#WHY ARE YOU LIKE THIS ATARU

[ikemengoessbrrrrr]

I hate him so much (affectionate)

[kyouka-supremacy]

BSD Anthologies Masterlist

I couldn't find a comprehensive (and with still working links) masterlist of the translated anthology chapters so. Here we go! Biggest shoutout to this other masterlist by @/yokohama-drip for most of the chapter references and to bsd-bibliophile for chapters 7 and 12 of the first and second anthologies. Titles translation credits go to the bsd wiki. Happy reading!

Edit: Thank you so much @amythedemisimp for the precious additions!!!

1-5 raws

First Anthology -Rei-

Don't Get a Stomachache to Gain a Friend by Hideki

The Things I Hate, the Things I Like by Ichi Kotoko

The Devil Comes and Takes Care by KanaiNeco

Kenji 100% by Enya Uraki

The Detective Agency's Manju Incident by Ui Kashima

A Quiz During Work by Mito Aoi

Karl's Resentment by Tsubata Nozaki /// alternative translation

The Things I Like by Con Kitora

Me and the Cake and Sometimes the Pug by Kazuki Tōgō

Jun'ichirō Tanizaki's Suffering by Akamaru

Fortune-telling Will Bring Good Luck by Yūto Masagishi

Icy Weather by Tam Chashibu

What is a Partner...? by Akaza Samamiya

Second Anthology -Hana-

The Detective Agency and the Port Mafia's Holidays by Mikan Aka

Time Sale is a Battlefield by Guru Mizoguchi

Q's Stroll Day by Kazusa Subaru

Osamu Dazai Quiz Tournament by Hinoki Kino

Ruler! Fitzgerald's Room by KanaiNeco

Thirty-two. Episode Five by Kakashi Tano

Ichiyō Higuchi's Off Duty Top Secret Mission by Ataru Hida

A Restaurant with Many Literary Masters by Ko Nikaido

A Timid Person's Day by Masahiro Jinno

Hot Pots and Holidays by Sho Kimiduka

The Tiger's Repayment by Kotaro

Sweet Outing by Yuzuru Kuzukiri /// alternative translation

Bungos' Joint Social Gathering by Hideki

Stray Dogs' Lucky Spot Disagreement by Noka Nogami

Third Anthology -Rin-

Mother by Hideki /// alternative translation

The Mafia Inadvertently Read a Novel Written on a Whim and Reincarnated in a Parallel Universe by Hinoki Kino /// alternative translation

As You Wear It by Akira Hirahara /// alternative translation

The Devil's Automatic Door by Nanora /// alternative transaltion

How to Find Happiness by Kanae Ikushima /// alternative translation

Hello, Again Winter Dreams. by Pyaa /// alternative translation

The Visitor in the Rain by Togekinoko /// alternative translation

Because My Senior's Healthcare is Also My Job by Roku Sakura /// alternative translation

Good Weather, Cat Storm by Osawa /// alternative translation

Breakfast Situation by Miki Daichi /// alternative translation

Elise-chan, a Smartphone Application by KanaiNeco /// alternative translation

Q's Suffering by Hiko Nekome /// alternative translation

Tiger, Sometimes Cat by Taichi Miya /// alternative translation

The Port Mafia's Medical Check-up by Sakurana Haru

With a Hat, a Man and a Beef Bowl by Oda

Fourth Anthology -Akatsuki-

Poe and Ranpo and Enter and Black Tea by Imaru Adachi /// alternative translation

Apple Demon by Nykken

A Little Break by Siroisora

Exciting Grab Bag by Toriyasu

All Quiet on the Black Cloth Front by Mari Araki

Hirotsu-san's Coffee Shop by Yashino Ayashiro

The Client is a Cute Ghost by Otakumi

The Little Visitor in the Rain by Togekinoko

Fully Automatic Suicide Machine by Zero Akabane

Why Did You Come to Japan? by KanaiNeco

The Story of Kunikida Falling Asleep by Saru Hashino

A Hunting Dogs' Holiday by Hinoki Kino

Infernal Day by Asuka Keigen

The Decision is an Oblate that Enwraps the Pain of Life by Hideki

Fifth Anthology -Kanade-

Masterlist by @/zilinks

Sixth Anthology -Mutsumi-

Given to You Based on Your Level and Love by KanaiNeco

Detective Agency Radio by Yu Kira

GET UP LUCY!! by Kabotya

Poe, Wine and the Setting Sun by Imaru Adachi

Shindafuri Dai Sakusen by Yuri Tsukushiro

Hanachidori by iyutani

What Style Are You? by Kiyo Hasui

'Hitori' yori 'hanbun' by Neno

The Angel's Rest by Mari Araki

Mottomo Erai Egoisuto by Mutsuki Higashioji

Magomusume Sakusen, Zokkō-chū ni Tsuki by Eku Hachida

Boo no Yū by Asato Konami

Do S! Erisu-chan!! by Kakeru Sora

Young Ranpo Wants to Be Praised by Tsuki Anmi (incomplete)

[yuurei20]

Is it true that Cater is a playboy? I've seen some people saying that he's a Playboy, but I'm not sure if its canon. Thanks!!

Hello hello! ^^ Thank you for this question!

This was also mentioned a little bit in response to an earlier question about Cater's habit of flirting with people, which includes a compilation of screenshots of what is probably the kind of scenes that people are thinking about when they talk about Cater being a playboy!

But I think this might depend on your definition of "playboy" 👀

As of this post, the only canonical romantic relationship we have heard of in the game (on EN 👀) is Ace and his ex-girlfriend!

If your definition of "playboy" is "someone who dates a lot of different people," then "playboy" does not apply to Cater, as far as we know :>

What we do know is this!

His family moved around a lot when he was a child so, at some point, he started intentionally keeping his interpersonal relationships shallow rather than try to forge meaningful connections:

"That's why I always tried to be on good terms with everyone, rather than forge strong bonds with a chosen few. Like a circus performer who has a grand old time with people from around the world, and then packs up and moves on."

While never stated outright, it is a common theory that this is why Cater keeps Trey at arm's length during Wish Upon a Star:

Trey is already his closest friend, so Cater might be keeping up a buffer zone of secrets like what his true wish for the Star Sending is so that they do not become any closer, and their inevitable parting will be less painful.

Lilia tries to encourage Cater, saying that, in deciding not to get too close to any one person he may be the wisest one there, but Cater is not convinced that Lilia can truly empathize:

"Lilia's developed cherished relationships while living in the same place his whole life. There's no way he could ever understand how helpless I feel."

Another thing we know about Cater is that he might be feeling the loss of one, specific friend in particular! He tells Silver that he remembers making a friend at a new school one time, only to immediately learn that he would be moving away again the next month.

It is interesting that he mentions this one friend in particular--were they the catalyst? Was that the point when he decided that he would never get close to another person? We do not know 👀

If you are seeing "playboy Cater" coming from the JP side of the fandom, it is possibly because his speech patterns are that of a チャラい character on JP!

I think "flirt" is a decent translation for チャラい? 🧐 (It was localized as "shallow" on EN, and is the reason why Eliza rejects Cater during the Phantom Bride event.)

They are characters that talk/look flashy, seem shallow, and tend to flirt with everyone equally rather than picking someone specific to pursue. (Orange hair is common but is not required ww)

This survey of 3,324 people voted the top three チャラい anime characters as Moroboshi Ataru (Urusei Yatsura), Saeba Ryo (City Hunter) and Lupin III, to give you an idea of the チャラい character archetype ^^

And a common theme of Twst is: appearances can be deceiving!

Vil and Lilia seem to suspect Cater of having "a morose side that the rest of us never see" hidden by his sunny disposition, but Cater claims otherwise 👀

Much like Epel appears delicate but is actually the opposite and Lilia appears young but is actually old, it is possible that Cater intentionally acts shallow while actually he has a complex inner world--he is flighty not because he is trying to attract people, but because he is trying to keep them away.

More here! ^^

・Cater's Inner Life ・Cater's Childhood

To the original question: I do not believe that we have heard about Cater having any relationships (romantic or otherwise) at all except for one single friend from pre-NRC, which might not qualify him as a "playboy"! ^^

[howtofightwrite]

Just a casual question: What lightsaber style do you prefer out of one-handed, two-handed, double-bladed or dual wielding?

We’ll leave out the Lightsaber Forms from the EU, because they are inconsistently defined between sources.

No, no, no. You ask me what my favorite lightsaber is, you get the answer whether you want it or not. The answer may surprise you. It’s (probably) considered the second dumbest lightsaber weapon ever invented in the extended universe with the exception of the lightsaber nunchaku.

Are you ready? Do you have your guesses?

The Lightwhip.

The chosen weapon of Dark Ladies of the Sith and the Nightsisters of Dathomir back when the Sisters weren’t all dark side practitioners and rode rancors.

(This is my favorite. For reference, Starke’s favorite is single blade Form IV: Ataru. He’s boring.)

Now, I agree with the general fandom that the lightwhip is a dumb, impractical weapon that’s more likely to dismember its wielder than it is their opponent. Only someone with a high level of skill, prescience, and telekinesis could make effective use of a lightwhip’s dismemberment murder frenzy without killing themselves. Fortunately, that’s exactly the base level of skills most Force sensitives possess. Probably most important, the lightwhip is the exact sort of dumb we see with real weapons in the real world. This includes the more wild examples like the urumi, the chain whip, and the three-section staff. And, it should be said, I have watched living black belts concuss themselves with the three-section staff while trying to figure out how to use it. All for the Rule of Cool. So, while I accept its impracticality, I refuse the argument that the lightwhip being any more unrealistic in use or invention than the rest of the lightsaber weapon family. Does it have a high skill floor? Absolutely. Is it a safe weapon compared to the rest of its very dangerous family? Absolutely not. Would a student potentially dismember or murder themselves learning to use it? Yes, and that’s why it’s fun. (I’ll add a small caveat that the average student could also dismember themselves with a normal lightsaber, so this isn’t just a danger posed by the lightwhip.)

The lightwhip is a weapon of the Dark Side. Its battle style would be (and should be) wild, chaotic, and nigh uncontrollable. There’s no way to use it safely and it belongs in the hands of a wielder who is straight up thrilled to cut down both their allies and enemies in equal measure. This is the weapon of a murderous lunatic in black leather, and gets even more wild when it switches to a Cat o’ Nine to bring on nine weaving laser tendrils instead of just one. The lightwhip is the sexy Catwoman reference that transcends its genre when we really start to think about how intimidating it’d be to see that thing on the battlefield in the hands of a novice and, especially, an expert.

The standard use for a whip in the real world is as a support tool for your primary weapon, such as a rapier. The whip doesn’t do much damage on its own, leaving only small, painful cuts and lacerations so it transitions into a means of harassment. The advantage of the whip is that it attacks at odd, circular angles which are difficult (if not impossible) to block and will curve into a strike around the opposing weapon. The rippling movement makes it difficult to see and even more difficult to predict. If kept in constant motion, this difficulty triples because the disparate movements blend together.

Now, take this setup and add the lightshow. Instead of a weapon that does light lacerations, we have a weapon that deals massive burns if it doesn’t straight up dismember. It will cut through everything and everyone. Conventional fighting styles fall apart against it. More importantly, because it is a burning plasma ribbon, it doesn’t need to follow the standard rules of physics. The lightwhip is beautiful in its raw, chaotic brutality, it’s high risk, high reward nature, and I love the way it hard counters the standard philosophy of lightsaber combat with a literal curveball. Any opponent who faces it is forced into new, creative approaches for their very survival.

Lastly, I love what the lightwhip says about its wielder as an expression of their vicious, ferocious, highly aggressive personality. This weapon requires commitment and dedication. It’s absolutely fair to say the person who wields a lightwhip has a fanatical, if not suicidal, bent. After all, they’d willingly risk death to master it. They love destruction. They don’t care about outside consequences or property destruction. They go it alone.

I’ll admit the lightwhip’s true potential is too violent for most of Star Wars and, like most Star Wars weapons, it very much lives on the Rule of Cool. One of the sadder aspects with the lightwhip is that, while I love the weapon and its potential, any discussion of it gets mired in sexism. Every appearance of the lightwhip comes with the sexy NSFW Dark Side Dominatrix bent and leads to the lightwhip not being given the consideration it’s potential deserves.

My favorite saber is Darth Maul’s saber staff from The Phantom Menace, because versatility allows for use of both one and two. My favorite lightsaber form (which should now surprise no one) is Form VII: Vaapad.

All that said, I do enjoy a good Dark Side Dominatrix as much as I enjoy a moody and hooded Dark Side Goth. And I genuinely love dumb and, seemingly, impractical weapons when the reward justifies their risk. If there’s a general writing advice takeaway here, always consider the practicality of an impractical but cool weapon, address i’s rewards as well as its risks, and pair it with a suitable personality. The lightwhip is not a weapon that belongs in the hands of a Jedi or, really, any individual who possesses any degree of restraint. It’s for a character who merrily expresses raw, raging power at every opportunity and willing to risk destroying themselves along with everyone else for victory.

There’s a weird angle with the Star Wars EU where they tried to establish the lightwhip as weaker than the lightsaber (*cough* woman’s weapon *cough*) with less cutting power even when it doesn’t use a physical cord, which makes absolutely no sense. The lightsaber is the more versatile weapon, while the lightwhip is more specialized and circumstantial. Which fits with the patterns of real world weapons technology.

This a long circle round to saying that the weapons we choose for our characters act as personality tells. Which is why it’s important to give a lot of thought and consideration to any weapon’s historic use and purpose before attaching it. Weapons communicate more than we might expect, both via their situational viability and associated cultural myths. It’s important to choose whether you’ll address this, especially if you’re not planning to intentionally communicate that message or make those personality traits part of the character’s identity. Weapons are tools and, like with all tools, different tools attract different personalities. In fiction, we the authors often decide this from an external perspective. Once a choice has been made, always give yourself a chance to think about it from a character’s internal perspective. Why did Character X choose this weapon? Why do they want to use it? What does this weapon do for them that another weapon doesn’t? Or, what makes that other weapon less attractive?

You might find yourself with an answer or story beat you hadn’t previously considered.

Food for thought.

-Michi

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[charmwasjess]

If there’s a legit good reason why Qui-Gon chose to specialize in form IV, Ataru, the Hawkbat lightsaber form, aside from the simple, likely fact that he did it to troll his old Master Dooku (who outright calls the acrobatics of the form “ridiculous,”) I’d like to hear it. By which I mean I’ll write you a post about it.

Ataru is fast, aggressive, and inclined to treat the battlefield as a 3D space where the air is just as comfortable a place to be as on your own two feet. A direct response to Soresu, the “defense is my attack” form, Ataru flips that into “attack is my defense.” (We won’t talk about Makashi’s contribution to the conversation: “no defense whatsoever, but think fast, I just threw a dinner fork at you so hard it stuck in your metal arm!”) 

Of course, the most recognizable and classic application of Ataru is Yoda’s; we see him whizzing around people’s heads like a little green hummingbird in his AotC and RotS duels. Qui-Gon’s version looks nothing like that. If we weren’t told, I think it would be hard to guess that those characters are using the same form. In Duel of the Fates, Qui-Gon has to move down or over those infamous walkways repeatedly. He just jumps them: no flips, no aerial maneuvers, no bouncing off the walls. And this isn’t simply a practical choice for his age and build: Jocasta Nu is running up walls and leaping out of skyscrapers at easily aged 40 years older than Qui-Gon, and for all Dooku’s bitching over Ataru acrobatics, he does more flips to simply avoid walking down a few stairs than Qui-Gon, Master of the flip form, does in his entire time on screen. 

And yet, on some level, all of that makes perfect sense for Qui-Gon. Who better to completely subvert a form? This is a character who is contrary as fuck, full of wonderful contradiction, who blends lightsaber theory centered on attack and aggression with literal meditation. While the most notable scene, actually kneeling in the pose and everything, is in TPM, he does battle meditation repeatedly on a mental level in the Master and Apprentice and Padawan novels. (And it rightfully freaks out Obi-Wan.) Qui-Gon takes Ataru’s “your whole body is a weapon” and doesn’t apply that to somersaults, but rather, to moves like punching Darth Maul off a balcony as we see him do in Duel of the Fates. He fights in a way that throws himself bodily up against obstacles. You can see the same physicality of his relationship with his weapon in the scene where he is simply burning through the blast doors in TPM. We’ve seen Jedi cut through things on screen other times, but that scene is remarkable and memorable for Qui-Gon’s level of intensity. He is the battering ram. 

And we could loop back into lineage, couldn’t we? Qui-Gon stands in a line of Jedi with unconventional relationships to their lightsaber forms; their choices are formed in context of and in conversation with each other. Those backward, momentum-gaining swings from Duel of the Fates look very familiar, but who trained Qui-Gon? (And who notoriously had a problem with Ataru and might've pushed his student on some workarounds or encouraged him to cut out bits he didn't like, such as aerials?) And speaking of, is it a stretch to think that Dooku’s own casual backflips are less a considered choice and more an old habit, being himself trained by a Master who has only a theoretical relationship with gravity? 

All this to enjoy just another example of how personal the lightsaber forms can be to specific Jedi, and what wonderful fun it is to unpack the ways they use them differently because of their unique personalities and lineage.

[jujumin-translates]

Tsuzuru Minagi | [SSR] Love Through the Window | BE.MINE ver. TSUZURU - Part 1

*Phone rings*

Tsuzuru: Hm… Kaoru?

*Beep*

Tsuzuru: Hello.

Kaoru: “Ah, Onii-chan?”

Tsuzuru: Yeah. What’s up?

Kaoru: “Um, are you free this Saturday? If you don’t have any plans, I have a favor to ask you.”

Tsuzuru: A favor?

Kaoru: “On that day, there’s going to be a time when it’s just Ataru, Takeru, and Yuzuru home… so I was wondering if you could come over, Onii-chan.”

Tsuzuru: Huh, just the three little ones?

Kaoru: “Yeah, that’s why I’m a little worried. If only Noboru and Suberu could be there…”

Kaoru: “But are you busy with college and your theater company?”

Tsuzuru: No, it’s okay. I’ll be over there this Saturday to watch the little ones.

Kaoru: “Really? Are you sure?”

Tsuzuru: Yeah, you don’t have to be afraid to ask me to do things. You can usually count on me when it comes to things like this.

Tsuzuru: Besides, I’m sure you’re busy with all kinds of things now too since you started technical college, Kaoru.

Kaoru: “I know being a college senior must be a lot of work for you, but… thanks for the help, Onii-chan.”

· • —– ٠ ✤ ٠ —– • ·

Tsuzuru: I’m home.

Kaoru: Ah, welcome home, Onii-chan.

Ataru: We’re only gonna have Tsuzuru-nii today.

Takeru: Hmph, you used to come here a lot more!

Yuzuru: Booooring!

Tsuzuru: Ouch… sorry that you’re stuck with just me today.

Kaoru: You guys shouldn’t say things like that when Onii-chan comes all the way out here.

Kaoru: Alright. Well then, it’s almost time for me to head out.

Tsuzuru: Alright, see you later. Don’t worry about us, stay safe.

Kaoru: Yeah, thanks. I’m off!

*Door slides open*

Tsuzuru: Alright…

Tsuzuru: Haa~ah, I brought you guys something good, but since you said you don’t want me, guess you don’t want it.

Takeru: What kinda good thing!?

Ataru: I’m happy you came, Tsuzuru-nii.

Yuzuru: Me too!

Tsuzuru: Haha, you three sure held out your hands fast. …Alright, here.

Yuzuru: Waah, sandwiches!

Ataru: Did Director-san make them again?

Tsuzuru: Yeah, I told her I was spending the day with you guys, and she went out of her way to make them for you.

Tsuzuru: You can have these for lunch today.

Takeru: Wooo, yay!

· • —– ٠ ✤ ٠ —– • ·

Little Brothers: Zzz…

Tsuzuru: All three of them passed out after lunch.

Tsuzuru: …Hm?

Tsuzuru: (It’s starting to look kinda cloudy… Looks like it’s gonna rain.)

Tsuzuru: Guess I’ll take the laundry in while I’m at it.

[ Next Part ⇢ ]

[danaty-consolation]

I don't know if you have already answered this before, so I'm sorry if that's the case, but what do you think of the ending of the manga of Urusei Yatsura/the fifth movie adaptation? Do you think that that ending truly concludes the story? I was watching the 2022 series and I... wanted spoilers for the development of Ataru and Lum's relationship so I went a little crazy, I read the synopsis for all episodes on Wikipedia, watched a couple of episodes from the 80s anime and read a few chapters of the manga. And, well, I was a little let down that it seems that they never become official? Like, from what I've read and watched, yes, their relationship seems to progress with Ataru slowly falling in love with her but it was a little disappointing to know that Ataru never really admits to his feelings, changes his "skirt-chasing" behavior or lets her know how he feels. It almost seems like the mangaka wanted to stick to the "status quo" by never letting the character dynamic between the two of them change. I don't know. What do you think? And do you think they might change that in the 2022 series or they will be sticking close to the manga?

Firstly, sorry for the wait!

Now with your question, to be honest it was pretty said and done that he admitted his feelings openly to her verbally because we all now that Ataru is more of an action guy rather than words but, here Lum wanted him to break that vow and make him say it verbally so it will come more true.

Is it stupid? Yes

Is it selfish? Yes

But the thing here is that this happens after Ataru doesn't believe her and when he gets to know he was wrong, he is still too prideful to admit it and apologize.

So she wants him to say that he loves her, to reassure her that all of they went through and lived together wasn't meaningless for him.

This was his last change to fix everything.

Being a teenager is difficult, and Lum's and Ataru's emotions are all over the place in this race.

Ataru can't even say those words. He knows that Lum will even think that he doesn't feel that way because he was pressured to say it, and he wants it to be genuine.

So when Lum forces him to say something closer and more powerful than a "I love you" it finally breaks down one of their walls.

He doesn't want to forget her, she is unforgettable to him.

And when Lum sees that he holds her horns tightly, she breaks down because that action shows that he is holding something of her close to him.

That anything coming from her is precious to him.

He showed that he loves her without verbally saying it word by word

And she knows this, that's why she hugs him....

However, we see how... He also went out to her but did not touch her horns, but hugged her tightly.

She was the one who guided his hand toward her horn, but even then, he was barely touching it, he was touching more her head.

And this part is the one you told me:

I can see the frustration because when I was younger (middle school) when I finished the Ranma 1/2 series and this one a year later I felt the same with this finale.

However, later on, I noticed that both finals made sense in their narrative.

They are still teenagers and even if they matured is not enough for them yet (This also works with Rankane because they have so many problems to fix before getting married, and they are still teenagers)

Nevertheless, after all this ordeal, we know for a fact that Ataru will be more open about what he feels for Lum later on. Literally, the whole world saw how he hugged her, he couldn't even deny it, at least about the physical part.

He won't say I love you explicitly until he matures more, but this was for sure a step forward in their relationship because here he doesn't deny that he loves her, he just won't say it for now.

After this, they will be more open, and I am pretty sure that after this, they will formally go out. Since there is nothing more to hide...

And then get married in the future because that's the only future Ataru wanted to save.

Before I close this unexpected analysis, I will be sincere about the part of Remake adding something in the final arc for them or changing something.

Honestly? They might add something small or even big, after all, we have seen how many liberties and how much closer they made Atalum in some episodes in the remake, making their bond look more comfortable and stronger. So I believe in them if they add things or make small changes, is possible with them.

[yumedoca]

Alright, my fellow UY folks!! Since the new trailer has dropped, why don't we unpack everything they've shown us so far?

Or more specifically, what all chapters are getting adapted in the third cour (only third since they won't reveal footage for the fourth one till the third is over.)!!

Also, ignore the stupid quality since I took the pictures on my phone..

First up is the Kurama - Ran - Rei two-parter!! Nice to see Kurama again since I was worried she would be a one time character since she didn't appear in the eye catches. However, I'm pretty sure this is going to be her last appearance since it's her final appearance in the manga (not counting cameos). It's one of the funnier Kurama chapters, so this will be great fun!!

Next up is the 'Fantasy bubblegum' chapter!! Another one I didn't think which would be adapted since we see Ten order the key item in this chapter in the post credits of the love-love crystal ball episode. Maybe the order was delayed? Or Ten didn't use it till now? Who knows. Anyways, this is a pretty funny chapter and I'm excited to see how it turns out (Also BenOyu yuri, Let's goo!!!)

AtaLum fans, Let's rejoice, because it looks like they're adapting "Love knows no barriers" aka the chapter where Lum gets hit with the rice cooker!!! This one is my favorite singular chapter in the series and I absolutely hated the original anime's version of this one so I hope the remake does this one justice!! I'm not sure whether the first one is from this chapter since Ataru's wearing his school uniform instead of his casuals, but maybe it's because of a few changes here and there. DavidPro, you better not disappoint me considering what the original did.

Looks like we're going to get the chapter which introduces the Ryuunosuke's mom (Masako) saga. I'm not sure whether they'll adapt everything under this saga, but the first one seems to be there. I really like this chapter because we get a wholesome relationship between Ryu and Ataru's mom.

THE BODYSWAP CHAPTER!!! This one comes a bit earlier from what I remember and not to mention, it's pretty hilarious (literally any chapter where Sakura has to deal with Ataru's BS is an A+ for me) so I'm super excited!!

ASUKA, MY CHILD!! IT'S HER!! Finally one of my UY Blorbo's gets animated!! And considering the shot of her and Ton- chan, yes guys, they're keeping the incest. I've never understood why there were some who said they wouldn't adapt it but like, it's one of Asuka's main character points and the incest is clearly portrayed as wrong and unacceptable, similar to Ataru's lecherous behavior (They might still tone it down though). Anyways, I'm so excited for Asuka, I can't wait!!!

And finally, two very beloved and very important arcs!! First, I can't believe we're getting three AtaLum stories in this cour, I mean we deserve it after being fed with only one last cour. And second, I'm pretty sure both these arcs are going to be at least a whole episode long considering how big these two are. And I have to admit, the door realm looks so pretty.. and I'm so excited for Shingo, Inaba and their arcs, can't January come already???

And that's all for it!! Other than these, there were two to three shots I couldn't exactly place which chapter they belong to, so sorry about that. And I wanted to point out that the animation looks quite fluid in some scenes as well, so it looks like DavidPro is doing great work as expected. Anyways, UY is coming back once again on January 11th and I am so ready!! THE HYPE IS REAL!!!

[anotherfandom]

So, I said I'd have another post with the full manga pages for reference as well as the source of the manga pages. I'm going to be using the overall chapter numbers and the individual volume numbers (not the 2-in-1 volume names) as well as the Viz localized chapter names for the references. And I'm gonna go in order of appearance in the intro.

Chapter 98, Volume 10, Typhoon Fun. Cute little note, the mouth squiggle was clearly made into a heart in the anime intro.

Chapter 15, Volume 2, The Yellow Ribbon of Happiness. Unlike many of the remade manga panels which altered some details, this one features the ribbons.

Chapter 25, Volume 3, Love and Suffering. The original manga panel featured Lum disguised as a regular human girl prior to her enrollment in the school, with her horns softened and squished to look like barrettes. This is also why her hair is shaded differently.

Chapter 38, Volume 5, Everybody in the Rain. This one required me to make a guess. It does resemble Lum scratching Ataru in the Yellow Ribbon chapter mentioned above or Lum scratching Rei in chapter 6, but this is the only scratching while flying I found. I got some anonymous help with this one.

Chapter 26, Volume 3, How I've Waited for You. Beloved iconic scene recreated faithfully.

Chapter 12, Volume 2, Intention. Though it does somewhat resemble Lum's crying fit in chapter 2 and chapter 9, this scene is definitely from this chapter.

Chapter 23, Volume 3, Zodiac Cycles. The middle part of the zodiac gyroscope device-thing lost its one-horned striped tiger-beast (Lum's zodiac sign).

Chapter 36, Volume 4, Tanabata Date. The fur on the chair ends up floating but we have all the details on the dried squid.

Chapter 83, Volume 9, A Century by Age Three. This was a red tint chapter originally, hence the manga page looking a little different.

Chapter 354, Volume 33, Steal My Heart. Almost all the manga panel recreations come from early volumes or chapters, so it is kind of crazy that this one is from so late in the series. It is a wonderfully silly pose with the iconic Rumic gesture and yes, they replaced her uniform with the typical bikini.

Chapter 13, Volume 2, Puppet. The fan was made a bit more generic, despite UY often using the Japanese flag fan as a comedic prop.

Chapter 183, Volume 18, A Night Alone. This is the Lum cooking scene that I felt most matched the anime panel. The one in chapter 240 looked a bit different. Though they clearly drew a completely different gun than the one in either panel.

Chapter 47, Volume 5, A Tragic Date. I completely overlooked this when I was digging because I misinterpreted what the anime panel was showing. I got some anonymous help and I am glad I did, because I was not gonna find it in the next 29 volumes. Anyway, this one has her beach swimsuit replaced with her usual outfit. Also, this is one of the few panels that is drawn very differently than the source seeing as Lum was drawn with very cutesy proportions in the original manga panel.

Chapter 111, Volume 11, There's a Cat on the Stairs!. I didn't expect this to be a panel recreation since Lum jumps out of it, but I saw it while digging and yeah, it is clearly the same goofy expression.

[nteabodies]

Qui gon has a space youtube channel where he uploads videos of cool plants and reviews books on space botany with the occasional random footage of jedi stuff. The content is either very dry or very chaotic with shaky cam and somewhat blurry footage.

He made the account when he was a padawan after Dooku (nursing a headache from Qui Gon's latest hyperfixation) wearily asked him to channel his love for plants somewhere else at least until this migraine subsides, padawan

He realises that he actually loves making videos and chatting endlessly to a camera. His first few videos end up being 3 to 4 hours long and focuses on obscure plants and random books he found in Dookus room

The jedi Council is a little illiterate when it comes to social media (it hasnt caused any problems for the order yet so its pretty much unregulated) so QuiGon isn't actually breaking any rules when he posts videos without making them private. Many jedi do have social media accounts but they tend to use it for more professional purposes, so Qui Gon's channel slips under the radar with an average of like 5 views per video.

He continues using the channel as a botany/cute animals/philosophy/ranting outlet throughout his apprenticeship.

Once he's knighted he has less time to upload videos so his most common type of videos end up being those 20 second to 1 minute clips ft. Something Funny or Something Cool or just blurry footage with unintelligible audio.

Ofc when he gets padawans, he also posts random vids of them when he catches them in 4k doing sth stupid/cute.

By the time obi wan comes around, qui gon's space youtube channel has like, 50 short videos of feemor and xanatos doing things like petting tookas, failing spectacularly at executing a flashy ataru form, being sappy while high on painkillers, running away from qui gon as he holds a flesh-eating parasite towards them and shouts 'why are you running?' etc etc

At this point he has about 20 or so regular viewers who either think he's roleplaying a jedi or are members of the jedi order who find it hilarious (mainly Qui-Gon's friends and, for some reason, Master Yoda)

Anw the point of this is to lead to the premise of one of his videos going viral during the clone wars (possibly the one of general kenobi when he was 14 doing a backflip and landing on his face. Or the one of him sleeping while half his body is dangling outside a window. Or the one where he does this).

It's good PR for the jedi bc it shows them as slightly chaotic but peaceful people who are at their core just like everyone else (idiots).

It's memed to the extent that it reaches the eyes of the Jedi Council and Anakin who immediately like brings it to obi wan like "Master is this really you??"

Obi Wan randomly discovering this treasure trove of videos that shows so much of the person his master used to be, missing his dad so much but at the same time feeling a little betrayed that Qui Gon uploaded such embarrassing videos to a public forum where anyone could view it: you are haunting me from beyond the grave master

And the channel has both clips of Qui Gon and Obi wan as padawans, so there would definitely be fan compilation videos comparing their feral padawan energy. Obi Wan feels seen bc no one used to believe him when he told them that calm Master Jinn was actually crazier than him but now he finally has proof but then angst bc Qui Gon is not there so he can't rub his face in it :(

Anakin and ahsoka discovering that their cool and calm master used to be wilder and more feral than them before qui gon died and left him to raise a child: that's actually very sad.

The general public seeing Dooku in the bg of qui gon's padawan videos: is General Kenobi... fighting a war... against his jedi grandpa?

Anw this can go two ways: either this is just a cute thing that happened during the clone wars and everything else happened the same as canon OR it inadvertently saves the galaxy

Canon: the videos make everyone involved Feel Things but don't change their actions. The empire never gets around to banning the channel so Obi wan uses it as one of his last sources of comfort in the desert as he watches over luke. Once he reconnects with Qui-Gon's force ghost, they bond by watching old videos from the channel. Years later, Luke discovers Obi Wans old datapad and inadvertently finds out about the original viral video and the channel. It ends up being a very good reference for painting a picture of jedi life pre-empire. Luke uses it as a reference when building his jedi academy but not before spending a solid hour laughing at the padawan kenobi fail compilations

AU:

Dooku watching some of the videos and all the fluff (and possibly seeing the vlog where padawan qui gon talks about the differences between attachments and love with regards to jedi and bringing up his bond with dooku): Actually maybe I can leave the jedi order and make positive change without becoming a sith lord. Maybe I can help the jedi order without agreeing with everything they do.

Anakin watching the same video on attachments vs love and going to obi wan

Anakin: Do you love me master?

Obi wan: ???

Obi wan: You are my brother anakain??? Of course I love you??? But why are you asking me?? Are you okay?? Do you have something to confess perhaps?? Like about a senator?? A senator that has a name beginning with a p??

Anakin, panicking: Ah yes p-pa-palpatine did tell me a strange story about a wise sith lord when we went for our weekly bonding session yesterday

Obi wan: I -

Obi wan: I meant your marriage to Padme actually but wtf there is a lot to unpack there.

And anakin is just reeling from the fact that

1) obi wan loves him

2) obi wan knew about padme and didn't say anything

So he doesn't get angery when Obi wan brings the palpy matter to the jedi Council and investigates him. Then add in a few well-timed coincidences bc this is a fix it and yay palpy overthrown!!

Anakin prolly voluntarily leaves the order and becomes a happy trophy husband for Padme after a long talk with Obi wan about his future where he reevaluates his life decisions. ("Anakin you will be my brother whether or not you're in the order")

Obi wan meets Qui Gons force ghost and does get to rub it in his face that he was a less feral padawan than Qui Gon.

And they all lived happily ever after except palpatine who died angrily ever after.

[animebw]

Seasonal Reflection: Winter 2024 Anime

My feelings on the first anime season of 2024 can be summed up thusly: Most of my favorite shows from winter 2024 were continuations of shows that were already great from last season, not new entries. That's not necessarily a bad thing, and there were plenty of new anime I at least enjoyed watching. But it became clear about halfway through the season that aside from a couple fall 2023 holdovers, there was barely anything truly exciting going on here. Most of the adaptations I watched didn't do much to truly elevate their source material, and most of the few original series we got ended up the worst of the bunch. I can't say nothing good came out of winter 2024, but if this is any sign of how the rest of the year is gonna go, we may be in for a slog. For now, though, let's take stock of the anime I watched this season, and which ones are worth your time.

Metallic Rouge: 3/10

If you asked me what the worst show I finished this season would be at the start, I never would've guessed Metallic Rouge. I mean, it's a cool-ass original sci-fi anime from Bones with slick 2D mecha animation, surely that's gotta be at least a little cool, right? Sadly, no. Because this is, without question, one of the most baffling scripts I've ever seen in anime. Almost every single detail of its world and plot are barely explained, if at all, and the mechanics of what's even supposed to be going on are so nebulous that every attempt at a plot twist feels like a twist on something that never actually existed. Characters are plopped into the story without even an introduction. At times it feels like whole scenes have been cut out entirely. The only thing I can compare it to is the original Suicide Squad movie from 2016: a story so cut to the bone in the editing room that you can barely tell what's supposed to be happening half the time, and yet enough of the original story remains to suggest it was never any good in the first place. The one thing it gets right is the prickly chemistry between its two leads, and then it fucking keeps them separated for like half the damn runtime! How do you even unforced error that badly?

Bucchigiri: 3.5/10

Man, this was not a good season for original anime. Bucchigiri might not have been as staggering a writing trainwreck as Metallic Rouge, but its sin is arguably even worse; it's boring. It's a wacky, colorful high school delinquent romp with rainbow-haired Jojo's punks beating the snot out of each other with genie powers, it's sort of a re-imagining of Aladdin, it's got freaking Hiroko Utsumi at the helm, and it's boring. Why? Because this show gets absolutely stuck in the quicksand of its own status quo and refuses to budge an inch. Character growth is nonexistent, the protagonist is an aggravating loser wimp who never learns his lesson, and nothing of actual meaning happens from the first episode to the end. Literally everything you think is setting up a character arc where someone learns a lesson or grows as a person, all of it amounts to nothing. It's a limp, inert world that perpetuates the same overdone jokes and contrived, misunderstanding-based drama over and over again until all the outsized Utsumi visual personality feels like a tacky coat thrown on top of a lifeless corpse. What an utter waste.

Urusei Yatsura Season 2 (1st Cours): 5/10

I'm still not quite sure what to make of the Urusei Yatsura remake. is it charmingly dated? Annoyingly dated? A welcome throwback or a sign that some things should stay in the past? If nothing else, it never fails to get at least a couple chuckles out of me every episode. But the more it tries to lean into being actually sincere, the more its inherent cheesiness and lack of depth starts becoming a problem. I'm sorry, this cast of characters is just too abrasive and purposefully insane to take seriously, and none of their relationships are healthy enough to unironically root for. Lum and Ataru are not a couple I want to see actually get together, at least not unless Ataru stops being such a fucking shithead. And if him being a jackass could be charming in season 1, then this season is really starting to test my patience with him. It's one thing to be a serial skirt chaser, but his actions this season regularly cross a line from womanizing to unambiguous sex pest, and there's only so many wooden mallets he can get knocked over the head with before it stops feeling like like he's getting punished as much as he deserves to be.

Undead Unluck (2nd Cours): 5/10

Good news, everyone: Undead Unluck finally gave up on those awful groping gags that were ruining its central romance! Bad news: at the same time, it spontaneously developed one of the worst cases of recap padding I've ever seen! I'm not just talking overlong recap segments at the start of the episode, I'm talking constant flashbacks to events we just saw just moments before, straight up playing the same footage again just minutes apart, all climaxing in a truly unforgivable episode that spends seven goddamn minutes on recycled footage. Not even Tokyo Revengers was this bad with its time-wasting. And to add insult to injury, once it finally gets its feet unstuck and returns to a reasonable amount of recap for the final arc, it's probably the best arc of the entire show! It's some of the most bonkers high-concept emotional storytelling I've ever seen attempted, let alone pulled off so spectacularly. It's proof that there is so much brilliance to Undead Unluck, if it could just get out of its own way. But as long as it continues suffering from such massive systemic flaws, it's only ever going to be an also-ran.

Solo Leveling: 5.5/10

Okay, look; is this show dumb as a bag of rocks? Absolutely. Is it as nakedly an adolescent power fantasy as any anime has ever been? Ditto. Does it solely exist for dweeby incels to feel like swaggering douchebag chads getting revenge on all the normies who looked down on them by becoming The Bestest Strongest Chadliest Awesomest Of All Time? You know it. But god dammit, it's actually fun. I cannot pretend I'm too mature and sophisticated to enjoy a big, helping heaping of dumb edgy schlock when it's actually done well. I'm the one person on the face of the earth who still caries water for Akame ga Kill, for crying out loud. And Solo Leveling makes two really smart storytelling choices that keep it (mostly) on the entertaining side of dumb fun: building a genuinely interesting and intricate world that exists well beyond the scope of the protagonist's actions (for now, at least), and making sure that no matter how stupidly overpowered Jinwoo gets, his opponents are always just a little bit even more stupidly overpowered, so he's still pushed to his absolute breaking point and barely scraping together a win by the skin of his teeth every time. There is an art to edge that's too often taken for granted, and this show is proof that being the living embodiment of a twelve-year-old boy's wet dreams is no excuse not to be at least a decent version of that. That said, let's be real, Jinwoo was so much more attractive before his supposed glow-up. Give my boy back his scraggly rat locks, you cowards.

Bang Brave Bang Bravern: 6/10

What happens when a campy, cartoony 70s-style super robot anime crashes headfirst into a much grittier real robot anime? Well, what happens is Bang Brave Bang Bravern, the latest ten-car pileup of mismatched genres from the Cygames masterminds behind "What if horse racing but idols?" Take a desperate war story of survival against impossible odds, airdrop a skyscraper-sized superhero into the mix, and watch him completely shatter the original tone one cheekily ironic powerup and power-of-friendship speech at a time. It's a beautifully bonkers sendup of mecha tropes that has some of the funniest individual moments in this entire anime season, and the absolutely wild twist it pulls with the titular robot's identity in the back half is more than worth the price of admission on its own. Unfortunately, if it wanted to be as perfect a parody-until-it-isn't mecha series as Akiba Maid War was a parody-until-it-isn't mob flick, it probably should've tried being as long as most mecha series tend to be, i.e. more than just twelve measly episodes. There's just not enough time to develop any of the characters or world beyond the most essential parts, resulting in huge chunks of the supporting cast hanging around with nothing to do but take up space. And it leads to this show, which is trying to be so big and over the top, instead feeling so small and half-formed. Also, the secondary romance is gross. Like, really gross.

A Sign of Affection: 6/10

I think this show has helped clarify something for me: I'm really getting tired of how quickly modern romance anime get their main couple together. As much as we rag on the endless will-they-won't-they of ages past, taking so much time to build up the characters and their relationship before they finally make it official can result in some truly one-of-a-kind storytelling when done right. I might agonize over how long Sawako and Kuronoma take to get together in Kimi ni Todoke, but the payoff is so transcendent that none of those complaints matter. Whereas Yuki and Itsuomi getting together so quickly in A Sign of Affection... I mean, they're cute, I guess? His cool demeanor plays off her sincerity very well? But it feels like the show's in such a rush to get to the good stuff- and so determined to make Istuomi the dreamiest, most perfect boyfriend ever- that it skips over so much of the careful character-building that makes all the best anime romances so special. It's a sugary sweet confection, but wipe the frosting away and there's just not that much cake underneath. Honestly, I find the side characters a lot more interesting because they're allowed to have messy internal conflicts with a bit more meat on their bones. But hey, props for putting a deaf heroine at the center of your shoujo romance and taking so much time to explore how that affects the way she interacts with the world. That's a cause well worth celebrating.

Sengoku Youko: 6.5/10

Rejoice, everyone, we finally have an adaptation of a Satoshi Mizukami work that doesn't look like absolute garbage! After the flaming disaster that was Lucifer and the Biscuit Hammer's barely animated hackjob production, Sengoku Youko has arrived to give the cult fave manga artist a chance for his work to actually shine on the silver screen. As someone who only knows him through Planet With, I've always wondered if Mizukami deserved the reputation his manga gets, and with White Fox delivering as tight and intense a production as they gave Re:Zero, I guess it's time to finally find out. And the answer is... mostly? Like, the biggest problems in this sci-fi/feudal fantasy mashup are the characters being a little too eager to state the themes out loud and one pretty crummy death that's about as hamfisted and over-telegraphed as I've seen in a while. But there's a shockingly gripping narrative underlying it all, a story about the scars trauma leaves on people, of characters making bad decisions and facing real consequences for them, of hatred and poisonous ideology forced to reckon with the more complex reality of the world as a whole. And it all climaxes in an absolute barn-burner final episode that knocked my score up a half point all on its own. If future seasons can make good on all the potential this first season has set up, then I may just end up a Mizukami fan myself when all is said and done.

Blue Exorcist Season 3: 6.5/10

I'm of two minds about Blue Exorcist's second return after a six-year gap between seasons. On one hand, it's clear the new staff is just nowhere near as talented as the folks who first brought this series to life at A-1 Pictures. The action is abysmal, the storyboarding is clunky, and the animation feels like it's constantly fighting for its life to maintain a passable standard. And it sucks that a series that once brought such great life to its story is now held back by such a mediocre production. But on the other hand... holy fuck, am I glad Blue Exorcist is back. I once described The Devil is a Part-Timer as the mathematical average of anime as a concept, but if you were to ask me what the best possible version of that mathematical average looks like? It would be Blue Exorcist. This is, hands down, one of the best straightforward shonen action stories in the whole medium, a reminder of why all the most generic and overused tropes were once powerful enough to become generic and overused in the first place. It's proof that even the simplest of "superpowered teens kick demon butt with the power of friendship" concepts can result in a wonderful goddamn series when handled with good old-fashioned storytelling fundamentals. And not even the rough-as-hell production is enough to keep season 3 from delivering on the thrills, tears, laughs, and cheers that make this series so magical. Just, please, give the next season more time in the oven so it doesn't feel like it's wading through molasses to hit those heights. Okay?

Delicious in Dungeon (1st Cours): 7/10

Delicious in Dungeon's biggest problem is that it takes a while to really settle into itself. The opening scene of the protagonist's sister being devoured by a dragon sets the tone for an intense and desperate rescue mission, but the actual series that follows this harrowing opening is as lackadaisical as can be. And it's jarring to be thrust into a gag-filled, character-driven fantasy cooking comedy where the harsh tone of that opening scene and the ticking clock of Falin's digestion completely disappear from the characters' heads in favor of how beast to cook and eat the various fantasy monsters they encounter in the dungeon. Yes, it makes a little more sense once the mechanics of death and resurrection are explained later on, but it's a weird note to start on. Which is a shame, because once Delicious in Dungeon gets a handle on what kind of story it's trying to be, it's really fun! Its sense of deadpan comedy coupled with Trigger's expressive animation makes for some really unexpected gags, and the way it explores its fantasy cuisine is genuinely some of the most creative stuff I've ever seen in the cooking anime genre. Plus, with the dark tone coming back in at the end of the first cours- and landing much more naturally this time- I have high hopes for how this series will marry those two sides of itself moving forward. If the manga fans' reactions are any indication, I think we're in for a damn good time.

Frieren: Beyond Journey's End (2nd Cours): 8/10

So remember in my last post how I said that it was kind of disappointing whenever Frieren turned into an action show because of how disconnected the fights were from the beating heart that makes this show so special? Well, apparently the writers heard me and decided what I meant was I wanted this peaceful, meditative tale about grief, change and the passage of time to turn into the goddamn Hunter Exams for ten episodes straight. It's one of the most shockingly ill-advised storytelling swerves I've seen in an otherwise good show, discarding all this series' strengths in favor of a half-baked tournament arc with tonally jarring grimdark elements and a bland, overstuffed cast of characters who only start becoming interesting in the rare moments they're allowed to stop slinging spells at each other and just, like, talk about life? You know, the stuff that Frieren's actually good at? Not this brainless slice of shonen envy that only avoids being a complete slog thanks to how spectacular the action is across the board? Ugh. Look, Frieren is officially the most beloved anime on the goddamn planet right now, and its best moments are so incredible that I wish I could join that chorus as well. But it's so disappointing to me that a show this singular and special has so often chosen to be the least interesting version of itself.

The Dangers in My Heart Season 2: 8.5/10

It's official: director Hiroaki Akagi is the master of middle school rom-coms. No other creator so perfectly grasps the specific blend of immaturity, awkwardness, cringe, and heart-on-sleeve sincerity that defines the love stories of early adolescence. That was already clear with his work on Teasing Master Takagi-san, but now that he's pulled it off twice, there's no room left for argument. And just like with Takagi-san, the second season of The Dangers in My Heart takes a show that was already shockingly good and catapults it into all-time greatness. This is a coming-of-age triumph, a soaring tribute to embracing your own cringeworthy self, flaws and all, and sharing that self openly with the people who matter most to you. Ichikawa's journey toward maturity, Yamada's journey toward self-love, and the way their romance sparks the best in both of them is the stuff that dreams are made of. I laughed, I cried, I squealed like a little girl, and I felt my heart grow three sizes by the time it was done. This is a new gold standard for anime rom-coms, and if you can stomach a bit of groanworthy fanservice, it more than deserves your attention.

The Apothecary Diaries (2nd Cours): 8.5/10

Most of the time when I cover a two-cours show on these seasonal reflections, I end up in a pretty different place by the end of the second cours than I did at the first. Either it sort of fell apart in the second half, or found its footing and took it to the next level, or it changed in some interesting way that affects how I view the show as a whole. But The Apothecary Diaries has stayed the course from the first episode all the way to the end. Start to finish, it's remained pretty much the same show, with the same ideas and attitude, exploring the same themes in the same ways. And you know what? When you're as good as The Apothecary Diaries ended up being, there's nothing wrong with that. This is a spectacular historical drama that builds such a rich, compelling world for its equally rich, compelling characters to inhabit. It's a powerful exploration of how old society treated the disadvantaged- women, poor people, people with all severities of disability- and how one deeply abnormal girl carves her way through this viper's den with her body and soul intact. It's the kind of mature, thoughtful series we so rarely seen done this well, and with the announcement of a season 2 already confirmed, we may well end up with close to 50 episodes when all is said and done. That, folks, is what a true shoujo/josei renaissance looks like. And I'm so happy such a deserving series is leading the way in reminding us how damn good women's stories can be when they're given a chance to shine this brightly.

DROPPED

Cherry Magic: Dropped at 2 episodes for looking like butt and the central romance feeling pretty lifeless.

High Card Season 2: Dropped at 1 episode because I realized I didn't care anymore.

Ninja Kamui: Dropped at 2 episodes for being dull tryhard edgy bullshit with overdone fight scenes that are impossible to follow.

[wonderr-skyy]

Urusei Yatsura and Character Creation

If yall are purposefully avoiding Urusei Yatsura believing it's only about a 'sexy girl' then yall are the ones sexualizing Lum. Cause Lum is never sexualized in the show itself. Only people with prejudice will think so.

Lum has so many faults (her biggest one being controling). If you think she doesn't have any faults, then you're the one seeing her just as a sex machine.

If anything, it gives me even more respect for Ataru, who sees Lum as an individual rather than a "fine babe".

"Why doesn't he just go after her?" / "She's the perfect wife" I've seen so many people say.

Cause he sees her for who she is! A flawed individual. Not a walking bikini. But of course, if you only see her as a "sexy girl" you won't pick up on all her flaws, or worse, you'll purposefully ignore them.

I bet if a non sexy girl were constantly zapping & abusing Ataru, most people would hate Lum lmao.

And this is why I like Lum & Ataru's relationship. They can bicker, they can be happy together, they have one of the most normal relationships you'll get to see in an anime, and the unfortunate people who just go for looks will not pick up on this...

Here's a clip where she just straight up drugged him and yall are telling me she's perfect? XD

If yall can overlook THAT and then still think she's "the perfect wife" then idk what to tell you...

-

As an artist & character creator you can learn a lot from Urusei Yatsura. I've learned a lot on how to make lovable yet flawed characters just from watching this show. So I really recommend this show just for that.

Anyways, lets finish with some cute moments.

[daisychainsandbowties]

Is it just me or does shin hati lacks personality?

i think it’s pretty obvious i don’t think of Shin as lacking in personality. i love what i’ve seen of her so far - think Ivanna is absolutely killing it with her performance so far, playing this mixture of intensity and homegrown Jedi calm, of a girl who is very alone and also trying to hold herself away from caring about anyone she might have to kill. i mean, i don’t know why you think she has no personality (i’d be interested in hearing your reasons) but to me she’s a fantastic character. if you know me you know that it takes A LOT for me to write fic for a character or a ship. so if wolfwren has moved me, i can pretty much guarantee i don’t sell out for looks with no personality.

but let me actually explain why i like Shin

firstly, she’s had very little screen time, to the extent i’ve probably got gifs of every frame of her so far on my blog. meanwhile Sabine has all of Rebels, Ahsoka has The Clone Wars, and Huyang is, frankly, a very typical example of a speaking droid. reminds me of c3po (i think he’s great, just not original characterisation). and they’ve all had more screen time in these four eps than Shin, who nonetheless has, in my opinion, demonstrated tremendous presence in every single scene she’s appeared in.

how she shows up on Lothal, stands there and says in her maddeningly calm tone, “we’ve been looking for this.” it’s just… so tongue-in-cheek, and Shin could so easily have sic’d the droid on Sabine and made her escape, could have smacked her against a wall with the Force and strolled away. but she chooses to stay. and the way she dances around Sabine’s blows… grabs the hilt of her saber to manipulate her in the fight, putty in her hands. flips her over her shoulder and plays plays plays with her… the grace and the wildness and the strange fascination of their fight. god she’s just!! so intriguing.

i think people pay too little attention to how much characterisation there is in a fight scene. we have Sabine fighting with a style that’s very much a mesh of form 1 and form 3. it’s defensive, it has hints of Ahsoka in it, her own modified and slightly more useful variation of Soresu (form 3) and then we have Shin. i need to examine her moves more closely to tell what forms (i think definitely forms plural) she’s drawing from - not much makashi, which makes sense since Baylan is Jedi-trained. her movements remind me of Maul’s style in The Phantom Menace, but there’s an element to her style that feels more… joyful, freeform, free verse.

she spins and pirouettes and barely avoids the cut of Sabine’s lightsaber. there’s relish in those movements. she can clearly block blaster bolts magnificently, has the athletic and acrobatic ability for ataru (the form yoda favours, and anakin to an extent). she’s a muddle of contradictions. silent so often but when she fights, when she flies that fighter…she’s golden.

and wry, too. watch for those slight smiles. the “you almost got them” and her hop-skip in the forest on Seatos, the “hello there” energy reminding me so much of Obi-Wan. and then her obvious terror when the Inquisitor falls, spewing green smoke. at the time i thought she was afraid for herself, of Ahsoka, but she was really afraid for Baylan. he’s trying to be a Jedi Master to her - there’s distance in their relationship, and GOD you can see her longing for contact, for touch, for something she can push and feel pushing back.

i think it’s why she antagonizes Morgan, why she waits to duel Sabine. she wants to… touch something and not just in a physical sense but in terms of connection. the light is so much about embracing life and i think of Shin trapped in the middle of that, not good or evil, light or dark, but caught in a terrible silence. her care and her fire is contained but it burns. especially when she fights, when she loses her temper “you have no power”, choking Sabine at the end, and that’s just the fire that creeps out under the door! beware the smoke.

the moments of fear, of guarded concern, of delight and fascination, anger and joy. i mean!! she’s a girl of few words, but when she speaks she SPEAKS. and when she doesn’t you can see so much going on in her body language, her face, her eyes, her actions. i think both of her fight scenes are beautiful examples of character through conflict.

i always use duels and fights for character-building. a fight is boring with nothing behind it - and with Shin we see, at first, fascination. wanting to prove herself, to show she’s the better padawan, but she also… i think she could have killed Sabine very easily. i would have run from Ahsoka too, but she honestly could have murdered Sabine right there. i love how they’re creating this sense that Shin is both… disturbed and intrigued by Sabine in episode 4. angry and also… holding her by the wrist, standing between her and Morgan.

listen, i am going to ship wolfwren whether or not my cows come home, but i really don’t bother with characters who aren’t interesting. so, yeah, i think Shin has plenty of personality! i love what star wars has been doing with the girls who have red(ish) sabers lately. i adore Reva, i am regularly insane about Trilla Suduri, and i think Shin is very different from them but no less fascinating! i’m loving the tentative line she’s walking between dangerous and vulnerable.

and, yeah, i think they should kiss.

[broitsf-ckingfreezing]

You know what

I think it’s really sad the way we treat Dooku as a Jedi Master. Not as a Sith, fuck that guy; he fell to the dark side and he fell HARD. He is irredeemable in that respect.

I’m talking about Jedi Master Dooku, who only interacts with Qui-Gon Jinn in Legends and fanon (because in TOTJ he had already fallen and was actively taking steps towards the downfall of the Jedi/Republic and becoming the apprentice). *Even then, I don’t really respect TOTJ as canon because of the awful way it paints the Jedi, but I will concede it as canon from the perspective of Dooku as an unreliable narrator. I just hate THAT bit where he straight up THROWS Qui-Gon and force chokes a guy and GETS AWAY WITH IT because “uwu the Jedi awe bad and cowwupt and Dooku was a victim 👉👈”

I always hated that because Obi and Dooku meet for the first time in AOTC, then clearly Enlightened MaverickTM Qui-Gon (see my opinions on THIS in @antianakins beautifully worded post) must have been abused by his master and kept Obi-Wan away from him to “protect him from evil” yadda yadda yadda, whatever. That Qui-Gon specialised in Ataru instead of Makashi like his master because Dooku was EvilTM and Qui-Gon wanted to “get back at him” or “escape trauma” or some shit like that, never because it is perfectly normal for a Jedi to find their strength in a form that is different from their teacher’s (see Anakin, Obi-Wan, WINDU, Dooku himself).

Or that because Master Dooku wore relatively regal looking robes (again, the only canonical proof of this we have is in TOTJ and COUNT Dooku, AKA ruler of Serenno) then he had a taste for “the finer things in life,” words used by EVERY fanfiction author, and was always either straight up a Sith the entire time or, at the very least, a bad Jedi who followed his own rules like Anakin. I disagree.

It has NEVER been canonically established that Dooku was an abusive man. In fact, remember that the Jedi consider Dooku a FRIEND? Even in AOTC when Padme rightly accuses Dooku of attempting to assassinate her, they extend to him the benefit of the doubt. Because he was a Jedi Master. A good one. So good, in fact, that when he outright aligns himself with a faction looking to actively separate from the Republic and the Jedi, they trust that his judgement is that he is doing right by his people. Not that he is plotting a galaxy-wide takeover.

(Don’t even get me started on Ki-Adi Mundi, the voice of reason, frequently being abused by the fans just because SOMEONE had to say this line. Clearly he’s evil! He’s an idiot! He’s corrupt! *rolls eyes*)

But why then did Dooku never meet Obi-Wan as a padawan, you ask?

It HAS been canonically established that Obi-Wan is a powerful Jedi and a powerful diplomat even before he became The Negotiator (they wouldn’t send any run-of-the-mill padawan and master duo to dispute the Naboo conflict, they sent DIPLOMATS). And he is Busy As Fuck. Remember, as a padawan he spent a YEAR on the run with Satine and Qui-Gon. And if you were to accept the Melida/Daan and Bandomeer arcs from Legends as canon, that probably adds up to another YEAR spent away from the temple, NOT including recovery time after those periods because we don’t have any real basis for how long it takes a Jedi, or even just Obi-Wan, to bounce back from the physical, mental, and Force trauma induced by these hefty skirmishes. Don’t forget, in two of these instances, Obi-Wan is only 13-14, and in the other he’s presumably about 18. And bacta tanks aren’t a magical fix-all. They don’t heal starvation, extremely long-term physical neglect/hurts, just like they don’t grow back limbs.

Dooku was also probably busy as hell. It is very likely that the two teams were never in the temple at the same time, or if they were, they were probably busy. Like teaching their respective padawans (remember a master can have more than one padawan, just not at the same time, and now that I think about it, it is pretty odd we never (hardly ever?) canonically see masters who have clearly had more than one padawan in their lifetime). Or healing from traumas. Or hanging out with friends. Or researching, or writing reports, or literally ANYTHING that could make someone busy enough to forgo introducing a child to their grandmaster. I mean, how many times did you visit your grandparents as a teenager? Probably not very often compared to the big picture that is your life.

Why didn’t they meet when Obi-Wan was knighted, then? Well, TOTJ shows us that Qui-Gon’s death was at least a little traumatic for his master, and that was his last straw. Dooku left. And after that, he probably didn’t want to see the child Qui-Gon raised. The boy who got to hear his pseudo-son’s final words and who died IN HIS ARMS. We also have NO IDEA in canon exactly how many missions Obi-Wan and Anakin went on, nor how long they lasted, but we can guess that they were an extremely busy pair knowing Obi-Wan’s prowess in diplomacy PLUS the recent reemergence of the literal thought-extinct Sith PLUS the frankly horrific ratio of Jedi to Force Null beings in the galaxy (meaning there just aren’t enough Jedi to get around to all these places) PLUS teaching a rescued slave child with childhood memories of the outer rim the ways of the Jedi and core worlds. We also know that by the time of AOTC, Anakin being probably about 17-18, possibly on the cusp of 19 which is his Knighting age, the pair have been on at least 9 missions where Anakin had to rescue Obi-Wan. Knowing Obi-WAN’s skill and power, and that these missions most likely occurred when Anakin was old enough to do things like save Obi-Wan from a whole NEST of gundarks, this is NOT a common occurrence. Even if consistently in 1 of every 5 missions Obi-Wan has to be rescued by Anakin, that adds to at least 40 missions where he didn’t. That’s a lot of missions in a ten year span on top of all the other things Jedi have to do that aren’t considered missions, again, like teaching, attending functions, researching and learning because Jedi must be a wellspring of knowledge to successfully mediate/placate/please whomever it is they’re interacting with.

[xbuster]

I don't know how they could mess up this joke so badly.

The scene in the original manga looked like this.

They completely mess up Ataru's entrance by showing him from behind and not his beaming face (why even focus on Shinobu here).

They show Ataru's on Sakura's lap too early.

Shinobu doesn't have her exasperated exit (minor, but it gave the scene more character).

Like it's not a very complex punchline. The joke's setup is pretty common in Urusei Yatsura where Takahashi writes Ataru as if he's suddenly showing concern for someone else. The page ends with the panel where Ataru's clasping Shinobu's hands, but she doesn't look amused, even though when Takahashi usually tells this joke she has the character Ataru's talking to believe him for a second. So you look at the next page to see why and Sakura delivers the punchline, revealing that Ataru has sneaked onto her lap.

When we already see that he's on her lap in the anime, Ataru telling Shinobu that she's charming doesn't mean anything because we already know why Shinobu is looking at him like that. The punchline just becomes "Ataru gets hit for being a pervert." I mean, that was a lot of the jokes in Urusei Yatsura, but that's why it's a little frustrating to see the anime remove one of the layers (however thin) from the manga's version of the scene.

[ninjastar107]

[Catch Me, If you Can] - a Chronological Taizo Hori centered Playlist

TRACK 01: 'Dog In The Desert' - LAKE (2013) [X] TRACK 02: 'The Man' - The Killers (2017) [X] TRACK 03: 'Sole Survivor' - Asia (1982) [X] TRACK 04: 'Here I Stand and Face the Rain' - A-HA (1985) [X] TRACK 05: 'Baby's Coming Back' - Jellyfish (1990) [X] TRACK 06: 'Take My Place' - Nik Kershaw (1989) [X] TRACK 07: 'Field Work' - Ryuichi Sakamoto (1986) [X]

(Track by Track breakdown under the cut!)

Hey, Thanks for taking the time out of your day to listen. Taizo Hori, aka the main protagonist of Dig Dug(1982), is a character who exists in the Mr Driller series as Susumu's father. He had 3 kids with Masuyo Toby(protagonist of Baraduke(1985), whom they aren't on the same terms.

He's a character with a large ego, who's never home, and who often has his thoughts elsewhere during serious situations. This selection of songs is both a dissection, as well as a fun head canon exercise, into his life. The progression of this playlist assumes that the arcade game Dig Dug, the Namco x Capcom game, and the Mr.Driller games all exist as one linear timeline.

Without further ado, lets get into it!

TRACK 01: 'Dog In The Desert' - LAKE (2013) -- It is not really known how or why Taizo was selected to handle what would be known later as the 'Dig Dug Incident'. It was a situation in Tokyo where monsters came up from the underground and were causing problems, and he was deployed solely to handle it. Taizo was "About [Susumus] age" when it occurred, and I like to think it was pretty rocky.

-- Themes of this song is about being abandoned or alone, but having a goal that's needed to be accomplished.

TRACK 02: 'The Man' - The Killers (2017) -- So after he defeats all of the monsters, he's a world renown hero! Certainly this does nothing for his ego and most definitely doesn't inflate it.

TRACK 03: 'Sole Survivor' - Asia (1982) -- In NxC, Taizo and Masuyo know each other due to their involvement during the disaster that was Baraduke. Taizo was in the Special Engineering Corps, and was the only survivor of that deployed division. Masuyo is mad at him for, what I assume, just how bad the operation went in total. BUT, they agree to work together again.....

TRACK 04: 'Here I Stand and Face the Rain' - A-HA --....and even fall in love. However, this relationship does not last. Their firstborn, Ataru, runs away. Susumu follows his dad's foosteps in becoming a driller, and Taiyo becomes a pilot(due to his claustrophobia). Somewhere between the two, Taizo and Masuyo Separate. (Its not known if they are divorced officially, or if they are simply separated).

TRACK 05: 'Baby's Coming Back' - Jellyfish (1990) --Taizo has a habit of never being around. This Annoys Masuyo(who has her own set of problems) and there's a general agreement for the two to meet at least once a week. I'm always a little crazy about how they are both so incompatible, but cannot get enough of each other. I like to think the Baraduke Disaster did a large number on both of their psyches.

--This song is about love, arguments, and the need for one another. It's not the healthiest but, it seems to be a cycle.

TRACK 06: 'Take My Place' - Nik Kershaw (1989) --There seems to be a sort of back and fourth with whether he's okay with Susumu being more famous and overall better than him. Hes constantly flipping between 'I'M the best, I'M the OG' and 'He's the best, and I trust him to handle himself okay'. I presume being Mr. Driller has a lot of responsibilities and skill, seeing that there's only a few people in the world with that title. Taizo just has to fight his ego, his need for recognition, and his laziness all the time, haha!

--This song is about 'passing on the crown' so to speak, and everything that comes with it.

TRACK 07: 'Field Work' - Ryuichi Sakamoto (1986) -- Dig dug Digging Strike, the main reason why this song is in this list. He's complaining at the TV when the phone rings and the guy on the line asks for his son to handle a situation. Fueled by his already bad mood, he decides to take it upon himself to prove that he's still capable of being a hero. Through the game he goes from 'I can handle it, don't worry about me!' to 'uggghhh do I have to..? uugghhh' to 'Okay. Susumu, this looks like its going to be tough, be ready for me'. which is very sweet.