#TAG IN HERE LETS GO

[unoriginalpun]

Land of Wisdom and Folly: Sumeru and its overbearing Light.

Link to Kaveh: Maid of Space analysis

Link to Alhaitham: Seer of Light analysis

Link to Kavetham/Haikaveh analysis

Spoilers for Genshin up to the Sumeru chapter and for Homestuck as well! May include some of my personal headcanons for Alhaitham and Kaveh too.

Sumeru, within the land of Genshin it is known as the nation of Wisdom and Knowledge. It's renowned Sumeru Akademiya being a beacon for aspiring scholars to flock to. It's already so Light-coded, being associated with brilliance and the prominence that its students are granted brings attention.

Wisdom-seeking drives the scholars in the Akademiya, often do they gather wisdom in order to graduate from such a prestigious institution, allegedly driving themselves mad for its pursuit, echoing the role of the Mage.

Thus it can be concluded that in Sumeru, the people who live there are conditioned to take on the role of the Mage of Light.

Mage: Active knowing class => One who learns their aspect or one who experiences their aspect; one who learns their aspect for themselves. Alternatively, one who suffers under their aspect.

Light: Abstract => Knowledge, awareness, fortune, luck. Literal: Actual light (Brightness), Vision

Now what do I mean that the people of Sumeru are linked to a certain classpect? Well to understand that claim, I must summarize another point that's made in Homestuck's sister media Hiveswap about classpects, specifically roleplaying.

In short, a facet Homestuck's universe is the trolls who have a caste system based on blood color, 12 colors each represented by the 12 zodiac signs. Beneath those "True Signs" are 23 other signs, two symbols for each of the twelve aspects.

Each sign also has an associated aspect and two associated classes based off of the beta and alpha versions of the trolls that bear these symbols, so that any other trolls born under the blood castes have a role that they must strive (or are forced) to reach, regardless if it isn't the classpect they truly are. This is also known as roleplay.

optimisticDuelist's videos can explain this concept infinite times better than I can, so go check it out when you can!

So what does this exactly mean for those living in Sumeru?

Well, let's start with the obvious:

Its society emphasizes its archon's ideal, wisdom, and the importance of seeking it out, especially after the "death" of Greater Lord Rhukkatevata as she's no longer there to guide her nation. She leaves her successor in her reincarnation Nahida, who is then detained and locked up due to her not having any traces of the previous archon in her.

Afterwards, Sumeru and its Akademiya continues to grow into the institute that's notoriously hard to graduate from. Many have claimed that its more than difficult work to earn a degree from there, many have became "Raving mad scholars" while pursuing their research; suffering for knowledge so to say.

Two students currently studying in the Akademiya claim that they'll be old by the time they graduates, another one says that even the top student worries if she's going to graduate at all.

Lisa is one such person who managed to graduate the Akademiya in just two years, but left Sumeru because of not only the grind-like culture it sustains, but also due to what she had witnessed during her time studying: an uncontrollable desire for the hunt for knowledge.

This "uninhibited erudition" can be translated into Homestuck terms as "a selfish desire to know", which is what drives the scholars to keep studying at the Akademiya. This sentiment reaches farther though as this was the motive that drove the Sages, Sumeru's government, to create a god to replace Nahida through obtaining Divine (Forbidden) knowledge. They didn't believe that their current archon couldn't lead them into another golden age like her predecessor once did, so they created a mechanical one using all the wisdom they had at their disposal.

So Sumeru's governing body peruses knowledge for their own sake and thus encourages it within the Akademiya, which in turn forces their students to study and grind away for their subject of study for years, making them suffer for knowledge in order to obtain it. It echoes the arc of a Mage of Light almost perfectly.

So what does this all mean if everyone who studies in Sumeru Akademiya become Mages of Light?

That is not how classpects work, one cannot attain a different Aspect or Class or both. Yes it is possible to take on or emulate other roles, but one cannot adopt just a different persona or change who they are are at their core. It doesn't feel natural having to cover your true self under a mask most of the time.

Forcing a role upon someone that is not their own can lead a person becoming confused and conflicted with themselves and with their place in the world around them.

So how can someone end up in such a predicament? As explained above omeone could play a different role other than their own if their surroundings demand it, or alternatively: if they're unsatisfied with the role they already have.

And what two characters exhibit this system of roleplay perfectly than Kaveh and Alhaitham.

Kaveh and Alhaitham are a Maid of Space and a Seer of Light respectively. Both live in Sumeru and as a consequence of that they have hues of Light and shades of Mage colored in their roles.

Let's start with Kaveh first, as he has some of the most obvious Light imagery out of the two. Kaveh naturally is Space-bound yet he takes on the role of Maid of Light when he's out in public.

Though it does give him fame, Kaveh doesn't seem to really care for his status as Sumeru's most famous architect and instead likes to focus on the skills as an architect, specifically the facets that involve design and aesthetics.

Though try as he might to stay true to himself, there's no escaping the Light that Sumeru forces upon its inhabitants. I explain a little bit of it here, but I'll extrapolate what it means for Kaveh to act like a Maid of Light.

In order to survive and thrive in Sumeru's society, one must commit themselves into studying and pursuing knowledge, with attention being a byproduct of it. Kaveh is no different from the students that came before or will come after him as he, like them, had to grind his way through the Akademiya in order to achieve his dream of being an architect. There may have been some compromises that had to be made in the process, such as Kaveh needing to emphasize more on the numbers and math of an architect rather than the creative side of it since the arts are less valued in Sumeru: preferring Light over Space one could say.

There's also the fact that Kaveh teaches an elective at the Akademiya, aiding others in their study by providing them with knowledge of his trade.

Light also blinds people, warping their perception of what's in front of them. Kaveh's public image is perceived more as a brilliant genius rather than an artist. His title of "Light of Kshahrewar" was bestowed upon him by the Akademiya and gained notoriety from others because of it due to being a brilliant alumnus from his Darshan. It makes him some sort of figure to look up to for his fellow Kshahrewar.

Note how she thinks that Kaveh has made himself a title in the world as both fame and fortune are related to Light.

This forces him into a position that he must uphold in order to maintain a positive image for not only himself, but his darshan too, especially since it's gained a bad reputation over the last 400 years due to a specific doctor...

Let's continue on with Alhaitham, the Seer of Light.

Due to being Light-bound and the passive version of a Mage, Alhaitham has little trouble fitting in with his society. Yet unlike Kaveh, he has to take on many different roles

In his analysis, I point out that Alhaitham can easily change between classpects when the situation calls for it.

He has taken on 3 different classpects thus far:

The Aforementioned Mage of Light, the Knight of Light and the Mage of Void (the last two classpects I associate with King Deshret as well ;] ).

He showcases all three in the Archon Quest as well as his own Story quest.

In both instances, Alhaitham was able to uncover a plan that was void in the public's eyes, and after bring it to light was he able to plan and act on it, using what he has understood through his findings to protect either his current lifestyle or his country.

When pushed into a crisis scenario, Alhaitham will turn from a passive character into an active one despite claiming over and over again that he'd rather say back.

It's as if he doesn't really have a choice in the matter as he might just be the only one who can pull off certain parts of a plan that others might not be able to execute perfectly.

Especially during this Oscar-winning performance where Alhaitham has to pretend to be anguished from obtaining Divine knowelge. He has to act as if he's gone mad so that the Grand Sage would take the bait and divert their attention towards him, creating a distraction for the others to free Nahida.

In other words: Alhaitham has to roleplay as a Mage of Light to successfully pull off their plan.

It goes further though as Alhaitham does become the Acting Grand Sage after saving Nahida, which is the equivalent to being the Ultimate Mage of Light. Alhaitham already wants to quit since it's too much work for him but can't for there hasn't been a replacement for him as I'm writing this and because he's the only one suitable for the job. So for now, he's still got to keep up performing that role until a replacement is found and would allow him to quit.

I have mentioned earlier that those who emulate a classpect different from their own for too long tend to become unhappy with themselves and with their position in the environment they're in.

So are Kaveh and Alhaitham unhappy with their current lives in Sumeru?

Alhaitham would rather just relax and do his easy Scribing job forever instead of being the Acting Grand Sage, and Kaveh is far from living the life he'd prefer to be living...

But no, I don't belive that either of them are dissatisfied with the lives they are living right now.

And it has to do with their presence and impact that they have on each other's lives.

Aaaaaaaand that’s that for my Sumeru analysis and the 3rd part of a bigger series where a certain ship may or may not be the nexus of a theory I have in mind-

[mooselybased]

So I wanted to draw a lil' something in celebration of The Adventure Zone hitting ten years old this year! Which turned into me drawing a pretty big something featuring (almost) every player character from (almost) every campaign from these past ten years.

So here's to Adventure Zone Balance, Amnesty, Commitment, Dust, Graduation, Hootenanny, Ethersea, Dadlands, Steeplechase, Versus Dracula, and everything that's still to come!

[yeah-thats-probably-it]

Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.

I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.

Would Jeeves and Wooster survive Castle Dracula?

Jeeves

Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.

On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.

Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.

There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.

He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?

He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.

Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.

He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.

There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.

Bertie

Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.

In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.

He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.

I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).

I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.

When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.

[sanatomis]

⋆౨ৎ˚ ──── 𝐘𝐎𝐔𝐑𝐒 𝐓𝐎 𝐔𝐒𝐄.

it's been on your mind for a while now. and, even though he's a little confused at first, it takes satoru very little time to warm up to your enticing offer.

დ content. fr3e use kink, cursing, female!reader, fingering, vaginal sex, creampie, consensual somnophilia, deepthroating, cum-swallowing, mentions of satoru eating it from the back <3

დ notes. second attempt at posting this on tumblr, don't mind me. it's crossposted on ao3 bc my previous attempts at posting all failed miserably (it never showed in the tags ://)

Satoru is confused. It doesn’t take you much time to notice that your softly spoken words have him quite rattled, as the results of them can so clearly be observed on his face. There’s his nose that scrunches up cutely, and a little tilt of his head to the left which comes accompanied by a few snowy strands of hair shifting across his forehead. A small furrow of his brows, the soft gnawing on his bottom lip. He’s thinking about it; mulling over your offer. 

Three times, he tries to say something. His mouth opens once, twice, and it’s futile. Not a word escapes, and he takes a sharp intake of breath. You almost believe that, if you weren’t currently seated opposite him, he’d smack the side of his head a few times to make sure it’s still screwed on right. 

“So, I just. . .” The third time really is the charm, it seems. Though, he never quite manages to finish what he was going to say. 

“Just put it in, yeah.” 

You finish it for him, you’re sweet like that. It does really seem as if he could use the help.

“Wh—whenever I. . .” 

There’s a little voice in your head, chiming and chattering about how all of this is weird. It makes you nervous, and your fingers itch to play with your necklace to fight it. 

“Whenever you want,” you confirm. It’s as if your heart has suddenly moved to your throat. 

“Wha—what if you’re asleep?”

“I said whenever you want, didn’t I?” 

He almost lets out a little squeak at the words you so casually give him. They surprise him, as they do you. Your last sentence wasn’t one spoken by your mind, and you shift in your seat as if it’d shush the part of you that did. 

It’s as if you’re telling him what you’d eaten for breakfast this morning, not giving him permission to slip, bully and sheat his cock into your needy cunt at any given time of the day. Without needing to ask, too. Satoru can fill you up, stuff you full, and dump so much of his cum into you until you’re overflowing, and he can do it whenever he feels the need to—because he’s Satoru, and you love your Satoru.

“Are you sure?” He asks, a hint of apprehension laces his voice. Your heart almost swells at his concern, at his hesitancy and need to confirm your wishes; even if you’ve vocalised them so bluntly. “Maybe, think about it for a little long—” 

“I have,” you interrupt him. As gentlemanly as he’s being, there’s no mistaking the darkening of his eyes. The pretty, baby-blues making way for something sinister. You suddenly don’t feel so nervous anymore. “I have thought about it. Way too much, and for way too long.” 

A string of curse words tumble past his lips. They’re hushed, and quick, and from the way he, too, shifts in his seat you gather that he’s hard. Painfully so, if the bulge forming in his pants is anything to go by. Your relationship has existed long enough for you to know that drops of his pre-cum are staining the fabric of his boxers already—always so messy, your Satoru. The mere thought has you wanting to take him out, to put him in your mouth and lap at the sticky, white beads falling down his length. 

“Please,” you plead softly, and watch how he stifles a groan at the needy, saccharine sound of it. You want more, more of that sound. Right next to your ear, preferably. “Use me, Satoru.” 

There’s little you want more than that, little that arouses you more than that. The thought of Satoru taking you whenever he wishes, abiding by his whims and allowing him free-reign over your body—it instils a heat into your stomach, into your core. It makes you feel filthy, like a cheap whore picked up from the street; but you’d be his whore, and suddenly it all starts to feel like a dream. It’s Satoru. Satoru, Satoru, Satoru. He’ll be gentle, and he’ll be kind, and he’ll stop as soon as you utter your safeword, and he’ll love you so much, even if he fucks you as if he doesn’t. 

You have half a mind to ask him again, to plead, to beg for it again, as it almost feels as if he didn’t quite hear you. But, as soon as you open your mouth to do so, he immediately latches his lips onto yours. It’s messy, and sloppy, and entirely fueled by the frantic state his mind is currently in—but you don’t complain, and never will. 

His hands are everywhere and nowhere all at the same time, and you feel him almost buzzing with excitement. Your teeth clash against one another at the force of the kiss, your tongues greedily seek the other out, and saliva gets swapped from your mouth to his, and vice versa. It’s dirty, and sticky, and almost brings you back to your high-school years, when he’d been all clumsy hands and feigned confidence on the night you’d lost your virginity to each other. 

Satoru pulls back from your kiss first, and a small smile falls over his lips when he notices you chasing him. “Wait a minute, sweets,” he murmurs, forehead against yours. His breathing is heavy, as is yours, and you don’t want to wait a minute—you want him, now, tomorrow, and each day after that. “Are you. . .” He chuckles when you kiss him again, and again, and again. You only stop when he holds your head in place. “Are you completely sure about this?” 

You blink up at him, eyes wide and lips swollen. “Mhm,” you hum, and caress his cheekbone with one of your thumbs. Satoru melts in your hold, as he always seems to do. “‘S you, ‘Toru. I’m completely sure when it’s you.” 

He lets out a shaky breath. There’s a storm of emotion behind his eyes, but all of them point to the same conclusion—he loves you. So much, you might even get sick of it one day; he’d told you as a joke, one born out of fear. But you won’t. You never will. And you think he’s starting to realise it, finally. 

“Okay,” he whispers, and kisses your forehead. 

It’s delicate, and loving, and so opposite from the way he buries himself into you over, and over, and over again a mere five minutes after that. Satoru’s needy, and impatient, and so pent-up from your previous conversation that foreplay gets thrown out of the window. 

He bends you over the couch first, that cute little ass of yours jiggling right in front of his face as he mounts you from behind. He slips in easily, with a pussy as wet as yours, and a cock as leaky and hard as his—the lack of foreplay almost goes unnoticed. Almost, of course, as the sheer size of him never fails to elicit a hint of a burn as he stretches you out. Nevermind that you take his cock daily, or that your walls are bound to carry his shape after the many years you spend with him. 

The sounds that decorate your apartment are filthy, lewd, and borderline obscene, but you’re thoroughly obsessed with them. The slapping of his balls against your ass, the squelching with each passing thrust, the deep groans and choked whimpers Satoru releases next to your ear just like you wanted. Even your own moans, your own babbles, and your own whines add to the experience; the combination of sounds. And you love it, because it’s you, and it’s Satoru—and it’s the two of you together. 

It doesn’t end after Satoru cums, nor does it after you do. The agreement between the two of you that was made tonight seems to have done a number on him, and he takes you a second time. On the balcony, where he puts you on display for the world to see as he fills you over and over again. And a third time, in your shared bed that’s never been safe from his affection and blatant desire towards you. And a fourth time, in the shower that was initially meant to clean you up, he decides to dirty you even further. 

If this is the reaction he gives to the mere idea of using you whenever he pleases, you long for the time that he actually does.

It’s well past midnight when Satoru finally decides he’s done with you. You’re curled into his side, a shirt that’s way too large for you (but one that you swore you didn’t steal from him) covers your figure. You’re asleep. Tired, exhausted, and completely knocked out. He smiles. You’re so cute. A love-sick expression is stuck to his face, and it may very well become permanent if he stays looking at you. 

One of his fingers reaches in-between your thighs, gently scooping up the remnants of his release. Satoru almost coos at the way your nose scrunches up cutely when he starts to finger it back into your pussy. It allows his digits to slip easily through your folds, and she sucks them in as soon as he reaches your hole. His cum doesn’t leak out this time. Not yet, anyway, but even if it does, he’s more than willing to repeat the process. 

He sighs. Mind full of thoughts, but at least his balls are empty now. There’s a little huff escaping his lips, and he’s amused at his own comment. Satoru shakes his head, but the small smile remains nonetheless. Strong, yet gentle arms pull your body tighter against him. 

You’re delicate, and sweet, and so precious to him; and he will do his best to take care of you. Use me, use me, use me. He kisses your forehead, his own eyes falling shut. 

He will most certainly try to. 

The very first time Satoru entertains the idea of indulging in your offer, is on a day where you’ve decided to wear his favourite lipgloss. It’s so shiny, such a cute shade, and makes you look so beautiful, but above all—it’s sticky. It’s sticky, and easily smudged, and he knows from experience that everything feels so much filthier when he steals a kiss from you with it on. 

Without meaning to, thoughts of you wrapping those glossed lips around his dick, creating a mess made-up of spit, cum, tears, and thus that delightful stickiness from your lipgloss, enters his mind. The coloured shade will leave a perfect ring around his length, there’s no doubt in his mind. Your pretty face will be all dirty, smudged stains near the corners of your mouth courtesy of his fat cock. You will be a sight for sore eyes. 

You’re talking to him, but Satoru can’t seem to listen. He’s enamoured by your lips, your soft-looking, plumb, and very glossed lips. He briefly feels pathetic, knowing that a mere make-up item has the ability to make his head spin to such a degree—but he doesn’t, as he quickly realises it only does so because it’s you that’s wearing it. 

Fuck, he really wants to stuff his cock into your mouth. 

Five, six, almost seven seconds pass before the realisation kicks in. If he wants to put his cock in your mouth, then he can. Satoru’s body moves on its own before he gets a chance to think about his actions, as is often the case with him, and it's not long before his large hand finds its new home on the back of your head. He falters briefly, watching how you quiet down, how your eyes widen slightly, but continues as he’s doing when you make absolutely no move to stop him when he gently guides your head down, and down, and down—until you’re right where he wants you. 

A small gasp leaves your lips when he puts you on eye-level with his crotch. It’s quiet, and he almost didn’t hear it, but it makes him pause nonetheless. The hand on your head loosens its grip, and he hesitates as he looks down at you. 

“Is this oka—” 

The sentence never gets finished, forever interrupted by a sharp hiss as you take his cock out of his pants with such unabashed eagerness. It slaps against his abdomen, leaky tip staining the fabric of his shirt. Your previous conversation is all but forgotten, it seems, as you don’t waste a second in taking his hard, aching length almost entirely into your mouth. It all happens so quickly, and Satoru’s mind almost can’t keep up. All he did was think about filling your mouth, and now he’s actually doing it; the fat tip prodding near the back of your throat. 

His hands are shaky, he notices, and so is his breathing as a small whine escapes when one of your hands goes downwards to play with his balls. “Fuck!” he curses, caught by surprise at the boldness with which you reached for that part of him. In his startle, his hands return to the back of your head, and your words make their impromptu return to the very front of his mind. 

Use me. 

He will, then. 

Satoru isn’t at all gentle when he does. His fingers tangle into your hair, and he pushes you down onto his cock until your nose brushes against the soft, white hairs near his pelvis. Your poor little mouth is struggling, he can see, but he can’t seem to pay much mind to it; the sounds of you gagging around his thick length are too much of a pleasure to hear. The way he pushes you up-and-down nears the realm of brute force, and still you eagerly suck, and suck, and suck. 

A particularly loud groan echoes through the room when he steals a glance at your small form kneeling between his legs. It seems he knows you well; you are a sight for sore eyes like this. There are tears in your eyes, and some of them have already fallen down your hollowed cheeks; hollowed, to make space for him. Your mouth is filled to the brim with his cock, and even though he can see you fighting for breath, you never make an attempt at catching it—as if you wouldn’t dare to deprive him of the please your throat gives him. 

Satoru catches himself falling in love all over again. 

He fucks your face harder, and harder, and harder the closer he gets to the edge. Deep groans, and slurred curse words join your symphony of muffled moans, and his hold on your head slowly starts to falter. 

“‘M close, princess,” he mumbles, but that’s about all the warning he gives you. A few seconds later, he cums down your throat. He doesn’t ask, he doesn’t need to. Not because you’d given him permission to use you as he sees fit, but simply because he knows you’re utterly obsessed with him doing so. “Fuck, f—fuck, look a’you, hm? Gonna take all of it like a good girl? Don’t waste it, m’kay? S’all for, fuck, for you.” 

It’s something he’s done countless times before, but Satoru swears that each time he spills his cum down your throat feels better than the last. Thick, sticky ropes fill your mouth, and you hum around him when it keeps going, and going, and going. You’re struggling to take it all, and he huffs in amusement when bits of it start to drip down your chin. His thumb catches it, and he quickly places it back in your mouth, forcing you to open it wider to accommodate both the digit and his slowly softening cock. You happily do so. 

He pulls out of you shortly after, with his chest heaving as he recuperates. His entire focus is on you, you, and you as he watches you wipe your mouth and swallow the last of his seed. There’s a smile on your face. It’s kind, and gentle, and innocent; almost as if he hadn’t just fucked your mouth and dumped his release down your throat. Satoru is utterly bewitched as he watches you, captivated by all and every little thing you do, and he cooperates as you tuck him back into his pants. 

And then, as if nothing at all happened, you sit down next to him again—and you speak, you continue talking, finishing the story he’d interrupted with his need to be sucked off. Your voice is hoarse, and your cheeks are still stained with dried tears, but you pay neither of those facts any mind. It makes all of this look so. . . mundane. You were speaking, and then you were between his legs, and now you’re speaking again. 

Satoru’s heart starts to beat even faster for you. Fuck, that’s so hot. This time, he decides to try his very best to listen to your tale about some co-worker of yours that pissed you off this week. He pitches in every-now-and-then, adding a low ‘huh,’ or ‘mhm’ to keep you occupied, and he almost feels guilty—guilty, because all his adrenaline-filled mind can think about are the future possibilities of using you.

“And, wanna know what’s the worst thing about the situation? It was my idea to get donuts for everybody! That harlot didn’t even want them initially.” 

Satoru’s downward spiral is inevitable, and he finds himself falling victim to it more times than one would consider healthy in a mere seven days. He very quickly learns that he’s thoroughly obsessed with the notion that allows him to fill you up anywhere, and at any time. To him, it’s one of the highest honours. 

There’s such confidence, such unwavering faith encompassed in your view of him. There has to be, if you’re willing to allow him such a thing. Thinking about it almost causes a cute pink hue to colour his cheek. . .you really do trust him a lot, huh?

He’s never been able to tell you ‘no’ before, and he certainly isn’t about to start. So, he dutifully listens to you and abides by your delectable request. To satisfy you, of course. There’s absolutely no other reason for his actions, and the way he breaches your dripping cunt with his leaky tip, all while soft breaths leave your lips, and your pretty eyes are peacefully shut, is simply to indulge you. 

Use me. Use me. Use me. 

Satoru curses, the crude words that tumble past his lips being plenty colourful. One of his hands settles on your hip whilst the other hikes your (or rather his) shirt up to provide him with better access. It’s your fault, really, that he’s currently sporting one of the hardest boners of the century. You were waiting for him, weren’t you? Waiting for him to return and bury himself to the hilt in that sweet, sobbing pussy of yours. 

There’s no other reason for you to fall asleep with nothing but his shirt on. Not even panties covered your cute little cunt, your sticky folds fully on display and welcoming him home. Satoru wants to bury himself in it—in a multitude of ways if he’s being truly honest with himself. For now, though, he’ll stick to simply one. 

“Shh,” he coos into your ear, delicately rubbing soft circles into your upper thigh with his thumb. You whine faintly, feeling his cock fight its way past your walls. He splits you open, stretching you just wide enough to slip inside. Your nose scrunches up cutely, and he almost rouses you from your slumber.  “‘S me, really need you, baby.” 

And that’s all he has to say. It’s me. It’s your Satoru. A gentle whisper of those words, and he gets to use you as he pleases. All of his previous worries, all of the near-boiling anger he felt at his previous meeting with the higher-ups washes away as soon as he sinks himself balls-deep into your pussy. Satoru groans deeply at the feeling, and gentle, stuttered declarations of love are babbled into your ear with each slow drag of his cock along your walls. 

The garbled mesh of words that he deems too important not to say, even despite their poor enunciation, only ceases to exist a few minutes later—when he spills his heavy load into that sweet, sweet cunt of yours. No, into that sweet cunt of his. Because, that’s who it truly belongs to, no? It’s his, to use, to spoil, to worship. You’d offered it to him so kindly, after all. And, well, Satoru has never been the type of person to turn down a gift. 

. . . You unknowingly create a monster. It seems that even the mere idea of being allowed to use you as he pleases has him tip-toeing around the line of borderline insanity. As each time he sees you, he wants you. . .and each time he wants you, you let him. 

It doesn’t matter what you’re doing at that moment. Even if you’re speaking, and he suddenly feels the need, no, the simple want for a blowjob. And even if you’re asleep, resting after what must have been a long day, you still allow him to slip his aching cock into you to satisfy the craving he’s had for hours. 

Even if you’re busy setting the table, you don’t push him away, and you still allow him to bend you over the wooden surface, to sink to his knees and lick, suck, and kiss around his pretty pussy with his tongue. Simply because he wants to do it, and you really do so, too. 

. . .And even now, when you’re cooking dinner. 

There’s a certain cuteness about the way your brows scrunch in concentration, about the way you gently bite on your bottom lip as you prepare the food for the two of you; it nearly makes him feel guilty for feeling the secret desire to ruin such a lovely, innocent view. The word nearly is important, however, as he’s acutely aware of your need for him to do exactly that—and so, any sense of wrongdoing melts away, similar to snow underneath the sun.

He’s not quite sure what it is that you’re cooking, but it smells delectable. There’s an array of spices, herbs, and vegetables strewn around the counter, and Satoru knows he’ll be eating like a King in a few minutes. As for right now, though, there’s a different craving, a different type of hunger slowly making its way forward. He fears it won’t be one that’ll be sated by your lovely culinary skills. 

“Smells good, baby,” he mumbles. It doesn’t take him long to settle himself behind you, large hands gently coming to rest on your hips. He sighs in the crook of your neck, and nudges the skin with his nose. “What’cha making?” 

You answer. He knows you do, as he feels the vibrations of your voice underneath his lips, the soft hum feeling quite soothing as he kisses along the column of your throat, but Satoru can’t find it in himself to focus on the words you give him. His ever-loose hands roam eagerly down your body, and the previous loving, and delicate kisses along your neck turn sloppy, wet, almost, as Satoru dips one of his hands underneath the waistband of your panties. There’s a grin forming on his lips, one entirely too big and full of confidence. 

“‘M startin’ to think you’re just always wet for me, pretty girl,” he mumbles against the shell of your ear, fingers entirely coated in your slick the second he’d sunk them into your dripping cunt. 

Your cheeks heat up, and you try to stifle a moan when he, so very, very slowly starts to move his fingers in-and-out of you. “I—I am,” you admit, and clench around his digits just as he’s about to take them out; as if it’s a last resort to keep them inside. “F’you, Satoru. Just for you.” 

“Hm?” He hums, and almost huffs in amusement as he sees you trying to continue what you were doing so desperately, as if you weren’t being fucked on your husband’s fingers. Just for that—he rapidly thrusts his fingers back into you, harsher, deeper, and so much quicker. “Just for me, yeah, princess?” 

“Y—Ah! Yes, yes,” you squeak, one of your hands seeking out some semblance of support from the kitchen counter.  “Only for you.” 

There’s an embarrassing sound hitting your ears, as each thrust of his absurdly long fingers is accompanied by your wetness squelching around them. You struggle to speak, to breathe almost, as he fucks you on his fingers. Satoru stretches you out, curling his fingers to find the spot he knows will leave you with those pretty tears falling down your cheeks, and to hit it over, and over, and over again. 

There’s such a heat gathered between your legs, such a pleasurable source of warmth, and Satoru suppresses a groan as he’s once again made very aware of that fact when your walls clench around his digits. His cock twitches, and he lets out a shaky sigh as he grinds it against your ass. “You are, aren’t you? Hm? C’mon, baby, don’t be shy. . .be a little louder.”

You aren’t shy. You haven’t been for a while now. There’s a certain hotness in the way you moan so unabashedly, so utterly shamelessly whenever Satoru gets his hands on you in such a way—it’s as if you can’t ever get enough of him. It never fails to harden his cock even more, to make his balls feel achingly heavy until he ultimately empties them inside your tight little cunt. And you know so, which is exactly why you do it. 

“‘M not,” you rasp out, one of your hands coming to rest on his wrist. The back of your head falls against his shoulder as you choke on a moan, seeking some very necessary aid to stay upright. “Please, I. . .’Toru, please.”

In all honesty, Satoru isn’t quite sure what you’re begging for. He knows it’s one of two options: either to cum on his fingers, or for him to push his thick cock inside your pussy already. There’s no desire to ask, however—he’d much rather make that decision himself. The hand that wasn’t currently burying three of its digits knuckle-deep into your pussy busies itself with his belt-buckle. 

There’s a pitiful whine falling from your lips, one that’s released immediately upon the removal of his fingers from your cunt. “Shh,” he coos in your ear, instantly soothing your upcoming tantrum. You stifle the complaint you’d prepared for him, the feeling of his fat tip prodding near your too-eager hole quickly puts an end to it. “S’okay, pretty girl, just wanna feel you cum around my cock, s’all. . .Think you can do that for me?” 

You nod, and rapidly so. “Mhm,” you hum, and open your mouth when he presents it with his soiled fingers. You clean them, suckling around them until each bit of your sweetness is gone. “Want to—really wanna cum around your cock, ‘Toru.”

“Of course, you do,” he breathes, and captures a quick kiss. And another. And another. And one more. It makes you smile, and that, in turn, makes him smile. When he does pull back, there’s as much love as there is lust dancing in his eyes. “Wouldn’t have expected anything less of you, princess.”

Satoru is often greedy. There’s no such thing as savouring something with him—if he’s enjoying himself, he’ll be as gluttonous as he wishes. The exception is you, of course, as you always are to him. There’s no greater feeling than savouring you. It’s why he, more often than not, decides to fill you up slowly. To let his cock drag along your walls, to let your soothing warmth engulf him inch, by inch, by inch, until his firm balls press up against your ass. He does so this time, too. 

Your long, drawn-out moan as he fills you up slowly sounds as if it were gifted to him by the Heavens, and Satoru’s cock twitches inside when he hears you mutter a soft fuck as you struggle to adjust to him. It’s certainly not the first time you’ve taken his cock, but the sheer girth of him still stretches you out—as it always does. Your husband loves you dearly, however, and waits. . .one second, two seconds, three seconds, and he doesn’t get any further before his self-restraint falters. 

Satoru nearly pulls himself out of your cunt completely, only for him to fuck himself back inside so deeply—it has you place both palms of your hands on the counter to steady yourself. It startles you, as he hears you choke on a moan, but he continues. His movements are quick and rough, animalistic even, as he pounds into your cunt. 

“Sa—ngh, Satoru, wait, I. . .” You interrupt yourself with a moan, the feeling of his tip near your cervix too sharp for you to properly finish a sentence. He’s so deep. It feels as if he’s in your womb, in your stomach—it feels as if he’s everywhere. “Fuck, I. . .f—fuck, ‘Toru. . .”

 “Hm?” He breathes out, a groan slipping past his lips. “Want me to, fuck, you. . .” His rapid movements dial down. The self-control needed for it is enormous, but you’d asked him to wait—so he will. Some beads of pre-cum drip into your cunt, as if his cock was upset that he’d suddenly slowed down. “Wan’me to go slower, baby?”

“No,” There’s a small whine near the end of your sentence. It’s the absolute last thing you wanted him to do, even if you originally asked him to wait. “No, don’t, please, keep going. Need—need more.” You feel Satoru wrap both hands around your hips, as if he’s preparing for something. “Harder, please. . .”

“Harder?” He asks, and you don’t need to see him to know there’s currently a sense of smugness ruining his pretty face.  “How hard do you want it, huh, sweets?” 

Little more than the tip remains inside you, and there’s not a moment for you to mourn the loss of his entire girth—as all air leaves your lungs when he immediately thrusts back into you with a newfound vigour, with such force that it has you bend over the kitchen counter. 

“Like, ah, like this, huh? That how you want it, angel?”

You don’t answer—you’re not able to, as Satoru uses the entirety of his thick length to steal your ability to speak coherently. Once again, you’re acutely aware of the sheer size of your husband. Satoru is tall, and big, and he likely isn’t even aware of it. It certainly doesn’t seem so, as he heads no mind to the way your feet are starting to lift off the floor. Each deep thrust has you inching further up the counter; his hands on your hips nearly holding you up and off the floor as he rocks into you from behind. 

There’s little you can do, except take it. 

The kitchen is filled with sounds that definitely do not belong there. Your wetness is prominent, the sound of it borderline embarrassing, and Satoru’s balls slap against your skin with each thrust. He’s relentless, and you want to cry. The good kind of crying; the kind that often comes accompanied with mind-numbing pleasure. You hiccup, and sniff, and try your best to stabilise yourself against the counter. 

Though, your efforts prove futile once Satoru brings one of his hands to your front. You choke on a whimper as he cruelly pinches your clit, toying with it, flicking and rubbing it in the way he knows will get you off. 

“T—Toru,” you warn him. “I—I’m. . .”

“Mhm,” he hums in acknowledgement, not letting up even for a second. There’s a featherlight kiss pressed to your shoulder. “Me too, princess. S’okay, let, shit, let go for me, yeah?”

And because he’s Satoru—your Satoru, you comply. It hits you all at once, and you’re suddenly very grateful for both your husband holding you upright, and your expensive kitchen counter for adding some extra support. You’re still breathing heavily, coming down from your high, when Satoru hits his own. It’s a familiar feeling, but one you’ll never grow tired of nonetheless. 

You sigh in content. His cum fills you up rapidly, and to the brim. It’s hot, and thick, and trickles out of you even with him still inside—simply because there’s so much of it. The both of you are out of breath, and because of it, choose to stay within each other’s hold for just a little while longer. 

Satoru could—and would—stay in this position for the rest of his life. . .but he’s quite sure that you’ve put a lot of effort in today’s dinner and he doesn’t want it to be for naught. With a deep sigh and a quick kiss to your cheek, he goes against every fibre of his being, and pulls out of you. 

A shiver trails down your spine when he does so, and you let out a soft sigh in content. You’re still recovering, he notices. There’s a trail of his cum dripping out of you, though he wastes little time to push it back inside. Satoru takes matters into his own hands, and decides to place your panties back into place for you, too. It gets soiled by his seed rather quickly, but that’s a problem for later. 

After smoothing down your skirt, he tucks himself back into his pants, as well. He’s by your side as quick as he can, and presses a sweet, lingering kiss to your temple. 

It’s only then that he properly takes notice of all the stuff that’s been thrown around the kitchen. Pots, pans, vegetables, spices. It seems you really were busy.

And, as if he hadn’t just finished fucking you silly, he smiles. 

“So, what are you making?”

© MADE BY SANATOMIS — please, refrain from stealing, copying, or reposting any of my works.

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[daz4i]

mori bro now's your chance. his other ex-husband died man he has no one else to go to you should shoot your shot again come on bro

[ministarfruit]

day 1: if only ♡

(femslashfeb prompt list)

[wispscribbles]

Me @ Ghost: I sentence u to happy retirement, loser

[clarionglass]

here we go :) part one of three, updates to be released weekly!

---

sam says 4 (game master cinematic universe, part 3)

Ruby was at her mum's for a family dinner she couldn't miss on pain of death, apparently, and the Doctor was many things, but a family dinner kind of guy wasn't one of them—particularly when Carla had already slapped him once in the short time he'd known her. He thought he'd broken his streak of bad luck with mums, but… well, seemingly not. So he was companionless for a few hours, and while he could wait for her to get back, maybe catch up on his reading—what was the point of waiting when you had a time machine? 

He ran his hands over the TARDIS console, marvelling at her clean lines and metallic flourishes, the way that even now she felt brand new but familiar, and paused. He’d just pop off for a quick adventure, nothing too dangerous, but—where to go?

He could scan for a distress call nearby, and pitch in to help. He could drop in on Donna and Shaun and Rose, beautiful Rose, and see how they were all doing. Or he could just hit the randomiser button, and jump in feet first wherever he ended up.

He remembered a conversation from a long time ago, when he wore a different face, and his gorgeous TARDIS wore a face too, for the first and only time.

“You didn't always take me where I wanted to go.”

“No, but I always took you where you needed to go.”

He grinned. Who could resist an offer like that? He pressed the button and whooped as the time rotor spun into action, ready to see where the universe would take him.

---

Apparently, he was needed pretty close to where he already was. Earth, 2024. Huh. Same planet, same time—within a few months of where he’d left Ruby, even. The main thing that had changed was the location: he was now in the good old US of A. California, to be more specific, and Los Angeles to be more specific still. And to really narrow it down, the Doctor discovered as he poked his head out of the TARDIS doors, he was in… a broom closet. Not bad, as a parking spot—a bit squeezy, but out of the way. And as he poked his head out of that door, he could finally see he was in the backstage corridors of a studio of some kind. Film or TV, if he was to hazard a guess, it was a different vibe from Abbey Road.

With a shrug, he decided to go exploring.

It couldn’t have been more than a minute before a young woman wearing the full-black outfit, headset, and permanently stressed expression of a production assistant came running up to him.

“Are you the fill-in Sam organised?” she asked breathlessly, and honestly, seeing the look on her face, the Doctor didn’t have the heart(s) to tell her no. And really, what was the Doctor, if not a professional fill-in? This, this was why he had a randomiser button on the control panel, because whatever he was about to get himself into was going to be fun.

“Sure!”

“Oh, thank god,” sighed the production assistant, relief dawning across her face. “When Ally tested positive this morning, I thought we were sunk for the record, because we called around and we couldn’t get a hold of anyone. But then Sam said he could get someone in, and, you know, here you are, and just in time, so—ah, yeah, if you could follow me this way?”

Smiling all the way, the Doctor followed his guide through to hair and makeup, looking around as they went. The studio seemed to belong to a company called Dropout, according to the branding scattered around, and things seemed, at least on the surface, to be… well. Fine. He couldn't tell why he'd been brought here yet, which meant that when he found the reason, it was going to be particularly tangled. He couldn't wait! 

And then he looked back at his guide, still engulfed in a miasma of anxiety, and realised he'd been too busy looking for clues to notice the person right in front of him. 

“Hey, it's cool, you've found me,” he started with a gentle smile. “You can relax. Hi, I'm the Doctor. What's your name?”

“Oh!” she said, startled. “The Doctor, yeah, of course. Um, hi, I'm Kaylin. Look, sorry, it's just that I've been so busy this morning, I'm so distracted… Shit, and I would've completely forgotten to get your details too. There's paperwork to fill in, but you can do that later. Um, just for now, though, can I get your pronouns?”

The Doctor thought for a moment. “He/him, for now.”

Kaylin nodded, making a note on her phone. “Okay, cool! And do you have any socials?”

“Not me, babes,” he replied. “I'm hardly sitting down long enough to be able to update, you know?”

“On a day like this, I know exactly what you mean,” she said. “That's okay, Lou didn't have socials either for the longest time. Right, so if you go through there, the team will get you sorted, and once you're done, someone will take you up to the greenroom. All good?”

“All great,” the Doctor replied. Kaylin flashed him a quick, relieved smile, then hurried off.

Hair and makeup was a fairly quick process, the sound mixer fitted him with a microphone, and before too long, Kaylin was back to take him upstairs. 

“This is the greenroom,” she said, pushing the door open. “The rest of the cast for the episode are already here—they’re great guys, and they’ve both been on the show a lot, so they’ll be able to help if you’ve got questions. And if you need anything else, just come find me or any of the other PAs, okay?”

The Doctor nodded, beamed at Kaylin, and walked in.

---

The greenroom was small but comfortable, and its occupants, two men around the same age as the Doctor appeared, looked up as he entered.

“Oh, you’re new,” the taller of the pair said, clearly giving him the once-over.

The other sighed with a mixture of fondness and exasperation, just as clearly used to his friend’s antics.

“Hey, I’m Brennan,” he said, levering himself up to standing from his perch on a chair arm, and holding out a hand. “That’s Grant.”

The Doctor took it warmly. “The Doctor. Just passing through, and happy to help.”

Grant’s eyebrows quirked. “Doctor… something?” he prompted.

“Or is it just ‘the Doctor’?” Brennan asked.

“Just ‘the Doctor’,” the Time Lord confirmed cheerfully. “You’ll get used to it, everyone does.”

Grant didn’t look convinced, but—

“Copy that,” Brennan shrugged, and settled back on the arm of the chair, returning his gaze to the door.

Grant, in turn, looked at the Doctor and rolled his eyes in a clear expression of ‘no, I don’t know why he’s like this, either’.

“Okay,” the Doctor said after a moment of watching the watching. “I wasn’t going to ask, but now I think I have to. What’s up with the door?”

Brennan huffed a laugh. “Well, the last time there was one of those up—” he pointed to the Out of Order sign stuck to the bathroom door, “—we got locked in here for the game.”

“He’s paranoid,” Grant interjected.

“Well, yeah, maybe,” Brennan retorted. “Or just cautious. Because Sam’s been acting weird lately, and we’re coming up to the last few records of the season, so he’s probably planning something way out of the box for the finale. And the original cast was you, me and Beardsley, so…”

He shrugged one shoulder meaningfully, and Grant nodded, conceding both the point and the potential for chaos.

“So if Sam comes in to give us the briefing, rather than waiting til we’re on set,” Brennan continued, “or there’s anything else weird going on, I’m gonna know about it right from the beginning.”

He turned to the Doctor. “The only reason I'm not quizzing you is because I know for a fact Beardsley was genuinely scheduled for this, so you can't be a plant by the production team. No offence.”

“None taken,” the Doctor smiled. “That sort of thing happen often, does it?”

Grant and Brennan exchanged a look. 

“More than you'd think,” Grant answered with a grimace. 

“Alright,” the Doctor said slowly, then brightened. “So what is it we're actually doing?”

Grant gave him a disbelieving glance. “You don't know—?”

“Very last minute fill-in,” the Doctor said breezily. “But don't worry, I'm a quick study.”

“Well, you're not that much worse off than the rest of us,” Brennan said encouragingly. “You know about Game Changer, obviously, if you know Sam, and we only find out the rules of the game once we get on set. Hopefully,” he added, with a dark look back at the Out of Order sign. 

The Doctor nodded. No, he didn't know Sam, and he didn't know Game Changer, but he could work out the situation from context clues. This was a game show. And with the Toymaker banished, and Satellite Five not coming into existence for another 198000 years, give or take, he found himself smiling. Maybe third time would be the charm. 

“Mmm, hopefully they aren't going to throw you in the deep end,” Grant said. “Because Brennan might seem lovely now, but as soon as we get out there, he's a whore for points. He'll stab you in the back and won't even blink.”

Brennan barked with laughter. “Yeah, and you wouldn't?”

“Excuse you, I'm always a goddamn delight,” Grant replied, the very picture of injured dignity. 

“Oh, absolutely!” agreed a new voice. The Doctor turned to the now-open door to see a bearded man in a pinstriped suit smiling broadly. “That's why we keep inviting you back!”

Grant bowed sarcastically. “Why, thank you, Sam. Good to know I'm appreciated by someone here.”

“Always,” Sam replied, gently but firmly ending that particular path of the conversation. He scanned the room, and his eyes lit up when they landed on the Doctor. 

“Ah, you must be the Doctor!” he said with obvious delight, walking over with his hand outstretched. “I'm Sam—thanks for filling in for us, you've made sure we're going to have a good show. Seriously, it's a pleasure to have you here.”

“Aw, cheers!” the Doctor smiled, shaking the offered hand. “Glad I could help out, I'm really looking forward to this!”

“Well, great!” Sam exclaimed, then took a step back, regarding all three players in turn. “Now, folks, I'm just letting you know that we're just about ready to start the record, so if you can start heading down, that'd be great.”

Grant and Brennan nodded—Brennan, the Doctor noticed, with relief. 

“See you down there,” Sam said, smiling. “Have a great show, and—”

His eyes caught on the Doctor's for a second, twinkling. 

“Good luck.”

---

Backstage, the Doctor, Brennan and Grant were marshalled into podium order and given a final briefing from the crew. And then, with a thumbs-up from Kaylin, that was it.

Showtime.

“Get ready for a Game Changer!” came Sam's voice from onstage. “Tonight’s guests: he can shoot off a monologue with laser accuracy; it’s Brennan Lee Mulligan!”

Brennan, his back to the camera as the curtains opened, spun on his heel and, with a stone-cold expression, pointed finger guns straight down the barrel, before letting the facade crack open. “Hi!” he exclaimed, and walked over to the leftmost podium.

“It’s his first appearance, but he’s already on fire; it’s the Doctor!”

The Doctor leant against the archway to the stage and flashed a broad smile towards the camera, then in a few skipping steps, had bounded over to the next free podium. What the hell, why not make an entrance?

“And even in the toughest of mazes, you’ll always be able to find him; it’s Grant O’Brien!”

Grant dipped his lanky frame into an approximation of a curtsey, spreading his arms wide, then sauntered over to the closest podium with a grin.

“And your host, me!” Sam announced, a ring of manic white showing around his irises as he beamed down the barrel of the camera. “I’ve been here the whole time!”

“This,” he continued, pushing his microphone shut and stowing it in his jacket pocket, “is Game Changer, the only game show where the game changes every show. I am your host, Sam Reich!” 

As he said his name, he looked at his hands, front and back, as if he was pleasantly surprised to be himself, then gestured towards the three podiums.

“I am joined today by these three lovely contestants! Now, you understand how the game works.”

“Of course not,” Grant started. “You know we don't.”

“We can't, Sam, that's the whole point of the theatre you've set up here,” Brennan said over him. 

“Not yet,” was all the Doctor said, anticipation starting to drum a tattoo of excitement against the inside of his ribcage. 

“That’s right!” Sam said brightly, shooting finger guns at the camera. “Our players have no idea what game it is they’re about to play. The only way to learn is by playing. The only way to win is by learning, and the only way to begin is by beginning! So without further ado, let’s begin by giving each of our players fifty points.”

The Doctor, biding his time, watched the reactions of his fellow contestants. Grant looked at the front of his podium, checking the point total, and nodding approvingly when he saw that yes, it was sitting at a round fifty. Brennan, on the other hand, was starting to frown.

“Players, Sam says: touch your nose,” Sam began, and Brennan sighed the sigh of someone who wasn’t happy to be proved right.

“Oh, no,” he groaned. “Oh, you son of a bitch. Wasn’t one this season enough?”

He touched his nose anyway, as did the others, and Sam smiled encouragingly. “Sam says: touch your ear.”

When they all did, Sam nodded. “Touch your other ear.”

Everybody held still, fingers on the ears they had originally touched.

Sam beamed. “Easy, players, right?”

“You say that now,” Brennan said darkly. “Which makes it worse, because all you're doing is setting us up for failure.”

Sam gasped, pretending offence. “Would I do that?”

“Yes,” Brennan and Grant replied in unison, which drew a grin from the Doctor and set Sam off chuckling.

“And I'm not having it,” Brennan continued, leaning his elbows against his podium and pointing at Sam with the hand not touching his ear. “You better watch yourself, because I know how this game works, and you're not going to get one over on me.”

“Strong words, Brennan!” Sam said, clearly delighted by this response. “Okay, then, let's start making things a bit more interesting!”

The game continued as per Sam Says usual, some rounds done as a group and some individual. Points were won, sure, but lost slightly more frequently, and even the Doctor found he was having to concentrate to avoid getting caught in the host's traps. 

It was fun. Genuinely, it was like playing a game with friends, and the Doctor felt himself leaning into it. There wasn't any sign of danger—maybe there wasn't a mystery to solve at all, and the TARDIS just decided he needed a total break. 

Well, probably not. But the way things were going, he was able to let himself hope. 

“Alright, players,” Sam said a good few rounds in, just as pleasantly as he would start any other question, and the screen behind him dinged as a new prompt popped up. “Survive the death beam.”

For a second, everything was frozen perfectly still. 

And then came the crash, the explosive noise of heavy machinery moving relentlessly through a drywall set.

The Doctor was already moving. “Everyone down!”

“Duck!” Brennan yelled at the same time.

The two of them hit the ground within milliseconds of each other, but Grant was still paralysed in the face of the giant, science-fiction type laser cannon that had just ploughed through the wall. 

It whined ominously, screaming its way to fever pitch. And then a sharp pain in Grant’s ankle made him stagger, pitching forwards onto the carpet behind the podiums as the Doctor rolled away to avoid getting pinned.

“Sorry, babes,” the Doctor whispered. “But it was either kick you to get you down, or—”

A hideous metallic screech ripped through the air, and all three of them could feel the crackle of ozone as a beam of energy swept across what had, moments ago, been neck height.

“…Or that,” the Doctor finished with a grimace.

“Jesus fucking Christ,” Grant breathed, suddenly very conscious of every inch of his 6’9 frame. “Thanks.”

“Well done, players!” Sam exclaimed delightedly from above them. “But… sorry, I didn’t say ‘Sam says’, so that’s a point off for everyone.”

“What the fuck!” Brennan snapped.

“Are you actually insane?” Grant demanded at the same time, his voice overlapping with Brennan’s.

In response, Sam just wheezed with laughter. “You can come back to your podiums,” he said, cheerfully ignoring them.

Nobody moved.

“Very good!” he acknowledged, and even without seeing his face, the grin was obvious in his voice. “Okay, Sam says: come back to your podiums.”

Although the words were innocuous, and his tone was just as light and breezy as usual, there was nevertheless an edge hiding just underneath the surface. And while the death beam loomed large in the minds of all three players, it was impossible to consider disobedience as an option.

Slowly, they stood, returning to their places. Now they had the time to look at it properly, the death beam was even more sinister, and Brennan and Grant both kept flicking nervous glances its way, ready to move if it looked like it was charging up again.

The Doctor, however, was focused purely on the man standing in front of them. Unbothered, Sam met his gaze like a challenge, a mischievous smile playing about his lips.

“Oh, you’ll love this one,” he said, and the screen changed. “Sam says, starting with Grant: say my name.”

Grant frowned in confusion, but answered quickly nonetheless. “Sam Reich?”

The man himself shrugged tolerantly, moving on. “Brennan?”

Brennan just stared at him coolly. “Do you take me for a fool?”

“Well caught, Brennan!” Sam said happily. “Sam says: say my name.”

“Sam,” Brennan replied, suspicion clear in his voice. “Samuel Dalton Reich.”

He nodded, still with a hint of indifference. “And lastly, Doctor.” His smile broadened. “Sam says: say my name.”

It was easy. Too easy. And as the Doctor looked into the eyes of the man calling himself Sam Reich, he felt his hearts stutter in recognition, because something had changed. He wasn’t hiding himself anymore, and while the face was different yet again, the Doctor would know the shape of that soul anywhere. It was impossible. It was inevitable.

“You can’t be,” he breathed. 

Sam smirked, leaning in across his podium. “Oh, but Doctor… I’ve been here the whole time,” he stage-whispered with a wink.

“He said you lost,” the Doctor said, shaking his head, looking wrong-footed for the first time that Brennan and Grant could recall. “You lost, and he trapped you.”

The other two watched, uncomprehending, but Sam just smiled, drumming his fingers against the podium with an audible beat, fast but distinct. Four taps, four taps, four taps. “I’m waiting.”

The Doctor took a slow, deep breath. Set his jaw. 

“Master.”

---

missed an installment of the game master cinematic universe?

original idea by @ace-whovian-neuroscientist: x

art by @northernfireart concept: x scissor sisters sketch: x sam and his doppelganger: x

writing by me (!) part one (escape the greenroom): x part two (deja vu): x part three (sam says 4): you are here!

[saragrosie]

I have been sketching. So much tma. Here's some expansions on my Jon and Martin designs I've been doing.

Another note I forgor to mention is I love how after hearing Simon go "it's enough to make your hair turn white" about Martin's office in s4 many of us collectively agreed his hair turned white because of his association with the Lonely. The shared consciousness is real and we use it to play hot potato with the communal brain cell dedicated to the sillies.

Closeup of apocalypse boyfriends (also to the person who said they love my s5 Jon's fancy white girl updo: I think about that every day)

[that1notetaker]

In which Lucifer starts getting comfortable, forgets social boundaries, and Alastor kind of does so too. Nifty takes 1 interaction and makes it a whole plot.

[vagueconfusion]

Feeling real ridiculous for not having realized that Baron's "stark father" was the Nightmare King until now

[shirojikimattari]

NO EXCUSES!

Draw Karlach more!! Here’s a clean, overlay friendly template of her tattoos!

Labeled and noted, and a clean version.

Trace it, warp it, i do not care. As long as you beautiful artists bless us with more mommy k art!

Horn details below

[metalmachination]

hello. i am learning to draw this Thing . Go my first post

warning for scary endoskeleton face under the cut

unfortunate!