#What is User Interface Design

[halfofafeatheredcat]

does anyone else feel pure unfiltered rage towards the new samsung ui update? everything is rounder and uglier. not to mention the amount of ai they're using and promoting. i dont think ive ever hated an update more

[clumsypuppy]

i have to say its a strange experience taking classes on branding and marketing while being vehemently anticapitalist and scorning the economic system

[gorespawn]

oh right, i changed main accs like last year and transferred this side blog, but never got back into using it! so now i don't follow a single account </3 so if we used to be mutuals (or if you'd like to be!) could you please reply to this or interact somehow...? i've missed being here

[kangseluigi]

There was that scene in Kim's Convenience where the daughter is in her photography class and her lecturer is looking up her website, realises the first page isn't hers, the second is also not hers, she has to go to page 2 of google and at that point just throws down her hands and says at that point, as a potential customer, she already loses interest and gives up cause it's not worth the effort

and lately I just feel like the whole fucking internet feels like that

I want to look up how to use cricut stuff and what that even really is, what can I do with what but when I put their name in i get taken to the fucking shop with no explanations far and wide, then next link is also the shop, next link is ALSO the shop but different, and by the time I finally find a page that has any kind of explanation, i'm so annoyed that the hoops is makes me jump through THEN—e.g. selecting which topic I want to learn more about—I'm no longer interested in doing this shit

the other day I wanted to look up what Nokia is up to in terms of phones these days but they no longer have 1 coherent website. In general, many places seem to not want any coherence in their websites, or sub-menus that you can easily navigate

Like, I come from myspace. I know how to navigate the internet. I played WoW in days of dial-up internet. And yet, everything is so goddamn convoluted and incoherent, there is NO structure or logic to anything and on top of that, google, and with it most other search engines, are fucking fried! A few years ago, if a website was really badly designed, you could just navigate back, google the website + search term you needed and get there somehow, but now that is also useless more often than not!

At this point I am genuinely over the internet. We had a good 15 years with it, let's pack it up.

[dhirajmarketresearch]

[tereatv]

Rating: ⭐⭐⭐⭐⭐ (5/5)

Rating: ⭐⭐⭐⭐⭐ (5/5)

Introduction: TereaTV is one of the top IPTV services available in the USA, UK, and Canada for 2024 and 2025. It offers an outstanding viewing experience for live TV channels and online content, combining high quality with affordable pricing.

User Interface and Ease of Use: The website features a clean and user-friendly interface. Navigation is straightforward, allowing users to easily access channels and content. The design is appealing and works well across various devices.

Content Variety: TereaTV boasts an extensive selection of channels, including sports, movies, series, and a wide range of programs. The content is diverse and caters to the interests of all family members. The library is regularly updated to ensure the latest content is available.

Quality and Performance: The service delivers excellent picture and sound quality. Channels stream smoothly, with minimal buffering or delays. The platform offers multiple resolution options, allowing users to choose what best suits their internet connection speed.

Customer Support: The customer support team is responsive and helpful, providing assistance for any issues users may encounter. Whether it's troubleshooting or answering questions, they are committed to ensuring a positive experience.

Conclusion: Overall, TereaTV stands out as a leading IPTV service with its extensive content offerings, excellent quality, and user-friendly experience. It's an ideal choice for anyone looking to enjoy a wide range of entertainment options in the USA, UK, and Canada.

[draconym]

Hey @staff just wondering did any of you ever study web design

Just feels like you're intentionally making the desktop interface an inhospitable place in order to drive users toward the app or off the site entirely. Is that what you were going for? If so good job I guess.

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[laegolas]

Hey! I’m an interaction designer (who also teaches people how to design interfaces) so I figured I’d offer my opinion on the new look™ because as much as the new layout makes the new interface look identical to Twitter (bad), it does put a label on all the icons (good). Icon-heavy interfaces rely a lot on recall and interpretation, and are ultimately less accessible.

Adding labels to the menu is a good thing we should applaud it but it’s my duty as someone who teaches IXDesign to also encourage the designers to be more creative! Of course this works, and probably tested well with your in-house users. It’s becoming a standard for social network sites, but iterate.

[removejobs]

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[misctf]

Hey! I just bought this new VR game system and it says not to try it on alone. What the fuck are they talking about? And why are all the games on the online store so adult centered? Whatever, let's try it, wait what is happening ...

“Dude, you’re not supposed to use Hive X alone.” Some guy messages you in the chatroom, “Did you not see the warnings?”

“Or the reviews?” Another user asks, “It’s best for couples to use it. Together.”  

Your eyes narrow, “I didn’t pay all this money not to use it.” You reply, “I’ll let you know how it is.” You look down at the black box.

You always appreciated your friends in the gaming community. But the gaming community was quite divided when Hive X hit the stores. A new VR gaming system that seemed to offer a futuristic level of immersion. You didn’t really have time to read reviews, but you weren’t going to miss out on this opportunity.

“Well, here it goes.” You mumble.

You slowly remove the VR headset from the box, followed by two wrist and ankle cuffs. You can’t help but chuckle when you remove what looks like a waist trainer.

“What the fuck?” You whisper as you read the instructions.

Slowly, you remove your clothes until you’re completely naked. Apparently, this would help facilitate the full immersive experience. And as you stand in the center of your room, you slowly slip on the ankle cuffs, then the wrist cuffs, and finally the waist trainer. You pick up the headset, which looks like that of a motorcycle helmet, and with a deep breath, place it over your head. Initially, all you see is inky blackness. But as it turns on, the world around you comes alive. You wince as the ankle, waist, and wrist pads dig into your skin and warm up. And suddenly, you’re standing in what can only be described as a hotel.

“Oh wow.” You whisper as you look around, seeing others walking around the hotel. Heading to different rooms. You take a deep breath and smell a muskiness mixed with oak wood. The warmth of a glowing fire dancing in the hotel lobby. It’s warm, and a sense of peace fills you, “Oh shit!” You realize that you’re naked and quickly go to cover yourself.

Apparently, others heard you and look over. Some chuckle, some give you concerned looks. And you realize that many of them are naked too. Blushing, you quickly walk down a hallway, awkwardly bumping into and maneuvering around other couples.

“Why the fuck is everyone naked?” You mumble, “And why...” Your eyes widen and you gasp when you turn a corner and enter a large room.

There had to be hundreds of men and women in the midst of a giant orgy. All moaning and engaging in lewd acts. You avert your eyes and back away, heading back the way you came. Your face beet red and dick twitching uncomfortably.

“I should’ve read the reviews.” You mumble, realizing this is some kind of virtual sex toy, “Okay, I’m done. The guys will get a kick out of this.”

“What’s wrong?” You jump at the monotone voice behind you, “So sorry. I’m NPC 436.” A fully clothed, relatively plain individual says, “I am designed to tailor your experience and enhance customer satisfaction.”

“Yeah, I...” You cover your junk, “This isn’t my thing... I...”

“We have many experiences designed for our users.” It continues, “Usually, partners enter the Hive due to enhanced physical sensations. It appears...”

“Yeah, I’m alone.” The NPC nods.

“Based on your preferences and attitudes, we have determined an ideal experience.”

“Wha... how?”

“The VR headset you utilize is a two-way interface with your mind.” It says simply, “Please follow me.”

Part of you wants to say no and write this off as one of your biggest failed gaming experiences. But another part of you is curious. You nod and follow NPC 436 as it leads you to one of the hotel rooms. You stop outside Room 194 and NPC 436 opens the door, beckoning inside.

“Please enjoy.” It says, “Customer satisfaction is a primary objective.” It continues.

You nod as the door closes behind you and you enter a standard hotel suite. A warm fire place cackling and the smell of oak filling your nostrils. You feel your body start to relax and your thoughts slow. Absentmindedly, you stroke your hardening cock. The sound of the shower in the other room brings you back to reality and you slowly walk over. When you enter, your eyes widen.

“Hey there.” The man says, as he turns and smirks at you, “Fuck you’re cute.”

You feel your heart beating, your cock aching with need. And as he approaches you, you step forward. Your hands moving to feel his massive pecs. He grins as he guides your hand to his dick and you shudder at the feeling of his thick manhood in your hand.

“Good boy.” He moans, “I’m NPC 251.” He continues as you continue to feel his body, “Fuck... you’re needy.”

Things seem to move quickly. He’s pressed you up against the wall of the shower, your lips locked, your tongues doing battle. You can feel his rough hands roam your body, as yours continue to stroke his dick. And suddenly you’re on your knees as he fucks your face- you deepthroating him like a pro. He lets out a moan as he finishes and you shudder as you’re filled with his seed.

“Fuck.” He whispers.

You stumble to your feet, quivering from the pleasure. And before you can say another word, you moan as your cock hardens again. A wave of horniness filling your mind. A desire for more filling your every thought.

“Th-this isn’t...” You whisper. How was your body already craving another round? What was this VR device doing to you? “I... I...” NPC 251 is stroking his dick, grinning down at you.

“Additional interaction requires in game purchase.” Your heart sinks, “Would you like to initiate NPC trial period?” NPC 251 asks, “This will unlock additional sessions with any other NPC.”

You raise an eyebrow, trying to comprehend what NPC 251 means. But your aching cock is too distracting. You bite your lip. NPC trial period? What did that even mean? What would it...? But NPC 251... god you wanted to do that again. You wanted...

“Trial period. Please.” You moan.

A searing pain knocks you off your feet. You can feel it in your ankles, hands, and waist. And the feeling seems to be moving along your arms, legs, and torso. You cry out and look up at NPC 251 in terror, gripping your head as you develop a significant headache.  

“Digitalization process is taking place.” It says, “Your physical body is being fully converted into the Hive.”

Before you can say another word, a different feeling fills you. You feel like you’re being inflated. Each muscle contracting and bloating. Expanding and growing at a terrifying rate. You try to push yourself up and immediately fall over. Unfamiliar with your new size and bulk as your musculature takes on that of an athlete. You wince as your body hairs burns away and leaves you smooth and hairless. Your muscles toned and bulky. The body of a porn star.

“Optimization of user traits allows for seamless integration for company standards.” It continues, “Your prior traits will be saved in the mainframe.”

You gasp as you look at yourself, hands roaming over your impressive musculature. You moan in a far deeper voice as your ass pulses with need. And you look up desperately at NPC 251, knowing it could give you what your new body craved.

“Initiating directives.”

Your jaw goes slack and your eyes dim as words and numbers flash in front of your eyes. You can barely keep up with the various components as you’re given directions and commands. Your numb mind filling with them- a sense of devout obedience driving you.

“I will serve. I will ensure customer satisfaction.” You drone on, “Serving is my pleasure. Being used is my pleasure.” For a brief moment, you feel fear. Part of you coming to realize what your life is about to become. But fear is not part of your programing, “I am NPC 803.” You say.

NPC 803 was quickly led away to a new room. An empty room. One for NPC 803 and the services it would provide. Time wasn’t a concern for NPC 803, nor were any thoughts about when it would get to return to its old life. And as NPC 803 waiting for someone, it laid in bed. Dildo in its ass. Moaning from wave after wave of pleasure. But it wasn’t enough. All it wanted was to provide customers with the best experience possible. And as another man was led to your room, also without a partner, you couldn’t help but smile. After the time you were gonna give him, you just knew you’d have another NPC joining your team.

[commodorez]

Start Me Up: 30 years of Windows 95 - @commodorez and @ms-dos5

Okay, last batch of photos from our exhibit, and I wanted to highlight a few details because so much planning and preparation went into making this the ultimate Windows 95 exhibit. And now you all have to hear about it.

You'll note software boxes from both major versions of Windows 95 RTM (Release To Manufacturing, the original version from August 24, 1995): the standalone version "for PCs without Windows", and the Upgrade version "for users of Windows". We used both versions when setting up the machines you see here to show the variety of install types people performed. My grandpa's original set of install floppies was displayed in a little shadowbox, next to a CD version, and a TI 486DX2-66 microprocessor emblazoned with "Designed for Microsoft Windows 95".

The machines on display, from left to right include:

Chicago Beta 73g on a custom Pentium 1 baby AT tower

Windows 95 RTM on an AST Bravo LC 4/66d desktop

Windows 95 RTM on a (broken) Compaq LTE Elite 4/75cx laptop

Windows 95 OSR 1 on an Intertel Pentium 1 tower

Windows 95 OSR 1 on a VTEL Pentium 1 desktop

Windows 95 OSR 2 on a Toshiba Satellite T1960CT laptop

Windows 95 OSR 2 on a Toshiba Libretto 70CT subnotebook

Windows 95 OSR 2 on an IBM Thinkpad 760E laptop

Windows 95 OSR 2.5 on a custom Pentium II tower (Vega)

That's alot of machines that had to be prepared for the exhibit, so for all of them to work (minus the Compaq) was a relief. Something about the trip to NJ rendered the Compaq unstable, and it refused to boot consistently. I have no idea what happened because it failed in like 5 different steps of the process.

The SMC TigerHub TP6 nestled between the Intertel and VTEL served as the network backbone for the exhibit, allowing 6 machines to be connected over twisted pair with all the multicolored network cables. However, problems with PCMCIA drivers on the Thinkpad, and the Compaq being on the blink meant only 5 machines were networked. Vega was sporting a CanoScan FS2710 film scanner connected via SCSI, which I demonstrated like 9 times over the course of the weekend -- including to LGR!

Game controllers were attached to computers where possible, and everything with a sound card had a set of era-appropriate speakers. We even picked out a slew of mid-90s mouse pads, some of which were specifically Windows 95 themed. We had Zip disks, floppy disks, CDs full of software, and basically no extra room on the tables. Almost every machine had a different screensaver, desktop wallpaper, sound scheme, and UI theme, showing just how much was user customizable.

@ms-dos5 made a point to have a variety of versions of Microsoft Office products on the machines present, meaning we had everything from stand-alone copies of Word 95 and Excel 95, thru complete MS Office 95 packages (standard & professional), MS Office 97 (standard & professional), Publisher, Frontpage, & Encarta.

We brought a bunch of important books about 95 too:

The Windows Interface Guidelines for Software Design

Microsoft Windows 95 Resource Kit

Hardware Design Guide for Windows 95

Inside Windows 95 by Adrian King

Just off to the right, stacked on top of some boxes was an Epson LX-300+II dot matrix printer, which we used to create all of the decorative banners, and the computer description cards next to each machine. Fun fact -- those were designed to mimic the format and style of 95's printer test page! We also printed off drawings for a number of visitors, and ended up having more paper jams with the tractor feed mechanism than we had Blue Screen of Death instances.

In fact, we only had 3 BSOD's total, all weekend, one of which was expected, and another was intentional on the part of an attendee.

We also had one guy install some shovelware/garbageware on the AST, which caused all sorts of errors, that was funny!

Thanks for coming along on this ride, both @ms-dos5 and I appreciate everyone taking the time to enjoy our exhibit.

It's now safe to turn off your computer.

VCF East XX

[mostlysignssomeportents]

AI art has no anti-cooption immune system

TONIGHT (July 20), I'm appearing in CHICAGO at Exile in Bookville.

One thing Myspace had going for it: it was exuberantly ugly. The decision to let users with no design training loose on a highly customizable user-interface led to a proliferation of Myspace pages that vibrated with personality.

The ugliness of Myspace wasn't just exciting in a kind of outsider/folk-art way (though it was that). Myspace's ugliness was an anti-cooption force-field, because corporate designers and art-directors would, by and large, rather break their fingers and gouge out their eyes than produce pages that looked like that.

In this regard, Myspace was the heir to successive generations of "design democratization" that gave amateur communities, especially countercultural ones, a space to operate in where authentic community members could be easily distinguished between parasitic commercializers.

The immediate predecessors to Myspace's ugliness-as-a-feature were the web, and desktop publishing. Between the img tag, imagemaps, the blink tag, animated GIFs, and the million ways that you could weird a page with tables and padding, the early web was positively bursting with individual personality. The early web balanced in an equilibrium between the plunder-friendliness of "view source" and the topsy-turvy design imperatives of web-based layout, which confounded both print designers (no fixed fonts! RGB colorspaces! dithering!) and even multimedia designers who'd cut their teeth on Hypercard and CD ROMs (no fixed layout!).

Before the web came desktop publishing, the million tractor-feed ransom notes combining Broderbund Print Shop fonts, joystick-edited pixel-art, and a cohort of enthusiasts ranging from punk zinesters to community newsletter publishers. As this work proliferated on coffee-shop counters and telephone poles, it was visibly, obviously distinct from the work produced by "real" designers – that is, designers who'd been a) trained and b) paid by a corporation to employ that training.

All of this matters, and not just for aesthetic reasons. Communities – especially countercultural ones – are where our society's creative ferment starts. Getting your start in the trenches of the counterculture wars is no proof against being co-opted later (indeed, many of the designers who cut their teeth desktop publishing weird zines went on to pull their hair and roll their eyes at the incredible fuggliness of the web). But without that zone of noncommercial, antiestablishment, communitarian low weirdness, design and culture would stagnate.

I started thinking about this 25 years ago, the first time I met William Gibson. I'd been assigned by the Globe and Mail to interview him for the launch of All Tomorrow's Parties:

https://craphound.com/nonfic/transcript.html

One of the questions I asked was about his famous aphorism, "The street finds its own use for things." Given how quickly each post-punk tendency had been absorbed by commercial culture, couldn't we say that "Madison Avenue finds its own use for the street"? His answer started me down a quarter-century of thinking and writing about this subject:

I worry about what we'll do in the future, [about the instantaneous co-opting of pop culture]. Where is our new stuff going to come from? What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger. I didn't see it coming until a few years ago, but looking back it's very apparent.

I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees.

In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.

Ugliness, transgressiveness and shock all represent an incoherent, grasping attempt to keep the world out of your demimonde – not just normies and squares, but also and especially enthusiastic marketers who want to figure out how to sell stuff to you, and use you to sell stuff to normies and squares.

I think this is what drove a lot of people to 4chan (remember, before 4chan was famous for incubating neofascism, it was the birthplace of Anonymous): its shock culture, combined with a strong cultural norm of anonymity, made for a difficult-to-digest, thoroughly spiky morsel that resisted recommodification (for a while).

All of this brings me to AI art (or AI "art"). In his essay on the "eerieness" of AI art, Henry Farrell quotes Mark Fisher's "The Weird and the Eerie":

https://www.programmablemutter.com/p/large-language-models-are-uncanny

"Eeriness" here is defined as "when there is something present where there should be nothing, or is there is nothing present when there should be something." AI is eerie because it produces the seeming of intent, without any intender:

https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand

When we contemplate "authentic" countercultural work – ransom-note DTP, the weird old web, seizure-inducing Myspace GIFs – it is arresting because the personality of the human entity responsible for it shines through. We might be able to recognize where that person ganked their source-viewed HTML or pixel-optimized GIF, but we can also make inferences about the emotional meaning of those choices. To see that work is to connect to a mind. That mind might not necessarily belong to someone you want to be friends with or ever meet in person, but it is unmistakably another person, and you can't help but learn something about yourself from the way that their work makes you feel.

This is why corporate work is so often called "soulless." The point of corporate art is to dress the artificial person of the corporation in the stolen skins of the humans it uses as its substrate. Corporations are potentially immortal, artificial colony organisms. They maintain the pretense of personality, but they have no mind, only action that is the crescendo of an orchestra of improvised instruments played by hundreds or thousands of employees and a handful of executives who are often working directly against one another:

https://locusmag.com/2022/03/cory-doctorow-vertically-challenged/

The corporation is – as Charlie Stross has it – the "slow AI" that is slowly converting our planet to the long-prophesied grey goo (or, more prosaically, wildfire ashes and boiled oceans). The real thing that is signified by CEOs' professed fears of runaway AI is runaway corporations. As Ted Chiang says, the experience of being nominally in charge of a corporation that refuses to do what you tell it to is the kind of thing that will give you nightmares about autonomous AI turning on its masters:

https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way

The job of corporate designers is to find the signifiers of authenticity and dress up the corporate entity's robotic imperatives in this stolen flesh. Everything about AI is done in service to this goal: the chatbots that replace customer service reps are meant to both perfectly mimic a real, competent corporate representative while also hewing perfectly to corporate policy, without ever betraying the real human frailties that none of us can escape.

In the same way, the shillbots that pretend to be corporate superfans online are supposed to perfectly amplify the corporate message, the slow AI's conception of its own virtues, without injecting their own off-script, potentially cringey enthusiasms.

The Hollywood writers' strike was, at root, about the studio execs' dream that they could convert the "insights" of focus groups and audience research into a perfect script, without having to go through a phalanx of lippy screenwriters who insisted on explaining why they think your idea is stupid. "Hey, nerd, make me another ET, except make the hero a dog, and set it on Mars" is exactly how you prompt an AI:

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

Corporate design's job is to produce the seeming of intention without any intender. The "personality" we're meant to sense when we encounter corporate design isn't the designer's, nor the art director's, nor even the CEO's. The "personality" is meant to be the slow AI's, but a corporation doesn't have a personality.

In his 2018 short story "Noon in the antilibrary," Karl Schroeder describes an "antilibrary" as an endlessly deep anaerobic lagoon of generative botshit:

https://www.technologyreview.com/2018/08/18/104097/noon-in-the-antilibrary/

The antilibrary is a generative AI system that can produce entire librarys’-worth of fake books with fake authors, fake citations by other fake experts with their own fake books and biographies and fake social media accounts, on-demand and instantly. It was speculation in 2018; it’s possible now. Creating an antilibrary is just a matter of investing in a sufficient number of graphics cards and electricity.

https://kschroeder.substack.com/p/after-the-internet

Reading Karl's reflections on the antilibrary crystallized something for me that I've been thinking about for a quarter-century, since I interviewed Gibson at the Penguin offices in north Toronto. It snapped something into place that I've trying to fit since encountering Henry's thoughts on the "eeriness" of AI work and the intent without an intender.

It made me realize why I dislike AI art so much, on a deep, aesthetic level. The point of an image generator is to buffer the intention of the prompter (which might be genuinely creative and bursting with personality) in layers of automated decision-making that flense the final product of any hint of the mind that caused its creation.

The most febrile, deeply weird and authentic prompts of the most excluded outsiders produce images that feel the same as the corporate AI illustrations that project the illusion of personality from the immortal, transhuman colony organism that is the limited liability corporation.

AI art is born coopted. Even the 4chan equivalent of AI – the deeply transgressive and immoral nonconsensual pornography – feels no different from the "official" AI porn churned out by "real" pornographers. "Shrimp Jesus" and other SEO-optimized Facebook slop is so uncanny because it is simultaneously "weird" ("that which does not belong") and yet it belongs in the same aesthetic bucket of the most anodyne Corporate Memphis ephemera:

https://en.wikipedia.org/wiki/Corporate_Memphis

We call it "generative" but AI art can't generate the kind of turnover that aerates the aesthetic soil. An artform that can't be transgressive is sterile, stillborn, a dead end.

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/07/20/ransom-note-force-field/#antilibraries

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