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#Writing Habits Tag
writernopal · 1 year
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Writing Habits Tag
Tagged by @writingmaidenwarrior for this new-to-me tag, thanks so much! See her post here! Rules: Bold or highlight the response that apply to you!
I write: daily | most days | a few times a week | a few times a month | random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter/ section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler/skipping | whatever scene I feel like | who knows what’s gonna come out   
The things that comes easiest to me are: dialogue | description of senses | description of action | description of characters | exposition | other
I tend to write: on a phone | on a laptop | in a notebook | on whatever paper I can find | with speech to text | in the blood of my enemies | it doesn’t really matter to me | on paper first and then typed up | old school typewriter | on a computer
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months | it’s kind of random
My favorite thing to do when I’m on a writing break is: recharge with other creative hobbies | read/consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art | other
In general, I think my writing habits are: pretty much what I need them to be | okay, but I’m working on making them better | non-existent | not great | i’m excited to develop them further | totally random | perfect for me
Tagging (gently): @captain-kraken @sam-glade @elshells @sugar-phoenix @squarebracket-trick @mysticstarlightduck @outpost51 @janec23 @crowandmoonwriting @talesofsorrowandofruin @liv-is @lorenfinch @stesierra
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Writing Habits Tag
I was tagged by @sergeantnarwhalwrites who I hope has some patience with me being snarky when I don't like the options XD
I'm gonna leave it as an open tag, and the unedited template is below the cut.
write: daily | most days | a few times a week I a few times a month | random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter / section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler / skipping | whatever scene I feel like who knows what's gonna come out
The things that comes easiest to me are: dialogue | description of senses | description of action I description of characters | exposition | other
I tend to write: on a phone | on a laptop I in a notebook I on whatever paper I can find I with speech to text I in the blood of my enemies | it doesn't really matter to me | on paper first and then typed up I old school typewriter on a computer
Here we get snarky. What are those options? What does a rainbow sparkly LED clown vomit gaming PC have to do with a typewriter? What does that even mean?
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months I it's kind of random
My favorite thing to do when l'm on a writing break is: recharge with other creative hobbies | read / consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art I other
Wish I were writing
In general, I think my writing habits are: pretty much what I need them to be | okay, but l'm working on making them better I non-existent I not great I totally random I perfect for me
Fucking unhealthy, holy fucking shit
write: daily | most days | a few times a week I a few times a month| random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter / section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler / skipping | whatever scene I feel like who knows what's gonna come out
The things that comes easiest to me are: dialogue | description of senses | description of action I description of characters | exposition | other
I tend to write: on a phone | on a laptop I in a notebook I on whatever paper I can find I with speech to text I in the blood of my enemies | it doesn't really matter to me | on paper first and then typed up I old school typewriter on a computer
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months I it's kind of random
My favorite thing to do when l'm on a writing break is: recharge with other creative hobbies | read / consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art I other
In general, I think my writing habits are: pretty much what I need them to be | okay, but l'm working on making them better I non-existent I not great I totally random I perfect for me
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sam-glade · 1 year
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Writing habits tag
Tagged by @mrbexwrites here. Thank you very much💜
And I'll gently pass the tag to: @serenanymph @squarebracket-trick @flock-from-the-void @kaiusvnoir and leaving an open tag.
RULES: Bold/color the things that you relate to and then tag some people to play.
[collapsed/readability version at the bottom]
I write: daily | most days | a few times a week | a few times a month | random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever (but I'm most productive in the morning/afternoon)
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter/section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler/skipping | whatever scene I feel like | who knows what’s gonna come out
The things that comes easiest to me are: dialogue | description of senses | description of action | description of characters | exposition | other (introspection)
I tend to write: on a phone | on a laptop | in a notebook | on whatever paper I can find | with speech to text | in the blood of my enemies | it doesn’t really matter to me | on paper first and then typed up | old school typewriter | on a computer
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months | it’s kind of random
My favorite thing to do when I’m on a writing break is: recharge with other creative hobbies | read/consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art | other (hang out with current friends)
In general, I think my writing habits are: pretty much what I need them to be | okay, but I’m working on making them better | non-existent | not great | i’m excited to develop them further | totally random | perfect for me
~*~
Collapsed version:
I write a few times a week
I write most often in the evening
In one sitting I tend to write a few hundred words
I tend to write scenes mostly in order but with some filler/skipping
The things that comes easiest to me are: dialogue, description of senses, description of action
I tend to write: on a phone, or in a notebook/on paper first and then typed up
When I take a break from writing, it usually lasts a few weeks
My favorite thing to do when I’m on a writing break is recharge with other creative hobbies
In general, I think my writing habits are okay, but I’m working on making them better
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janec23 · 1 year
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Writing Habit tag game
Thanks to lovely @clairelsonao3 for tagging me! Here the original post :)
Instructions: Bold your answers to the following:
I write: daily | most days I a few times a week I a few times a month I random (when I get inspired I can write for days and days)
I write most often: when I first get up | later in the morning I afternoon I evening I the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time I a few hundred words | a few thousand words | a complete chapter/section no matter how long I an outline | whatever comes
I tend to write scenes: in chronological order with no skipping I mostly in order but with some filler/skipping | whatever scene I feel like I who knows what's gonna come out
The things that come easiest to me are: dialogue I description of senses I description of action | description of characters I exposition | other
I tend to write: on a phone I on a laptop I in a notebook | on whatever paper I can find | with speech to text | in the blood of my enemies I it doesn't really matter to me I on paper first and then typed up I old school typewriter I on a computer
When I take a break from writing, it usually lasts: a few days I a few weeks I a few months I it's kind of random
My favorite thing to do when I'm on a writing break is: recharge with other creative hobbies | read/consume other media I do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art | other (play video games)
In general, I think my writing habits are: pretty much what I need them to be I okay, but l'm working on making them better I non-existent I not great l i'm excited to develop them further I totally random I perfect for me (with a full time job, writing/daydreaming about my wip is pretty impossible :( )
I gently tag: @squarebracket-trick, @harleywriteshit (do you do tag games?), @macabremoons
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Writing Habits
My eternal thanks @mjparkerwriting for this lovely tag and @serenanymph for this here one!
Rules: Bold/color the things that you relate to and then tag some people to play.
I write: daily | most days | a few times a week | a few times a month | random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter/section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler/skipping | whatever scene I feel like | who knows what’s gonna come out
The things that come easiest to me are: dialogue | description of senses | description of action | description of characters | exposition | other
I tend to write: on a phone | on a laptop | in a notebook | on whatever paper I can find | with speech to text | in the blood of my enemies | it doesn’t really matter to me | on paper first and then typed up | old school typewriter | on a computer
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months | it’s kind of random
My favorite thing to do when I’m on a writing break is: recharge with other creative hobbies | read/consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art | other
In general, I think my writing habits are: pretty much what I need them to be | okay, but I’m working on making them better | non-existent | not great | i’m excited to develop them further | totally random | perfect for me
Tagging from The Post (lightly): @palebdot, @kooperation1101, @leisoree, and @sm-writes-chaos
some more specific answers under the cut:
I write most often when the hyperfixation hits. I go through long stretches without working on my main WIP (six months plus) and then sudden bursts of productivity where I spend 4-10 hours a day on it.
Things that come easiest to me (other than dialogue and action) are internal monologue, sexual tension, banter (though that is just dialogue), worldbuilding details, pacing, symbolism, and plot itself. I'm good at seeing the symbolism and knowing what details I want to include, but actually putting it to words? Not nearly as elloquent as I would like it.
I do all my actual drafting on a laptop, but I use scrap paper, printer paper, my sketchbook, various notebooks, the margins of my lecture notes, the giant-ass whiteboards in my room, and the blood of my enemies on the bathroom mirror for all my worldbuilding and plot-construction.
What I do on a writing break depends on the kind of break. Did I just finish a project? Then it's time to focus on harp and martial arts. Am I warming up to get back into writing after a hiatus or taking an involuntary break due to writer's block? Then I read to get the inspo juices flowing (and hopefully absorb my favourite author's styles by osmosis). Do I need to let a draft sit for a few weeks but still have other things I could do WIP-wise? I do those other things. There is also the break where I let one WIP rest for a time and work on another instead.
The only writing habits I have are my tendency to write later in the day/night, posting my progress here, and the fact that the hyperfixation somehow does not consume my life when it hits. I still hang with friends, do martial arts, go for walks, and work; just all my free time alone is spent writing. My dream is to have a schedule but I need to learn how to better manage my chronic fatigue first.
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winterandwords · 1 year
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Writing habits tag
Thanks to @kaiusvnoir and @asher-orion-writes for the tag! This one is new to me 😊
RULES: Bold / color the things that you relate to and then tag some people to play.
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write: daily | most days | a few times a week I a few times a month| random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter / section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler / skipping | whatever scene I feel like who knows what's gonna come out
The things that comes easiest to me are: dialogue | description of senses | description of action I description of characters | exposition | other
I tend to write: on a phone | on a laptop I in a notebook I on whatever paper I can find I with speech to text I in the blood of my enemies | it doesn't really matter to me | on paper first and then typed up I old school typewriter on a computer
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months I it's kind of random
My favorite thing to do when l'm on a writing break is: recharge with other creative hobbies | read / consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art I other
In general, I think my writing habits are: pretty much what I need them to be | okay, but l'm working on making them better I non-existent I not great I totally random I perfect for me
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Tagging @cherrybombfangirlwrites, @drabbleitout and @elbritch-kit, with an open tag for anyone else who wants to join in. Template under the read more 💜
write: daily | most days | a few times a week I a few times a month| random
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter / section no matter how long | an outline | whatever comes
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler / skipping | whatever scene I feel like who knows what's gonna come out
The things that comes easiest to me are: dialogue | description of senses | description of action I description of characters | exposition | other
I tend to write: on a phone | on a laptop I in a notebook I on whatever paper I can find I with speech to text I in the blood of my enemies | it doesn't really matter to me | on paper first and then typed up I old school typewriter on a computer
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months I it's kind of random
My favorite thing to do when l'm on a writing break is: recharge with other creative hobbies | read / consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art I other
In general, I think my writing habits are: pretty much what I need them to be | okay, but l'm working on making them better I non-existent I not great I totally random I perfect for me
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ladyazulina · 1 year
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Writing Habits Tag
I saw this on @cwritesfiction and thought about giving it a try, it seemed fun!
RULES: Bold/color the things that you relate to and then tag some people to play.
I write: daily | most days | a few times a week | a few times a month | random | what's writing?
I write most often: when I first get up | later in the morning | afternoon | evening | the wee hours of the night | whenever | what's consistency?
In one sitting, I tend to write: a few sentences at a time | a few hundred words | a few thousand words | a complete chapter/section no matter how long | an outline | whatever comes | a word
I tend to write scenes: in chronological order with no skipping | mostly in order but with some filler/skipping | whatever scene I feel like | who knows what’s gonna come out
The things that come easiest to me are: dialogue | description of senses | description of action | description of characters | exposition | other | I just write, okay?
I tend to write: on a phone | on a laptop | in a notebook | on whatever paper I can find | with speech to text | in the blood of my enemies | it doesn’t really matter to me | on paper first and then typed up | old school typewriter (I wish) | on a computer | if I don't write on a physical keyboard I'm not writing
When I take a break from writing, it usually lasts: a few days | a few weeks | a few months | it’s kind of random | I don't take a break from writing, writing takes a break from me
My favorite thing to do when I’m on a writing break is: recharge with other creative hobbies | read/consume other media | do something physical | catch up with old friends | work on my WIP in other ways like with playlists or art | other | who says I can do something when on a break? | sits still and screams into the void of my own mind | suffers from not being able to write | loses hope of ever being able to write again
In general, I think my writing habits are: pretty much what I need them to be | okay, but I’m working on making them better | non-existent | not great | I’m excited to develop them further | totally random | perfect for me
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the fenris romance is great don’t get me wrong but it really was a Choice to have him remember his entire life in a single moment of absolutely mind blowing post-nut clarity. Imagine busting it once and you remember your whole life. Whose idea was this i need to congratulate them on creating the funniest way for an amnesiac character to have a crisis ever
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inoreuct · 11 months
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would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?
YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS
the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.
he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.
but he does.
and it gets worse.
zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.
and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.
still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.
…until zoro corners him in the galley and demands to know what the fuck’s going on.
sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.
his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.
his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”
sanji’s heart throbs. “what?”
he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”
the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.
he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”
sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.
his lungs hitch as a callused hand cups his elbow.
zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.
“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”
sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.
"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.
this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.
"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"
"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"
zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."
sanji looks down at his feet. "...i can't."
"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."
"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."
"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"
sanji grits his teeth.
"i will drag luffy in here, i don't care—"
"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"
"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."
sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."
"what did you mean, then?"
he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."
the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."
it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."
it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.
"hey."
he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.
"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.
he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—
"look at me."
"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.
"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."
he can't.
he does.
zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"
sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—
"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."
the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."
just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.
he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."
"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"
"yes or no."
"i'm not what you want," he gasps, his face wet.
"yes or no."
sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."
he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.
"you are everything i want."
the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—
"yes or no."
zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.
"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.
sanji breaks.
"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.
a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.
he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.
the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."
you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.
"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.
"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."
the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.
the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.
he's not a fool. he's not optimistic when it comes to this. when it comes to love.
but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.
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polybiusplayer · 4 months
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Anxious habit.
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obae-me · 1 year
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He looks at you like artistry. A contemporary piece he's never seen before. Taking in every detail with calculating eyes. Wondering what intentions the skillful hands of the cosmos had in mind when making you.
He wishes to know your story, the happiness that makes the music of your voice, the experiences settled in the sculpt of your frame, the tragedies brushed into the strokes of your irises.
The complexities of your being astound him, mesmerize him. Every new fact he learns about you adds another stanza to your sonnet.
To him, you are art in its purest form. Not one part can exist without the other. The greatest of symphonies would not be complete without their rests. He adores all of you.
How foolish he was at first, to think you were just a simple creature. Oh, the things he has taken for granted. When did he become so blind? Was it his Pride? Or had he simply been breathing for so long, that the sweet orchestra of life became dull to his ears? How long had it been since he stopped to watch people commune in the streets? Or sat a while to watch the trees sway from his window? Or pondered on the meaning of a wonderful word?
Excitement. How many centuries since he's felt like that? Filled with a rather humiliating child-like giddiness. But it's...invigorating. Everything stands out to him fresh, avant-garde. You remind him that there's still so much for him to discover.
A change in the wind, the turning of a page to a whole new chapter, a swelling crescendo, you are enticing. Every second spent with you leaves him craving more.
All he desires is to be in your presence. To see your colors. To hear your melody. To bask in the opus of your existence. It was only a matter of time before you would manage to become his everything, his obsession, his passion. And he wouldn't have it any other way.
For Lucifer is a connoisseur, and to him, you are nothing less than the crown of luxury.
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canisalbus · 7 months
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is there a reason you usually answer asks with a . and talk in the tags? i got confused when i first saw that bc usually when people do that its a 'presented without commentary' thing but you do have commentary haha it feels like you're answering just in whispers like a ghost
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wonder-worker · 1 month
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Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.
#lol I don't remember writing this - I found it when I was searching for something else in my drafts. But it's 100% true so I had to post it.#elizabeth woodville#my post#Imo this is mainly because Elizabeth's negative historiography has always involved both vilification and diminishment in equal measure.#and because her brand of vilification (femme fatale; intriguer) suggests more indirect/“feminine” than legitimate/forceful types of power#It's still bizarre though-you'd think these would be some of the most famous & defining aspects of Elizabeth's life. But apparently not#I guess she only matters when it comes to marrying Edward and Promoting Her Family and scheming against Richard#There is very lacking interest in her beyond those things even in her traditionally negative depictions#And most of her “reassessments” tend to do diminish her so badly she's rendered utterly irrelevant and almost pathetic by the end of it#Even when some of these things *are* mentioned they're never truly emphasized as they should be.#See: her formal appointment in royal councils. It was highly unconventional + entirely unprecedented for queens in the 14th & 15th century#You'd think this would be incredibly important and highlighted when analyzing late medieval queenship in England but apparently not#Historians are more willing to straight-up INVENT positions & roles for so many other late medieval queens/king's mothers that didn't exist#(not getting into this right now it's too long...)#But somehow acknowledging and discussing Elizabeth's ACTUAL formally appointed role is too much for them I guess#She's either subsumed into the general vilification of her family (never mind that they were known as 'the queen's kin' to actual#contemporaries; they were defined by HER not the other way around) or she's rendered utterly insignificant by historians. Often both.#But at the end of the day her individual role and identity often overlooked or downplayed in both scenarios#and ofc I've said this before but - there has literally never been a proper reassessment of Elizabeth's role in 1483-85 TILL DATE#despite the fact that it's such a sensational and well-known time period in medieval England#This isn't even a Wars of the Roses thing. Both Margaret of Anjou and Margaret Beaufort have had multiple different reassessments#of their roles and positions during their respective crises/upheavals by now;#There is simply a distinct lack of interest in reassessing Elizabeth in a similar way and I think this needs to be acknowledged.#Speaking of which - there's also a persistent habit of analyzing her through the context of Margaret of Anjou or Elizabeth of York#(either as a parallel or a foil) rather than as a historical figure in HER OWN RIGHT#that's also too long to get into I just wanted to point it out because I hate it and I think it's utterly senseless#I've so much to say about how all of this affects her portrayal in historical fiction as well but that's going into a whole other tangent#anyway- I am forever judging historical/fictional books that center around or heavily involve Elizabeth which do not highlight these things#ofc there are other things but these in particular *really* frustrate me#just felt like ranting a bit in the tags because these are all things that I want to individually discuss someday with proper posts...
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ittybittybumblebee · 5 months
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the plunge
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sandwichsapphic · 4 months
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“an exceedingly pleasant and amiable young gentleman but… mentally he is negligible - quite negligible” is the Jeeves and Wooster equivalent of “she is tolerable, but not handsome enough to tempt me”
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m340700 · 5 months
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found an old thing
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