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justforbooks · 1 year

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Astrud Gilberto, who has died aged 83, became the best known female bossa nova singer, thanks to her cool, breathy and delightful treatment of The Girl from Ipanema, a song that sold more than a million copies when it was released as a single in 1964, and introduced the laid-back, sophisticated Brazilian musical style to a vast new audience across the US and the rest of the world.

Gilberto did not write the song, and had not previously been rated as a key figure in the bossa nova movement, as she had never sung professionally before. But that one hit record changed everything. She became the impossibly cool voice, and face, of what would become a new global pop music fashion.

The song was taken from the album Getz/Gilberto, a collaboration set featuring the American saxophonist Stan Getz, who had become fascinated by bossa nova, and the Brazilian guitarist João Gilberto, to whom Astrud was then married. She performed only two songs on the album (the second was Corcovado) but The Girl from Ipanema guaranteed that she would become as well known as the album’s two official stars. The song also transformed her husband’s career, but they never enjoyed its success together as their marriage broke up later the same year. Astrud went on to develop her own career, and continued to work with Getz.

Born Astrud Evangelina Weinert in Salvador, in the Brazilian state of Bahia, she was the daughter of a Brazilian mother and German father. He taught languages and literature, and decided to name his three daughters after goddesses of German mythology – Astrud, Eda and Iduna. When Astrud was eight the family moved to an ocean-front home in Rio de Janeiro, where she studied at the Colégio de Aplicação.

As a teenager in the late 1950s, she became friends with the singer Nara Leão, and through her she met the other emerging stars of Rio’s new bossa nova music scene, including the extraordinary guitarist João Gilberto. Also born in Bahia state, he had moved back to Rio after an uneasy career in which he had been fired from a band because he could never be trusted to turn up for rehearsals, and had then spent months living with an elder sister, practising and perfecting a new style of romantic and reflective music.

Bossa nova mixed Brazilian samba rhythms with influences from the American “cool jazz” scene, and featured an understated vocal style matched against an acoustic guitar technique that combined plucked chords with jazz-influenced harmonies and chord progressions.

João Gilberto’s work impressed the composer Antônio Carlos “Tom” Jobim, who began writing songs in the new style, helped by the lyricist Vinicius de Moraes. The first bossa hit, Chega de Saudade, in 1958, was followed by a full album with the same title the following year. Bossa nova shook up the Brazilian music scene, and João was the star performer. In 1960, when Astrud was 20, she and João were married.

The newlyweds did not stay in Rio for long. American jazz musicians including Charlie Byrd visited Brazil as part of President John F Kennedy’s Good Neighbour programme, and were excited by the new music that they heard. Back in the US, Byrd recorded the album Jazz Samba with Getz, another convert to the new style, and it became a massive success. It was now inevitable that João Gilberto would be invited to the US to perform, and in November 1962 he appeared in New York at a famous concert that also included both leading Brazilian bossa nova musicians including Jobim and Sérgio Mendes and the American jazz stars Byrd and Getz.

João and Astrud stayed on in New York, and in 1963 he recorded his collaboration album with Getz, with help from the producer Creed Taylor. One of the songs they wanted to include was Garota de Ipanema (The Girl from Ipanema), a song that had been written by Jobim with lyrics (in Portuguese) by Moraes, as they sat in a bar off Copacabana beach in Rio, watching the girls go by.

There is controversy as to how Astrud came to sing The Girl from Ipanema on the album. There have been suggestions that Taylor suggested that English lyrics should be included, and that Astrud offered to sing them, because she spoke English, despite the initial protests of her husband.

For her part, she always insisted that she sang on the album at his suggestion, and that he admired her voice. What is not in dispute is the commercial success of the decision. When the song was released as a single, in a shortened version to encourage radio play, it became a massive hit, reaching the top 5 in the US charts and No 29 in the UK. It also helped to further boost sales of the Getz/Gilberto album on which it had first appeared; at the time, it was credited as the bestselling jazz LP in history. The song would later be covered by singers from Frank Sinatra to Amy Winehouse.

Astrud’s relationship with João was now at an end (they divorced in the mid-60s), but her career was just beginning. She toured with Getz and appeared on his 1964 live album Getz Au Go Go, covering both bossa and American standards, and in 1965 she released her own first solo set, The Astrud Gilberto Album, which included songs in both English and Portuguese.

The following year she released two more albums, including Look to the Rainbow, on which she worked with Gil Evans. In 1964 she appeared in two films, The Hanged Man and Get Yourself a College Girl, and in 1966 she worked with Quincy Jones on the soundtrack to the Sidney Lumet spy thriller The Deadly Affair. For many years she was the voice of Eastern Airlines, and appeared in their TV commercials.

She never enjoyed massive success as a soloist, but was a prolific artist and continued to collaborate with other major musicians. She began writing her own songs in the 70s, and her 1977 album, That Girl from Ipanema, included a duet with the jazz trumpeter Chet Baker on one of her songs, Far Away.

In the early 80s she formed a band that included her son Marcelo playing bass, and in 1987 she recorded an album with the James Last Orchestra that included several of her own new songs, including Champagne & Caviar. In 1996 she contributed to the Aids benefit album Red Hot + Rio, singing the bossa classic Desafinado with George Michael.

In 2002 she was inducted into the Latin Music Hall of Fame, and released what would be her final album, Jungle, which featured 10 of her original new songs. She also announced she was taking “indefinite time off” from public performances. She now devoted much of her time to animal rights projects and her work as an artist. In 2008 she was awarded a lifetime achievement Grammy by the Latin Recording Academy.

She is survived by Marcelo, her son with João Gilberto, and her son Gregory, from another relationship.

🔔 Astrud Gilberto (Astrud Evangelina Weinert), singer and songwriter, born 29 March 1940; died 5 June 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Astrud Gilberto #in memoriam

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emilysbrazilianlitblog · 9 months

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Non-fictions books from Brazil

1-The life that no one sees by Eliane Brum

A reporter in search of events that don't make the news and people who aren't celebrities. A chronicler searching for the extraordinary contained in each anonymous life. A writer who delves into everyday life to prove that there are no ordinary lives. The beggar who never asked for anything. The airport baggage handler who never flew. The monkey who, after escaping from his cage, went to the bar to drink a beer. The thrown-in-the-trash photo album that begins with a family girl and ends with a chorus girl. The man who ate glass but was only hurt by invisibility.(goodreads.com)

2- Bruno: Conversations with a Brazilian Drug Dealer by Robert Gay

In the 1980s a poor farmer's son from Recife, Brazil, joined the Brazilian navy and began selling cocaine. After his arrest in Rio de Janeiro he spent the next eight years in prison, where he joined the Comando Vermelho criminal faction and eventually became one of its leaders. Robert Gay tells this young man's dramatic and captivating story in Bruno . In his shockingly candid interviews with Gay, Bruno provides many insights into the criminal world in which he details of day-to-day prison life; the inner workings of the Brazilian drug trade; the structure of criminal factions; and the complexities of the relationships and links between the prisons, drug trade, gangs, police, and favelas. And most stunningly, Bruno's story suggests that Brazilian mismanagement of the prison system directly led to the Comando Vermelho and other criminal factions' expansion into Rio's favelas, where their turf wars and battles with police have terrorized the city for over two decades. (goodreads.com)

3- Bossa Nova by Ruy Castro

Bossa nova is one of the most popular musical genres in the world. Songs such as "The Girl from Ipanema" (the fifth most frequently played song in the world), "The Waters of March" and "Desafinado" are known around the world. Bossa Nova, a number-one bestseller when originally published in Brazil as Chega de saudade, is a definitive history of this seductive music. Based on extensive interviews with Antonio Carlos Jobim, Joao Gilberto, and all the major musicians and their friends, Bossa Nova explains how a handful of Rio de Janeiro teenagers changed the face of popular culture around the world. Now, in this outstanding translation, the full flavor of Ruy Castro wisecracking, chatty Portuguese comes through in a feast of detail. Along the way he introduces a cast of unforgettable characters who turned Gilberto's singular vision into the sound of a generation. (goodreads.com)

4-Dump room by Carolina Maria de Jesus

The diary of paper collector Carolina Maria de Jesus gave rise to this book, which recounts the sad and cruel daily life of life in the favela. The simple but blunt language moves the reader with its realism and sensitive look when telling what she saw, lived and felt during the years she lived in the community of Canindé, in São Paulo, with three children. (goodreads.com)

5- We aim for love and hit loneliness by Ana Suy

Love, loneliness and psychoanalysis for today.

We can read that love contains loneliness within it, because at the heart of love there is always loneliness, and that's why those who can't stand loneliness also can't stand love." Written from dialogues, We aim at love and get it right in solitude, emerged from experiences lived by the author in classrooms, in analysis sessions (as an analysand or analyst), with friends, in readings of theoretical research. In this book, psychoanalyst and professor Ana Suy wants, above all, to continue this conversation with you, the reader, without the intention, however, of being a manual or an academic treatise on the topic. (goodreads.com)

#english literature

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rainydawgradioblog · 2 months

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Rainy Dawg's Favorite Smash Hits

Our tireless Blawg team recently put their heads together and parsed out their favorite radio smash hits ever.

DJ Willem Dafoe and Chat GPT

Katy Perry - “California Gurls”

In the trenches of the great recession, Katy Perry knew what she had to do when she dropped California Gurls off her album Teenage Dream. With 84,000 downloads and 14.9 million plays on American radio, she single handedly stimulated the American economy back to greatness. The catchy chorus, integral Snoop Dogg feature, and shiny synthetic wig changed the course of pop stardom.

California Gurls is pop at its finest. Right off the bat, Katy shines with her vocals. The whole song is so iconic from start to finish that in her 2016 Super Bowl performance she goes “I know a place..SING IT” and the audience sings back “Where the grass is really greener.” Who else can command a crowd like that???? There is no other time and song where there would be shark mascots dancing offbeat. Left shark, I will never forget about you. Katy has such mastery over creating catchy songs and summer vibes. The song captures the essence of summer with its lyrics about California, beaches, sunshine, and carefree fun. It evokes a sense of warmth, relaxation, and freedom, making it a popular choice for summer playlists. The Snoop Dogg verse also elevates the song to great heights. His line “toned, tan, fit, and ready. Turn it up 'cause it's gettin' heavy.” Those are my nightly prayers I recite before bed to be honest. Katy Kat Forever!

Other considerations why California Gurls is The Mega Hit of All Time.

I ordered a sex on the beach at the bar because of this song and it was pretty good.

The Glee Cast Performance

The Candy Land visuals

Kira

“Jessie’s Girl” - Rick Springfield

There are quite a few things I have inherited from my father, among them: light hair, affinity for chocolate, and a love of 80s music. One of my earliest memories of music was downloading the song “Jessie’s Girl” on the iPod classic my parents let me use at the tender age of 5. While my other musical escapades at the time were limited to the pop songs on the radio, “Jessie’s Girl” introduced me to the rock genre and its powerful guitar riffs and infectious drum rhythms. The dog on the album cover was a plus too. Though this song and its stellar reception was probably a nightmare for poor Jessie, it will always sound sweet and youthful to me. This song will always remind me of my dad jamming in the late evening while washing dishes. Also as a society we need to bring back little guitar solo bridges.

Steven

Sade - “Smooth Operator"

After 3 bars of the most memorable percussive intro you have ever heard in your entire life, it is mandatory to audibly sing the bass fill going into the intro saxophone riff. Sade’s voice immediately swells and fills absolutely so much space over the simplistic and smooth bossa-nova-esque beat, with backup secondary backing harmonies filling even more space. The first verse finally cuts into a beat of silence before going back into the initial groove of the song with the song’s hook. This song is an absolute song-writing clinic. “License to love, insurance to hold” is an insane line to throw into a song. My favorite part about the music video was the intermittent cutting between the main antagonist cheating on the protagonist (Sade) and a dude ripping a saxophone solo.

Ben

Snoop Dogg, Pharell Williams - “Drop It Like It’s Hot"

It is the summer of 2015 and you and your brother have recently been given a PS4 and a copy of 2K15. The soundtrack has been curated by Pharell. It is the peak of his power hat phase. You will spend countless hours being blown out by those using Steph Curry and wired internet connections. You will grip the controllers so tightly that you can still smell the sweat on them (sorry). “Drop It Like It’s Hot” will come up on the shuffle more often than any other song and you and your brother will end up memorizing the lyrics through pure rote exposure. You will imitate the instrumental with tongue clicks and lackluster hand drumming. And watch the music video many many times. You will lose to Steph Curry again.

Emi

Blondie - “One Way Or Another” off Parallel Lines (1978)

I’ve had this Blondie poster hanging in my room since my freshman year of high school; its moved with me through about 4 bedrooms. Moms everywhere love Blondie and mine is no exception. She was still pissed when I bleached my hair to copy Debbie Harry, though.

I think Debbie Harry is one of my favorite icons ever. So I kind of have to pick one of my favorite Blondie signs for this post. “One Way Or Another'' is about an ex-boyfriend-turned-stalker that Debbie Harry had while living in New Jersey, reaching number 24 in 1978 on the Billboard Hot 100. While most all of Blondie songs are fun, this one seems especially whacky, with its guitar and bass doing weird riffs going down by half-steps and threatening vocals that’ll make anyone wish Debbie Harry would stalk them. I want to sing this song so badly right now really really loud but I can’t, so I’m going to leave and go somewhere else where I can. You should do the same!

Zola

Nelly Furtado, Timbaland - "Promiscuous"

There's a clip of Timbaland in the studio playing Jay Z the beat for what would become ‘Dirt off your shoulder”, where you can just tell Timbaland knows he has a hit on his hands. He’s got a gallon of water, and a smash hit. Timbaland ran the music industry in the 2000’s like nobody else. Cranking out hit after hit. The songs he had a hand in making would go on to become huge successes. Think Sexyback, Cry me a river, Apologize . In 2006, Nelly Furtado, and Timbaland came together to create promiscuous. The song which features a back and forth between two individuals’ both insisting on the promiscuity of the other. The song would go on to be a smash hit. In the United States, it went 7x platinum, and hit #1 on the Billboard hot 100, where it stayed for six weeks, until it was eventually dethroned by Fergie’s “London Bridge”. The song even inspired a line in the song “Give it to me”, another Timbaland song, featuring both Nelly Furtado and Justin Timberlake, in which Furtado takes a swing at Fergie (I seen you to try switch it up, but girl, you ain't that dope), after a line in Fergalicious that she interpreted as a diss towards her (Fergalicious (So delicious) But, I ain't promiscuous) (I'm pretty sure Fergie just needed a word that would rhyme with fergalicious). Promiscuous continues to stay relevant, various remixes and sections of the song continue to trend on tiktok. I continue to listen to it weekly. It continues to be played at 70% of the parties I attend. Might be one of the best songs ever cooked up by Timbaland, which is saying alot, considering hes also responsible for Big pimpin’ and 4 minutes.

Sofia

Dexys Midnight Runners - “Come On Eileen," Too Rye Ay I mean, has there ever been a better song to dance to! Kevin Rowland’s desperate vocals with the violin and accordion that were far from the norm at the time plus the slow-to-fast chant give this song its folksy charm. This song had the number one spot on the Billboard Hot 100 charts in the U.S. during a week in April 1983, and it was Britain’s best-selling single of 1982; despite all that acclaim, hardly anyone knows who the artist is or that this song is about Rowland’s feelings of Catholic guilt and shame about feeling “dirty” after growing up religious. This song’s been following me my whole life, and nothing beats hearing “Come On Eileen” at a party and forcing your friends to get up.

Thank you for reading. Check back for more Official Rainy Dawg Blawg Posts™.

#rainy dawg radio #seattle #spotify #college radio #smash hits

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paulisded · 1 year

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The Ledge #571: New Releases

The first Friday of June means we have nothing but new releases on The Ledge, and it's quite the lineup tonight. There are artists from all over the world, ranging from just a mile or so from my home (Thought Patrol) to Germany (Hamburg Ramones, Berlin Blackouts), with additional stops in Italy, Norway, Canada, Australia, New Zealand and other countries). There's the return of a ton of veteran artists, including Rancid, Graham Parker, The Aquadolls, and Joan Jett.

Most importantly, at least for me, is the brand new project by Tommy Stinson. Over the last few years he's been touring with his pal Chip Roberts under the Cowboys in the Campfire moniker, and today sees the release of their debut album, Wronger. While a bit quieter than we're used to from the former Replacements bass player, it's still quite a record from the hardest working member of the legendary band.

Of course, we begin with the latest in the "52 Weeks of Teenage Kicks" series, and this time it is nt a new release. This version is from the French band Nouvelle Vague, an act that was created to remake classic punk and new wave songs in bossa nova versions. Yes, it's a little bit of a departure from the normal covers of the song you've heard over the last five months, but it is definitely worthy of includsion.

And like always, I must again plead with y'all for more versions of "Teenage Kicks". If you are a musician, or have any contact with artists that could record their own take on the classic, please contact me!

CLICK HERE TO DOWNLOAD THE SHOW!

1. Nouvelle Vague - Teenage Kicks

2. Cowboys In The Campfire - Here We Go Again

3. Cowboys In The Campfire - That's It

4. SUPER 8 - I Will Dare

5. Graham Parker - Them Bugs

6. Thought Patrol - Sky Poison

7. OSEES - STUNNER

8. Protomartyr - For Tomorrow

9. The Murlocs - Initiative

10. Bully - All I Do

11. Joan Jett & The Blackhearts - If You're Blue

12. Josie Cotton - The Ballad of Elvis Presley (feat. Kevin Preston)

13. Shangri-Lass - Parallel

14. Molly Martin - I Like Losers

15. Hard-Ons - Goin' It Alone

16. Rancid - Tomorrow Never Comes

17. Graham Day And The Gaolers - Mystery Man

18. The Barnestormers - Real Wild Child

19. Pere Ubu - Crazy Horses

20. Lone Wolf - Ready To Break

21. Guardian Singles - Pit Viper

22. The Green Pajamas - Six Minutes in Heaven

23. The Reverberations - Dr Please

24. The High Water Marks - I Could Never Be a Vigilante

25. The Aquadolls - Burn Baby Burn

26. Morgan and the Organ Donors - Freeze the Time

27. The Get Arounds - Black And White

28. The Sensibles - Ice Cream Man

29. Suzi Moon & Billy Hopeless - Communicado

30. The Mums - Rebel Girl

31. The Telepathic Butterflies - Right Through It All

32. The Anderson Council - Alone With You

33. The Jack Cades - Tommy

34. Hamburg Ramones - Punk Rock Radio

35. Berlin Blackouts - Useless Money People

36. The Projectors - You Can Only Wait

37. Les Lullies - Pas De Regrets

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onestowatch · 3 years

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19 LGBTQIA+ Artists You Need to Listen to This PRIDE

PRIDE is all about self-empowerment and self-determination. It’s about not just being comfortable with who you are but showing the world that there is pride to be found in being unapologetically you. And that’s why, this PRIDE, we wanted to shine a light on a small handful of our favorite LGBTQIA+ artists. Ranging from rapturous hyperpop, revelatory bossa nova meditations, romantic rave music, and everywhere in between, these are 19 LGBTQIA+ artists who deserve a spot on your PRIDE playlist and every playlist for that matter.

girl in red

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In her debut single, “i wanna be your girlfriend,” a teenage girl in red unapologetically sings of young queer love over a mesh of lofi production and jangly instrumentation that would come to define much of the bedroom pop genre. It is a standout moment of unrelenting honesty, and a serenely simple three-minute confession that would go on to strike a chord with millions who were afraid of what it meant to be something more than friends. Now, a few years later and following the release of her critically-acclaimed debut album, if i could make it go quiet, Ulven still writes with that same emotional honesty, putting forth every ounce of herself for the world to see.

Meet Me @ The Altar

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“the little lonely black alt girl i was in the 00s is living rn, she never even dared to hope she might see this 💖💖,” reads the top comment on Meet Me @ The Altar’s music video for their single “Garden.” It is a sentiment shared by much of the rising band’s fanbase, who are used to the mainstream alternative scene championing cis white males. Existing in the space between pop-punk and hardcore, Meet Me @ The Altar exists to challenge the notion that queer women of color don’t have a place in punk. And after penning a record deal with Fueled By Ramen, home to the likes of Paramore, Panic! at the Disco, and nearly every pop-punk band that made up your middle school playlist, chances are this is just the beginning for our new favorite punks.

THE BLOSSOM

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For Lily Lizotte, better known as THE BLOSSOM, music exists as the synthesis and subsequent recontextualization of a host of past experiences. From the sound of their dad belting away in his home studio to stumbling upon niche Internet subgenres, THE BLOSSOM transforms all this and more into a sound that is instantly recognizable but impossible to perfectly place. The culmination of this host of influences takes sweeping sonic form on their debut EP, ‘97 BLOSSOM, a perfectly imperfect introduction to one of the most fascinating rising artists of recent memory.

BIMINI

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You may recognize BIMINI as Bimini Bon-Boulash, the runner-up on the second season of RuPaul’s Drag Race UK. And now you should familiarize yourself with Bimini, brit-pop extraordinaire. Releasing their debut single “God Save This Queen” earlier this June, Bimini deftly channels late ‘90s brit-pop and punk to deliver a single that has us absolutely living for the ensuing chaos. Serving up multiple looks throughout its eye-catching music video, “God Save This Queen” is not just a non-binary anthem but a veritable 2021 lookbook.

Hope Tala

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With a sound that falls somewhere between turn-of-the-century R&B and bossa nova, Hope Tala’s music is expectedly a dream given sonic form. Perhaps that’s why much of the UK singer, songwriter, and multi-instrumentalist’s music is able to so deftly weave imagery of love, heartache, and teenage fistfights into tightknit tracks that feel simultaneously transcendental and deeply personal. And with the release of her 2020 EP, Girl Eats the Sun, Hope Tala poses one all-important question, “Why have a life if you’re not going to do something crazy and make a difference in the world?”

chloe moriondo

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For much of chloe moriondo’s avid fanbase, watching her transform from budding ukulele sensation to pop-punk phenom very much meant watching her grow up. Getting her start on YouTube, moriondo's fanbase witnessed her evolve as both an artist and person. Coming out in the aptly titled “a ramble about self identity, growth, and being a lesbian,” to be a fan of the artist often feels like trading secrets with a close personal friend. It is a sentiment that rings all the more true upon delving into her debut album, Blood Bunny. Grappling with coming-of-age at the axis of empathic pop and euphoric pop-punk, Blood Bunny sees moriondo taking yet another impressive step forward.

Godford

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Little is known about Godford beyond what can be garnered from a handful of interviews online and his succinct Spotify bio, and chances are he’s happier that way. The anonymous DJ and producer aims to make non-binary music that exists outside of the confines of genres, overly-simplified classifications, and even himself. What is important are the emotions his music hold and what his listeners take away. Fusing romanticism and rave in his debut album, Godford: Non Binary Place, the anonymous artist does just that. He provides a space that exists simultaneously everywhere and nowhere, like an ephemeral night spent out on the dancefloor with a stranger or close friend.

Joy Oladokun

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Joy Oladokun is at the core of her music. It may at first glance appear to be a painfully obvious statement, but as her sincere songwriting seeps into every corner of your soul, it is a notion that becomes undeniable. In her major label debut, in defense of my own happiness, Oladokun writes with an unabashed authenticity, never turning a blind eye to the world around her. These shared reflections and recollections of life are often heartbreaking and uplifting in the same breath, but in their candidness, we can begin to piece together what it means to be human, imperfections and all.

Allison Ponthier

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Allison Ponthier may only have a handful of singles to her name, but her unmatched potential is clear as day. Raised in the outskirts of Dallas, Texas, Ponthier’s moving songwriting and emphatic vocal prowess speak to her country roots. Pair that country sensibility with some of the most pristine pop songwriting we have heard in quite some time, and you begin to understand just how exciting Ponthier is as a rising artist. With only two singles to date, there’s not much else we can say beyond do yourself a favor and play “Cowboy” on repeat.

Rina Sawayama

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It feels like no hyperbole to call Rina Sawayama an inevitable pop icon. First garnering critical acclaim with singles like “Cherry” and her 2017 debut EP RINA, the Japanese-British singer-songwriter staked her name on her immaculate ability to capture all the glamour and larger-than-life appeal of early ‘00s pop. Building on what was a nostalgic yet forward-thinking vision, Sawayama returned with her 2020 eponymous full-length debut. From nu-metal, club beats, to veritable pop anthems, SAWAYAMA emerged as a genre-defying showcase of an avant-garde pop star.

Arlo Parks

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Listening to Arlo Parks’ music is akin to sipping on a hot cup of chamomile tea as you watch the world slowly pass by your living room window. It is a testament to the British poet and singer-songwriter’s subtle yet beautiful way with words, the way in which each lyric serves as a glance into a tightly-held memory or passing observation. These poetic musings come to life in her debut album, Collapsed In Sunbeams, which layers lyrical revelations over some of the most tender R&B of recent memory. Parks’ is more than a must-listen; she feels like the birth of a new wave.

Claud

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Claud has spent the past few years making a name for themselves in the indie pop world, and the culmination of it all arrives in their debut album, Super Monster. The acclaimed album sees Claud reckoning with coming-of-age and love with an irresistible charm. Pair that with a penchant for grounded, affective songwriting and infectious, dreamlike melodies and you have one of the best debuts of recent memory. In case you somehow need any further convincing that Claud is one to watch, Super Monster marks the debut release from Phoebe Bridgers’ Saddest Factory Records.

UMI

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Equally as inspired by R&B and neo-soul as she is by her generation’s penchant for blurring genre lines, UMI and her music exist as a form of spiritual healing. Half-Black and half-Japanese, her work explores everything from identity to self-introspection, such as on the aptly-titled Introspection. It is a fondness for self-exploration that UMI delves headfirst into on her 2019 EP Love Language, a sublime blend of identity struggles, love, and anime that tackles the issue of always feeling like an other, never Black or Japanese enough.

Joesef

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Sad boy summer. It’s the simplest way to being explaining Joesef’s serene albeit somber sound. Emerging out of Glasgow, the quickly rising star often wears his still bleeding heart on his sleeve, even when the underlying sonics seem to be moving onto greener pastures. It is an exquisite balancing act that comes to life on his 2020 EP, Does It Make You Feel Good?. Blending elements of soft-spoken R&B, jazz, and ethereal pop, Joesef sets himself apart as an artist whose influences and appeal know no bounds.

Serena Isioma

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At the top of the year, we named Serena Isioma one of our top artists to watch in the year to come, and for good reason. The self-proclaimed “nonbinary rock star” experienced a breakout moment with “Sensitive,” a track that is difficult to perfectly encapsulate but think along the lines of fusing modern-day R&B and woozy indie-pop with reckless abandon, and you’ll be about halfway there. It was an impressive standout track that was only buoyed by a pair of EPs, Sensitive and The Leo Sun Sets, in 2020, officially cementing Isioma as an artist like no other.

Khai Dreams

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Khai Dreams’ music is effortlessly easygoing. With its straightforward guitar lines and understated production, every track from the Pacific Northwest singer-songwriter flows out as naturally as breathing. Maybe it’s that laid-back approach that begins to explains Khai Dreams’ universal appeal and millions of monthly listeners, despite releasing most of his music independently. A hallmark of the DIY generation and its massive homebrewed potential, it would be a crying shame if you didn’t let Khai Dream’s serene meditations transport you somewhere far from here.

Frances Forever

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Like much of their Gen Z cohorts, Frances Forever’s exponential rise was not the result of a well-executed marketing plan but by the pure chance of a single song finding a home online. The song in question, “Space Girl,” was originally part of NPR’s Tiny Desk Content before soon blowing up on TikTok, and it’s not hard to see why. Short, sweet, and to the point, “Space Girl” is a saccharine love letter to that bubbly feeling of floating on cloud nine. Now signed to Mom+Pop and with their debut EP, Paranoia Party, due out later this year, this is the perfect time to get familiar with Frances Forever.

Dorian Electra

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Unapologetically playing with gender norms and stereotypes while seeing just how far they can push the limits of pop, Dorian Electra has long maintained a cult following in the world of experimental, highly addictive hyperpop. And it’s not hard to see why. Having collaborated with the likes of Charli XCX, 100 gecs, Village People, Pussy Riot, Rebecca Black, and more, Electra’s music ranges from off-the-rails hyperpop to introspective pop slow burns. All of this and more reaches a fever pitch in their 2020 album My Agenda, a devious showcasing of one of pop’s most explosive figures.

MAY-A

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Maya Cumming, professionally known as MAY-A, is no stranger to the hustle it takes to make it in the music industry. The Australian artist got her start entering numerous singing competitions in her hometown of Byron Bay and started busking on the streets at the tender age of 11. Now, she has a breakout single under her belt in the form of “Apricots,” an anthemic indie-pop ode to queer love. And since that breakout moment, MAY-A has continued to release impressive single after single—the latest being the collaborative “American Dream.”

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cardest · 3 years

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London playlist

London - since 43 AD it has to be one of the more fascinating cities on Earth. Such a rich history. From Shakespeare Theatre to the music from there today. I just had to put a London playlist together. From Soho to Brixton, from Highgate to Clapham what a collection of songs! It’s over 350 songs and it could easily expand to 400. **I have a separate England & Wales playlist coming, so, stay tuned for that**.

To play the songs, hit the link right here: https://www.youtube.com/playlist?list=PL-iHPcxymC1_ntP663JhZl-hvn9EwFp9L

ENGLAND & WALES playlist is coming soon! What songs have I left out? Let me know! Add your own songs! Cheers. Pip pip, tally ho!

LONDON 001 Generation X - Day By Day 002 The Clash - London Calling 003 Austin Powers - theme song (Soul Bossa? Nova ) 004 The Kinks - Dedicated Follower Of Fashion 005 Killing Joke - Empire Song 006 Black Sabbath - Wicked World 007 The Who - Welcome 008 The Damned - Neat, neat, neat 009 GIRLSCHOOL - LONDON 010 007 theme song 011 Motorhead - Motorhead 012 Wire - Ex Lion Tamer 013 David Bowie - Maid of Bond Street 014 The Misfits - London Dungeon 015 Rolling Stones - 016 The Adverts - Bored Teenagers 017 Siouxsie & The Banshees - Spellbound 018 Penny Dreadful - Soundtrack - Main Theme 019 Eurythmics - Love Is A Stranger 020 The Cure - Subway Song 021 Adam And The Ants - Puss 'n' Boots 022 Iron Maiden - 22 Acacia Avenue 023 COIL - Fire of the mind 024 Public Image Ltd - One Drop. 025 LUSH - Breeze 026 Bliss Signal - Surge 027 The Pogues - Misty Morning, Albert Bridge 028 PhD - Won't Let You Down 029 Birthday Party - Hats On Wrong 030 Eddy Grant - Electric Avenue 031 Help Yourself - Reaffirmation 032 Grave Miasma - Gnosis of the summon 033 Roy Ayers - We Live In London Baby 034 Led Zeppelin - The Rover 035 Gang of Four - What we all want 036 Pet Shop Boys - West End Girl 037 Sleaford Mods - 6 Horsemen (The Brixtons) 038 Paul Young - Love of the Common People 039 The Saint (original) - Theme 040 The Human League - Dont You Want Me 041 Sex Pistols - God Save The Queen 042 The Beatles - A Day In The Life 043 Def Leppard - Love bites 044 The Stranglers - Another Camden Afternoon 045 The Kinks - See My Friends 046 Elton John - Bennie and the Jets 047 Suede - Moving 048 Queen - Good Old Fashioned Lover Boy 049 Cliff Richard & the Shadows - She's Gone 050 The Rolling Stones - Start Me Up 051 Loop - Fade Out 052 Jah Wobble's Invaders Of The Heart - A13 053 The Magnetic Fields - All the Umbrellas in London 054 Wendy Carlos - Title Music From A Clockwork Orange (From Purcell's Music For The Funeral Of Queen Mary) 055 The Police - Every Little Thing she does it Magic 056 Cockney Rejects - The Greatest Cockney Rip Off 057 Spandau Ballet - Spandau Ballet Chant No.1 058 The Pretenders - Middle of the Road 059 The Who - Dogs 060 The Jam - London Girl 061 Cradle of Filth - Hurt and Virtue 062 Joy Division - Isolation 063 Nick Drake - At the Chime of a City Clock 064 Sham 69 - Cockney Kids Are Innocent 065 Deep Purple - Mandrake Root 066 Throbbing Gristle - Hit by a rock 067 David Bowie - Rubber Band 068 Roxy Music - Do The Strand 069 Slaves - Cheer Up London 070 T. Rex - London Boys 071 Kirsty MacColl - Autumngirlsoup 072 New Model Army - Archway Towers 073 Scorpions - Lovedrive 074 Isaac Hayes - Doesnt Rain In London 075 Peter Tosh - Buk-In-Hamm Palace 076 The Slits - Typical Girls 077 Pharaoh Sanders - Midnight In Berkeley Square (Instrumental) 078 Blue Cheer - Girl From London 079 Sex Pistols - Satellite 080 Judas Priest - (The Hellion ) Electric Eye 081 UFO - Lights Out 082 Joy Division - Digital 083 Muse - Uprising 084 George Harrison - All Things Must Pass 085 Robert Palmer - Addicted To Love 086 Fine Young Cannibals - Blue 087 New Order - Blue Monday 088 Würzel - Midnight In London 089 Rod Stewart - Gasoline Alley 090 The Wildhearts - Down On London 091 Supertramp - Nothing To Show 092 Motörhead - Metropolis 093 Current 93 - Lucifer Over London 094 The Pogues - Dark Streets of London 095 The Cult - All Souls Avenue 096 The Jam - In The City 097 The Undertones - Teenage Kicks 098 Iggy Pop - Play It Safe 099 Nick Cave and the Bad Seeds - Jack the Ripper 100 The Cure - Lets Go To Bed 101 Suede - Animal Nitrate 102 Wire - field day for the sundays 103 Black Books TV Show - Opening Theme 104 Paul McCartney & Wings - London Town 105 Madness - Primrose Hill 106 The Troggs - No. 10 Downing Street 107 Iron Maiden - Gangland 108 PJ Harvey - The Last Living Rose 109 The Rollers - Soho 110 Electric Wizard - Lucifer's Slaves 111 The Buzzcocks - Just Lust 112 Doctor Who Theme Tune 1980 113 Cathedral - Fountain Of Innocence 114 Pretenders - Swinging London 115 Hanoi Rocks - Tooting Bec Wreck 116 Es - 'Chemical 117 Bee Gees - Trafalgar 118 The Peddlers - Under London Lights 119 Cliff Richard - The Young Ones 120 Big Audio Dynamite - Sightsee M.C 121 ABC - Tower of London 122 Accept - London Leatherboys 123 Pitchshifter - Please Sir 124 Portishead - We Carry On 125 John Lennon - Whatever Gets You Thru The Night 126 The Lurkers - Ain't Got a Clue 127 Iron Maiden - Die with your boots on 128 Siouxsie and the Banshees - Kiss Them For Me 129 Nick Cave & the Bad Seeds - From Her to Eternity 130 The Jam - London Traffic 131 The Cranberries - Waiting In Walthamstow 132 The Kinks - Victoria 133 Heads Hands & Feet - Pete Might Spook The Horses 134 Whitesnake - Long Way From Home 135 Queensryche - London 136 Concrete Blonde - Walking in London 137 Deep Purple - Fireball 138 The Ruts - dope for guns 139 Wham! - Bad Boys 140 Generation X - One Hundred Punks 141 Joe Jackson - Down To London 142 Anti-Nowhere League - Streets of London 143 The Wildhearts - Shandy Bang 144 David Bowie - The London Boys 145 The Human League - Human 146 Cockney Rejects - East end 147 Dire Straits - Eastbound Train 148 Ian Drury - Hit Me With Your Rhythm Stick 149 Sepultura - Filthy rot 150 The Jam - Down In The Tube Station At Midnight 151 Fine Young Cannibals - She Drives Me Crazy 152 Purson - Electric Landlady 153 Black Sabbath - Tomorrow's Dream 154 The Clash - Guns of Brixton 155 Blood Ceremony - Lord Of Misrule 156 Monty Pythons The Meaning of Life - Penis Song 157 Gentlemans Pistols - Hustler's Row 158 Frankie Goes To Hollywood - Relax 159 Jethro Tull - Cross Eyed Mary 160 The Yobs - The Ballad of the Warrington 161 Cradle of Filth - Principle Of Evil Made Flesh 162 Bruce Hornsby - The Black Rats Of London 163 Inspiral Carpets - How It Should Be 164 The Jimi Hendrix Experience - Foxy Lady 165 PETULA CLARK - WINCHESTER CATHEDRAL 166 Lush - Olympia 167 Hunters & Collectors - Blind Eye 168 Thompson Twins - Hold Me Now 169 David Bowie - The Man Who Sold the World 170 UK Subs - C.I.D. 171 Queen - Dont Stop Me Now 172 Bruce Dickinson - Accident of Birth 173 the clash - capital radio one 174 UB40 - Here I Am (Come And Take Me) 175 The Meads Of Asphodel - Guts For Sale 176 Horrible Histories: Savage Songs - Boudicca 177 Swallow the Sun - Labyrinth Of London (Horror Pt. IV) 178 Mad Professor - Ben Gone Wrong 179 Howard Jones - Things Can Only Get Better 180 Genesis - The Battle Of Epping Forest 181 The Damned - problem child 182 Squeeze - Cool For Cats 183 Manfred Mann - Belgravia 184 The Bee Gees - Walking Back to Waterloo 185 Pink Floyd - Waiting For The Worms 186 Madness - Victoria Gardens 187 Paradise Lost - Soul Courageons 188 YES - Roundabout 189 PJ Harvey - This Is Love 190 The Horrors - Jack The Ripper 191 King Crimson - Red 192 The Smiths - How Soon Is Now 193 Level 42 - Heathrow 194 Intaferon - Get Out Of London 195 Burt Bacharach - Bond street 196 David Bowie - Ziggy Stardust 197 The Clash - Londons Burning 198 Killing Joke - Follow The Leaders 199 Saxon - The Court of the Crimson King 200 Buzzcocks - Harmony in My Head 201 Fairport Convention - Fiddlesticks (Peel Session) 202 Napalm Death - Errors In The Signals 203 Empire - Hot Seat 204 Anathema - Shroud of Frost 205 Pitchshifter - Condescension 206 The Beatles - Hey Jude 207 Affinity - Highgate 208 KLF - 3 A.M. Eternal (Pure Trance) 209 Warren Zevon - Werewolves of London 210 David Axelrod - London 211 The Wombles - Wellington Goes To Waterloo 212 EastEnders Theme 213 Cathedral - Hypnos 164 214 Tom Jones - It's Not Unusual 215 Alan Moore with Tim Perkins - The Highbury Working A Beat Seance 216 Transvision Vamp - Sex Kick 217 Elton John - Tell Me When The Whistle Blows 218 Firebird - Bow bells 219 The Jam - A' Bomb In Wardour Street 220 Caravan - Waterloo Lily 221 Lord Sutch & Heavy Friends - Flashing Lights 222 David Bowie - Oh! You Pretty Things 223 Hot Chocolate - West End of Park Lane 224 Thames television ident 1984 225 Newtown Neurotics - Living With Unemployment 226 Peter Murphy - Cuts You Up 227 Suede - Metal Mickey 228 Peter Gabriel - Sledgehammer 229 Killing Joke - The Gathering 230 Rolling Stones - You Can't Always Get What You Want 231 Kate Bush - Babooshka 232 Iron Maiden - The Prophecy 233 The Cure - Disintegration 234 The Damned - I Just Can't Be Happy Today 235 WIRE - Silk Skin Paws 236 Brian Eno - Here Come The Warm Jets 237 Souixee & the Banshees - Cascade 238 Jethro Tull - Jeffrey Goes to Leicester Square 239 AC/DC - Rising Power 240 Alternative TV - Life After Life 241 Napalm Death - Deceiver (Peel Sessions) 242 Electric Light Orchestra - Last Train To London 243 Bucks Fizz - London Town 244 The Sweet - Blockbuster! 245 999 - Bent Cross 246 The Groundhogs - Split, Pt. 1 247 Bow Wow Wow - Go Wild in the Country 248 Blood Ceremony - Half Moon Street 249 Ming Tea feat. Austin Powers - BBC One 250 Led Zeppelin - Immigrant Song 251 Big Audio Dynamite - EMC2 252 Crass - Banned from the Roxy 253 Sleaford Mods - Chaos Down In SoHo 254 Big Ben Chimes of Westminster, London 255 PJ Harvey - A Place Called Home 256 The Ruts - Staring at the rude boys 257 The Times - Whatever Happened To Thames Beat 258 Quincy Jones - London Derriere 259 Lush - Hypocrite 260 PIL - Reggie Song 261 The Style Council - You're The Best Thing 262 UK Subs - Dirty Girls 263 COIL - Slur 264 Frank Zappa - Dead girls of London 265 Iron Maiden - Prowler 266 The Slits - Difficult Fun 267 Killing Joke - Kings and Queens 268 Simple Minds - Chelsea Girl 269 Motorhead - Bomber 270 XTC - Towers Of London 271 Blitzkrieg - Hell to pay 272 Gryphon - Opening Move 273 The Challengers - The Streets of London 274 Peggy March - In Der Carnaby Street 275 The Damned - Dr Jekyll and Mr Hyde 276 The Pogues - London You're a Lady 277 The Lords Of The New Church - Portobello 278 Rolling Stones - Hot Stuff 279 Joe Jackson - The Evil Eye 280 The Deviants - Garbage 281 Benny Hill Show - Wild Women 282 Suzi Quatro - Crash 283 Madness - day on the town 284 SHAKESPEAR'S SISTER - I Don't Care 285 Whitesnake - Wine Women An Song 286 Pink Floyd - Astronomy Domine 287 Rick Astley - Whenever You Need Somebody 288 Bauhaus - In the flat field 289 Dead Can Dance - In Power We Entrust The Love Advocated 290 Paul McCartney - Old Siam, Sir 291 Lush - De-Luxe 292 AC/DC - let's get it up 293 Sophia Loren & Peter Sellers - Bangers and mash 294 Black Sabbath - Childfren of the grave 295 Psychic TV - The orchids 296 Miracle - The Strife Of Love In A Dream 297 Carter USM - Lean On Me I Won't Fall Over 298 Screaming Lord Sutch - Jack the Ripper 299 WIRE - the 15th 300 Mott the Hoople - Honaloochie Boogie 301 Soft Machine - The Camden Tandem 302 Are You Being Served Theme 303 CATHEDRAL - Serpent Eve 304 Booker T. & The MG's - Carnaby Street 305 Culture Club - It's A Miracle 306 Motorhead - Nothing Up My Sleeve 307 Killing Joke - Money is not our God 308 Bronski Beat - Smalltown Boy 309 WIRE - Please take 310 Bananarama - Hey young London 311 The Jam - Carnaby Street 312 Catapilla - Charing Cross 313 The Shadows - Chelsea Boot 314 Ride - Chelsea Girl 315 The Damned - Grimly Fiendish 316 Marillion - Chelsea Monday 317 Slowdive - Celia's Dream 318 The Clash - Gates of the west 319 Thin Lizzy - Half Caste 320 David Bowie - I dig everything 321 VUUR - Days Go By - London 322 Elvis Costello - [I Don't Want To Go To] Chelsea 323 Uriah Heep - Walking in your shadow 324 Genesis - Invisible Touch 325 Amy Winehouse - Me & Mr Jones 326 Curve - Fait Accompli 327 Silverfish ‎- Crazy 328 Iron Maiden - Killers 329 Killing Joke - Ghost Of Ladbroke Grove 330 Sex Pistols - Anarchy In The UK 331 Paradise lost - remembrance 332 The Fall - Leave the Capitol 333 The Kinks - Waterloo Sunset 334 WIRE - Keep exhaling 335 The Peddlers - raining in London 336 Motorhead - damage case 337 10cc - Shock On The Tube (Don't Want Love) 338 Swervedriver - Rave Down 339 Spike Milligan - Tower Bridge 340 Phil Lynott - Solo In Soho 341 Adam and the Ants - Plastic Surgery 342 The Who - Pinball wizard 343 Pulp - Mile end 344 Generation X - Running with the Boss Sound 345 OMD - If You Leave 346 PiL - Public Image 347 Monty Python's Flying Circus TV show - theme song 348 Hall & Oates - London, Luck & Love 349 The Horrors - Three decades 350 Cathedral - Midnight Mountain 351 Killing Joke - glitch 352 Judas Priest - The Ripper 353 Air Raid Siren London Blitz 354 Dragonforce - Fury and the storm 355 Elastica - Connection 356 the Psychedelic Furs - Dumb waiters 357 Samantha Fox - Touch me 358 Wang Chung - Dance hall days 359 Kim Wilde - Water on glass 360 Siouxsie and the Banshees - Overground 361 Atomic Rooster - Tomorrow night 362 Fleetwood Mac - My Heart Beat Like a Hammer 363 Rainbow - Self Portrait 364 Billy Ocean - Love really hurts without you 365 Art of Noise - Beat box (division one) 366 Eurythmics - Never Gonna Cry Again 367 Samson - Grime Crime 368 Go West - we close our eyes 369 Ultravox - Saturday Night In The City Of The Dead 370 King Crimson - 21st Century Schizoid Man 371 Visage - Visage 372 Sandy Denny - Let's Jump The Broomstick 373 Brian Eno - Burning Airlines Give You So Much More 374 Fields Of The Nephilim - Blue water 375 Leftfield - Open Up 376 Blancmange - I've Seen The Word 377 Thomas Dolby - Flying north 378 Sisters of Mercy - Temple of love 379 Royal Orchestra - Royal Entrance Queen Elizabeth II 380 Pink Floyd - Goodbye blue sky 666 David Bowie - London Bye Ta - Ta

Play the songs here: https://www.youtube.com/playlist?list=PL-iHPcxymC1_ntP663JhZl-hvn9EwFp9L

#London playlist #london music #London #highhgate #david bowie #Judas Priest #lee dorrian #PIL #wire #killing joke #Throbbing Gristle #current 93 #music from london #black books #the horrors #pj harvey #motorhead #lush

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teacup-tai · 3 years

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Hi babes! I was wondering if you have any specific hobby besides reading/writing and if you do, could you share a bit with us? Or if you don’t, I’d love to know more about your favorite Brazilian references: artists, poets, musicians, anything that strikes your fancy! Sending lots of love ❤️ - Liv

Oi Liv! Gorgeous question, thanks so much. So, I guess watching series is a hobby, right? lol I'll be cheeky then, and talk about Brazilian series, as most folk around here didn't have the opportunity to discover Brazilian audiovisual art amazeness! Let's do this!

Once upon a time, 15 years old Tainara wanted to study audiovisual arts/cinema, to write screenplays for Brazilian Telenovela. I was OBSESSED with telenovelas since I was a kid. Many of you probably don't know this bit of information, but Brazil used to be the biggest exporter of soap-operas in the whole world. We are BLOODY GOOD AT IT. :) I think it shows, now that we have the opportunity to watch international series online. What to say, drama and creativity run deep in our veins, with hot Latin blood. xD

WARNING: I just realised that being Brazilian, we end up normalizing so much violence. I don't wanna trigger anyone, so be responsible. The only soft one is Capitu, you can jump to that rec and vid if you prefer. CW: drug use, violence, murder, domestic violence and other. well, tipical latin american film/series to be fair. how sad is that? fml.

5 Brazilian series you should watch:

DOM (2021, E+, Amazon prime)

I just finished watching this series and, as always, the depth of the plot is stunning. This series talk about Pedro, a boy from Rio de Janeiro who ends up involved in drugs and criminality. The gorgeous thing about this series, is the amazing 360º approach they take on the story of cocaine in Brazil, in the favelas, how drug addiction impacts the individual, the family, the community, the police, etc. It's really hard to watch bc it's very intense. The acting is gorgeous, the soundtrack is marvellous, the plot is deep and angsty and sexy and oh man, I miss Brazil.

(cw: drug use by adults AND minors, a lot of violence, torture, police brutality, corruption, guns, there's OD, and a lot of great naked sex scenes done the brazilian way: I mean very explicit and crazy hot!).

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Girls from Ipanema (2019, E, Netflix)

Hear me out, this series show a bit of the Brazil from the 50s-60s. It's the story of Malu, a woman from Sao Paulo's high society that after being abandoned by her husband, decides to try her life in Rio de Janeiro. It's a story about women empowerment, as along the way she meets other incredible women. The series touch topics as racism, sexism, domestic violence and growth. It's AMAZING. The actresses are all wonderful, the soundtrack - as always - impecable. We get to learn a bit more about how Bossa Nova was born in a incredible mix of Samba from the favela and Jazz. Please do yourself a favour and watch it!

(cw: domestic violence, rape, great naked sex done the brazilian way etc)

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Invisible City (2021, teen and up?, Netflix)

Well, this one is a tad bit lighthearted. There's murder mystery alright, but it's mixed with Brazilian Folklore!All the old legends us Brazilians grown up listening too, there's the river dolphin, the mermaid, the Cuca, Saci... While investigating the murder of his wife, detective Eric is surrounded by invisible forces and magic and suspence. Dudes, this was such a cool watch! just amazing how they made it work, the folklore and the mystery, it's lovely really!

(cw: a bit of violence, a bit of corruption, a bit of dark magic, but it's soft compared with the recs above)

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Capitu (2008, T, online probably)

This is a series from 2008, and you probably won't find it in English. I hope I'm wrong, because Capitu is a bloody spectacular creation. It's a short series based in one of the most (if not THE most) aclaimed book of Brazilian literature: "Dom Casmurro" (1899) by Machado de Assis. It is, most definitely, one of my favourite books and author of all times, with unreliable narrator done as brilliant as heaven. It's a story about two teenagers who fall in love against their family approaval, and how, after years in the Seminar, Bentinho (the protagonist and narrator) goes back to Capitu (the girl, the mysterious love interest) and then, a lot of jealousy and shit happens. Anyways, the series is a bloody delight, they got theatre actors, they did not add a stable escenary and decided on a turning one, it's actually done as a play, you feel like you're in the theatre watching it happen in front of your eyes, mesmerised. Sometimes, I wish everyone understood Portuguese, bc honestly, this series is a dream come true. If you can't find it subbed, try to buy and read the book, you won't regret. I couldn't find a trailler in english but I found the videoclip for the series with Elephant Gun, the music theme of the opening. So I hope you all enjoy!

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Aruanas (2019, E+, GloboPlay)

Next one on my list ! It's a political-corruption series about Enviromental Activism and Realistic Murder Mystery, probably based in real facts in Amazonia. The casting is TERRIFIC, I'm in love with all of them! Such great actresses. I can't wait to watch it. Seems pretty violent though, but very empowering for the activists out there, that like me, are fighting the good fight against a corrupt government and oppression of vulnerable communities.

(cw: violence, guns, murder, indigenous murder, sex. Probably a lot more, but I haven't watched yet, sorry)

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I hope you all enjoy the recs! Don't watch if you think it's too much, take care of yourselves. And that's a wrap!

#tai babbles #brazilian series #liv asks #tai answers #olha só liv um monte de série brasileira #eu queria mesmo era falar de Presença de Anita e provavelmente o inicio do meu age gap delight #but i ended up chosing the ones that are online #tai recs #brazilian series recs

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dustedmagazine · 3 years

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Dust, Volume 7, Number 8

Big Thief

Our August collection of short reviews contains more big names than usual with singles from Big Thief and Dry Cleaning, a digital compilation from Thou, live music from Obits and a side project from members of the Bats and the Clean. Never fear, there are obscurities as well, including an improv guitar player even Bill Meyer had hardly heard of, a Norwegian emo artist in love with Texas and a death metal outfit verging into psychedelia. Our writers, this time including Tim Clarke, Bill Meyer, Jennifer Kelly, Ian Mathers, Chris Liberato and Jonathan Shaw, like what they like, big or small, hyped or unknown. We hope you’ll like some of it, too.

Marc Barreca — The Sleeper Awakes (Scissor Tail)

The Sleeper Wakes by Marc Barreca

Odd connections abound here. One might not expect the usually acoustic-oriented Scissor Tail Recordings to make a vinyl reissue of an electronic ambient music cassette from 1986, any more than one would expect its maker to currently earn his crust as a bankruptcy judge. So, let’s just shed those expectations and get to listening. Unlike so many lower profile electronic recordings from the 1980s, which seemed targeted for a space next to the cash register of a new age bookstore, this album offers a profusion of mysteries that compound the closer you listen to them. It’s not at all obvious what sounds Barreca fed into his Akai sampler. Japanese folk music? Church chimes? A log drum jam? Tugboat engines? One hears hints of such sounds, but they’ve been warped and dredged in a thin coat of murk, so that the predominant experience is one of feeling like you’re dreaming, even if your eyes are wide open.

Bill Meyer

Big Thief — “Little Things” / “Sparrow” (4AD)

Little Things/Sparrow by Big Thief

Who knows how much more music Big Thief might have released in the last 18 months if the pandemic hadn’t tripped them up? Given the creative momentum generated by 2019’s UFOF and Two Hands, it’s fair to assume the band have plenty of music waiting in the wings. “Little Things” and “Sparrow” arrive with no sign of a new album on the horizon, so are probably being released to promote Big Thief’s upcoming US and European tour. Both songs clock in at around five minutes and handle musical repetition in different satisfying ways. Reminiscent of Fleetwood Mac’s “Everything,” but hyped up on caffeine, “Little Things” feels like an exciting new direction for the band. It cycles through its whirlpooling, modulated acoustic guitar over and over, the frantic little sequence of chords never changing; the interest comes from the ways in which the rest of the instruments bob and weave in the ever-shifting, psychedelic mix. “Sparrow” is a more traditional Big Thief song, sparse and sad. Its melancholic sway is enlivened by some beautiful wavering vocal harmonies as Adrianne Lenker paints a picture of a Garden of Eden populated by sparrows, owls and eagles, culminating in Adam blaming Eve for humankind’s fall from grace.

Tim Clarke

Simão Costa — Beat Without Byte: (Un)Learning Machine (Cipsela)

Beat With Out Byte by Simão Costa

Piano preparation often makes use of modest resources — bolts and combs, strings or maybe just a raincoat tossed into the instrument’s innards. By contrast, Simão Costa’s set-up looks like took all of the entries in a robotics assembly competition and set them to work agitating a snarl of cables that met the pirated telecommunication requirements for an especially crowded favela. But whether it’s twitching motors or Costa’s own hands doing the work, the sounds that come out of his sound remarkably rich and cohesive. He stirs drifting hums, metallic sonorities, and stomping rhythms into a bracingly immediate sonic onslaught.

Bill Meyer

Cots — Disturbing Body (Boiled)

Disturbing Body by Cots

Disturbing Body is the low-key debut album by Montreal-based musician Steph Yates, who enlisted Sandro Perri to produce. Where the songs are pared back to mostly just vocals and peppy major-seventh chords on nylon-string guitar — such as “Bitter Part of the Fruit” and “Midnight at the Station” — comparisons with bossa-nova classics such as “The Girl From Ipanema” inevitably arise. Where the tempo is slower, the chord voicings are less sun-dappled, and Perri’s arrangements call upon a wider palette of instrumental colors, the songs venture into more interesting terrain, calling to mind a less haunted Broadcast. There’s an eerie sway to the opening title track, backed by rich piano chords and clattering cymbal textures. Fender Rhodes and the light clack of a rhythm track give “Inertia of a Dream” an uneasy momentum. And forlorn trumpet, percussion and piano situate “Last Sip” at closing time in a forgotten jazz club. There’s something evasive yet subtly intoxicating at work here, the album’s ten songs breezing past in half an hour, leaving plenty of unanswered questions in their wake.

Tim Clarke

Dry Cleaning — “Bug Eggs” / “Tony Speaks!” (4AD)

Bug Eggs/Tony Speaks! by Dry Cleaning

A few months on from the release of their excellent debut album, New Long Leg, Dry Cleaning have put out two more songs from the same sessions, which are featured as bonus tracks on the Japanese edition. For a band whose unique appeal is mostly attributed to Florence Shaw’s surreal lyrics and deadpan delivery, it’s heartening to hear further evidence that it’s the complete cocktail of musical ingredients — Shaw plus Tom Dowse’s inventive guitar, Lewis Maynard’s satisfyingly thick bass, and Nick Buxton’s driving drums — that alchemizes into their winning sound. The verse guitar chords of “Bug Eggs” are naggingly similar to New Long Leg’s “More Big Birds,” while the instrumental chorus has a yearning feel akin to album highlight “Her Hippo.” Maynard’s bass tone on “Tony Speaks!” is absolutely filthy, swallowing up most of the mix until Dowse’s guitar bares its teeth in a swarm of squalling wah-wah, while Shaw’s lyrics muse upon the decline of heavy industry, the environment, and crisps.

Tim Clarke

Flight Mode — TX, ’98 (Sound As Language)

TX, '98 by Flight Mode

In 1998, well before he started Little Hands of Asphalt, Sjur Lyseid spent a year in Texas at the height of the emo wave, skateboarding and going to house shows and listening to the Get Up Kids. TX, ’98 is the Norwegian’s tribute to that coming of age experience, the giddy euphorias of mid-teenage freedom filtered through bittersweet subsequent experience. “Sixteen” is the banger, all crunchy, twitchy exhilarating guitars and vulnerable pop tunefulness, its clangor breaking for wistful reminiscence, but “Fossil Fuel” waxes lyrical, its guitar riffs splintering into radiant shards, its lyrics capturing those youthful years when anything seems possible and also, somehow, the later recognition that perhaps it isn’t. It’s an interesting tension between the now-is-everything hedonism of adolescence and the rueful remembering of adulthood, encapsulate in a chorus that goes, “Well wait and see if there’s no more history/and just defend the present tense.”

Jennifer Kelly

Drew Gardner— S-T (Eiderdown Records)

S/T by Drew Gardner

Drew Gardner has been popping up all over lately, on Elkhorn’s snowed in acoustic jam Storm Sessions and the electrified follow-up Sun Cycle and as one of Jeffrey Alexander’s Heavy Lidders. Here, it’s just him and his guitar plus a like-minded rhythm section (that’s Ryan Jewell on drums and Garcia Peoples’ Andy Cush on bass), spinning off dreamy, folk-into-interstellar-journeys like “Calyx” and “Kelp Highway.” Gardner puts some muscle into some of his grooves, running close to Chris Forsyth’s wide-angle electric boogie in “Bird Food.” “The Road to Eastern Garden,” though, is pure limpid transcendence, Buddhist monastery bells jangling as Gardner’s warm, inquiring melodic line intersects with rubbery bends on bass. Give this one a little time to sit, but don’t miss it.

Jennifer Kelly

Hearth — Melt (Clean Feed)

Melt by Hearth

This pan-European quartet’s name suggests domesticity, but the fact that none of its members lives in the country of their birth probably says more about the breadth of their music. The closest geographic point of reference for the sounds that pianist Kaja Draksler, trumpeter Susana Santos Silva, and saxophonists Ada Rave and Mette Rasmussen’s make together would be Chicago’s south side. Their dynamic blend of angular structures, extended instrumental techniques, and obscurely theatrical enactments brings to mind the Art Ensemble of Chicago, even though the sounds on this concert-length recording rarely echo the AEC’s. But it is similarly charged with mystery and collective identity.

Bill Meyer

Klaus Lang / Konus Quartett — Drei Allmenden (Cubus)

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Drei Allmenden (translation: Three Commons) treats the act of commission as an opportunity to create common cause. For composer and keyboardist Klaus Lang, this is a chance to push back against a long trend of separation and stratification, with musicians bound to realize the composer’s whim, no matter the cost. Invoking works from the 16th century, he penned something simple, flexible and open to embellishment. Then he pitched in with Konus Quartett, a Swiss saxophone ensemble, to get the job done. The three-part piece, which lasts 43 sublime minutes, amply rewards the submersion of ego. Lang’s slowly morphing harmonium drones and Konus’ long reed tones sound like one instrument, enriched by tendrils of sound that rise up and then sink back into the music’s body.

Bill Meyer

Lynch, Moore, Riley — Secant / Tangent (dx/dy)

Secant | Tangent by Sue Lynch, N.O. Moore, Crystabel Riley

Electric guitarist N.O. Moore is barely known in these parts. I’ve only heard him on one album with Eddie Prévost a couple years back, and the other two musicians, not at all. But on the strength of this robust performance, which was recorded at London’s Icklectick venue, it would be a loss to keep it that way. They combine acoustic sounds with electronics, courtesy of guitar effects and amplification, in an exceedingly natural fashion. Each musician also gets into the other’s business in ways that correspond to the one spicy suggestion made by one cook that elevates another’s dish to the next level. Susan Lynch’s clarinet and flute compliment Moore’s radiophonic/feedback sounds like two flashes of lightning illuminating the same dark cloud, and her vigorously pecking saxophone attack mixes with Crystabel’s cascading beats like idiosyncratically tuned drums. This is one of the first albums to be released on Moore’s dx/dy label; keep your eye out for more.

Bill Meyer

Maco Sica / Hamid Drake Tatsu Aoki & Thymme Jones—Ourania (Feeding Tube)

OURANIA by Mako Sica / Hamid Drake featuring Tatsu Aoki & Thymme Jones

Ourania is named for the muse associated with astronomy in Greek mythology, and the album has an aim for the stars quality. In 2020, Chicago’s Mako Sica lost not only the chance to play concerts, but one third of its number. Core members Brent Fuscaldo (electric bass, voice, harmonica, percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar, mandolin) could have just hunkered down with their respective TV sets. Instead, they booked themselves three other musicians who make rising above circumstances a core practice. The duo convened at Electrical Audio with Hamid Drake (drums, percussion, Tatsu Aoki (upright bass, shamisen), and Thymme Jones (piano, organ, balloon, trumpet, voice, recorder, percussion), rolled tape for a couple hours, and walked out with this album. The 85 minute-long recording (edited to about half that length on vinyl, but the LP comes with a download card) exudes a vibe of calm, even beatitude, with twin trumpets and Fuscaldo’s echo-laden, nearly word-free vocals weaving though a sequence of patient grooves like migrational birds on the glide.

Bill Meyer

Mar Caribe — Hymn of the Mar Caribe (Mar Caribe)

Hymn of the Mar Caribe b/w Rondo for Unemployment by mar caribe

Some musicians burn to make something new; others generate attention-getting sounds designed to maximize the potential of their other earning activities; and others, well, they just want you to sway along with their version of the good sounds. Mar Caribe falls into that last category. This Chicago-based instrumental ensemble has spent most of the last decade maintaining a robust performance schedule, and it would seem that recording is pretty much an afterthought; a photo of the test pressing for this 7” was posted in May 2019, but the release show didn’t happen until August 2021. Sure, COVID can be blamed for part of the delay, but one suspects that mostly, these guys just want to play, and they didn’t bother to stuff the singles in the sleeves until they knew when they’d next be leaning over a merch table. The titular suspends anthemic brass and pedal steel over a swinging double bass cadence, and if there was a moment during the night when the band invited the audience to pledge allegiance to their favorite drink, this is what they’d be playing while they asked. Guitars lead on the flip side, whose busy twists and turns belie the implied laziness of the title, “Rondo For Unemployment.”

Bill Meyer

Mint Julep — In a Deep and Dreamless Sleep (Western Vinyl)

In A Deep And Dreamless Sleep by Mint Julep

These songs traverse a hazy, dreamlike space, diffusing dance beats, dream-y vocals and synth pulses into inchoate sensation that nonetheless retains enough rhythmic propulsion to keep your heart rate up. “A Rising Sun” filters jangly guitar and bass through a sizzle of static, letting tambourine thump gently somewhere off camera, as voices soothe and reassure. “Mirage” pounds a four-on-the-floor, but quietly, angelically, like a disco visited through astral projection or maybe a really rave-y iteration of heaven. There’s an ominous undercurrent to “Longshore Drift,” in its growly, sub-bass-y hum, but glittering bits of synth sprinkle over like fairy dust. This is indefinitely gorgeous stuff, ethereal but surprisingly energizing. Dance or drift, take your pick.

Jennifer Kelly

Monocot — Directions We Know (Feeding Tube)

Direction We Know by Monocot

Directions We Know is an LP of free-form freak-outs generated by an instrumental duo that includes one musician who you might expect to perpetuate such a ruckus, and one that you might not. The more likely character is drummer Jayson Gerycz, who may be known for keeping time with the Cloud Nothings, but has shown a willingness to wax colorizing in the company of Anthony Pasquarosa, Jen Powers and Matthew Rolin. The happy surprise is Rosali Middleman, whose singer-songwriter efforts have kept her guitar playing firmly in service of her songs. She doesn’t exactly abandon lyricism in Monocot, but the tunes serve as launching ramps for exuberant lunges into the realm of voltage-saturated sound. On “Ruby Throated,” the first of the record’s four extended jams, Middleman lofts rippling peals over a near-boil of drums and churning loops. By the time you get to “Multidimensional Solutions,” the last and longest track, her wah-wah-dipped streams of sound have taken on a blackened quality, as though her overheating tubes have burned every note.

Bill Meyer

Obits — Die at the Zoo (Outer Battery)

Die At The Zoo by Obits

Few aughts rock bands held more promise than Obits. The four-piece headed by Hot Snakes’ Rick Froberg and Edsel’s Sohrab Habibion emerged in 2005 with a stinging, stripped-back, blues-touched sound. Froberg’s feral snarl rode a surfy, twitchy amplified onslaught, that was, by 2012 a finely tuned machine. I caught one of the live shows following Moody, Standard and Poor at small club in Northampton the same year this was recorded (so small that I was sitting on a couch next to Froberg, oblivious, for 20 minutes before the show), and what struck me was how well the band played together. The records sound chaotic, and that was certainly there in performance, but the cuts and stops were perfect, the surfy instrumental breaks (“New August”) absolutely in tune. At the time this set was recorded in the Brisbane punk landmark known as the Zoo, the band was near the peak of its considerable powers—and regrettably near the end of its run. Die at the Zoo is reasonably well recorded, rough enough to capture the band’s raucous energy, skilled enough so you can understand the words and hear all the parts. It hits all the highlights, blistering early cuts like “Widow of My Dreams,” and “Pine On,” the blues cover “Milk Cow Blues,” and later, slightly more melodic ragers like “Everything Looks Better in the Morning” and “You Gotta Lose.” The guitar work is particularly sharp throughout, its straight-on chug breaking into fiery blues licks and surfy whammy explosions. It’s a poignant reminder of a time when American rock bands played ferocious shows halfway across the world (or anywhere) as a matter of course and a fitting eulogy for Obits.

Jennifer Kelly

A Place To Bury Strangers — Hologram (Dedstrange)

Hologram EP by A Place To Bury Strangers

A Place To Bury Strangers returns with a new rhythm section and renewed focus on the elements that made its version of revivalism the loudest if not brashest of the New York aughties. Sarah and John Fedowitz on drums and bass join Oliver Ackerman on the five track EP Hologram which is the most concise and vital APTBS release for a while. For all the criticism of copyism thrown at the band since their early days, APTBS has always been as much about Ackerman’s production skills and feel for texture as musical originality and the songs on Hologram sound fantastic at volume. Beneath the sonic onslaught of fuzz and reverb, not a brick is misplaced in this intricately constructed sonic wall. True “I Might Have” is pure Jesus & Mary Chain and “In My Hive” a Wax Trax take on Spector but Hologram is an endorphin rush of guitar driven noise bound to make one forget the world, if only for a while.

Andrew Forell

Praises — EP4 (Hand Drawn Dracula)

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Jesse Crowe’s work as Praises has been ongoing since 2014, but has shifted in tone, instrumentation and emphasis since then. While the first two EPs have more of a full, rock band feel, the third one and 2018’s full-length In This Year: Ten of Swords took things in a more electronic, sometimes industrial direction. It was an even better fit for the rest, probing creativity evident in Praises’ work, and 3/4s of the new EP4 are in a pleasingly similar vein. The echoing, ringing denunciations of “We Let Go” and “A World on Fire” are fine examples of Praises’ existing strengths, but the opening “Apples for My Love” is immediately captivating in a very different way. Gauzy and rapturous, it’s a reverie that keeps the satisfying textural detail of the other songs but turns them to different ends. It’s not something that was missing from Crowe’s work before — again, the other tracks here are also very good — but a reminder that what Praises has shown before is not the extent of what they can do.

Ian Mathers

The Sundae Painters — The First SP Single (Leather Jacket)

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“This is a supergroup, is it not?” someone asked the Sundae Painters bassist Paul Kean on social media last year, to which he responded, “Some may choose that title. We prefer superglue.” Kaye Woodward, his wife and longtime bandmate in both The Bats and Minisnap, takes the lead vocal on “Thin Air,” one of the pair of A-sides found on their new band’s debut seven-inch. From the outset, Kean’s unmistakable bass playing and Hamish Kilgour’s (The Clean/Mad Scene) drumming lock into a psychedelic march, with the other instruments weaving like kites above, vying for position on the same breeze. “You fight your way down/You fight your way up/You wait for the dust to settle,” Woodward sings. A few gentle strums cut their way through the parade, and a guitar calls out gull-like from above, before everything trails off as if something potent has just kicked in. On the flip side, “Aversion” has an old friend-like familiarity to it, soundwise (if not lengthwise) sitting somewhere between VU’s “The Gift” and “Sister Ray.” Things begin a little stand-offish, though, like you’ve interrupted a guitar pontificating to a rapt audience — it turns its head to look you over, falling momentarily silent, before picking right back up where it left off. Kilgour’s spoken vocals join the conversation, as the song builds towards a groovy kind of fever pitch. “You look a little stoned,” he says, before responding to his own observation. “Well me I’m a little bit groggy/But it ain’t too foggy/I can see some way of getting out of here.” By this point, both guitars (played by Woodward and Tall Dwarfs’ Alec Bathgate) are full-on screeching and howling, and as the song sputters to a sudden finish, our man’s left waiting for someone to buy him “a ride out the gate.”

Chris Liberato

Thou — Hightower (Self-released)

Hightower by Thou

Hightower is the latest in a string of digital compilations from Thou, most of which collect songs that have been previously released on small-batch splits, 7” records and other hyper-obscure media that briefly circulated through the metal underground. You might be tempted to pronounce that a cynical cash-grab, but Thou has posted Hightower (along with previous compilations, like Algiers, Oakland and Blessings of the Highest Order, a killer collection of Nirvana covers) on their official Bandcamp page as a name-yo’-price download. Thanks, band. Beyond convenience, Hightower has an additional, if a sort of inside-baseball, attraction. The band has re-recorded a few of its older songs with its latest, three-guitar line-up. Longtime listeners will recognize “Smoke Pigs” and “Fucking Chained to the Bottom of the Ocean,” which already sounded terrifyingly massive back in 2008 and 2007, respectively. The expanded instrumentation, new arrangements and better production give the songs even more power and depth, all the way down to the bottom of the effing ocean. Yikes. And there are a few additional touches, like K.C. Stafford’s clean vocals on “Fucking Chained…,” which provide an effective complement to Bryan Funck’s inimitably scabrous howl. Rarely has being pummeled and feeling bummed out been so vivifying.

Jonathan Shaw

Tropical Fuck Storm — Deep States (Joyful Noise)

Deep States by Tropical Fuck Storm

Fueled by exasperation as much as anger, the new album by Melbourne’s Tropical Fuck Storm rounds on the myriad ways in which the world has become a “Bumma Sanger” as leader Gareth Liddiard puts it on the eponymous song about COVID lockdown. A roiling meld of psychedelic garage garnished with elements of hip hop and electronic noise it’s close in method and mood if not sound to another Australian provocateur JG Thirwell whose Foetus project girded maximalist surfaces with rigid discipline. If the Tropical Fuck Storm sought to mirror current conditions, they succeed but lack of clarity in both production and intent makes Deep States a frustrating experience. Backing vocals from Fiona Kitschin (bass), Erica Dunn (keys and guitar) and Lauren Hammel (drums) leaven Liddiard’s blokey pronouncements and there are some good sounds and biting words but the band’s determination to overelaborate and underdevelop musical ideas makes this album seem like a lost opportunity.

Andrew Forell

Marta Warelis / Carlos “Zingaro” / Helena Espvall /Marcelo dos Reis — Turquoise Dream (JACC)

Turquoise Dream by Marta Warelis, Carlos "Zíngaro", Helena Espvall, Marcelo dos Reis

Turquoise Dream documents an example of an encounter that is a mainstay of avant-garde jazz festivals, in which out of towners mix it up locals that they may or may not know. This particular concert, which took place at the Jazz ao Centro Festival in 2019, is one such encounter that deserves to live past the night when it transpired. It featured three stringed instrument players who live in Portugal and a Polish pianist who is based in Holland. But they don’t sound like strangers at all. Violinist Zingaro, cellist Espvall, and guitarist dos Reis blend like flashes of sunlight reflecting off of waves, adding up to a sound that is bright and ever-changing. Warelis, who is equally resourceful with her head under the lid of her piano as she is at the keyboard, adding fleet but substantial responses to her hosts’ quicksilver interactions. The result is music that is resolutely abstract but closely engaged.

Bill Meyer

Wharflurch — Psychedelic Realms ov Hell (Gurgling Gore)

PSYCHEDELIC REALMS OV HELL by Wharflurch

Wharflurch is just plain fun to say — but there are at least two ways in which the name also makes sense for the band that has chosen it: it has a bilious, nauseous quality that matches the vibe of the pustulent death metal you’ll hear on Psychedelic Realms ov Hell; and if you separate the words, you can conjure a sodden, rotten wooden structure, swaying vertiginously over a marshy expanse of water, which is filled with alligators and decaying organic material. Imagine that sway, and that stink, and then imagine yourself collapsing into the viscous fluid, soon to be gator chow. Sounds like Florida, and that’s exactly from whence Wharflurch has emerged. Which also makes sense. Is Wharflurch’s music “psychedelic”? Depends on what you hear in that word. If you want to see hippies dancing ecstatically on a verdant, sun-drenched stretch of Golden Gate Park, then no. But if you have spent any time in the warped, dementedly distorted spaces that psychedelics can open (less happily perhaps, but very powerfully), then yes. Wharflurch likes to accent its meaty riffs and muscular thumps with weird flutters and electronic effects that frequently have a gastric, flatulent quality to them. The saturated and sickly pinks and greens on the album art do a pretty good job of capturing the music’s tones. So do the song titles: “Stoned Ape Apocalypse,” “Bog Body Boletus,” “Phantasmagorical Fumes.” Still game? I’m sorry. But I’ll also be standing right there next to you, on that wobbly, lurching wharf, watching the gators swim near.

Jonathan Shaw

Whisper Room — Lunokhod (Midira Records)

Lunokhod by Whisper Room

That the title of Whisper Room’s fifth album is taken from Soviet lunar rovers makes a certain sense, given how potentially frustrating it might have been for the trio to be working at such a distance. Generally their other records are recorded live, in one room, seeing Aidan Baker (guitar), Jakob Thiesen (drums) and Neil Wiernik (bass) exploring simultaneously, hitting whatever junctions of psychedelic/shoegazing/motorik sound come to them. With Baker in Berlin and travel understandably limiited, this time they recorded their parts separately, layering them together (and bringing in sound designer Scott Deathe to add the kind of pedal processing their sound engineer normally does live). The result certainly sounds as collaborative as ever, seven seamless tracks making up nearly an hour that makes the journey from the friendly, clattering percussion of “Lunokhod01” to the centrifugal ambience of “Lunokhod07” feel perfectly natural. Even though it explores just as much inner and outer space as Whisper Room ever have, there’s something very approachable about Lunokhod that makes it one of their best.

Ian Mathers

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lunaticlua · 4 years

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how do you make a home? // part 3

series masterlist

the story is also available on ao3

chapter 3: cause when you find love there’s not much you can do

"i kinda like you, kinda think that you’re too much. you’re always knocking me off of my feet. i’m not against something like falling in love, but i'm not so sure if that's what i need." (when i look into your eyes – khai dreams ft. lanie)

Throughout the next two weeks, they bond through music and shared work. JJ is the who initiates the interactions ninety percent of the time. He asks about a million questions about the music she puts on for them, she answers at most six a day. After some insistence, he is even able to convince her to tell him how she learnt to fix cars — her godfather taught her a lot when she was younger, and she had worked as a mechanic before. In response, he shares how he learnt by watching his father as a kid.

Unconsciously, by the end of their second week working together, Lulu starts to explain what the songs playing are about unprompted. She tried as hard as she could to keep her aloof and cryptic behavior, even if, at the back of her mind, she knew that she would never fulfill the promise she made in that way. Keeping herself closed off was convenient. It didn’t hurt and she was accustomed to the loneliness that came with it. However, the shaggy-haired blonde boy had other plans for her.

He was growing on her effortlessly and it scared her. She always had a hard time making friends back in Ohio. Talking was hard, especially during her first years there, but, even after the dark years, it still took a lot of willpower. As people already considered her a freak and distanced themselves from her, she just didn’t try to befriend anyone.

But with JJ is easy and, as much as it frightens her, she likes easy. So, she let him come near faster than she was habituated. Even her godfather notices the sudden difference on their dynamic. One night during dinner, he breaks the comfortable silence they shared and questions her without further ado. “Kid, do you like JJ?”

She can’t help herself but blush. “No, I don’t. Can you pass me the salt?” she deflects.

“Oh, girl, you don’t need to change the subject. We don’t need to talk about it if you don’t want to,” he soothes her, and she responds with a little smile.

“I really don’t,” she says after some minutes. If it is to convince herself more than her guardian, no one needs to know. She has been questioning what she was feeling towards the boy for some days now.

“Well, be careful,” she gives him a puzzled look and he continues. “I like the boy, I really do. Don’t get me wrong. But I heard stories and I don’t want you to end up with a broken heart.”

“We are barely friends, Uncle Joe. There is nothing to worry.”

They resume to their dinner without much talk after it. When she goes to bed that night, she keeps replaying her moments with the boy, trying to understand his intentions. She is not naïve enough to think that his reasons are completely pure. She remembers the way he and his friends stared at her curvy silhouette at the beach when she went surfing. Still, Lulu believes that there is more to it than him trying to find a simple hookup. Besides the fact that he could find it anywhere else with less effort — she definitely isn’t the easiest person to approach and a shop where they work with her godfather isn’t the most ideal place —, he has something in his ocean blue eyes when he watches her. Something that makes her heart jump and her walls collapse.

The next morning, when she arrives at work, he is already there. No music on as if he is waiting for her. He turns to her when he hears her steps with a grin, which she had noticed that is completely different from his usual smirk. This one is more honest and carefree. She likes to entertain the idea that she is the only one who can make him smile like this.

“What you have for us today, Miss Lulu?” He imitates a child’s voice. In the last few days, he had been teasing her about her ‘music lessons’.

“You can tease me all you want, but what I am doing is showing you a superior form of art,” she jokes back.

“Of course, you are,” JJ chuckles, his appearing dimple giving her butterflies in the stomach. She tries to shake away the feeling by focusing on taking her phone off her backpack and putting her Bossa Nova playlist on. ‘Chega de Saudade’ by Tom Jobim starts playing and a goofy smile appears on the boy’s face. This is one of his favorites that she has shown him. “Dance with me?”

She pretends to think about the proposition a little and then takes his hands, opening a matching grin. He twirls her into his arms, hugging her body. The two teenagers share a peaceful moment in which none of them moves, simply enjoying the closeness of their embrace. Soon, they fall in step and playfully dance with each other. When the music comes to its end, they laugh together.

Later at night, Lulu contemplates the nature of their relationship. He is the closest someone her age has ever been to her heart. However, she doesn’t believe that she is apt to something more than a friendship. She has too much baggage to unload on someone else. Especially, someone like him, so upbeat, so lighthearted.

Her phone rings and she rapidly pick it up. “Hi, Lulu.” The voice coming from the speaker is calming, which is exactly what she needs. It is Rita. When it was decided that she should come back to Outer Banks, her major worry was being away from her aunt. The woman had been her rock for so long and she misses her dearly. They had agreed to make weekly phone calls for checkup, which ended being an excellent decision.

“Hey, Auntie Rita.”

“How have you been this week?”

“Honestly? Confused,” she laughs forcedly.

“And the reason is…,” the woman gives her the opportunity to explain what has been on her mind lately and she does. She had talked already about JJ when they were initiating their now established friendship. But the sentiment had modified a lot since. The lingering eyes, the mirrored smiles, the soft touches, the easygoing conversation. The whole situation is messing with her head. When she finishes recounting the events of the week, including the talk shared with Uncle Joe and the dance, Rita simply asks: “But what is bothering you?”

“He is clearly interested in something more.”

“And you are not.”

“I am,” she corrects.

“So, what is really bothering you?”

“I shouldn’t. I can’t jump in a relationship,” she clarifies.

“Why not?”

“Why not? Well, for starters, he doesn’t even know the whole story. Actually, he has zero knowledge of any part of my past. He doesn’t know that I am who I am. And I have way too much emotional baggage. If he knew that I am this broken, he wouldn’t have interest in me.”

The woman on the other side of the call stays silent for a moment. “Okay, dear, first thing that you need to remember: your past doesn’t define who you are, if can or cannot be in a relationship or how much you are worth. This boy seems to like you a lot. It had nothing to do with your past, but with who you are. Also, you don’t own anyone your whole life story. Even if you two end up dating, you should tell him when and if you are ready.”

“You really think so?”

“I know so,” her aunt reassures her. “Lulu, you are not broken. You never have been. Yes, you have traumas and scars and pain because something horrible happened. But you are not broken.”

“What if he thinks I am when he finds out?” the girl asks quietly. The last thing she wants is to push the boy away. He had become so important to her so fast.

“Then, he doesn’t deserve you. I know that it seems complicated, but you have to try and live day by day, okay? Your future holds beautiful things. You have to let it come.”

“Thanks, Auntie Rita.”

“I am always here for it. Good night, Lulu. Eu te amo.”

“Eu te amo também,” she responds in Portuguese and hangs up the phone.

That night, when she falls asleep, she dreams of diamond eyes and crooked smiles. Her aunt appeased some of her worries and she feels ready to face whatever the future might bring. She feels lighter again as she does in the ocean or as she did in JJ’s arms that morning.

“i think you’re gonna change my plans with those emerald eyes and you don’t even understand just how far i dive” (claudia – finneas)

additional notes:

- "chega de saudade" means something along the times of "enough of missing you"

- "eu te amo"/"eu te amo também" = i love you/i love you too

#outer banks #jj maybank #jj maybank imagine #jj maybank fic #jj maybank x oc fic #jj maybank x oc #jj maybank x reader #jj x reader #jj x oc #jj x oc fic #jj fic #obx netflix #obx imagine #obx fic #obx fanfic #jj fanfic #my fanfics #hdymah fanfic

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never-enoughlanguages · 4 years

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Portuguese: Summer Vibes Edition

Time for a summer post! Let’s learn some Portuguese!

General Summer Vocab:

Air Conditioner -- ar condicionado (m)

August -- agosto (m)

Beach -- praia (f)

Bathing suit -- Maiô (m) br // fato de banho (m) pt

Fan -- ventilador (m) (// leque (m)-- handheld fan)

Flower -- flor (f)

Gardening -- jardinagem (f)

Hot -- quente

Outdoors -- área externa (f)

Park -- parque (m)

Picnic -- piquenique (m)

Sea/Ocean -- mar/oceano (m)

Summer Solstice -- solstício de verão

Sunflower -- girassol (m)

Sunscreen -- protetor solar (m)

Thunderstorm -- tempestade (f), trovoada (f), temporal (m)

Vacation -- férias (fpl)

Water park -- parque aquático (m)

Late Night Star Gazing Vocab:

Solar System -- sistema solar (m)

Space -- espaço (m)

Planet(s) -- planeta(s) (m)

Mercury -- mercúrio (m)

Venus -- vênus (f)

Earth -- terra (f)

Mars -- marte (m)

Jupiter -- júpiter (m)

Saturn -- saturno (m)

Uranus -- urano (m)

Neptune -- netuno (m)

Stars -- estrelas (fpl)

Moon -- lua (f)

Comet -- cometa (m)

Falling Star -- estrela cadente (f)

Constellation -- constelação (f)

Galaxy -- galáxia (f)

Telescope -- telescópio (m)

Light-Year -- ano-luz (m)

Meteor -- meteoro (m)

Sky -- céu (m)

You going camping? I got you vocab:

Animals -- animais (mpl)

Backpacking -- mochilão (m) br // viagem de mochileiro (f)

Boots -- botas (fpl)

To Camp -- acampar

Campfire -- fogueira (f)

To [paddle a] Canoe -- remar em canoa

Forest -- floresta (f)

Flashlight -- lanterna (f)

Grass -- grama (f) br // relva (f) pt

Hammock -- rede (f)

To Hike -- caminhar

Insects -- insetos (mpl)

Insect Repellent -- repelente de/para/contra insetos (I’m honestly not sure which is more correct.)

Lake -- lago (m)

Map -- mapa (m)

National Park -- parque nacional (m)

Rope -- corda (f)

Tent -- tenda (f)

Trees -- árvores (fpl)

Waterfall -- cascata (f) // cachoeira (f)

Summer Music Vibes:

Portugal:

Sweet Spot --Papillon Monami --Irma Terabyte --AMAURA Farda --Gson +351 (call me) --Nenny Só a Pensar --D’alva Rua -- Harold Lembrei-me --Bispo

Brasil:

Um Pôr do Sol na Praia --Silva & Ludmilla Cai -- Francisco el Hombre & Yorka Triste, Louca ou Má --Francisco el Hombre Eu Não Valho Nada --KVSH, Samhara & Lagum Chega -- GAIA A Alegria dos Dias Dorme no Calor dos Teus Braços --Apeles Beija-Flor --Johnny Hooker Caetano Veloso --Johnny Hooker Chegou de Manso --Lagum

Summer Movies/Series feel:

The Way He Looks (2014) Hoje Eu Quero Voltar Sozinho Director: Daniel Ribeiro Staring: Ghilherme Lobo, Fabio, Tess Amorim

Leonardo is a blind teenager searching for independence. His everyday life, the relationship with his best friend, Giovana, and the way he sees the world change completely with the arrival of Gabriel.

Girls from Ipanema (2019-) Coisa Mais Linda Creators: Giuliano Cedroni, Heather Roth Staring: Maria Casadevall, Pathy Dejesus, Mel Lisboa

After the disappearance of her husband, Maria Luiza opens a Bossa Nova club in defiance of her normally conservative demeanor.

Central Station (1998) Central do Brasil Director: Walter Salles Staring: Fernanda Montenegro, Vinicius de Oliveira, Marilia Pera

An emotive journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

Just a reminder that I am a student of Portuguese (not a native speaker!!!) Therefore, if anyone sees anything wrong, please let me know so I can fix it and learn the correct way. I’d rather be corrected than sound like an idiot. And if you’re a student too, well I would always double check my work! I worked really hard on this but I could’ve slipped up anywhere! Anyway, hope this is helpful! Happy summer everyone!

#portuguese #portuguese vocab #portuguese langblr #portuguese nouns #brazilian portuguese #portuguese grammar #langblr #languages #portuguese language #brazilian portuguese langblr

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steviedupree-a · 4 years

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( DAKOTA JOHNSON + CISFEMALE ) — Have you seen STEPHANIE “STEVIE” DUPREE ? This TWENTY-EIGHT year old is a ART GALLERY MANAGER who resides in BROOKLYN. SHE has been living in NYC for TEN YEARS, and is known to be CARING and CREATIVE but can also be INDECISIVE and MEEK, if you cross them. People tend to associate them with BUSINESS CASUAL OUTFITS and SOFT BOSSA NOVA BACKGROUND MUSIC

about —

full name: stephanie brianne dupree age: 28 birthday: june 23rd, 1992 sexual orientation: bisexual gender: cis female pronouns: she/hers

bio — tw: alcoholism, cheating

TW ALCOHOLISM. stevie is known as steph back in her hometown of westport, connecticut. she grew up in a seemingly normal household: the only child of a clean-cut couple, a lawyer and a nurse. it always appeared that the dupree family was perfect. but, behind the scenes, her father was battling with some intense alcoholism that tore the family apart from its roots.

the girl always had bigger dreams than the small coastal city she lived in. like every teenager, she wanted to live in new york — an apartment with a view to central park. her family supported her dreams, but was apprehensive about her living in a city quite as big as new york by herself ( which was of course, stevie’s plan )

she was an overall good student, and began dating one of the smart boys in high school, although she knew for sure she had a crush on the cheerleading squad captain. being so young and having no knowledge of the spectrum of sexuality, she repressed it. she liked her boyfriend, but she never managed to keep her eyes off her crush.

and still, she dated this boy throughout high school. when she got accepted to nyu and he to yale ( he was really smart ), they decided to keep dating, just make it long-distance. it worked for a decent amount of time, they would facetime for hours while stevie lived in dorms, he would help her study for her exams, and they tried to meet every so often.

TW CHEATING. it was all going well for stevie, until she formed a more solid friend group. and within this friend group, she started meeting very open girls. it was during this time where she first kissed a girl. enamored by the feeling, she started secretely going on dates, making out and hooking up with girls she met on campus. all while her boyfriend studied his ass off at yale.

it was all just experimenting, until she met bowie. they were assigned the same dorm room — in her eyes, bowie was the coolest girl she’d ever met. it was almost impossible not to crush on her. they became friends, best friends, bowie changed her nickname to stevie... and in return, stevie kissed her. after that kiss, the young dupree sort of switch her point of view, and became pretty devoted to the artist.

but she handled this coming of age experience kind of poorly. instead of giving her boyfriend the peace of mind of a breakup, she sort of just... ghosted him. never answered another text, e-mail call... nothing. she just decided to start her life anew as stevie, in new york, with bowie.

their relationship got pretty serious, and the couple moved in together into a brooklyn apartment. they opened an art gallery together, where stevie manages and bowie shows her artwork, alongside many other independent artists — mostly women and queer people. there are exceptions, of course.

not too long ago, bowie decided stevie was too boring for her and decided to end their five-year relationship. stevie later came to find that she had scared her off after suggesting marriage — bowie moved out and left stevie to work in the gallery all by herself. she hasn’t heard from her ex since she moved out, which had absolutely wrecked stevie.

headcanons —

stevie really wants children. she’s too afraid of rejection though, so she hasn’t made any steps towards achieving that goal. maybe she’ll get a cat tbh?

she’s a crazy plant lady. the apartment if practically a jungle at this point.

ever since she started dating bowie, stevie hasn’t gone home to her parents’ in connecticut. she’s too afraid of what her father will say. plus, there was a yelling altercation at a family gathering, so it’s only given her more reasons not to visit.

after their breakup, stevie took up a ridiculous amount of “hobbies” to keep herself busy: baking/cooking, writing, and many sorts of crafting. Her neighbor fin has been the main receiving end of all her crafts and dishes, some of them good, some of them... not so much. if you’re curious, ask fin about spit.

the gallery was featured in times magazine last year, thanks to the support they received from princess cecelia.

stevie is terrified of ending up an alcoholic like her father, so she doesn’t drink.

#codintro #cheating tw #alcoholism tw

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alphabees-writes · 4 years

Text

Glee - S1 E1 (Pilot)

Is it a smart idea to rewatch glee again? No.

Am I going to do it anyway? You bet your sweet bippy I am!

Am I going to liveblog my garbage monkey brain thoughts along the way even though nobody asked for it? Hell yeah.

Here goes!

Wow. The first frame of this entire show is literally of a woman who looks like she’s about 10 years above the natural lifespan of a Cheerio. Then again, I’m sure Sue’s not above holding back her best recruits for multiple years because Ohio high schools are apparently just Like That™

I also never notice this opening song was a remix of Keep Me Hangin On, wow. That’s actually kind of interesting foreshadowing of sorts, like, kind of smart. I’m glad I’m watching the part of Glee that was kind of smart.

This scene also doesn’t feature any of the Unholy Trinity as far as I can see. Are they a JV squad? Am I putting too much thought into this?

Sign #1 That Mr Schuester Is An Asshole: Really, my guy? Driving around with your muffler dragging on the ground so bad it’s making sparks? That’s not very Road Safety of you. Fuck off.

Sign #2 That Mr Schuester Is An Asshole: Wow, there’s going to be a lot of these, huh? Anyway, anybody with working eyes would clearly see how scared Kurt is right now. “Making some new friends Kurt?” Fuck off.

KURT. FIRST SIGHTING OF THE BOY. What a delight. But also, not a delight, because he’s being bullied and he deserves better. Look at his outfit. Iconic from day fucking one.

Finn, you’re a himbo. What’re you doing with these assholes?

Puck’s first line in the whole series is “It’s hammer time!” What a fucking dork? Who made this boy popular.

DO MORE THAN TAKE HIS COAT, FINN. LET HIM GOOOOO!!!

I paused while they were tossing Kurt in the dumpster and, wow, got the most hilarious frame where the guy who isn’t Puck is getting a meticulously polished boot to the face. Netflix let me take screenshots, you coward.

The first shot of Quinn... My wlw bones are shaking.

Why would they use that photo for Lillian Adler...? WHO WAS BORN IN 1937, MIGHT I ADD. THAT’S NOT A REAL YEAR.

It’s weird to see Mr Schue actually speaking competent Spanish. Why did they veto that later? The ONE likeable thing about him was his competence as a school teacher, and they really threw it out the window huh?

WHAT THE FUCK HAPPENED TO THE MEMBERS OF SANDY RYERSON’S GLEE CLUB??? This kid seems to really like singing. Also, welcome to the beginning of Ryerson being annoying as all hell.

Oh my gosh, the background choir stuff. This show really had style back in the day!!!

R A C H E L B E R R Y Y O U R M A K E U P ! ! !

Ken Tanaka walked so incels could run.

Jane Lynch you beauty. You absolutely impeccable beauty.

“Since when are cheerleaders performers?” Uh... Emma...? I get that Sue’s going ham on her budget but, like, be nice to the students? They perform their butts off!

Sue really just BRAGGED about having an iPhone. I was 9 when this came out. Why do I feel old...

Sign #3 That Mr Schuester Is An Asshole: He hears his coworker, presumably of several years, just got fired and doesn’t even ask why. He just jumps on the glee club like a frog on hot asphalt.

He really wants to Make The Glee Club Great Again, huh?

MySpace was really a thing, huh? And why does this grown-ass male teacher know so much about the students having them?

I know nothing about actual American schools, but I do know that they sure as shit don’t work like this. Why does a club have to win EVERY competition to be considered an asset?

Mr Shoe really lying awake at night half-naked next to his wife thinking about the glee club already? Yeah sounds about right. Also, of course you’d think up Nude Erections for a name, you asshole. Put some clothes on.

R E S P E C T MERCEDES YES!!!

Brad the piano player was really here from day ONE... Icon.

Cellophane, Mr Cellophane... Yes Kurt bby you killed it.

Chris Colfer looks so YOUNG here!!!

The hair fix... I C O N I C !

Tina really wrote her stutter down, huh? And nobody ever saw through it? Amazing.

The goth Tina look, too... Perfect... Never change...

Say what you want about Rachel Berry being generally insufferable, but I really fucking feel it when she sings On My Own. The monologue kind of kills The Drama of it, but they really solidly established her character by layering them. She really is a gold star right now.

The first-ever on-screen slushie!

The way she walks down that hall. My God you can just see how terrible she is to be around.

Never forget Rachel staring at photos of her with two men who turned out to not be her dads. Who are they? What are their stories? We’ll never know.

God, I love this stupid scene of Quinn, Santana, and a bunch of Cheerios cartoonishly typing hate comments on Rachel’s MySpace video and laughing like knock-off Disney villains.

I like watching season 1 Artie because season 1 Artie was a good character. Mostly. And he KILLED Sit Down, You’re Rocking The Boat. Rachel wasn’t asking for a male lead who could keep up with her vocally, she was being straight up ableist and that’s a fact. I love Cory, but Kevin McHale was always a better singer.

Mercedes picking up and spinning Rachel for this little routine is something I never really appreciated before, it’s cute even though they don’t like each other yet!

I really don’t get why Rachel says they suck. Yeah, sure, she’s gunning for a solo, but the vocals were solid there. The choreo was just a little janky, possibly because it’s their first EVER rehearsal?

“There is NOTHING ironic about show choir!” Incredible.

How long did it take Mr Shoe to find Rachel out on the bleachers? Did he search the whole school first?

ARTIE! CAN! KEEP! UP! WITH! YOU! VOCALLY!

I never understood Rachel quitting so soon. How long was she in the old glee club for? Surely they were never popular either?

Ah, the first “My hands are tied” for the series. Mr Figgins is a garbage principal.

Not going to advise the principal against referring to Artie as a cripple, William Shoestir? Alright.

How did the Schuester marriage last as long as it has? Do Will and Terri’s insufferable personalities just cancel one another out?

Sandy Ryerson really just openly brags about cheating the system for medical marijuana and dealing it?

Matt Morrison 100% has lip fillers. Nobody’s smile curls like that naturally.

“Terri and I are trying to get pregnant” What a weird way to phrase it. What is it, a race? Who’s going to get knocked up first!

A FIFTH OF BEETHOVEN, HOW I’VE MISSED YOU... The sound design of this show at this point is just... *Chef hand kiss*

“What you’re doing right now is called blurring the lines” Oh just wait until season 4, Sue... Just you wait.

WHY is Mr Schuester so ridiculously sweaty? I didn’t need to think about that?

EVERYONE on the football team is 30.

William Schuester you can’t just watCH TEENAGE STUDENTS SING IN THE SHOWER YOU ARE A TEACHER WHERE DID YOU GET YOUR LICENSE?!

Hearing Cory sing this always makes me emotional. What a talent!

Sign #4 That Mr Schuester Is An Asshole: I don’t think I need to say why using the weed to blackmail Finn is a shitty thing to do, do I?

“I’ll pee in a cup! ...I’ll pee...” I love Cory’s delivery.

PRIORITY #1: HELP THE KIDS Oh season 1... I love you so.

Mr Schue you WISH you were anything like Finn Hudson. You never will be.

Ah... Finn’s first monologue. He’s such a sweetheart. AND SO IS CAROLE. Carole is a queen I will stan forever. YOU THROW THAT MILK BB!!!

All Finn wants to do is make his mom proud. What a sweetheart. Mr Schue you do NOT deserve him.

These POV shots really enhance things, why the fuck did they stop using them?

Subtly having Kurt look at Finn in the same shot as Rachel was a nice touch indeed!

RACHEL WAS REALLY DOWN WITH ROLLING ARTIE RIGHT OFF THE STAGE HUH?

Terri’s a straight up hoarder, huh? Like a raccoon but instead of collecting edible garbage, it’s monogrammed garbage.

Surely you can’t just... BECOME an accountant, right? You need some serious qualifications for that right?

Also say what you want about how insufferable Terri is but her actress is ridiculously talented and absolutely steals every scene she’s in.

Now the background choir is doing Soul Bossa Nova and I am L I V I N G why didn’t they keep that motif!!! It was so ICONIC!

I don’t need my prostate removed. RIP Carole Hudson but I’m different :/

NO MEANS NO, KEN! TAKE THE L AND MOVE ON! Way to take out the fact that a girl won’t date you on everybody else around you! Toxic bastard. The absolute stench of melodrama on this bastard is noxious.

I was going to ask why Rachel didn’t know about Finn and Quinn if they’d already been together for 4 months, but then I remembered gossiping requires friends...

“Terri rides me. Hard. And I’ve always appreciated it!” Why don’t we talk about how this line sounds more. Why doesn’t Emma bat an eye at it oh my god

HERE COMES VOCAL ADRENALINE!!! And Jesse St. James is nowhere to be seen. How convenient. Also, they’re all 30. I’m sensing a pattern.

Sorry VA, all songs popularised my Amy Winehouse legally belong to Santana Lopez

Puck, if you were stupid enough to fall for the prostate excuse, that’s on you. Or maybe it’s on the education system...

You can do better that Mr Schue, kids. Don’t mourn him.

Ok, what the fuck is this scene where he’s filling out the job app to become an accountant? There’s a dude in the row in front off him just throwing crisps around? What is this place?? Why are you here sir???

“Accounting is sexy” shut up you horrible married man

The Cheerios sure did have straight ponytails for like, one episode, huh?

Finn is such a good boy. He doesn’t know it yet, but he is, and saving Artie from that portapotty is his first step to figuring it out.

This shot of Finn just wheeling Artie out of there... Ugh. My HEART.

KURT WHAT ARE THOSE LAYERS? SWEATER SHIRT SWEATER? HELLO???

Pee balloons. Nailing the lawn furniture to the roof. Finn, you’re better than that!!! Stop your dudebros.

They really had Artie be a guitar player, and a pretty good one at that, but they never mentioned it again? Artie had such potential SMH. (Also, Netflix subtitles are telling me it’s Arty, but I categorically refuse to spell it that way.)

Whyyyyy didn’t he go to KURT for the costumes as well? Look at his outfit, Finn. He clearly wants in on that job.

Will Schuester really is just desperately clinging to his glory days in high school. I’d feel bad for him if he wasn’t such a creep about it.

Emma, meaningfully: Do you know who that is? That’s you, Will... [FRANTIC DISCO MUSIC IN THE BACKGROUND]

I find it hilarious how the audio of Don’t Stop Believin’ just DOES NOT match the characters except for the solos... Also wow, autotune city. Am I awful for genuinely not liking this cover?

I like watching them perform it though. Kurt’s adorable little shimmy... Rachel and Tina smiling at each other like that... Everybody having a blast... I’m here for it

LOOK AT MY BABIES TILTING THOSE MIC STANDS...

Ok the way Rachel and Finn look at each other here is making me FEEL

I know Puck’s about to join anyway but WHY is he there watching... Just to have a mysterious bad boy moment? Lol you dramatic bastard

Please let them win nationals without you, Will.

So, yeah! There’s that! Those are my thoughts and feelings, basic though they may be. Episode one is fantastic, the kids are fantastic, and William Schuester can suck a toe.

#Glee #Glee seasson 1 #Rosie watches things and then says things about the thing

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