bethestaryouareradio]

SAG Strike Settled, World Kindness Week, Safe Savings

Tune in LIVE weekly to the upbeat, positive lifestyle broadcast where producer and host Cynthia Brian showcases strategies for success on StarStyle®-Be the Star You Are!®. Available wherever you listen to your favorite programs!

After 118 days on the picket lines, the Screen Actors Guild that represents actors has reached a tentative agreement for a new contract, signaling the end of the paralysis that has plagued Hollywood for months. SAG actor, Cynthia Brian, will give the update as it happens.

November 13-19 is World Kindness Week and if there ever was a time that we all need to consider kindness as an essential human emotion, it is now.Practice being kind and you’ll feel a big boost of the love hormone, oxytocin. You’ll be less stressed and discover joy in the little things. Kindness is contagious. Pass it around!

Is your money protected? Does your bank offer deposit insurance. Since the failings of several banks, it’s a good idea to double-check where you are doing business. You need to understand what is covered and what is not.

Listen at the Voice America Network, Empowerment Channel: https://www.voiceamerica.com/episode/147459/sag-strike-settled-world-kindness-week-safe-savings

 Network, Empowerment Channel: https://www.voiceamerica.com/episode/147301/wisdom-study-breast-cancer-parent-anxiety-nurturing-friends

RECENTLY PUBLISHED BOOK: Family Forever: https://cynthiabrian.substack.com/p/family-forever Available at www.CynthiaBrian.com/online-store or  www.StarStyleStore.net

LIVE SHOW 4-5pm PT: https://bit.ly/3cDti0Z

Places to Listen to StarStyle Radio:

Apple Itunes: https://podcasts.apple.com/us/podcast/starstyle-be-the-star-you-are/id669630180?mt=2

Tunein: https://tunein.com/podcasts/Motivational/StarStyle---Be-the-Star-You-Are-p46014/

Stitcher: https://www.stitcher.com/podcast/voice-america/be-the-star-you-are

IHeartRadio: https://www.iheart.com/podcast/256-starstyle-be-the-star-you-31083110/

Spotify: https://open.spotify.com/show/4zDdwzlsHH44caWiMQdD25

SubStack: https://api.substack.com/feed/podcast/228120.rss

Pocketcasts: https://pca.st/mjw2ng5n

Be the Star You Are! 501 c3 charity offers help, hope, and healing for women, families and youth in need.

BTSYA Operation Disaster Relief. Please donate. http://ow.ly/ks8A30lekGe

Read how BTSYA is Making a Difference: https://www.ibpa-online.org/news/460747/IBPA-Member-Spotlight-Cynthia-Brian.htm 

Read our Newsletter:Smile with Kindness: 

Read Cynthia’s Voice America Blog Press Pass: https://blog.voiceamerica.com/author/cynthia-brian/

Make a DONATION through PAYPAL GIVING FUND and PAYPAL with 100% going to BTSYA with NO FEES:  https://www.paypal.com/fundraiser/charity/1504

Or you can choose to make the donation using many different payment methods which may have fees via by Givebutter at https://givebutter.com/be-the-star-you-are-charity.

Small DONATIONS Make a Big Difference to Others: Decrease Violence. Increase Literacy. 

$25 provides 5 new books.

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Donate via Paypal Giving Fund

or Visit www.BTSYA.org