tfw you got brave and flirted with the producer while you were in the recording booth but now you have to come out of the recording booth and look him in the eye and theres also 15 people and a camera
348 notes
·
View notes
its been hours and i still cant breathe thinking about ino having nanami's dull blade, especially now that it's a cursed tool embedded with his ct.
i predicted last week that we were gonna get a nanami mention at least this chapter, regarding what ino wanted to talk to gojo, shoko and ijichi about, but I couldn't have seen this coming.
i immediately thought of what happened with mai and maki when i read that nanami's ct was transferred to a weapon and given to someone else. the implications of this parallel have me literally clawing at the bars of my enclosure.
no matter how u see it, it's actually wild that ino gets to wield the last piece of nanami, mostly bc i bet no one thought ino was that important to him (or in general) but also bc it's actually so deserved if u think about it.
im still so scared that ino is not making it out of this fight but now ik for sure that either as motivation to keep going next week or moments before his death, ino will be thinking of nanami.
91 notes
·
View notes
i do love the chuck won theory i do but the thing is. im not the biggest fan of how they did it on the show. like i get why it is like that it's just not my preference is all.
going back to my point about keeping god off the screen, I think I would've preferred if they were "fighting" god like that. in the sense that they're aware, to some extent, that this is all out of their control. it's like in good omens but the evil version of it. the plan is ineffable, so what can we even do about it? do we even have free will? are we responsible for the evil in our lives or is someone else? did you kill your son? did your son kill your mother?? or did this Nebulous All Knowing Entity make him do it? does it make a difference, when this grief is choking your throat?? when the guilt is in your veins? when the pain you've caused, you're feeling, is all so tangible?? you can't fight god and you can't beat god and you can't be sure that you are ever on your own. there is no hope, and there is no reward, and you aren't quite sure about the witness. can you choose kindness anyway? like this? when the world is ending and your feet are close to the edge of it?? does it matter?? DOES IT MATTER?? DOES IT MATTER??????
27 notes
·
View notes
Saw a post a while ago that mentioned a debate among Star Wars fans and Star Trek fans about the typical who-would-win between a Borg Cube and the Death Star.
I'll leave them to that debate because who-would-win is highly dependent on the plot anyway and that kind of debate only leads to arguments (plus I find it incredibly boring, I'd much rather debate things like the similarities and disparities between human cultures in the two universes, one with and one without Earth, that would be interesting). But what did catch my eye was a mini-debate later on with people discussing whether or not said Cube would detect the Death Star approaching, the argument being that the modes of travel in the two different universes (namely warp and hyperspace) are so different that the Cube wouldn't be able to detect the Death Star until it reverted to real space.
Which reminded me how much I love that the two travel systems are so similar and yet so different.
I won't be able to get too technical, I'm sure some fans know the exact ins and outs of both kinds of space traversal, but the fundamental difference is how the ships attain FTL, or Faster Than Light. Because otherwise space travel takes FOREVER.
In Star Trek they use impulse engines to putter about for more precision maneuvering but use warp engines to achieve FTL, the warp engines 'warping' space by making a subspace bubble around the ship and therefore insulating it from the extreme pressures of breaking normal physics. As you do.
In Star Wars they use sublight engines for the usual puttering and maneuvering but instead they rely on the hyperdrive to achieve FTL which punts the ship into hyperspace, basically a parallel dimension where ships can achieve FTL without undue stress to the ship itself.
In both cases ships can be pulled out of their warp bubbles or their hyperspace streams due to factors in normal space. In Star Wars, for example, there exist Interdictor class ships which produce massive gravity wells, similar to those of moons or any other significant cosmic body which forces ships to drop out of hyperspace in order to avoid crashing into said body. (This also makes jumping into hyperspace too close to a planetary body incredibly risky. Not impossible, mind, but there is a reason planetary governments have a minimum distance allocated for incoming and outgoing ships.) Star Wars also makes a big deal out of Hyperspace Lanes (there was an entire war fought over them at one point) which are routes that have been confirmed to be empty of any cosmic phenomena discounting the occasional asteroid that wanders in. They're used as major shipping lanes and commercial passenger transports as a result. You can, of course, elect not to use the routes but you run the risk of encountering surprises even with a navicomputer.
In Star Trek the same rules seem to apply with various cosmic phenomena able to disrupt the warp drive and pull the ship out of warp, whether it be extreme gravimetric distortions that require precision piloting to avoid or nebula too thick for the engines to filter or, really, the list goes on. Could be anything from a nebula to the glowing green hand of a supposed Greek god stopping you from going to warp.
But regardless of the actual metrics of the two kinds of space travel, I find the idea that neither ship would be expecting the other to just appear incredibly amusing.
Neither universe would have any experience with a ship that travels in a space bubble or a ship that just casually drops in from another dimension and really why focus on inter-fandom discourse when you can focus on the incidental comedy?
9 notes
·
View notes
@honeyedwhiskey found a whooooole new level of Dean Brainrot wanna talk abt it
the primordial/ultra-powerful being that Dean parallels best isnt Michael OR Lucifer OR Chuck OR Amara
its Eve.
9 notes
·
View notes
I don't know who needs to hear this, but please write that fic. Apply to that job. Move to that city. Go to that school. Invest in things that actually make you happy. Show yourself some compassion. Give yourself more grace. Be kinder to yourself. Allow yourself to make mistakes. Sometimes our paths are not linear. Things happen and sometimes don't go according to how we planned or envisioned them to. Life is not only not promised, but it's too short to live with what-ifs and regrets. Do not let fear and other people's projections derail you because the only one who suffers when you do that is you. The only one who will shoulder the burdens of those regrets and fears is you. You are one of one, and you only truly lose when you don't try, and as long as you give it your best, you'll never fail 💙💙💙
8 notes
·
View notes
Eunyung and stealing
HJ | Parallels | Details
Eunyung had never stolen anything before the first time he was accused of it, after running away the first time. He didn't steal those headphones, yet still got beaten up for it.
His dad didn't even let him explain himself before starting to hit him. Only afterwards did EY get the chance to say he didn't do it so his dad could hear, who ofc didn't care enough to believe him. Instead of trusting him or at least listening to him, he asked EY to apologize for sth he didn’t do and just get the whole thing over with.
^^ Here, EY was caught off guard by his dad's "gentleness" (<- not hitting him) when he leaned down and whispered to him (hence the small blush above). To me, it seems like he had a sliver of hope that his dad would be nice to him for once. But the gentleness vanished quickly as his dad then proceeded shaming and guilt-tripping him into apologizing (hence the blush below).
That tactic didn't work bc EY knows how unfair the thing he's being asked to do is. He knows he's innocent bc he really didn't steal anything. When he refused and insisted he really didn't do it, his dad pulled the "I'm so disappointed in you. You never change"-card.
Now, that tactic worked. In the end he just gave in and apologized as told in order to avoid more conflict and finally get out of that uncomfortable situation -> Something like resignation
(^^ This also ties into why EY was so upset with HJ's words during Thanksgiving's arc -> he hates the idea that he can't change and will stay like this forever. That's also a reason why he apologized despite being innocent -> EY wanted to prove his dad wrong: He can change. He can be something other than a disappointment not worth anyone's time.)
The guy who actually did it got away with it and EY got made fun of for being stupid enough to take the blame. He sought out the guy to take revenge bc he knew there'd be no other type of justice for someone like him.
His dad’s actions that day (wrongly accusing and forcing EY to take the blame) is what pushed him to try stealing -> If he was going to suffer the consequences anyway, he should at least benefit from it somehow by actually stealing sth and profit from whatever he stole. That way the accusation would at least be valid.
That day, EY learned to seek justice by himself because no one else would; and he learned to steal. He started stealing in his first year of middle school, one month after running away from home for the first time. All because of his dad. EY never had a father, he had the opposite of a role model -> he knew what he did not want to be.
20 notes
·
View notes