Tumgik
#The Young Rebels
kwebtv · 6 months
Text
Tumblr media
Louis Cameron Gossett Jr. (May 27, 1936 – March 29, 2024) Film, stage and television actor who won The Academy Award for Best Supporting Actor in An Officer and a Gentleman and an Emmy Award for Outstanding Lead Actor for a single appearance in a Drama or Comedy series for Roots.
Predominantly a film actor who appeared in many acclaimed moves he made many guest appearences in many television series, including The Big Story (1957-1958), The Doctors and the Nurses (1962), East Side West Side (1964), Cowboy in Africa (1967-1968), The Invaders (1968), Daktari (1968), The Bill Cosby Show (1970), The Young Rebels (series regular 1970-1971), The Partridge Family (1971), Bonanza (1971), Longstreet (1971), The Bold Ones: The New Doctors (1971), Alias Smith and Jones (1971), The Rookies (1972), Owen Marshall, Counselor at Law (1973), McCloud (1974), Lucas Tanner (1975), Petrocelli (1974-1975), Caribe (1975), Good Times (1974-1975), The Jeffersons (1975), The Six Million Dollar Man (1975), Little House on the Prairie (1976), The Rockford Files (1976-1977), The Lazarus Syndrome (series regular 1979), Palmerstown, U.S.A. (1981), The Powers of Matthew Star (series regular 1982-1983), Gideon Oliver (series regular 1989), Picket Fences (1994), Touched by an Angel (1997), Promised Land (1997), Early Edition (1997), Ellen (1997), Half & Half (2004), Stargate SG-1 (2005-2006), ER (2009), Madam Secretary (2014) and Extant (2014-2015) plus many made for TV movies. (Wikipedia)
IMDb Listing
16 notes · View notes
byneddiedingo · 2 years
Photo
Tumblr media
Tomisaburo Wakayama in The Young Rebels (Keisuke Kinoshita, 1980) Cast: Go Kato, Tomisaburo Wakayama, Junko Mihara, Tatsuya Okamoto, Tomoko Saito. Screenplay: Keisuke Kinoshita. Cinematography: Masao Kosugi. The title of Keisuke Kinoshita's polemical pseudo-documentary, The Young Rebels, sounds like that of a Hollywood film from the 1950s, the era of naive, sensational, and didactic dramas about "juvenile delinquency." Which is exactly what The Young Rebels turns out to be: an exploitation film about why kids go wrong. The answer is a simple one: their parents. The kids, Kinoshita is saying, are not all right: They ride around on motorcycles, they cut school, they shoplift, and they have sex. This was not exactly news in 1980: Nagisa Oshima, for example, was onto these facts in 1960, when he made Cruel Story of Youth, and he blamed it on dysfunctional parenting in 1969's Boy. But Oshima's films are about people more than they are about problems. Kinoshita has lost sight of the people in his obsession with the problem, and the result is a scattershot film designed to ferret out examples of parental irresponsibility both high -- affluent parents who are so obsessed with climbing the corporate or social ladders that they either ignore their children or spoil them -- and low -- parents who are so mired in poverty and its attendant ills like alcoholism and crime that they abuse their children. The narrative framework of the film is as simplistic as its point of view: a journalist goes in search of answers and interviews children and parents. Kinoshita is enough of an artist that he knows how to tell the several stories uncovered by the journalist, which gives The Young Rebels enough dramatic substance to keep the polemic at bay during the storytelling, but the piling on of miseries turns into overkill. Eventually, the journalist visits a kind of reform school in Hokkaido, the north of Japan, where wayward boys are nurtured back into society -- but there's even some recidivism there. At the end, the point seems to be that every kid needs a loving mother and father -- the Japanese title translates as a cry for help: "Father! Mother!" It has been pointed out that people raised children for millennia until, sometime in the mid-20th century, they became self-conscious about it and turned it into a problem. Kinoshita's humorless and even hopeless polemic does little to solve the problem, especially when the film often seems bogged down in fogeyism: A scene of joyriding motorcycle gangs, for example, is treated as a vision from hell.
1 note · View note
its-tea-time-darling · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
➸ The Ballad of Songbirds & Snakes (2023) vs. The Hunger Games: Catching Fire (2013)
Look at this. They're holding hands. I want them dead.
2K notes · View notes
pierppasolini · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Young Soul Rebels (1991) // dir. Isaac Julien
587 notes · View notes
mazyb0i · 6 months
Text
Tumblr media
Feeding you guys with this young Rick reference I made that took me four hours YALLL IM SLAYIN OVER HERE
636 notes · View notes
captainzigo · 8 months
Text
the two jedi genders are green and blue. luke skywalker, ezra bridger, and kai brightstar are trans green. ahsoka tano is trans blue. mace windu and lys solay are nonbinary. the sith don’t have genders. no further questions.
818 notes · View notes
graytodd · 14 days
Text
young!dick grayson for the lovely @002yb ✧♡ we talked about how cool dick was in his rebel years so ~~ hope you like it !
Tumblr media
186 notes · View notes
obiwanwhat · 1 year
Text
I know someone has probably said this better but. There's really so much about Luke & Ahsoka interactions that can be explored. Because honestly they have every reason to resent each other?
Anakin was arguably much more of a father to Ahsoka than he ever was to Luke (even if he was more of an older brother figure to Ahsoka than an actual father figure). He trained her and built her lightsabers and had a dumb nickname for her and made dad jokes and like - everything Luke ever could have wanted out of his dad. She knew him when he was still Anakin Skywalker and not Darth Vader. She knew Padme!! Padme also was kind of her mom! Luke doesn't even know Padme's name until sometime post ROTJ - it's possible Ahsoka was the first person who could have told it to him.
Not only that, but she had the Jedi Order. She was trained by the Order at its peak, raised from infancy in the rituals and knowledge that Luke now must piece together from whispers from ghosts and whatever old texts he can scrounge up from the corners of the galaxy the Empire somehow missed. He is doing all of this on his own with no guidance, no oversight, meanwhile it's knowledge that came to her as easy as breathing.
And she walked away from all of it. Everything Luke has ever wanted - a relationship with his parents, proper Jedi training, the Jedi Order itself - she had without ever asking for it, and she walked away from it without a backward glance. And she's still walking away from it - she's not a Jedi, she won't claim that title, she won't join Luke's new Order. Maybe she shows up from time to time and tells him some stories and shares from knowledge, but she won't train him, and somewhere deep down he knows that he will never be as much of a Jedi as she is even though she doesn't claim that title anymore, and part of the reason because is she won't help him.
And for Ahsoka's part. Anakin returned from the Dark Side for Luke. He couldn't - or wouldn't - return for Ahsoka, who he trained, who knew him and loved him and would have died for him. He tried to kill her and would have if Ezra hadn't saved her. But this boy, who shares nothing with Anakin but a name and half his DNA - he was enough to bring Anakin back. She wasn't, not with everything they shared, not with all the times she'd almost died for him, and he'd saved her, and she'd saved him. How do you not kind of hate someone for that?
And besides, he's trying to bring back the Jedi Order. The Order that cast her aside as soon as it was convenient for them, the Order that allowed Anakin Skywalker to become what he did and was too blind to see a Sith Lord under their noses and that died for those mistakes. And sure, he's trying to do it differently, he's trying to do it better, but what does this boy know of better? What can he know of the sins of the Jedi Order? When he speaks of the Order with stars in his eyes, what can he know of the pain that she suffered? That so many suffered? How can he correct what he doesn't understand?
I just think it would be cool to see more of that explored in canon.
1K notes · View notes
maharellasa · 22 days
Text
i don't think solas's arc will end with veilguard? they've been teasing the dread wolf's appearance since origins and now they're gonna be done with him in a single game? nah I don't think so, especially considering how popular he is. my theory is that, considering how dragon age has been slowly revealing the history of the world through codex entries and the random accounts of characters (i.e. abelas, inquisitor ameridan, etc.), the ultimate climax to that slowburn process would be to actually go back and see for ourselves what happened. especially since they have now started to slowly integrate the concept of time travel. and I know we're probably learning the truth of solas's entire story in veilguard (at least that's what I'm hoping) but there's still a difference between learning and experiencing something. so yeah, I think a game set in elvhenan would be the ultimate goal here.
79 notes · View notes
autumnwoodsdreamer · 6 months
Text
Hey… so… I had a thought I’d like to share with the class…
What if the Bad Batch ends with a screen that just says “15 years later” and then we fade in, hearing voices—one’s Rex, the other a teenage boy—and as the image comes clearer we see older Rex lounging in the Ghost and telling the tale of the defective clones who stood against the Empire to young Ezra?
132 notes · View notes
rookflower · 2 months
Text
thinking about the character again (cinderpelt) and it's likely unintentional and a result of either her shifting narrative role from young go getter to wise mentor or a shift in how the books display their own politics but i find something really tragic in-universe in how she develops from a character who will actively and willingly break the warrior code when it conflicts with her own morals (immediately lying to cover for graystripe and silverstream, acting in direct defiance of her leadership to nurse littlecloud and whitethroat back to health) but overtime through her role she gradually grows more god-fearing and pious and embodies somewhat of a "starclan is always right, even when they are cruel, and we need to accept that" position
64 notes · View notes
tobytost · 1 year
Text
Tumblr media
your hope will light up the path to the future
text under the cut:
“Sometimes it feels meaningless, yes. So many rebellion officers, pilots and civilians die everyday. We are being heavily censored. More and more citizens fall to the imperial propaganda.
And it’s easy to fall to the despair and lose your motivation to go on.
But people like you, your highness, are like a bright star I the dark pit that is the empire.
As long as you shine, people will follow.
And I will follow as well.”
@peachyhoolagan this one goes out for u and your funky color pallet ty
583 notes · View notes
Text
Tumblr media
Dylan
512 notes · View notes
pierppasolini · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Young Soul Rebels (1991) // dir. Isaac Julien
417 notes · View notes
angelsdean · 4 months
Text
when you remember dean was originally meant to be 14 in 9x07 Bad Boys
Tumblr media Tumblr media
59 notes · View notes
prringlecan · 5 months
Text
Guys do you think welt will ever get his silly man arc in hsr. He’s just a silly old man. let him rip off someone’s limbs with nothing but pure gravity thanks
like will we get to hear more about VA. Will he SHOW UP. No not you luocha I want the minecraft cube in the flesh (????). What if something happens to himeko. WHAT IF SOMETHING HAPPENS TO HIMEKO.
Please,,,, I need the old man to break a leg. And no I don’t mean his own but it is also very likely
also rip to the astral express if welts gay ass red blue sonadow kinning nuke making besties decide to take a trip through space to say hi to his ass they’re not ready for hurricane einsla
This is a cry for help welt fans pspspspspspspsps
131 notes · View notes