doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus
watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫
(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)
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Hey so if you guys here any pained animalistic sobs and/or wails don’t mind that it’s only me thinking about the house of hades family portraits
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[Pt 1] [Pt 2] [Pt 3] [Pt 4] [Pt 5] [Pt 6] [PART 7] [Don’t Let it Reach the Heart]
Nobody Anymore
Nobody Anymore
[This comic is part of my dbhc au, following the chaos and panic that ensues after Doc and Xisuma try to get Etho back online at the start of s9 after a very rough s8 finale that leaves him a little. broken. It's set to the vibes of Joywave's Destruction. This part concludes this comic, but this moment doesn't end here: Don't Let it Reach the Heart will be the title of the fic that will follow the end of Destruction!]
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I saw ur Tp fanart and it made me wonder
Idk man teenage Colin gettin a big hug from his big bro Adult Tp link
can i tell you about the hard reset my brain did when i first read your ask some time ago and how the exact same thing happened when i read it again to respond to it (i mean this positively i love these two so very much you don’t understand).
So here it is. I’m normal and didn’t spend an hour on this yeah
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I'm having such a hard time getting kabru to look the way I want him to in my style... I'm not proud of these but I can feel myself getting closer. Idk have this.
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I love libraries.
I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.
Then it hits me. And I check the publishing date.
This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.
Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.
Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.
Excuse me while I go weep.
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