#They can't just break my heart like that

[teslapunk3327]

"We named him Jack" and "My name's Ianto." IN THE SAME WEEK?!

Is Big Finish trying to kill me? On Purpose?

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[neon-catarina]

EAT YOUR FRIENDS.

[mitski]

RWBY (09x04)

Just answer the question. What are you? Are you sure you know? You have to be sure of what you are, and what you are going to be.

[sysig]

“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)

Bonus:

Hmm, wonder what he could cover those holes with :3c

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.

[eggsistential-breakdown]

Reincarnation Bluesverse + Will Wood lyrics

1.1 & 1.2 (couldn't decide which I liked better so have two of them) & 2

Fic: @reblogincarnation-blues's The Mirrored Heart chapter 1

Song: ... well, better than the alternative

3

Fic: @marypsue's What Friends Are For

Song: BlackBoxWarrior - OKULTRA

4 & 5

Fic: @marypsue's Something Borrowed, Something Blues chapter 17

Song: Mr. Capgras Encounters a Secondhand Vanity: Tulpamancer's Prosopagnosia/Pareidolia (As Direct Result of Trauma to the Fusiform Gyrus)

Kept these very fast and loose to try to break out of a creative slump. Based more off of vibes than silly trivial things like canon and facts and anatomy. None of these should be taken literally or metaphorically or physiologically or radiologically. Twice divorced gray eyesed Ian still lives rent free in my head sorry

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[canisalbus]

Vasco and Machete are absolutely adorable, your style is so lovely and you draw the softest beds I’ve ever seen in any art ever

.

[lazy--lillies]

Ok so my Piper post was written on my phone and I didn't phrase it properly but I do want to talk abt her and Helen of Sparta's parallels bc- ohhhh boy.

So first of all, her being sent to boarding school. Now, this was a bad writing decision for Rick to make with his one Native character, but other people have talked abt why that was problematic so I'm just going to get this point out of the way bc unfortunately it's part of the plot and there's no undoing that. This could've been such a good initial parallel between the two. Helen of Sparta, forever known as Helen of Troy because of a marriage caused by a spell of Aphrodite. There was so much he could've done with Piper feeling out of place, and her wondering about the woman who used to own her knife. He gave her all this extensive knowledge of Greek mythology and then never let her put it to practical use. Bullshit! Piper being forced away from her home due to the designs of the gods (one god in particular - but I'll get to that in a minute) should've come into play from minute one.

Two: her beauty. Now, Piper is shown as the strongest and most "Aphrodite-esque" of her children. Her eyes change colours like her mom's (another bad writing choice, but I'm going by canon so just work w me here guys), her charmspeak abilities, and just the general role she takes up in the Aphrodite cabin with all her siblings. Hell, she's constantly being asked by random gods to be their bride and/or queen because she's just that beautiful. Unfortunately, because of the general writing of her character, this natural beauty comes off as being pick-me instead of an inherited trait from her mother. I genuinely hate the way Rick wrote her beauty because it could have been utilised so much better. If we're continuing with her Helen parallels, she should have made men drop when they saw her. Don't make her a bullied girl who doesn't know her beauty, there are already plenty of characters who were like that in the series. Instead she could still have been bullied by girls who were jealous of her, but have people know that she's beautiful. Have her know that she's beautiful, and let her be uncomfortable with that! Have it make boys have to look twice to make sure she's real, have girls jaws drop when they see her. Percy and Jason get all these godly comparisons with their looks, why not Piper? Have people genuinely think she's an immortal when they first see her because she's so gorgeous. Make her be mistaken for Aphrodite! If you want to really spice things up, add that to her mommy issues! There were so many options with her inherited traits from her mom, and instead they were just used to excuse the weird lusting after her that the men in the narrative and the narrative itself does with her, which is disgusting considering she's only 15.

Also, Sparta being such a famous place for it's war tactics. It being Helen's birth place. Aphrodite being a war goddess. One of Piper's main wishes being to be seen for more than her beauty, but for her strength in battle. Helen, who is only famous for her beauty, originating from a place famous only for it's lust for war. The way that we wish to be perceived versus the way we will eventually be known. Piper trying so hard to run away from Helen's fate and yet being unable to escape it. That fate mirroring the current perception of her mother. Her mother knowing this and being the key if Piper wishes to break the cycle. I could go on abt this but this post is already so long so I think you guys get the point.

Three: her relationship with Jason. So I didn't really explain this in the og post, but her being a lesbian from the start is kind of just necessary for this plot to work in my mind. She got retconned into being gay which pisses me off, but I won't say she wasn't queer coded in the og HOO series because she definitely was, even if I hate the way it was made canon.

This one is definitely going to be my longest point. From the start, her being paired up with Jason should have been done by her mother. I get that the whole "seeing where potential for romance is" thing was happening, but their relationship ended up failing anyway and the way it fails just makes the whole point kind of fall flat. Instead, it would have made more sense for Aphrodite to have included these memories for her daughter. She loves interfering in romance, and her using Piper's relationship with Jason as a way to get Piper's romantic life out of the way (separate thing of Aphrodite caring abt seemingly everyone but her own kids' romantic lives, but that's a different post) then that could've made this parallel so strong! It's what made me make the og post, and what makes this idea drive me so insane. Helen being already married and Paris being forced to fall in love with her, abducting her from her home and then marrying her would've been the perfect parallel to Piper's story. She has memories of Jason implanted in her brain, and for the whole of The Lost Hero we see her trying to figure out what's real or not, but that's so difficult to do in her situation. She's constantly on the verge of death after she finds out her memories are false, and if it's not her then it's Leo or Jason being in danger. This should've become an arc for Piper and Jason, and imo HOO should've ended with their amicable breakup. Make her slowly realise over the course of the series that she's a lesbian, and her feelings were manufactured by her mother (and reinforced by comphet). This honestly even works with Jason's death. Parallel him and Paris' death, have Piper then have a relationship with a girl after being "freed" from the relationship she was forced into by her mother. And, most importantly, USE this parallel! Have Jason die in his OWN SERIES, and have that cause actual character conflict!

Helen and Paris were torn apart by the war. Helen was from Sparta, she was taken from her marriage and betrothed to another. It's what cause the war, and what lead to her lover's death. Piper was the daughter of the oldest Greek goddess, while Jason was the son of the most important figure for Romans. HAVE THAT MEAN SOMETHING! Their relationship should have had WAY more tension when the camps were fighting, and it should have brought up the question of how much they cared about each other at all. It was alluded to, but Piper's doubts about Jason's allegiance never had any real world consequence. And if she did doubt him, only for him to die for his friends? Oh the tragedy it could have caused. Jason's role as praetor was also never expanded on. There should have been consequences for a praetor, the highest rank of a Roman legionnaire, to be dating a Greek, their sworn enemy. It should have caused conflict, it should have made the Romans feel betrayed by their former leader, it should have been one of the driving forces behind Octavian's dismissal of Jason's return. Piper should have been in the centre, looking at her knife only to wonder how much of this she could control. How could she save anyone when everything ruining her life seemed out of control?

Was Piper's life ever truly hers, or was she living out a tragedy that had been played out a million times before?

But, yk, that would require understanding that lesbians can have complicated relationships with their sexuality and go out with men without it undermining their own sexuality, and an understanding of female characters that goes beyond dating someone or eternal virign. Sigh.....

[slavicafire]

honestly I need to look into ways of like... fortifying myself. I am handling it very badly, emotionally, whenever Urwis is sick

[sbd-laytall]

Y'all, that is his freaking dad. One of the first people to ever treat Chris with kindness and love. The man who immediately held such affection for him.

Superman: War of the Supermen (2010) #3-4

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[sysig]

Treatment plan is going swimmingly, as you would imagine (Patreon)

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[artinandwritin]

Just a few little doodles of gussiri and their cat(s) (i think it's funny af LMAO)