Steve ends up heartbroken, lonely and depressed after season 2. Nancy called him bullshit, even after he ditched all his old friends for her. Billy Hargrove took his spot at the top of the food chain. He can have it, Steve doesn't really want it anymore. But Steve does want to find some sort of connection. Someone to have in his life who isn't an 11 year old kid he barely knows. He tries to go on a date one night, take a nice-seeming girl to a party. He wants to find connection, to kill the loneliness that's been building for months, but just as he's feeling kind of good about things, his date ditches him.
So. He decides to drink his feelings. He gets majorly fucked up, and ends up laying on the ground in the backyard, contemplating how much life seems to hate him.
Only to literally get tripped over by Eddie Munson, who was at this party selling pot and is very confused as to why Steve Harrington is alone on the ground with a bottle of vodka clenched in one hand.
Eddie ends up chatting a little with Steve, nothing substantial, but enough to know that Steve is very very drunk, and also very very sad.
He asks if Steve wants to go back to the party, and Steve staunchly refuses. He doesn't want to be around a bunch of annoyingly happy people.
He asks if Steve needs a ride home, and Steve just kind of shrugs. His parents just left for another trip, so home is kind of depressing right now too. But he doesn't exactly have any other friends he can stay with so. Home it'll have to be.
Only Eddie can *tell* he doesn't really want to go home, though he has no idea why Steve wouldn't want to return to his veritable mansion after a shitty night. The reason doesn't matter much. He offers to let Steve crash at his place. Steve can take the couch, or hell he can stay in Eddie's room if he doesn't mind sharing, that way he wouldn't risk being woken up when Wayne comes home that morning.
And well, Steve agrees. Can't think of any reason not too. Munson has been nice so far, he's got a good easy-going energy that Steve likes. Why not stay the night.
By the time they get to Eddie's, Steve is *slightly* more sober. Not much, but he's slurring his words a little less, and he can walk with only a little help.
Eddie grabs them each a little plate of leftovers, because he has no idea if Steve's eaten at all. It's quiet while they eat, Eddie doesn't push Steve to talk, and Steve isn't sure what to say. Eventually Eddie sets the plates aside and give Steve an easy grin.
"So, do you want the couch, or are you crashing with me?"
Steve thinks about it for a while. He hasn't shared a bed with a guy-friend since he was a kid, and he's heard rumors about Eddie, whispers in the hall about the way he looks at other guys. But...Steve can't really bring himself to care. He's tired, and he really doesn't want to be alone.
"I don't mind sharing."
Eddie sets them both up in his room, letting Steve choose which side of the bed he wants, and they both settle in. There's a respectable distance between the two of them, and Eddie says a quick goodnight to Steve, figures they won't talk and just go right to bed.
Except Steve isn't sober, and he really isn't in a good headspace, so he can't stop himself from blurting things out into the quiet of the dark room.
"Are you really gay?"
Eddie stiffens next to him, he can feel it, he can hear the way that the other boys breath cuts off and he seems to stop breathing all-together.
"It's okay if you are, I'm not going to be an asshole about it, I'm trying not to be that guy anymore. I guess I was just curious."
It's quiet for another beat before Eddie seems to loosen just a little. He starts breathing again at least.
"Yeah I uh- I am. Gay. And if that's weird the couch is still open, I can-"
"It's not weird."
"Okay."
Steve let's himself mull over this confirmation, and then his mouth starts moving again, without his permission.
"Is it lonely? Cause I mean, it's got to be hard to date in Hawkins. People here are shitty. Unless you've got like, a secret boyfriend or something."
"No...no secret boyfriend. It does get a little lonely sometimes. I'm lucky though, I've got my uncle, and my friends are pretty great. That's enough most days."
"What do you do when it's not enough?"
"Hmmm?"
"When your uncle and friends aren't enough, what do you do? To try and...make it better?"
Eddie is quiet again for a long stretch before he shrugs.
"I try to focus on something else. I'll play my guitar or work on a new campaign, read a book. Something to take my mind off it."
"Oh."
Now Steve is the one who seems tense, his jaw is tight and he's got his arms wrapped around himself. His next words come out as a whisper, but Eddie manages to catch them.
"I don't know how to do any of that."
He sounds almost choked, and Eddie is caught off guard. He's never seen Steve Harrington as anything other than solid, as happy. He's the king, after all. He's supposed to be all smiles and great hair. Only...Eddie's noticed that he hasn't hung out with his old friends lately, that he's eaten alone at lunch too many times to be anything other than strange.
"Steve...are you lonely?"
Eddie expects a denial, for Steve to laugh it off and tell Eddie that he's perfectly fine and fulfilled. Or maybe he expects a shrug, a non-answer. What he doesn't expect is the gut-wrenching sob that seems to tear past the other boys lips.
He doesn't expect to turn and see Steve Harrington's face, a scant foot from his, shining with tears.
He panics a little at the sight.
"Fuck- I'm so sorry-"
"Don't be." Steve tries to wipe his eyes, to hide the tremble in his voice. "Not your fault there's something wrong with me."
"What do you mean?"
"It's like I'm broken man, like nobody can stand to be around me. Tommy and Carol hate me now, Nancy- hell even my own parents hate being at home with me for more than a week. It's like I'm repellent or something. Couldn't even get a date to stick around for a whole night."
And Eddie's pretty sure *he* might start crying now. He'd never have expected this much from Steve, all that sadness to come pouring out. It wouldn't have happened if Steve was completely sober. Without thinking, he reaches out.
Eddie puts a hand on Steve's shoulder and waits to see if the touch gets rejected, but Steve seems to lean into him, so he lets his hand linger.
"This probably won't help, but I don't think you're repellent. And that's coming from somebody who your whole group used to torture. I don't know much about you, but I kind of liked having you around tonight."
"Yeah?"
"Yeah."
Steve gives him a tiny smile. His eyes are still wet with tears, and the smile doesn't come close to reaching them. He seems impossibly small here in Eddie's bed.
"I don't know man. I just wish-"
He cuts himself off, apparently deciding his words are too far, but Eddie urges him to keep talking.
"What do you wish Steve?"
"I just wish that... there was somebody out there I could have a future with. Somebody who actually loved me, you know?"
It might be the saddest thing Eddie's ever heard, and he blames that fact for what he does next.
He takes his hand off Steve's shoulders and instead hauls Steve closer to him, fitting the other boy against his chest and wrapping his arms around him. It's a move that might get him decked, but he doesn't think it will. And he'll be damned if he doesn't hug Steve right that second.
He doesn't get hit. Steve tenses for a second, but it's just that one instant before he's melting into the embrace.
Eddie feels more tears falling against his shirt, and he couldn't care less. He keeps Steve close, let's him cry into his chest, runs a hand through that famous mop of hair.
He isn't sure how long it takes for Steve to calm down, but eventually he does. His breathing evens out, and he shivers a little before speaking.
"Thanks man."
And Eddie takes another leap of faith.
"I could be that person, you know."
"What?"
"I mean. You know Im... not straight. It may not be exactly what you're wanting but. I think I could picture a future with you. If you want to, just for tonight...I could be that someone who loves you."
Steve looks at Eddie, like he's a puzzle that he needs to solve, before a other shiver seems to wrack his body.
"Just for tonight?"
It comes out as a whisper, but Eddie hears it all the same.
"Yeah. For tonight Steve."
"I think...I think I'd like that."
Eddie gives him the sweetest smile he can muster, and nods.
"Alright sweetheart."
Eddie isn't exactly sure what it means, to love Steve for the night. After all, Steve is straight. He figures it doesn't matter much though, it's only for a night.
He keeps a hold on Steve, let's him get comfortable tucked against Eddie, and he does what feels natural. He runs a hand up and down Steve's spine, traces shapes into the soft fabric of his shirt. He tangles their legs together, and in a moment of insane bravery he presses a kiss to the top of Steve's head.
He's met with a sigh, full of relief, and figures he's on the right track.
"Just close your eyes Stevie, I've got you."
"Can you tell me about it?"
"Hmmm?"
"The future. You said you could see one. Can you tell me?"
And he asks so carefully, he sounds almost afraid, Eddie can't say no to that.
"Do you want the fantasy future, or the realistic future?"
"The real one."
"Alright then. Well, if I'm not going to be a rich and famous rockstar...I'll probably graduate and get a job somewhere in town. A real job, maybe working on cars or something. I'm good with cars. You'd come over all the time, have dinners with me and with Wayne. You'd have to meet Wayne. And we'd have more nights like this, sleeping close."
Steve let's out a pleased sounding hum, and shifts his face so it's buried even closer in Eddie's neck. He can feel Steve's breath on him.
"We could save up money and get a little place together, somewhere outside Hawkins. I have to stay kind of close, for my uncle, but maybe Indy?"
Steve nods, mutters something about staying close 'just in case'. He sounds like he might fall asleep, so Eddie keeps going.
"We could get an apartment, nothing too fancy. We would get two rooms, so nobody gets suspicious, but we would share a bed most nights. I'd play with my band on weekends, just for fun, and you'd join some little local sports team. I'd make sure to schedule DND nights so that I never miss a single game, even though I don't understand a damn thing about sports. We would come home for holidays, but most of the time it would just be us. I'd take good care of you, make sure you never go more than a few hours without me telling you I love you. I'll show up wherever you're working just to give you a hug and a kiss, and make sure you don't forget it. And I'll annoy the hell out of, but you won't mind too much, because I'll make you happy too."
Eddie can think of more. He can think about so many things. How he could give Steve one of his rings, even if they couldn't legally get married, even if Steve would never want that. Just as another reminder that he's loved. They could take trips together and go out to parties where Steve will never have to worry about getting ditched. Eddie doesn't do things halfway, and he has a hell of an imagination. He could picture them growing old together, if he tried, if he let himself. But this is just for tonight, so he doesn't. Instead he runs a hand through Steve's hair again, and listens to his quiet breathing. He thinks he may have fallen asleep, but he's wrong.
"That sounds nice."
It comes out muffled, spoken into Eddie's neck, but he manages to make it out, and he let's the vibration of it sink into his skin.
*It's only for tonight.*
He has to remind himself, because Steve is just feeling lonely. He doesn't want that future with Eddie, he just wants to feel loved.
But even if it's just pretend, just to help Steve for a few hours, he's okay with that.
Steve may think he's broken, but Eddie thinks he would be easy to love for a long time. Loving him for one night is nothing. He doesn't even have to try.
Tomorrow Steve will wake up sober, and he'll thank Eddie for letting him stay over, and they won't talk about it. Eddie will drive Steve back to his car in silence, and they'll say their goodbyes. They may not talk ever again, they never had before.
But for tonight? Eddie Munson will love Steve Harrington, and Steve? He'll let himself be loved, let himself beleive it. And he'll love Eddie right back.
Just for one night.
And if Steve ever needs it again? Eddie will love him for another night. And Steve will give that love right back. He's got plenty to spare, after all. And there's far worse people he could share it with.
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Low level/continuous pain tips for writing
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
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