#Their name isn't Loop in this universe

[insomniakingdoom]

OG Loop encounter my AU Loop lol

Just a quick doodle I made. It started as a simple "AU where Loop pester Siffrin until he beat the king first try" and devolved into "AU where Loop is the one looping and don't know why they're the only one in this situation"

[j-rye]

oversteeping horse edition

[insertdisc5]

✨ The In Stars and Time Spoiler Q&A ✨

it's time. MASSIVE IN STARS AND TIME SPOILERS UNDER THE CUT. IT'S GONNA BE SO LONG. LET'S GO

I hope you are aware of The Secret Final Boss because I'm also gonna spoil the crab out of that. If you haven't,

1. Did you know the events for interacting with your souvenirs are randomized for some of them, and also change depending on how far you are in the game.

2. Did you know there's a way to show souvenirs to a certain character.

3. Did you know you can go back to Dormont during the Epilogue.

Figure that out, and come back here! Or watch a let's play online. You can also do that.

I will also try to adopt a ~mysterious cool voice with no exclamation points~ for Effect. Come with me on this journey.

Now. Questions time!

✨ Will you ever make a sequel to ISAT, or make a game in the same universe?

Nah. This was always intended to be The Story. This is your turn to imagine things now.

✨ But so what happened to the Country? What was its name? What about the wishes? What about the colors? What did Siffrin say as an openphrase to open the door to the King's room? What about--

I will not answer those. It's your turn.

✨ BUT THE COUNTRY AND THE COLORS AND THE WISHES

Ok fine. Here are some facts that I alluded to in-game, that I am confirming now.

-The Country disappearing and the events that made colors go away are not related.

-The colors disappeared a loooong time ago, which is why knowing they even existed is a relatively new find.

-A wish made everyone forget the Country.

I will ALSO say that ISAT's map operates on Final Fantasy/General Fantasy rules (i.e. in-universe locations are based off of real ones when it comes to culture, but are not one to one parallels, especially for geography), so no, the Country isn't based on the UK oh my god please do not say that to me again or im deleting ISAT out of your computers and putting legos at the foot of your bed. It's based on another place. You can figure it out, I believe in you.

✨ But why won't you give more info on what happened :(

Can you imagine if I did answer. Wouldn't that be a bummer, whatever my answer was. Sometimes things need to stay a mystery. And also, I don't want to answer <3

✨ Does the world Loop came from still exist after they left? Or is this a get mystery'd situation?

There is only One Timeline and it's the timeline that goes from the prologue to ISAT. Every timeline that gets rewound does not exist anymore, and that includes the prologue's timeline.

✨ What's the deal with Siffrin's dream at the start?

It's Siffrin's dream, but that doesn't mean our Siffrin is the main star.

✨ Is [specific missable game moment] canon?

Every moment that you personally experience in the game is canon.

✨ Is there a reason Siffrin remembers their name but the King doesn't?

What makes you think Siffrin does?

✨ At the very very end of the game, if you look out the window behind the Head Housemaiden, Sif mentions seeing an island in the distance. Is that his country?

It is. It's always been there, for the whole game. You can see it in the distance, too.

✨ Who was the King, before?

He was just a guy!

✨ With the King left remembering in the end, does that in any way change the redaction effect for other people in the world going forward?

That's a fun idea. Maybe!

✨ One thing that never really clicked for me is: Is the sweet smell Time Craft or Wish Craft? Or is the sweet smell TIme Craft and specifically the burnt sugar smell is Wish Craft? Other way around? Does this question even matter since without Wish Craft you can't attain Time Craft in the first place? (To me, yes.)

Wish Craft smells sweet. Time Craft doesn't have a smell per se, but it does do something.

✨ Does Mirabelle retain her immunity to being frozen in time after the events of the game or does it go away after the Head Housemaiden is saved? Or does it persist for a while and eventually fade away?

I imagine the immunity slowly faded away. But no one's left to do Time Craft, so it's a moot point anyway.

✨ How was Odile able to stop Siffrin from looping back during the fight against Siffrin?

In the Discord channel I stated that it's because "she's just that cool", but really, she does have access to some skills that heighten the efficacity of Rock/Paper/Scissors attacks, so it's not too much of a stretch to imagine she could lower the efficacity of Time Craft as well. In this last loop, while listening to Loop and observing, she could figure out Siffrin was looping way earlier than she could in even the Sus Quest, so she made plans. She is Very Smart <3

✨ Will you ever share everyone's full names?

That's artbook content <3

✨ In the ending, what happened to Siffrin's hat?

Flew away. It's gone now.

✨ Looking back at the original comics, and seeing how comic!sif has both eyes at the start of their loops, but in ending sequences is shown with his eye patch...did you ever consider making that concept of sif losing their eye a part of the main loop in either of your games? and if so, was there any reason why you decided against it?

Early on, I did think about making that whole event an event that happens during the loops, but quickly let that go since 1. it would be a pain to write and code (two different sets of Siffrin portraits!) and 2. if it happened, the player might want to look for a way to NOT make that happen and so 3. it would be a pain to write and code

✨ How was Siffrin's homelife before?

Pretty good!

✨ How old were Nille and Bonnie when they ran away? How old was Sif when their home got zapped?

Both were teens.

✨ How old IS everyone?

Siffrin is mid-late 20s. Mirabelle and Isabeau are early-mid 20s, with Isabeau being slightly older. Bonnie is a preteen. Odile is Too Old For This. Petronille, Bonnie's sister, is late teens-early 20s. You can ignore whatever I said in the prologue's artbook, whoever wrote this was Wrong!!!!!!!!!!

✨ Regarding the book that talks about someone who crafted a copy of themself using wish craft: is that meant to imply someone we know is the author (and/or the copy), or is it not directly related to any of em? or is it a "who knows ;)" situation where we can just speculate and theorize either way?

Please check the book again during Act 5! This applies to most items/map events by the way, like the pendant. You can check those during Act 5 and 6 for some fun new dialogue!

✨ Why are Siffrin's clothes so warm looking?

The Country got cold at night.

✨ What's up with Siffrin's pins?

They're made out of a special material. And also, they make Siffrin look cool <3

✨ I want to know the story behind Loop’s different eye shades!

They're blind in one eye. Also, fun foreshadowing <3

✨ What determines whether someone is paper/rock/scissors craft? Is it assigned naturally at birth or something else (and how do you find out)? Does it make you more inclined to use that specific craft or is anyone generally free to use whatever craft they want?

Astrology rules, It Just Is A Thing. Being Rock Type means it is way easier for you to do Rock Craft, but that doesn't mean you can't learn other types of craft, although it's way harder. Doing Craft of your type is instinct, doing Craft of another type would take some time and resarch.

✨What crimes has Odile committed before. I need to know.

Odile just smiles.

✨ Why did the King specifically target the House of Dormont?

I had a reason in mind, but adding it to the game would've added a layer of Explanation that really didn't need to be there. It's just a nice House.

✨ Who was Odile's hatecrush...

Dunno. It's your turn.

✨ What is loop's body situation. like is the surface of their "skin" solid? they did poke siffrin that one time, and we know they aren't cold, but...

I have some idea. But it's your turn!

✨ Would Sif still have looped if they hadn't made the wish he made in the beginning? As in, would Vaugarde's combined wish have made him loop until managing to beat the King?

No. But without time powers, you can imagine what would've happened next.

✨ During the Loop Hangout, how did the rest of the team make it all the way to The King? What about during Act 5?

During the Loop Hangout: with difficulty. During Act 5: Loop was there to guide them.

✨ Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they'd like to be perceived? or 3. time lops stole he from they they :(

Mostly that first one. But all three of those reasons have a bit of truth to them.

✨ Who cooked crab in the House of Change???

This is a very funny question! I've never thought about it. It's your turn.

✨ What are the Orbs that open the gate? Did the King create the Gate or was it there before?

(did not think about the orbs or the gate beyond "plot that proves there was a journey before") Stop Asking Questions,,,, It's your turn,,,,,,

✨ Bonnie's dialogue is *extremely* accurate to how overexcited kids talk, which is really rare to see. Was that something that took a lot of effort to achieve, or did it come naturally to you?

Thank you <3 I'm just that good. Really, Bonnie is an adult with no filter, and less general knowledge. I'm very glad I managed to write Bonnie well, especially since. I haven't talked to a kid. Since I was one myself

✨ The Spoilery Concept Art. Blease

oh yeah. here have it all. this is what I gave Mimi to do the animated trailer!

✨ So. What's everyone's favorite shade.

FINALLY the question. Plus I can say shade names now. White = darkless, Black = lightless. Light and Dark is like light grey/ dark grey. Oh my god I'm checking my notes and I wrote a small event I never used about hair dye colors like "midnight dark", "tomato grey", "snow light" past me that's so fucking funny

Anyway, Siffrin loves darkless, Mirabelle is more of a light shade lover, Isabeau loves that lightless (BECAUSE ITS FASHIONABLE OK), Odile likes darker shades, and Bonnie also loves that lightless (BECAUSE ITS AS DARK AS MY SOUL OK)

✨ Are there any bugs you found during developments that you've made into features?

Two! The first one was the ability to ask Loop to just silently hang out during Act 4. I messed up the code and the game softlocked there, with Siffrin and Loop sitting there silently. I thought it was very sweet. They deserve a little quiet time.

The second was in Act 5 - the House map had a lot of issues with the Act 5 map bringing you back to the normal House map. So one of the testers got brought to the normal House map and didn't notice, and interacted with the Mirror on Floor 3, and it gave them the normal interaction with everyone seeing the mirror and taking a picture, and when they went to look at the picture in their inventory, it gave them the actual Act 5 picture. A little bit after they realized the game bugged out, and told me about it, and begged me to keep that in because they were very unsettled by it. So here it is! Beforehand, it was just Siffrin silently taking a picture, so I'm glad I changed it.

✨ Did you ever have emotional difficulty writing the more sensitive parts of the script, like Siffrin’s intrusive/negative thoughts, for one reason or another? Moreover, did you worry the script may be darker than your initial vision for it anticipated?

Not really. The Mirabelle and Odile hangout scenes were the hardest scenes by far because I really wanted to get them right, but everything else was about the same amount of difficulty. And actually, I wanted to go a little bit darker for the script, but I was worried it was going to be too dark... When it comes to the dagger event, I had a whole tangent about Siffrin thinking about the best way to strike, so to speak, but I deleted it because it was getting A Little Too Detailed. T rating come back to me

✨ For the questions you WON'T answer, did you have your own answers while making the game? Or were they left blank?

Some of them I do, some of them I don't!

✨ I loved this game and I want to replay it but I don't want Siffrin to go through everything again!

Here's a little fun fact I decided: if you hit the credits, you helped a Siffrin escape. If you start a new game, you are creating a new Siffrin that you can emotionally tortu-IIIIIIII MEAN, a new Siffrin that you can help. Do not worry about your Siffrins they are fine

✨ A lot of those answers ended up being "It's your turn", huh.

Yea <3 The answers to some of those questions ARE there if you look. Some just aren't. But you can imagine whatever you want. It's your turn! I finished the game! I'm done working! It's your turn!!!

✨ I loved ISAT and it made me feel so many feelings!

Thank you so much. I'm sorry if you sent a message or ask and I didn't answer it. I read every single one and cherish it! Thank you for playing and thank you for writing me a message!!!!! When I get a little down I look at all of those and I feel better. Thank you. I'm sorry I can't answer them all.

✨ What will you work on next?

I have a project I'm currently in the preproduction stages of. I don't want to talk about it until I feel like I have some stuff to show. Plus I still have to make the ISAT artbook and some other stuff, so it won't be for a while. Nonetheless, I hope you will enjoy it!!!

[squish--squash]

I'm rewatching Good Omens, and noticed something in the first episode that has left me spiraling into a theory.

It's in the scene when Hastur and Ligur are handing Adam over to Crowley. Hastur asks Crowley to sign something beforehand, and:

I thought it was a scribble the first time I watched it bc I was trying to figure out what was going on. But it's not a scribble.

It's not a 'C' either, for 'Crowley' It's not a 'A' or 'J' either, for the rest of his name.

It's an 'L'. It gets hard to see as he's finishing it, but it's the letter 'L'

This is how you write a capital 'L' in cursive:

you swoop up and to the right, drop down, swoop left, and finish on the right.

and Crowley does this with his signature:

here's him beginning the letter, swooping up and to the right

Then he moves down,

loops to the left,

And finishes it as he moves back towards the right (and at this point, the complete letter is hard to make out. It's why I thought it was a scribble the first time I watched this episode)

Crowley's signature on the document Hastur makes him sign before delivering the Antichrist to start Armageddon, something that is arguably one of the most important things hell wants to document, is an 'L'.

WHY?

Why not a 'C', for Crowley, the name he currently goes by? Hastur and Ligur confirm the name itself earlier in the same scene ("What's he calling himself up here these days?"/"Crowley.")

Well, if going by what he claims in a later s1 episode that "Crowley" is his last name (Anthony J. Crowley), it would make sense for one of his initials to be put there.

Except it doesn't, because "Crowley" is not his real name. it's not the name he began with, the one he had as an angel.

So then, what would this name be? What would be a name for an angel, who is now a demon? A demon who was there to tempt eve, as a snake, into eating the forbidden fruit. Someone that brought the stars, and light, to the universe. A name that begins with the letter 'L'.

There's one I can think of that matches, and that name is Lucifer.

"But Squish!" I know some of y'all will comment, "What about that line Crowley said in episode 5? He mentions Lucifer, so it can't be him!"

In episode 5, Crowley says the following: "I never asked to be a demon. I was just minding my own business one day and then...oh, lookie here, it's Lucifer and the guys! Oh, hey, the food hadn't been that good lately. I didn't have anything on for the rest of that afternoon. Next thing, I'm doing a million-light-year dive into a pool of boiling sulphur."

Crowley also says in the second episode: "I didn't mean to fall. I just hung out with the wrong people."

A lot of people believe that it's implied that when Crowley said this, it meant he met Lucifer and hung out with him. But when he says it, it sounds like he's mockingly quoting someone else, talking to him.

The "Lucifer and the guys!" might've been directed to Crowley, using his name. This would match that line from a previous episode, "hung out with the wrong people."

"But Squish!" I know some of y'all will comment after reading that, "What about Satan? Lucifer is Satan, and Crowley isn't Satan!"

And neither is Beelzebub. Fun fact, by the way: One of the many names for The Devil, Satan himself, is Beelzebub. But Beelzebub is a whole different character. So why can't Lucifer be a whole different character too? After all, many people still argue to this day that Lucifer and Satan aren't one and the same...

Also, here's something interesting:

Crowley is the only character in the tv series that has mentioned Lucifer, and it was in that line I mentioned earlier. Lucifer is also mentioned once, in the book, but by Shadwell, mishearing Newt's last name as "Lucifer" instead of "Pulsifer". And Satan? In both the book and the tv show, he is never called another name other than "Satan", usually followed by his fancy and long title. His description in the book's "DRAMATIS PERSONAE" is literally "fallen angel; the adversary". No Lucifer.

And how about this:

Crowley was the one who started the universe, we see that at the beginning of season 2. He was the first one, to our knowledge, to say "let there be light." "Lucifer" means "light-bringer" Crowley was the snake that tempted eve into eating the apple in the garden of eve. We see this in the beginning of episode one. Many claim Lucifer was the one who did that. Crowley fell because he asked questions about how the universe should be run, after seeing its creation and being so proud of it. Many claim Lucifer's big sin that sent him falling was his pride stemming from his beauty causing him to revolt; eerily similar to Crowley asking questions after watching the beautiful universe he helped plan be born and growing protective after learning it was going to get shut down so early in its lifetime, isn't it? Crowley was a powerful angel. This is heavily implied in season 2, with the tiny joint-miracle he and Aziraphale made being as powerful as an archangel's. He has the ability to mask his presence powerful enough to fool Uriel, Michael, and Gabriel (the only other character we've seen have that kind of masking power was the Metatron, who Crowley was also the first to recognize). When going through records with Muriel, they claim only very high-ranking angels have clearance to look through the records of Gabriel, an archangel so powerful he single-handedly had the power to stop "Armageddon 2" from being put into plan; Crowley is able to access them. And Lucifer? Often described as having been a very powerful angel.

Lucifer is such an important name, such an important character, in the theologies surrounding Good Omens. So, where is he? Why has he only been mentioned seriously once, by Crowley?

The answer could be this, simple and short: Because he is Crowley.

EDIT:

I dug up the book. It's been a while since I read it (I honestly don't remember much from the book) and here's what it has to say about Crowley's signature...

"Your real name."

.........

HELLO?

EDIT 2:

I found this post from Neil Gaiman's blog. The wording is confusing me, and I can't tell if this debunks or supports the theory..

What Neil Gaiman says is "That was the angel Lucifer. He doesn't exist any more. Now there's just Satan, the adversary." which might throw this entire thing out of the window, but the thing is: he never said Satan used to be Lucifer. He just said Lucifer doesn't exist anymore, but Satan does.

Furthermore, the person who first asked a question asks more questions, two of them: 1. Is Satan what's left of Lucifer after he fell and stopped existing, and 2. If so, does that mean there was an angel that existed that then fell and turned into crowley?

Neil Gaiman's answer is "As far as Crowley is concerned, the Angel that he was no longer exists. (And his name as an Angel wasn’t Crawley or Crowley.)"

He doesn't confirm or deny anything about Satan in that. All he said was "the Angel that he was no longer exists" and that Crowley's angel name wasn't his demon name.

Huh. Funny. He's saying angel!crowley no longer exists, when he just revealed that Lucifer "doesn't exist any more." Either there's a connection here, or I'm going insane.

[whetstonefires]

Man sometimes I still think about Alfred's Bandit Anecdote in The Dark Knight (2008).

So, the most straightforward reading of this sequence seems to have been the one Nolan intended, because he is not actually a subtle filmmaker, and the further we got into the series the more heavily he committed to making Alfred a mouthpiece. Old man provides words of wisdom that frame the correct understanding of the situation; you can tell it's meant to be correct because subsequent Joker appearances reinforce its thesis statement.

Intended takeaway: some men (like the Joker) don't have rational motivations, they just 'want to watch the world burn,' and you have to account for that when trying to counter them. Chaos agents, basically unstoppable by reasonable means.

But the thing is. This is not a story that stands up to even mild interrogation. The number of assumptions Nolan wants us to swallow without blinking is kind of stunning.

First of all the obvious timeline questions that arise: the Anglo-Burmese Wars and periods between and leading up to them where this kind of white man's burden 'delivering jewels to local elites In The Burmese Jungle to sway them toward British interests, but getting waylaid by bandits' scenario makes any sense all, happened in the 19th century.

The Burmese resistance in the 1930s was centered on university student protests and that sort of thing; it was reasonably successful in moving Myanmar toward independence by increments, though who knows what would have happened without WWII. But it did not provide anyone with reasons to be hand-carrying huge gemstones through forests.

Even if we assume this was somehow a 20th century event, it has to have been before WWII unless we want to postulate a complete alt-history setting, and since The Dark Knight leans heavily into being a modern 21st century story with like, cell phone networking as a major plot point, this still makes Alfred old as balls. Born no later than 1920, and probably earlier.

But that's whatever; comics time. Batman Begins did some fun stuff (possibly in imitation of Batman (1980)) with making it ambiguous what decade it was supposed to be set in, though the sequels dropped that conceit. And anyway, people can be 90 years old.

So that's basically fine, although good god Wayne hire some more servants, this man should be fully retired already.

More problematic is the unfettered colonialism of it all, the confident proclamation that since this guy's motive wasn't profit, since he didn't keep the jewels, he had no motive. Because 'inconveniencing the Raj and weakening their control over the locality' isn't a Real Person Motive that a real person could have had. During or soon after failed wars to resist colonial subjugation.

Like. Come on??

The place where this story utterly shoots itself in the foot, though, is the clever bit at the end, where Bruce asks how Alfred's military unit solved the 'bandit stealing jewels he didn't even want' problem and Alfred's like: 'we burned the forest to the ground.'

Because this is so punchy! In screenwriting technical terms, it's quite well done. It's useless advice that loops the story back to its themes; obviously Batman can't burn Gotham down to get the Joker. Even in a Batman movie that doesn't like Batman very much, this is still obvious.

But at the same time this totally takes the legs out from under Alfred's words of wisdom about human nature. Because if that bandit 'wanted' to 'watch the world burn' then what his unit did wasn't so bad, right; he was basically asking for it. Burning a forest down with all the inevitable collateral damage and economic and ecological cost, all for the sake of horribly killing a group of people in the name of government revenues was totally okay guys!

It transforms the whole thing into a pretty obvious post facto rationalization of colonial violence. Which makes the Insights Into Human Nature bit real questionable!

But the movie gives absolutely no sign of having noticed this.

[mithrandirl]

i always get questions when i do a split gifset, and it's a deceptively simple process so i thought i'd try to show how i do it! i don't know if these types of gifsets have a more universally recognized name, but that's what i call them so that's what i'm going with.

i'm going to write this assuming you have a solid familiarity with photoshop and making gifs, but please feel free to send me an ask if anything is unclear. i use video timeline/smart objects so will be showing that (here's a great general tutorial on giffing with timeline). i will also be talking A LOT about gif dimensions, so first let's briefly go over the limits and theory a little bit.

a 1 column gifset can accommodate gifs 540 pixels wide

2 columns = 268 pixels each with a 4 pixel gutter between

3 columns = 177, 178, 177 pixels with 4 pixel gutters

i'm mostly going to talk about 2 column split gifs here (what i will refer to as 2x1 from now on - 2 across and 1 high), but the process is the same for 3 column (3x1) and so on (1x2, 2x2, etc).

so, why would you even want to make a gifset like this? i mean, let’s face it, generally, bigger is better for gifs on tumblr, and there are obvious incentives to 540 width gifs over 268 or 177/8 width, especially since the upload limit went to 10MB. but even 10MB isn’t much when you’re talking about high quality footage. gif making is a constant balance between quality (whatever that means to you: frame dimensions, sharpening, coloring, etc) and file size. split gifs are a cheat to that limitation >:)

i personally believe an untapped frontier of tumblr gifmaking is playing with dimensions and time. that sentence makes me sound like an old-timey sci-fi villain, but you get the idea: gifmaking is an art and there are many fun and interesting ways of exploring the medium. you can do a lot with 268 pixels! longer frame loops to gif longer scenes unbroken, bolder coloring on a wide shot you don’t want to pare down. and, a shorter x axis means the y axis’s bang goes a lot further on a buck. also just if you have a 2 column set but only 5 gifs so you need to make one take up 2 slots. there's a lot of reasons but the most important one is it's fun :) here are some examples of other split gifs i've made: x, x, x

this isn't so much a limitation, more of a shift in how you think about gifs, but it's important to remember that each gif should ideally be doing something still. when making split gifs, it’s easy to pick a wide scene without thinking about how it’ll be split down the middle, and then you’re left with a lot of something on one side and a lot of incongruous nothing on the other - or you're left with a person cut in half awkwardly in the middle. so while a split gif can still be a whole scene, you shouldn’t ignore the break and what it means to the bigger picture. now this is personal preference, but i like to play with the break and make it a part of the gifset. mirrored movement, subjects trapped on either side but still talking to each other, a bird flying from one side to the other. fun with frames! it can be another way of drawing attention to specific images/moments/feelings happening within the same shot.

SIMPLE SPLIT GIFS

to more narrowly define what i’m calling “simple split gifs,” it’s one set of frames split down the middle into two separate gifs that are meant to play concurrently, side by side.

first thing's first, crop your gif and uncheck delete cropped pixels if it is not already (very important). i'm cropping it to the 1x1 size, in this case 268x350. if you need to see how the full size will look, you can try it out with 536 first. but this one is pretty easy, this is the exact center of the frame (the left boundary of this crop is the center line) and both their heads fit within their respective 1x1 crop.

then color as you normally would. if your scene is very different one side to the other, it might be easier for you to color on a wider crop and then either crop again or copy paste your coloring to the smaller crop version. i do that with the 2x6s, but it's usually not that big a deal to color the 2x1s with just the small crop on your canvas at the time. this scene is very symmetrical, both in movement and colors, so i'm good.

now the fun part! once you've got one side how you want it, save/export as you normally would. at this point i also like to make a mental note of how many frames there are.

so i have 49 frames and it's still only ~3MB! this is just an example that i picked from my rotk fancy set, otherwise i probably would have made this gif longer.

then onto the other side, so i ctrl + z my way back to my smart object video timeline. to get to theoden i just drag and drop the smart object 268 pixels over. since this one is in the exact center of the image, it even helpfully guides me (this can get annoying if you are NOT giffing the center of the image fyi, but you can always manually go pixel by pixel too if you need to with your <- -> keyboard buttons. just always remember where you started and count accurately). i can never move around my smart object without hiding the adjustment layers on top of it, so you'll see me do that in this screen recording.

see how it corrected me when i dragged it a few pixels down by accident, and with all those pink guidelines? sometimes photoshop is good 😌

then make sure you still like the coloring, adjust whatever needs to be adjusted, but watch out! don't make any major changes because it still has to match the other side. and export again.

what we perceive as 1 series of frames chopped down the middle is just 2 separate gifs with the same frame rate. when tumblr loads the images, it will run concurrently in the post (even though it never does in the draft post 🙄). and that's it!

COMPLEX SPLIT GIFS

again i'm making up terms, but i call anything with more than 2 components a complex split gifset. i've tweaked some things in the process as i went along, but this is generally how i did the lotr series. these sets are basically just many split gifs with transitions. and here's where endurance becomes a factor :) there's a lot of prep done blind. but if set up well, it will be fairly easy to pull together by the end.

first i decide on my dimensions, using my upper bounds to determine how big i'm going to go. since lotr has very nice large file sizes, i can go pretty big without sacrificing much in quality. i decided on 3 rows of 350 pixel height gifs and it's worked well for me. that means my biggest gif will have a total height of 1050 pixels - fun! you could also do 8 rows, with two 2x2s or just a series of 2x1s that transition to 1x1s. there really is no limit to this except your imagination and source material.

i cap everything i'm going to use before i even open photoshop, then do all of them at once. uncheck delete cropped pixels, then i make my gifs! this is where i spend 90% of the time on this set. every gif should be the size of the smallest 1x1 gif (268x350 for me). i make all 10 into a fully colored, separate psd. (and then i usually go back through all of them a few times to get the colors to match better 😅) for the bigger ones (2x1: 536x350 and 2x6: 536x1050), i just crop them as if they were 1x1 but always thinking about how they will look when big. this gets tricky when i do the big one :) my lazy workaround for that is to basically make it twice: one cropped as it will be and one full size for me to color. then i copy and paste all the coloring layers onto the small one and voila, i know that the coloring in the upper right slice will also look good on the bottom left slice 1050 pixels away because i saw it on the full size version.

coloring is probably the biggest thing i'm thinking about with this kind of set. the whole idea is that these gifs are using the same colors, more or less, throughout each phase. even with the 1x1s, they're still part of a larger color concept, and they should (🤞) work with each other.

in a pinch, i like to eyedrop a color from one gif and add it as an accent to another. one of my 1x1s had a much more muted color palette originally, but i wanted it to have deeper blues and yellows to complement the 1x1 that would go next to it, so i added some gradients on lower opacity over it, color picked from other gifs i already colored.

i keep my coloring and the smart object in separate folders to help me in the final step of combining everything, and then i trim everything down to my lowest common denominator of frames. you might think you need to keep frames pretty minimal if you're doing 3 phases with transitions like this, but there's more room to work with on a small gif, in terms of file size. i usually do 30-50 frames for each phase, with the assumption that i'll be adding a transition on each side of each gif that will eat up some frames (i usually do 4-6 frame fade transitions). for the rotk set my final frame count was 129 and i never went over 8MB on a gif, so there's plenty of space play around with things :)

and then, combine! whatever order you start with, you are stuck with (unless you're getting even more complicated, but we won't go into that lol). for these sets i go small 1x1 -> medium 2x1 -> big 2x6. i like to think of it in phases from this point on. small is the first phase, then medium, then big. then i put in the fade transitions, chopping up the first phase gif so the last one will fade into it, restarting the whole cycle seamlessly. i'm just doing a quick and dirty fade here, but here's a tutorial if you want more explanation on transitions.

at this point i save this psd as its position, "top left" or whatever (usually it's a psb by this point too 🥲), just in case i need to go back to it. then i export this first gif and move on to the rest.

it's the same concept as a simple split gif: drag and drop the smart object to the new position, but now there are multiple phases to keep track of. folder organization has been key for me to keep everything straight. i move through the gifs in a backwards S, starting with the top left. but you could go any direction, just gotta stick with it and remember your counts. in my case, i'm always thinking of 268 pixels over and, for the 2x6, 350 up/down. it's a tedious process, but it goes quick (apart from waiting for photoshop to load each time you export).

i did this series as a color concept aesthetic kind of thing, so my theory was by using the same-ish colors throughout, that would save me in the end when it came time to export. there's only 256 colors max to work with on a gif, and that's usually what gets me over the 10MB limit. but as i said, i have never even gotten close to the size limit on this series. it's pretty hard to reach the limit on 268 pixels, but not impossible. (i did run into that on the emma set i did, and that was hell. but also not an impossible fix in the end.)

and that's it! if you try any of this and have trouble, i'm happy to help if i can but mostly this is a "click around and see what works for you" kind of process. and feel free to tag me on your split gifsets :) i love seeing them <3

[hwaslayer]

wildfire (cs) | intro.

—spotify playlist | series masterlist

—summary: assistant professor in bioengineering, incredibly attractive, lonely and divorced; that’s how most people describe san. but despite the events that have happened in his life, san has a lot going for himself. he’s a successful, sought out professor due to his brilliant contributions to science at just an early age of 32. he worked hard to get where he was now; head deep into his research, his publications, building his lab and creating a name for himself. everything was good and smooth sailing— until it wasn’t. because when he meets you, a bioengineering grad student interested in rotating in his lab, he finds himself ready to risk all the blood, sweat and tears he put in throughout the years just to keep you close— his need for you spiraling out of control like a wildfire.

—pairing: asst. professor!choi san x grad student!f. reader

—genre: (18+ - minors dni) strangers to lovers, grad school au | fluff, angst, eventual smut

—word count: 2.0k

—warnings: nothing much; cussing, very general description of research topics/neuroscience experiments including mentions of mice research (no details)!, mentions of infidelity (not oc or san)

—a/n: ty for being patient with me <33 here's the lil intro to professor choi 🤪 i think i'll keep the same update schedule i've had (every other weekend) but ofc will let everyone know if i cant update for whatever reason!! enjoyyyy this rideeee 🖤

Clunk.

San throws his glasses onto his desk before leaning back in his chair, hands coming up behind his head for a stretch. He had been working on his progress report for one of his grants since this morning, and he was starting to feel the migraine come on.

"Fuck." He mutters, pinching at the bridge of his nose before he gets up to grab another cup of coffee from his Nespresso machine— popping in a pod with a level 9 intensity into the slot and pressing start. It's around dinner time, but quite frankly, San isn't too hungry. He'll eat something small. He's just tired, especially because of this progress report. But, it's due next week and he needs to finalize his class schedule for the upcoming quarter at the same time. He won't have as much time to get through the technicalities if he waits any longer.

He's pretty immune to the different intensities of coffee at this point; having eaten it for breakfast, lunch and dinner during his postdoc years. It won't do much for long, but it'll at least keep him going for the next couple of hours before he calls it a day and lays in bed. 

When his coffee is done, he pours some creamer into his mug and gives it a good stir before settling back into his office. His house is too big for one person, but he enjoys the stillness. The quiet. He used to hate it. He used to hate when every corner reminded him of his ex-wife. Now, he's gotten used to it. He's learned how to live alone, how to enjoy his peace. He lets out a small sigh, taking a sip of his hot coffee as he resumes to look at the computer screen to his side. Suddenly, his phone goes off and he's quick to shift his attention to it because it's slightly odd for this time of day. People don't normally call him unless he's settled on a phone call meeting ahead of time, and he doesn't remember booking any calls tonight.

"Hey." San picks up when he realizes it's Jongho. Okay, so he maybe he lied. He does take a few calls from close friends, most who are also professors at the same university. "What's up?"

"How's your T15 report going?"

"Long. It's terrible."

"Well." Jongho laughs. "Perks of being you, I guess." San rolls his eyes. 

"Yeah, thanks. Very enlightening."

"Anyways, I wanted to call really quickly. I figured you hadn't seen it yet, but wanted to put it on your radar. I looped you into an email for a possible collaboration. We're trying to meet this week if you're free. Might be good to see what it's worth, could get us more funding. Open more collaboration opportunities in the future." San presses the phone against his ear, holding it with his shoulder as he navigates to his inbox on his computer. He has a bunch of unread emails that he'll eventually respond to, paying a tad more attention to the pressing ones when he has a moment. He's not gonna lie, he does ignore a few if it's not of interest to him, or something he doesn't feel like he can contribute much to. He'll typically respond with a 'so sorry, no can do' if people get pushy and constantly follow up, but for the most part, he does his best to keep up and respond where it's warranted.

San sees the email Jongho is speaking of, but right underneath it, he sees another email from a student inquiring about rotating in his lab for the upcoming quarter. He's always interested when students reach out to rotate in his lab, but he can't accommodate all, especially when he doesn't feel like his research aligns with their goals. He usually takes 1 per quarter if it fits, otherwise, he doesn't have any at all. 

Out of curiosity, he clicks on the email since it has been awhile since anyone rotated in his lab. 

From: yn@atz.edu To: choisan@atz.edu Dear Professor Choi, I hope this email finds you well. My name is Y/N, and I'm currently a bioengineering grad student who is interested in rotating in your lab for the upcoming quarter. I have been thinking about diving deeper into computational analysis, mice behavior, 2-photon excitation and opto-stim work. I've spoken to your postdocs, Sunwoo and Belle, about their current projects and potentially collaborating since they seem to be touching up on all these aspects. I was hoping we can find a time to meet and chat a bit to see if it would be a good fit. The deadline to submit my rotation selections is coming up, so I'd like to make sure we meet beforehand. Let me know, happy to work with your schedule! Best, Y/N Y/L/N

The thing about San is that he's pretty good at picking up on a student's vibe through their emails. It's the tone, the professionalism, the way they write and carry themselves. He can tell when some people are a little more egotistical and ignorant, and he doesn't want people like that in his rather small, but mighty lab. His current grad students and postdocs all get along well, and they're bright people who are very passionate about their work and studies. He doesn't need people thinking they're above the others. In addition to that, he can also tell when students are just trying to get their name on a published paper doing work in his lab, or when they're just trying to wing their way through grad school. It's a shame, but he definitely has come across a few students in his inbox. They do exist.

You, though? He's intrigued. You seem bright. Genuinely passionate about the specific areas you're interested in diving into. Poised. He appreciates that. He quickly scans over your CV and the little blurb at the bottom that highlights the work you've done in your undergrad years and internships. Your work history. He sees that you've already dipped your toes in a few of the different areas you've mentioned. Worked with a few professors he knows. You've volunteered at a couple of places.

An all-rounder.

"Did you see it?" He almost forgets he's on the phone with Jongho.

"Mm, yeah. I'll respond in a bit, I think I can meet on Thursday. Sorry, I just got a little distracted. Saw another email about a potential rotation student."

"Gonna take one on this quarter?"

"Maybe. If it fits. She seems to be interested in a lot of the work we do. She knows Sunwoo and Belle."

"Oh, nice. That'll be cool."

"What about you? Taking on a rotation student?" Jongho is an assistant professor in the electrical engineering department, and he is often bombarded with inquiries himself. He usually always has a rotation student, and they almost always choose his lab to work in after their rotation program is up. San doesn't blame them— Jongho is brilliant, and his work creates a lot of different pathways for students to navigate and try. San's can be a hit or miss; it's quite niched, and students often find that it genuinely is tough to play around in his field.

"Yeah. Think so." 

"Alright. Thanks for giving me a heads up. I'll check my calendar and respond in a bit for sure." San eyes the email. "It does sound like a good collaboration."

"Figured you'd say that. Thanks, my guy! Take it easy and good luck on your progress report."

"Appreciate it." San gives off a toothless smile even though Jongho can't see him. He slides his phone off to the side and checks his calendar, upholding his promise to Jongho about responding to the email ASAP. He keeps his email short, letting the group know he can make the meeting at the desired time on Thursday to talk about the potential collaboration across labs.

Then, he pulls up your email and checks his calendar once more.

From: choisan@atz.edu To: y/n@atz.edu Hi Y/N, Thanks for your email - for sure! I think there's a lot of possibilities we could visit, especially with Belle and/or Sunwoo's projects. Can you pop into my office on Tuesday morning? 10am good? We can chat then. — San

"Oh shit." You slow your chewing when you see the email notification pop up on your screen during dinner.

"What?" Felix asks, turning his attention towards you and causing Jiung and Eunchae to do the same.

"Professor Choi answered my email."

"That was quick." Jiung takes forkful of food into his mouth.

"Professor Choi as in San or Jongho? Cause they're both hotties." Eunchae swoons and twirls her hair, making Felix scrunch his nose.

"San." 

"I'd kill to be a rotation student in their labs." Eunchae giggles. "What'd he say?"

"To meet him at his office on Tuesday to chat more."

"Well, that's good! Which other labs were you looking at?"

"I'm not sure. Song Mingi, Kang Yeosang, Jeong Yunho. Kim Namjoon—"

"Isn't Professor Choi's ex-wife with Professor Jeong now?" Jiung looks up with a squint.

"Yeah, apparently when it all went down, it was a mess." Felix chimes in, and you continue to type away at your phone. "Imagine your wife having an affair with your bestfriend."

"Harsh." Jiung does a head tilt.

"I guess they don't interact much anymore, do they? Seems to be water under the bridge."

"I don't think so, but Professor Lee works in the Chemical Engineering department so they might have to from time to time if students in her lab wanna be co-advised or collaborate with him. Professor Jeong, though."

"Awkward. At least they can keep it civil." Felix shrugs at Eunchae's response.

"They lowkey have no choice." Felix looks up in thought before shrugging. "Still sucks to know your bestfriend was involved."

"Seriously." You add.

"Either way, those are good labs to possibly rotate in. It'd be cool if you could get into Namjoon's lab. Heard he's cool as fuck even though he's the department chair." Felix tosses his napkin into his empty paper bowl.

"Yeah, same. I'll keep you guys updated." You send off your response to Professor Choi with a small sigh. "There. Hopefully my rotation will be settled for the quarter."

From: yn@atz.edu To: choisan@atz.edu Hi Professor Choi, Yes, I can meet you at 10am on Tuesday. Thank you, and see you then! Best, Y/N

"Maybe you'll get more out of the rotation, especially with Professor Choi." Eunchae nudges your side and you let out a small yelp before you playfully pinch her bicep.

"What's that supposed to mean?" Jiung snorts.

"I'm just saying, he's successful. A hottie. Young. Single—"

"Here she goes." Felix lets out a breath.

"Bro. Calm down." Jiung laughs. "He's still a professor."

"What if you two get close during rotation and he falls in love with you?" She looks at you ever so seriously. 

"Relax." Felix laughs. "What kinda movie did we fall into?"

"Eunchae, please." You poke her cheek. "You know we rarely ever see the professors in lab. We get like.. five minute meetings with them and that's about as much of a personal interaction we'll get. They're busy people. Sorry to burst your bubble, bae." She shrugs.

"It was fun to think about." She giggles. "But no, that'll be a good experience for you if you get to join his lab for rotation. The others are great, too. Is he your first choice for a dissertation advisor, though?"

"As of now, yeah. But, we'll see how it all goes."

"Keep us updated." Jiung sips some water. "I think I need to reach out to one more professor for this quarter. Needa figure out my shit before classes start."

"Same." 

Meanwhile, San sees the notification from your email pop up in the corner of his screen and he immediately presses on it. He smiles a bit when he realizes how easy scheduling that meeting was— most of the time, people say they'll work with his schedule but end up pushing back. He slots you into his calendar before he can forget and switches his attention back to the progress report he's close to finishing up. 

San thinks it'll be nice to host a rotation student again, as the experience has always been useful, eventful, productive. He thinks it'll be like any other time; the experience being useful, eventful. Productive. He trusts in his group, the students, to come up with great ideas and be able to execute from start to finish.

So, he doesn't think much of it. He thinks he can hand you off and trust you with Belle and Sunwoo.

Little does he know that's where he gets it all wrong.

—taglist: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @vcutparis @chngbnwf @struggling101 @sanhwalvr @lynnsqueendom

[joeys-babe]

Joey B Imagines: One of These Nights

————————————————————————-

Summary: You as Joe’s girlfriend are by his side for every event, you helped him feel more comfortable since he wasn't the most social guy and he needed you there. You departed from him to go the bathroom and Joe isn't at all pleased with what happened on your way back.

Warnings: Angst, fluff, mad Joe

Pairing: Joe Burrow x reader

Imagine universe: None! (Misc.)

————————————————————————-

*No specific date for this fic!*

(y/n’s pov)

Joe and I had just sat down at the table of Bengals players and their girls in our usual VIP section. One look at Joe and I could tell he already didn't want to be here.

I looped my arm with his and he flashed me a small smile, his icy blue eyes barely visible behind his black Cartier’s.

“I love you.” - Joe mouthed

“I love you too.” - you mouthed back

He had already thanked me so many times tonight for coming with him since it wasn't his scene at all, and I made it more bearable.

Sam Hubbard, a longtime teammate of Joe, knew all about his antisocial ways, so he tried to include Joe in the conversations to keep his mind away from the surroundings.

I gave Sam a thankful nod because if he wasn't keeping Joe occupied, I'd end up on babysitting duty for the whole night.

Even in a secluded area away from the rest of the club, I was constantly looking around for possible cameras.

Joe hated PDA, and for him to even have his arm looped with mine was a big step, but he needed close to me right now. That's why I checked around for cameras, knowing Joe would be mad if pictures of us close together were posted.

I found myself zoning out since the conversion had switched to football, and I could barely make out the sound of a female voice saying my name.

“Hey y/n, I have to go to the bathroom… can you come with me?” - Jess

It was Jess, Sam’s girlfriend.

I turned to Joe to see him already looking at me. He was waiting for an answer.

“Will you be okay if I go to the bathroom?” - you

My face faltered when he immediately started biting the inside of his cheeks like he does when he's nervous, but he nodded yes.

“Okay. Be right back.” - you

Before I stood up, Joe caught me off guard when he placed a soft kiss on my cheek.

Even Jess took notice, and as we walked away from the table, she commented on it.

“Your boy seems a little touchy today.” - Jess giggled

“I have no idea what's gotten into him, but you will not catch me complaining.” - you

“I hear that.” - Jess laughed

——

Minutes later, Jess finished washing her hands, I finished fixing my mascara, and we left the bathroom.

We laughed as we walked back to the table, just talking about our boyfriends and having a good time.

Walking up to the roped-off area, the same security guard that had let us in and out five minutes ago wasn’t even acknowledging us.

“Uhm, sir? Can you let us back in?” - you

The burly man looked at me, then to Jess, and silently shook his head no.

“Why not?” - Jess

“Don't see any passes… and the last time I checked the Cincinnati Bengals don't draft women.” - security guard

Jess reached into her purse mumbling a “Don't worry” and took her pass out to show the guy.

He studied it intently and eyed Jess once again.

“Okay.” - security guard

Relief washed over me when he moved the rope and Jess stepped through. I followed behind her but he closed it back before I could get to the other side.

I went to yell after Jess, but she was already around the corner, and the club was so loud that if I yelled at the top of my lungs she wouldn't be able to hear me.

“Not you.” - security guard

“Excuse me?” - you

“Listen, girl. I get it, you wanna try to make your move on one of the players because you want their money. I've dealt with girls like you before, and it’s not going to happen.” - security guard

I stood there completely baffled.

“What did you just say to me? You just let me walk out like ten minutes ago.” - you

“Now you're trying to gaslight me. Oh and let me guess, you're dating a player?” - security guard

“For your information, I am dating one of the players. I have been for six fucking years. You watched me walk in with him!” - you

“Of course you are and I have no recollection of letting you in the VIP lounge. You don't look like the… NFL player’s type.” - security guard

“This is unbelievable. I don't want to sound like a braggy bitch, but my boyfriend is Joe Burrow. I suggest you let me in before he finds out about this altercation.” - you

“Ma’am, with all due respect Joe Burrow could have any woman in the world… and I don't foresee him picking you. You don't have any proof of him being your boyfriend either.” - security guard

I grabbed my phone out of my purse and attempted to call Joe, but it went straight to voicemail.

“Shit. Voicemail.” - you mumbled

“Look my background is me and him. He's in uniform. This is after the AFC Championship in 2021.” - you

“That could be edited. Look lady, you're very persistent but I'm going to have to remove you from the club.” - security guard

Before I knew it the guy was grabbing my arms at full force and started shoving me around.

“Let go of me!” - you yelled

I could feel tears welling up in my eyes, but as always before anything could happen, I heard that voice.

“What is going on here?!” - Joe

The look on the security guard’s face when he turned around to see Joe, looking like a bull ready to face a matador, was priceless.

“Sir I was just…” - security guard

“Manhandling my girlfriend? Because that's sure what it fucking looked like.” - Joe

“I thought…” - security guard

“Let go of her before I break your arms!” - Joe

He immediately dropped my arms and Joe gently whisked me behind his back.

“What is it that you thought?” - Joe

“She told me you were her boyfriend, but I thought she was lying.” - security guard

“Why’d you think that?” - Joe

“She just doesn't look like a girl that an NFL star like you would get with. That simple.” - security guard

“What the fuck did you just say to me. You better get out of my face before I bash yours in.” - Joe

“Can you blame me, dude? She’s not really… you know…” - security guard

“She's not really what?!” - Joe yelled

“The smallest girl on the planet.” - security guard

Joe's entire face turned red as he bubbles with furiousness.

“That’s it.” - Joe lunged forward

I immediately grabbed his wrist and pulled him back with as much strength as I could. Once he was beside me I put my hand on his chest, knowing it helped him calm down.

“Don’t. It's not worth it, Joey.” - you

Joe looked down at me to find my face completely flushed and my tear-filled eyes pleading.

“Congratulations, you've just worked your last shift.” - Joe

He moved away and took my hand, moving the rope himself and slamming it on the ground before he walked back over to the booth.

I sat back down in our spot, but Joe stayed standing with his phone in hand, seemingly dialing a number.

Joe just radiated anger right now as he held his phone up to his ear and started raddling a million miles a minute.

A few minutes later, he sat back down next to me with a deep sigh.

“Had to call the owner. That guy’s never working here again. I swear one of these nights I'm going to beat the shit out of someone.” - Joe

“I’m so sorry.” - you blinked back tears

“You have nothing to be sorry for, absolutely nothing. I should've walked you to the bathroom. Oh and forget every word that fucking dick said. You're the only woman I could ever picture myself with. You're the most beautiful girl in this entire world, and you are perfect for me. I love you more than anything.” - Joe

I buried my face in his neck without even thinking about where we were right now, but Joe didn't care. He wrapped his arms around me and rubbed my back.

“Thank you for being the best boyfriend a girl could ask for. I love you more than anything, too.” - you

“Wanna go home?” - Joe

“Please?” - you

Joe stood up immediately and took my hand. We said goodbye to everyone and made our way back down the hallway. When we found ourselves in the main room, I figured Joe would drop my hand, but he didn't.

——

We approached Joe’s car, and he opened my door like always, showing off the gentleman he was.

As soon as he shut his door, Joe crashed his lips against mine.

“When we get home I'm going to show you how damn desirable you are. I don't care what other people say you're perfectly made for me.” - Joe

And that's exactly what he did, both verbally and physically. Joe made me feel like the most craved woman in the world.

————————————————————————-

Authors note: ending the night (and the 5th day of Christmas) with some angst.

Request for this fic;

hope you enjoyed! ❤️

[slowlysoluminary]

Reset AU ... mirror room art piece and a supplemental from ghostloop's pov 🎉

Writing under the cut! (Lots of words... oops!!!!!!!)

(Venturing through the house has been nothing short of a terror.)

(The sadnesses littering the area are NOT helping!)

(Granted, you know how to fight - you have each sadness' type memorized, each name and gimmick on lock - but your craft...)

(You're not sure what Craft type you are. You're corporeal enough for your hits to connect, but not corporeal enough for attacks to land on you. Harder still, considering the craft types are all equally as easy for you to summon.)

(Maybe "easy for you to summon" is poor phrasing. Your attacks feel wrong. Unfamiliar.)

(Your Piercing Craft likes to trail, not unlike the rest of your body. You struggle the least with Scissors-type attacks, but it feels like something fundamental is missing in each of your strikes.)

(Your Creative Craft leaves after-images. You thought you were Paper craft for a good while, but you're clumsy with it - like it wasn't made with your body in mind.)

(Your Protector's Craft sparks like energy through your fist. Something pangs at your chest each time you form the handshape.)

(Your attacks are strange. Craft personalizes itself to its user, but for such attuned craft to be so alien....)

(Thinking about it gives you a weird headache.)

(So you won't!!)

(You watch Siffrin fight. He made you sit out of battle after that time you downed yourself. Impeccable aim, Loop!!)

(... They never win, but you figure you should respect their wishes regardless.)

(You feel Experienced. Like these sadnesses would wither away if you poked them too hard. They probably would, if you could land a hit in the first place!)

(You can't help but compare the way he fights with the way you fight. Or, the way you think you should.)

(Like his name, like the House, like everything else, it's all familiar. You fight the same way as him, but your craft makes it difficult to do so comfortably.)

(You can't help but be envious. Why are you envious?)

(The style isn't even yours! You're pretty sure it's adapted from his, even!!)

(Nothing is your own. Not even your body is safe!!! Your skin prickles when you look down. Stars dance across your form naturally, yet it feels unnatural all the same.)

(Stars, are you going crazy? You think you're going crazy!)

(Siffrin shifts next to you, walking comfortably in your silence. You lead the way to the next door.)

("Why Stardust?" They asked you that, before. At least, you think they did? What did you respond with? Something about what's left...?)

(... You don't know. Just, seeing him, talking to him - he's Stardust! So, you must be Loop.)

(It found you so easily in your sea of muddled memories. It must be what the Universe willed!)

(But you still don't know. But you still can't remember. What's wrong with you?)

"Finally, third floor..."

(Siffrin turns a key. You're climbing the House. Right.)

(You smile. Is it forced? You're not sure. The gesture reminds you of something.)

>"Awh, good job, Stardust! It only took you... ehm...."

>"20 Loops! That's great! A bit worse than me, but who's keeping track, right?"

"'A bit worse than you?' Did you remember something?"

("A bit worse than you?")

>"What? I didn't say anything."

(You didn't. Did you?)

(Siffrin makes a noise. They're looking at you funny.)

"Nevermind."

(O~kay. Weird.)

...

(The King sobs.)

(They talk to you about him. A lot more than you want them to, if you're being honest.)

(Hearing his name, his likeness, to be spoken of so fondly - you feel rage. A deep and primal anger you're sure you've never felt before and will never feel again.)

(So, yes! Hearing the King sob the whole time like he's not actively dooming an entire blinding country has done wonders on your psyche! The reminder of his existence fills you with such joy and whimsy!)

(Your smile is pulled so taut you think it would tear at your skin, if you had any.)

(Siffrin's expression is plagued with sympathy. Something in your core stirs violently at the thought.)

>"Chin up, soldier~! One more floor to climb!"

(The sympathetic look fades, but you don't feel any better. You don't think about the implications.)

"... Right. One more floor."

>"I hope all this effort was worth it!"

"Ditto. Even if I can't snap some sense into him, I just..."

"I want to talk. I've told you about it before, but-"

(stop don't talk about him no no no no)

>"STARdust! Surely there's no need to go over everything again!"

>"You might be forgetful, but helpful Loop here already knows the ins and outs of your fool-proof plan~!!"

>"You've told me about it, you continue to tell me about it, you don't stop telling me about it — I GET IT ALREADY!"

>"Just. We'll. We'll get to it when we get to it, right? Please."

(you're not sure why)

(but the thought of talking to the king fills your entire being with sickness)

(Too bad you can't throw up! Teehee!!)

(Siffrin looks pained.)

"Right, I'll just -- I'm."

"I'm sorry..."

(Oh.)

(His voice is so tender. So quiet.)

(You ruined it.)

(That's fine. You don't -- you don't need the ability anyway. You can make your way through the house on your own. You don't need them to get stronger. It's fine.)

(...)

(What were you thinking about? It doesn't matter.)

>"So~! That out of the way."

(This time you ignore the King wailing above you.)

>"Where do we go?"

(His face is hidden from you, beneath the brim of his hat. You have a fun time thinking about the expression under it!)

(Is it twisted in frustration? Appalled? Mortified? Betrayed?)

(You know those faces like the back of your hand, but the specifics amalgam in your head, a foggy mass of uncertainty.)

(You feel a tingle on your cheek.)

(... Yes, fun! What fun!)

(Siffrin clears their throat.)

"... You've been leading me through most of the House, Loop."

"So I thought you would know where to go?"

(You have?)

>"I have?"

"Yes?????"

(What????)

>"No I haven't."

"Yes? You have??"

(He looks offended???)

"The rock trap? The key I missed in the Head Housemaiden's office?"

>"'Fraid you're not ringing any bells!!"

(Conversations are one of the only things you remember. Everything else blends together.)

(So, you should know this, shouldn't you? They must've brought it up a few times while you were walking. You weren't thinking too hard about where you were going. The paths feel wholly natural to you... But you do remember that the amount of times you had to give Siffrin a Super Sour Tonic was atrocious, really.)

(How does anyone lose to sadnesses THAT often? It's ridiculous! He should just let you fight!!!)

"Loop?"

(Whoops!!! You should pay more attention to your surroundings...)

(...)

(No, okay, wait.)

>"When did we get to the mirror room?"

(The glare Siffrin gives you bears the striking image of absolute incredulocity.)

(That's not a word. Whatever!!! You can make up new words if you so please!!)

"You're kidding."

>"Completely serious question, Stardust!"

"...'Stardust, I am the epitome of good memory...'"

(HE'S MOCKING YOU!!)

>"I am! I swear it on my mother!"

"Stars have mothers?"

(You shrug before remembering to raise a gloved hand to your mouth.)

>"I don't know!"

>"But I'm sure, if I had one, she'd be especially bright."

(An eyeroll.)

(They don't laugh.)

(Why does that bother you?)

(Eh, probably because that one was funny! No fair!)

>"You're no fun, Stardust..."

"Okay."

>"Whatever! I'll find a pun buddy somewhere else!!"

"And where would you go? Vaugarde's frozen in time."

("And you're practically a ghost," is what goes unsaid.)

(...mmm. No, it's fine.)

>"I'll write to them! We'll be pen pals!"

>"Or I guess we'd be pun pals, ehe."

(They snort. Mission success!!!)

"Not funny."

>"Oh, come on! You laughed!! That means I won the bet!"

"The bet was about laughing at your jokes. Puns don't count."

(Bummer! You pout.)

"Real talk. Any particular reason for bringing us here? I trust you, but..."

"... The only thing in here is that mirror."

(They point to the large mirror at the end of the corridor. You nod. There is a mirror, and nothing else.)

>"Indeed so."

"And you called it the mirror room?"

(Did you?)

>"No I didn't."

"I'm not arguing with you again..."

(Aren't they doing that already?)

"Just answer the question."

>"I wasn't aware I was being interrogated! I need a lawyer!!!"

"Loop."

>"Fine! I-... Um."

>"I."

>"I'm not ... quite sure?"

"You're not sure."

>"Nope!"

(They sigh.)

"So you led us here... for no particular reason?"

>"Exactly!"

>"Well. No, I'm sure there's some reason we're here."

>"I feel like there's something else in this room, you know?"

>"But! As far as I'm aware!! There is nothing in here!!! Save for that dazzling old mirror!!!!"

"Right."

(He doesn't believe you.)

"... Let's look around, then?"

>"Sounds good to me."

(You look around.)

(Okay, you don't actually do anything. Siffrin's going at it, though!)

(He checks the pillars. And the corners. And the bricks. And the pillars again.)

(It's... really boring.)

(It's better than the Other Thing you could be doing. The Elephant In The Room. The Big Mirror In The Corridor-Room. That.)

(Hm. Hmmmmmmm.)

(You weigh your options.)

(Boredom. Or headache. Boriiing borreeedooom...... or excruciating headache.)

(Or answers? You don't know the mirror's deal! You could get something meaningful out of this!)

(Or you could get a headache.)

(Or you could lean against a pillar, bored, for the rest of eternity, waiting to be Done and Over With This.)

(...)

(You've been pointedly ignoring the existence of the mirror for quite the while now.)

(Something goads you. A whisper.)

(You follow. Siffrin watches you, curious.)

(You don't... You don't really want to look.)

(Just looking down spikes something uncomfortable under your skin.)

(So you're not sure what to expect, if you were to look in your reflection.)

(Whispers turn to spoken tongue turn to yelling turn to screaming as you approach the glass. Yet, no matter how loud they get, how heartfelt they screech, you can't make out the words.)

(Something in you hurts as you stand in front of the glass.)

(You take a breath)

(in, and out.)

(And you look up.)

(and all at once)

(everything goes quiet)

(...)

(You gaze at your reflection)

(You gaze at a star.)

(is this you?)

(you wave your hand)

(it waves back.)

(You frown. It frowns too.)

(Stars. All up its body.)

(More than you could dream of, could you still dream in the first place.)

(Flame-like spikes flicker freely from its head, immitating hair.)

(Imitating life.)

(You're looking at a ghost.)

(you're a ghost?)

(The screaming returns. You flinch back in surprise. The ghost does not flinch with you.)

(LOOP, it screams. LOOP, LOOP, LOOP, LOOP !!!)

(Its head morphs. It's something spikier, now. It's something right.)

(your head hurts)

(The ghost snickers at you. You look at it.)

(You look at it)

(it's)

(it's)

(loop)

(you look at loop)

(LOOP, the screaming chants, in agreement. LOOP!)

(someone is shaking you?)

(this is loop)

(but you're loop?)

(are you loop?)

(The screaming rises. You didn't think it could get any louder. You cover your ears and cower. It doesn't do anything)

(loop laughs at you.)

(you forgot)

(of course you forgot! you always forget! forgetful little siffrin! sieve brain siffrin)

(you stole their role. in the play)

(you stole them)

(you)

"LOOP!"

(You blink)

(You is in front of you. Your back is leaning against cool glass.)

(if your back is to the mirror)

(how are you looking in your reflection?)

(The you in front of you sighs.)

"You were out cold there... What happened, Loop?"

(you wait for them to respond)

("Nothing, Stardust!! You should go help out your little entourage! Or, you know, you could do something more productive? Like talk to the Head Housemaiden?")

(that's what you think they would say)

(you feel a shiver)

"... I'm not... part of a party...? Oh, no, nevermind. I get it."

(your reflection releases you. you slump to the ground.

(you pull your hands up to your head)

(and stop)

(your arms)

(your arms..)

"Loop."

>"... Loop?"

(Oh!)

>"Yes! I am Loop."

(Siffrin gives you That Look again.)

"What was all that?"

(All that?)

>"I'm not sure what you're talking about!"

"It was like you... um..."

"Forgot your name. Or something."

(Forgot your name? Scandalous!! You'd never forget such a thing!)

>"Nope, all good!"

>"I just... hm. Thought you were talking to someone else there, for a second?"

>"But I'm fine now!"

"If you say so."

(He doesn't take your word for this, either.)

(Oh well!)

(You bend down and flip the switch, extra careful not to look at the mirror. Or the photo that materializes in front of it.)

"How did you-?"

(They try to ask, but you're already moving for the key.)

(Loop.)

(That's you!)

(So why does that name remind you of someone else?)

[codacheetah]

Hey, so, the dagger conversation, right?

You know the one. You loop with tears 20+ times, Loop goes "haha tears so annoying right!" and then you pester Loop about being able to kill yourself with your dagger until. They get possessed.

Yeah, so, uh. Loop getting possessed. Why is that? What takes hold of them in this moment, and why is it now that Loop defying Siffrin is met with such severe pushback?

I think Siffrin accidentally bound Loop with a wish, in which they were forced to give Siffrin "permission" to use the dagger in order to fulfill the wish's conditions. (Explanation under cut.)

So. Wishes. What do we know about them? Well, we know that Wish Craft requires a combination of ritual and intent to perform. You must have a strong desire, and for this desire to reach the Universe, you have to perform some kind of action that opens the line of communication. We... don't know, fully, what rituals exist, but we do know that a significant part of Wish Craft rituals is repetition of certain numbers, one of which being three.

Now let's consider the dagger conversation. Loop asks Siffrin if they're annoyed yet, having to find a Tear every time they want to loop, before saying there's no faster way. You then have the option of agreeing, or mentioning your dagger. If you keep pushing, Loop gets angry and tells Siffrin that they don't want him to use the dagger. Something important to note about the following text choices is that, up until the third time you insist on using your dagger, you have the option to back out.

And then the third time. Loop gets angry at Siffrin for pushing the issue, and Siffrin replies "And who are you to tell me what to do?!" Loop tries to say something, before...

Loop gets possessed. Siffrin repeats his intent to do something (in this case, use his dagger to kill himself) three times, and Loop, on the third instance, suddenly loses the ability to defy Siffrin on the matter.

Recall the "SAY ITS NAME" sequence with the King. Siffrin and the King attempt to say the Island's name, violating whatever wish has its hold on the Island, and suffer physical injuries (to the point of death!) for doing this. Loop tries to rebuke Siffrin, and they experience sudden pain. And then... they loop. We know, because of the twohats fight, that Loop has the capability to loop independently of Siffrin. I believe that's what happened here, as well. They then are possessed, giving Siffrin "permission" to use the dagger, before looping once more.

It's just. I really don't know how to explain what happened to Loop without attributing it to Wish Craft.

Universe stuff indeed.

There is, of course, the question of "hey if Wish Craft can just Do That then isn't it likely that you could just force people to do whatever you want?!"

Well. I don't think that's likely. Remember Loop's role. They're here to help Siffrin. It's part of their own wish. And what constitutes helping Siffrin? Guiding them to keys, pointing out dead ends, giving you tutorials.

We know that combined wishes can have incredible levels of power. See: the timeloops.

It of course goes without saying that I sincerely doubt Siffrin would ever purposefully force Loop into this position, even at their worst. It's just not something he would do. We know Siffrin uses Wish Craft somewhat liberally and unconsciously, even within the loops, making a wish for strength/power/speed at the Change God statue, sharpening the KeyKnife. However, Wish Craft is... deeply caked in the general concept of "unintended consequences." I wouldn't put "violently taking over your mind and body" above the Universe.

TLDR; Siffrin holds the desire of "let me use my dagger" and accidentally Crafts it into a wish through the use of ritual (repetition 3 times). Loop is subject to "help" Siffrin, and through defying this role, they violate the conditions of Siffrin's wish. In response to Loop looping back to avoid physical injury/death, the Universe commands Loop's vessel to force the wish's conditions to be fulfilled in the most "direct" way possible.

[mintmatcha]

a meet cute

cw: cisfem reader, reader is part gnome, dungeon meshi universe, it's about an insane side character, sorry

A gentle breeze cuts across the shop, just over the front counter. You have to lean into it to get any sort of relief from this summer's heat. Your shop door's bell chimes as a customer walks in. It's unusual that anyone is out this time of day in this type of heat, let someone fully robed, scarf and hat included. He's dressed in dark, rich colors, the types of dye that drip with indigo and money, a contrast to the reddish tuft of hair of his head.

He'd be cute, you think, if he wasn't a gnome.

It's not that you don't like gnomes-- you are one, mostly-- but gnomes around your age are boring. The men nod along to anything you say, try to impress you with pleasantries and tidbits, all with that glint in their eye, they've found their next wife. They are dictated by societal niceities and traditions, topped off with a strange sense of superiority, all while they still eye you like a piece of meat-

But this gnome isn't looking at you like that. No, he's marveling at your wears.

The stranger tilts the glass in the sunlight and rainbows refract across the floor, dancing in looping, wonderful patterns long after his movement has stopped. Figures of dancers twirling around each other, bowing and dipping with ease, disappate into the air. His hands are actually a bit small for a gnome, thin fingers, uncalloused and delicate with the way he inspects the magic.

"The runes on this are subtle," he notes, mostly to himself. "Gnome magic on elven crystal."

"You have good taste." You lean more forward on to the oak surface and he jumps a bit, as if he hadn't noticed you were even there. "And a keen eye."

The man melts into a polite smile. His eyes are downturned and his cheeks are round, tickled pink from the sun. He approaches you, a prickle of chill following suit. There must be some elemental magic sown into his clothing or something.

"Thank you."

"No, thank you," you say. "It's my work."

"You have a talented hand for magic, then."

"And you have a talented eye."

His nose wiggles in that delightfully gnomish way that only old men do. "No talent, all practice."

You give him your name, he gives you his. Holm. Classic. Boring. Standard.

"Is this a gift for your wife?"

"Oh, I'm not--" He waves that thought away with disinterest-- which happens to peak yours. "My party mate is getting married."

"An elf?"

"Dwarf, actually." He twirls to glass again and the waltz of light resumes. "To be honest, we aren't very close. I don't really know what she likes, I just think she deserves something nice."

"The effect won't be as brilliant for her, because dwarfs don't tend to have a very good mana flow, but it'll still be pretty. A couple glasses for her and her beau-" You wipe away a bead of sweat that's begun to roll down the side of your neck. "And maybe a bottle of chilled wine. I think that's a very good present for anyone."

He nods, button nose crinkled with delight as he places the glasswork on the table before you. "I'll get a sex then."

A beat passes. You can't help the wild smile that sneaks out. "What was that?"

"Hm?" He hasn't moved, frozen in place, still holding the glass. His expression doesn't change, but you swear there's a touch of pink creeping over his ears.

"You said a sex."

"No, I said a /set./"

"No, you didn't." You cock your head to the side in the way that makes your neck look long and your smile charming. "Are you thinking about sex, Mr Holm?"

He swallows and you think maybe you've gone too far. Your brand of needling is more of a half foot type of humor, which isn't universally appreciated, to say the least.

"I'm- I don't--" Holm surprises you by laughing at him self. "I don't do that."

Interesting. A gnome with a sense of humor. You didn't know those existed. You lean back, trying to bite back your smile as you speak. "What? Think about sex?"

"Or anything else to do with that word."

You inspect him a bit closer. The colors, the hat, the symbol burnt into his pouch-- they're religious symbols. He's a spirit worshipper, one of the religions in the south. You aren't sure of all of the intricacies, but you know the most devout are completely celibate.

Holm shrugs rather casually. "Close enough."

"Oh, you're one of those monk-things, aren't you?" For some reason, you're a bit disappointed. Of course the man you have a nice rapport with is one that won't fuck you.

Not that you want to fuck him.

"So, you must think about sex a lot." You call as you walk to your backroom. There's a couple of different versions of the glasses, so it takes you a moment to find another set of dancers. Really, this guy has nice taste; this is your favorite piece. "Since you can't have any."

"Probably less than you do-" he calls back. "Since you heard is when I clearly said set."

Despite yourself, you laugh. It's not particularly funny, but there's butterflies in your chest and a tremble in your hands. You wrap the glasses in pieces of cloth and ribbon-- purple, to match his scarf-- before bringing them back up. The stranger is still watching you with that look on his face, the crinkle in his eye-

"It's on the house," You slide the gift wrapped presents over to him.

"I couldn't possibly."

"Just come back again some time. Or buy me a beer if you see me at the bar."

You both know that isn't a fair trade. Crystal is expensive, magic work even more so; you could charge him a couple hundred gold if you wanted, but... conversation is sometimes more valuable than money.

"I don't drink." He rubs the back of his neck, almost sheepish. "I eat, though."

The flutter in your chest gets worse. "Food then."

He nods. Taking the gift, he picks it up and starts towards the door, a hum on his voice and a deeper smile creeping up on his face. When he gets to the door, he puts up an arm to open it, then pauses.

He turns back around.

"I want to pay." The strange says, firmly. "I'll still buy you food, but I want to pay for these."

He pulls a bag of coins from his belt and presses them into your hand. It's heavy with gold. He doesn't pull away until you meet his dark, stern eyes and close your hand around the bag.

"I don't want to lead you on," he says, softly. "I find you very..."

He says more with silence than his words.

"Don't worry," you say, even though a worry does creep up your spine. "I'm not so desperate that I'll fall in love with a priest."

"Not a priest, but thank you." His cheeks puff with smile and you immediately know that you may have lied.

[dairy-farmer]

any new/recent fic recs?

answered out of order:

!!!! the list is a mix mash of ship and nonship fics + varied ratings:

brutim:

this somnophilia brutim fic

bruce having a wet dream about tim and thinks its not a big deal

secret relationship brutim with tim sneaking to bruce's room to fuck

others/tim:

RASTIM: rastim with some background damitim and heavily implied brutim where tim decides he wants to settle down and is ready to start a family.

KONTIM: this series of fics with kontim and tim being the go-to hypercompetent cape

JAYTIM: tim is too anxious and can't relax and asks if jason can fuck him + mention of dicktim

JAYTIM: catboy jaytim where tim is bruce's beloved catboy pet and jason is a stray sniffing around during tim's heat

nonship fics:

tim-centric fic about him being trapped in a time loop at seventeen and the consequences and breakdown of someone's morals when they're facing a cycle of eternity

supportive dad + trans tim bruce noticing little things about tim and gifting him his mother's old necklace <3

titans tower au, tim is planning to scare kon as the girl from The Ring and ends up terrifying jason

amesiac tim thinks he's a goon and knocks out and captures jason, dick, and bruce for his boss but then things start feeling familiar

bruce refuses tim as robin so tim decides to apprentice under alfred as a butler he helps bruce get better anyway

tim's parents die, he goes to an orphanage and convinces jason to take his identity as tim drake so tim can be free to be anyone

selina pov where tim is a selkie and trying to hire her to steal back the pelt bruce is hiding somewhere

tim is bruce's emotional support animal named baby bird. he's also a dragon

this one isn't tim centric its actually more damian/robins centric but its AMAZING and i highly recommend it!!!!

canon verse meets reverse robins universe with dark batman who is a creep and raping his robins and rescue them with damian who has done his best to protect them.

[savannahsdeath]

THE LOOP ENDING

knight!ellie x princess!reader

read the first chapter; here

warnings: mentions of forced marriage, readers mom is a really bad person, nightmare, blood, death of an animal, public execution, runaway.. lmk if i missed anything !!

writers note: ellie is so silly i want to keep her in my pocket .

you woke up with a gasp, sitting up and propping yourself on your weak, shaking arms without even realizing it. you felt an uncomfortably slippery texture under your hands - your pillow soaked with sweat and tears which you unconsciously shed during your dream nightmare. and though sweat usually connects with heat, your trembling body was the complete opposite - you felt like a cube of ice, even with the covers hugging you.

and yet, there was some sort of a warm sensation that calmed you down.

"i'm here, your highness." a voice whispered, and you started to realize you're not alone.

indeed, the mattress was slightly dented on your left side, as if someone's weight pressed it down. you rubbed your eyes and catched your breath, tilting your head to face ellie.

you let out a dry sob and wrapped your hands around her, making sure your embrace isn't leaky, and she won't somehow slip out between your arms. you were sure it wasn't a hallucination as you felt her firm hands on the back of your head.

"another nightmare, huh?" she smiled against your neck, but you could guess how concerned she really was. "what did your mother do this time?"

you sighed but forced a weak smile on your own, tired face. "you have no idea." you shook your head, nuzzling your face in her shoulder.

"this woman is going to be the death of me." she chuckled and you noticed how raspy her voice was. she probably didn't sleep at all, knowing what awaits her— what awaits you both this night.

and you— you just broke down crying at her words. she was so right and she didn't even realize it.

no matter how bad you felt in this right moment, you had to do something. you couldn't wait.

"what time is it?" you asked, but you got cut off by some of your sudden sobs and sniffles.

"a good few hours passed since we came back from the garden. four, maybe five." she shrugged, stroking your hair.

so you were in the backyard with her. you watched the stars together and you— you shared a kiss. the rest of the week was just a dream. how is it possible?

"ellie..." you wiped your tears away, your sadness disappearing and getting replaced by confusion. "do you know anyone named luccy?"

"luccy?" her hand, which caressed your head, suddenly stopped in it's track. "how do you know about her?"

you let go of her, pulling away so you could see her worried expression. "she was in my dream." you explained. "she helped us."

us. because even if she tried to save ellie, she also relieved you. you'll never forget what the letter said, "my friend took care of me". somewhere, in the worst, most brutal universe, luccy was the savior for both of you.

"well, what was your dream about?" she murmured, nervously clearing her throat. she seemed to know it wasn't anything good, and the fact her friend was in it made it feel so real, so... prophetic.

"i—" you parted your mouth, but your voice slowly drifted off. you wondered when did it start. when did everything go downhill...

you figured out it may be your reckless ranting on the weddings day.

"it's one of the knights." you really weren't controlling the words coming out of your mouth and that could only mean one thing - problems. "ellie."

right, it must be it. what were you even thinking?

after a second you realized ellie would live if she didn't interrupt the ceremony. that's when it really happened.

but then again, maybe she'd survive if she picked a different hiding? maybe just luccy's house wasn't safe?

you got lost in the options. everything could lead to this tragedy. every little mistake. at this point, you didn't have any choices. only one thing could stop this — making sure the wedding won't happen at all. as long as you were married, you couldn't achieve a happy ending. it was simply not possible.

when you came to your senses, with a light jolt of your whole body, ellie's hands were resting on your shoulders.

"i'm sorry—" you mumbled. "i was... thinking."

a ray of sunlight was shining through the blinds, irritating your sleepy eyes. your knight leaned in, covering it and making you disappear in the darkness again. her hands cupped your chin and her thumb traced your bottom lip.

"something's wrong, isn't it?" she sighed, knitting her eyebrows together.

"yes." you lightly nodded, not wanting your movement to cause in her comforting touch leaving your face. "i won't let anything happen to you."

she chuckled, pressing her lips to your forehead for a few long seconds. "i'll be fine."

she's won't. not if everything comes out as in your nightmare. and you knew how easy it was to fail - everything can lead to an unstoppable situation. you got a second chance, you could fix everything. you won't get stuck in this miserable loop.

"no—" you shook your head, weakly repeating; "no, no... we should pack our things and—"

"and what, your highness?" she smiled, as if she didn't take you seriously, but you knew that's not true. she knows she's in danger. she has to know, she has to realize that. "we have nowhere to go."

you pulled away from her and fell on the bed, making it look like you were throwing a tantrum, what had some truth in it. you really were mad, not angry, but a little mad... how could she be so unfazed? did she not understand?

and then again, she was right. you wouldn't survive in the forest, probably not even in your poor town. you were really independent, as for a princess, but you were too used to living in luxury. only one thing came to your mind, and somehow, it made sense. "we have luccy on our side."

her pearly whites disappeared under her chapped lips, though the corners of her mouth were still slightly upwards. "what about her?"

you whined with a shrug, rolling on your side to not face her. "forget it."

"no, wait, tell me." she pleaded, laying down beside you. "i'm sorry, your highness. i w— won't laugh, 'promise." she raised her hand to pinch the bridge of her nose, making her embarrassment obvious. your trust and respect was the most important thing in her life, not counting your love. the love that made you change your mind and open up to her, even if she'd shrug it off.

"maybe she knows a place..." you started but gave up midway. you truly didn't know what to say - you didn't have a plan, not even a single idea. the little bulb in your head was off and won't turn on, no matter how hard you'll focus. "i— i don't know, 'm sorry..." you rolled over to face her, even though you usually didn't want to let her see your embarrased state.

"well," she smiled, tugging a loose strand of your messy hair behind your ear, while her free hand rested between her head and one of the pillows. "i know a place."

your eyes flashed with curiosity, widening and brightening, reflecting some sort of light that wasn't even there, in your dark room. "you do?" you propped yourself on your elbow, parting your lips in focus.

"well, not personally..." she chuckled, looking away and fidgeting with her fingers. "i heard that— you know, in town— they have a map of neighboring cities. they often travel to trade things and..." you sat up, looking down at her with an expression that signaled your surprise. "i can try to talk with someone—"

you cut her off by leaning in and pressing a peck on her lips. "you're amazing, ellie." you stood up and started rummaging through your closet, after you pulled out an old leather suitcase from under the bed.

she trailed after you, though stopped at the edge of the bed. "what are you doing?" she frowned, pouting her lips in a way that made your mind squeal.

"packing." you spun around, making a show by throwing each neatly folded piece of clothing with exaggerated grace. "you should too!"

she got up and stared at your moves with crossed arms, what could feel judging matched with her slightly mocking pout. she nodded, as if it was obvious. "so you just want to leave like— right now?"

you dropped a dress you were holding on the floor and walked over to her, putting your hands on her shoulders. "yeah?" you shrugged, not sure what is making her so... confused. "it's now or never."

"now or never..." she repeated, still inclining her head up and down before stopping with a loud click of her tongue. "of course." she slowly walked backwards, towards the door. "you're crazy, you know that?" she laughed and for a split second you thought she's heading to the exit because she wants to leave - leave and tell everyone about your plan so someone would stop you. "let's meet in the garden as soon as you finish."

you let out a deep breath you didn't even know you've been holding. she winked and disappeared behind the scratched piece of wood you couldn't really call door anymore. you slammed it with force inappropriate for an innocent princess too many times.

⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

"how did you know there would be a hole here?" you pointed at a spot in the wall which lacked dozens of bricks, creating an empty circle enough for you to fit through.

"oh, sweetie..." she nonchalantly smiled, and you couldn't help but freeze at the nickname. it was definitely the first time she called you something else than 'your highness' or 'my princess'. "do you think it's my first time stealing a horse?"

"why would you steal a horse?" you pushed your bag into the hole, kicking it forwards with your leg to make room for yourself.

"well, not steal, i only borrowed them." she put her hand between the bricks and your head, protecting you from bumping into them if you'd accidentally raise your chin. "sometimes, when your mother pisses me off— nothing's better than some fresh air."

you hummed, crawling to the other side of the grey wall. you straightened up, wiping your dirty hands in your dress and jumping in excitement. "come on, ellie! i'm waiting!"

soon enough her package appeared next to you, reminding you of your own, so you picked it up with a loud, sharp huff. you swore that it weighs more than you and your knight (in full armor on!) together.

"let me take it." she extended her hand towards you, curling her fingers in a 'come on' gesture. you didn't see her coming, so you budged, what made you drop your suitcase. you raised it, this time holding back a gasp, and shook your head. "so stubborn." ellie murmured with a smirk.

"i— ugh— 'm not stubborn. i'm just— uh, strong." you whined, persistently dragging your bag with you.

"my strong princess." she taunted, lifting and withdrawing her own package like a weight. you rolled your eyes but you admired how easy it was for her - your strong knight. "we'll see how long you can last."

"oh— 's so mean." you huffed again, causing in some loose strands of your hair flying upwards.

you walked along the wall, letting ellie stay a few steps behind, as you searched for the back door of the stable.

the plan wasn't complicated. you couldn't just take your horses and leave - not before the sunrise. not only the guards won't let you, but they'd also tell your mother about your suspicious behavior. she'll immediately figure your plans out. so, you had to come in through the second entrance - the one from the forest's side. then, you'll just take your horse - without making much noise and... go wherever you want. you'll be free and in such a simple way. easy. too easy.

"ellie?" you started, seeing massive wooden door a few meters ahead. you waited for her curious 'yeah?' before continuing; "how are we going to get inside?" you let her laugh for a few seconds, but she didn't gave you any answer even after her burst out finished. "so, how?"

"do you think they guard it?" she asked, running four steps forward to catch up with you.

"they don't?" you knitted your eyebrows together. "but that's dangerous!"

she shrugged, though her nonchalant smile clearly communicated; 'i know something you don't'.

after a few minutes and ellie's messing with the padlock, you safely got inside the stable. you ran up to your white, well-kept horse - pearl - forgetting about the burdensome weigh of your package, which quickly stopped being your problem. your suitcase quickly got on pearl's back, just like you, though you had to hold it the whole time. ellie's animal was the opposite of yours. in appearance -  it was a chocolate shade of brown with a few lighter, as white as pearl spots, but also personality. whoever doubted that horses have personality could be easily proven wrong - when yours was a total princess (though it was easy to make her cross some boundaries), ellie's was way too confident and energetic.

you left the stable— or, well, pearl did it for you, and impatiently waited for ellie as she closed the door after you. on her way back to shimmer - her horse - she patted pearl and jokingly tugged on your leg, what almost made you kick her straight on her nose. yet she just laughed, and you did too. you had reasons to be happy.

⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

ellie helped you get off pearl before beginning to tie both animals to a nearby fence. "could you call luccy?" she asked with a loving smile.

"i don't know, ellie, i don't know her—" you explained, nervously stuttering and scratching the back of your neck.

you were scared of this moment. you were about to meet the person who tried to save ellie, a person who's actions could be so important in your story. could be, but you teared out a few pages and decided to overwrite them. you didn't know what genre will your book be, not yet, but you knew luccy will be in it. and she'll be a good character, even if she'd only appear in one chapter.

"nothing to be scared of." ellie reassured you, finishing her job and walking up to you. she put her hand on your lower back, slightly pushing you forward and, before you could protest, she knocked on the door for you.

you waited a few seconds, not too long but enough to let you know that she was doing something before you interrupted her. she was a tall, skinny woman with blonde, shoulder-length hair. her big blue eyes were squinted, signaling her defect of vision. she looked messy but, you had to admit, pretty.

she mumbled something you couldn't quite understand, maybe just a bunch of nonsense, and pulled you in for a hug. after a moment of hesitation, you wrapped your hands around her too, carefully listening to her rambling.

"come in, girls." she pulled away and stepped aside, making room for both of you. the way she acted around you carried a friendly tension - something that you never felt with any other stranger.

"we won't bother you for too long." ellie smiled, wrapping her arm around your waist to make sure you won't get lost. well, there was no way you'd get lost in this little cottage, maybe ellie was overprotective, or maybe needed an excuse to be close to you.

"oh, i hope so!" luccy laughed, closing the door with a loud creak which hurt your ears and made you wince. "my mother is sick. i have a lot things to do, really." her gaze wandered, staring into all the obstacles on the floor with a sigh. the area was... messy, to say nicely. "but i'm glad to finally meet you." she looked at you and you instinctively looked around to see if there's anyone behind you. after realizing she really means you, you honored her with a smile and nod. "ellie told me a lot about you."

for a second, you almost said something similar, before realizing ellie never mentioned luccy. you first met her in your dream, if you can even call it a 'meeting'.

and, obviously, 'we won't bother you for too long' turned into hours.

ellie asked her for a favor, a big and dangerous one. you didn't plan it with her beforehand, she surprised both of you. and the way she said it... so unfazed, so unbothered. "we know that gossips spread fast here so— i thought you could start a rumour that you saw the queen ordering someone to kill us." faking death was smart and making your mother responsible for it was even better but, jesus, why would she ask for that without consulting it with you? your own mother trying to kill you.

when you finally left, the sun was close to setting, but at least you had the map. it was an old, damp piece of paper with weird lines on it.

"this square is the castle." you remembered luccy tapping a purple shape, before tracing her fingers along a red line to a green triangle. "here's... our friendly neighbours. they shouldn't know you're the—... princess. i advise you to settle down here."

you tried to reconstruct the route, but it seemed way more complicated now. you knew where's the castle, but where's your current location? you passed the map to ellie and got on pearl with an annoyed huff.

"are you still mad for the rumour plan?" ellie asked in a hopeful, innocent and pleading voice.

"no—" you smacked your lips. "well, yes, that too."

her expression turned serious, but soft, and her voice had an understanding undertone to it. "you'll thank me once we'll live our life, free and happy."

────────────── ⋆⋅☆⋅⋆ ──────────────

and you did. you thanked her everyday, you showed her how grateful you are all the time, in every way possible.

you quickly got accepted to the town's community. your silver coins were enough to buy a small cottage with some space for your horses outside. dina - a girl your age who was always there to help - said the previous owners died, by some disease unknown to you, related to animals. you still had a lot of change, so you kept it in a jar above your new desk. everything was new, so new and unusual. you had a lot to learn - how to hunt, and cook your prey, sow and harvest your seeds... but you could gladly admit you were doing just fine.

not long after you settled, you found barely breathing pearl in the backyard. her perfectly white skin was interrupted by a blurred, dark red spot. there was an arrow stuck in her leg, close to stomach, and you had no idea for how long she suffered before you found her. the whole morning? night?

"i'm sorry." ellie leaned down, pressing her head to pearl's stomach next to you. "i'll find out who did that and i promise—" you cut her off with a shake of your head and a weak 'no'. you hoped it was a mistake, a one-off situation. you hoped you won't have to take any action. ellie sighed, standing up after patting pearl's body. "i'll get dina, okay?" she asked, and you weren't sure if she's talking to you or to your poor horse, so you only hummed in response.

"we could save her, it's just a little arrow—" you persistently pleaded, but you were met with nothing more than disappointed sighs.

"a wounded horse is useless." dina shrugged, and no matter how much you wanted to disagree, you knew you have to trust her.

and that's how your best friend, because that's how you liked to refer to pearl, even if it's just an animal, turned into a few gold coins from the town's butcher.

ellie liked to pretend it doesn't bother her, really.

"things like that are normal here" or "we have to get used to... that" and finally "it's not a big deal, you know, not anymore".

yet, she checked on shimmer every hour. one day, when you were trembling from fear as she didn't come home after sunset, you found her asleep in the backyard with her own friend. you couldn't wake her up, not when she looked so calm and innocent, with her lips parted and deep, loud breathing. you sat next to her, eventually drifting off to sleep too.

you had a dream, first one since moving out of the castle. it was a reminder of the new start, not only yours, but of all the residents. revolution.

it was about an event, which happened a few months before. about two weeks after you crossed out your royal past, luccy visited you to tell you about the success of ellie's plan. when you got to town - on still well and safe pearl - you found an empty hill with a view on the gallows. it looked just like in your nightmare, though except your loved one, your mother was the one standing there with a noose around her neck. one of the men, which you also saw in your dream before, shouted out loud all the bad things the convicted did, and you felt relieved that her death sentence isn't only caused by you. it turned out she broke her own law more times than you could imagine.

"...ordering the murder of her own daughter, our only princess..." you heard him reading out loud, almost yelling, and much to your surprise he didn't mention ellie.

you couldn't help but compare this situation to your love's penalty - no one said what she did wrong. your mother was determined to make her die, and she did, not even bothering to make up some reasons. but it was just a nightmare, and now, you were glad everyone will know how horrible the queen really is.

"i— miss this place." you pointed at your surroundings and the small castle you used to live in, far, far, far away. "i wish i could let them know i'm safe." you looked at the people mourning you, knowing it's the end of your lineage. you were in line to the throne, and now... who will live in your castle? you couldn't come back, though. in their minds, you were dead. they weren't completely wrong - a part of you really died. an useless part, which you didn't need anyway. "but then they'll all realise my mother is innocent."

"oh, hey now!—" ellie chuckled, like she always did during serious talks about your mother. "just because she didn't kill us doesn't mean she's innocent."

for a moment, your mind wandered to how she treated the service. how she treated everyone, unless they were other royals and she needed something from them - like the prince. oh, how nice she was to him.

the list of her faults was long, much longer than just the mention of your death. you nodded and with that thought, proudly watched your mother die.

✧˖°

[openphrase123]

hey hi hi i've read everything of curtain call (except, obviously, what hasn't been posted yet) and i HAVE to ask you to share your lost country/skywatcher language thoughts so i can devour them immediately please.

hiiiiiiii so like 90% of the language worldbuilding i did for curtain call was like. very simple sentences and words since i didn't want to make an entire conlang for this fanfiction. what i have written in-fic would fall apart in two seconds if i tried to expand it to any of the lines outside of what i wrote. HOWEVER i have a lot of thoughts about how it WOULD work if it had the capacity to expand outward

putting under a readmore both for curtain call spoilers and because this is going to get long and insufferable for anyone except ME

also if you're not reading curtain call. this is still a fun little analysis about how siffrin's native language influences their behavior. you might have fun with it wheeeee just know that the actual language i'm talking about is not canon. i made it up.

disclaimer: i speak a couple of languages but my knowledge of languages is VERY limited to what i know. so you're going to see a lot of instances of me calling back to japanese or other english dialects. other languages exist and also have these features but i'm just not gonna say anything if i'm not sure of what i'm saying. if you are interested in these concepts in a more academic setting i am NOT the place to find that

second disclaimer: in curtain call, the name for qilaksut comes from greenlandic/kalaalisut which is an endangered indigenous language. this is an open invitation to go learn who, historically, lived in and supported the land you're living on. consider supporting them whatever way you can.

number ONE. dude is it that serious??

nah.

again, i built this for like ten sentences out of a 100k+ fic. so like. there's some inconsistencies, there's some weird stuff. and i know i could have just written all of the curtain call qilaksut in english but italicized, there would have been nothing wrong with that. but i did not because i thought it would be a good exercise in character exploration

because the language you speak has some measure of how you act and carry yourself in the world. (sorry elizabeth if you're reading this. i'm not going full noam chomsky i swear i don't believe in linguistic determinism i'm using this as a literary device) and since siffrin is the only speaker of the forgotten language we see (loop never engages with that in-game as much) and i was a little bit like. okay. why is he like that. how much of that is siffrin and how much of that is the home they don't know

in odile's friendquest she remarks that she only finds similarity in herself within vaugarde because vaugarde is so welcoming to travelers. however odile never went to vaugarde until she was an adult - siffrin presumably lived on the island until he was a teenager, and your personality is fairly Formed by then (at least enough for people to put iterations on it in adulthood) so as much as i could have gone the route of "siffrin it's okay that you don't see yourself in your past" i thought for the themes of this fic it made more sense to go "oh THAT'S why siffrin is Like That"

so as you're reading through this: yes i'm worldbuilding language. but MOSTLY as a siffrin character study. okay! okay.

number TWO. situational meanings.

so ✦‧₊ is "you" and ✧‧₊ is "me/i". but "hello" is ❇✧ which - hang on, isn't that the word for universe and me? no, actually, there's no pronoun suffix (‧₊ denotes when a person is being talked about) so in this context ✧ means "inside". which means ✦ means "outside" in some contexts.

(but harrie, why does "hello" mean "inside universe"?? well i imagine it's the difference between older medieval greetings and the modern "hi". languages morph and drift. this kind of just suggests that without me having to write an Entire Language Family Background. probably a shortening of some corny shit like "within the universe i find you" or whatever. semantic drift.)

and part of the reason i did that was for unicode constraints - there are only unicode characters that look like stars. but the other half is because in japanese and i THINK also in chinese each character has a few different meanings. take 本, in japanese. it has a lot of meanings on its own but let's look at it in situational context. 本棚 is bookshelf. 本物 means real. 本土 is mainland.

so in qilaksut i think these kinds of multi-use words are common. ERGO. why siffrin has trouble thinking of very situational words in vaugardian. if your native language is built up of tangential mnemonic connections, of course you're going to have trouble remembering the word kiln!!

number THREE. reduplication and repetition

take the phrase "✦‧₊ »»⟢" from ch10. in my head, » means "fast" and doubling it gives you "really fast". this happens in AAVE (e.g. "he's RICH rich") and japanese (there is an entire kanji expressly used as a repetition mark so that you don't have to draw complicated kanji twice, it's 々(noma) and as an example, person is 人 but people is 人々)

reduplication is slightly different from this but i think it shows up for words like »», where you're not literally saying the word twice but the vowels double themselves. kind of in a trilling way. i actually say this in inutile and not curtain call but i think the Siffrin Accent wavers a lot and feels like a twinkling star. because i think it's cute

alsooo repetition. wish craft. do u see the vision

number FOUR. pronouns and clusivity

i don't get into the he/she/they or any other third person pronouns in the fic because. well i think the lost country would go so hard on pronouns. there are child pronouns. adult pronouns. pronouns denoting somebody's job or status. hell loop is SO casual about offering to use the "royal we" i genuinely think pronoun usage in the lost country is more tied to interpersonal relationships than gender. but of course that plays a role too

because i think there's a huge amount of gender concoction you could brew in there. i think it would be really fun if siffrin uses he/they because in qilaksut siffrin is mainly referred to as the neutral pronoun mashed together with the masculine one. i think that would be fun.

and then for funsies. clusivity. i definitely think there is a difference between "we" (me+one other person, excluding you) and "we" (me+others+you) in qilaksut. would be fun if this is why siffrin automatically assumes they're getting excluded from things. "where is the vaugardian inclusive we and why has nobody said it to me???"

number FIVE. structure

i don't have a lot of Full Sentences in qilaksut in the fic but in general it follows the pattern place - > noun - > adjective - > verb. and you might be going "harrie, you weeb, that's japanese again" well. i didn't want it to be like french or english. and that's the one i know. so. shut up!!!!

"well why can't it be the same syntax as vaugardian then?" i'm glad you asked. i wanted it to feed again more into the idea that siffrin is more susceptible to getting "lost" in a conversation. hard to focus when your normal syntax anchors are not there!!

but at the same time. i write siffrin as a polyglot in curtain call. they're pretty equipped to learn and absorb new languages. once you learn a second language, in general, your third/fourth/fifth gets easier

number SIX. things i can't do in the fic except for once or twice because of unicode restrictions

well i could do it ONCE. with two sentences that are coming up in tomorrow's chapter: but i think in qilaksut writing, changing the rotation/orientation of the word also changes the meaning. slight spoilers for tomorrow's chapter but siffrin has two ways of saying "love you" for two different people - for odile, it's ❥✦‧₊ and for isabeau it's ❤✦‧₊

this isn't for any particular reason, i just think it's neat in the context of how i do names and titles for the rest of the fic. getting called different names based on your relationship to somebody, using altered terms of endearment for someone. two extra rotations of the heart could exist in theory so one of them is probably "loving your kid" and the other issss i dunno. maybe a closer platonic love nearer to a qpr or something. or what you use for your parents/guardians or your betters. i didn't think that far!!

also word opposites. ✷ doesn't have another version with just the lines, but that means "yes" and i think a hollowed out version of that would mean "no." obviously the ✦/✧ shift goes here too. and i think the inverse of ✪ (little) would mean big. but i couldn't find those in unicode so they do not exist in this fic oops

if you made it this far into the post. hi. thank you for reading :) that was probably a lot more than you were asking for. i won't apologize. anyway this post doesn't even TOUCH how i do name stuff in the fic but that also feeds into this. (and the name stuff was something i took out of an old dnd campaign anyway) (of which i have a DIFFERENT altered version for my original fiction but shhhh)

[voidcat-senket]

HAPPY ANNIVERSARY JEDI SURVIVOR!

Please enjoy a collection of Cal Kestis/Bode Akuna fanworks to celebrate! Find the AO3 collection here!

tear down the planet for the hype

FIC AND ART | 4.8k | Teen and Up

“only my friends can call me by it. well, and my masters.” kestis shrugged before stepping back to sit on a stool that seemed randomly in the middle of the room. “but, we are engaged, it would be pretty weird if you were calling me by kestis.” “if it helps, my name is bode,” the jedi shadow said as he stepped forward, holding his hand out for kestis to take if he so inclined. “calling me knight akuna would be too formal for a marriage, whether or not it’s political, and—well who knows, maybe we can become friends?” [jedi shadow bode is given a mission that will end the war—marry sith prince darth kestis. that is, if he survives the first meeting.]

Tags: Alternate Universe - Canon Divergence, Order 66 Didn't Happen, Arranged Marriage, Jedi Shadow Bode Akuna, Sith Cal Kestis, First Meetings, Marriage Contracts, Negotiations, Bode Akuna is a Mess, Fluff and Humor, Pre-Relationship, Stewjoni Cal Kestis

FIND THE FULL ART PIECE HERE

Paper and Stone

ART AND FIC | 7.4k | Teen and Up | includes Bode/Tayala

Cal goes to Nova Garon to confront Bode, but he finds the man's quarters full of echoes that show him a side of Bode Cal never thought he'd see.

Tags: Alternate Universe - Canon Divergence, Psychometry | Force Echo (Star Wars), Cal goes to Nova Garon but finds more than he expects, echoes upon echoes upon echoes, SpyScrapper, if you wanted more of Bode and Tayala's relationship here you go

FIND THE FULL ART PIECE HERE (and a secret bonus here~)

love is death, love is dying; love is steel, a silver lining

FIC | .5k | Teen and Up

Cal is wary of the blaster Bode has given him. Bode teaches him some basic gun safety.

Tags: Guns, Canon Compliant, Sort Of, Maybe - Freeform, You Decide, Ambiguous/Open Ending, Missing Scene, Implied Relationships, Angst

Second Date! An Ode to Visual Novels

VIDEO | 1hr | Teen and Up

Tags: visual novel, time travel fix-it, time loop, simulated dating sim, Bode POV

fire still burns in a vacuum

FIC | 1.6k | Teen and Up

It's been a year and Cal returns to the observatory for the first time. He hadn't expected someone else to do the same.

Tags: Grief/Mourning, Character Study, Relationship Study, Ambiguous/Open Ending, Author Welcomes All Interpretations, This Is a Study On Cal's Grief With a Twist at the End, Post-Canon, Canon-Typical Dark Themes

FIND THE FULL ART PIECE HERE

Roots in Place of my Heart

8.8k | Mature | includes Bode/Tayala

When Bode saw the date, he had to swallow down a mix of blood and bile. There’s something growing in Bode’s chest, filling out the space that was left vacated when Tayala died and took his heart with her. They say the only cure to grief is life. Or death.

Tags: Hanahaki Disease with my own twist on it, Angst with a Happy Ending, Heavy Angst, Hurt/Comfort, Blood, Body Horror, Love Confessions, Pretending you’re fine even though you’re very much not, Grief/Mourning

Lights Glow in your Wake

FIC | 5.4k | Teen and Up

Cal gives Bode a gift for their anniversary. The trouble is- their anniversary isn't for another three weeks, Bode is sure of it.

Tags: Post-Canon Fix-It, Post-Canon, Domestic Fluff, Anniversary, Established Relationship, Planet Tanalorr, POV Bode Akuna, POV Third Person Limited, Alternate Universe - Everyone Lives/Nobody Dies, Jedi Culture & Customs

Blue Skies Over Bad Lands

FIC | 18.6k | Mature

Bode looks up and Cal’s gaze snags his immediately, drawing him in. The rebel Jedi is a remarkable combination of wariness and vulnerability, like no matter how hard Cal tries to steel himself against the pain, his grief and longing and love are too strong, too pure to be contained. They shine through the cracks like a ray of blazing light. (Or: Bode and Cal fall in love. It complicates things.)

Tags: Alternate Universe - Canon Divergence, Alternate Universe - Everyone Lives/Nobody Dies, Fix-It, Mild Sexual Content, Dubious Consent Due To Identity Issues, Pining, Confessions, Secret Identity Fail, Canon Rewriteish, Cal Kestis is a Force of Nature and Bode couldn't get off this ride even if he wanted to, They're In Love Your Honor

I Don't Wanna Say No to This

FIC | 4.1k | Teen and Up

Bode is not actually looking for Cal Kestis when he trips over him on his way out of the bar. He’s looking for work, actually— he needs to fix up the ancient freighter he’d wound up buying for Kata and himself, that first awful week after finding Tanalorr and feeling it clutching at him in the Force, the planet a near-sentient thing, clawing, greedy… He shakes off the sensation, hopes it’s only a memory, and looks down at Kestis. He’s unconscious, his face a single bruise, and there are four beings surrounding them. None of them look like anyone he’d leave alone in an alley with anyone, even someone who most likely wants him very dead.

Tags: Bittersweet, Angst, Miscommunication, Reunions, Forgiveness, Rescue, Implied/Referenced Slavery, Non-Consensual Drug Use, Bode was not ready to face his past, Cal's not emotionally capable of facing his past, Together they make like one entire functioning person, Past Relationship(s), Established Relationship

FIND THE FULL ART PIECE HERE

a soft place to land

FIC | 3.8k | Mature

A hot day on Koboh leads to a shared shower and a realization - sometimes it's nice to be taken care of.

Tags: Smitten Bode Akuna, Bode Akuna Lives, Hair Washing, Making Out, i still don't know how to tag these things, Fluff and Mush, Near-Human Cal Kestis, Again, sharp teeth sharp teeth sharp teeth, Body Worship, Smitten Cal Kestis, Soft Cal Kestis, POV Bode Akuna, soft intimacy, Light Angst, showering together, Not Canon Compliant, Post-game, We call this "fluid dynamics" with the way Cal and Bode keep switching

[blessed-pizza]

This is pretty big post (for my standards at least), so if you're not interested in reading a schizophrenic ramble about time travel, then keep scrolling.

If you do however, well then sit tight and let me introduce you to:

Blessed Pizza's Schizophrenic Guide to Time Travel Shenanigans

(and how to not completely destroy the space-time continuum)

or BPSGtTTS for short.

So I've seen a lot of different styles and flavours of time travel and and I really wanted to somehow be able to sort them up in separate categories, that way I could make it easier to understand them. So I came up with a couple that i think contain most of the shenanigans I've seen.

alternate timelines/universes (AT)

changeable singular timeline (CST)

defined singular timeline (DST)

time loop (TL)

(if you know any more, please let me know. I'd love to hear about more wacky ways to do time travelling) (also, im not gonna refer to these with their full name, because that would be way to much typing, so I've put some abbreviations behind them)

The Alternate timelines/universes (aka the cowards way out)

The AT way of time travel is probably the simplest and the second most consequence free (I'll get back to that later) way to do time travel (and therefore also the most boring one in my opinion).

It's rather simple: Every time you travel in time and change something, it creates a new timeline. The changes made will effect everything in the time line you are currently in, but won't effect other timelines. This means that if you were to go back in time and kill your grandfather (or anyone anyone which you are a descendent of), you will not be effected! This, however, does mean that alternate-you won't be born in this timeline, buttt.... once again, that's not a problem for timetraveler-you, because timetraveler-you isn't from this timeline; so no paradoxes :) yet... With every travel through time you create a new branching timeline. This will eventually create a exponential tree like structure of alternate timelines. have fun keeping track of all of them :)

Let me just draw a quick time line so it's a bit easier to understand.

A possible way you could spice it up, is by allowing for the travel between these different timelines. What ever the implications for that are though... well, I think you'd kind of end up with weird hybrid of AT and CST, which could then result in some timelines effecting other timelines; possibly even destroying entire timelines and their off-chutes, what could in turn cause paradoxes to occur similar to those of CST and Oh! Hey, talking about CST; lets get into:

Changeable Singular Timelines (aka the one you probably think of first when thinking of time travel)

Unlike AT, whenever you time travel in CST, you stay in the same timeline. Meaning that any changes you make will effect you; possibly leading to paradoxes! Yippee!! A great example of a possible paradox that could occur, is the grandfather paradox. If we take same example from AT, the one where you go back in time and kill your grandfather, and apply it SCT, the change does effect you. So when you kill your grandfather, it means you couldn't have been born; thus being unable to travel back in time, which means you couldn't have killed your grandfather and thus will be born like normal. Though this then means that you can go back in time and kill your grandfather... aannd it results in a infinite loop; a paradox (now you also see why its called the grandfather paradox if you didn't know already).

Here's another quick sketch of the timeline.

(note: THESE ARE BOTH THE SAME TIMELINE, it just keeps changing into the other)

One way you could solve the paradox is by having the timeline "adapt" to the problem. So when you kill your grandpa and disappear, instead of creating a paradox, your grandpa stays dead. How did he die? Natural causes probably, some kind of disease or maybe even hit by a car. It doesn't matter, as long as he's dead, time will be fine again. Want a great example; look at this amazing post from @sincerely-sofie (it's also where I got the idea from)

There is another paradox that I've found, but I don't know if it has a name yet. So I'm just gonna call it the cotton-eye-joe paradox, because it makes me ask two things: one; where did it come from and two; where does it go. OK lets say you're in front of a locked door, but you don't have the key. So you search for it for a while and when you find it, you unlock the door. Then you decide to go back in time to give past-you the key to save them some time. Because it's a single timeline, it means that now you actually got your key from future-you. Great! You just created a never ending and never loop for that key. Where did that key come from? It can't be where it originally was, because you got it from future-you. Where did they get it? Well, from future-future-you of course! You see the problem? It's another paradox.

So just avoid these paradoxes right and then every thing will be fine, right? Yeahh, good luck with that. Ever heard of the butterfly effect? Even tiny, seemingly insignificantly small changes, can cause massive ones later in time, which in turn could lead to paradoxes, which are bad. So unless you somehow have the mental capacity and foresight to somehow oversee what all these changes will eventually even lead to without making them, you're gonna end up ruining time! My advise? DO NOT GO BACK IN TIME!!! unless you do want completely ruin the word as we know it, for some reason

Sooo..... how do you fix it make it less likely to break? Easy: just remove free will!

Defined Singular Timeline (aka the illusion of choice)

I wasn't sure if I should split CST and DST, because they are very similar. The one difference being that the timeline doesn't change when time travelling, because it was always about to happen. (I know this probably doesn't make any sense just bare with me for a bit. This is probably the most confusing of out of all of them) DST prevents the grandfather paradox from happening by making sure that changing the timeline isn't possible. That doesn't that your grandpa is immortal or something no no no, it just mean that if you would have killed your grandpa, it should have already happend. But you exist, so that means you're not going to kill your grandpa. I swear it's all gonna make sense, just uuhh... hold on let me get another example real quick. OK so imagine you're in a room and you get to the floor above through a hole, but you just can't reach the side of the hole to pull yourself up. Actually, you don't need to imagine, I'll draw it for you!

The good thing is; you can travel back in time, so you get the idea to go back and help yourself get up! Then suddenly a future-you shows up and tells you that you need to help him up. You help them up and then you travel back to past-you. You ask past-you to help you up and they do, allowing you to leave. (visual aid below)

What makes this different from CST? The fact that future you already showed up before you even went back in time. So you helping you was always gonna happen. Every version of you has experienced and will experience the exact same events. Everyone must experience the same events, otherwise its a not DST, but CST. Hold on, let me just quickly draw another timeline for you so its easier to see. hold on where did I put my markers... dammit... uhhhh... I guess this red pen will do...

As you can see it's all just you. This works just fine, no alternate timelines, no paradox, it just works, right? Well... Kind of? Its kind of complicated. The cotton-eye-joe paradox can still ocour, though it is less likely. The key example from CST could still be possible, but it has just always been in circulation; you always got the key from future-you. If you need a good example, there is this short film made by corridor that displays it really well.

Though all of these paradoxes and problems are annoying. What if we just had something without any of that? What if we had a form of time travel without any consequences? what if we could just try again if something goes wrong? That's right! IT'S TIME FOR

Time Loops (aka the road to insanity)

Remember when i said AT was the second most consequence free?Yup, TL's are why. In a time loop, time keeps resetting back to a certain point, but you remember everything. (and maybe a couple of other people) Every time you reach a certain point in time you get yanked back in time to do it aallll over again. Sounds nifty right! Messed something up last time? Try again this time! Didn't like the outcome of one of your actions? WHO CARES! Just go back! Didn't manage to break the cycle last time? Doesn't matter. You can try something else next time. And the loop after that. And the loop after that. And the loop after that. And the loop after that... You're stuck here for eternity... or at least what feels like a eternity. Time has no more context, the cycle has become all you know. How do you stay sane in these scenarios? Depends on how much mental fortitude you have, but you'll probably break eventually.

As for problems, there isn't really a lot to say. paradoxes don't really happen because time resets every time anyway. There are literally no consequences to your actions (until the cycle breaks). I don't even think i need to draw a timeline for this one. (it would literally be just a loop) However despite its seeming simplicity, I personally find it one of the most fun scenarios for time travel. I guess i just really like watching character reach their breaking point and see them go completely insane.

Anyway, this has been quite a long post. By far the longest I've ever made. Again, if you know of any more time shenanigans, please share them . I love to overthink these things. And thanks, once again, to @sincerely-sofie for encouraging me down this path of madness in the first place (and providing me with countless examples. like genuinely, you have made a post about like 90% of the stuff i rambled about)