#Well. I mean. I wrote this

[useless-englandfacts]

so if you didn’t know, last week rishi sunak was due to meet the greek prime minister to discuss — amongst other things — the parthenon sculptures that we've been hoarding in the british museum for a couple of centuries. rishi cancelled last minute for no good reason and one greek newspaper came up with a great response:

[bluebugjay]

can't stop thinking about cheerleaders in mcr again

the way they've been in so many of their music videos - I'm not okay, teenagers, blood - and photo shoots and represented things like the American dream and the 'popular' crowd and blind conformity and youth and a certain (male gaze-y) kind of femininity

the way you can turn on kerrang and be very likely to see a band of similar genre also using cheerleaders in their music videos but it being 70% up-skirt shots or love interests whereas mcr have never done that

the way mcr never made the cheerleaders or any female characters in their mv's a 'safe' or 'attractive' kind of weird but instead straight up weird allowing them to dance strangely and wear gas masks and be covered in blood and be rejected by getting poked in the eye or even completely ignored actively tarnishing the cheerleader persona

the way gerard way has now dressed up as one, siding with the cheerleaders after being separate from them for so long

as if the cheerleader is no longer just that but also the girl within the uniform, done being used as a symbol of the American dream and the 'popular' crowd and blind conformity and sexualised femininity unwillingly

the 'and so he gets to die a Saint but she will always be a whore' of it all

[willowser]

ᴅᴏᴡɴ ᴏɴ ᴀʟʟ ғᴏᴜʀs. werewolf kiri au.

you wake up under a mountain of furs.

light comes flickering from the hearth and, warm and welcoming as it is—you've no idea where you are.

you don't recognize the inside of the cabin; it's certainly not yours, nor is its layout that of any you’ve seen in the village. it's rather plain, with a singular window and table and chair and small fireplace, empty enough that you wonder how anyone could live comfortably with so little.

outside, the winter storm rages on, and there's a howl that cuts through the air that strikes bone-deep.

all at once your memories come back to you: dragged through town with bound hands and ankles, in only a thin night dress, screaming with all your might as the physician that delivered you into this world tied you to an old pine, along with the priest and the man that sold you blueberries in the spring.

people you knew and loved. had trusted.

the memories become hazy after a while, darkening with the night that crept in. you remember your body losing its feeling, but not its fear. you remember the violence of the storm, breaking trees and branches and uprooting the forest floor. you remember the horrible and hulking shape of something rising in the moonlight.

the door shoves open then, with enough force to send you scurrying back into the corner of the room. the blizzard tries to rush inside, but a man stands in its way, leaning back against the wood to keep the wind and snow out where it belongs. he's—big, as tall as the frame and just as wide, with thick hair that he's tied back, messy and low.

he's rosy in his cheeks and on the tip of his nose, as bright as the eyes that snap to you the moment you dare to breathe.

he doesn't say anything, at first. the bag of firewood he sets at his feet settles as he turns to you in interest, eyebrows raised. the clothes he's wearing look—old and worn, certainly not suitable for the storm roaring outside, with the holes and tears in the fabric. the boots he has on, however, seem heavy, have his steps echoing when he moves further into the room.

you pull your knees up to your chest and try to shrink away; beneath your thin dress, your skin has pebbled up, reminding you of just how vulnerable you still are.

your fear translates; the man stops on the other side of the little table, breathing in deeply before raising his hands up in what reads as surrender.

"hello," he finally says, and when you don't respond, he places a thick hand to his dark-haired chest and introduces himself as, "eijirou."

he nods emphatically and then repeats himself, as if to reinforce the name. you only grant him a small nod in return—and he smiles. it's wide, stretching across his face, and friendly, authentic enough that you question whether you're as damned as you thought, or perhaps saved.

how did you even get here? the question finally thaws out from the recesses of your brain and you take another look around the room as if the answer lies between the wood or nestled into the furs. this place looks too hand-crafted, you realize, all of it—and the man before you looks like he could move mountains, if he wanted to.

the chains that had bound you were iron-strong and didn't once budge in all your thrashing, before things went dark—but now you are inside by a well-maintained fire, warm and free, and all that remains of your ill fate are the indentions worn into your wrists.

he's still staring at you, the man. eijirou. he's not moved any closer, either, and when you meet his curious gaze, his lips twist and his eyes narrow. a thoughtful noise comes out of his mouth, like he's thinking of what to say or how to say it, and you're reminded that you don't recognize where you are, nor do you recognize him in the slightest.

big as he is, you don't think he could have carried you too far in a snowstorm such as the one still raging outside; are you still somewhere deep in the forest? in a cabin at the heart of the wood? saved by a man that somehow survives with so little out in the middle of nowhere?

"eijirou," you test the name on your lips and he perks up at the sound, attention snapping back to you instantly. you don't know if it's winter seeping through the floor, or if it's in the way that he watches you, that makes you shiver.

finally, he asks, "cold?" and when you nod, he slowly makes his way over to you, carefully, as if approaching a deer ready to run.

—and then he sheds his shirt with a quick shrug and holds it out to you.

you should want to look away, for decency sake, but you're—stunned by it, by him. there's a litany of scars that paint him in odd and worrisome places, but he stands tall and strong before you, unbothered by his own state. unbothered by the eyes that run over the expanse of his bare shoulders, the dark, thick trail of hair running down from his belly button, the ripples of muscle his loose shirt did well to hide.

you take it from him carefully and it's so warm, almost hot, that you press it to your face immediately to chase away the chatter of your jaw. the material itself, however ragged, is big enough to drape over your curled form like a blanket, and so you do just that. it carries the earthy smell of the woods, deeply woven into the fabric; pine and musk and something smoky.

with your cheek still pressed to his shirt, you look up to thank him, at last, but the words still in your throat at the minute changes of his face: still smiling, though sharper now, somehow, and his eyes are still wide with that keen, rapt interest—but the crimson to them has set like the sun and they've grown just as dark as the night outside.

[bottombaron]

So, I'm going to either make this joke more or less funny by explaining it, Colin Robinson-style:

Nandor isn't being an idiot by misspelling 'knowledge', he's spelling it phonetically.

Why? Well, it's probably not just that English is a horrendous abomination sent by god to punish us and an even worse trail for English learners either, but Persain is a (mostly) phonetic language!

This means each letter has a corresponding sound and words are phonetic in spelling (again, for the most part), unlike 'knowledge' in English where there are like...at least three?? unnecessary extra letters.

So, what's the phonetic spelling of 'knowledge' look like?

nolij

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[yestheantichrist]

Since it’s still April 10th in many time zones. Here’s to a beloved holiday that really highlights the themes of this book series :)

[redlyriumidol]

the plot of inquisition is fairly basic/unoriginal imo UNTIL you factor trespasser in as the real ending. that elevates the story so far beyond a simple fantasy "bad monster guy wants to take over the world. the plucky hero and his friends stops him" to something much more compelling. the moment you find out corypheus was really just small potatoes and you should have been worrying about the unassuming, soft-spoken elf who you thought was your friend and would always be by your side.... unparalleled. of course trespasser shouldn't have been a dlc I mean... we shouldn't have had to pay extra for something which is absolutely critical to the story of inquisition, but anyway...... it's truly the plot twist of all time. corypheus was a bit blah as a bad guy but really he was just a distraction- all you've been doing this whole time is cleaning up solas's mess so he can freely carry out his plans. solas is already an incredibly good villain, just being able to see and get to know the "human" side of him for an entire game is amazing set-up for da:d

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[hkhyuk]

i’ve just been thinking about how a lot of people say that the robin mantle is a curse but.

but robin wasn’t a curse, not to dick, not really. to dick, robin was good. robin was everything. it was what his mom called him, it was light, it was hope. it was never a curse to him. robin was never meant to be a curse.

robin was never mean to be a legacy either, which is why when bruce took it away from dick, it became the way it did. i can’t imagine how much it would hurt dick to watch children die again and again and again in his family’s colours, when the colours were meant to be the embodiment of hope. bruce took the name robin away, and being robin changed. the mantle wasn’t kind to it’s wearer anymore. it wasn’t bruce’s to take and give away.

which is why, i think, that the reason the mantle is sort of, ‘kinder’ to damian, is because bruce wasn’t the one that gave it to him. it was dick.

[baalzebufo]

additional doodles of The Silly

i love the idea of fakey being solid Most of the time... until its convenient for it. either it gets goopy when its feeling strong emotions or if its just like ‘oh im being pushed away?? you’re pushing me? well thats incorrect. im slime now. hi :)’

also ive been drawing and writing a lot of freaky/antagonistic interactions with these two so peppi deserved a hug

[franeridart]

The Housecat Philosophy - Ep 44

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Read ahead on Patreon || Catch up on Webtoon || support me on ko-fi~✨

[mrstargkonnen]

I think people are focusing way too much on the s*xual side of things with Noa and Mae.

Like…stop 🛑

I’m going to assume no one here needs anything explicit to happen between them to ship them. If that’s the only way you consume ships, then that’s on you.

But by ‘certain’ logic, then shipping Noa, Soona and Anaya means you like to watch animals getting it on irl. Is this true? I doubt it.

Thankfully, I’m capable understanding that shipping the fictional characters we were given is easy because of their human-like qualities and relatable dynamics. The CGI helps to suspend our disbelief a ton too, and of course, the great chemistry the actors delivered IRL. They did a fantastic job!

Because let’s be honest, if these characters behaved or resembled irl apes 100%, NO ONE WOULD GIVE A FLYING FUCK ABOUT THEM and these movies would not be what they are.

They’re shippable because of their dynamic, because of the themes and narrative devices they are using, because of the idea of two opposing worlds coming together through the kindredness of two unlikely heros, because of their relatability in the face of fear, prejudice and the unknown, because of the Shakespearean tragedy of it all-

NOT and I repeat, NOT because they might have s*x 😒

[dootznbootz]

There's something really fascinating about how Athena treats Diomedes so differently from how treats Penelope and Odysseus (even Telemachus but that's a lil different too)

Athena has basically known Diomedes since he was born (some even say that she had a say in naming him) because of Tydeus. I don't think it's far-fetched to say that in a way, she possibly "molded" him. And Diomedes is kind of known for being the "perfect warrior king". He's respectful of the gods and most of his comrades, an incredibly skilled soldier, and has already achieved so many things despite being one of the youngest kings in the war.

I sadly think that's why Athena treats him so differently than Odysseus, Penelope, and Telemachus.

She cares for him, but it's still "distant" in a way. Or almost in an "I molded you. You will react the way I would want you to therefore I will not be surprised."

When it seems like she's known her other favored mortals for less long, she didn't get to "mold" them. They surprise and bring something "new" for her. She sees her little tricksters' scheme and plot and watches with intrigue but watching the perfect warrior is a "Yes, perfect form. That's what I'd do."

I mean even how her favored mortals pray to her tells you a lot about the relationships they have.

For example, in the Iliad, Odysseus doesn't need to really give as much reverence to her to "earn her favor" during book 10's Night Raid.

Odysseus rejoiced, and prayed to Pallas Athene: ‘Hear me, daughter of aegis-bearing Zeus, you who are with me in all my adventures, protecting me wherever I go. Show me your love, Athene, now, more than ever, and grant we return to the ships having won renown, with some brave act that will grieve the Trojans greatly.’ And Diomedes of the loud war-cry followed him in prayer: ‘Hear me also, Atrytone, daughter of Zeus. Be with me as you were with my father Tydeus in Thebes, when he went there as ambassador for the bronze-greaved Achaeans, camped there by the Asopus. A friendly offer was what he made them, but on his way back he was forced to take deadly reprisal for their ambush, and you fair goddess, readily stood by him. Stand by me now, and watch over me, and in return I will offer a broad-browed yearling heifer, unused to the yoke. I will tip her horns with gold and sacrifice her to you.’

(Book 10, A.S. Kline)

Diomedes brings up his dad and offers a young heifer (granted that could just be how Diomedes is with every immortal) while Odysseus doesn't and is basically like "Yo, help me out like you always do!". Odysseus is much more casual and personal with Athena. And with Penelope, Athena takes the form of one of her sisters to comfort her!

While Athena also most likely has known Telemachus since he was a baby, she's still closer to him than Diomedes.

Imagine that. You're basically molded by a goddess since birth, listen to her and other immortals dutifully, basically become her perfect warrior, and yet you can't seem to reach that familiarity with her. The same warmth she has for her other favored mortals.

[reverie-darling]

been in maruaders tiktok lately, depressed and pissed off

[ohbo-ohno]

happy new year's eve @luminousbeings-crudematter, here's another version of the purge au (4k) that i forgot i finished in the process of trying to get the first one done lol

(also when i said "it's essentially the same thing but with different smut" i meant... no smut. i didn't post this one bc i couldn't figure out what to do with the smut. but this has some kidnapping and overall rough creepiness!)

cw: noncon touching, kidnapping, graphic murder, blood & violence, unedited bc im lazy

The soles of your feet burn against the hot asphalt, even though the sun’s been set for hours. The flames roaring from the burning high school alongside you are enough to heat the ground, enough to leave you wincing with every step and trying your best to walk on your toes.

You’re not sure if the wetness on your cheeks is tears or blood, or some sick combination of both. You’d wipe it off to see, but your hands are covered in red, and you don’t want to smear it across your face.

It’s impossible not to flinch at the sudden sound of cackling laughter, some indeterminate distance away but clear as a bell. The laugh cuts off abruptly, followed by a high-pitched scream that makes you wince. You speed up as much as you can, breath shuddering in your chest. You feel a few tears slip down your cheeks, just adding to the tacky mixture already covering your face.

The street is crowded with Purgers, people wearing all sorts of different gear to make themselves seem as terrifying as possible. You’d feel lacking in your black pants and shirt, if you wanted any attention like them. Instead you pray that whoever’s looking for fun won’t focus on you, that you’ll disappear with so many other distractions out tonight.

The sound of a chainsaw revving makes you shudder, and you tuck your arms close to your chest. 

You can’t believe you were stupid enough to come out on Purge night, but there’s no use dwelling on that now, not when you’re still blocks away from home with absolutely no way to defend yourself.

You should’ve known your friend - your now very dead friend - didn’t have good intentions. She’d invited you out with her to vandalize your most recent ex’s house, and like an idiot you’d agreed and walked yourself right into a trap. Your only defense is that you’d had a few drinks before leaving your perfectly safe apartment, in hopes of forgetting all the screams you’d hear outside. It’s the only reason you can think that you were so quick to agree when you’ve got absolutely no way of defending yourself.

Her blood is still wet on your hands. You don’t feel bad about her death, and that makes you feel sick. You’d never thought you’d be the kind of person to actually partake in the Purge, let alone kill during it, but here you are - stumbling home covered in blood with two deaths on your hands. The fact that it was self-defense isn’t nearly as much of a comfort as you need to make your heart beat less erratically, to make the blood stop burning against your skin.

The quick flashes of their deaths won’t stop playing on repeat in your mind - you would’ve died if you’d been any less lucky, and you doubt your piece of shit ex would have made it quick. 

If you hadn’t caught them together - your friend fucking him in the bed you used to sleep in, that fucking bitch - you might not have had the anger necessary to kill them. Might not have had the rage, the energy, to stab them both until they stopped screaming.

Your arms already ache from the force you’d used. You can’t stop seeing your friend’s face, torn to shreds beneath you, blood splattering up onto your own face and neck while your ex’s corpse cooled beside you. You’re not sure if you’re hearing her screams still, or if someone nearby is suffering just like she had.

The only thing you can bring yourself to regret is leaving behind the knife. It would come in handy now, as you walk alone down one of the poorest neighborhoods in your city.

It would come in especially handy as a hand grabs your shoulder, yanking you to the side and into an alleyway, shoving you against rough bricks and ignoring your yelp.

“Well, well, look’it you…” the man drawls, his face hidden by a bright red skull and a black hood covering the rest of his head. “Wha’s a bonnie lass like you doin’ out tonight, all alone?”

You can’t speak, heart thudding painfully at your ribcage as you blink up at him. He’s all you can see, just a bright red skull floating in place.

“Please,” you manage to gasp, hands shakily raised in front of your chest.

“Please? Please what?” His words are sharp, almost bitten off, and he leans closer. “Haven’t even threatened ye yet, pretty thing. What’re you beggin’ for?”

You whimper as he leans closer, hardly inches away from your face, and a loud boom from somewhere nearby shakes the wall at your back. You still can’t tell if it’s blood or tears dripping down your face. You jump at the sound, and your chest hits his. Before you can move back, his hands are on your shoulders, keeping you pressed to him.

“Oh, did that scare you?” He coos, patronizing and mean. “You a little scaredy cat, all alone and afraid?”

You sob, hands pushing at his chest, and he makes a sound somewhere between a hum and a laugh, pushes you against the wall without pulling even an inch away.

“No, no, you’re not goin’ anywhere. ‘S not safe out there for you, kitty. It was so easy to grab you, you want someone else to get a hold of you? They won’t be as nice as me, I can tell you that.” 

“Get- get off!”

He laughs, loud and rough, right in your face. “Oh, I’ll be gettin’ off, kitty. Might take some teamwork, huh? A good way to get to know my new friend-”

He cuts himself off with a sharp Oh! as your knee jerks up into his crotch, the man doubling over in pain and groaning as his head comes to rest against the wall by your face. You barely have enough sense left in you to duck out of his way before his body goes limp against the wall, hand cupping your target.

“Fuckin’ bitch,” you hear him hiss, right before you stumble away, legs weak as you put all your energy into not tripping over your own feet. Your only thought is getting out of the alley, even though being more exposed is probably riskier than just taking your chances with the man in the red skull. Still, there’s some instinct at the back of your mind telling you go, run, and you’re not stupid enough to ignore it.

You hardly make it five steps away before you hit a wall - no, not a wall, a person. 

It’s almost comical, the way you bounce off of him and stumble backwards, losing your balance on weak knees and sending yourself straight to the ground. He’s a monolith above you, a massive figure clothed in all black, the light from the flames behind him almost making him glow. He’s all black cloth and white mask, a skull hovering well past six feet in the air.

The sight of him makes your heart stutter, brings everything into acute focus around you, slowing the world down to a near stop. That same instinct at the back of your mind tells you this man is worse than the last, that you should’ve taken your chances with the red skull. 

You’re jerked back and to the side, shoved roughly against the brick wall. Your face scrunches up at the rough texture against your cheek, your torso flush against the wall and the first man flush against your back. You manage to open one eye and track the new man, your other forced shut from the way your head is angled.

The white skull tilts, and its wearer steps closer. You can’t help the small cry you let out, the way you flinch back into the first man like he’ll do anything but expose you more. His hands are rough on you, one hand locked around the back of your neck and the other harsh on your hip.

The body behind you laughs, push further into the wall regardless of the stinging pain as the white skull steps closer. He stops hardly a foot away, when your vision is eclipsed by only him. You try to struggle against the hands holding you, whimpering when they dig in more harshly.

“You got her?” A voice asks, and it takes a minute for you to realize it’s the new man in front of you.

“Yeah,” the first man pants, holding you close and alleviating some of the pressure against your cheek. “Woulda caught her without you, y’know. She just caught me off guard.”

The white skull rumbles low in his chest, a rejection. You’re not sure if he’s got faith in your ability to escape, or doesn’t trust his partner’s ability to chase. He’s close enough that you can only see the black of his chest, close enough that you can watch him breathe.

“I’m sure. You got a good hold on her?”

The hands squeeze, you can’t help but make a sound disturbingly close to a squeal, and- “Yeah, course, got her tight to me, Ghost. She’s not goin’ anywhere.” There’s an air of desperation in Red’s voice, a strained tension underlying every word. He’s almost eager, but it’s all directed towards the man in front of you - Ghost - instead of towards the prospect of hurting you.

Ghost doesn’t respond, but he steps close enough to press his chest against your shoulder. The three of you are all less than a foot apart, and there’s absolutely nothing you can do to get away. Another tear slips down your cheek.

You can feel Red’s chest heaving behind you, and at first you can’t understand why - he hasn’t had to chase you, hasn’t had to fight, there’s no reason for him to be out of breath.

It hits you when you feel the hard plastic of his mask press into the top of your head. He’s eager, and it’s making him pant like a dog. You’d bet he’s drooling behind the mask and the thought makes you shiver.

You flinch when a gloved hand cups your chin, tugging your face up so you’re staring into the eye sockets of the mask.

His eyes are dark brown, so dark that you almost can’t see them past the shadows and the paint over his skin. The flames roar behind him, giving him a monstrous glow.

“Pretty thing,” he hums, chest rumbling against your side. You try to push away from him, but there’s nowhere to go. “You’re gonna be our little toy for the night. Things’ll get worse for you if you try to run. You hearin’ me?”

It’s pure instinct to nod, to give this man what he wants, but you know you’ll still try to run the second they look away. 

“Alright then. Let’s get you home. Johnny,” the man steps away, jerking his head in clear instruction for Johnny to follow and turning away. “Come.”

“Right behind ye,” Red - Johnny - assures, that same eagerness in his tone as he tugs you away from the wall, trotting behind his partner. “It’s gonna be a great night, lass. You and I are gonna have fun.”

You can’t help but whimper at that, letting your body go nearly limp as the man drags you by the elbow. You can’t even fathom the horrors they’ve got in store for you, what fun is to two men hunting for lone girls on Purge night. 

You try to let your feet drag, but they hurt too much for that to last long. You consider going limp, making them carry you, but you’re too scared that they’ll just drag you across the concrete and let you bleed. 

You only manage to keep up with Johnny because he doesn’t give you another choice. You’re practically hobbling from the pain in your feet, forced to walk on the balls of your feet and lean your weight into his hand where it’s wrapped tight around your arm. He doesn’t give you any slack, doesn’t even seem to notice when you struggle to match his pace.

The three of you have walked several blocks - you can’t quite focus enough to count - keeping to the sides of buildings and dodging other people, when you’re tackled to the ground out of nowhere.

It’s impossible to stop the blood-curdling shriek from leaving your throat. Your bare arms feel torn to shreds as you slide across the ground, head bouncing off the ground and leaving you with black spots dancing across your vision.

You’re hardly able to blink, body alight with pain, and the heavy weight over you only serves to make your panic worse. You moan as you roll your neck, staring wide-eyed up at the dark sky and praying the ringing in your ears isn’t permanent.

Your vision is just starting to clear when the man on top of you - and he’s definitely a man, he’s not even wearing a mask and his expression is mean and you find yourself glad you can’t hear what he’s saying - jerks back, his head pulled back until all you can see is his bared throat. 

You can hardly even register what’s happening in the next few seconds. Some distant, detached part of you can recognize that someone slits the man’s throat, that his blood comes gushing out and covers your face.

The first sound you can hear again is your own screaming - it’s an ear splitting sound that melts from the ringing in your ears. When you gasp underneath the man, the corpse, you can feel his blood falling into your mouth. Every breath tastes like iron, and the world is tinted pink from the drops of it falling from your brows.

You can do nothing but pant and shake when the corpse is thrown off of you, replaced immediately by Johnny. You can hardly focus on him, are only really aware enough to know he’s there.

“Hush, bonnie, yer fine,” he scolds, one big hand coming up to cover your mouth, pinky and ring finger holding your jaw shut. “Wanna draw people over? Ye wanna see me and Ghost kill someone else for you, ‘s that it?”

You shake your head on instinct, tears running down your temples, dampening your hair. Your chest aches with the force of your breaths, nose congested from all the crying. 

“Then hush,” he hisses, face so close that you can feel the breaths from his nostrils. You flinch at the loud sound of gunshots disturbingly nearby, desperately pushing against his body to try and see what’s going on. You can hear grunts and moans, the sound of something heavy hitting the ground, and your heart races.

Then, the sounds stop. It doesn’t go silent - not with other Purgers still out, still killing - but the area you’re trapped in is quiet again. Johnny drops a little more of his weight onto you, making it even harder to breathe. 

You have to focus on every breath, deliberately making sure you get enough air so that your lungs stop aching. You only notice the movement on top of you after nearly a minute of slow breathing.

Johnny’s hips grind slow and steady against your stomach, and it makes you sick to realize you can feel his erection through his pants. His chest rises and falls with harsh breaths, and his movements are just harsh enough to force your body to move with his.

There’s absolutely nothing you can do about it. Not with shock settling in, his weight holding you pinned to the ground, and the pain in your head shifting to something closer to a migraine. All you can do is focus on your breathing and stare up at the stars.

“Johnny,” Ghost eventually calls, and you can hear him kick what you can only assume to be a corpse out of the way. You can’t help but whimper when he crouches nearby, his boots splattered with blood. “What do you think you’re doing?”

“Need-” Johnny gasps, hips stuttering against you before working even more quickly. “Needed to feel her, fuck, Ghost, she’s so fuckin’ soft. Can’t wait to be inside, to fuck her full, feel her squeeze-”

You whine against the hand over your mouth, trying to pull your face away from his grip and only succeeding in dragging your sensitive head across the harsh concrete.

“You’re gonna fuck her out here, where anyone can see? Doubt you’ll be able to keep her safe when you’re pussydrunk.”

Johnny moans above you, dropping more of his weight on each thrust. “Tha’s why you’re here, yeah? To keep me and the lass safe?”

Ghost grunts, fisting a hand in the strip of hair left revealed by Johnny’s mask. “Don’t be a fuckin’ brat, Johnny. You know I don’t have to do shit for you - either of you. Maybe I want to see my mutt get all defensive, growlin’ over his girl. You ever think about that?”

The whine that slips from Johnny’s throat is nothing less than pathetic, his pace becoming uneven as his eyes screw shut behind the mask. “C’mon, Ghost, I’m close, just let me… just watch for another minute, yeah?”

The scoff from Ghost is mean, and even you feel the absurd desire to try and placate the man. He stands abruptly, stepping away from where you’re pinned and leaving you staring at the cooling corpse of a man you don’t recognize.

“You do whatever you want, puppy. Stay here and get yourself off or behave and heel. You know what you’ll get either way.”

You can’t help but furrow your eyebrows as Johnny hisses out shit above you, hips working desperately against you for a few long moments before he drops his entire body weight onto you, knocking the air out of you.

“Okay,” he whispers, seemingly to himself. “Okay, alright, it’s fine. It’s fine.”

He pulls himself away from you with a long oan, pushing up until there’s no place the two of you are touching but you’re still entirely caged in by him. He takes his hand off your mouth to hold himself up and you wince at the string of blood between his hand and your lips.

“Not gonna fuck ye yet, kitty,” he tells you, staring into your eyes with an intensity you don’t quite know what to do with. “Ghost’ll make the both of us regret it, and ye don’t deserve that on your first night home.”

You hardly manage to bite back a whimper. “Please…”

His eyes crease, like he’s smiling beneath the mask. “God, yer so scared, aren’t ye? I can fucking taste it in the air, kitty. It’s delicious. Cannae fuckin’ wait to have you on my tongue.” You shudder, eyes dropping to his neck when his gaze becomes too heavy.

He forces you to stand before you’re ready, leaving you to lean on him if only to avoid crumbling to the ground like a ragdoll. You ite your tongue against a sob at the sight of three corpses around you, a twisted sense of appreciation and disgust warring in your mind.

Johnny herds you like a dog, pushing you by the small of your back and your shoulders as he tries to catch back up with his partner. You’re left stumbling in front of him, unsure and terrified, not quite strong enough to think running away would be a good idea. It doesn’t take long for you to spot Ghost’s large back on the street in front of you, and a part of you resents the fact that he’s already so recognizable. 

He’s an overeager shadow, unable to decide if he wants to tug you forward or chase you from behind. He ends up almost circling you, shifting from your back to your side to your front and back again, always moving, always rushing. It leaves you unstable and nervous, unable to predict what he'll do next.

Chills run down your spine at the thought of this man… taking you. If you’re this terrified of him fully clothed, you’re loath to think of how you’ll react when he gets you where he wants you.

The two of you only manage to catch up to Ghost because he stops for a cigarette. His pale jaw is exposed when he tugs the mask up enough, and you try your best to memorize the scars covering his face, telling yourself that you’ll remember him, that you’ll never let him near you again once this night is over.

The look he sends Johnny is approving, the look he sends you is distinctly smug. It makes your teeth grind, makes you really wish you still had that knife so you could lurch forward, thrust the blade into the solid center of him and twist, pull out again and aim a little higher, then again, then again, then again-

“Made your choice, then?”

“Yes, sir. Wanna be good.”

Ghost hums, flicking the butt of his cig then dropping it to the ground, the cherry still glowing. “Settin’ a good example for your girl, huh? That’s my boy.”

The sound Johnny makes is animalistic, and despite the harsh grip he’s got on your arm you try to lean as far away as possible. There’s a building energy under his skin, a twitch in his fingers, that unnerves the animal part of your brain in ways Ghost doesn’t. 

“‘Course. Gonna teach her how to be good, too, gonna keep her perfect for us.”

Ghost is completely stoic with the mask tugged back over his face, nothing but his heavy gaze as he stares you down. It’s hard not to jerk away from Johnny and run, no matter how futile you know the effort would be. 

He reaches out a big, gloved hand towards your face, moving quickly enough that you can’t fully flinch away and hide your face in your shoulder or chest. His thumb strokes across your cheekbone, smearing the sticky mess of liquid across your face and huffing a sound just loud enough for you to hear.

“Cat got your tongue, girl?” He rumbles, a faint note of something in his voice lost in the sounds of anarchy behind you.

You try to shake your head, unable to manage anything more than a, “Please.”

Johnny scoffs beside you, wrapping both of his massive arms around your shoulders and holding you close. “Broken record, this one. Hasn’t said much else since we nicked her.”

“That’s alright,” Ghost rumbles, give Johnny one firm stroke over his mohawk. “I’m sure you’ll drag all sorts of pretty sounds out of her tonight. Now, let’s get goin’. Don’t want your little toy gettin’ her nerve up and earnin’ herself a punishment so early in the night. Come, now.”

Johnny laughs, loud and harsh as he tugs you to follow him and Ghost. You know you should be upset about what he’s said, know he should be doing exactly what he warns against and try to get away.

But you’ve got no energy left to fight. Everything hurts, your system is overrun by fear and just the tiniest drop of adrenaline, and your best chance of making it through this night is passing out and forgetting any of it ever happened.  

A few tears, stragglers, drip down your cheeks when Johnny tugs you beside him. The places his fingertips squeeze against your arm have gone numb, and your feet feel like they’re on fire. Your arms are sluggishly bleeding and you’re not convinced you don’t have a concussion.

It’s hard to hold back sobs when you think of how much worse it’s going to get. Staring at the broad back of Ghost, feeling the feral energy of Johnny hardly contained by your side, all you can hope is that they let you survive the night.

You close your eyes as Johnny guides you, take a deep, steadying breath, and pray for your own strength. You tell yourself that maybe next year you can seek them out, find them at the very start of the Purge and get your revenge.

It’s a comforting enough daydream to lessen the aches of your body, to shine a spot of light after the hurricane of your future. 

[stickyspeckledlight]

Boop! 🐾

(L didn't get this out yesterday but I was also a smidge busy balduring my gates and stockpiling knock off thin mints)

Unfortunately I do not have enough thoughts to write a drabble, but yan!aventurine would totally boop you.

The worst part is that you have no one to blame but yourself. On one particular night, when you weren't quite pushed to your limit but where your thoughts certainly did verge on the homicidal, an idea crosses your mind that, you believe to be utter genius in the moment: if you cannot overpower him or outwit him, then you certainly can use your meager mental faculties to bamboozle the fucker.

It's ingenious, you're certain! A touch that is not provocative, not aggressive, but OH so...powerful. A primordial innocence primed with mischief and tomfoolery. An action of such utter stupidity that no one in their right mind could even begin to react to.

He has been attempting to goad you into playing one of his games for the past five centuries (and no, you affirm that your sense of time is quite in order), and from having performed this song and dance innumerous times, it is about now when he says or does something to make you give in, and then entraps you in his hold before you can escape.

It is you who takes the initiative.

A demented grin full of malice and desperation spreads on your face as you ready your finger, and rush over to him, and

Boop! right on his nose.

And it works. He is too stunned; either by the stupidity of the situation, or that you've initiated contact. But you do not fret over the reason. You seize the opportunity and slip into the bathroom, locking it and securing it with a chair you grabbed for good measure. In the throes of your victory, no rational thought crosses your mind.

But all actions have consequences, and this very true fact catches up to you. Aventurine has not come banging on the door or mocking you as you thought he would. You have not heard from him at all. This is a good thing, but it makes you nervous---compounded by the fact you cannot stay in the bathroom forever.

Sure, you could theoretically survive here for three weeks, as the only thing you'd be lacking was food. You had a toilet, and a shower and bath to decompress in, even! And if you wanted to lay down? You could merely set up a haven of comfort with the millions of towels Aventurine keeps in his gargantuan bathroom. It was a great place to bunker in for sure!

.......but do you really want to starve? Like, do you really, really, really want to put yourself through that over him? You do hate him and want to see him suffer, but your mother and every self-help book ever says that you should love yourself! And unfortunately and fortunately for you, you do love yourself enough to not want to go through it. But, you can at least be strategic about it. Nabbing supplies in the night? No, Aventurine has proven himself capable of operating without a wink of sleep for good knows how long. The key to this operation is to leave when he's left! Ahahaha! Good job, you! You really are a bonafide genius! Nous ought to send you an invitation to the ranks of the Society!

(you're aware that he could just bust down your door without issue, but you'll take reprieve when you can get it, you know?)

So, you wait, and keep on waiting even after you hear the entrance close. You will not take any risks, and you wait for what you think is a good hour or three. And then, you emerge.

You are swift and precise, making a beeline towards the kitchen to stock up, and just as you are about to open the cabinet to nab a box of succulent bioengineered cheese crackers---

"Boop!" a gentle pressure mounts on your nose.

There really isn't any winning with this guy, you think. After this nasty surprise, he "revokes your bathroom privileges," mounting it with a lock and essentially requiring his permission with the key card he gives you for it.

And worst of all, your concept of utter genius comes to haunt you in your every waking moment. Coming home from a long day of work? Boop! Threatening your family and friends? Boop! Playing Animal Walking? Boop! Throwing you into a bare room handcrafted for sensory deprivation? Boop! Post nut clarity? Boop!

You then see the one glaring folly in your initial thought process: why did you ever assume Aventurine to be in the right mind in any way or any situation?!