#ask and answer

[amber-tortoiseshell]

I don't know if this question is already asked and my apologies if it has already been answered. But are there any actual differences about leucistic cats VS cats with albinism? Through either the image or the color of their paw and nose, ears.

I think the best way of using these terms is when leucism means an animal without pigment producing cells, and albinism means an animal with (mostly) intact pigment producing cells that nevertheless don't produce (the correct type and amount of) pigment. This means on the cellular level, there is a very real and tangible difference between them.

Visually? They usually mention the eyes, as albinos have pigmentless pale blue eyes with a pinkish cast (that's not always visible of photos), while full white cats can have pure blue and pigmented (green, yellow, orange) eyes. I don't know about any other noticeable phenotypic difference.

There are a lot of other things that can't be seen tho, like only full white being associated with deafness, difference method of inheritence (albinism is recessive, leucism is dominant), different genes.

[lafiametta]

Just saw Anora and got so obsessed w Igor its not funny i need to see more posts about him 😭😭😭😭

Igor’s on such a journey and I love it.

Can you imagine: it’s your birthday and you get a call from the Armenian guy you work for to pick him up at a baptism so you both can check on his boss’s boss’s rich-ass useless son and see if he has or has not married a prostitute. You understand the job — look tough, provide a little muscle if the situation calls for it — and once it’s done you can go return your grandmother’s car from where you borrowed it and visit with her for an hour or so before maybe heading out for a lowkey night to celebrate.

Instead, the rich-ass useless son runs away and you end up having to make sure the girl he married — who takes great offense to being called a prostitute, by the way — doesn’t take off too, and because she won’t stop throwing things and hitting you in the face and screaming you don’t know what else to do except restrain her with a phone cord.

And then she bites you and breaks the Armenian’s nose even as you’ve got her in a hold on top of you.

It’s not exactly what Igor had in mind for the day, is all I’m saying.

As an audience, we also get our expectations turned on their head: Igor, who at first just seems like your standard Slavic hired goon, turns out to have a heart of gold, or at least a soft spot just big enough for a beautiful, foul-mouthed erotic dancer with an impressive left hook. (Although he’s no slouch either, considering how he wields that aluminum bat.) There’s something about her that he really likes, even from the beginning, and you can see him looking out for her and trying (mostly unsuccessfully) to make up for what he did to her back at the house.

I think he admires her brashness, and the way she’s determined to fight for the Cinderella dream that a life with Ivan promised her. In both the courtroom scene and on the tarmac with Ivan’s mother he secretly smiles as he listens to her argue and threaten, even against people far wealthier and more powerful.

(There also seems to be a class element, at least where her conflict with the Zakharovs are concerned. Igor probably doesn’t love the fact that he’s employed by these rich assholes and Ani saying that she’s going to take half their money has him silently cheering her on, because, yeah, fuck them. And when Galina Zakharov winks at him after threatening Ani’s whole existence, he has to look away in shame, because he still works for them, and they think that means they own him.)

I’d love to know when he decides to steal the ring from Toros. Maybe at some point on the plane, after he can see that part of her has given up. It’s a brilliant display of rebellion, made even better by the fact that he waits until the very last minute to give it to her. (Would we have heard all that shit about “hunchback weirdos” and “rape eyes” if he had surprised her with it the first moment they were alone? But Igor is secure enough to take all her insults, and probably likes the fact that she feels safe enough to keep roasting him again and again. “Touché, motherfucker?” she says, and all he can do is giggle.)

Which brings us to the car scene.

The ring is an act of atonement, something to make up for what she’s been through over the past two days — some of which he knows he’s responsible for — and one last fuck you to the family that humiliated her. Igor thinks he’s evening the score before he says goodbye, not realizing that Ani sees it as a gesture she needs to pay back to keep feeling like she’s in control. So she gives him what she thinks he wants — what all men want from her.

Igor’s an adaptive, street-smart guy, but he wasn’t prepared for what she ends up doing. He doesn’t resist, though, taking initiative only once she’s fully on top of him and then just to take her face in his hands. Does some part of him know this is transactional? Does some part of him want it to be real the way Ani wanted Ivan to be real? He wants to pretend at least, and tries to kiss her, only for Ani it’s too real, too much, and she’ll fight to make it stop, like she fights for so many things in her life. But the emotions bubble up anyway, and even through the haze of sex Igor can see she’s in pain, so he pulls her in close and lets her cry, steady and silent as the sobs wrack her body like waves.

It’s a scene that neatly mirrors the one from the living room — him holding her as she’s on top of him — now cast as an expression of vulnerability and care rather than fear and aggression. He’s always been strong enough to hold her, but it’s only at the very end that Ani is willing to be held.

[teecupangel]

(sorry in advance, I've been stewing over this for so long that this will be a long one xd)

I was re-reading your fics on ao3 again (sue me, im starved for desmond time travel content) and whilst reading Eagle of Alamut's description i realised '...wait a damn minute, it is true! all of Desmond's knowledge on past is from his ancestors!' (not everyone is as big of a nerd as shaun). Cue weeks of relentless daydreaming over Desmond in Reneisance Italy trying his damnest to lay low... but: 1) he does not know what is socially acceptable at the time (clothe and behaviour wise)

2) the animus likely shielded it's users from the more... er.. unsaviory historical accuracy (child marriage, smell, violence and mistreatment towards the poor, women, disabled)

3) politics, culinary arts, medicine and money value from that era are not common knowledge (or even fully known to todays historians)

4) Ezio was not known for his subtility...

...so while desmond may know who to strike in order to protect Ezios family from getting executed, what places he may know to avoid if he wants to avoid attention from the italian brotherhood.

He does not know what he was getting himself in to when he decided to travel back in time.

I can just imagine him thinking that he can finally retire and live his life, but then BOOM here comes the shock of sociatal injustices! religious violence! inequality! horrendous mistreatment of beggars and disabled people! and as a good man raised in the 21st century he obviously can't, in his right conciousness, just turn his back on these issues, on these people.

So here he is, in Rome of all places, doing his best to atleast stay hidden from the Auditore's, and consequesntly, the Italian brotherhood's, detection, as he stalks the bright rooftops of Roma as histories (probably) very first assasin turned vigiliante!

I can just picture him at one point or another, getting mistaken for a Spanish assasin and his only attempt at 'confirming' (read: encouraging misleading rumours), is to use the very little languistic knowledge the American education system has bestowed upon him. cue him very awkwardly trying to immitate a Spanish accent/ speak in Spanish. or just, you know, say the only words every student knows, 'Feliz Navidad'.

It would be so funny if Desmond’s Spanish are based on:

1) what little remains of Ezio’s Spanish (maybe on par or even worse than his French)

2) Basic Spanish that he learned on the Farm

3) Spanish songs he heard

So people think that Desmond is eccentric.

And Rich.

Because Desmond wants to help people but he doesn’t want to be seen as an Assassin so…

He becomes a supposed rich Spanish (Arabic would have sent a red flag to the Brotherhood) noble who came to Rome to live a life away from his ‘family’.

Why is he ‘rich’?

Well, killing nobles and other ‘evil doers’ will flag the Brotherhood as well so it would be better to just…

Leave certain incriminating evidence in the doors of their enemies and let them duke it out. Hey, if some things go missing while they’re too busy with their enemies, that’s just collateral damage.

Also…

Sometimes, things go missing when some people get into accidents.

It’s easy to buy the impoverish area in Rome. It’s a bit challenging to get doctors to treat them.

Until Desmond flashed the right amount of money, of course.

Desmond manages to stay under the radar by being part of the upper echelon.

An eccentric foreigner who helps the poor and sick out of the goodness of his heart.

Or… because he apparently believes that the way to heaven is through good will and not… paying the clergy.

Desmond knows that being seen as completely good is a bad thing as well so he lets rumors spread that he’s an opportunist who heals the sick and protects the weak to receive their loyalty. He gives them salary to become his guards (not that he needs any) and people whisper how loyal the poor are to someone who gives them bread.

And to hammer in that “no, Ezio, I am absolutely not connected to the Templars BUT I’m also not going to be a good ally, just leave me alone!” plan he has, he becomes a patron of the art.

Sexually progressive art.

The church hates him but tolerates him because Desmond does ‘donate’ (jokes on them, he donates what he stole from the church) and the artists love him because he commissions stuff with the same thing over and over again “whatever you want to paint/sculpt/work on but I want the Borgia men getting fucked in the ass while Lucrezia Borgia watches”

He’s not rich enough to actually be a threat (especially after Ezio starts wrecking shit up) and he keeps to himself most of the time.

But, of course, life always has it out for Desmond and he comes face to face with a wounded recruit at the edge of his property and…

Well…

He only wanted to heal him then send him on his merry way.

He didn’t expect Ezio to come barging in thinking said recruit has been kidnapped by the eccentric ‘possibly sexual deviant’ Lord Miles.

[imthebestcharacter618]

"fine. But if we are going, we're going my way. No fancy man made wormholes." *Johnson said gruffly before ... Heading into the bar?? Wait, huh?*

*bill looked at steve and Krissy, before shrugging and following the old man he was pretty sure was older than HIM.*

-@imbackbilly (I need to stop making you send the asks lmao)

*Steve rolls his eye, grumbling but following. He wouldn't admit it, but he doesn't think he has the energy to make another wormhole anyway.*

*And Krissy, seemed to be aware of that, sticking close to Steve just in case.*

[cbrownjc]

The one thing that I don’t get is if Devil’s Minion happened during the 70s, that means that Armand was basically leaving an heavily injured Louis alone in their house for long periods of time. In the book, Daniel and Armand basically move in together and spend all their time together. The Chase also seems like a full time job. I feel like Armand wouldn’t go do that, as he’s still madly in love with Louis during that time. He’d probably devote all of his time taking care of him. Or do vampires just heal faster, even with significant burns?

Hi!

So see, The Chase is actually why I think it was clever of the show to have Louis attempt what he did when he did, and be so severely injured by it. Because, as I said here, Louis having such extensive burns means there is really only one way for him to truly heal from them quickly and that is if he does the same thing Lestat had to do in the books when he was severely burned in the same way in the books and I feel we will see him be on the show (and probably was doing when Armand contacted him in 2x05 back in 1973) -- and that is to go underground, into the very earth itself, to sleep for a time and heal.

See, that is one reason Louis begged Armand to put him in his coffin at one point after he was hurt. Vampires heal quicker from injuries when they are in their coffins. And they heal even more quickly -- and grow even more strong in their abilities and powers -- if they go into the earth to sleep for a time.

In the books, Lestat went to sleep underground in the earth for 55 years from all the heavy injuries he got -- first when Claudia slit his throat, then when Louis set him on fire, and then, in Paris when Armand threw him off a tower. Lestat went underground, into the earth, to sleep from 1929 to 1984, to heal from all of that.

So I think Louis likely did the same thing for a short time after he and Armand left Daniel at the drug den -- Louis went into the earth to sleep and heal from his wounds.

And when a vampire is in the earth asleep, they are at their most safe from harm. Even during the burning from Akasha, the vampires who were asleep underground were not burned by her, because they couldn't be burned while within the ground. I'm only up to Chapter 15 of Prince Lestat, but that is a word and tactic that is being broadcast by Benji for all vampires to do during the worldwide second burnings -- to go into the earth, underground, if a burning begins where they are to escape it.

So in truth, Louis wouldn't actually need Armand to watch or take care of him once he was in the earth, underground, asleep. Because that's how Daniel actually first met Armand in the books. Armand was just hanging out at Lestat's house for decades, waiting for Lestat to wake up again while Lestat was asleep underground. Armand didn't need to watch or take care of Lestat as he was doing so -- Armand was just there because he had nowhere else to go. So when Daniel stumbled into Lestat's house looking for him, chasing Daniel actually gave him something to do.

And so I think the same will be true wrt the show. Once Louis goes into the earth to sleep and heal, Armand really isn't going to be needed by Louis for however long Louis sleeps underground. Just like in the books when it came to Lestat doing the same thing.

In fact, I can see a parallel with Lestat and Louis now both being underground and asleep at this point in time in the show, both healing from everything they have both gone through, as I honestly expect Lestat to also get severely burned during the events of Paris, just as we saw Louis get burned in 2x05.

So yeah, once Louis is safely underground, Armand will basically be by himself for however long that may last. And I can see his curiosity with that boy Louis called "fascinating" occupying his mind again, and him deciding to check up on that boy out of curiosity. And, as I said here, Daniel remembering the first interview still -- as well as the inspiring words he now had on repeat in his mind -- I think is going to have Daniel first looking for Louis and then, failing to find him again, will have him try to find Lestat.

Because in the books, all Daniel did to find Lestat's Garden District house -- which Lestat was sleeping under at the time -- was to go through property ownership documents in the Hall of Records in New Orleans, and find Lestat's name listed, right there, for a few properties, the Garden District house being one of them. Daniel, of course, would have never been able to actually get to Lestat himself, because Lestat was deeply buried under the earth at that time, but he still found the house easy. And then, when he arrived there, that's when Armand first caught him and locked him in the cage.

One of the things about The Chase I always wondered about before now wrt the show's version of it was what Louis would have been doing during it, as I always thought it was critical that only Armand and Daniel be involved in it. This is the main reason I thought The Chase in the show would only last a year or so, instead of the 4 years it lasts in the books.

But now, with Louis being so severely burned, I think that gives the answer. Just like Lestat, Louis will go into the earth, underground, to sleep and heal. And, just like in the books when Lestat did the same, Armand will be alone and on his own while he waits for Louis to wake up again. Which will probably take some years to happen.

And the only reason I don't think Louis will be asleep for the whole time Devil's Minion happened in the past -- which was 12 years in total -- is because of Louis calling Daniel "our boy." Meaning I think, at some point, Louis was with Armand and Daniel both sometime after Armand and Daniel fell in love and came together while Louis was asleep, and he and Daniel became even closer friends during that time. But who knows? Maybe Louis just calls Daniel "our boy" because of what took place during those 3-4 nights back in 1973 and nothing else, and Louis just sees Daniel as a "testament to their companionship" or whatever, and he really was underground asleep during almost the whole of Armand and Daniel's relationship. That is very possible as well IMO.

At any rate, I do think there might be something to Armand saying that he and Louis have been together "for 70 years" in the bedroom scene in episode 2x01, but then Louis saying they've been together "for 77 years" at the top of episode 2x02. Armand could have just been speaking in general numbers, or . . . maybe there is a 7-year gap when they weren't together. And maybe that gap is talking about the years Louis spent underground asleep and healing -- which it's clear that Louis himself wouldn't remember in the present-day, since he didn't even remember attempting to kill himself in the first place (thanks to Armand's memory reprogramming on him). And, during that 7-year gap, that is when The Chase happened, as well as 3 of the 8 years Armand and Daniel were fully together after confessing being in love with each other as well.

Which, come to think of it . . . if you do the math on that? 1973 + 7 years takes you to the year 1980. And if you look at Daniel's LinkedIn page, his writing credits didn't really start accumulating until 1981. As Daniel said himself, the 1970s are just a blur to him. And this could be why.

So I can imagine Louis waking up around 1980 or so and learning from Armand that he and Daniel are now together. And yes, I think Louis would be okay with it -- because hell, at least Armand wasn't alone while Louis was asleep healing, and Louis himself already has a fondness for Daniel anyway. (All of this happening being something Louis doesn't remember anymore now of course).

But between Daniel's growing career and Alice somehow coming into the picture sometime in the 1980s (because yes, I do think Alice is real, even if I also think a lot of Daniel's memories of her are really memories about Armand), things begin to go sour, with Daniel probably insecure because -- like in the book -- Armand kept refusing to turn Daniel so they can be together forever, and Armand reluctant to turn Daniel for a host of reasons I mentioned in this post, as well as probably not trusting Daniel to not run off and leave him once he is immortal (which is also a fear that Armand had wrt turning Daniel).

Anyway, so yeah, I actually think the reveal of Louis' burns strengthens the argument that Devil's Minion happened in the past because it now gives us an idea of what was going on with Louis not only during the time of The Chase, but also quite possibly the first 3 or so years of Armand and Daniel being a fully in-love couple. And that is that Louis went underground, into the earth, to sleep and heal. Just like Lestat was probably also doing from his own post-Paris wounds and injuries at that same time. Louis and Lestat both were safe underground in the earth -- which is the main way for vampires to heal faster from heavy wounds while being safe while they do so -- and didn't need anyone watching over them or taking care of them.

And so, just like in the book with Lestat when he was underground asleep (because in the books Armand and Louis had already long broken up and gone their separate ways when Armand was just hanging around Lestat's house waiting for him to be fully healed and wake up again), I feel the same thing likely happened on the show with Louis. Louis was asleep underground, in the earth, healing; and Armand was alone and left to his own devices because of that when The Chase between him and Daniel first began.

[great-great-grandpyramids]

Is baby bill squishy

He has the same consistency as a piece of clay

[the-writing-mobster]

SK!Sans forcing Frisk into a fake marriage ceremony just to mess with her like the jerk he is?

BEHOLD! —

| T M D G | Final! Frisk x SK! Sans Request — Fake Wedding | The bride, her bridesmaids and all her rotting flowers | 💙 🔪 💔 |

.

.

.

He would SO do this. He fucking would, just to rub salt in the wound. And what better fake, salt-in-the-wound, spit-in-the-face "wedding ceremony" than a VEGAS "WEDDING" AMIRITE LADIES!? WHOOOOOOOO (sobbing violently in the corner)

[minthe-drawings]

The way you draw Cove's goofy little smile in the kisses has given me a new lease on life thank you so much.

!!! He's so baby girl coded<3

[erosauriarts]

Atsushi and Akutagawa just cuddling, well TRYING TO CUDDLE

Idk but like I have this one idea that anytime when Atsushi starts to feel like strong positive emotions that tiger is gonna kick in thus I can see him being very careful with Akutagawa with that happens 😂 idk why but it be funny if Akutagawa was just thinking in head going HOLD ME LIKE YOU MEAN it or something

[xx-sketchy-xx]

Maybe fuse Howdy and Kinger?

With Howdy’s manipulative businessman-ways, and Kinger’s lacking sanity, I see a problem

[crooked-wasteland]

I've seen your tweet which criticizes the worldbuilding in Helluva Boss and how the Goetias feel like "Hollywood with royal titles" rather than true aristocracy, and I would like you to elaborate on that, if that's OK.

Thank you so much for this ask as I never got to expand on this point at the time. For those not in the know, the user is referencing this exchange on Twitter.

As much as the elites of our world would like to disperse the truth, the reality is that all societies are constructed around power. Who has power, how and why. That is the fundamental basis of every social dynamic from children on a playground to the politicians in our governments. So the very first thing we should even approach in regards to the narrative is how does power work in this universe?

So when I responded to Elcee in the tweet being referenced, I am evaluating power and power structures. Mainly there are two wholly different constructs of power between something like the aristocracy and celebrities.

The closest thing to an aristocracy we have in our modern day are the financial oligarchs of Capitalism. Elon Musk, Jeff Bezos, Bill Gates, etc. They have control everything from how our political parties engage with us to how we think based on the wealth they were born into. They curate our lives behind the scenes in ways that sound worthy of a tinfoil hat, but isn't a conspiracy. The wealthy were threatened in the 1970s by an educated proletariate. In response to our questioning the Vietnam war, the higher education that was once free or at least extremely affordable suddenly became prohibitively expensive.

So much so that only the financial aristocracy could access it. Whereas working class individuals are forced to jump through hoops and prove themselves suitably subservient to the existing power of the oligarchy in the form of scholarship applications, teacher recommendations and application letters before being granted access. This is not a mistake or how it's always been, this is by design.

Meanwhile, Celebrities are not elites. While we think of celebrities as being overpaid and living in luxury, it only takes a glance over at Chappell Roan to see the difference. When Jeff Bezos or Elon Musk or any large corporate CEO walks the red carpet, they are treated as royalty. When celebrities walk the red carpet, they are commodities.

Celebrity is the modern day face of the American Dream. Gone are the days of a single family home and a white picket fence. The boom of content over art, luxury over practicality, and excess over comfort is directly the result of selling to the world the idea of capitalistic success, which just amounts to perpetuating the system of turning humans into money. And for as much money as these celebrities make, it has been proven over and over again that they are just as susceptible to poverty as any other working class individual.

Celebrities are products we buy, and when we stop buying them, they vanish.

Meanwhile the aristocracy, the financial oligarchy, thrives in obscurity.

The difference in power is about who still has it when we no longer see them. And the more invisible and pervasive it is, the more real it is. However one as an individual thinks about the celebrity class, they are simple a different type of specialized tool to the true power behind the scenes.

With that differential in mind, the Goetia function more like celebrities rather than CEOs, and while Elcee fails to see the bigger picture, that subliminally tells the audience that someone with the title of prince, with armies sworn to his allegiance and infinite cosmic power, is no different than a working class joe.

This isn't intentional propaganda, however. It's not her trying to further the agendas of Jeff Bezos intentionally. Just like my other post covering how Medrano tries to excuse cheating, not realizing the only time one can argue such a blanket concept of forgiveness for such a betrayal can only happen when the option of choice is non-existent (ie Divorce is not on the table for reasons outside of the characters’ choices), this is the danger of not engaging with media with your mind turned on. You will innately, no matter how careful someone tries to be, engage with the material through the eyes of the creator.

Celebrities and average people are the same: commodities in the face of real power. But Medrano cannot tell the difference between someone like Elon Musk and his employees. She sees the aristocracy, the ones who were born into a legacy of wealth, as “hardworking average folks”. And if you aren't thinking, you might find yourself implicitly believing that too. Deeper entrenching the power they have over you as an individual and society as a whole.

How we got to where we are in our real lives is mirrored in the media we consume. And that isn't an accident.

[amber-tortoiseshell]

An update on Chai and her kittens! amber-tortoiseshell.tumblr.com/post/780917031596933120

There's Dandelion, which you correctly pointed out as a dilute tortie, who has finally been acknowledged as such:

She also does indeed have a tortie patch on her left hind leg. Good catch!

The others are also starting to show a bit more; while it's still hard to tell because of the warm lighting where they are, I think Tetley and this dilute sister are showing some color differentiation that can't just be explained away by their tabby patterns:

The little Tea Leaves are starting to get richer tones and they are all adorable.

Original post

Yeah, i think i can see a little ginger here and there. Anyway, sweet kittens. i love torties 💙💛

[lafiametta]

I’ve seen a lot of different interpretations online (esp on twitter lol) but I wanted to know what yours was re: the reason ani was crying at the end of Anora and what it means that she did it with Igor (as opposed to any other time in the movie)

Ani's breakdown in the final scene is a combination of a bunch of things: over the past two days, she's lost the dream of the life she had envisioned for herself, her husband (who she probably believed she loved, at least on some level) has rejected her, she's been insulted and denigrated, she's been bruised and manhandled and dragged all over New York and then across the country and back, and she's got nothing to show for it (aside from the money and the ring, but I don't think she's really thinking about that yet). It's a lot, and I think if Igor hadn't given her the ring she would have gone into her house and crawled in bed and cried where no one could see or judge her.

But now he's given her this thing, which in her mind puts her in his debt, and she doesn't want to be in debt to this guy, this psycho who confuses her by doing nice things but who, in the end, is an embodiment and final reminder of this terrible episode of her life that she only wants to forget.

So she decides to have sex with him. It'll even the score — no more debt, and she'll be done.

The tricky thing with sex is that it can make things complicated, especially when the people involved have very different assumptions about what it means. Igor's looking at her and he's cupping her face and trying to kiss her and she realizes that he wants her — not just her body, but a connection deeper and more real than she's prepared for. Ani rejects that — the last two days have sent her reeling, made her question her worth and her whole life, and who is this fucking asshole to try to tell her she's suddenly worth wanting? — and she lashes out. It's the physical and emotional outburst, followed by the fact that he still doesn't reject her (like everyone else has), even as he sees her, sees everything she is, that makes it all come crashing down.

She only really starts sobbing once he's started to pull her into his arms, I think because it's the only point in the movie she feels safe enough to let go. It's that, and not the sex, that forms the real intimacy of the scene.

[teecupangel]

hi, i just thought of something, i want to hear your thoughts on it

time travel, Desmond stumbles out of a golden portal in the middle of masyaf and says "hi grandpa" to Altaïr before a frantic chase ensues. everyone is panicking, Desmond is a menace to society at his worst, and time travel seems like a freacking joke, especially when it's hard to doubt

Altaïr is trying to figure out which of his sons found a woman capable of creating such a walking nightmare

Malick cynically says that Altaïr is the only one to blame, and there's no point in blaming his sons' prospective wives

It would be funny if Desmond is notified where he’s being transported.

A week before Altaïr, Maria and Darim leave to assassinate Genghis Khan.

So he makes a grand entrance (in reality: he rolls out of th golden portal and ends up tripping some poor random Assassin before he could stop) and immediately clocks in Altaïr, greeting with a “Hi, grandpa!” because, wow, Altaïr has white in his hair AND beard.

Of course he remembered watching it as he relived Ezio’s memories but it hits differently now that he’s seeing it in ‘real time’.

Then he noticed Abbas and points at him and immediately went “He’s planning a coup! He’s been planning for years!”

And that’s where the chaos emerges.

Some random man who looks too much like Altaïr saying that Abbas is planning a coup?

Some weight is definitely there in his words because of his appearance and how he appeared.

The threat of Genghis Khan was pushed back because of these allegations.

Then…

The unknown man that goes by the name Desmond escapes his confinement (it wasn’t prison, more like… house arrest) with a letter saying “I’ll take care of Genghis Khan so don’t leave Masyaf, Altaïr!” and that’s when chaos truly ensured.

They start receiving reports of an Assassin joining up with the Mongolian Assassins and how he’s not just preparing to assassinate Genghis Khan but also helping the Mongolian Assassins… ‘upgrade’ their skills and weaponry.

There’s a lot of praises concerning Desmond and… words hiding the fact that the Mongolian Assassins believe Desmond to be Altaïr’s secret son… from another woman.

Maria laughs it off while Altaïr gets a headache.

All the while, the Brotherhood is doing an unscheduled spring cleaning because Desmond’s words forced them to check Abbas and oh boy.

That man was planning for quite a long time and he definitely has allies in the Brotherhood, that’s for sure.

This kind of chaos is definitely the work of Altaïr’s bloodline, as far as Malik is concerned. Not to mention, Sef’s wife is a sweet gentle woman. The very opposite of the chaotic grandson that left Masyaf in this state.

.

On the other side of this situation…

“He’s definitely your son.”

“I’m offended you would think that………… But I can’t say I blame you. You will die alone, after all.”

“Do you think if I cut your balls, he’ll disappear?”

“My wife will skin you alive. She loves my bal-”

“SEF!”

[iwasbored777]

I think Branch has abandonment issues because of everything he went through and Poppy knows this.

Yes, both are true and I HAVE to talk about Poppy's behaviour in Trolls Band Together more cuz she doesn't get enough appreciation for her character development and for how much she loves her boyfriend.

At the beginning of the movie she wants him to give his brothers a second chance because she wants him to be with his family. He's not happy about it at first but later he is and she's super happy because she thinks everything is perfect just like he thought.

Until it wasn't. When they both learn at the same time that his brothers don't want to see each other again after rescuing Floyd he leaves and she realizes that this means to him way more than it means to them so she doesn't waste time arguing with them (Branch already did that) and she goes with Branch. She loves him, she doesn't need her favourite boy band to reunite anymore, her priority is making her boyfriend happy again and that can only be accomplished by saving Floyd. But when she finds Branch again he is cold because he's hurt and he doesn't want her help because he thinks that she will abandon him too just like they did. I can only imagine how much it hurt her when he said that, she thought that he believes her that she loves him because she really does. She was already betrayed by a guy she cared about in the past (remember Creek? Ugh I hate him). But instead of focusing on her feelings she's focusing on his because he needs reassurance now more than she does. She trusts Branch, she loves him, she knows he loves her and she tells him that she's with him and reminds him that they've always been there for each other.

She even put his feelings before her sister, when she had to choose. No one's saying that she would never come back to find Viva after the mission is done but she came here to help Branch and that's what she's gonna do above all.

Yes, Branch is an amazing boyfriend, and I'm so thankful that the writers made him this way. I'm not saying that he doesn't deserve the praise he gets, he really does. But I'm saying that Poppy deserves more praise in general. She's so amazing and so underrated.