#What do you mean your fine?

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[3cosmicfrogs]

oh 12.65 litres of blood clinging to the outside of my body, we're really in it now

[egophiliac]

As someone who hasn’t played the twst game very long I just got into it. I wanted to know about events? Like do some not come back? For example do the Masquerade, Port, Beanfest, Ghost bride, starsending events. Do those come back? I hear people say how they missed their chance to get this great card like as if it won’t ever come back and then someone on Reddit will say something like “Oh beanfest happened twice on the JP server” so which events have gotten reruns so far? I would ask about more recent ones like the Easter one but idk if it’s too recent to know if get rerun or if they clarify that it won’t come back? I was really sad to find out about the Silk outfits I missed out on when they visit the scalding sands. I also was really sad to find out i missed out on the anniversary cards because I didn’t play the game yet. I wish they would add the anniversary cards to the store at least…I want to be apart of the celebration :’)

I was looking in the shop and saw all the different groovy items you need to groovify event cards and this question just came to me so I had the urge to ask someone…

welcome to Twst! 🎉 it is a bit confusing to jump right into, especially because. they're not always consistent. :') it sounds like you're probably playing on Eng, which I'm less familiar with, but I'll try based on what I know! (I also don't always remember everything, so somebody please correct me if I get something wrong!)

first, I do recommend the Twst wiki.gg, which seems to stay pretty up-to-date on events for both the Eng and JP versions! it's a great resource for when you want to see if/when an event ran or rerun. in general, I believe that the Eng version only does reruns that have already happened in JP, so if JP has a rerun that hasn't happened yet in Eng, they should get it too eventually! on the other hand, I don't think either version has ever rerun an event more than once. :( BUT this doesn't mean you're entirely out of luck, because:

anniversary events (March for JP, January for Eng) will usually offer a chance to get both an older event SSR and an older birthday SSR in the shop, via buying a special item with exchange currency (which you get by doing pulls on the anniversary gacha, I think you need to do 100-150 pulls for enough currency to buy the item to exchange for an SSR). only SSRs though, and you're limited to one each (one birthday, one event). so if there's an SSR you REALLY want and it's already had its rerun, it's probably worth planning to save up some keys for!

as for actual reruns, they seem to come in a few different flavors:

straight-up rerun, no changes or extra cards

unchanged event story, with a new SSR of a character who wasn't in the story (e.g. Applepom Jamil)

slightly rewritten event story that includes a new SSR (e.g. Ghost Marriage, they don't seem to do this anymore though)

completely new event story that acts as either a sequel or alternate-universe version of the original (e.g. Beans Day part 2, Fairy Gala IF) (though this is pretty rare and might actually count as a separate event, rather than a rerun?)

Master Chef/Culinary Crucible events have never gotten reruns (though they might start now that we've finally gotten through all the characters in JP, time will tell). birthday and Halloween events will also rerun the previous version in addition to the new one -- for instance, Eng should be getting a Glorious Masquerade rerun this year, followed by the new (Playful Land) Halloween event. and a birthday campaign will, in addition to the new card, have a separate pickup for the previous year's birthday card.

for the specific ones you mentioned -- I think Beanfest, Ghost Bride, Fireworks, and Starsending have already rerun in Eng, so those most likely will not be rerun again (at least not anytime soon). Masquerade should be coming back for you guys this Halloween, and Portfest JUST got its rerun in JP, so that should be coming too sometime in the future! (no new SSR though, alas, I was really hoping for a little marching band sailor boy Leona. 😔) the Easter event is the White Rabbit Fest, right? that one hasn't gotten a rerun in JP yet either, so it's still on the table!

all that said, it's entirely possible they'll change the rules at some point and start doing more reruns/chances to get older event cards, especially since the game's been going on for a few years now and some cards haven't been available for a pretty long time! there's only one card that they said was for-realsies limited-time-only and wouldn't ever be available again -- Platinum Grim, since he was to celebrate the 100th anniversary -- so. there's always a little bit of hope for everything else. :D (fairy gala Ortho PLEASE COME BACK SOB)

[fairyroses]

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[scrapsovereign]

“I Have Standards”: A Choose Your Own Adventure Smut Fic

Description: NSFW. Astarion rejects you after defeating the Goblin Camp, so you seek out a certain wizard to make him realize what he's missing out on...

Pairings: Astarion x F!Tav, Gale x F!Tav, Astarion x Gale x F!Tav

Trigger warnings/tags: Jealous Astarion

🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸

“I’m flattered, but I think not. It’s not you, you understand, it’s me. I have standards,” Astarion professes with a hand flounced over his chest, smiling condescendingly at you.

Your fingers drum the side of the wine bottle you hold in your hands, the alcohol easing the pang of rejection you feel…and loosening your lips for what’s on your mind.

“You have standards, I’ll give you that, but the bar isn’t what you think it is,” you take another drink of your courage juice, Astarion’s scrunched face of disapproval glaring at you for how you’ve just negged him.

“Really now? Go on then, explain yourself- I do so love it when I’m informed of how I’m feeling,” he sneers, teeth on display that were just latched on the side of your neck last night.

You shotgun the rest of the drink.

Here we go.

“For the last few centuries you were compelled to take victims to bed for Cazador. For as long as we’ve been out here, you’ve been free of that compulsion,” you explain, watching Astarion’s face soften, his gorgeous crimson eyes go wide. “You haven’t had a choice for so long, you don’t know what you want…that is, except for my blood.”

You continue before he can get a word in edgewise, praying the wine will help you eloquently channel this next spicy bit. “I know how hard you get when you drink from me, I can hear your little whimpers of pleasure, I can see your pants darkened with your pre-spill when you leave my tent.”

Astarion’s lips are parted in slack- jawed disbelief, his undead body forgetting to remember it’s supposed to look like he’s breathing.

“You’re ashamed of it and you don’t know if the desire you’re feeling is real, that’s why you haven’t made any moves on me. You’ll sneak off to take care of it yourself. Just like last night after you were done feeding on me. I could hear you whispering my name in your tent and the sounds of you stroking yourself-“

“I’ve heard quite enough,” he snaps, leaning in towards you. “Speaking of arousal, I can smell yours right now. Does humiliating me get you off?”

You shake your head, ignoring the dagger of his words piercing your heart. “It doesn’t, but knowing what my blood does to you makes me want you in the worst way.”

“But! Seeing as how you’re not interested, and talking about this has made me incredibly horny, I’m gonna go talk to Gale! See what else that mouth of his is good for besides yapping,” you press the empty bottle into a stunned Astarion’s hands, flipping your hair over your shoulder as you walk away.

You make your way over to Gale, feeling Astarion’s gaze burn holes in your back. You put on a bit of a show for him, swaying your hips as your saunter over to the wizard.

You know Gale wants you. He’d done sweet little things here and there to win your affection, preen and blush with your praise, bubble over with gratitude when you gave him items for his orb. It was when you saw his innermost, filthiest imaginings while you connected in the weave when you truly realized that the orb wasn’t the only part of him that was hungry.

“It’s beautiful tonight, wouldn’t you say? The party’s rather nice too,” you purr out, amused as Gale nearly does a spit take from your forward flirtations.

“Well, erhm, I don’t fault you for thinking so, seeing as I’m quite the handsome devil,” Gale smirks, his insecurities drowned by your flattering words. You can’t help but agree. He’s pretty in a way that’s different from Astarion, and you’re more than into it.

“Gale, I’m going to be blunt with you. I came over here so that I could stroke more than your ego,” you say with a bored tone, discreetly palming the wand between his legs.

“And while I…I would be…I want to, but I fear the orb,” he sputters as you stroke him, feeling his surprisingly large cock inflate underneath your hands.

You look over your shoulder to see Astarion still watching you. To say he doesn’t look happy is a grand understatement.

Good.

You angle yourself so that Astarion can see when you touch your lips to Gale’s, when you lick at the wizard’s quivering lips and he allows you entry, when your tongues glide together languidly and he melts into the kiss.

“I want you,” you whisper against Gale’s lips, earning a little needy whine from the back of his throat in reply. You massage the erection that kicks against your hand, tenderly cupping the side of his face with the other as you slowly, sensually, move your lips against his.

“I want you too,” he swallows thickly, “Shall we continue in the privacy of my temporary abode? While the others are making merry and none the wiser?” He says quietly, his flushed lips inches away from yours.

You hook your fingers underneath his belt, a gesture that can only mean a vehement yes as you drag him into his tent. You look back again to see Astarion’s furious eyes tracking you, faintly glowing a dangerous shade of red as you dip into the darkness and disappear.

(Enter Gale's Tent)

[uncanny-tranny]

[mysticarcanum]

the issue with the current fallen london event is that it lets you choose the difficulty (or rather, the quantity of explosives you are willing to pack onto your ship) and that's very hard for me, because even though it would likely be much more profitable overall to go on any difficulty but the hardest (which is comically, punishingly difficult) i am incapable of such WEAKNESS. what am i, a COWARD??? pack every last inch of this zubmarine with explosives, lads!!! we sail into the mouth of hell!! DEATH OR GLORY!!!!!!!

[normystical]

ATTENTION ALL ALASTOR SHIPPERS: 

uniromantic 

THANK YOU FOR YOUR TIME. PROCEED

[bluepallilworld]

Hehe 4th edition of...

DARK CREAM (AND POST DARK CREAM ) SHIPCHILDREN COLLAB! <3

After the summer vacation, the kids are invited to join the dark cream shipkids school! For their first day and class, all ages are mixed in one singular classroom... Will everybody stay quiet while waiting for the teachers or will chaos arise???

What's that?

3 years ago, I hosted a big collab for christmas, 2 years ago it was for the new year then last year we had an halloween celebration and now the fun continues!

This year, I'm hosting a big collab with a theme of "going back to school" to make some kind of a "family picture" with some of the dark cream ship children ! Nor Cross or S!Dream will be in the final picture as there aren't exactly the same depending on the child.

How to participate?

1- You need to have a dark cream/dark xunshine ship child (Cross x Shattered Dream kid). I'm making an exception for post dark cream kids ;). As long as Dream has been Shattered at one point, the kid can participate.

2- Draw your kid wearing a proper school outfit! (They will be indoors so you may choose to have them sitting on a chair, on a table or standing up, you can give them a school bag and anything you can think of! You can draw accessories aside if you want me to put it on their table or something (pens, notebook...) but no obligation here ^^)

3- Send me the drawing or tag me on it so I can get it! The drawing must have a transparent background so I can easily edit it. If you put a watermark, please put it on the inside of your drawing so that I don't have to erase/move it to make place for the other children.

You need to send me the drawing before the 10th of august so I have time to edit it properly before the big day and in case there are some problems. (It can however be discussed if needed, exceptions will be accepted or refused case by case)

I'll post it the 1st of september (probably early in the day) !

If you have any questions, please ask!

If someone without a kid wanna participate (or just want to participate more for funsies), you're welcome in the background+ team ^^

(being in the background+ team means drawing some elements of the background like all the lil' things you can find in a class, desks, posters, books... or some other stuff. It's usually me and music fairy @diofasolia (if you've got some free time to participate of course, solia) on that team)

PS: You can't use a kid belonging to someone else for that event ! You must be the creator of the kid and send me a drawing you did at least mostly by yourself (it doesn't mean you can't have help or collaborate with someone however) ✧◝(⁰▿⁰)◜✧

PPS: Be creative or more classic with the outfits! Have fun! Do as you wish!

If it helps, the kinda perspective I'm going with (same as every year ;3). I'll adjust the size of the room depending on the number of kids. The kids are not obligated to be staring at us, from the side, showing their back... Also the pov will be from the white board ✨

Pose ideas for those who aren't inspired: awkwardly standing in a corner, reading a book criss-cross applesauce, tripping and falling on nothing (or something), chatting with someone, writing stuff on the wall, perfect student sitting pose, already asleep, climbing, fascinated by something (might be a poster, might be the class pet), showing something that really shouldn't have been brought here to someone, I'm late!, what an insteresting window, staring at the clock...

If you need a special accessorie/furniture/thingie to make the pose work, tell me and it'll be added in the background ^^

[crustyfloor]

The way Till looked genuinely pissed off because of Ivan but he’s not mean about it. Just thinking. The fact that he didn’t just say fuck off right then and there when Ivan asked him for a kiss, but he instead worked around it, as if after realizing Ivan was actually serious he said this as an attempt to pacify Ivan. because even though we get the irony here, it does look like Till trying to ‘let him down easy.’

Even his internal dialogue is harsh, but he doesn’t voice it.

And when Ivan starts whining and getting in his space again, Till doesn’t bother pressing it and just lets Ivan sulk, as if he’s simply handling a pouty child. Like he’s used to it and just letting it be, it doesn’t mean he liked it but Till really wasn’t trying to hurt Ivan.

(even more unsurprising how no punches were thrown, again. Till can only be provoked into acting that way, had this been Ivan’s perspective I’m sure this situation would have looked a lot more narrow-minded)

[moghedien]

ok but as a white person who grew up in a rice eating culture (Cajun), hearing other white people who didn’t grow up eating rice often talk about rice is sometimes the most maddening/insane experience

[sad-endings-suck]

and if I said that lots of mizu/akemi shippers are actually mizu/fem self-insert and mizu/fem oc shippers then what?