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thankskenpenders · 5 months ago

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Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

#tkp post #other media

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gallusrostromegalus · 9 months ago

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Hi! I enjoy your stories very much. As a shy person myself wanting to push myself out of a shell I am curious if you've always been naturally good at meeting people, or do you get social anxiety too? Sorry if this is a super random/personal question. I appreciate you!

I used to get REALLY bad social anxiety but then I accidentally threw myself off the deep end on the first night of college when I heard people assembling furniture out in the hall and thought "If I do not get up right this second and go hang out with those people I'm going to lie here crying about how much I miss my family all night and they wouldn't want that."

So I went out in the hall and said "Hi! I'm [Gallus], and I thought I should meet people instead of being a miserable wreck in my room!"

And then we spent the rest of the night assembling dorm furniture, talking about weeb shit and generally having a good time! and every single time I've gone and introduced myself to someone since then, I've either made MORE friends and had a good time, or had, at worst, a perfectly neutral time. So that positive re-enforcement really helped.

Anyway, the three Guidlines to Meeting People:

Meet people at places they expect to meet people. People do not want to make friends when they are busy with something else- see how much we hate it when people come to the door when we were working or cleaning. But when they're at somewhere they expect to socialize like a Hobby Meeting, a convention, The Club? they're THRILLED to make friends and tbh probably glad you broke the ice. Go to places where people who share interests with you are meeting. They'll probably adopt you.

2. The Worst Thing that will happen is that you will lightly confuse someone. No for real. Nobody is going to scream at you and you're not going to terrorize someone by saying hi. It's fine.

3. Sample conversation script for those of us who have brains that make us act like we're in a movie:

*Be At Place to Meet People* *See someone who looks interesting to talk to, who is not actively doing a physical task or already having a conversation* You: Hello! I love your (Physical aspect of their appearance they chose: Hair color, lobster-themed dress/Dog/Orbital mechanics tattoo)!" Them: Oh, thanks! It (single sentence of explanation: I did it myself/It has pockets/He loves people/I got it for completing my thesis!) (this is a sign that they are open to social activity) You: That's so cool! I'm (you name), and I'm new here. You seem like cool people, can I hang out with you? Them, and I actually for real swear this will be the answer 90% of the time: Sure!

Congratulations! You have introduced yourself to someone. Continue to be a huge dweeb about the thing you have a mutual interest in and you will shortly have a new friend!

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felassan · 7 months ago

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Sylvia Feketekuty: "To celebrate DA day, I've made a bluesky account that I'll keep active for a few days to talk about my work on Inqusition or Veilguard! After a few days I'll lock the account, because I'm not a social media person. Happy to talk until then though. I want to say straight off: the reception to Emmrich, Manfred, the Mourn Watch, and the Grand Necropolis has been heartwarming for all of us who worked on those people and places. Thank you all very much!" [source, two]

Rest of post under cut due to length and spoilers. [Post Two, Post Three]

Sylvia Feketekuty: "In the meantime, I do want to talk about a couple of things I saw floating around regarding Emmrich: 1. Emmrich being 52 or 50. I think people got 50 from data mining a character file, but we can't do a ranges in those files. As in, I couldn't input 50-60, it had to be a whole number. I put down 50 as an early ballpark, then went more accurate in later audition scripts. 2. Fifty-two is a old number I threw into an early document before his art or character was totally final. (And which caused another developer a headache because they thought it was accurate, I never updated it. Sorry about that.) 3. "Wait, how old is Emmrich then?" Once I saw his final character art, I felt more mid to late 50s. MAYBE early 60s. But unless we specifically state a character's age in the game, it's all malleable. I honestly would just adjust it to your impressions unless stated otherwise. 4. I've also seen comments on how weird it is for Emmrich to act like there's an age-gap in the romance if your Rook is around his age. And you're right. 5. The reason is because Rook WAS younger when those scenes were written and worked on. I felt it'd be odd if I never addressed the May-December aspect, especially as it hooks into some of Emmrich's worries. 6. By the time that shifted, it was really too late to change without catastrophic repercussions to the excellent cinematics and music and other things that depend on line delivery and timing. 7. To be clear: you can feel how you want about the age gap coming up at all! But that's how the discrepancy came about. 8. "Is there a way to reconcile Emmrich acting like my Rook is way younger than him if they're not?" Great question! I have several suggestions: -Accept it's an error. (True, but unexciting) -Emmrich considers a gap of 3-5 years scandalous. (Funny, albeit a bit cartoonish.) -The Mourn Watch has perfected swapping out organs, and Emmrich is nervously hiding that he's way older than he looks out of vanity. (Untrue, but funny.)" [source thread]

User in reply to point 6. above: "I'm personally glad it was too late to change because their argument about it is genuinely my favorite scene in the entire game! 😭💕 It's such an important moment to me" / Sylvia: "Thanks! That one was one where I was all sweatily trying to balance things out, with tone, with pacing, etc. Really glad it came together for you. (Cine and the actors did heroic things there to get it feeling just so!)" [source]

More snippets:

Emmrich's favorite ice cream flavor? Rum raisin [source]

Lots of people on the dev team shared the vision of having a bunch of gothic weirdness in that pocket of Thedas [source] (Necropolis/Nevarra)

Sylvia "especially liked writing the Mourn Watch origin, it was fun to write a fellow nerd for Emmrich to chat with" [source]

Sylvia poured some personal worries and fears into writing Emmrich [source]

On Vorgoth and their nature: "I'm a little leery of saying anything, partly because I'm cowardly avoiding publicly defining anything more until/if I ever need to. And partly because I did want them to be a fresh unknown. Sorry!" [source] "I'm glad you like Vorgoth, but I'm afraid I don't have much for you that isn't in the game. I deliberately wrote them so as to leave room, if we ever revisited them, or for Vorgoth to remain mysterious, if we did not. I'm sorry if that's not a very satisfying answer!" [source] "I will say, it was fun to throw in a few lines about Vorgoth's art collection. Their passion for it is sincere and deep. (I wanted all the Watchers to have a little non-death related hobby or interest, because they can be so singularly focused.)" [source]

Dwarven Mourn Watcher is a rare origin combo for Rook so Sylvia wanted to call it out [source]

On the outcomes of Emmrich's quest: "I tried really hard to make the options equally viable, and more up to the player's interpretation or preferences of what it would mean for Emmrich in their view. It's been interesting seeing reactions to it, which hinge sometimes on various single lines pushing people one way or another!" [source]

"The Grand Necropolis is always eager and ready for a new member of the Mourn Watch to grace its ranks." [source]

User: "I loved Emmrich's view on death and what his personal quest ultimately went on to say about the nature of death itself, and how the beauty of mortality lies in its impermanence and unpredictability." / Sylvia: "I really wanted to dig into those themes, and everyone in cine and art and level design and editing and the whole team honed in exactly on the vibe. The floral stuff especially, I was so thrilled when I played through the Memorial Gardens' with the art and lighting in." [source]

User: "I experience thanatophobia and that first conversation w/ Emmrich was so affirming and helped me describe my own anxiety to others" / Sylvia: "Thanks, the thanatophobia was, as you may've guessed, a personal experience for me too. I'm glad it was something that helped a little." [source] "I suspect that phobia is way more common than people think, and part of the reason Emmrich talks about it was to express that sentiment out loud. I find it helps sometimes just to acknowledge it." [source]

What languages does Emmrich speak other than Trade? "I think he'd be familiar with Tevene, since there's surely many, many old texts about magic written in that language. Kind of like a doctor that knows latin through their work. I also named that MW alphabet "tomb-script", though I'm not sure if it has a spoken component or not since it never came up in-game. If it does, he'd be able to speak that for sure." [source, two]

User: "Playing as a Mourn Watch Rook has been an absolute delight!!!" / Sylvia: "Thank you so much, I really liked writing those branches of the dialogue. Since Emmrich's so focused on necromancy, it was fun having a Rook who could be both casual and knowledgeable about it." [source]

User: "In your opinion, what outcome do you prefer for a romanced Emmrich (lich/non lich)?" / Sylvia: "Interesting question! To be honest, I'm afraid to answer it properly in case anyone takes my answer to be a canonical one. I really wanted either path to feel equally interesting/correct for whatever you decide fits your Rook's relationship with Emmrich. (We're also in the strange waters of meta-reasoning. I GAVE Emmrich his fear of death-Sorry Emmrich!-which makes me feel a little culpable for that, even though he's entirely fictional. And that might prey on my mind when trying to decide. A very odd experience!)" [source, two]

What music genres would Emmrich be into? "Classical music is very much playing to type for Emmrich, but I feel it's also correct. He'd enjoy a nice concerto or an organ recital. Or, if he's feeling daring, a bold new Orlesian opera! But I don't think his tastes are too outré in that area. That said, I saw someone post something like "Leave Emmrich alone, let him attend the Depeche Mode concert" while listening to Depeche Mode's "Violator", for the first time, which made me laugh. (Great album. If he could get over the shock of synths, Emmrich might enjoy "Waiting for the Night".)" [source, two]

When writing Emmrich the devs wanted to try and hit the gothic romance vibe [source]

Does Emmrich mix his own fragrance/cologne? Does he ever vary it by the season? "I think Emmrich goes to some of the many perfumers that have set up shop in Nevarra City around the Necropolis, just because he trusts their judgement and expertise. I hadn't considered him varying it by season, but that's very fun! I certainly think he has more than one bottle of scent." [source]

User: "How does Lich Emmrich have sex?" / Sylvia: "I don't mind the question! But my answer's a bit boring: I generally stay at arm's length on the more explicit romance stuff, just because if it's not stated or shown in-game, I don't want to bring in a canonical answer that might affect what people imagined. My general preference for romantic scenes that get physical is to leave blank space somewhere, so players can imagine what happens next. It's not the ONLY way to do it, I think there's legitimate artistic reasons to go more explicit. But that's how I approached Emmrich (and before him Josephine.)" [source, two]

User: "The scene with the fade glow where he touches your hand haunts me in the best way" / Sylvia: "Aw thank you. Our animators and audio people made that scene way better than I could've hoped! They took such care with everything there. I want to say that little eye-peep from Rook was added in by one of them, which was the perfect touch." [source]

User on Emmrich: "i’m curious whether you think he’d prefer dogs or cats (or both, or neither)" / Sylvia: "I think he'd consider cats and dogs a little too noisy and messy for his tastes. Not like a nice, quiet plant or skeleton! (Weirdly, I actually had a scrap of banter going over this exact subject at one point. It got tightened down to the exchange with Harding about the pig he used to hug when he was a kid.)" [source, two]

Sylvia was trying to tease Nevarra with the Tevinter Nights story Down Among the Dead Men [source]. "It was really fun to tease the Necropolis, so to speak, in TN, and I'm grateful we got to actually let players through its gates at last." [source]

User: "if Rook chooses to save Manfred and keep Emmrich mortal, what would Emmrich wish to become of his body once he did pass on?" / Sylvia: "Good question. I think he'd want to remain active and useful in death. A guide for other Mourn Watchers, or posted as a mystic guide somewhere dangerous, or perhaps an oracle in the library." [source]

User: "when and how was it decided that Emmrich would be romanceable? I remember reading that he would not be a romance option." / Sylvia: "I'm not sure where that came from, because I pitched him and then shortly after that we decided the entire cast was romanceable. That was fairly early on in the development of Veilguard, as I recall it. (Could've been a crossed wire?)" [source]

Trick Weekes: "Sylvia wrote the fantastic Emmrich "the Vol-carnage" Volkarin and everything that happens in Nevarra while dealing with a lead writer whose attitudes about corpses and undead are... not dissimilar from Taash's." [source] / Sylvia: "I still remember when you gave the very accurate feedback "I think we need to give players whose Rooks aren't into corpses some roleplaying choices to express this" and I was all "Ohhh yeaaaaaah." (Thank u Trick, you were right)" [source] / Trick: "Specifically, being able to express this without locking themselves out of the content! (For non-Sylvia folks) Given my issues with corpses, Emmrich as a whole was SUPER Not For Me, so I gave one caveat and then said, "For the rest of my critique, I will be impersonating his target audience." [source]

Sylvia on the secret origins of Manfred: "After I pitched Emmrich, I started jotting down notes and thoughts on his plots, his quirks, all that kind of stuff. It was very early on Veilguard, anything was still possible. We were chatting in the writer's room about it one day, and I think we'd just seen some early concept art for Emmrich. And our lead writer Trick Weekes joked that Emmrich looked like a man who'd have a skeleton named Manfred. And I laughed and went "Yeah he does!" And then I thought about it. It's wild in retrospect, but that one comment spurred a train of thought that led to the core of Emmrich's arc. He may've ended up a very different character without it! tl;dr: I stole it from Trick." [source, two, three, four]

"I got to play with a pretty free palette when defining the way Emmrich and the necromancers view death and spirits. But I tried to keep it within the confines of existing lore. That's one reason why that scene where Emmrich talks about Manfred to Harding goes into "the eternal question" of whether a soul actually returns with the dead or not. Nevarra has distinct beliefs, but I thought it'd be interesting if its people argue over their interpretations of those beliefs." [source, two]

"the other writers also suggested a bit later on that the big choice dig more into Emmrich's philosophies. Initially, it was more personally focused on his fears, which made it 'relatable' but pettier. Without that correction, I think it would've been weaker, I totally needed the team push." [source]

"I have a few guides to graveyard symbology, and it's so packed with references and meaning." [source]

User: "Did any of your own fears & experiences, make it into the writing of Emmrich? If yes, is it information you’re comfortable sharing with us? If it’s too personal to give any details, that’s fine as well. Also, across the other games, who do you think Emmrich will get along with best?" / Sylvia: "some of his fears are absolutely personal. The reflexive-compulsive panic over death is something I'm very familiar with, and I wanted to explore that through him. Because I suspected it was not uncommon, and worth examining. The question of who he'd get along with from the other games is surprisingly tough! Because without asking the other writers about their characters, I wouldn't know for sure. So I can only really speak to Josephine with surety. That said: -I think Josephine would be polite, and grow to like him, but would never entirely be over the ostentatious necromancy. -I think Emmrich meeting Sera would be the funniest match." [source, two, three]

"Peter Cushing was also one of my go-tos as an example of what I wanted Emmrich to be." [source]

"(Huge shout out to all the animators and level designers making Manfred run, quite literally. Like 95% of his personality lives in his movement, I think they nailed it.)" [source]

On Emmrich: "I tried to put a lot of passion and sincerity in his love for the dead, and I admit the Necropolis was THE big place I wanted to see in Thedas myself ever since reading about it in a codex." [source]

User: "Thank you for letting him have that cemetery dream date!" / Sylvia: "Having the date in the cemetery was one of the first things I wanted when thinking about the romance." [source]

"Josephine was the first time I was entrusted with a new character and a new romance at once, and that'll always be special to me." [source]

User: "How much input did you have in Emmrich's appearance in the podcast?" / Sylvia: "In the podcast, none myself. I believe it was handled by a third party but reviewed by a few people at BW, I don't know too much past that. (We did provide a descriptor and character rules. Stuff like "Emmrich never swears" and "always says amongst" and broader, more thematically useful things.)" [source]

User on Emmrich: "Are you planning any other external-media stories for him?" / Sylvia: "Thanks very much, The Flame Eternal has a special place in my heart for being the first time Emmrich got to be center stage in a story. (And very flattering to hear about the cross stitch. That's so cool!) I can't speak to any external-media plans, I'm afraid. That's not an implied hint about anything existing or not, it's just literally outside what I'm allowed to chat about. It'd be fun to do something like that again though!" [source, two]

"I must give full credit to Nick Borraine, Emmrich's voice actor. He got the compassion and tenderness the character needed right away." [source]

"And glad him being closer to your age resonated, I really wanted someone older out on an adventure. No reason that has to stop at any age IMO." [source]

User: "do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" / Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "as someone who shares emmrich's anxiety about mortality, getting to spend time with him, and in the grand necropolis and with the mourn watch, was genuinely soothing" / Sylvia: "Thank you, I'm glad he was a comfort. It's a familiar fear for me too, and I'd hoped he would connect that way with people very much." [source]

On the giant ribcage 'ceiling' in the Necropolis: "sadly, even I don't know all the mysteries of the Necropolis. (Which is to say it's a very cool bit of art but has no stated origin yet. Could be a large dragon, a giant...or something weirder!)" [source]

On TN story Luck in the Gardens: "It was nice change up, writing in first person and with someone so rascally. I've got an enduring affection for the Lords after writing Hollix, the scamp." [source]

User: "I just love his genuine enthusiasm for everything he does. If the other party members had fan clubs Emmrich would be the president of each and I love that for him" / Sylvia: "Thank you! I really wanted him to embody a kind of expansiveness and generosity of spirit, to stand in contrast to the eeriness of his abilities." [source]

User: "What was your inspiration for Josie?" / Sylvia: "My girl! When I came on to Inquisition, there'd already been work done on setting up the spine of the main plot, and figuring out the overall cast. But one of the advisors was a little murkier. It just said "Diplomat" on the white board. We knew we wanted someone in that position, but not who. So in a game where you were out exploring, killing demons, etc., but also had a big organization to run? I immediately wanted to make a Diplomat firmly there for you. Somebody you could hand the keys to the entire Inquisition to while you were out, and know it'd be in good hands. I also thought it'd be fun to have someone from Antiva, since that area wasn't covered yet by anyone in the cast. And I needed her to be polished, smooth, but heartfelt, because of that aforementioned trust. And that was the core of Josephine! Her voice actor, Allegra, brought her to life with such lovely charm, and hearing those early sessions also helped me further hone her tone." [source, two, three, four]

"Our music supervisor Ron Dazo hit it out of the park with Emmrich's music IMO. And so glad you liked Hezenkoss! Just very fun to write as a character." [source]

User: "Did any specific watcher raise MW Rook?" / Sylvia: "Good question! I kind of left that one alone because I wasn't sure if I wanted to let Rook define that themselves, or leave it open, and also I'd have wanted a full conversation on it. In the end that was a little out of scope so I left it unsaid. Which is to say that it COULD be Vorgoth who helped raise your Rook. And that stands until/unless we give a definitive answer (or let you choose from a range of answers) one day." [source, two]

"It was such a pleasure for all of us to finally get to explore the Necropolis, I am very glad we got to throw open the gates." [source]

User: "I was wondering if there were any Mourn Watch details you wished you had more time to explore? I was so struck by some of the ethical implications in your stories" / Sylvia: "Geeze, now that's a question. I mention it with Emmrich, but there's some resentment over the power the Watchers hold as THE mortalitasi of the Grand Necropolis, between them and the other orders. There's something to that situation I liked. There's also questions of how they select people for the order. What their standards are, how closely they work with benign spirits. And how they cultivate those relationships. How deep does that go? I also mentioned in a codex "the lives and bodies of those who tamper with the undead of the Necropolis are forfeit unto the Mourn Watch." which is pretty chilling. What's that punishment like, exactly? And in general, writing about anything weird or unexplained in the Necropolis brought me much enjoyment, and it would be fun to dig around how the Mourn Watch deals with (or what they want out of) all these mysteries and entities." [source, two, three, four]

"Geeking out with Emmrich about spooky stuff was a delight to write." [source]

"I liked writing someone older this time, it was something different for me and rewarding in some unexpectedly different ways. (And thanks especially for the nice words on DAtDM - I was very excited to introduce people to the Mourn Watch there!)" [source]

"Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source]

"Some trans people kindly offered their help with some feedback on some of the romance lines and others, which absolutely made them much better." [source]

"Trick Weekes actually wrote a ton of the banter where Emmrich inquires into qunari artifacts and customs, and Taash talks about what it was like to grow up under a scholar. I really dig the dynamic they unearthed between the two there." [source]

User: "Do you remember what was written in the script to describe ✨this✨ moment? [link]" // Sylvia: "Lol. I miiiiiight? Let me look at my notes. Ah hah, I do! My note says that Emmrich "takes a second, surprised." And then he's touched afterwards." [source, two]

Sylvia: ""i hope it's not too late, but were there any designs in mind for what Nevarra City looks like?" Not too late! We've got a few sketches in the World of Thedas books, but that's it. If the team ever went back to Nevarra City proper, I'd imagine the art team would want to do a deeper dive." [source]

Sylvia: "(Glad you liked Myrna in particular. My first Mourn Watcher everyone got to know!)" [source]

Sylvia: "I'm glad to hear getting to know Emmrich has been of some comfort." [source]

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #dragon age: tevinter nights #dragon age: vows & vengeance #lgbtq+

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sheeezu · 5 months ago

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Master Directionary

Short introduction - who?

H e l l o. Very warm welcome to my very messy blog. I used to get upset at the jumbled presentation but I think it represents what I want to feel like - a warm nostalgic home, with old dusty curtains and trinkets scattered around, blankets on the ground.

My name is Umme Hani, (just Hani is perfect). My username is a nickname for my home self- you can refer to me as both.

I've shifted! That's my most remarkable achievement in life. Feel free to bombard me with asks that make me think, even ones that directly challenge me (be respectful, yknow, according to societal norms) I love a good debate.

Shifting wise I shift in and out of reality frequently. I am a very private person in terms of my main reality- home reality, but that is limited to my relationship there, you can at any time ask me how I've world built and other aspects there!

I have been really transparent regarding my shifting experience on here, you can look through my account and hopefully you can relate to my experiences.

I am bipolar. Mine's an unmedicated case. So if I have misbehaved with you in the past, I wish you can forgive me!! That is usually an episode which ranges from depressive to angry maniac. (I'm not apologising to some aholes, so don't get your hopes high, especially terfs.)

Okay? Okay :) +++ I don't ignore asks, dms on purpose, I'll try my best to answer!! Fair warning sometimes I dissappear for weeks on end in pursuit of some spiritual awakening- yes.... that's what it is.

(Btw I love golden, sunsets, homey aesthetics)

READ.

Read before sending an ask

A conclusive list of my asks

If you don't like me, don't agree with my beliefs, just block me, there isn't a single thing you could do to change them.

(Btw, if you're rude, I will send soul sucking demons your way)

I'm not grammatically deaf or weak in English, but I sometimes write in words which make no sense, which happens to ruin the entire meaning of a sentence. Idk why this happens, but please correct me if anything seems off, I really don't mind.

⋆✴︎˚Directionary:⋆✴︎˚｡

Shifting Portal:

1. Shifting methods

✴︎My main shifting method + my shifting journey

✴︎Emergency shifting routine (1 day deadline)

✴︎Shift by channeling

✴︎Energy conversion method

2. Shifting/consciousness theory proofs

✴︎ Shifting proof

✴︎Consciousness theory proof (ask)

✴︎Shifting motivation via proof of consciousness theory (ask)

✴︎Nature of reality/how to prove it to yourself (ask)

3. Shifting tips

✴︎Commonly asked shifting questions

✴︎Embodying one's true nature/self (ask)

✴︎Scripting a DR from scratch (ask)

✴︎Getting rid of intrusive thoughts (ask)

✴︎Letting go of your previous reality and circumstances to shift

4. Shifting storytimes

✴︎Four part short stories (Socialite, hogwarts, dead poets society, home DR)

✴︎Random story 1 (home DR)

✴︎Random story 2 (home DR) (ask)

✴︎Random story 3 (home DR) (ask)

✴︎Random story 4 (home DR) (ask game)

6. Shifting misc.

✴︎Things to expect when you've mastered shifting

✴︎My DR s/o (ask)

✴︎Shifting quote

✴︎My DR list

✴︎Chaotic minishift experience

✴︎Shifting tips from other realites

✴︎Shifting blackboard

✴︎ Non-dualism and shifting

✴︎ What to do if you haven't shifted for years

✴︎ How to shift

✴︎ Shifting posts dump

7. Post which further uncovers my unhinged personality

✴︎An example of an "update" on this blog

✴︎DR self akin to a literal cat

8. Self made subliminals

Shifting:

✴︎Subliminal + google drive link

✴︎Subliminal affirmation list

✴︎The godzilla of (shifting) subliminals

Creator mentality:

Creator mentality + shift subliminal

Void state:

✴︎Void state + creator mentality

This post will be maintained frequently. (hopefully)

because I realized it doesn't matter where I am, I can still maintain my tumblr blog, I suppose I fell in love with this little space I've made for myself.

#Sheezu's post #reality shifting #shiftblr #shifting antis dni #shifting #shifting blog #shifting community #loassumption #loablr #loa blog

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littlemissshifter · 5 months ago

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Dreaming and Lucid dreaming are Shifting.

Did that make you mad? Good, now read this till the end.

- Dreams: a series of thoughts, images, and sensations occurring in a person's mind during sleep.

- Lucid dreaming: dreams when you know you're dreaming while you're asleep.

- Shifting: a practice where individuals shift their awareness to alternate realities.

DREAMS

Since our awareness is shifting every second, what happens when we go to sleep? When our awareness stops being aware what happens?

Kids, kids, your awareness stops being aware here when you sleep. What about other realities?

When your conscious self goes to sleep, your subconscious self, which is connected to every reality imaginable what does it to?

It explores.

It explores all the different realities without limitations. Those are dreams. Every dream you've had is a different reality.

You are unaware while dreaming. You can't control these dreams. Why? Because did you think you can control your reality before stumbling upon manifesting or shifting? It's conditioning that is common in most of your dreams because you are conditioned that way, to believe reality cannot be controlled. This is why sometimes you can't differentiate between dreams and reality. Because they're both the same thing, one just happens when you're asleep.

We dream every night. The average is about 4-6 times each night. You shift every night. You remember some, you forget some. For me to explain why we forgot I'd have to make a different post because it'd get very long. For now just use Google.

"But why do my dreams revolve around this reality?" you ask. Because you're dreaming with the beliefs and conditioning of this reality.

If you were born in a magical world and were aware there, then your dreams will revolve around magic.

Shifting happens when you become aware of a different reality, When you've known only a particular reality your whole life, you subconscious only goes to different versions of that really. (I said subconscious because your conscious is asleep)

This is not fixed by the way. Like when you see a movie and you dream about it. When you become aware of a different world, you shift to (dream about) a different world.

Emotions play a important role in dreaming as well. They decide what your dream will be in different ways. Example: When you have a crush, you get a dream of being with them, it was fueled by your emotions of wanting to be with them. That there, is a reality where you are in a happy relationship with your crush.

Dreams are you shifting realities while unaware based on your beliefs, emotions, thoughts and conditioning of this particular reality.

Wait, beliefs, emotions, thoughts and conditioning? That sounds familiar. What else does that make? Oh yeah, your CR.

LUCID DREAMING

Now, since we've got the first topic covered, why can we control some dreams and not the other? People train themselves to lucid dream. It is possible to control all your dreams. When you become aware of the spiritual aspect of things, you get more vivid, lucid dreams because that is you taking control back whether it's a dream or your reality.

You can still lucid dreaming without ever knowing any spiritual aspect of anything. Why? Because shifting is the essence of existence. You shift every second, even sleeping.

You become aware in a dream and control it much like you scripted you can similar to your dr. It's the same.

I know what you're thinking, if they're the same, why does lucid dreaming and shifting feel so different?

Because you're aware of the fact that you're lucid dreaming. Emphasis on the dreaming here. You know you can control it, but you think you're still dreaming. 'Dreaming' for us defines that it's not real when in fact it is. If you changed your awareness to it being an actual reality, congratulations you've shifted with full awareness this time.

HOW DOES SHIFTING RELATE TO THEM

Dreaming and Lucid dreaming are a part of shifting. They are sub categories of shifting.

When you DREAM you're unaware of it being a dream, you think it's happening right now, but your conscious is asleep.

When you LUCID DREAM you're only half aware because you still believe that it's a 'dream' that you control.

When you SHIFT you're fully aware. Your conscious and subconscious are both in focused on one reality in front of you, like in your CR.

Everything you know or don't know is a part of shifting. Shifting is everything. Dreams and Lucid dreaming are not that different after all. They are different experiences yes. But the core of shifting is the same everywhere.

WHAT LEAD TO ME FINDING THIS OUT

I actually knew this for sometime, but it didn't hit me until a few days ago. How much we underestimate the mind in our daily life. Thinking shifting is something that leads us somewhere, when in reality it's us that leads shifting. You're all shifters because you're human. Human nature is shifting itself.

I've experimented in my dreams, becoming lucid and telling my mind to shift me places, to shift me back. Just whatever you can think of. The amount of power we hold in our dreams is the same as we hold in our daily life. Why the difference?

Time isn't real, so is reality. Who's to know except you?

Scientists do not know why we dream. Here is your answer.

This is my belief. My knowledge. My knowing. You don't have to accept this. You can think they're different, not at all related. That I'm just spouting nonsense. But then you are forgetting that we're shifting 24/7 why would that not include everything including dreams?

I'm open to opinions and questions. Please be civil and do not fight regarding this. Do not spread misinformation.

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creantzy · 2 years ago

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[Read from left to right]

With this, the entirety of The Path To Freedom AU series is concluded. There are no more spoilers left now! Feel free to share your thoughts and interpretations, I'm really interested to hear your experience reading this fanwork and what you guys think. Headcanons about this AU are welcome as well!

I got this idea in January and published the first part in February. I can't believe this went on for 9 months, time flies😭 And I'm kinda sad it's over now, this AU has grown on me... I still want to publish some of my thought processes behind different aspects of the story later and make some art for it separately from the plot but that might take a while, because not only am I a master in procrastination but I also have some other projects I need to work on at the moment, so bear with me.

Thank you for all the love and support, I appreciate it more than I could ever put into words🫶

And special thanks to Arabella W. for helping me out with the script and supporting me throughout the creative process, this project wouldn’t be the same without you <3

#bungou stray dogs #bungo stray dogs #fyodor dostoevsky #fyodor dostoyevsky bsd #bsd fyodor #bsd anime #bsd #bsd nikolai gogol #nikolai gogol #fyolai #dostogol #dostogogol #fyogol #mykola bsd #mykola hohol

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fireya-x · 10 months ago

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family dinner

AO3 Link (for the full tag list) || masterlist

John Price x Reader

John asks you to pretend to be his girlfriend for one night, to save himself from annoying questions from his family. Turns out, you're actually who he really wants.

[9k+ words]

cw: smut, piv sex, cowgirl, handjobs, come eating

Embossed golden script on cream white card paper - it was an invitation to his grandmothers' birthday party, alright. A subtle attempt at elegance from a woman who thought tea and a tin of biscuits solved most problems. John sighed.

He already knew the drill; his mother, every aunt and uncle, cousins and second cousins twice removed would be there, armed to the teeth with baby pictures and probing questions to make him wish he’d stayed in another country in some godforsaken warzone.

The phone ringing cut through John’s meager dinner of takeout curry, one of his favorites, when he was back in his flat for a short time leave. He picked it up and answered before checking, as he usually did, expecting it to be Laswell – but that voice wasn't Kate.

“Jonathan, my dear boy, did you receive the invitation?” His grandmother’s voice was a robust cackle for her age, a force of nature that kept her so fit at ninety.

“Just held it in my hands seconds ago, Nan.”

“Ninety years young, can you believe it?”

“Never a dull moment,” he answered, picking at the takeaway container lid.

She laughed lightly, then cleared her throat. “Listen, dear. The caterer is extra fussy. Your opinion is special to me, you know that. It’s not like I get to plan this every day”

Here it comes.

“What are you thinking?”

“I’m asking you what you want, John. I have everything else planned.” Of course she did.

“It’s your birthday, Nan. I’ll eat anything,” he sighed. “Toffee pudding can’t be missing from any birthday, though.”

“Of course, that’s a must! Especially with you visiting! You’ve always loved it as a little boy. Now tell me, is your girl more a partial to fish or chicken?”

The fork clattered onto the styrofoam. John almost choked.

“You’ll be bringing someone, aren’t you?”

He should have said no. He should have clarified, for the thousandth time, that his occupation left no room for romantic walks on the beach and candlelit dinners. Maintaining relationships wasn’t something John did, especially when his job included more explosions than birthday candles on her birthday cake. And apparently, eliminating terrorists and global threats was not a suitable substitute for great-grandchildren.

But there was something in her voice. Hope? Excitement to finally see her grandson with a woman at his side? It was her 90th birthday, after all. Who knew how long John would have her still? Seeing him happy was the greatest gift he could give her, and he knew that.

John sighed. “Yes, I will bring someone.”

That she didn't squeal was unexpected, but he knew his mother was right there with her, listening to everything.

Fuck.

What was he supposed to do? Try Tinder, maybe? How hard could it be to find a woman who’d go on a date with him? But John hated every single aspect of using his phone for anything other than texting and calling — and he gave up when the app asked him too many questions about himself.

That’s when he heard footsteps outside his apartment. He remembered that beautiful, chatty neighbor of his. You'd watched his flat and watered his plants a few times when he was deployed. You’d only met briefly, but given John’s sparsely decorated way of living, he wasn’t worried you would steal anything. But his grandmother's plants were something holy to him, and you kept them alive, and that made you a trustworthy person in his book.

And he would be lying if he didn't admit he'd stolen a glance at you here and there, always hidden in a hoodie or a way-too-big raincoat that obscured your figure, and something about it intrigued him.

Before his brain could even process what his feet were doing, he stumbled to the front door and opened it, revealing you, arms full of groceries, struggling to get the key into the door.

“Need help with that?” A low, grumbling voice startled you, and you almost dropped the bag full of fruits and veggies.

“Jesus, you scared me.”

John chuckled, then took the bag from you as if it was something he'd casually do all the time. “I’m sorry. Didn’t mean to.”

“Thanks,” you muttered, putting the key in the lock. You took the bag from him and wanted to escape this awkward situation with your way-too-good-looking neighbor as fast as possible. But before you could close the door, he intervened.

“Hey, uh, I have a question.” John’s hand ran through his hair, a nervous gesture that betrayed his usual confidence.

“Yes?”

“I – I kinda promised my grandma that I’d bring a girlfriend to her 90th birthday party, and, well –”

“You don’t have one?” The question came out sounding more shocked than you intended. You were certain he had women lining up for him.

“Yeah, I mean, no, I don’t.” His gaze dropped to the floor for a fleeting moment, as if suddenly embarrassed by the admission. You tilted your head, looking at him expectantly.

“So, you want me to pretend to be your girlfriend? What’s in it for me?”

“Free fancy food?” He smiled crookedly, and you were done for. How could you say no to that smile? The same smile that had been haunting your thoughts ever since he’d given you his keys to his apartment? Your heart was pounding.

“It’s a date,” you said, the words slipping out before you could overthink it. The relief that flooded his eyes made something inside you flutter.

“Thank you, I owe you one. Six p.m. on Friday, alright?”

“What should I wear?”

John wasn’t prepared for that question. And he didn’t mean to check you out – but he did. His eyes wandered from your boots, over your hips, up to your breasts – where his gaze lingered a second too long— and then to your face.

“It’s a garden dinner. I’m sure you’ll look nice in anything,” he said, the words feeling ridiculously inadequate the moment they left his lips.

“Very helpful, thanks.” He braced himself for a sarcastic retort, but you chuckled, shaking your head. “I’ll figure it out. Have a nice evening.”

You retreated to your apartment, leaning back against the closed door, letting out a breath you hadn’t realized you were holding. Your heart was still pounding. Did John, your neighbor, ask you out? The same John who seemed so unapproachable, wrapped in that aura of intensity he always wore, who disappeared for weeks on end to go on “business trips” and returned with a deep shadow under those blue eyes?

What did he even do when he disappeared? You'd never asked. Even when he'd given you his keys so you could look after his flat while he was gone, there was nothing that gave away what exactly he did or where he went.

The small conversations you’d shared had always been just that— small nothings, polite exchanges with your friendly neighbor. Still, those infrequent encounters always sent your stomach into a nervous frenzy.

You rummaged through your closet, trying to find something that screamed “I'm a cool, collected woman who casually dates mysteriously handsome men ” without looking like you’d overdone it. A garden party could literally mean anything, especially since you knew nothing about his family. Were you supposed to pick a nice, flowing dress or stick with casual jeans and a shirt? You had no idea.

You stopped your mind from spiralling further. It wasn’t a real date. It was a fake date .

What were you thinking, agreeing to this? You were doubting your own sanity — but then you remembered the crinkled corners of his eyes when he smiled, the warmth that radiated from him when he’d helped you with your groceries – saying “no” to him wasn’t even an option. There was something about him that drew you in, a gravitational pull you couldn’t resist, even if it meant playing pretend.

The sundress you wore – he couldn’t even pinpoint the colour, something soft and warm, summery, like the sky just before dusk – hugged your curves in all the right ways, the delicate straps showcasing the elegant line of your neck and collarbone. His gaze traced the gentle swell of your breasts beneath the thin fabric, the way the skirt flowed over your hips, his mind already picturing how it would look bunched up around your waist when –

Fuck.

A wave of heat - he knew it so well, yet hadn’t felt it in what seemed like forever - crashed over him, settled deep in his gut, tightening his muscles, making his cock twitch.

He shifted uncomfortably, desperately hoping you hadn’t noticed the way his pants suddenly felt about two sizes too small.

He’d usually never been one for flowery dresses and delicate gold jewellery like the earrings that decorated your ears. They clashed with the brutal reality of his world. But on you, it was devastating. You were an innocent, oblivious creature walking straight into his hardened, cynical world without even knowing it. And somehow, against all logic and years of self-preservation, he wanted to corrupt every part of you.

His gaze snapped to the flesh of your delicate thighs that left little to his imagination, those toned legs wrapped around his waist while he pulled you closer and –

Jesus fucking Christ, get a grip.

He forced himself to look away, clenching his jaw so hard he thought he’d pull a muscle.

This was his neighbour. You , who’d watered his plants, borrowed his toolbox, offered a smile whenever you met in the hallway. The one who’d agreed to this incredibly stupid idea. You were doing him a favour, for God’s sake.

“Ready?” He shoved the word out harsher than he’d intended, the sound completely alien to even his own ears. But before you could answer, he shut his door and ushered you towards the exit. He needed air. He’d preferred an ice bath, preferably yesterday.

You didn’t mind adapting to roles and play pretend at all, but as soon as you arrived at the estate, your confidence got humbled. The house was huge, and the driveway alone was already filled with floral arrangements and all sorts of birthday wishes – an enormous ninety made out of entirely blush pink roses and lavender decorated the front yard.

The garden party was in full swing already when you two arrived. The air buzzed with the sound of laughter and chatter, clinking glasses and the distant beat of a live band. John seemed oddly out of place in between the flowers and the brightly dressed guests, like a lone wolf who had been dragged to a tea party.

But as soon as you stepped further into the event, the warm air surrounding you, the scent of freshly cut grass and citrus, the smiling faces all around you, your anxiety about the whole thing lessened.

“Don’t worry too much," John's arm brushed against yours as you navigated through the clusters of guests. He reached out to grab two drinks from a passing waiter’s tray. “The worst they could do is show you my childhood photos.”

He offered you a drink, and you took it from him, smiling. “Somehow, that’s not as reassuring as you think it is.” You earned yourself a deep chuckle that rumbled through his chest and did decidedly inappropriate things to your equilibrium.

When John took your free hand into his like it was the most normal thing in the world, you felt like this was going to be the easiest task. For a fleeting moment, it was easy to forget you were living a lie.

Until dinner.

The seating arrangements were strategically orchestrated, it seemed, to maximize family bonding - or torture, you hadn’t decided which. You found yourself sitting between John, radiating a mix of polite restraint and his usual natural intensity that set your pulse racing, and a woman with the same kind eyes as him.

“This is my mother, Eleanor,” John had introduced her earlier, her smile so warm and welcoming you’d almost forgotten you were supposed to be playing a role. She seemed almost too impressed when you'd introduced yourself, as if she couldn't quite believe he was telling the truth about having a girlfriend.

You'd prove them wrong, not for their sake, but for your own growing satisfaction at seeing John surprised.

You were no stranger to the barrage of questions about your single status and lack of a partner from your own family, so you knew how tiresome it could get. You braced yourself for a similar interrogation.

Across the table, John's grandma beamed at you with a delight that melted your heart. You understood then what this was all about for him — fulfilling his grandmother's wish to see him happy, settled.

On impulse, you reached out to grab John’s hand beside yours, your fingers threading through his, offering him a reassuring smile, pretending to bring out your best I-am-so-in-love look you could muster.

He seemed taken aback, his entire body stiffening for a split second as if your touch were an electric shock. But then he recovered quickly, his fingers tightening around yours with a gentle pressure that sent goosebumps dancing up your arm. He raised your hand to his lips, brushing a kiss against your knuckles that lingered a heartbeat too long.

Your breath caught in your throat, your gaze fixated on the curve of his lips, the way his beard scraped against your skin. Your stomach did a somersault, your senses flooded with a rush of longing that was as unexpected as it was undeniably thrilling.

“So,” John's aunt leaned across the table, her voice a bit too loud, as if intended to break the spell you’d fallen under. “What do you do?”

You blinked, momentarily disoriented, your gaze reluctantly leaving John’s hand and focusing on the plate of food a server had just placed before you. Shepherd's pie. But not just any shepherd’s pie. This looked like a culinary masterpiece compared to the frozen meals you were used to eating all the time.

“I work in healthcare,” you answered, your mouth already watering at the sight of the culinary heaven before you. “I’m an ER nurse.”

“Oh, wow,” his grandma chirped from across the table, her eyes twinkling with genuine interest. Her comment, however, was quickly drowned out by his aunt's next, slightly more probing, question.

“I'm amazed you two met with such busy schedules. To be fair,” she added with a sly smile directed at John, “I'm shocked Jonathan managed to find someone at all with his occupation .”

Your fork, laden with a generous portion of creamy mashed potatoes and perfectly seasoned mince, froze halfway to your mouth. Your earlier questions about the nature of John’s job came rushing back. What exactly did he do? You knew he was often away for extended periods, you even kept his plants from dying a slow death from time to time, but his reasons had always been vague. “Business trips,” he’d called them, with a shrug and that infuriatingly handsome smile.

“Right,” you managed, forcing a light laugh as you carefully set your fork back down, your appetite momentarily forgotten. “We make it work. We talk a lot on the phone."

“You do?” His mother, ever the perceptive one, turned to John, her brows raised in what you could only describe as disbelief. “How come you always tell us you can’t contact us?”

John cleared his throat and his hand reached for his beer, his fingers wrapping around the cold glass. “Kate makes some exceptions,” he explained, his gaze fixed on the drink.

Kate? Your mind scrambled for context, your internal “John’s-Life” file coming up short. “Kate” let him make exceptions? Who was Kate, and more importantly, what kind of job required someone to ask permission to make personal phone calls? And why did you feel jealous - you had absolutely no business to feel this way.

“Who’s Kate?” You asked, reaching for your champagne flute, unable to hide the accusatory edge creeping into your voice.

“My boss . Sort of.” The golden liquid got caught halfway in your throat. First name basis with his boss? His family knew his boss? So many questions came up, and you were slowly starting to panic. You were supposed to be a believable girlfriend, but you were scared the mask was slipping away by the second.

“Oh, right, Kate. Sorry, darling. You know how my weeks have been lately. It's a wonder I can remember my own name half the time.”

“She must be happy for you, too,” his mother commented, delicately spearing a piece of fish with a precision that made you suspect years of etiquette training lay beneath her impeccably polite facade. “Finding someone special, I mean. Might even spare her some of your, shall we say, moods .” She glanced at John, her eyebrows arched as if she was sharing a private joke with the entire table, except you.

Moods? You’d always found John to be quiet, reserved, perhaps a tad intimidating at times, but never moody.

You glanced at John, who was pointedly studying his plate, the faintest hint of a flush creeping up his neck. You wouldn't have thought the man capable of embarrassment. It made him seem unexpectedly human, and somehow even more attractive.

You were about to ask for clarification when Nan seized the conversational reins. “So, darlings,” she asked, her gaze moving back and forth between you and John, her smile widening expectantly, “How long have you two known each other?”

“I think six months?” you blurted out, the words tumbling from your lips.

At the exact same moment, John declared, “Almost a year now,” his voice deep and steady, completely contradicting your rushed estimation.

You froze. The silence that descended upon the table was deafening.

“Has it already been that long?” you exclaimed quickly, forcing a bright smile and injecting as much wonder and mock surprise into your voice as you could muster. You prayed that your sudden rush of amnesia would be enough to distract them from the giant, elephant-sized hole you’d just blown in your story. You reached over to slightly squeeze his hand. “I suppose time flies when you’re in love.”

You snuck a peek at John, expecting to see panic, maybe even annoyance, but what you found in his gaze made your heart skip a beat. He was watching you intensely. And that smile playing at the corner of his lips? It made something dangerous and delicious twist low in your belly.

“I believe that,” John’s grandma chimed in, her voice warm with the wisdom of nine decades lived. “You two are very lovely together.”

Eleanor nodded in agreement. “She’s good for you, Jonathan. Maybe having someone special to come home to will make those long missions away a little easier.”

"Speaking of which, how’s that new posting treating you, lad? Heard it’s a bit of a hot zone, eh?” John's uncle boomed across the table.

“It has its challenges,” John replied, taking a long sip of his beer as if to fortify himself for the inevitable round of inquiries. “But it’s good to be back in the field.”

You frowned. Field? Posting? What kind of job involved working in a “field”? And what exactly made it a “hot zone?” You felt more and more confused by the conversation, it was as if they spoke an entirely different language, a language riddled with code words and shared experiences you weren’t privy to.

“That I believe,” his uncle answered, also reaching for his beer as if to toast to a shared understanding. “Bet your rank will get you far, though.”

You felt John tense beside you, his hand tightening around yours, not letting go. His family's casual acceptance of his frequent — and apparently lengthy — disappearances made you increasingly curious. You knew by now he often travelled for work, but something about the way they spoke, the underlying thread of concern laced with pride, hinted at a world you were only just starting to glimpse.

“I imagine those long stretches apart must be difficult, darling,” John's aunt commented, her gaze fixed on you with a sympathy that only deepened your bewilderment. “But I’m sure you’re used to it by now, working in a hospital and all. Those long shifts must be a challenge, too.”

You smiled, still confused about what was going on—but you also saw an opportunity. It was time to take control of the narrative, to steer this conversation into a territory you could navigate — even if it meant bending the truth further than it had already been twisted.

“Speaking of long stretches,” you interjected, shooting John a look that was equal parts challenge and playful invitation. You’d gone from wanting to bolt to wanting to play this game, see how far you could push him, how convincingly you could both lie. “Remember that road trip we took last fall? The one where we got hopelessly lost in the Scottish Highlands and ended up sleeping in the car?”

As you spoke, you noticed that everyone else at the table had dived into their food, the initial round of introductions and polite inquiries fading into a comfortable murmur of conversation. Nan beamed at you both, her fork hovering over a generous slice of shepherd’s pie, her eyes twinkling with the quiet pleasure of seeing her grandson – even a pretend version of him – happy.

Beside you, John stiffened, his gaze meeting yours with a mix of surprise and what you could only interpret as wary amusement. “Ah, yes,” he murmured, his voice low and rich, like velvet draped over steel. “Scotland. Beautiful, isn’t it, love?”

“Beautiful?” you countered, tilting your head and letting out a soft laugh that you were fairly certain sounded far more genuine than it should have. You couldn’t help but admire his quick thinking, the way he effortlessly picked up on your cue and played along. “Those winding Highland roads. They were more treacherous than romantic, if I’m being honest. I was certain you were going to drive us straight off a cliff at least a dozen times.”

His smile widened, revealing a flash of teeth that made something deep inside you melt a little. “I assure you, love, my driving is impeccable. You were simply distracted.” His gaze lingered on your face for a beat too long.

A delicious warmth flooded your cheeks. “Distracted? I seem to recall you being the one with wandering eyes," you countered, your voice dropping to a low murmur as you met his gaze head-on. You weren’t sure if the heightened awareness you felt buzzing between you was a product of the lies you were weaving or something more.

“That’s because you are quite the sight to behold, love,” he said, his voice husky, the words brushing against your senses like a caress.

You stared at him, your mind scrambling to process his words, their unexpected sincerity throwing you off balance. Had he just complemented you?

“You are—” He paused, his gaze sweeping over you, lingering on your chest. He didn’t even try to hide it. You held your breath, waiting, as the air thrummed with a sudden, unexpected intimacy.

“Breathtaking.”

What was he doing? you thought, your heart pounding. Was he still playing the part, or was there something more simmering beneath the surface? And why did the possibility excite you?

The air thickened, the sound of his family’s conversation fading into the background as the world seemed to shrink, the space between you charged with an energy that was impossible to ignore. You weren't sure if you wanted to laugh or lean across the table and kiss him senseless.

Just as you felt yourself leaning into that dangerous impulse, Eleanor cleared her throat delicately.

You both startled, like students caught whispering in the back of the classroom. John's cheeks, you noticed with a mixture of amusement and satisfaction, were flushed a faint shade of pink. Even a man like John wasn't immune to a mother's watchful gaze.

“Those rolls are delicious, dear,” Eleanor commented, and turned to you, her tone light but her eyes sharp with amusement. “Why don't you have one?”

You reached for a roll, suddenly starving, the earlier tension dissolving into a relieved chuckle as you caught John's eyes. He winked at you, a playful glint in his blue eyes. You winked back, feeling a warmth spread through you caused by the man sitting beside you, a man who, despite your best efforts to resist, was quickly becoming more than just a convenient prop in this game of play pretend.

You'd managed to escape the clutches of the dinner table without completely blowing your cover, even when, at some points, you weren’t so sure how nobody saw right through you. But then came the real challenge — mingling. The party had moved inside the house, and you were separated from John.

You silently cursed yourself for agreeing to this whole fabricated scenario. What if you told completely different stories to his relatives? What if someone asked you about his work, for God’s sake?

Glasses of port in hand, John’s extended family seemed very determined to catch up on months’ worth of news in one evening. You did your best to smile politely at every occasion, your inner monologue continuously reminding you to simply not say anything stupid.

Suddenly, a very chipper and well-dressed woman intruded on your personal space, waving her phone in front of your face. “You must be John’s girl!” she exclaimed, and before you could even answer, she swiped through numerous photos. “Look at her – isn't she adorable!”

You leaned in, attempting to make eye contact with the child in the photos while subtly taking a step back, her perfume a bit overwhelming. “Absolutely adorable,” you agreed, putting on a wide grin, and the woman beamed. “Oh, I can’t wait to see what children you and John will bring into this world. Aren’t they the greatest thing?”

Children? Your smile faltered. You opened your mouth to respond, to stammer out some vague response about “one step at a time”, but before you could even get a word out, the woman had moved on, already excitedly showing off her offspring to the next unsuspecting relative.

Note to self: Avoid eye contact with anyone holding a baby photo, you thought, your internal panic rising. This whole “fake girlfriend” thing was rapidly becoming a high-stakes obstacle course, and you weren’t sure you were agile enough to navigate it without falling flat on your face.

You were trying to reach John, a plate of sticky toffee pudding on your plate, wanting to show off that you were going to try his favorite dessert – when a booming voice cut through the chatter, catching your attention. “There he is!” A tall, older man with curly hair approached John and shook his hand with a force that could crush granite. “That last mission you pulled off? Absolute textbook. A captain leading his own task force? The old man would be bloody proud.”

John’s posture stiffened ever so slightly. “Cheers, uncle,” he responded, raising his glass, his gaze darting towards you for the briefest of moments.

Mission? Captain? Task force?

The people around you, completely oblivious to your internal meltdown, continued chatting, casually dropping words like “deployment,” “classified,” “weapons,” and all other sorts of military jargon as if they were discussing the weather.

Suddenly, everything fell into place.

All those late-night departures, when you heard heavy footsteps echo through your shared hallway; the vague explanations about “work trips” when you met him outside your apartment; those calls he received at odd hours, his voice tight, his tone clipped, echoing through your shared walls; those calls that always seemed to coincide with a breaking news report or some global crisis. John, your sweet, infuriatingly attractive, seemingly normal neighbor – was leading a deadly task force.

Not that it was any of your business what he did. He owed you nothing.

Then why did this feel like such a blow? That he didn’t tell you beforehand, throwing you into the midst of his family who were clearly all about that life, and leaving you in the dark, making a complete idiot of yourself?

You had been looking forward to trying the famous dessert all evening, but suddenly, your appetite completely vanished. The plate that you held suddenly felt as appealing as cold porridge.

“Everything alright, love?” John approached, noticing the shift in your mood.

You forced a smile, hoping it was convincing. “Peachy,” you replied. “Just, fascinating, hearing everyone’s stories.” You stabbed the pudding with your spoon, not sure where the feelings of anger came from.

You shoved the plate into his chest, forcing him to take it from you. “I just need some air.” You turned and made your way towards his Nan’s beautiful rose garden.

He’d lied to you.

Well, maybe not lied, exactly. Maybe it was the sudden awareness of the danger that shadowed his every move, who he really was, who he was compared to you.

You had every right to feel foolish, to even agree to such a stupid idea. But betrayal? You had no idea where it came from, it seemed like an overreach for a situation that had been, from the beginning, just a constructed lie.

Stepping out into the cool of the garden, you breathed a sigh of relief. The scent of flowers seemed to calm your racing mind a little, a welcome contrast to all the voices you just escaped. You found your way to a small bench underneath an old oak tree, sinking onto the cool wood, straightening your dress doing so.

You didn’t hear John approach, but then again, stealth was probably part of his many talents. You didn’t know whether to be impressed or terrified.

“Enjoying the party?” he asked, stopping right next to you, an arm leaning on the backrest of the bench.

You sighed, running a hand through your hair, frustrated by all these emotions you were feeling. “Well, the food is excellent, your grandma is adorable, and I haven’t witnessed any international incidents first-hand - yet. So that’s a win, I guess?”

He chuckled, the sound low and warm, a welcome contrast to the tension that had been knotting your stomach ever since you’d pieced together the things about his life. You’d grown accustomed to that sound, to the way it rumbled deep in his chest, unexpectedly gentle for a man who, apparently, spent his days navigating a world far removed from yours.

He shifted slightly, settling beside you on the bench. You felt the heat radiating off him in the cool air of the evening, an awareness that lingered even though he wasn’t touching you.

“Look,” he began, fidgeting with the collar of his shirt, a gesture that was strangely endearing on a man who usually was so confident. “My life –” He gestured vaguely towards the party, the house. The unspoken explanation – “ my life is a full-blown, military-grade soap opera ” – hung in the air between you.

“You know,” you interrupted him, turning to face him. “A little heads-up about what you do would have been nice. Especially that it’s such an important thing in your family.”

“I’m sorry. You’re right. It wasn’t fair to throw you into that without a warning. I guess because it’s so normal to me, I just completely forgot about it.”

“I’m a nurse, I don’t really specialize in disarming bombs or whatever it is your uncles like to do for fun.”

He laughed then, a full, hearty laugh, that made your heart flutter faster in your chest.

“It’s not funny.” You said, looking away. “And I know I have absolutely no right to feel – ” you struggled to find the right word.

“To feel –?” he prompted, leaning a little closer.

“Disappointed,” you breathed. “It’s silly, I just felt like I was left out of inside jokes during dinner. I tried so hard to not let this lie slip, but it could have been so much easier if I had known.” You took a deep breath. “So, while I was keeping your plants alive," you added, unable to keep the bitterness out of your voice, "You were out there doing what exactly? Neutralizing threats? Saving the world? I missed that chapter in the ‘Good Neighbor Handbook.’”

You couldn’t help the edge that crept into your voice. At first, it had just been a fun little game, a chance to play dress-up and enjoy delicious food. But now, now it felt different. You were, suddenly, uncomfortably aware of just how much you didn’t know about the man sitting beside you.

The silence stretched between you, punctuated only by the gentle chirping of crickets and the soft rustling of leaves overhead. John stared at you, his eyes searching yours with an intensity that sent shivers down your spine.

“You probably think I am a complete idiot,” you continued, the words tumbling out in a rush, a jumble of emotions you couldn’t quite decipher. “I'm sorry, I'm being absolutely dramatic –”

The words died on your lips as his hands shot out, cupping your face, his thumbs brushing your cheeks with a touch that was both possessive and unexpectedly tender. His gaze held yours captive, those blue eyes burning with a fierce intensity that stole your breath away. And then, without a word, without warning, his mouth crashed down on yours.

His lips were hard, demanding, hungry, devouring yours as if he couldn’t get close enough, his tongue tangling with yours in a desperate, unyielding dance.

It was primal, raw, untamed. It was the kind of kiss that stripped away the pretence, obliterated the boundaries, and left you gasping for air, your mind reeling, your body aching for something you couldn’t name but craved with every fibre of your being.

Time seemed to stand still — the garden, the party, the lie — it all faded away. There was only the feel of his lips on yours, the light scrape of his beard against your skin. The taste of him was intoxicating, the heat of his body radiating off him in waves.

Eventually, he pulled back, his breath mingling with yours in the night air. His hands lingered, resting on your face, slightly tracing the lines of your jawline. His gaze was wild, eyes dark and burning into you with an intensity that made you want to melt into a puddle.

You stared back, your mind racing. This was the moment the lines blurred. There had been something there — you felt it. It was more than pretend, more than just playing a game. Desire. Interest. Even though you felt like you no longer knew this man at all, you wanted to get to know him all over again. Taste him, touch him — you blinked, trying to collect your thoughts.

“Would you prefer to leave?” John's hand, still warm from its possessive grip on your face, gently brushed a stray strand of hair behind your ear, the gesture both intimate and oddly reassuring.

You shook your head. “It’s your grandma's birthday. You can’t just leave because I feel uncomfortable.”

“I think we’ve both had enough of the party for one night,” he murmured, a quick smile flashing across his face. “I’m going to let her know you aren’t feeling too well. Alright?”

He leaned in again, his lips brushing against your cheek, then, with a low rumble, he whispered in your ear, “Wait here.”

In front of both your apartment doors, the silence was an awkwardly long stretch. It felt like you were both trying to understand what had just happened, unsure where to begin.

“So, um,” he started, then stopped, running a hand through his hair, a nervous gesture that you found strangely endearing. “Thank you for coming.”

You nodded and smiled, “Of course. It was nice to get the dust off this dress again.”

He leaned towards you slowly, and your breath hitched. For one heart-stopping moment, you thought he might kiss you again – would he? Was what happened in the garden just an impulsive decision?

But he hesitated, the moment frozen, and there was something indecisive happening between you. But you didn’t mean to push, neither did he.

He cleared his throat and finally spoke. “Good night,” he said, his words careful, as if he were holding back from saying something else.

“Good night,” you echoed, your voice barely a whisper. The small hope that you'd taste him one more time evaporated.

You turned, your hand reaching for your door, keys almost to the lock, when strong hands grabbed you, spinning you around in a dizzying motion. Before you could even register what was happening, his lips were on yours again — silencing all those unspoken doubts and hesitations.

This was real. You felt it; your heart screamed it; the way his mouth was devouring yours, displaying a hunger and desire that shouted it from the rooftops.

Your hands tangled in his hair, holding on for dear life, as his tongue traced the seam of your lips with a possessiveness that made your knees weak. You felt the rumble of his groan against your mouth as he backed you against your apartment door, his body moulding against yours as if he was starving for the feel of you. You were breathless, lost in the heat of his touch, the way his hands roamed your back and finally settled on the curve of your ass.

You realized then that you had always dreamed of kissing this man, silently, secretly, whenever his eyes lingered on yours for a beat too long right there in the hallway. You’d always dismissed those fantasies as wishful thinking, but clearly, he’d been wanting the same.

You heard a click as the lock on your door was turned, and you felt as his hand fumbled with the doorknob behind your back – all while his lips were still on yours, occasionally wandering to kiss your jaw and giving you an opportunity to breathe. He cursed under his breath, and before you even processed what was happening, he shouldered the door open and pushed both of you back into the darkness of your apartment.

The familiar space of your home was suddenly transformed, and John's touch was the compass guiding you. He didn't release you, keeping you close to his body as if you might slip away. With a smooth movement, he shoved the door shut, tossing your keys somewhere onto the floor.

His hands gripped your thighs, lifting you up flush against him, the gasp that escaped your lips quickly swallowed by his next kiss. He carried you, your legs wrapped around his waist, until he reached your couch, where he gently laid you down, his body hovering over yours, his eyes devouring you, making you feel incredibly vulnerable.

The sofa dipped as he planted his knees left and right next to your legs, and he leaned to hover over you. You were both breathing hard, the only sound in the silent room. The only light illuminating you was the sliver of moonlight spilling through the window above.

“Is this still pretend?” you managed to whisper, your voice a shaky breath.

His eyes locked onto yours, the slight smirk on his face sending a thrill to your core. His hands moved to your hips, deliberately grinding them against his groin. You gasped as you felt the hardness of his arousal pressed against you, hyperaware of the thin fabric separating your most intimate parts.

“Fuck, no,” he growled, his voice a low rumble that vibrated through you. He moved his hips again, his hands slowly but intentionally pushing up your dress.

Your skin felt like it was on fire; your head was spinning.

One of his hands moved up to the line of your dress, and with a rumble in his throat, he pulled the fabric aside, exposing the swell of your breasts to his hungry gaze.

His pupils dilated, his eyes dark and intense, as he stared at you like a starving man presented with a banquet. You'd never been so incredibly turned on, no man had ever made you feel this way— John’s simple gesture of delicately tracing the skin around your nipples made you moan so loudly you immediately threw a hand over your mouth, slightly embarrassed.

“No, let me hear it all. You sing so beautifully, sweetheart,” he murmured, his hand gently moving yours away, his touch a mixture of possessiveness and unexpected tenderness.

"John,” you breathed, your voice a shaky sigh.

“This bloody dress,” he groaned. “Wanted to rip it off you the second I saw you standing at my door.” His voice was raw, unfiltered – gone was the nice, gentle neighbor; this was the Captain coming through, the darker, more commanding side of him that should have scared you, but only served to intensify the desire swirling inside you. You wanted to know all about the man he left behind as soon as he stepped into this building.

“Every fuckin' time I saw you in the hallway, those quick hellos were never enough,” he confessed, one hand tightening on your hip, the other slowly trailing down your skin beneath the hem of your dress. His touch was agonizingly slow, leaving a trail of heat in its wake that made you lose your mind. “You have no idea what you do to me.”

His words were so honest, it caught you off guard completely. It must have shown on your face right then, because he smiled in return. “Never thought I’d stand a chance," he admitted. "You always seemed out of reach.”

You frowned. “Out of reach?”

He let out a short, humorless laugh. “Figured I’d never stand a chance against the queue of blokes lining up at your door.”

“John, what? A queue, for me?” You laughed, your disbelief genuine, gesturing towards yourself.

He sighed, sitting up, his fingers playing with the lace trim of your panties as if it were the most natural thing in the world. “You’re beautiful, and tonight, I learned it’s inside and out. You're you, and that's fuckin’ wonderful."

You shook your head in disbelief. His words made your entire body tremble. He wasn’t just looking at your body; he was seeing you. And it felt extraordinary.

He watched you intently, his eyes filled with a longing that mirrored your own. “I kept thinking about what you were hiding underneath those baggy clothes,” he confessed, his voice a husky whisper, his fingers slowly sliding your panties down your legs. He felt you shy away from him a little, a smirk on his face stole your breath, as he pushed your legs apart with his calloused hands. “Like I said, so beautiful.” He whispered, his voice so rough with what you could only describe as lust. It made you shiver.

“You know,” you whispered, “The funny thing is, I thought exactly the same.”

“What do you mean?” You watched as he slowly ran a hand along your thighs. A ragged breath escaped your lungs, and you struggled to continue speaking.

“You’re incredible – there’s no way you didn’t have someone to –”

“To what?” he asked, suddenly stopping his movements, his gaze intense. “Willing to take a chance on a bloke who doesn’t know a thing about flowers or romantic dinners? Who spends more time on planes than in his own flat? Whose idea of a good time involves dodging bullets and disarming explosives?” He let out a self-deprecating laugh, shaking his head.

He was being so completely honest with you, so vulnerable, it sent a sharp pang through your chest. He was seeing you – the real you, hidden beneath the baggy clothes and carefully constructed walls – and for the first time that night, you were truly seeing him . John, who looked like he could bench-press a small car, who radiated an aura of danger as naturally as he breathed.

He wasn’t some playboy who brought women home every other night, like you’d assumed. He could have any woman he wanted – and yet, here he was, his gaze tracing every inch of your naked body.

He liked you. He’d thought about you.

It felt surreal.

“Best decision I’ve made in a long time,” he murmured, leaning closer. “Asking you, I mean. Thinking I could never have you, and now –”

You held your breath, anticipation coiling in your stomach. “Now what?” you whispered.

“You’re mine.” He growled, and before your brain could even process what happened, his mouth was on your clit, kissing and sucking like he finally got to taste that delicious meal he was promised.

“Oh god–!” you moaned, your hands instinctively gripping his hair, your nails digging into his scalp. He moaned, and the vibration of it against your skin made your legs twitch uncontrollably.

John’s touch was relentless, his tongue swirling against your most sensitive flesh, sending waves of pleasure crashing through you that were unlike anything you'd ever experienced before. You arched against him, your hips bucking involuntarily, craving more of the delicious friction that was driving you to the edge of madness.

He seemed to sense your desperation, the way your body was begging for something more. He pulled back, his gaze meeting yours, his eyes dark with a possessiveness that both thrilled and terrified you. His hand replaced his tongue, fingers gently caressing your sensitive clit. “Look at you,” he murmured. “So fuckin’ hot.”

“John,” you breathed, you were speaking without any control over it.

“What do you need, love?” he asked, his voice thick with lust, his hand never ceasing its tormenting, exquisite torture against your aching core.

“I – I need –” You couldn't form the words. Your mind was blank, and your body was trembling with need that eclipsed all rational thought.

He seemed to understand, his gaze softening, a knowing smile curving his lips. He rose slightly, his hands moving towards the belt buckle, groaning as he released himself from the confines of his trousers.

He stepped out of his pants, the sound of fabric hitting the floor echoing in the sudden silence. His shirt followed shortly after, and you were captivated. His body was hard, sculpted muscle, his arousal straining against the fabric of his boxers, proof of the desire you'd awakened within him.

You watched, mesmerized, as he slowly peeled off his boxers, his gaze never leaving yours. His hand reached down, fisting himself, and your breath hitched at the sight.

“Still think you’re not attractive to me, love? Look what you’re doing to me,” he let his thumb slowly run over the head of his length, spreading the drop of pre-come that formed there, and he must have known it was teasing you, driving you mad. “Tell me what you want,” he commanded.

You opened your mouth to speak, to voice the desire that was burning through you with the force of a supernova, but the words caught in your throat. All you could manage was a whimper as your fingers were digging into the cushions, hips arching upwards, instinctively seeking out friction you craved.

You felt like if you couldn't have him, you might die.

“Uh-uh.” His hand reached forward to grab the soft flesh of your tits, one after the other, and his thumb brushed a teasing circle around your nipples, the pressure increasing just enough to make you gasp. "I said, tell me what you want.”

“You,” you confessed, the words torn from your very soul. “For God's sake, I fucking need you.”

John's gaze intensified, his eyes dark, and the corner of his mouth twitched, a predatory smirk playing on his lips. He loomed over you like a predator about to claim his prey. With a growl, he leaned down, pressing his mouth on yours, and you could feel his erection pressing between your folds.

One of his hands shot out, cupping the back of your neck, his fingers threading through your hair, holding you captive.

“You’re going to get everything you need, love,” he breathed, and followed by his promise, he entered you in a deliberately slow movement, almost torturous. He moaned, so raw and primal, it made you clench around him, and your entire body ignited as he filled you completely. His size, his heat, the intensity of the sensation – it sent your senses into overdrive, causing you to dig your nails into his back.

“Ohhh fuck,” you moaned, your voice a breathless whisper, lost in a world of sensation he'd created with his touch.

He paused, holding himself perfectly still within you, savoring the feel of your body clenching around him and the soft moans escaping your lips.

You whimpered, arching your hips up instinctively, desperate for more, aching for him to erase every thought, every doubt, every worry, with the overwhelming pleasure that throbbed between you.

He chuckled, a low, dark sound that sent shivers down your spine, and then he moved. Slowly at first, deliberately drawing out the sensation, his hips rocking against yours, each thrust a slow, agonizingly delicious torture that had you clinging to him, your fingers digging into his shoulders, your nails leaving trails of fire on his skin.

“Fuck,” he groaned, his voice tight with need as he buried himself deeper. “You're so fucking tight – so fucking wet.”

But even in the haze of pleasure, a primal instinct took over. He needed more. He rolled you both over, shifting his weight so that you were straddling his lap, your legs draped over his thighs, your core aligned perfectly with his arousal. He kept his eyes locked on yours as he reached for the hem of your dress, his fingers working quickly, impatiently, to free you from the loosely hanging fabric.

“Now,” his hands found your hips, guiding you closer, his thumbs stroking the sensitive flesh. “Ride me, love.”

You looked down at him, at the raw, unfiltered hunger in his eyes, the way his chest heaved with each ragged breath, and a surge of confidence, of pure, unadulterated lust, washed over you. You began to move, supporting your weight against him by running your hands through the light fur that dusted his chest.

His hands dug deeper into your skin as you increased the pace, moving faster, harder, riding his cock wildly, completely lost in the pleasure.

Every movement sent jolts of pleasure through you. He watched you, his gaze never leaving your face, his chest rising and falling with each ragged breath as if he were hanging onto your every move.

“Fuck, yes,” he growled, his voice thick with approval. “Like that, love. Ride me hard.”

His words were a primal command, a challenge that sent a thrill through you, making you even bolder, even more daring. You leaned forward and kissed him, biting his lip, drawing a groan from him that resonated deep in your core.

He tasted of salt and desire, the scent of his arousal filling your senses, making you wild. His hands were guiding your movements, matching your intensity, pushing you both closer to that sweet edge of release.

With each thrust, you felt the coil of pleasure tighten inside you, building towards a crescendo that threatened to shatter you both. You moved faster, harder, your body driven by an instinct as old as time itself. His touch was a brand, marking you as his, and the possessive hunger in his eyes as you rode him, almost send you over the edge alone.

He was groaning now, his words a jumble of incoherent pleas and praises, his fingers digging into your flesh as he struggled to maintain control. You felt him tense, the muscles in his thighs and arms bunching beneath your touch, and you knew the storm was about to break.

“Don’t stop,” his voice was raw with need, his gaze burning into you as if he wanted to sear this moment into his soul. “Come for me, love. Let me feel you shatter."

And with one final, earth-shattering thrust, you did.

A shudder ripped through you, a wave of pleasure so intense it stole your breath away. Your walls clenched around him, a thousand tiny sparks of sensation exploding behind your eyelids. Your name tumbled from his lips, a breathless groan, as he held you tighter. You cried out, the sound swallowed by his eager mouth as he captured your lips in a desperate kiss, his tongue tangling with yours as wave after wave of pure bliss crashed over you, leaving you trembling, weak, utterly undone.

After you came down from your high, you watched him intently as he was also struggling on the edge of release. Driven by need and desire, you slowly let his cock slip out of you. He made a sound that sounded animalistic, a groan, low and deep in his chest, an expression of frustration. Your hand moved instantly, your fingers finding his length, circling him, stroking him with a deliberate, unhurried rhythm. Your fingertips traced a feather-light path up the underside of his shaft, lingering at the sensitive ridge just below the head before gliding back down to the base, your thumb brushing teasingly against the swollen vein that pulsed with his arousal.

His head fell back against the cushions, his eyes closed, a ragged breath escaping his lips as you continued to tease him, your touch the only cure for his aching need. You watched him, mesmerized by the play of muscle beneath your hand, the raw power he embodied even at that moment of vulnerability.

“I can't –” His fingers dug into the cushions, his body tensing as if fighting against the tide of pleasure that threatened to overwhelm him.

You smiled. The power thrumming between you was intoxicating, addictive. “Can’t what, John?” you whispered, leaning in, your lips trailing a teasing path along the hard planes of his stomach. “Can’t hold back anymore?”

His answer was a strangled groan. His body went rigid, and the wave of pleasure that followed was written all over his face. His hand shot out, not to stop you, but to grip your wrist. His fingers tightened around it, his control started slipping, shattering, as his release washed over him.

You whispered small praises, and watched, fascinated, as his release spurted over your hand in hot, pulsing bursts. His hips were stuttering, his cock, hard, thick in your grasp, throbbed, and the remnants of his release felt warm against your skin. He was completely at your mercy.

You’d never felt this bold, this empowered, this reckless. Before you could overthink it, you raised your hand to your mouth and licked his come off of your fingers.

Your wish to taste him, it couldn’t get any more him than this. Salt, sweat, and something so uniquely his. It made your walls clench around nothing, sending a new wave of excitement through you.

John’s gaze snapped to yours, his eyes wide, a flicker of something dark and possessive flaring in their depths as he watched you, his chest heaving as he struggled to catch his breath.

“Fuck,” he groaned, and reached out, his hand resting on your neck, his thumb slowly stroking along your pulse. “You’re something else, you know that, love?”

A nervous giggle escaped your lips. The sudden awareness of your actions, the intimacy of the moment, sent a wave of shyness washing over you. “I, uh,” you trailed off, averting your gaze, unable to meet the intensity burning in his eyes. Your cheeks burned, and you wanted to hide.

John’s hand shifted, his fingers tracing the curve of your jawline. He tilted your chin up, forcing you to meet his gaze.

“Don't shy away from me now, sweetheart,” he murmured and softly ran his thumbs over your lips. “Not after that.”

“That was –” You struggled to find the words, your thoughts were a mess. “I've never –”

“Never?” He leaned closer, his breath warm against your cheek, the scent of him filling your senses, making you dizzy.

“Never been that bold,” you admitted, your gaze dropping to his lips, their fullness suddenly a source of endless fascination. “Or wanted someone so intensely.”

A dark smile spread across his face, his eyes gleaming with triumph and something that sent a delicious thrill through you. “Good,” he growled, the word a low rumble that vibrated through you. “Because you're mine now, love. And I'm not about to let you forget it.”

And then, before you could protest – not that you had any intention of doing so – his lips crashed down on yours. It wasn’t gentle. This kiss was a possession, a claiming, a wildfire consuming everything in its path. His hand shot out to grab your neck, holding you close to him.

This really wasn't pretend anymore.

#cod fanfic #ao3 fanfic #captain john price #captain john price x reader #john price x reader #call of duty #fanfiction #captain price x reader #john price #captain price #captain john price x oc #x female reader #cod smut #call of duty smut #captain john price smut #18+ mdni

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javelinbk · 1 month ago

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Martin: How did the idea for “Two Of Us” come to you? Did you first of all have an idea to write a film about an aspect of the Beatles - and then arrive at this particular story? Did you start out by wanting to write about the dynamic of John and Paul - and then arrive at this place? Or was this specific story your very first thought?

Mark: I wanted to do something creative with all this ‘useless knowledge’ that I had accumulated over the years, as a sort of purging and also as a kind of tribute, a way of saying thanks. Initially, I thought about writing a biography, but there have been so many. I think it was the conceit that I had some kind of unique insight into the dynamic between John and Paul that really got me started. And I would see these interviews with Paul where, whenever they asked him about John, everything would shift -- his face, his tone of voice. I would watch him and think, "My God, he really loved John, and he hasn't gotten over losing him."

Martin: Did you have an idea of what ground you wanted to cover? i.e. what factual topics you wanted each person to cover. And what emotional terrain you would want each of them to cover?

Mark: I knew that John's painful childhood would play an enormous role in the way I portrayed him, that he would be seen as never having completely come to terms with being unwanted. And I knew that I wanted to get across how much Paul really loved and understood John, which, I believe, is what frightened John.

Martin: Your original script ended with “Here Today” (Paul McCartney’s 1982 tribute song to John) being played - though you were subsequently unable to obtain permission for its use. If there had been total access from the Beatles for their recordings and their publishers for their music - would you have wanted to feature other music by them - and by John and Paul individually? If so - what specifically would you have wanted to use? And to underscore which points in the film?

Mark: It would have been nice to have "Silly Love Songs" in there, since that kind of summed up where Paul was at back then. The song that I kept coming back to, though, as I was writing, was "Jealous Guy". I'm practically convinced that John actually wrote that song for Paul. Whether he knew it or not.

Martin: Were you ever thinking that this might be regarded as a heresy to postulate history? Not just Beatles history - but postulating history with any real-life characters. Did you actively think about any of the precedents in the literary and dramatic tradition where real-life persons have been portrayed? And more particularly about works which have not just depicted known events - but have speculated about things that MIGHT have happened?

Mark: I didn't give it a lot of thought. Certainly it's been done before, from Shakespeare through something like "Melvin and Howard." And, more recently, in films like "Gods and Monsters". "Shakespeare in Love", for that matter.

Beatles historian Martin Lewis interviews Mark Stanfield, screenwriter of Two of Us (2000)

#mark stanfield #two of us (2000)#two of us movie #the beatles #beatles biopics #paul mccartney #john lennon #interviews: other

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etherealkissed88 · 1 year ago

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𝐣𝐚𝐧𝐢’𝐬 𝐥𝐚𝐰 𝐨𝐟 𝐚𝐬𝐬𝐮𝐦𝐩𝐭𝐢𝐨𝐧 𝐠𝐮𝐢𝐝𝐞

this is how to actually apply the law & this is how i personally manifest. it includes main points that i always try to share on all social media platforms. this guide will contain five steps for how to manifest. enjoy!

🎀 𝐭𝐚𝐛𝐥𝐞 𝐨𝐟 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬

𝐈. know the 3d is neutral

𝐈𝐈. identify as the inner self

𝐈𝐈𝐈. be the desired version of you in imagination

𝐈𝐕. fulfill

𝐕. its done

🎀 𝐡𝐨𝐰 𝐭𝐨 𝐦𝐚𝐧𝐢𝐟𝐞𝐬𝐭

once you've decided what it is you want...

𝐈. know the 3d is neutral: everything in the 3d has no original meaning, it is always you who assigns it meaning; this is why you are the operant power. you always choose what everything means so stop labeling things as ‘circumstances’ when theres nothing against you, until you give it power by assigning it w meaning. everything in the 3d includes circumstances, thoughts, emotions, doubts, time, everything. all of it has no original meaning. knowing this means that theres nothing to fear and absolutely everything is under your control. as the only source of power, why would you worry about “will this thought manifest?” or “how can i get over this hard circumstance?” when you decide everything’s meaning? no circumstance has power over you, no anxiety has power over you, and this can help you feel more free to make it easier to accept that you really do already have what you want. you cannot be a victim in a reality that has no original meaning. its your choice to identify with any thought or feeling, meaning you have control.

𝐈𝐈. identify as the inner self: yes the human body experiences this 3d. but this human body and five senses are very limited. think about it: if you want to manifest an sp, you cant see your sp's thoughts or if you want to be rich, you cant see money getting transferred into your account, or fat cells burning to give you your desired body. you are also imagination playing the role of this human body and life. so you yourself is limitless, imagining what we label as "limits". imagination = the inner self. you are the inner self who is always present because you are always manifesting and its the inner self (imagination) who manifests. you are always the inner self but when you identify with your human limits you give power to those imaginary limits such as ‘negative thoughts’ and ‘circumstances’ while on the other hand, identifying as the inner self means knowing those limits dont exist. thats why its important to identify as the inner self (you can call it god) who is simply experiencing a human life and has the power to change any aspect of that life. to identify as the inner self, just know you are the inner self and you should never be limited to the human self. if you find yourself searching for shit in the 3d, thats a sign of identifying as the human self. experience what you want as the inner self in imagination to be free. to the inner self everything is instant: when you imagine something it is happening in the now, not past or future. everything is in the present. as the inner self, you remove the idea of a 3d. there is no human self or 3d now, just focus on limitless imagination.

𝐈𝐈𝐈. be the desired version of you in imagination: now that you know you are the inner self, be the desired version of you in imagination. this means imagine using any techniques you want. if you want to be rich, you visualize, affirm, script. use inner convos or sats (and other techniques) to imagine already being the rich version of you. once you imagine it you have already experienced it so it really is done. you also dont have to use a technique, you can simply decide you already have what you want but i personally recommend using a technique at least once. let me give you an example: nelly wants to manifest being rich so she chooses to visualize a scene where she is taking lots of money from the bank to imply that shes rich.

𝐈𝐕. fulfill: whatever you imagine doesnt matter. what matters is how it makes you feel. for example, it doesnt matter if nelly visualized the bank scene or if she affirmed shes rich because techniques dont do anything besides bring you to a fulfilled state. so when to fulfill yourself, imagine whatever you want that provides you a feeling of satisfaction by using whatever techniques you are comfortable with. keep repeating the scene or affirmation or technique until you successfully feel satisfied. you may be able to feel this fulfillment while doing it once or multiple times. you may be able to feel fulfillment in a few days or in one hour. the point is to generally feel good about embodying that ideal version of you. fulfillment = the feeling of knowing you are already that desired version. you reach this state of satisfaction therefore accepting that you already have what you want 100%. the more you continue to get into this fulfilled state, the more natural it becomes so its okay if you dont feel completely satisfied the first time. thats why i said repeat that scene or technique.

𝐕. its done: congratulations, you are what you desired. you are the one with the sp, the one with $100,000, the one living their desired life. continue being/identifying as that person in imagination aka persisting. persisting means continuously choosing to identify with the ideal version of you whenever you think about it. see the world through the eyes of the one who has to their desire already. move thro the 3d knowing it is done in imagination. this means you could continue enjoying your techniques by visualizing or thinking as the desired version of you. but also: thoughts come from your state so if you are in the state of being fulfilled with what you desire then your thoughts should naturally match that. if it doesnt, dont stress, just continue satisfying yourself in imagination. being in the state of the wish fulfilled aka feeling fulfillment helps make it easier to stick with your desired state/assumption. whenever you feel lack, fulfill yourself again and remind yourself that its already done. its already yours. theres literally nothing else to do since you experienced it in imagination, youve fulfilled yourself and feel satisfied in imagination and continue sticking with that regardless of the 3d. regardless of the 3d means you are indifferent to the 3d because you know you are the one in power above the dead 3d. you dont care about what the 3d is showing and you stay true to self because that is how you apply the law.

🎀 𝐡𝐨𝐰 𝐭𝐨 𝐦𝐚𝐧𝐢𝐟𝐞𝐬𝐭 𝐬𝐮𝐦𝐦𝐚𝐫𝐲

know the 3d is always neutral so theres no such thing as something working against you, only you give thoughts and circumstances meaning and power. know this because that proves the only source of power that exist is always you so you control everything and nothing in the 3d can tell you no

identify as the inner self, not the human self because the human self is limited while the inner self is forever free and limitless and experiences everything instantly

be the desired version of you in imagination by using any techniques you want

fulfill yourself by satisfying yourself in imagination with whatever techniques or simple decision. return to this fulfilled state / repeat using your techniques to make it natural and give you that knowing feeling

its done meaning theres nothing else to do but persist. no depending on the 3d when everything is already within you. just experience it in imagination and its done instsntly.

🎀 𝐜𝐨𝐦𝐦𝐨𝐧 𝐪𝐮��𝐬𝐭𝐢𝐨𝐧𝐬 + 𝐚𝐧𝐬𝐰𝐞𝐫𝐬

“what do i do if there are negative circumstances in the 3d?”

- remember that everything in the 3d is always neutral. you can claim they are negative but dont identify with these ‘circumstances’ by making and dwelling in imaginary negative stories and thoughts. you can say and do whatever you want in the 3d because it never matters (since its all neutral) so theres no need to ignore circumstances. just dont accept them as final. let the discouraged emotions and thoughts out but know you dont have to accept them as true or identify w them. there are negative circumstances. okay and? if circumstances were so hard to get past how is it possible that people still manifest while experiencing the complete opposite of their desire in the 3d? because the 3d and circumstances never matter. you are imagination which always molds the 3d so why worry about the 3d when it will change either way? remember your only job is accepting you have your desire in imagination only. you can accept you dont have shit in the 3d and continue living your normal (shitty) 3d life while still being the version of you who already has your desires in imagination. you can accept the 3d circumstances and move on. im telling you: if you were really fulfilled, you wouldnt care about 'circumstances.' gently get back into the fulfilled state when youre ready. also: you deadass have the choice to identify w the 3d or identify w already having your desire. so its all up to you.

“what should i do if i feel anxiety?”

- whenever i feel anxiety i observe it and let the feeling pass because i know it is always neutral therefore anxiety has no power over me. i would do meditation just to calm myself down but i would not try to force myself to feel fulfilled or do techniques. mental health comes first so relax and calm down, then you gently get back into the state of the wish fulfilled. i dont identify w negative emotions and thoughts. and if i find myself dwelling in it and imagining negative stories, i just stop myself and decide it didnt effect me (or my manifestation in any way). returning to the fulfilled state is always the answer.

“ive been persisting for a long time but it still hasnt reflected”

- stop trying to get shit in the 3d and start being satisfied with already having it. these links might help: 1, 2, 3.

"i feel fulfilled but the next day i fall out the state"

just return to the state whenever your ready. thats all that matters. it doesnt matter what happens but how you react: are you accepting/assuming that you "ruined your manifestation" or do you just move on because you know you are still human who experiences demotivation? read these: 1, 2.

if theres anymore questions, check my masterlists for answers: tumblr, twitter.

🎀 𝐦𝐲 𝐭𝐢𝐩𝐬

- actually apply the fucking law. a lot of you just ask questions and then “try” to apply and when one thing seems wrong, you go back to asking questions and wasting both your time and mine. persist. apply the fucking law and stop looking for outside validation.

- get tf off your phone. this is my favorite tip ever because the internet and people can rly demotivate you. delete social apps like tumblr and twitter and insta etc. you already know about the law after reading this so give up on search for more info. being independent from the media and your phone rly provides freeness and calmness. you know when you tell your mom your sick and she says something like “its that damn phone”? well lemme be your mother real quick and tell you “its that damn phone” when you complain about “the law not working”. the law is always working. you just arent applying correctly to get what you want. get off the phone and find some other hobbies instead of overconsuming.

- dont use your past “failures” to validate your current experience. you can do it! i know you can! its too easy but you think its hard.

- you always hold all the power so dont identify with negative thoughts and if you do, you can just decide it doesnt affect you (either way it wont unless you identify with the thought/emotion). you always have a say in every second of your life. be the god of your reality.

- remember, your only goal is changing self: you change who you are being in imagination and stick with it. if this post was not clear enough, i have a law of assumption cheat sheet on twitter for clearer info. but after this, its time to delete your apps and actually apply. im not playing.

- for the links that are from twitter: some of them are threads and you could only see it thro the twitter app to see the full thread

thank you so much for reading. i rly hope this helps people and clears things up. now delete your apps and apply! it all comes down to YOU.

kisses, jani ☆

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