#What happened to the boxes opening

[astrallar]

Ok, so here me out here

[rottin6]

layla beloved your frat initiation bartylily chasing-in-the-woods concept is something that i think about…. so frequently. haunts me. i don’t even need you write it atp i just need more THOUGHTS 😭

stopppp it i'm giggling at the thought of them 'cause they're so nasty @sommerregenjuniluft is wholly partly to blame

like picture it, frat boy barty daddy issues barty n trust fund barty all in one, like my guy has issues on top of issues. he's made to go to uni by his dad and (idk how frats work i am british) he's in his third and final year of his degree, and he's the president of the frat obviously cause so was his dad and so was his dad and so on

lily, however, loathes him. she thinks the absolute worst of him but she's never even spoken to him. she just hates what he comes from and all that stuff. she's doing a journalism degree and writes for the college paper, like she's on her grind trying to get through uni

one day lily gets some inside scoop that barty's frat is hosting an initiation ritual that apparently happens every night but no one actually knows what goes down so she makes it her mission to get in so she can publish it in the paper and ruin his image and all that jazz

AND THEN she gets there the night of the ritual and barty sees her and he knows who she is cause she hates him that much and and the ritual basically

the existing frat boys are recruiting the new year boys and as part of the initiation they get chased in the woods and the older years wear masks n shit and it’s fucked up in every sense, like they get their chase and it’s perverted and just so…barty if that makes sense

but it’s just an initiation for the boys, no one else at all so lily has to sneak in and she thinks she’s all slick hiding behind trees n stuff but then

barty creeps up behind her, an ache in the pit of his stomach. even in the night, he hates how he can recognise her by her stupid red hair. there’s an animalistic urge to pull on it, to yank her back into him, but instead he snakes his arm around her throat, his bicep pressing on her pulse. his other hand covers her mouth and he can feel the way her body shakes, how it squirms against him, and he tuts, shaking his head.

now obviously lily fights back, she hits her head back into his face and his lip’s bleeding and all but my barty’s huge, like this guy is built so he’s stronger than her and he’s had enough—he tightens his hold on her, pinning her against the tree and he’s pissed as fuck. he’s pressing his body against hers so she can’t move, also holding her by her throat cause he likes the feel of her panicking and how she gulps. he’s grinning like a madman, wiping the blood off his lip with his thumb and he’s all like “you can’t come and not play the game, doll.” and she’s crying, shaking her head and she’s begging him to stop but but

he lifts a leg up, pushing his knee on her stomach and he begins to undo his belt with one hand, the other stroking the side of her face. it’d be romantic in any other situation if not for the fact that lily thinks she’s well and truly going to die. he spits on the ground to the side of them, his thick cock pulsing at the sight of her tears. he relishes in the view, at her lips quivering and the way she still begs him to stop. it’s cute, he thinks.

and then at some other point

“are you—are you getting off on this?” barty snickers, his fingers trailing across the dampness on her panties. he watches the way she closes her eyes tight, her lips parting slightly. “you’re a sick bitch, y’know that, doll? a pretty fuckin whore, coming out here, thinkin’—thinkin’ you can just do what you want, hm?”

but she still struggles against him, trying to fight cause that’s just lily evans but he’s licking his lips, shaking his head and the next thing she knows is he’s taking out a gun from the waistband of his jeans, he’s got it to the bottom of her chin, murmuring, “i really wish you wouldn’t do that,” but she doesn’t care, she tries to wriggle out of his hold and he tightens his grip on her, moving the gun to her forehead, “don’t fuckin move. you move and i’ll fuckin shoot you, okay? you got it?”

“barty, please...” lily pleads with him, as he yanks her by her hair.

“barty, please,” he mocks. “jesus, you're fucking pathetic. you’re lucky that i haven't put a bullet in that pretty fucking skull of yours yet.”

and at some point she’s running again, after kicking him in the groin obviously and he’s chasing after her, he’s in love with the chase, getting so high off it and then he’s tackling her to the ground, mud over the both of them. he’s on top of her, gripping her by both her dimples and pushing her face down into the ground

“i know the shit you say about me, what you write about me in that—in that little paper of yours.” he’s breathing heavily, pulling the zipper down on his jeans as he mounts over her. “i should kill you right now,” he whispers heavily against her ear. “but that's not what you want, is it? you want me to fuck you, right here on the dirty fucking ground, don’t you?” he smiles, demented. and he moves the gun down to her mouth. "just a dirty little whore that wants to get filled with dick, right?"

and then they have hot steamy sex in the middle of the woods 🏌🏽‍♀️

[instarsandcrimeah]

I love Sif's design-

[mellotronmkll]

I keep thinking about this interview with linnell where he was asked how he stays so positive and he was like Oh I can answer this! I'm just really good at compartmentalizing :)

[carnivalcarriondiscarded]

hm. im not very big on new years resolutions, they're too much pressure. but... perhaps i can handle new years Desires

this year i want to complete a lil comic, fan-based or otherwise. i'd like to also complete some sort of storyboard/animatic thing. i want to develop a coloring style that i can be proud of. i want to get to a point with my dragons where they can have a coherent story & world to live in. i want to think of so many fun, trivial facts about my characters. i want to post more about them. i want to write and post an original thing, be it 1k words or 10k. i want to finish the rough draft of a book i outlined. i want to be kinder to myself. i want to create more gift art for others. i want to put more effort & care & love into my art. i want to force myself into the world and figure out how to live. i want to make an irl friend. try a new craft - scrapbooking, maybe, or making an enamel pin. i want to finish that last commission and make a new sheet for more. i want to be freer with myself. i want to finish at least three fics. i want to go whale watching again. i want to improve my art, especially in the matter of drawing people. i want to bake something tasty and share it with the neighbors. i want to be content with existing. i want to have more good things in life to list on bad days. i want to build a birdhouse.

[queen0fm0nsterz]

thinking about the Lady again and she actually is the Character Ever.

Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.

But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.

And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.

(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)

These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?

That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.

(I wonder if that would make her envious of her younger counterpart in a different context?)

Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.

A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.

I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.

This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.

I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.

But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?

It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.

Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.

You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.

In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.

The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.

Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.

The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.

The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.

... For the most part. Until Six comes around.

[unopenablebox]

unwholesome thoughts of LOOM

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[askthekoopsandjr]

Iggy What's Your Favorite Candh

[ratatatastic]

can we pls discuss how the cats are all so horny for them getting Big and Strong and Fit and Buff. If we lived in A/B/O world the locker room and gym would be flooded with pheromones at all times

you my dear anon have truly opened yap-dora's box with this one do not get me started on this please PLEASE you know how nasty this team would go at it in an abo-verse? the pheromones would just be in a constant feedback loop if these boys weren't forced to put on blockers and use suppressants because its really the way they talk about each other and the way their affection shows

and i think just the past few days we've had so many anecdotes of paul talking about how much fitter the cats are, or players commenting on their own physique or other players talking about how much they noticed how big other players have gotten is sooooo

so allow me splurge about all the stuff these horny cats have done that live on in my brain in an abo context because yap-dora's box has been opened. dear god save us all.

the sc celebrations on and off ice: all the neck nuzzling, sashas penchant for grabbing people by the neck/head (ekky, lundy) or just ragdolling guys (forsy) about because who can say no to pack alpha? hes pack alpha! let him do whatever he wants to you! guide his hand to where you want it most (your neck)! absolutely melt that hes letting you touch his neck in return he trusts you that much! feel safe and warm with his hand on you! go limp! let him move you about! pack alpha gets whatever he wants!!

ekkys also specifically brought up monty grabbing the back of his head and rubbing his forehead on his so hard it actually hurt after winning the cup and its always lovely to see some good ole pack bonding that is the forehead nuzzle because sometimes an omega does need hard touch to keep them present

and speaking of ekky... ekky being ekky and grabbing the nearest warm neck to stick his nose into because this poor omega has toiled since game 4 and riddled with anxiety aplenty and hes de-stressing by surrounding himself with pack lest he breaks down and cries again (despite the fact he absolutely did cry on the ice) needs to be reminded hes safe now its all over hes allowed to be spoiled again and filled with the scents of all the people that he loves to soothe him

also all the club e11even shenanigans are truly unmatched sasha being very mmmmghghg with lundy, sasha being mmmdgfdghd with everyone (because pack leader of course has to re-scent everyone in a crowded club his scent gets washed out by all the sweat and people and likes his pack to smell like him :( and whilst hes not super territorial sober he does get more possessive when hes inebriated, listens more to his base instincts screaming at him that he can barely sniff out his pack and thats a no-no he likes his pack to be his), ekky clinging onto sasha (because omega is feeling loveydovey and displaying submissive behaviours to appeal to their pack leader)

but also specifically benny holding maffhew by the neck is always fun to remember because he wasnt super super touchy with anyone that night but maffhew is always an exception of course and wouldnt want to scruff this fun flirty omega? especially one you have so much storied history we love play behaviours we love tussling to re-establish pack dynamics

re: to also expand upon possessive pack leader sasha, sasha making the finns wear a shirsey with barkov city at the front of it during his cup day because that was a thing that very much still haunts me because now they each just have shirts with sashas and theirs name on it. which im sure sasha is very pleased about and thisll probably be the most possessive we'll see him get in a sober context and by god did my jaw drop

also my favourite examples of all this big talk is when mikksy gets brought up and theyre like oh hes soooooo strong hes mean (froths at the mouth at how he can push them around) sorry yall this is my guy i will be annoying about him specifically very much we have a fun new overseer to put us in our place! unfortunately the omegas on this team are very much just in constant preheat at this point like where do i even begin WHERE

also do i have to mention anything about forsy ever? do i have to? presented without comment! the graphic!

(added bonus of all the shit paul said about forsy these past days lmao)

and i just think this team is horny for each at all times and theres so many more examples and pack goes crazy theyre all fucking each other THE LOCKER ROOM REEKS

[greenerteacups]

do you have any thoughts on luna and harry as a potential couple post-canon? i was reading your post on harry/ginny and i really loved your perspective on it, especially when you said your vision for harry post war was basically just lots and lots of big dogs (i LOVE that mental image and i agree it would be SO good for him!!) but i was wondering if you'd consider luna and harry to be a good match for each other? personally i have a sort of soft spot for the pairing because of how fond harry is of her in canon, and i think if anyone was going to understand and be unfazed by all the difficult trauma responses and long healing process he's going to be dealing with for years after the war, luna seems like a good fit :)

My love for Harry as a character is kind of unusual to me, considering I go pearl-diving for ships when I read things, and I fall in love with dynamics as a conduit to falling in love with characters. That said, I don't really ship him with anybody. I just genuinely adore That Weird Little Dude. Same with Ron; I'm just as pleased to see them with a range of people, because (A) I believe they're good partners and can have great relationships with many people (Ron Weasley get behind me they could never make me hate you Ron Weasley), but also (B) I don't see either of their canon relationships as Definitive. Some characters I ship together because I sincerely believe they are (non-deterministic) soulmates, in that they bring out parts of each other that make them the freshest, happiest, most interesting versions of themselves. With other characters, I'll look at a couple and go: "Huh. Could work!" and smack my giant rubber [APPROVED] stamp on it, then get back to work on my blorbos.

Luna and Harry are one of those couples for me. As I mentioned in that other post, I think Harry's primary requirement in a partner is someone who can treat him normally, i.e. will be generally chill about the Became Wizard Jesus Twice situation. Which is a big ask. Luna is uniquely capable of doing that because Luna is not normal at all, and so treats all things, extraordinary and ordinary both, as uniformly dazzling and delightful. I believe this is why Harry enjoys her so much in their friendship, because he gets to feel valued and treasured without feeling unusual or othered — a hard line to toe, and one even Ron and Hermione occasionally trip up on. He seems to like hanging out with her a great deal, and I think it says something sweet that he asks her to the Slug Club party instead of any of the girls in Gryffindor from his year, whom he'd ostensibly know better.

Luna is a bit of a cipher to me, I admit. We know she's the daughter of an eccentric and probably traumatized single father, raised without a mother; deeply lonely, because of how she's been ostracized for her beliefs and hobbies, and the victim of some degree of bullying for it; and yet full of a passionate, almost effortless wonder and joie de vivre. She's also intensely loving (cf. painting her friends' faces on her bedroom ceiling) and very hard to embarrass. She likes Harry for understandable reasons; they share most of those qualities (Harry's more sensitive to others' opinions, understandably so), and the only point where they diverge is their actual hobbies and interests. Harry seems pretty fond of her nonsense, and I bet she could sell him on crumple-horned snorkacks given some time — maybe if Hermione took a vacation to Switzerland and left them alone together.

In general, what I find sweet about the idea of these two is they're so chill. These are two people whose chief ambition is to hang out, enjoy their hobbies, and see some cool magical shit. Date night is so fucking easy for these two. Plus, Harry is a hothead a lot of the time, and Luna just... vibes. Literally never bothered. Insane levels of not fussed at all times. Very helpful for Harry, who has a bad tendency to bottle up his feelings and then blow up at the first person to sneeze at him. Conversely, I'd hope that Harry would age into the kind of genial, confident dude who would be able to rock up with a function where people were talking shit about Luna and be like :) My wife? You mean my wise and beautiful wife? Surely you are not talking about my wise and beautiful wife. :) instead of doing what he'd do from age 15-17, which is get mad and stomp around sulking. Which, again: teenager. Orphan. Non-stop trauma gauntlet from age 2-18. Excuses are made. But still. Would think it best if Luna's husband were not perhaps so keenly sensitive to gossip, for Luna's sake.

Anyway, these are just some dissembled thoughts. There's also something in there about Harry, boy under the staircase, falling in love with the magical world and ending up the Most Magical person, i.e., the person who took believing in magic to such an extreme that she imagines magic that doesn't exist yet. And Luna ends up with the one person who's inarguably stranger than she is.

[eponymous-rose]

Got woken up at 6 this morning by a huge series of crashes, followed by the distinctive sprinting of a scrambling cat practically teleporting in her haste to hide behind the washing machine. Got up to make sure she was fine (fluffed-up tail and very nervous but eventually slinked out to follow me into the living room)... and everything looked exactly the way I left it last night. I can't figure out what fell! All I can think is that she snagged a claw on a loud cat tunnel or got tape on her paw or something and it chased her as she was running and caused a commotion. Bizarre!

[thirteenemeraldcats]

I would to know more about the untitled-Jamie-blue-screen fic, if you wanted to share anything about it : )

Hello terrifyingly talented friend! I am happy to share!!

So this fic started rolling while I was writing 'i learned to walk while he was away', - that story explores some of the 'unseen' effects of Jamie's experiences, specifically what his relationship to expressions of violence (even when positively channelled) might be after growing up with an angry man. The 'untitled-Jamie-blue-screen-day' fic (which is technically 'redacted-title-Jamie-blue-screen-day' fic, I'm a fairly changeable person and the title's redacted purely because it's still subject to possible [who knows, not me] change) is another exploration of some of the 'unseen' or more accurately 'undeveloped' parts of Jamie's psyche that canon skips over.

Specifically, the symptoms of depression he displays in 3x11 Mom City.

I'm a card carrying member of the 'Jamie has multiple missing diagnoses' bandwagon and know first hand what a horrifyingly tricky combo neurodivergence and clinical depression can be.

I use a lot of metaphors to describe/understand the complexities of mental health- when I was studying it, when I'm teaching it and yea when I'm thinking about my own brain :)

Most of the metaphors are computer based- product of the times I guess.

The untitled-title 'blue screen day' is how I unaffectionately refer to the days when that horrifyingly tricky combo decides to be extra horrifying and extra tricky and causes total system overload. The days when you forget how to be a person. That 'blue screen' blink feeling of not functioning, but then it's not momentary, it's not a blink, it doesn't go away. You're seeing with your eyes sure, but you're not really seeing and they don't really feel like your eyes. You exist in your body yes, but do you really exist? Is it actually your body?

(To use plain language; it's a brief and intense episode of severe burn-out, typically bought on by cognitive and/or sensory overload, but sometimes seemingly spontaneous [clinical!].)

So that's what I gave Jamie, a blue-screen-day (sorry buddy).

But I also gave him Roy! And a smoothie! He'll be okay.

(Essentially the story is the idea that sometimes things don't have solutions or answers or a quick and easy fix. Sometimes all you can do is be. Sometimes all you can do to help is be there.)

The fic really is gentle hours, I swear.

[thatdeadaquarius]

LSKDJSKDKD IM GLAD I WAS BEING OF HELP IN ANY WAY :D

Kinda ask but also not :

What would you do if you were isekaid to genshin (in your different AUs: genz language, language barrier, blunt reader...)

Or if you got isekaid with one of your friend or follower(pspspsps me)

WE WOULD HAVE A FEILD DAY IN ALL OF THOSE LMFAO

So I have other ppls asks that r older than this but this'll be pretty short/its kinda not a request/ask? so ill go ahead and post this one first :) 💙

The ungodly amount of AUs I have now (my askers have?? I feel like yall made these tho):

FIRST OF ALL, IM ON MY FEET IN SECONDS- IF U RMEMBER ONE OF MY OLD ASKS WHERE I SAID "U will not be one of those isekai protagonists who dont know wtf is going on/wont accept what happen, esp when their lives depended on it"

I PARTIALLY SAID THAT BC THAT WILL BE ME

I AM AWARE. I AM COOL. I AM ROLLING WITH THE PUNCHES.

any of these chaotic language AUs i am on my toes for goddamit

Im drawing pictures to communicate, im doin charades, any method i can if words dont work

.

IF ITS THE BLUNT AU I WOULD NEVER SHUT UP

It would just be too funny for me to be able to be quiet, im making ppl laugh im scaring ppl bc they think im an eldritch god

What a dream💖 *wistful sigh

Thats part of the reason i wrote about that AU bc i WOULD LOVE THAT ONE

YALL COMING WITH ME??!! :

We would quite possibly end the world

Im kinda but also kinda not joking

It would just be utter chaos

U my good fellow, seem to be hot on the uptake so i would assume we would make a gameplan pretty quick once we like too a second to

FREAK TF OUT WE IN GENSHIN

like, if it was just me i think Id just be excited for a few minutes

But if we both there??

Screaming, jumping up and down, i have taken ur hands and am spinning you LMAO

Hope no characters come by and see us bc we would be actin like Absolute Buffoons (even if u wouldnt normally be act like that in this situation i WOULD FORCE U TO JOIN AND GET HYPE)

Also 2 idiots r better than 1 idiot /lh

So if we put our heads together...

We might just get a braincell and make a sweet life for ourselves in Teyvat

(plus would help with homesickness + culture shock)

THANK U FOR THE UNHINGED IDEAS LOL

I think in any situation in Isekais, I would seem feral to all the other characters bc i would be doin shit like breaking Nahida out of her prison with fireworks lol

Cheers,

🌒🌧🌊Aquarius♒️🌌🌘

♡the beloveds (sorry if this doesnt count! i figured it was close enough to sagau i might as well tag yall)

@karmawonders / @0rah-s lol ur own ask im doin it anyway LMAO / @randomnatics

[jamiesfootball]

🌹🌹🌹 please tear through them like chips. We will send more!

You are so freaking nice to me. Here's a snippet from the the 5+1 jamie falling asleep pavlovian fic:

Then from the front of the bus, in a voice that wasn’t trying to be quiet, Jan Maas said, "Well this is awkward."

The blood rushed to his face, humiliation settling thick in his throat as his eyes prickled. Beside him he felt Roy stiffen like a brick, a sensation so clear that Jamie didn't need check to see the expression of murder on his face.

"Jan," Isaac snapped, his voice booming and captain-ly. "What the fuck?"

"What are we supposed to do, pretend otherwise? That was shit." Louder, he added, "That was shit, Jamie!"

"Oh my God,” said Moe. Jamie couldn't agree more.

"Read the room, man," Cockburn added, sounding hoarse for some reason.

“I’m going to kill him,” Roy hissed under his breath, and even though Jamie knew, he knew it couldn't possibly be aimed at him this time--he hadn't done anything, he'd barely fought back--the words set something scrambling in his chest, making him flinch hard against the window like a wounded animal trying to break free.

There was a shuffling from the seat in front of him. A soft voice asked, "Amigo?"

[unopenablebox]

listening to the new if books could kill is really weird as someone who was indeed a teen/tween in the Emergence of Social Media Era, in that like. actually me and my 50 pseudonymous close friends of a decade are doing quite well thank you. im glad you interviewed some teenagers to learn that they use online socializing tools for social interaction, which accordingly has the features of social interaction, but this is a fucking bizarre thing to listen to people explain to each other