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#YES i've only just finished the episode but that just means i don't have to wait v long at all for the next one. so i win 😎
acanvasofabillionsuns · 7 months
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spoilers for ep 138
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slake, 40 feet away: 🧍
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rosielav · 2 years
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Desperately need to find another currently ongoing podcast to listen to. I have nothing in my feed that releases new episodes except for MBMBAM and that's not nearly as exciting as I'd like it to be haha
PLEASE REC ME YOUR FAVORITE PODCASTS, PREFERABLY ONES STILL ONGOING OR WITH LOTS OF EPISODES!!!
Blease 😭😭😭😭
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Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?
I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.
The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!
Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:
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[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]
A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)
This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.
This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.
If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:
Sticks to a lighthearted tone where nothing is ever super serious
Keeps Gabriel entirely unsympathetic
Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed
Allows characters other than Marinette to shine while keeping Marinette as the clear main character
Makes Adrien narratively important
MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT
Understands that Lila and Chloe can't coexist as antagonists
Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.
I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.
I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:
I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.
If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!
Spoilers below:
I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.
While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.
The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.
That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.
That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.
I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.
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neat-crows · 8 months
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So I've been re-watching dr who for the first time ever rn, with a friend who's never seen it before, so I'm seeing all these episodes for the first time since I was 13 and picking up on a LOT that I never noticed before, and holy shit the tenth doctor is SO WEIRD to Martha Jones, and nothing exemplifies that more than the sontaran stratagem/the poison sky.... like..... he is SO weird the whole way down.
When they first see each other again their introduction directly mirrors Jack and The Doctor's in Utopia
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"Doctor" "martha Jones" laugh and hug
"doctor" "captain Jack" laugh and hug
And then! they have a normal interaction!!! WIN he asks how her family is and how she is, and they're smiling and genuinely seem like friends very happy to see each other!
And then.... donna drops the fiance bomb.
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He turns with a look of.... almost anger? disbelief? and asks WHAT MAN?? Then martha explains who he is and the doctor....
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he looks? upset? and then like, resigned? AND THEN martha admits that her fiance is kind of similar to the doctor, and then donna asks "Is he skinny?" and his reactions
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is to make a face like "yeahh" AND START NODDING????? like he's taken Martha's admission to mean she's with a man that's just like him, and honestly seems a bit smug over it, and then when Martha says no-
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he looks so taken off guard and betrayed ??????????? BRO we are less than 5 minutes in..............
He then proceeds to be tetchy with her, and to be fair this is mostly because of her involvement with unit, and his discomfort with how militaristic she's gotten - which I think comes both from anger at himself for how he's changed her, and also discomfort that she's no longer "his" Martha, she's changed, and he doesn't know her as well anymore.
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he tells her off, he's snide and judgmental, he won't even look at her until she tells him to, and he's honestly bitchy - Until she explains herself, and tells him off for being so judgmental, i also think his line "oh so it's my fault" is very telling because..... it literally is? like yes, you put her in situations where she had to become harder and more used to violence......... and he KNOWS it. He's doing what he did all through series 3, which is feel guilty or bad and then take it out on Martha (that's for another post though) until she stands up for herself (get his ass!!) and then when she's finished she looks at him
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determined, but eyes darting back and forth waiting for his reaction, on some small level hoping for his approval
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and only THEN does he start to smile, and he tells her "that sounds more like Martha Jones." she's back to feeling like she's still his (to him, Martha is acting incredibly normal and platonic). The doctor has always had a weird possessiveness with Martha, going all the way back to their first episode where he hand picked her, and in this second of her looking for his approval, he feels that again, and he IMMEDIATELY started flirting again - please go watch the scene it boggles my mind how fast he switches.
I also want to be clear, Martha isn't flirting back, she's acting extremely normally. She's clearly taken the time away from him to get over, not only romantic feelings, but any anger as well. She seems to have come to terms with how she feels with everything that happened, and she loves and cares about him, but she's not naive to his faults - I also don't think she even picks up on him being weird to her in this scene. She's no longer in tune with his every mood swing, she's not here to fix him, or cater to his needs, and so she no longer notices these small moments from him.
AND THEN.... the clone.
He never flirts with the clone. The ONLY time, is the very first time they interact, before he's realized something is wrong.
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he calls her over to come with him, and his face is honestly way too close to hers. bro is a menace. but then, maybe 2 minutes later, he immediately clocks that this is not Martha.
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he realizes there has to be a spy and only has to consider for half a second before he turns and asks about her family, he's already realized she's acting a little off, and the second she answers he's 100% certain.
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and he gets MAD. he tells her Donna went home because she's not like her, she's not "a soldier" clearly a shot at the sontarans, but also another subtle test, the real Martha wouldn't let that slide, and he wouldn't say that to the real Martha. He continues saying Avanti, instead of Allonse-y, which is interesting, because he already knows. He's not doing this to confirm his suspicions, he's doing this as retaliation. To confirm to himself he knows Martha better than this fake, he's toying with her. BUT. He doesn't go to save Martha.
The next episode, the doctor's daughter, he refuses to accept the label of soldier, but Jenny rightfully points out that he strategizes like one And this is one such moment. He knows Martha is a clone, he's mad and upset, he could go save her right away, but he doesn't. He doesn't because it serves him best to allow her to keep shutting down the nuclear launch.
It reminds me a lot of when Cassandra possessed Rose in New Earth, he played a long for a little bit, but that was just to figure out what was happening. He IMMEDIATELY tried to fix it, I just wonder if it was any other companion if he would have done this. If it was Donna would he have left her for so long? even if it was strategic? it's this weird conflict the doctor has now that he's very very protective and a bit possessive, but he also treats her like an equal on the battlefield, and it's a weird... trust? he has in her to take care of herself.
I kind of don't want to call it trust because that sounds too positive, but I don't know another way to phrase it, but it's a forced independence and self sufficiency.
but then, he finally goes to save her
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He goes and cradles her face gently, and NOTABLY says "good, still alive" MEANING HE DIDN'T KNOW??? and still left her for that long...
but he holds her gently, and fully ignores the clone. He has his back to her, and then proceeds to taunt her. He tells her he clocked her right away because of the pupil size, thin hair, and he says she smells. but we know this isn't true.
Sure maybe those physical traits are true, but that's not how he figured it out, we saw how he did it, he clocked on because he knows Martha so well, but he can't admit that. He can't admit that he knows her just as much as she knows him, just like he couldn't tell Rose he loved her.
He is so deeply angry at this clone, he makes fun of her, he yells at her, he looks at her likes she's nothing
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This is his face when he kills her. He doesn't talk to her, or even TRY to save her. And we know she is alive, she has memories, and her own thoughts and feelings, and the doctor kills her while gloating because of his immense anger for hurting Martha. An anger that is also guilt.
he does not speak to her like a person (which directly leads into his treatment of Jenny in the next ep).
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Parallel that to how Martha treats her, they talk about their family and she even calls the clone Martha. She really is a doctor in a way ten tried and often failed at.
And then at the end, Donna asks Martha to come with them, and she says no, and that she's happy at home, but she's better for having traveled and come back.
And the doctor looks at her
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With an obvious sadness, but also acceptance. He clearly wants her here, with him, but I think he's finally come to accept that that'll never happen, and he needs to let her go.
Edit: I Like their dynamic(mostly) This is not an anti tenmartha post Him being a freak is compelling
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genericpuff · 4 months
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wait wait wait, regarding that Minthe post, you're telling me that Rachel literally wrote the character as having BPD.....and portrayed her as an abusive mean piece of shit??? WOW. fucking WOW. sorry for being so angry, but even if she "retconned" that - it's still so god damn disrespective. as someone who has BPD it hurts so much to see my mental illness villanised :(
ugh I'm so sorry pal. and I don't blame you for being angry about it, like I don't even have BPD and I'M fucking pissed LOL like I can understand why Rachel might have wanted to backtrack from that knowing fully well that Minthe's story wasn't gonna have a happy ending, but writing her with BPD in the first place and then BACKTRACKING from it as soon as she likely got heat for it (or just realized it wasn't a good look) isn't much better because it means now all she's done is written the stigmatized negative effects of BPD into her character without showing the more positive outlooks of healing and managing. Maybe that was doomed to happen considering Minthe is someone who doesn't get a happy ending in the myths, but it begs the question of why she'd write her with BPD to begin with because in hindsight it really does seem like she just wanted to use it as a way to make her "evil".
But like, when you read the actual episode, you can SEE the potential there for character growth, you can SEE that she's aware of her actions - but doesn't understand why she's "like that" which is a VERY common feeling among people with undiagnosed mental illnesses - but it was never meant to be.
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Like jfc not only is it HEAVILY IMPLIED, but again, the episode is literally called "Splitting". And we see exactly that with Minthe, who can't seem to rationalize with herself that she messed up.
But... that leads me to another point that I failed to mention in that first ask response: she DIDN'T mess up. Like, yes, she messed up by escalating it to the point of slapping Hades, but it wasn't her fault that she didn't make it to her date with Hades. Whose fault was it?
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Continuously throughout the first season we see Thetis being an awful influence who manipulates and gaslights Minthe. They're "friends", but it's clear Thetis does not have Minthe's best interests in mind. In this very scene we see Thetis manipulate Minthe and even attempt to get her so drunk that she won't be able to show up to her date. And then of course when that plan works and Minthe freaks out, Thetis spins it around on Minthe in a very passive-aggressive way.
But of course, the narrative has to find a way to turn this whole thing on Minthe being the bad guy. Hence we get the slap which shifts the focus entirely away from what led up to it back onto Hades who has, in a lot of ways, put her in a situation that she can't control. And of course, being in those kinds of situations does not help with mental health.
Like, sorry, I'm really going off here now, but... the slap happens in Episode 76.
When is it finally addressed again? Episode 103.
It took Rachel nearly THIRTY EPISODES to finally bring it back to Minthe, and in that time the reader has spent SEVERAL EPISODES reading about how sad and lonely Hades is, and about how cute and lovey he is with Persephone. The reader has not had ANY time to reflect on Minthe's circumstances, because it completely pivots away from her to focus on H x P as a sort of distraction from the fact that Minthe is a victim in her own right.
And when it DOES return to Minthe in 103, we get this harrowing reminder that her entire life is dependent on Hades-
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And once again, here comes Thetis to the "rescue", reinforcing the negative feedback loop that Minthe is trapped in where she's put in unhealthy situations. She drags her to a bar and the whole time Minthe is not having fun because she's understandably still reeling from what happened.
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Now we DO get some character development here, where Minthe realizes exactly what I've just finished explaining, that Thetis isn't her friend, that she'd rather not have Thetis as a friend than continue being talked down to and manipulated.
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But then, as we know, because Rachel still needs Minthe to be the "bad guy", the breakup between Hades and Minthe winds up being all about Persephone from a POV that attempts to villainize Minthe for being "jealous" (rather than focusing on how shitty Hades actually is for having an emotional affair with Persephone to begin with) and then Minthe goes right back to hanging out with Thetis anyways for the sake of having the "evil other girl" who wants to "ruin" H x P's relationship.
It's not until Season 3 that we finally see Minthe tell Thetis to fuck off for good, but by then it's too little too late, and Minthe has lost an entire character arc. Rachel tries to go "see! Minthe's life is so much better now that she's taking care of children!" but that's an entirely different solution to a problem Minthe never had. She never got treatment for her BPD. She just got away from H x P which, while is a good thing, isn't actually analyzed as such. It's treated more as a "good thing" for H x P and the readers, because now they don't have to be subjected to Minthe's evil scheming anymore, something something "the evil is defeated". And don't even get me started on this comic's problem with constantly resolving female characters' story arcs through motherhood.
It bums me out so fucking much. Minthe deserved so much better. She's one of the many characters in LO who make it so painfully ironic when they're done dirty, because despite Rachel's attempts to write a "feminist retelling" that focuses on "moving on from trauma", she's inadvertently done more damage to feminism and the stigmas around mental health and trauma through her assassination of grounded and realistic and relatable characters like Minthe and Demeter who are shown ZERO empathy or understanding for their actions (unless it can be done so by making Persephone and Hades into the heroes). It happens so often throughout the comic it almost feels like how the comic markets itself as a "progressive feminist retelling" is some sick joke that I'm just not getting.
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livesworthlivingau · 2 months
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Lives Worth Living Chapter 24
ISAT/Two Hats spoilers below! CW: Negative self talk.
"I... I heard you had a bit of an... 'episode'?" (Loo-... Vale asked, looking to you with a nervous glance. You finish pouring their cup of tea as they sat at the table, pausing for a second while looking away.)
"Y-Yeah... I... I found your star..." (You say, looking down at their chest, seeing a bit of that scar through their clothes. They bring a hand up to place over it, lowering their head a little.)
"... I'm sorry to have caused you so much worry." (You sit down across from them, staying silent for a moment before finally forcing some words out.)
"What happened?"
"... I made a wish... I wished for a life of my own, so you could keep yours and I wouldn't need to steal it from you... Of course the Universe couldn't just give me what I wanted without having a little fun first though, so it sent the star in my chest supernova~!" (They begin to explain with that oh so familiar smile plastered on their face... Despite them looking so different, you'd still recognize it anywhere.)
"So I had to tear it out of my chest... It hurt worse than anything I've felt before, even worse than swallowing it and feeling it burn out my insides... I did die for a moment there I think, if Nille hadn't been there it might have stuck." (They note with a playful smile, finally lifting their tea to sip it.)
"N-Nille?!" (You weakly shout, not having expected to hear her name during all of this.)
"Oh! Yes, I forgot to mention that, didn't I? After I... well.." (They fall silent for a moment, looking to you then away again... You lightly place a hand over your heart for just a moment, you both knew what they were referring to...)
"After that, I ran and ran and ran... And ran straight into Nille... Heh... Imagine that, running from my problems, only to run right into the person you all were looking for..." (You lower your head a little, unsure how to respond to that. They seem to notice this.)
"Sorry... These are my problems, not yours. Regardless, we started travelling together, and she's been helping me... figure myself out, I suppose? Where I fit in this universe now that there's no going back..."
"L-Loop-" (They wince heavily at being called that, you quickly cover your mouth with your hand.)
"S-Sorry... Vale, I... You'll always be welcome here." (You offer, you know the gesture probably won't mean anything, but it's the truth, and they need to know that.)
"... I don't think the others will feel that way when they learn what I did to you..." (You both fall silent for a while after that. They were right, your family loved you too much to just let that slide... but did they have to know?... Could you keep lying to them forever?...)
"Stop, Stardust... I know that look..." (You perk up, looking back over at them... you forgot how bad you got at hiding your 'thinking' faces over the years.)
"It has to come out, they deserve to know... and I deserve whatever punishment that brings..." (You pause for a moment, gathering your thoughts, trying to find some sort of solution to this. You look back at L-Vale, come on, get that into your head, VALE! VALE! VALE! They look really distressed about this. You lay your hand on the table, offering it for them to take. They blink a bit, looking back up at you, then your hand again, hesitantly bringing theirs up to lay onto it. You give theirs a firm, comforting squeeze.)
"I thought I'd lost you... twice now... I won't let a third time happen." (You say, as confident as you can through your raspy voice. They give a slight smile in response, squeezing your hand back.)
"Thank you, Stardust... I'll do my best to make things work this time..."
(You both sit in silence yet again, occasionally sipping your teas, it was a bit more of a comfortable quiet now as you were just glad to have them back.)
"So what happened to your voice?"
"... Do you remember when I said the island's name?" (They suddenly choke on their tea, coughing and struggling for air as it went down the wrong pipe.)
"Stardust?!" (They shriek with worry. You wince some, shrinking into your seat a bit again.)
"Long story... Really bad nightmare after losing you..." (You try to explain succinctly, They seem especially worried about the mention of a nightmare, furrowing your brow and tilting your head a bit.)
"What?"
"... What?"
"Why do you... did something happen?"
"N-No? Whatever do you mean?" (They stammer out, quickly bringing their fake smile back... You sigh a bit, but drop it for now.)
"So, you've been travelling with Nille?"
"Yes, she's really quite something else." (They chuckle a bit, a soft smile on their face now.)
"Yeah she is... she got me out of a few bad spirals..."
"Oh, right, she would have been there for all that time, wouldn't she?..." (Vale brought a hand up to the back of their neck, rubbing it lightly, seeming to be nervous about what they were going to ask.)
"... Was she happy?"
"Huh?"
"During that time... was she happy?... Did she have a good life with you all?..." (They looked back down at their cup, staring into the tea for a minute, you were a bit stunned, unsure what to even say to that until they look up back up at you expectantly.)
"... Y-Yeah?... Sorry, did you mean something specific or?"
"... Tell me about it, please?" (The look on their face almost looked... desperate?)
"O-Okay... Uhhh... Her and Bonnie opened a lil restaurant in Bambouche eventually? Her and Isa hang out a lot, they've got a lot in common actually." (You say with a bit of a chuckle, sipping at your tea to help soothe your still sore throat. You peek back over at Vale, who was looking away nervously... a light blush across their face...)
"V-Vale?..." (They jump back to attention, quickly shaking the look and blush away.)
"Yes~?"
"... D... Do you..." (You blink a couple times, trying to piece things out before the realization finally hits you like a boulder.)
"YOU AND NILLE?!"
"Wh-What?! Wh-What about us?!"
"YOU LIKE NILLE?!"
"TH-THAT'S PROPOSTEROUS!!"
"Oh that's so cute!! You two would be so good together!!"
"Sh-Shut up! Th-That's just ridiculous!!"
"Then why are you blushing so much~?" (You grin wide, their face nearly lightless from how deep the blush was. They looked furious, about to yell, only for your comment to completely shut them up, crossing their arms with a frustrated pout.)
"hehe... She never wound up with anyone by the way... I think she said something about never meeting the right person?"
"... Not like that's changed..."
"Hey..."
"J-Just... just drop it please, Stardust... She's far better than I deserve anyhow..."
"... I'm sure we both thought the same about Isa..."
"... You're the one who earned your happy ending, not me..."
"Vale... Come on, you know that's not fair to you..."
"Just drop it... There's nothing more to discuss..."
"... Does she feel the same?"
"Drop. It."
"Okay! okay!" (You surrender with your hands up and a slight chuckle. Your face falls to rest in a content little smile.)
"I'm really glad you're back, Vale." (They roll their eyes a bit in response, sipping their tea curtly with annoyance, causing you to laugh weakly again.)
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sharksandstars · 1 month
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Season 4 of TUA is terrible so far??
I have a lot of opinions on season 4 and I fear most of them aren't great. I watched the first and second episodes fully and briefly skimmed over the rest (yes, I plan to watch them fully!) and so far I can't say I'm a fan. I have to address the elephant in the room: Five and Lila. In my opinion, it was a terrible decision and it felt like the writers were just trying to put in the craziest thing they could think of. And on top of that, it really feels like the way they executed was like a really shitty Wattpad fanfiction. I mean, there were like 6 scenes where they were living in domestic bliss??? Hey, so that is weird by the way! I have so many issues with their relationship... first of all, the age gap between the actors. Aidan Gallagher is 20 years old while Ritu Arya is 35 years old. I'd be surprised if they didn't feel weird while filming. Secondly, Five and Lila would not fall in love. I understand enemies to lovers is a genre and it's not inherently bad but with Five and Lila it felt like their resentment was far too deep-rooted. I've also seen a lot of posts about this and it seems like everyone is in agreement that it's weird and gross, and it doesn't make sense! Knowing this, I do understand that being stranded in a strange subway timeline thing for 7 years can be a less-than-stellar experience. Lila's marriage was already rough, but they really just needed some couples counseling and they'd be fine. I'd also like to argue that Five realistically wanted to feel love since he had never truly felt it unless you want to count Delores. But again, mentioning my previous points, it seems incredibly out of character for Lila and Five to betray Diego like that. I'm not entirely sure what the writers were thinking. As for the rest of the characters, I was happy to see them living regular lives. I unfortunately don't think season 4 was as good as any of the other seasons despite this, which makes me incredibly sad. Season 1 was fantastic, season 2 really picked up, season 3 was alright but enjoyable, and I really expected Season 4 to bring it all home, but so far, it hasn't in my opinion. I don't think it would have been better to just cancel the show after season 3 because I'm not the biggest fan of ambiguous endings. I also have an issue with the duration of the season: 6 episodes don't feel like enough. A series finale shouldn't have only 6 episodes, especially since all of the other seasons had 10 episodes. I just feel like they could have done more with it and it's really unfortunate that this series ran for so long and built up such an incredible story only for it to kind of... fall off. Also, just furthering my argument with Five and Lila here, Five killed her parents when he worked for The Commission. Which led to Lila hating him and trying to KILL HIM MULTIPLE TIMES. The writers must have gotten a lobotomy between seasons 3 and 4. Leave me your thoughts so far. I'll make another post when I finish it.
(Edit: I posted this on Reddit as well)
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atlitudes · 1 month
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I'm Cataloging Every Occurrence of the Piano in Malevolent in a Spreadsheet for Leitmotif Analysis. No, I'm Not Kidding.
As the title of this post reads, I've spent the last few weeks listening to every episode of Malevolent and logging every time the piano is heard (both within the story and as background score), to analyze the data for leitmotif/music based theory-crafting. I originally was planning on getting through the entire series before posting anything, but I am very quickly realizing that this is going to take me a while, and I start a new semester in two weeks, so there is a high likelihood I will not finish before I get too busy to chug through as many episodes a day as I am now. I'm on episode 16/44 and I've already logged 137 instances of piano music. I'm not even halfway done. And this is all I've been doing for the past multiple days. For this reason, I've decided to post the link to the spreadsheet before finishing.
If you're familiar with Malevolent, and just how much music is in it, you might be asking, "OP, are you utterly fucking insane?" And well, dear reader, the answer to that is probably yes, but while you might call it madness, I call it love. So, before getting into the meat of things, I wanted to explain why I even decided to do this. Spoilers ahead for Malevolent (obvious, but yeah). If you don't give a single shit about why I did this and want to get straight to the sheet, scroll to the bottom for the link.
So. About 2 weeks ago I finished my first listen-through of Malevolent. One thing about the most recent episodes struck me as very very significant: John and Arthur's "collective force" being titled as the Dies Irae.
Now, a full-bodied explanation of why I find this so important and the possible implications will come at a later date, but long story short, the Dies Irae is a very significant piece of musical literature-- it is, perhaps, the most commonly quoted leitmotif of the past 800 years, and it symbolizes death. So, understandably, the Themes of this kinda sent me down a spiral.
But the Dies Irae being mentioned in such a way also got me thinking: music is a pretty integral part of Malevolent. So, is the Dies Irae quoted anywhere in its soundtrack? I suddenly got very very excited at this prospect, particularly if it might be in Faroe's Song, because well... god that would hurt lol. I scoured the available songs on the bandcamp aaaaand... no luck (as far as I can tell). Regardless, even if the Dies Irae wasn't a part of the soundtrack, I became curious about what kind of leitmotifs were in the podcast, and what they might mean. And so, the spreadsheet was born.
I explain this in the User Guide part of the sheet (please read it before going through the rest btw), but I only track the piano parts of the podcast. The reason for this is two-fold:
First, score wise, piano is very easy for me to pick apart, and I don't see a lot of significance in the suspenseful string music for horror moments (though I don't deny there might be something to it, I simply won't be able to find it.) To me, the piano is also significantly more important than the strings because it's a notable part of the story-- Arthur and his relation to the instrument is a key part of the plot, and multiple of the piano compositions are made by him. For this reason, I found tracking the piano in the podcast worthwhile.
Second, I also don't touch any of the non-original radio tracks in the podcast (i.e. You Call It Madness (I Call It Love)) because this video by The Final Fantasmagorie already does an excellent job of covering them (please check it out!!), and I felt it would be redundant, especially considering the astronomical amount of ground I already have to cover. If these tracks start being featured as leitmotifs in the piano music then... well, I might change my mind, but so far, no dice.
If I noticed a non-piano piece of music (such as the wraith humming in Ep3) that I haven't found any analysis of whatsoever, I also noted it just so there was some record. Other than that, just piano tracks.
Explanations and disclaimers out of the way, here is the link to the spreadsheet. I might open it up to comments and/or editors at some point, but for now, it's just available to viewers. Once again, please read the disclaimer and user guide before the rest of the sheets.
Thanks for reading, I know this was a very long post, and I appreciate it if you've beared with me! Enjoy!
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musings-of-a-rose · 1 year
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Safe With Me
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Pairing: Robbie Reyes x f!reader
Word Count: 10,700+ (you voted and wanted a longer one shot!)
Rating: Mature - 18+ ONLY!
Warnings: Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story. 
Notes: Listen, I have it bad for Gabriel Luna. Bad. As in no coming back. And I saw some gifs of him as Robbie (the first role I saw him in), I've been rewatching his episodes of Agents of Shield, and I had to write something. Thanks to @mermaidxatxheart for giving me an idea that, in typical me fashion, went completely off the rail and became an actual story and not just smut. 
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**Reader is not described
Main Masterlist
Robbie Reyes Masterlist
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Bold Italics are the Rider internally speaking to Robbie
Robbie never thought he’d be here, a driver to some rich guy’s daughter. He could feel the Rider, how beneath him the Rider felt that playing chauffeur was. But it was because of the Rider that Robbie was here, trying to get solid information on her dad, to prove he was the secret bad guy…and to bring vengeance.
When he agreed to be a driver for the family, he thought he’d be driving around the man himself, but when his daughter stepped out of the house, Robbie’s eyes went wide and he was momentarily speechless. He hadn’t seen anyone this gorgeous in…well, ever. She walked with confidence to the car and when he tried to open the door for her, she gave him a small smile and stepped around him, eyes roaming over the car. 
“1969 Dodge Charger…you’ve made some modifications?” 
She knows about cars? 
When he doesn’t answer right away, she stops, hand hovering over the hood and looks up at him, her eyebrows raised as she waits for an answer.
“Yeah, uh..yes.”
She nods, glancing back down at the flawless finish. “May I?”
Robbie never lets anyone touch his car. No one. 
“Don’t scratch her.”
“I wouldn’t dare.”
Her fingers lightly brush against the black paint, the car seemingly humming under her touch. Robbie shifts where he stands, like he can almost feel her fingers brush against his own skin. 
“She’s remarkable. And you’re sure you’re fine with driving me around in her?” Her eyes meet his again and he swallows hard. He'd thought the request to be driven in a car like his was odd, but he assumed Mr. Rich Asshole was a car guy. He never anticipated that it was his daughter. 
“Yes, ma’am.”
She shifts a little, smiling as she glances back down at the car before moving around it to get inside the door Robbie had opened. She pauses before sitting and looks at him, so close he swears he can feel her breath on his face.
“If you change your mind, let me know. I’d hate to put this car in any danger.”
Robbie chuckles to himself as he closes the door behind her. If only she knew how much danger his car got into on a weekly basis.
Over the next few weeks, he takes her various places on a pretty consistent schedule, mostly shopping, occasionally meeting up with some friends, a random night club or two. Robbie finds her fascinating. He assumed that she would be pompous, like most rich people, that she would look down on others and treat them like shit. But she doesn’t. And the more he watches her, the more he sees how her smiles to her friends don’t reach her eyes, how she never wears the clothes she buys, the little sigh that escapes her lips before she steps out and into the club, her dress just barely covering her.  
One day, Robbie was elbow deep in a broken engine when his phone rang, the one that he used only for his chauffeur job. He wipes his hands on his coveralls and pulls the phone out, surprised to see her name lighting up the screen. She never needs him on Mondays.
“This is Robbie.”
“Hi, Mr. Reyes. I’m sorry to call you on your day off, but..would you be willing to take me into town?”
He looks back at the engine, disassembled, pieces scattered all around, and she takes his hesitance as a no.
“You know what? I’m sorry, Mr. Reyes. I shouldn’t ask you on your day off. I..I’ll just-”
“No, no. It’s ok. I can come get you. Are you at home?”
“Yeah. When can you get here?”
Robbie glances up at the clock on the wall. “45 minutes?”
She’s quiet for a moment. “Ok. I’ll see you then.”
Robbie stares at the phone for a moment before cleaning up and changing, wiping the grease from his face and hands. Why had she called? She seemed a little off. 
He got there in 20 minutes with a little help from the Rider.
When he pulls up, she’s there, walking quickly to his car. Robbie jumps out and starts to walk around to get her door but she waves him off. “It’s ok. I got it.” He nods, watching her walk to the car, hunched in on herself, arms crossed and hiding behind sunglasses. She gets in and closes the door, buckling her seat belt. 
“Where to?”
“I don’t care, just drive.”
Robbie starts up the car, revving the engine a little because he knew she liked that. The corner of her mouth ticks up slightly into the beginning of a smile and he relaxes slightly, still worried about her. 
“My dad hates that sound.”
It’s the first time she’s mentioned her dad, has said anything to him outside of polite conversation and chats about the car. 
“I’m sorry. I won’t do it again.”
She reaches out and touches his arm, lightly squeezing him. “No, please don’t stop.” Robbie stops the car as the gates open slowly and he turns to look at her, trying to see through her sunglasses. 
“Yes, ma’am.”
“Neva.”
Robbie’s eyebrows pinch together. “Neva?”
She nods, taking a breath. “It’s what my nanny called me. She was Russian. She said it meant snowy, or something like that. I was born during a bad snowstorm,” She clarifies and Robbie nods. Neva removes her hand from his arm and starts to pick at her nails, placing them in her lap. “She was the only one who really cared for me. No one else calls me that name. Probably because nobody cares.”
Robbie is speechless. He has no idea what to say, but he wants her to know that she can open up to him. Maybe she’ll tell him more about her dad, but it’s more than that now. It’s…wait, does he care about her?
“I’m sorry you have shitty parents.”
She laughs then, her head tilting back with the force of it, and Robbie vows to make her laugh as often as he can. As her laughter fades, she takes off her glasses and wipes at her eyes with the back of her hand. 
“You’re a riot, Mr. Reyes. Thanks for making me laugh.”
He smiles at her. “Is…is there anything I can do for you?”
She stares at him a long time and he hopes she can’t see the warmth in his cheeks that was definitely not from the Rider. 
“I doubt you can help, but thank you.”
“Are you sure? I’m pretty resourceful.”
She smiles sadly. “I doubt any of your resources could change who my father is.” Robbie opens his mouth to respond when she shakes her head. “I’m sorry. I shouldn’t have said anything. You don’t want to hear about my problems… so, do you have a sister or brother or girlfriend or…or someone?”
He studies her for a moment, amazed at how she instantly schooled her demeanor into a completely different emotion, as if whatever the shit was with her dad never happened. 
“I have a brother.”
“Just a brother? No girlfriend? Sister! I meant sister.”
He glances away from her, hiding his smirk at her slip up by pretending to look out the window before he turns. “Nah, just Gabe.”
“Gabe. How old is he?”
“High school.”
“Ah. The fun years, or whatever everyone says.”
“What, you didn’t like high school?”
She shakes her head. “Hated it. Everyone was so fake and I just didn’t fit in. Ok, well I mean I made friends but not anyone I’d actually consider a real friend. Just kids of people my dad has connections with or wants connections with.”
“Your dad would use you for that?”
She grows quiet, staring out of the window. “He does.”
Robbie stops at the red light and angles his body towards her. “Hey, you sure you’re ok-”
“Does Gabe need anything for school?”
Robbie stares at her, her eyes pleading for him to take the change of subject. He’d follow her lead this time, but he tucks that information about her dad in the back of his mind. Something wasn’t sitting right with him about it. 
“Don’t worry about it. We’re good.”
“That’s not what I asked. Is there something he’s into?”
“He used to be really into soccer before…”
“Before?”
Robbie took a deep breath. “Before the accident…Now he’s in a wheelchair.”
She squeezes his arm again and it makes his whole body feel like a livewire. “I’m so sorry to hear that, Mr. Reyes. Do you guys need anything? What about any medical bills?”
“We’re fine, thanks.”
She takes her hand away like he had slapped her. “I’m just trying to help.”
He stops at another red light, putting on his turn signal. “No, I didn’t mean it like that. I just…everyone always wants to pity us. But we’re doing fine.”
“I never said you weren’t. I just..have the means to help. If you’ll let me?”
“I couldn’t ask you to do that.”
“Good thing you didn’t then. Now, what sorts of clothes does he like?”
Robbie could tell she was being genuine, not like most people with money who fake it just to use it as a tax write off or a photo op. So they spend the next several minutes talking about Gabe, Robbie telling her some fun stories from their youth as she directs him to a shopping district. He pulls up to an empty spot and parks, getting out of the car and opening Neva’s door. She gets out and smoothes down her pants as Robbie starts to head back to the driver’s seat. 
“Where are you going?”
“I’m going to wait for you like I always do.”
“Oh no. You’re coming with me.” She links her arm through his and Robbie tries to slow down his beating heart, certain that she can hear it through his chest. “I need you, Mr. Reyes.”
“Yeah?” Shit, he shouldn’t have let that slip out. She didn’t mean she needed him, but she needed his opinion. 
She squeezes his arm with hers in response, turning her head to look at him, her face inches from his. He swallows hard as his eyes switch between hers, his heartbeat pounding loudly in his ears. Her eyes flick down to his lips, his breath catching in his throat as she leans towards him ever so slightly.
“Ah, mademoiselle!” The store owner had come outside, no doubt spotting Neva, who frequents his shop. Robbie’s blood boils at the interruption but perhaps it was for the best. He’d almost forgotten that the reason he’s even driving her around is to get more information on her dad. 
“Alexandre. How nice to see you.”
Alexandre leans in to kiss her cheek and Robbie feels her grip on his arm tighten slightly. 
“What brings you in today?”
“I need some gifts for a friend of mine.” Neva launches into a description of Gabe that is so spot on for not ever meeting him or seeing a picture of him that Robbie is taken aback. Once inside, Robbie tries to extricate himself from her but she holds on tight, pulling him to some racks of clothes that Alexandre was pointing out, pulling things from the racks and tossing them at another clerk, who was frantically trying to hold everything. Once they had it all laid out, Neva turns to Robbie, gesturing at the clothes all nicely folded. 
“How’s this? Is there anything he wouldn’t like?”
He can feel Alexandre’s eyes on him, like he knows he doesn’t belong in her world, like Robbie doesn’t already know that. He shakes his head. “I can’t take this.”
“Oh. Is it the wrong size? Or color?”
“No, it’s just…it’s too much.”
“Oh. Does he need another dresser?”
“No that’s not-”
“Mr. Reyes, you told me it was his birthday and I’m insisting on buying him some things. He’s been working hard in school and deserves a reward for all of his hard work. Now, is there anything else he needs?”
Her eyebrows are raised in question: why did she say it was Gabe's birthday? He doesn’t have time to think about that and he knows she won’t accept him declining her offer. “No. No this is more than enough.”
She smiles at him, one that reaches her eyes. “Good. Alexandre?” He’s there in an instant. “Ring me up. Charge my father’s card.”
“Oui, mademoiselle.”
She takes him to lunch next, insisting that she pays as this was supposed to be his day off. They go to some fancy restaurant with food that Robbie can’t pronounce, with portions that are way too small for the price, but they tasted great. Not homemade meals from his abuela great, but not bad. 
He pulls up to the front of the house, putting the car in park before grabbing the handle, when Neva touches his arm again. 
“Thank you for today, Mr. Reyes.”
He hesitates a moment before placing his gloved hand over hers, meeting her gaze. “You can call me anytime, Neva.” She smiles at him, squeezing his arm before turning, allowing Robbie time to open her door just in case her dad was watching. He can still feel her hand on his arm, how it felt to link her arm in his, how her laugh sounded, the way he made her smile, like it was only for him. 
Damn, Robbie. You got it bad.
—----
“How did you find this?” Robbie stares at the car part in the box he’s holding in disbelief. “I’ve been looking for this for years!”
Neva smiles and waves her hand nonchalantly. “I know a guy.”
“No, you don’t understand. This is impossible to find.”
“Obvioulsy not as you’re holding it.”
Robbie looks up at her, a smile sliding into place. “I don’t..this is too much, I..”
Neva pretends to gasp, placing her hand on her chest. “Was I just graced a smile from Mr. Reyes?” Robbie can almost feel his ears turning pink, a little extra heat in his cheeks and looks back down into the box. Neva leans in a little closer to him. “I’ll have to do this more often if it means I get to see that smile.”
Robbie looks up, his eyes meeting hers. She’s close to him now. If he just leaned in a little further, he could press his lips to hers, feel how soft they -
“Do you want to put it in now?” Her eyebrows raise, but not before she glances down at his lips again. 
“What?”
Neva nods her head towards the box. “The part.”
Robbie shakes his head, pushing aside the images of pressing her against the side of the car, her leg wrapping around him as they embrace. “Uh…yeah. But after work-”
“I have nothing to do today. Can we go now? I’d love to watch you install it. If that’s ok with you?”
I’d let you do whatever you want.
Robbie tries to hold back the smile he feels coming on, but he can’t. “Hell yeah. Oh, I mean-”
Neva waves her hand. “I don’t give a fuck about bad language. Also, that’s two smiles I got from you. I’m definitely spoiling you more often.”
Robbie pulls into Canelo’s Auto and Body, driving up to one of the empty bays. He hops out and starts looking for tools, gathering what he needs. 
“Are you allowed to do that?” 
Robbie turns to see Neva standing outside of the car, watching him open and close toolboxes. He realizes then that he’s never mentioned also being a mechanic.
“Yeah. I work here too.”
Her eyes go wide and she nods. “That actually makes so much sense now!”
“What does?”
She gestures around. “The cars. How you’re able to keep her-” she points to the Charger “-so pristine.”
“Yeah. It’s a good place. Owned by good people. I don’t know where we’d be without them,” Robbie returns to the drawers, finding the last tool he needed and closes the drawer. When he turns back around, he freezes, watching Neva remove her outershirt, standing there in a skin tight camisole that hugs her in all the right ways, framing her chest perfectly as she pulls her hair back off of her face. Once her hair is secured, she pats her head a little, making sure she didn’t forget any loose strands. She jumps a little when she sees Robbie staring.
“Sorry! It’s just hot out and-am I making you uncomfortable?”
“What? Uh no. No, you’re, uh..fine.”
Her smile makes his body tingle and he has a short, internal conversation with the Rider, telling him to calm his shit. Robbie sets up his tools, putting the car up on jacks. When he finally lifts the hood, he hears a soft moan from Neva as she steps around, her eyes fixed on the engine. 
“Did you do all this work yourself?” She asks, standing so close to him that their arms lightly brush against each other and Robbie desperately wishes he wasn’t wearing sleeves.
“Y-yeah. I had to rebuild her, basically. The car was my uncle’s but he doesn’t need it now.”
She glances up at him. "I'm sorry for your loss."
Robbie chuckles. "Don't be. He's in prison."
"Oh,” She looks down, nervous, at a loss for words. “…well I'm not sure how to respond to that. I'm sorry?" She lifts her head and he can feel her eyes on him. 
Robbie turns his head slightly to look at her. "It is what it is." He wasn't about to go into his personal business with her. Not when she's standing so close, smelling like her shampoo of strawberries and coconut. He can’t help it, his eyes flicking down to her soft lips, dragging back up her face to see hers tracing a similar path on his own. He brings a hand to her face, gently cradling her cheek as he slowly leans towards her, feeling her fingers lightly tug at his shirt to pull him closer. Her eyes close-
“Robbie! I didn’t expect to see yo- oh.”
Robbie and Neva spring apart as a man in coveralls walks in, rubbing a dirty oil rag across his matching hands. 
“Hey Canelo. I just came in to install this piece.” Robbie gestures towards the box and Canelo glances inside, whistling in awe.
“Holy shit. Where did you find it?”
“I didn’t. She did.” Robbie nods his head towards Neva, who shrugs.
Canelo looks between them both, a smile tugging at his lips. “Robbie, do you really think your date wants to see you work on a car?”
“Oh we’re not-”
“We aren’t-”, they both speak at the same time and Canelo chuckles. 
“Actually, I asked him to bring me. I love this car.” Canelo looks at Neva in surprise.
“Oh yeah?” He proceeds to give her a mini quiz, which she aces. 
“Robbie, don’t let this one go. She’s a keeper.”
“No, we’re not-”
Canelo waves his hand. “Yeah, yeah. Whatever you say.” He leaves, tossing you a wink before heading back into the office. Neva steps back from the car, giving Robbie space to work. He sighs, internally cursing his boss for interrupting that kiss. It would’ve been a kiss, right?
When he drops her off later, after taking the car for a much enjoyed ride, she touches his arm to stop him from getting out and opening her door. 
“I think we should talk about what happened. Or, almost happened.”
She regrets the kiss doesn’t she? Almost kiss? We are from different worlds. 
Robbie waves his hand, determined to get in front of this so he doesn’t show how her letting him down hurts. “It’s ok. Nothing happened so…”
Her face changes, a flash of disappointment before she expertly schools it. “Very well then. If that’s what you want. I’ll see you tomorrow, Mr. Reyes.” And she opens the door, closing it a little harder than normal behind her. Robbie watches her walk away, feeling like he fucked up big time.
That’s because you did fuck up.
—----
For the next few weeks, Neva is polite, a coolness settling over their interactions after his rejection. He didn’t want to reject her, he wanted to kiss her until she couldn’t breathe, begging him for more. But she was the one who was going to stop things so why should he feel guilty?
She didn’t tell you that, you idiot. You made it up.
She asks him to drive her to a party one night, offering to pay him extra since it was after his regular hours. He agreed, of course he agreed. He felt guilty and kept trying to talk to her, but couldn’t find the words.
Don’t forget why you’re really here.
When he pulls up she’s walking out of the house, a snug, black dress that rouches on the sides, a slit going up nearly to her hip, and a neckline that plunges, perfectly framing her chest. She has on black heels and clutches a small black purse that is more for looks than practicality. Suddenly, Robbie couldn’t breathe, watching her walk towards the car, the dress sliding across her skin but never revealing more than it should. She makes it halfway before the Rider snaps him out of it and he jumps out, walking quickly to the other side to open the door. She gets in the car without really looking at him, smoothing down her hair as he closes the door. When they start to drive off, she sighs, setting the small clutch in her lap and leaning her face against her fist as her elbow rests on the door. When the gate is opening, Robbie chances a look at her. She looks phenomenal, but her expression doesn’t match. Her color is a little off, the sparkle in her eyes not really there. 
“Are you ok?”
“Mmm?” Neva turns her head to look at him. 
“You don’t look good. I mean, y-you-you look..just…but I mean, your face doesn’t…” What the fuck dude?
Luckily for him, she smiles slightly, a small chuckle escaping her. “You’re cute when you’re flustered.”
His cheeks warm, his ears tinging a slight shade of pink as he stammers on. “I just… I meant that you don’t look into this.”
“This?”
“The party.”
She leans back on her fist. “Oh. Yeah. I’m not really.”
“Then why go?”
She sighs. “Because my dad commands I make an appearance.”
“You don’t have to go, you know.”
She doesn’t look at him, her eyes gazing off at a point in the distance. “I’ve been through worse. I can survive a party.”
He’s quiet for a moment. What did she mean she’s been through worse? “Well if you change your mind, you know how to find me.”
He drops her off, watching her walk into the building that’s crammed with people, loud music blaring and lights flashing everywhere. He drives around the corner, parking just off property so as not to interfere with the valet and waits. He had a feeling. And sure enough, about an hour later she texts him to come get her. They pull out of the drive up and he puts on his blinker at the next light. 
“How was the party?”
“Ugh. I couldn’t take it anymore. Everyone in this world is so damn fake. And they all seem to want my attention,” she huffs.
“Home then?”
“No way. Are you hungry, Mr. Reyes?”
“I could eat.”
She perks up, sitting a little straighter in her seat. “Great! Take me to your favorite place.”
Robbie chuckles. “I don’t think you’ll like it.”
“Well I like you so I’m sure I will.”
His stomach leaps into his throat. So he didn’t fuck everything up then. “It’s…not your type of place.”
She turns her head, her eyes studying him as he keeps his on the road. “Have you learned nothing about me, Mr. Reyes? Now drive.”
He smirks. “Yes, ma’am.”
He drives across town to his neighborhood, pulling up to park in front of a diner. Neva looks around. “This is it?”
“Told you you wouldn’t like it.”
“I didn’t say that. I’m just surprised your favorite is diner food.”
“And what would you know about diner food?”
“Oh ha-ha. I have eaten at a diner before.”
“Uh huh. How much did a burger cost?”
She punches his arm, fighting the smile that wants to come out. “Shut up.”
He opens the door for her, offering his arm when she goes to get out and she takes it, linking them together. 
“Ok so, this isn’t my favorite place. But that one is closed and this is my number 2.”
“You know how to make a girl feel special.”
“Hey, I don’t take just anyone to Bertha’s. They have the best burger in town.” He feels her hold him closer and at first he thinks it’s for the neighborhood, but one mental smack from the Rider and he sees that she’s cold. Taking off his formal jacket, he settles it across her shoulders and she cuddles into it. Robbie swears he sees her smelling it out of the corner of his eye, but he doesn’t say anything. 
As they eat, she opens up more, their flow settling back into how things were. Little flirtations, her hand brushing his, her foot accidentally bumping into his leg over and over, her moaning when she tries the burger. Ok, that last one was just the way Robbie heard it but it counted. In his head, anyway. On their way out, she notices the graffiti on the side of the building next door. She stops, pulling him back by their linked arms to look at it. 
“That’s the Ghost Rider,” Robbie explains.
“Who?”
He launches into a generic explanation about the local legend of The Ghost Rider, how he has a flaming skull for a head and seeks vengeance on those who have done wrong. 
“And by vengeance you mean he kills them?”
He stiffens slightly. “Yeah.”
“Hhmm…”
“Most people think he’s a murderer.”
“No. I like him. We need justice where there is none.”
Robbie is speechless. No one has ever looked at the Rider like that, at him like that. And she doesn’t even know they’re connected. 
I like her, Robbie. Hold onto this one.
You just like her because she said she liked you.
They finish making their way around the back of the diner to the car, and Robbie leans over to open the door for Neva when she pulls him, facing her back to the car. 
“Thank you so much for tonight. This is the most fun I’ve had since…well, probably ever.”
“Nah, it was my pleasure.”
She smiles at him, her eyes bright and inviting, making his skin prickle like a live wire. His body is growing warmer, and not from the Rider. She’s so close, her scent of strawberries and coconut filling his nose as she leans closer, her eyes darting down to his lips. He leans too and their foreheads meet, both of them breathing heavily as they stand there, the air around them crackling with tension. 
“Robbie,” she says it quietly, but it’s all he needs. 
Robbie’s hands come up to cup her cheeks, turning her head up to him as he presses his lips to hers, feeling her sigh, her body relaxing into him. He glides his tongue across her lips and she parts them instantly, silently begging him for more. His lips never leave hers as he puts a hand out, walking her backwards into the side of the car. Her fingers twist in his shirt, pulling him closer before she slides them around his broad back, trying to grip him anywhere she can. He drops his hand to the back of her knee and lifts it on his hip, her gasp breaking their kiss. He takes advantage of this, turning her head to the side and kissing the side of her neck, sucking on a spot just below her ear. She moans and Robbie gasps against her neck, feeling her skin pimple under his lips. 
But then she’s pushing him back and Robbie stumbles, his eyebrows furrowing together. Did he misread the situation? No, she wanted this as much as him… His brain goes fuzzy as he watches her walk around the car, gently setting her ass against the hood as she looks at him, her eyes wide and dark with want, her eyebrow arched, begging him to come closer. 
He’s there in less than 2 steps, hands cupping her face again as he brings his lips to hers, feeling warmth fan out from where they touch. His hands slide down her, taking in every curve of her body before he grips her ass, moaning slightly into her mouth before lifting her to set her on the hood of the car, her legs automatically opening and wrapping around him, trying to bring him closer. He leans her down, her back against the hood of the car as he continues to kiss her, lips soft and needy. Her fingers fumble at his belt line and he finally snaps out of it. Robbie pulls back and grips her wrist, looking down at her. 
“I…this is not…I don’t want our first time to be like this.” 
A smile crinkles up her eyes and Robbie feels it in his bones. “You’ve thought about us before? Our first time?”
“Oh, I think about you all the time, chica. I want the space and time to take you apart.”
She whimpers, his pants feeling a little tighter at the sound. “Fuck, Robbie. I want that too but right now, I don’t care about where we are. I want you. I need you.” Her eyebrows pinch up in question, fully leaving it up to him.
He smiles. “I can’t say no to you.”
He lays his body against hers, sliding his hand up her bare thigh while propping himself up with the other, his elbow leaning against the hood. He doesn’t kiss her, choosing to watch her expressions as his hand ghosts across her cool skin, disappearing under her mini dress. He ghosts his fingers across her underwear, chuckling when she jolts at his touch. Her fingers grip his forearms, nails trying to dig through the sleeve of his shirt as he draws light circles over her clothed cunt, her breathing coming out in ragged gasps. 
“Please,” she begs, voice barely above a whisper. Gently, he dips his finger under her pantyline, sliding it down her wet pussy, tracing light circles at her clit. “Oh!” She gasps, trying to hold back her sounds because they are in a parking lot. Robbie had completely forgotten their pretty public display. His hand stills and she huffs, her lip coming out in a pout. 
“Are you sure, chica? We’re pretty out here.”
“I don’t give a fuck. I need to feel you inside me, Robbbie,” She blinks up at him with a fire, not too different from the one he feels blazing behind his own gaze. “I won’t break.”
“Fuck, you’re gonna kill me, Neva.”
Robbie sits back, fingers deftly opening his belt and pants just enough to pull himself out, groaning as his hard cock springs free. His skin is warm and he swallows hard, trying to get himself to cool down a bit. But then he sees her, moving her panties aside for him and, while he can’t see too clearly due to the lack of proper light, he can see that she’s fucking gorgeous, somewhere he will have to explore when he has the space to. Lining himself up, he looks down at her and pushes in, clamping a hand over her mouth when she lets out a high pitched, loud, moan, and it’s all he can do to not join her as she envelopes him, her heat wrapping around him perfectly, like she had been waiting just for him. When he bottoms out he waits, hips joined close together as she catches her breath. She looks up at him, pleasure radiating out from just her gaze alone, a gives him a nod. He pulls his hips back and slowly slides in again, groaning at the feel of her as he slots his hips against hers. He adds in an extra deep thrust and she cries out, trying to swallow her own moans as Robbie hones in on that spot, thrusting deep and hard against her. Neva starts to slide up the hood of the car, her dress doing nothing to hold her in place. Her fingers grip his sleeves, trying desperately to find something to hold her in place as Robbie continues to thrust into her. 
He’s about to stop, give her a moment to grab something when her hand shoots out, gripping the raised engine of his Charger. Instantly his skin heats, feeling like he’s about to catch fire at the sight of her digging her fingers into the metal, her other hand gripping his as he pushes it to the side of her head, knuckles clanking against the dark metal. His body is tingling and he shakes his head to clear it when he feels her raise her legs higher, digging her heels into his ass and lower back, trying to get him deeper. 
He growls, pressing a hard kiss to her lips before pulling out, grabbing her ankles and sliding her down the hood, her gasp turning to whimpers as he grabs her hips and flips her, pushing her chest down against the cool metal of the Charger. He pushes into her quickly, feeling himself warm instantly as he speeds his hips up, thrusting extra hard when he’s fully inside of her. Neva’s hands scramble across the car, looking for something to hold onto and she finds the engine again, using it to help her push back against him, bringing him slightly deeper than before. His skin is ablaze, his thoughts racing, mixing with the Riders as he fucks her, warning him mentally to back off, unsure how long he’d be able to keep him at bay when he’s worked up like this. 
Then she pulses around him, his name tumbling from her lips over and over as she cums, squeezing him tightly, trying to keep him inside of her. He feels his balls tighten, his skin starting to lightly glow and he grunts, cumming hard as his hips jut into her soft ass, his hands squeezing her hips to keep her in place. He keeps his eyes closed, feeling his release wash over him as he simultaneously tries to fight back the Rider, who does eventually back down. Robbie looks down at Neva, her back heaving as she tries to catch her breath. Still seated snuggly inside, he leans over and pushes the hair from her cheek, moving in to kiss her there. Instead, she turns her head more, finding his lips with her own, as if she were trying to keep him there a little longer. The kiss breaks and Robbie pulls out with a grunt, tucking himself back into his pants.
“I don’t know if I have anything to clean you up-”
She chuckles, cutting off his sentence. Sitting up, she sways and Robbie catches her, pulling her close. 
“Don’t worry. I don’t mind feeling you between my thighs.”
His ears are hot, silently begging the Rider to stay put. “I plan on spending a lot of time between your thighs.”
“Ugh how are you so fucking hot?” She pulls him down to her, her nails scraping against the back of his head, his arms wrapping around her. 
“You’re so warm,” she sighs, cuddling into him. 
“I run hot.”
“Yeah you do.”
Robbie drives her back home, but not before she tells him to pull over, hopping into his lap and riding him until they’re both screaming the others name. 
—----
The next few weeks are spent tucking themselves away from prying eyes, Robbie practically living between her legs, pulling every sound he can from her. It becomes a little easier to keep the Rider at bay while he’s buried inside of her, but he’s not sure if he can always hold him back, which terrifies him. Neva doesn’t know about the Rider, about his secret. Would she even accept him?
It’s his night off, Neva having some sort of engagement to go to, a car sent to pick her up. Robbie slides a bowl of mac and cheese across the table to Gabe, who picks at it with his fork. 
“What?” Robbie asks, a mouthful of mac and cheese.
“It’s nothing.”
“You too good for mac and cheese now?” He smirks, but drops it once he sees Gabe not smiling.
“Gabe?”
“It’s just…you always put hot dogs in it before.”
Robbie smiles softly, schooling his face as he stands up, grabbing his brother’s bowl. “Alright, your majesty. Would you like them cut in cubes or circles?”
Gabe punches him in the arm. “You’re an ass.”
—-
Robbie jolts awake, his phone ringing loudly as is vibrates on his nightstand. Rubbing his eyes, he quickly glances at the time - 1am. No good calls come this late. He feels the color drain from his face when he realizes it’s his work phone, the one that Neva calls. He picks up, hoping that it was just her letting him know she made it home ok. She had promised to do that.
“Hey, chica.”
She takes a moment to answer and Robbie straightens up, sensing something is wrong.
“Nev-”
“Please come get me,” her voice is barely above a whisper, harsh and rough, not sounding at all like the whispers she presses into his ear when he’s buried inside of her. His phone pings but he ignores it.
“Where are-”
The phone clicks off, but not before he heard a yell from her, a terrified yell, a pleading yell. He glances down at the phone and sees she had dropped her location, a red dot pulsing up at him from the map. He grabs his jacket, jumping into the Charger, feeling the fire blaze in him.
If anything has happened to her, we will get justice.
“You got that right,” His eyebrows furrow together in anger, his foot pressing into the gas as he makes his way across town in record time. He pulls up to the gate of a large estate, the guard taking his time coming over to him. Robbie tells him he’s here for Neva and the guard lets him in, the gate sliding shut behind him. He pulls right up to the front door, his car angled for a quick getaway if needed. His skin is on fire as he opens the door, striding over to the front door, raising his fist to knock when he hears her scream, pleading with someone to stop. Without thinking he kicks open the door, taking several large steps inside towards her voice and the sound of something hard making contact with her skin, a scream coming out every time it slaps against her. When he enters the room he sees her on the floor, blood smeared across her as her body curls in on itself, shielding her face with one hand, the other outstretched towards the man towering above her, riding crop raised above him, begging him to stop. Robbie’s skin lights up, eyes turning to fire as his skin melts away, the Rider pushing his way out.
—-
Neva, Earlier That Night:
“You will attend the gala with Mr. Fortier and attend his party after.”
I nod, familiar with this game having been forced to play it my entire life. My dad says me attending these things with these men, powerful men as he says, helps his business endeavors, which in turn helps the family. That I need to do what I have to for the good of the family. 
Of course, he’s not the one to have to endure them.
Showing up, being glorified arm candy clutching to the sleeve of some powerful man or his son, having to discreetly slap away their unwanted touches without upsetting them, having people ogle you like you were just another pretty face, like you were just a piece of furniture, really wears on you. But what else can I do?
I never liked going to these events, showing up with these people, but especially now that I have Robbie, albeit secretly because there’s no way my father would approve of me being with “the help”. I despise them. I begged my father not to go but he wouldn’t hear of it, slapping me across the face when I initially said no. I dabbed on a little extra concealer to hide the redness from his palm and painted on a smile for Mr. Fortier. 
The evening progressed as they usually do. A gala meant a beautiful gown, one that was worth more than most people make in a year, hand holding onto the arm of the man of the evening, Mr. Fortier, as he smirks, loving the attention he gets showing up with me on his arm. His hand rests on my thigh under the table at dinner and it turns my stomach. He starts to squeeze, his nails digging into my skin slightly, so I discreetly place my hand over his, squeezing it back like I wanted to hold hands, choking back the bile that threatens to spew from my mouth as he gives me a smile. 
We dance, his hand sliding a little too low for my comfort so I ask him to spin me, just to get away from his touch for a moment. The money for whatever charity this gala was sponsoring was made, everyone cheering like they made their donations to actually help the charity and not just for the tax write-off. I scan the room, seeing many faces that I know my father has done business with behind closed doors, illegal things that I’m not supposed to know about but I’m too smart to not realize that my dad is not a good man. 
Mr. Fortier asks me into his house after the gala for drinks and I initially decline, wanting to get home and scrub this night from my body, but when he persists, I remember my father telling me I will attend his after party. So I accept, a fake smile on my lips as he takes my hand, leading me inside. Once he has me in the living room I sit at his request, watching him walk to to his drink cart, offering to make me a drink. I decline the offer, saying I had too much already and he shrugs, raising the glass to his lips. It’s when he’s drinking that it starts to sink in - the silence of the house, the lack of movement even from staff, nothing to indicate an after party. I don’t even remember him telling other people there’s one at his house. 
I feel the color start to drain from my face as I realize what might happen next. It’s happened before, my father delighted with the extra money he earned from me. I didn’t realize it at the time, certain that the men had actually cared for me as I did them, so it hurt even more when I realized they’d done it for money or whatever deal my father promised them. They were my age and we were young, I was naive, believing in love and falling for slick words and touches I’d never had before. When I found out, I confronted my dad, who initially denied everything. I wanted to believe he was telling the truth, that he wasn’t putting on a show by telling these men to fuck off. But several months later, I would see them leaving the house, shaking hands with my father. 
I’d confided in my nanny, who held me close and told me that something similar had happened to her, except it hadn’t been her choice like it was mine. But then she told me about a secret herb to put in their drink, basically to knock them out, and then I could set the narrative. I graciously took the herb and it had been successful. Whenever anyone got too handsy, I’d offer to make them a drink, lacing the liquid with a dash of the tasteless herb, feeling a little too triumphant when they slumped over just a minute later. 
But this time, it’s too late. He’s already had a drink, placing the glass back down on his cart as he makes his way back around the couch to me. If he senses that I’m on to him he doesn’t let on, and he may not. Oscar winning actors have nothing on me. He sits next to me on the couch, leaning back and putting his arm along the backside of the couch. 
“Did you have fun tonight?” he asks, his eyebrows raised. 
I nod. “Of course. It’s always nice to have a fun time and raise money for charity.”
“That’s what I like about this particular gala. The money actually goes to the cause and not someone’s pocket.” 
An asshole with a conscience? That’s a first.
“Are you sure you don’t want a drink?”
“No, thank you, Mr. Fortier.” I glance at the clock on the wall, ornate filigray design set into the darkened wood. “Oh - it’s actually getting late. I need to be getting home.” I go to stand but he puts a hand out in front of me, preventing me from standing.
“You don’t have to go so soon, do you?”
I swallow down the scream that’s been echoing around my head and try to put on my best apologetic look. “I’m sorry, Mr. Fortier, but I do.” I go to stand, but his hand doesn’t move. 
“How will you get home?”
“I’ll call a car.”
“Don’t be silly. I’ll have one of mine drive you home. Give me a moment to call them.”
I nod, not comforted by his words. It’s the way he’s looking at me that’s making me feel icky, like I want to run from the house and not stop until I’m home. Or at Robbie’s. Do I even know where he lives?
“Please have a car ready for our guest…Thank you.” He hangs up the phone and I throw him a hopefully convincing smile. 
“Thank you, Mr. Fortier, for a fun night. I’m glad the fundraiser met its goal.” I move to stand when his hand tightens around my wrist, his ring digging into my skin. 
“Your father promised me your time after the gala. To do what I want.”
I look at him, trying to swallow down my fear and channel all of my confidence into my gaze. “Please let me go, Mr. Fortier.”
“I will get what I want.”
“Mr-”
The sound of skin slapping against skin echoes across the quiet room, my cheek stinging with the contact as my head whips to the side. My hand instinctively comes up to my cheek, cupping it as I turn to look at him, his grip somehow tighter. 
“Please, Mr. Fortier, I don’t want-”
He shakes his head. “No, you stupid girl. I don’t want to have sex with you. I have other…desires that I need to release.”
I swallow hard, not really sure what he means, but trying to take solace in the fact that he’s not wanting to take me. 
“What -” My whole body is wrenched forward, face slamming against the hardwood floors as he throws me to the ground. He kicks me once, hard, and I nearly vomit, his dark chuckling getting louder as he squats next to me.
“Like I said, I have no interest in having sex with you. But putting marks on something so beautiful?” His finger graises my cheek and I flinch. “Well, that’s the fun we’re going to have tonight.” 
Pain. That’s all I know for what feels like forever, my skin splitting open open over and over, bones never quite breaking but on the verge of, hair being pulled from my scalp. He meant what he said. He never touches me sexually, never makes any indication of wanting that. I can feel myself in danger of blacking out, desperately trying to cling to consciousness despite my body wanting to shut down to ease the pain. After he throws me to the floor again, my body sliding across the floor, I hear him leave the room, telling me stay put. I lay there, feeling the cold floor slick with some of my blood, my brain screaming at me to run while I have the moment, but I know I wouldn’t make it far, and that it would be worse for me if I attempted it. Something digs into my side and I realize it’s my clutch, having fallen from the couch when I was initially thrown. Wincing at the pain, I grab it, sliding it across the floor to my head. I fish out my phone, keeping one eye on the open door as I blink at the screen, unable to make out any numbers. Luckily, I only need one. Pressing the speed dial slot 1, I wait, praying to whomever is listening that Robbie is awake. 
“Hey, chica.” 
I nearly break down at his voice, a light shining through the darkness I’ve been pulled in. 
“Nev-”
“Please come get me,” I choke out, trying to be quiet but clear. I drop my location to him when I hear Mr. Fortier’s footsteps coming back into the room. 
“Where are-”
He grabs my ankle and I scream, eyes going wide as I see the riding crop held in his other hand, pleading with him to just let me go. I’m not sure how much time passes but in the back of my mind I hear him, the Charger, unmistakeable in its sound, pulling up to the house. Mr. Fortier doesn’t seem to notice, too involved in whatever sick pleasure he’s gaining from this as he raises the crop to me again and again. I cover my face, raising my arm out weakly to try and stop him, begging him to stop. 
And I feel him, Robbie, barging into the room, the last thing I see before passing out is his eyes, full of fire, blazing orange as he shifts, heat enveloping the room, somehow comforting me as I black out. 
—----
Neva:
I remember waking once since that night, very briefly, bright lights shining down into my face while gloved hands and a person in a white coat moves around me, poking and touching my skin where Mr. Fortier had left his mark. I remember my pulse speeding up and then he’s there, Robbie, holding my hand and pushing hair back from my face, telling me he’s got me, that I’m safe. Then I black out again. 
My eyelids flutter open and at first, I’m certain I’ve gone blind. But then my eyes adjust and I realize that I’m in a room, a bedroom, and that it must be night because the room is nearly pitch black, a quiet nightlight plugged in on the other side of the room, making just enough light to see the floor. As my brain catches up to me, I start to make out shadowy shapes from around the room, a taller one that must be a dresser, a smaller one that most likely held books or a tv. I’m in a bedroom, not a hospital room, and certainly not my own room. 
I slowly flex my fingers, making a fist and opening them back up against the sheets and I notice the weight next to me. Slowly, my head pounding slightly, I turn to look and see Robbie next to me, his eyes closed and lips slightly parted, a quiet snore emanating from him. God, he’s beautiful. The man I trust most in this world. Actually, the person I trust most-
Wait. Did his head turn into a flaming skull? Was he Ghost Rider? That had to be a pain hallucination. Right?
He jolts awake, his eyes finding mine and, seeing that I’m awake, he sits up, shaking his head quickly to rid it of sleep.
“Hey, chica. How are you feeling?”
“Ok, I think.” My throat is raw and then he’s holding up a glass of water, a bendy straw sticking out of the top and holding it to my lips. 
“Small sips, ok?” I do as he says, the water helping to abate the raw feeling.
“How long?”
“Just a couple of days. I took you to a guy I know to get you checked out after you begged me not to bring you to a hospital.”
That explains the bright lights and white coat. 
“He said you’ll be fine, that nothing was broken but you’re severely bruised, several cuts needing stitches, and that you’ll be sore for a bit. I do have some pain meds here if you need them.”
“Did…did anyone look for me?” I say this already knowing the answer.
“I…no. Well, you got a text a day or so ago, but I didn’t look.” He leans back and grabs my phone off the nightstand, handing it to me. I unlock it, navigating to the text app and, sure enough, there’s the text from my dad.
Dad: You earned us an extra 7%. A job well done.
I roll my eyes, trying to swallow back the anger and bile in my throat as I hand Robbie back the phone. His eyes glance down at the screen where I’ve left the text up, his eyes almost glowing orange as his brow furrows together in anger. 
“What the fuck?” He asks, looking up at me. 
I try to sit up but my body screams at me, forcing me to stay put. He takes my hand, rubbing little circles into the back of it with his thumb. “It’s ok, Neva. Just stay put.”
I nod, taking a deep breath. And then I tell him everything, how my father treated me my entire life, how I was forced to wine and dine these men or their sons, how I was able to fight most of them off with herbs given to me by my nanny, how twice it had come to more than business and how stupid I was for believing those men, even though they claimed to love me still after I found out, but the trust had been broken. How I missed the chance tonight to give the herb to Mr. Fortier, how I’ve been hurt before but never like this. I don’t look at him when I tell him, but his hand never moves from mine, squeezing it harder with every detail I give him. By the end, I’m surprised to find tears on my face, Robbie reaching up to swipe them away for me. 
“So I’m not surprised no one is looking for me. My dad always sends an update text like this, that what I’ve done for the family was worth it. 7% though? If my dad saw me, he’d negotiate for at least 8%.” It was meant to be funny, trying to lighten the tension, but Robbie didn’t laugh. Or smile.
“Your dad is a bad man.”
I nod. “I’ve known that for quite a while, Robbie.”
“Why didn’t you leave the family then?”
That’s a loaded question. “I guess it was easier to stay. I was raised to do this, Robbie. By the time I’d realized how fucked up it was, my dad’s reach was far. I had no one, aside from my nanny whom he sent back to Russia. I trusted no one, resigned to my fate. And then…you. From day one you made me, no make me feel safe. Like someone cares about me, that I won’t just fade into nothing. You’re my hero, Robbie.” I finally chance a glance up at him, expecting a smile or something, but instead, I’m met with a guilty look, an undeserving expression on his face and he doesn’t look at me. 
“Robbie?”
“I’m not a hero.”
I squeeze his hand. “You are. You literally saved my life that night.”
He shakes his head. “That wasn’t me.”
I scoff. “It was you who walked through the door, saw me, and it was you who pulled me from that…wait was the house on fire?”
He’s quiet for a few minutes and I give him the space he needs. He shifts next to me, making sure I can see his eyes. 
“I have to tell you something, but you can’t tell anyone. Not even my brother, ok?”
I try to move again, but my body retaliates, pain radiating out from where I moved. “I promise. You can tell me anything.”
“Just…know that I feel safe with you, that it’s you who saved me. I don’t deserve it. Don’t argue, just listen, ok?” He takes a deep breath. “I’m Ghost Rider. Well, he is in me.”
“...the guy with the flaming skull head, right?”
“That’s him.”
I let out a small laugh of relief and his eyebrows pinch together. “Why are you laughing?”
“No, it’s just…I saw you...well him? Right before I passed out and I thought for sure I was going crazy, that maybe I’d hit my head too hard. God, this is a relief!”
He studies me for several long moments. “I wasn’t expecting this reaction, you sure you’re ok?”
“I feel much better now that I know my brain isn’t severely addled.”
“I tell you that I turn into a murderous being with a flaming skull for a head and your reaction is ‘oh thank God I’m not crazy’?” The corners of his mouth tick up and then he’s full on smiling. “You’re loca, Neva.”
“Maybe. But you said he’s in you? I don’t understand. Are you not an inhuman then?”
Robbie watches me for a moment and then shakes his head. He launches into an explanation, about how he was out car racing when the Fifth Street Locos attacked his car, on a hit for his uncle, how Gabe, who had simply caught him leaving the house late at night and Robbie convinced him to come along, had a bullet lodged in his spine which means he’d never walk again. How he himself was flung from the Charger, body riddled with bullets, when a voice offered him revenge and he accepted, his body reanimating and healing. How he did seek vengeance, taking out not just that gang but other people too, the Rider coming out to burn them alive, that he only took out those who deserved it. That he did burn down Mr. Fortier’s house, after taking care of him himself, to make it look like an accident. 
“When I walked in and I saw him standing over you, I just lost it. The Rider too. That’s what you saw.”
I squeeze his hand harder, placing his palm on my chest. “Is that why you’re always warm?”
“Pretty much.”
“I stand by what I said before. You’re not a murderer, Robbie. You don’t kill innocent people. They deserve what they’ve gotten, I’m sure…Is it… could I talk to him?”
Robbie raises his eyebrows. “You wanna talk to him?”
“I just want to thank him personally for his part in saving me? If that’s ok.”
He watches me for a long time, like he’s having an internal conversation with himself and it dawns on me, he probably is. Just with the Rider.
“Ok.”
Robbie stands up, taking a step back from the bed, his bed, his eyes on mine. And then they’re blazing orange, like fire itself, his skin peeling back as the skull emerges, embers and flames raising from that face that holds my heart. The Rider stands there, lighting up the room as he turns his face down to me, flames licking out from where his eyes should be. 
“Thank you.”
He nods, a single nod before the flames were being extinguished, skin growing back piece by piece and then Robbie’s back, immediately coming to my side, hesitating in taking my hand.
“You ok, Neva?”
I nod. “Better, now that I get to see your face.” I grunt through a little pain to bring my hand to his cheek, fingers touching the spots where I know his freckles lay. Those freckles that are the death of me. 
“You’re after my dad, aren’t you?” It slips out, this thought I’d had once he told me about the Rider. And honestly, it all makes sense. He never seemed the chauffeur type. I just thought I had been lucky to find the one random, hot man driving one of my dream cars that actually wanted to drive people around in it. 
“Nev-”
“It’s ok. I know he’s my father, technically, but he’s never been my dad.”
“Will we be ok?” Even though the room is dark, I can see his eyes, wide and worried, eyebrows pinched together. I manage to slide my hand up to that spot, trying to smooth away that pinch with my fingers. 
“I’m not going anywhere.”
He visibly relaxes, sliding himself next to me and gently wrapping himself around me, his nose nuzzling in my hair as he inhales, all while I’m inhaling him where my face is against his broad chest. 
“Can you just…wait until I’m better?”
“Did you want to see him?”
“What? Oh no. I just want Nurse Robbie to take care of me.”
He chuckles and my head bounces slightly with it, the rumbling there lulling me back to sleep.
“Nurse Robbie is on duty.”
—----
3 months later…
Her dad was gone, the Rider had left his mark that day. Her mom had fled the country, taking every asset she could, seemingly leaving Neva with nothing. But of course, Neva was smarter than that, tucking money away for literally years, always using her dad’s credit when she needed something. She had more than enough to live comfortably the rest of her life, not filthy rich like before, but more than comfortable, eventually wearing down Robbie with her pleas of “just let me spoil you and your brother”. She’d gotten them a new place in a good part of town, pulling strings to get Gabe into a really nice school that would look great on his college applications. 
When Robbie insisted he stay at Canelo’s in order to stay in the know about what was happening, in case the Rider needed to come out, she followed him, surprising Canelo himself with her extensive knowledge of cars. Her presence attracted new customers, much to the delight of Canelo. 
But today was a slow day and her target was Robbie. 
“Would you just hand me the wrench already?” Robbie smiles, his hand outstretched as Neva clutches the wrench to her chest, an impish smirk on her face as she shakes her head.
“Come and get it.”
He chuckles, standing with a slight grunt as his muscles stretch. “Oh you wanna play, chica?” Robbie
He lunges towards her, hands outstretched, smile on his face and she squeals, trying to run with the wrench but it’s shape making it awkward. She drops it and slows momentarily, thinking Robbie would stop but then he’s there, covering her mouth as she squeals again, smiling into his gloved hand as he pushes her into the office, locking the door behind him before giving her his own version of teasing, her fingers twisting through his hair, his name a quiet chant on her lips, and Robbie knows there is nowhere he’d rather be. 
—----
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nattikay · 3 months
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I just finished the last season of Sweet Tooth on Netflix, I gotta vent a little, warning that this post probably won't be everyone's cup of tea but I gotta say it somewhere. [there be spoilers for anyone who may care about that]
so I've been pretty invested in this show since the first season; yeah, some of the acting is pretty corny and some of the effects look a tad clunky (hello awkward Bobby puppet), but I still enjoyed the characters well enough and wanted them to succeed and also, hey, I'm a simple woman, show me cute animal-people and I'm hooked.
But....I've gotta admit that I really didn't care for the ending. Within the last three episodes of the show they pivot from "we've gotta find a cure for this virus to save humanity" to "actually on second thought humans are the REAL disease and their extinction is the cure" which........ewwwwwwww, no dude, keep your cringe nihilism to yourself k thx
And yeah, in the end they do stop the virus so the remaining humans can survive for a while longer, but all babies are still born as hybrids meaning "humanity" is going to die off within the next 80 years or so anyways.
and they try to dress this up as a great mercy, and they say oh, yeah humans have some good in them but it always comes with Bad, unlike the hybrids who got all the Good in humanity but also they're Better because they're part animal so all the Bad will die off with the humans and hybrids will live in peace forever and I'm sorry but I call bullcrap
Animals are not these great bastions of altruism and morality. Animals rape. Animals steal. Animals kill. Animals cannibalize. Animals eat prey alive.
Even the "oh but humans are greedy and want to take everything and upset the balance of nature" spiel. Buddy, contrary to what some environmentalist stories want to tell you, animals do not actually have a concept of "the balance of nature". That's why invasive species are such a big problem. Introduce an invasive predator into a region and several native prey species go extinct. Those predators don't have a concept of "conserving resources", they'll just keep hunting as long as they're hungry.
And it's not a problem unique to predators either. Remember when wolves were hunted to extinction is parts of the US and then the deer populations exploded and ate all the grass and the whole ecosystem kinda fell apart until wolves were re-introduced to the region? The deer didn't give a crap that they were eating all the grass. They weren't even consciously aware of it. They're not capable of conceptualizing abstract ideas like that.
Natural ecosystems have a balance to them because they're intricately designed systems, not because the animals that live in them are actively making Morally Right Choices to preserve them.
One major thing that separates humans from animals is that we have the capacity for morality. We have the ability to comprehend abstract concepts like freedom and conservation and honor and sacrifice etc., and with it the ability to make moral choices. We are capable of great good, and great evil. You cannot have the capacity for one without having the capacity for the other, because good and evil rest on your choices. Even if you go through your whole life doing only "nice" things, if you did those things because you had no other option, no say in the matter, are you really "good"? Good people choose to be so. I love animals and they're super cool and all, and yes some of them are very smart, but they are not really capable of making that choice (no, I don't care how much of an "angel" your dog is). They are amoral, neither morally good nor bad.
And the hybrids? It's clearly shown that they have the same capacity for choice as humans....which in turn means that yes, whether the narrative wants to admit it or not, the hybrids still have the capacity for evil just like the humans did. Giving them some animal ears or special powers doesn't change that.
Not to mention that all but one of the hybrids we've met are children. They haven't even hit puberty yet!! Of course a bunch of innocent kids are gonna look like sweet little angels compared to hardened desperate adults trying to survive an apocalypse holy flip! And just because Gus happens to be a particularly good person who strives to see the best in others does not mean that all other hybrids for the rest of time are gonna be the same! He's not good because he's part deer, he's good because he's Gus! Because he believes in good things and acts on it!
The one adult hybrid we briefly meet isn't a sweet little kid who sees the best in others, he's a grouchy old man who wants human genocide. And while I can totally understand why he as a character feels that way....that's not good dude!!!! That's not any better than the humans who want to kill the hybrids!
You didn't "remove worst of humanity and preserve the best of it" by replacing humans with hybrids. You just gave them a makeover.
Human/animal hybrids as a character concept are totally up my ally, I think they're very cool, but pretending that being part animal makes them inherently morally better than regular humans is just ridiculous imo.
tl;dr I just really hate the nihilistic "humans are uniquely evil, deserve to go extinct as a Punishment, and literally any other sapient species would be better" trope and I'm very disappointed that this show pivoted to that at the last minute.
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universitysunflowers · 5 months
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Ok I've had some time to process heres my detailed thoughts (TBB spoilers)
First I want to get my biggest issue with the finale out of the way - Tech and CX-2. I have been delusional about him but not to the point that I wouldn't accept his death or other clones as CX-2, and I was staying open. But then they went and did exactly what I hoped they wouldn't: they gave us no confirmation of his identity at all and left him thumbtacked to a wall with no face reveal. Not only is this exactly what they did in Ahsoka, but I also feel like it left a huge gap in the finale storyline. They put so much emphasis on him throughout season 3, including the last episode, and we got nothing out of it. I also felt like this made Tech's death kind of meaningless?? Which I absolutely hate saying because of what he sacrificed in season 2, but why kill him when the rest of the batch gets to live happily on Pabu and grow old with Omega? Maybe the writers had a good reason and I just didn't pick up on it?
I also felt like we were gaslit into thinking it was Tech, only for the ending to imply he's been gone the whole time. Domicile? Phee? CX-2's fight with Crosshair and the waterfall? the way he got the most screen time out of a group that was so clearly meant to be an imperial reflection of the original squad? Idk guys I feel like we got cheated there.
I also wish we got some idea of what happened to Wolffe and Cody, but maybe that is an opening for another show? perhaps?
Ok now that that is out of the way I can talk about how much I absolutely loved the rest of the finale.
Emerie's character development was amazing I've been routing for her since the season 2 finale and you know those Jango Fett genes are coming in strong she will take such good care of those kids for as long as they need. I also think it would be cool to see her again in future productions, her character definitely has potential.
Echo survived!! All the parallels between him and CW season 6 Fives had me terrified that he was about to die but that arc trooper experience paid off. His reaction to Omega freeing the zillo is by far one of my favorite parts of the episode he was so proud of her and I was glad to see him work so well with Emerie. I am also fully ready to enjoy Echo and Rex leading a clone rebellion whenever they deem us deserving of it (looking at you Filoni). I know we don't have proof of anything but there are still to many unanswered questions surrounding the clones, I hope they finish those storylines.
The last Domino is still standing, they would be so proud of him (and his dad jokes).
Hemlock finally got what he deserved and oh I was so happy that Hunter was the one who did it, especially after all the batch went through because of him. And what came after that? Even better. We finally got a Crosshair and Omega hug (plus Hunter) and they all made it off Tantiss alive I mean what more could we ask for?
I have so many feelings on the ending and the epilogue and I'm not really sure how to put them into words but my first instinct when I finished the episode was to spend 40 minutes c r y i n g
they got a happy ending? they have peace and happiness on Pabu and got to see Omega grow up? Omega is going to fly with the rebellion and fight back against the empire?
and Tech will be with her the whole time???
I am unwell. This has left me emotionally unstable. Not only is that the best ending I could have hoped for given the past seasons but it is also such an amazing last look at their family. No matter how you think of them you have to admit Hunter was right, she is their kid and that will never change. That line alone will be living in my head rent free from here on out. Her last talk with Hunter was so well done and is one of the best moments in the whole show, but honestly Tech's goggles on her ship's dash is what broke me; he would be so proud of her I need at least 3-5 business days to process this.
Yes I have my issues with the unfinished storylines but wow that finale was something I don't think I will ever recover from. It may be one of the best endings we have ever seen in star wars. Like I said, I have a lot feelings and if I tried to put them all in a post it would have to be a multi-volume novel.
If you made it this far thank you! Feel free to add your own thoughts I like hearing what other people have to say. I'm just going to go burrow straight into the ground now and pretend I don't have finals next week because honestly who can be productive after something like that?
Oddly enough this is making me want to go back and watch the Clone Wars again, maybe Rebels too? Definitely making me nostalgic.
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destinygoldenstar · 5 months
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Ninjago Dragons Rising Season 2 - Is It Good Or Nah?
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So, I'm late to the party, aren't I?
Well I've had so much work that I think I'm having an existential crisis. So I had to wait till I had a free day to watch this season because I wanted to watch it with my GF.
We got to Episode 6, and then what did my boss do?
Slap me in the face with long work hours several days of the week.
I feel like I'm in a spiral of work after work after work with no purpose to life besides failure cause I can't trust myself to be capable at anything-
ANYWAY. We finished it now.
You know what the insane part about the season is? That it got the show trending on Tumblr.
That's an INSANE level of hype right there.
So I seriously had to ask myself "What the actual f**k happened in the show that caused THIS much hype?!"
So... here are my thoughts on the season.
SPOILER WARNING
Okay, so this may be a factor of my judgement, but due to my schedule, I was forced to watch only 6 Episodes one day, and then the last 4 Episodes today. Keep that in mind.
When it came to the first half of the season, was it good?
Yes. Obviously.
Was it living up to the insane level of hype?
Uh... not really for me??
Now, don't take that as a negative. This season is still REALLY good.
After the first season took awhile to get started as it needed to set up its characters and this new world, it makes sense for this season to throw the punches immediately.
The season gets started with its main plot right away with Ras immediately putting his plan into action, and by Episode 2, it's very clear the threat level he opposes and it's believable that we should be intimidated by what he wants.
Even though in Episode 2's fight, while AMAZINGLY choreographed, I was just screaming at the screen "HIT THE PERSON HOLDING THE GONG."
Like seriously, more than one of the characters in this fight can use projectiles with their powers AND they have a blaster in the Bounty, and the show never says that Ras has some sort of armor defense preventing him from getting blasted. He's literally standing out in the open. And the gong is clearly what's giving Cinder power. So HIT THE PERSON WITH THE GONG.
GOSH.
Anyway, that's not important. What's important is that this season's fight choreo is genuinely AMAZING. I am obsessed with the way the camera moves with the characters in these fights you have no idea. I was genuinely blown away by the last episode's fight in particular. But more on the ending later.
What also shocked me was how BRUTAL some of the stuff that happens here is, which caught me off guard.
I mean, Episode 2 has Euphrasia getting ambushed and crashed off the Cloud Kingdom with clear injuries, and Wyldfyre getting her leg SHATTERED. Like, WHAT?! HOW OFTEN DOES THAT HAPPEN?!! (Even though the latter's healing was unrealistic. Like, it would realistically take months for an injury like that to heal. Not a critique, just saying.)
Ras body slams Jordanna at one point. He puts Arin in a CHOKEHOLD. And also beats him up so brutally... like OMG this guy does not mess around.
The Fear Cave Trial also REALLY got me tripping. Not only was it such a visually appealing moment, but it also, as the same suggests, showed several character psyches that were insane.
Except Kai for some reason. That's gonna drive me NUTS until I get an answer. WHAT DID HE SEE-?!
Then we get to the dragon mentors, and...
Yeah the season kinda loses me in the middle.
Don't get me wrong, I love the character bits here as much as anyone. But with how dyer they made the threat of Ras before, Ras and his forces take a backseat in the middle portion of the season and we're mostly just sitting at these training grounds talking. And for four episodes of it? It's a little grating, even if it is important.
The middle is mostly where most of my issues with the season stand. And here's where I get all my negatives out of the way:
Like I said, because this season is so long, there's an awkward pause in the conflict on the dragons plotline to learn this Rising Dragon Technique. Which I wouldn't mind if it wasn't FOUR EPISODES of it.
With the exception of the attack at the Land of Lost Things ONCE, Ras's army doesn't go after the ninja at all. I can kinda get the dragons group since they didn't have Bonzle, but he has to know that they ARE a threat, right? They're obviously trying to figure out how to stop you.
And even with the group that has Bonzle, what they NEED, the forces that go after that group is the Administration and the one off magician man villain, the former really didn't need to be in this season even if it was for a compelling Jay cameo, and the latter has overstayed his welcome at this point and I just rolled my eyes when he showed up on screen.
I'm all for Cole being a badass as much as the next guy, but WHY this magician man, who at this point, is so disconnected with the main antagonistic forces that he serves no purpose?
Why not, I don't know, use this screen time instead to explain what in the world happened with Cole when he left?
Seriously, the first season had this huge cliffhanger with Cole's character and him going after Wu's ghost. I wonder what's gonna happen to him and what he's gonna find out-
Oh. He's just back.
That to me is a huge disappointment. What was the point of him leaving the Lost Family in the first place if this journey was basically nothing? He doesn't even talk about it! COME ON NOW.
Also I think Zane should get slay pass on the Administration guy that called him equipment. What do y'all think?
I don't like Egot. Or whatever his name was. He's very condescending and cryptic and talks down to his only hope of the world being saved. But I think I'm supposed to dislike him for it, and there's gonna be more of his characterization revealed later, so don't take this one as a critique. The female one is great though.
The sorceress lady was... a choice in the narrative. My one critique for the ending was the potion shenanigans. Not because they were bad, but because they just felt so out of place among everything else. Like, "Oh, this finale is too dark and intense! We need to occasionally cut to wacky shenanigans with this sorceress's magic to prevent kids from feeling too much dread!"
I don't know, for me, I would've placed this stuff with the Administration instead, and instead have the group fight Jordanna, lose, and have her get away and flow that to Arin getting to her. Especially since the Administration posed such little threat to them and they even say such.
(I also have a theory that this sorceress is Wyldfyre's birth mom. I have no evidence to back this up besides "They both have red hair and similar facial structure")
With Cloud Kingdom getting taken over and Euphrasia captured, I thought she would have more of a role to play in this since this is, you know, her HOME and she's their guardian.
But nope. She does next to nothing up until the very end and plays prisoner and waits for the ninja to save her.
For gosh sake girl, you're the master of wind. FLY.
And finally, my last critique, Cinder.
Yeah I'm sorry, I'm not buying this character so far. Not that I don't think he'll have anything to do in the second part, but for how threatening he was in Episode 2, that threat level kinda vanishes in the middle and only comes back at the end. He does next to nothing and we learn nothing about him other than "He likes power". Jordanna is probably more unlikeable, but at least she has conflict going on with Ras and her magic, and she still serves more of a role in the plan besides being a foot soldier.
And... yep. That's all my critiques for this season. Which all seem pretty minor.
You know what this season is real good at? Characters.
As though that wasn't obvious already.
I did NOT expect Bonzle to play any major role at all, I thought she was just gonna be the dry and cynical side character. But no. She has a history. She has a life. She has emotions. All of which REALLY shine through at the end when you hear her voice have more range in it. The VA killed it. I ended up feeling so bad for her.
Especially considering what happens to her.
They're also not even hiding it anymore with Geo x Cole. They're just NOT. I love them and I hope we see more of their relationship in the future.
I genuinely don't understand the critique of "Geo is so selfish referring to him as Cole's family when it's obvious Cole has other people in his life."
Well no shit, you ever heard of a character flaw?
But it's also a completely understandable flaw. You guys aren't forgetting the part where Geo was abandoned for being a mixed race, right? Of course he's gonna cling to someone as compassionate and encouraging as Cole.
The Jay cameo was nice. I expect him to play no role in this season, but it's really compelling what they showed and I was satisfied with it.
Lloyd's conflict was handled very well in my opinion.
What's it called when it's PTSD, but it's about future events rather than past events? Foresight Traumatic Stress Disorder? FTSD? Yeah let's go with that.
For a kids show that glosses over trauma, (That's not a Ninjago problem, that's a kids show problem), it was really refreshing for them to not do that for once. It's actually explored and talked about and Lloyd is given advice on how to cope with it, and he freezes up in panic attacks when these visions happen and-THANK YOU. THANK YOU FOR NOT IGNORING HOW HARD SOMETHING LIKE THIS IS.
Seriously, as someone who is going through stuff like this, minus the magic element, it spoke to me a lot. It really shows that this show grew up with me, and I both love and hate that.
I do think this sort of arc is going to hit hard for adults much more than kids.
Are kids constantly terrified of the future and getting paralyzed with these fears and finding it difficult to cope with the traumas that is time and human life?
No?
Kai is also a standout in this, especially towards the end. This is by far the best Kai has been in a long time in terms of quality. I love how one of his most significant flaws gets addressed here, that being his overreliance on himself and his own abilities over the others, who he feels responsible to protect.
And the way he grasps with that and learns to let loose like he did as a child back in the old days through what he loves the most, that being his family. And the flashbacks with him and his sister. And the whole sequence of him learning Rising Dragon - AUGH ITS SO GOOD.
How poetic is it that the character most devoted to family since childhood is only cocky and angry because of his own desire to be the one with power to keep them safe, gets power by letting that go, being a kid again, and joining the same roots as his own family?
AND THEN HE GIVES UP HIS LIFE FOR THEM-
And finally, Arin.
Oh you poor sweet, sweet child.
First of all, yes, I am completely subscribed to the theory that the show is building up Arin turning on the ninja and becoming a villain. It's all there. It all fits. The amount of times they say how sweet he is as though that's gonna get lost. The dragons, the creators of the world, the gods basically, telling him he's not good enough. Ras confronting him. Sora's stunt even after she's been the most encouraging of him, like the BETRAYAL there. It's all there. And I will be posting my theory scenario on this don't you worry.
BUT, I don't think that's the route they're gonna go. Kids show and all of that. They wouldn't do that to one of their main characters. Unless you're Star Wars. At most I think Arin will be tempted by Ras's master's power in an episode and even do it, but then with the power of love and friendship, it'll get fixed.
So instead I'd rather say that Arin, by far, has the BEST power crisis arc of the entire show so far.
I LOVE that he doesn't get powers. That's something the original show would've done. I LOVE that he doesn't figure anything out in the end and his inner doubts get proven correct. That's something the original show would not have the guts to do.
I liked Arin in the first season, but he didn't interest me too much. Mostly because Sora had the lion share of focus in the first season. Here though? He might just take the crown for THE most relatable character. And I both love and hate it so much.
Like, seeing everyone else succeed in mastery while you can't even figure out your own thing. You get told you have a natural talent and a lot of potential and that you're good at a lot of things, only for that to be put to the test in the real world and you end up letting everyone down. Even when your loved ones encourage you that you are good enough and you're special in your own way, you can't get those voices out of your head and you mess up again and again and again to try and meet the world's expectations. Then those in charge tell you you're not good enough and wasted potential. Then you try everything out in the real world anyway and you FAIL, and those that doubt you and your own insecurities get proven correct as you're left a broken mess of a young child who doesn't know what the hell they're doing-
I'M IN THIS SHOW AND I DON'T LIKE IT.
I probably love Sora more as a character, but I will admit I grasp towards Arin more right now. Sora's a great trans allegory in a world that hates trans people. But I'm not trans so I relate to it a bit less. Arin's a great autistic allegory in a world that doesn't know how to help autistic people. And I am autistic so I relate to it more. That's just a me situation.
I am so invested in where Arin's story goes from here. Evil or not.
So yeah, the season was good, but didn't completely live up to the insane hype, which, to be fair, is a high bar.
UNTIL THE LAST FOUR EPISODES.
And then all of a sudden, I AM SHOCKED AND SHAKEN TO MY CORE.
These last four episodes are an absolute emotional roller coaster that left me shaking and screaming the whole time.
I actually SCREAMED at multiple occasions.
I actually screamed so many times watching this that I am now HOARSE.
THAT'S how hard it hit me.
The story goes from 0 to 100 the moment the Blood Moon shows up. Which was what the whole season was building up to. And it did NOT disappoint.
The race to try and protect Bonzle. The intense visions and paralysis Lloyd suffers from. Ras and the army coming back to the plot to be absolute powerhouses. The last episode of DREAD the entire time to desperately try to stop this ritual.
HUMAN SACRIFICES?! AM I WATCHING A KIDS SHOW RIGHT NOW?!?!
I was begging for Arin to succeed at getting Bonzle to safety, even though I knew he stood no chance against Ras. "Come on Arin! You got this!! YOU GOT THIS, SWEETIE!!"
And then Ras just goes to TOWN on the poor boy and taunts his utter failure, which HURTS SO BAD MAN.
The entire fight with the army, Cinder, and Ras. The destruction of the mechs which knocks them unconscious for a bit. Kai figuring out Rising Dragon again when his family gets put in danger. The way Nya avenges her brother afterwards.
When Bonzle was getting morphed back into spell form, BEGGING, I was begging too.
But they still do it!
And KAI?!?!
I couldn't even process what happened other than me screaming. From the moment Ras alluded to sacrificing Kai against his consent, I was screaming "NO. DON'T DO IT."
AND THEN THEY SACRIFICE HIM.
LIKE HOLY GOSH THIS FINALE DID NOT MESS AROUND.
I predicted a while back, in the first season actually, that Kai was gonna get sacrificed at some point. Who's laughing now? I DID NOT WANT TO BE RIGHT.
Like, usually in Ninjago the character would be willing to sacrifice themselves for the others. But here? This is without Kai's consent at all. Ras might as well have killed him right here.
It definitely felt that way with the way the others react and BEG for his safety. The way Nya avenges him.
And Kai giving up his shot at escape for the sake of his family? BRO. WHYYYYYYYYYYYYYYYY
It hurts even more when you realize that when the Merge happened, Lloyd was ALONE thinking only he survived. He only gained hope again because of his reunion with Kai. His beloved surrogate brother!
AND NOW HE'S GONE.
NYA AND LLOYD LOST THEIR BROTHER.
WYLDFYRE LOST HER SURROGATE FATHER.
THEY THINK HE'S BASICALLY DEAD.
BRO. THAT'S SOUL CRUSHING.
And then Sora?! Why you gotta betray Arin like that?!
The most encouraging friend towards Arin, the person who held onto hope and praises for him the most, betrays that hope and doesn't trust him enough to get the winning blow himself. Then LIES about it.
GIRL. WHAT ARE YOU DOING?!
That's going to be SO compelling once that gets outed. Like, morally, that was messed up and she was definitely in the wrong, BUT it led to the best possible outcome for them at the moment. They WON because she did NOT believe in Arin's abilities. Which only proves that the doubts about Arin's said abilities are correct.
And I have a gut feeling she's gonna learn Spinjitsu on top of that. And once that happens... double ouch.
Again, Evil Arin Theory.
I really hate to say it, but this reminds way too much of Arcane. If you know what I'm talking about.
I am totally imagining a situation similar to that in my head, that being a rescue mission for Kai, they decide to leave Arin out of it because of the lack of faith in him, he tags along anyway and he ruins their plan and Kai stays trapped there, Lloyd and Sora lash out on him for it, and before they can apologize they get thrusted back by something and Ras and Ras's master find Arin and take him in-
Again, I'll make a post about that.
The finale was by far the best part of this season. It has been a long time since Ninjago has made me HOARSE from being too invested.
That has not happened to me since Sons of Garmadon.
Because, yeah, I actually have NO IDEA where any of this is headed. How are they gonna save Kai and Bonzle? Why did some of Lloyd's visions not come true? What in the world is going on with Ras? Will the Administration help with that? Will the source dragons help with that?
What I probably do know is that Part 2 of this season is going to turn this into the best Ninjago Product since Tournament of Elements. Maybe even top it depending on my rewatches if my problems are still problems.
So... yeah. Good or Nah? Good. Obviously.
The hype is a little overblown to me, but it still deserves the hype.
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ravi-is-my-beloved · 2 months
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That is honestly the most frustrating thing to me is the vast majority of the pro-Tommy arguments are just literally not canon. It’s all headcanon or assumptions/interpretations made with very little evidence.
Yes, it's not actually canon! Not him making a complaint against Gerrard, not him apologizing.
I've already spoken why Tommy making a complaint against Gerrard is not canon, so I won't rehash that. But if you're not aware, I spoke about it here.
Now onto Tommy apologizing to Hen and Chim, something they just loveee to spout when saying that Tommy changed. Which is just... not what he did in canon.
In canon, he has not apologized to Hen and Chim and we've seen him not apologize in both of their begins episodes.
In Hen Begins, he just tells her "Oh we would've eventually caught it when doing a sweep, however it would've been too late. You're good." (Of course, I'm paraphrasing, but some of this is relatively what he actually said in the episode.) And that's literally all he says to Hen before she talks to Chim, who directs her to the captain's office (she thinks she's in trouble because she doesn't know Gerrard isn't the captain anymore).
This is not an apology, whatsoever. It's not even close to an apology. He never says the words "I'm sorry" or "I feel bad for my past actions." So no, Tommy fans can't say he apologized to Hen in canon.
Now onto Chimney Begins, Chim saves Tommy and then there's like two scenes before we get like a time skip to Tommy coming back to work. Chimney's digging around in his locker, possibly having just finished getting his uniform on, and Tommy comes in to be "Oh I like monster trucks, beer, etc." And then he literally says (this is NOT paraphrasing), "You saved my life, thank you." And he shakes Chimney's hand and that's how the scene ends.
Again, not an apology. Still never says the words "I'm sorry."
Which hilariously, the guy whose YouTube video I was watching (because again, I rewatched both begins episodes so that I could factually debunk the so-called canon "change" Tommy fans say happened) had pointed out the fact that Tommy never said sorry in that scene. He was doing a reaction video to the episode, because that was like the only video I could find where the entire episode was there for me to watch. But I digress.
Time for the stuff that can be interpreted either way.
Now there's the fact that they like to use the fact that in Bobby Begins (Again?? I still don't know which begins episode has the bar scene), Hen and Chim are seen being buddy-buddy with Tommy while they're all out to the bar and then they later give Tommy a cake (in I think Buck Begins or it was still Bobby Begins? Look, I only watched Hen & Chim's Begins episodes because I wanted to know the exact words he said to them) as way to say that Hen and Chim have forgiven Tommy.
And yeah, you could interpret both of those scenes as them forgiving Tommy. However, it could also be interpreted as them just being professional in both of those scenes.
Because drinks with coworkers are usually still professional, even if you're at a bar. This is pre-Buck & Eddie, pre-118 being a found-family dynamic. Tommy himself has said the 118 wasn't a family when he was there, so yeah drinks with his coworkers would've been professional still.
And just to add this, someone recently pointed out that them all going out for drinks was to welcome Bobby as the captain. It wasn't even like they had invited Tommy out to drinks because they like him, it was just because everyone from the 118 was invited so they could all see Bobby outside of work and get to know him.
Anyways, onto the cake they got Tommy when he left the 118. This can also be seen in a professional light, because getting cake and doing a nice little send-off party for someone is the polite thing to do. It doesn't necessarily mean they like that person, it's just so that person feels good when leaving.
So, yeah, anon. The majority of what Tommy fans use as factual evidence is not concrete evidence like they're claiming it is, you're right. And yeah, it's frustrating.
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ygodmyy20 · 9 months
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Opps this post got forgotten! But if I don't post it today when will I!?
Okay so, I've been thinking for awhile on the question: why do I like terumob and why did it take over my brain? What is it about it...what caught my interest. As someone who was very NOT into ships when i first got into mp100, why did I crashland into this one?
This post has been in progress for like....weeks now? Nearly a month? 3 months? Yea.
Okay so. Here we go. THOUGHTS! On terumob and why the fuck I like it. Below the cut.
Like I mentioned, when I first finished Mob Psycho 100 in June of this year I wasn't into any ship. I was actually REALLY NOT into ships. I really liked gen. I wanted to explore the characters and I loved the complex relationships between everyone but I didn't want it to be overshadowed by romance. I purposely steered clear of any and all ship art.
But then I started to see some TeruMob fanart and I was like "Aw man, they are so cute and squishy." And I started to like them....just a lil bit. ONLY A LITTLE BIT.
BUT then I read more Teru-centric fics, read Teru analysis' and then I was like. Oh shit, Teru is 100% so into Mob it's like....this kid has it bad. He has a major crush. And even on the rewatch I am like WOW yep, confirmed in my brain, Teru has it bad. The subtext of his pinning is JUST so there for me. I didn't even have to look hard for it. I suddenly was very in on the Teru-one-sidded part of the ship.
But here's the thing, I'm not a big fan of ships like that... feels too unrequited. Hard for me to really like it. I need to have some level of something from both sides. Just how I am.
So that still leaves the question.
When and how does Shiego liking Teru work? Is there any subtext for that or am I just making it all up because I want the ship to work for me?
(which also is fine ya'll, no judgement if you ship two characters that barely interact, thats the fun of fandom stuff!)
I mean, all things considered, Shigeo likes Tsubomi. Scratch that, he REALLY likes Tsubomi. Shiego loves very strongly, like all his emotions. And he definitely likes Teru, they are good friends, so I kept thinking: where and how does that cross into a crush to me, for these characters?
Teru cares a lot, he adores Shigeo—Shigeo is kind, he is powerful, he is everything Teru wants to be. But are there places where I see this same level of intensity from Shigeo?
Annnnnnnnd then I got to their fight in season 3.
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Everything Shiego did to Teru was so pointed. So raw and angry. Like I said, I think Shigeo feels his feelings very strongly and, I don't know, just the fact that he PERSUED Teru to humiliate him EXACTLY in the same way again, tells me that their first meeting had an intense impact on him. We don't see a lot of his feelings on his meeting with Teru, besides the brief ??? in that episode. After meeting Teru, it's just...life goes on as normal for them. But deep down I don't think Shigeo ever really tackled his complex feelings about Teru and their first meeting.
So it all comes out, its all be stewing for AGES, and what comes out is mean. It's aggressive. It's almost sarcastic? It's what happens when we let things chew us up inside and comes out all twisted.
Teru evoked such a strong reaction from Shigeo, even if Shigeo didn't admit it or express it, that I can't help but think, after things have settled, after he has spent more time adjusting to his whole self...after they both take time to really examine themselves and grow....
....that Shigeo wouldn't develop stronger feelings for this boy who also turned his world upside down. Who made him feel such strong emotions, who changed his world too.
Teru was forever changed by meeting another esper his age.
I think Shiego was too.
And I think where I started to love them was after the finale, after Teru's acceptance of Shiego for who he was.
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I don't want to pigeonhole any of the espers into only being able to date other espers. But I also....yes, Shiego is a normal kid, but he is also Shiego.
Teru is a person who understands the strength it takes to keep that power, who has seen Shiego at all sides. His best and his worst.
But gosh this scene....
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OUGHGGH
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JUST THROW ME IN A RIVER WHY DON"T YOU
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Yeah this whole scene just.....just yea. OUGH.
But yeah I just feel like Teru's crush would only grow after that. He would see Shigeo as a person over an all powerful esper.
While I like to think Shigeo's would develop over time and them smack into him like a runaway freight train. Because Shigeo FEELS so strongly, for all his emotions. He feels sadness strongly, he feels love strongly, he feels anger strongly—he just feels everything SO strongly. That is why he is powerful, that is why he is who he is, that is why ??? became what it is.
Anyway. My thoughts have ended and that's all i got. Thanks for coming to my ted talk of rambling mess that has been in progress for months that I realized whelp with the anniversary of the end of S3 nearly here, mind as well post it.
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themultifandomgal · 10 months
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Arthur Shelby- Call The Midwife
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I was requested to do a request based on call the midwife. I couldn't choose just one character and one story line from call the midwife so I've done one for each. They will all be out over the next few weeks.
Inspired by season 2 episode 4
Falling pregnant was something Arthur and I were very excited about. A year after we married we knew that we wanted a baby. So here I am  now nearly 9 months pregnant. Groaning I sit down on our shared bed after going to the bathroom for what feels like the hundredth time tonight. Arthur puts his arms around me and rubs my large stomach
"How's my boy doing in there?"
"Making me need a piss every 5 minutes" I chuckle "Arthur?"
"Hmm"
"Esme said we should speak to the midwife about the baby not moving much. Said her lot she could feel kicking. I haven't felt him kick once"
"I'm sure he's alright in there, but we can speak to the midwife tomorrow if you'd like"
"Thank you Arthur"
"Anythin for you dear" Arthur helps me to lay down properly in bed, placing the bed sheets over me and I quickly fall asleep.
Sometime during the night I wake up to awful pains in my stomach. Waking Arthur up I tell him to go and call the midwife.
What feeling like hours pass and I'm pacing the bedroom huffing and puffing
"There here" Arthur finally says and in walks the midwife I've been seeing since falling pregnant
"Sister, thank god your here" I breath out just as another pain hits me
"How are you doing?"
"I feel terrible, look at me"
"Well it's not a beauty contest. Now let's take a look at you" the midwife says helping me on to the bed. She lifts my legs up and takes a look at me "well it looks like we're going to be waiting for a little bit. Your not quite ready yet"
"Oh god I want this over" I shout
"And it will be soon and you'll have a perfect little baby in your arms"
"Your the father I'm guessing"
"Yes sister"
"We'll time for you to leave. Go heat up some water. This is woman's business" with that Arthur leaves the room looking panicked.
Hours later the Sister checks me again and tells me that I'm ready to push
"Now on the next pain I want you to give me a really big push. Ok?"
"I don't think I can. It hurts so bad"
"I know it does but just keep thinking about this little one being in your arm. Ok right" as the pains hit I push with all my might "ok I want you to wait a minute and when the next contraction hits I want you to push really hard" I pause, panting out of breath. Another contraction hits and I start pushing again "keep going almost there"
"I can't"
"Yes you can. Baby is nearly here" finally I feel the baby leave my body, but there's no crying at first
"My baby, is he ok?"
"Come on little one" I here the midwife say and tears start to form, but once a cry is hear I breathe a sigh of relief "I'm just going to clean him"
"Is it a boy?" I ask
"Girl"
"A girl" i mutter smiling. There's a knock on the door and in walks Arthur "it's a girl Arthur"
"Mr Shelby we haven't quite finished in here. YN hasn't delivered the after birth yet"
"He can stay I don't mind"
"Erm well in that case. Mr and Mrs Shelby I need to speak to you both"
"What's wrong?" Arthur asks frowning
"Baby's had some complications"
"What's that supposed to mean. What's wrong with my daughter?" Arthur demands
"She's got a problem with her back"
"What kind of problem?" I ask worried
"Let me call for a doctor who can explain it to you"
"Spina bifida?" I repeat making sure I've heard the doctor correctly
"Yes"
"But most children with this condition don't make it past their 3rd birthday"
"Only if their condition is accompanied with other things. I want to take the baby to the London general"
"My wife and I haven't even held her yet"
"Arthur it's ok" I say placing my hand on his arm
"Your both welcome to visit whenever you'd like and once we're happy with babies progress then you will be able to bring her home"
"Thank you doctor. Sister" with that I watch them take mine and Arthur's daughter away. I can tell Arthur is feeling many mixed emotions, anger, hurt, upset, confusion. I lean my head on his shoulder
"What if she...." Arthur finally says, his voice cracking trying not to cry
"We have to have faith Arthur"
"Faith. We should name her faith"
"I love that name"
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numericalbridge · 5 months
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So, I've just finished the first season of the Owl House, and i don't understand why people like Eda and call her King's mom when she is so mean?!
In the first episode alone she pokes Hooty in the eye, and says Luz is more valuable to her alive (than dead) even though Luz is clearly scared. And she tells Luz she will only allow Luz to return home if this 14 years old helps her first. Luz clearly doesn't understand the world and its dangers, yet Eda brings her and an 8 years old Kind to a prison without even explaining the tyrannical regime and the existence of the capital punishment. Idk, the vibes are really fishy there? She doesn't even want to free the prisoners in the Conformatorium and flippantly jokes about the Warden tormenting 'some tiny creature'! The impression is that she is at best a rather uncaring and apathetic person. And, as we know, there is no such thing as character development and characters always stay the same as their first appearences, so Eda doesn't value community and hates children forever.
And people say she is a great teacher, but she doesn't even want to teach Luz in the first episode. She didn't even try to think whether Luz would be able to learn magic before making a promise to teach her. And then in episode 2 she cruelly mocks a 14 years old for believing herself to be a chosen one - even King, who is a child, lately admits it was cruel - and she never learns from her mistake because in episode 6 she claims she would never trust Luz again if Luz messes up, causing Luz anxiety to the point not only Luz but also Willow and Gus believe Eda would hurt them at the end of the episode! Yes, she says she only wants them to clean her house but why did she need to pretend to seriously threaten them?
And she never truly apologizes or [verbally flagelates herself] explains how and why she changed her mind, so I am not saying you must hate her, but we can appreciate the person she becomes later, while [only focusing on imaginary bad things about her] acknowledging all the shitty things she's done! Such as: She constantly physically and emotionally (through neglect) abuses Hooty in front of children, endorses child labor, uses wages against an elementary schooler and brags about humiliating King in episode 3, cruelly mocks Gus, Willow and the Blight kids. She even said she would let the twins die by Sleetherbeast to save herself! And kinda suspicious how she knew Odalia and Alador and so must know that they are bad parents yet doesn't try to help the Blight kids. Seems like she had been complacent in their abuse for years, don't you think?
And i am not saying that i am completely against mama Eda either, but to enjoy anything involving her and King everyone must first admit that she has been emotionally negletful and physically abusive towards King. Because King doesn't even know he is a child - that's super fucked up, right? And he doesn't have any friends and thinks demons are underappreciated - and obviously it's because Eda made him feel that way, and he acts older than his age, probably because he had to act as her personal therapist. And, yes, Eda is physically abusive too, since in the episode 4 she says she would break every bone in King's body for stealing the elixir, and that can't be an unfortunate writing choice, because we must look at the scenes in isolation and chose the worst possible interpretation of the character, and if you don't see it that way that means you can't deal with admiting your fave has flaws! Also she literally ate someone in episode 2.
But don't worry, you are alowed to like Eda as long as you are agreeing with all the bad faith interpretations of her and want her to self-flagelate and every character to hate her and talk down to her. And she must experience over the top guilt that no other character has to experience, including begging for King's forgiveness on her knees. Oh, and don't forget that you absolutely must crawl into the notes for any silly fanart of her with King to whine how she 'needed to be nicer sooner' and put your Eda bashing fics in her tag while laughing how 'mama Eda stans' must hate you now! Anyway, i am going to go make a fanwork about older King realizing what a shitty parent Eda had been and he isn't sure whether he would be able to forgive her, but it's ok, she is allowed to become a one-dimensional comfort provider as long as it brings the notes in.
[i know people in the fandom looove to be obtuse so i will spell it out: this is a parody of the way toh fandom talks about Darius (and pre-season 3 Camila too, but i based it on Darius because i look into his character tags more often). I will make a serious post, but later since i don't actually want to post too much negativity about Eda.]
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