#acms 2020

[hmvw2015]

I've joined the train of support.

David Zaslav is the worst!

[marzipanandminutiae]

have you seen that annoying try guys video about corsets. why’re they tightlacing like it’s average wear?

Yeah, and it's just a lot of nonsense. Like all of those videos.

Why do they tightlace? Because that's what people want to see. Not everyone; a lot of people are genuinely interested in learning. But unfortunately, a loud minority wants to believe the easiest, least complicated, most sensational version of the past. And that loud minority votes with engagement. You CAN get clicks for saying the corsets were basically the bras of their day, and women's relationship with them was similarly complicated and individual, but they were not unilateral torture devices- look at the success of costube in recent years -but that takes effort. Why bother, when you can just play to the lowest denominator of historical clothing knowledge?

(On some level, I do understand where the impulse comes from- the eras where pairs of bodies/stays/corsets were commonplace were also times of intense systemic misogyny, so "women were forced into torturous undergarments" seems par for the course. And the pressure on women to look and dress a certain way is obviously wrapped up in misogyny, then and now, even though women were not suffocating themselves into 15" waists like pop history insists. It's a myth that makes sense given its context; that's how it's survived.)

(That and the fact that the women who wrote the most about corsets were the ones who hated them. Likely a minority compared to the vast numbers of women then alive in corset-intensive cultures, but their strong feelings compelled them to speak out in ways that the probable majority never did. Who sits down and writes "Dear diary, another uneventful day wearing an ultra-commonplace support garment that I'm fairly neutral about?")

(But if you absolutely loathe wearing something- due to sensory issues, perceived hassle of dressing, feeling like your needs aren't met or are impeded by the garment, etc. -and social pressure says You Must...yeah, you're going to have some Thoughts on that subject.)

[chatretr0]

Coyote vs ACME Behind the Scenes

[bestofanimaniacs]

Best Song Tournament Round 1/Bracket 2:

Here Comes the Sea

The Wishing Star

[thedibblesarchive]

taylor at the 2020 acm awards, folklore era

[whencartoonsruletheworld]

Wish (2023) dir. Fawn Veerasunthorn, Chris Buck

hey do you think the overworked creatives about to go on strike are trying to tell us something

article sources under the cut

Mattson, Kelcie. "How Disney Almost Killed 'Nimona.'" Collider, January 2 2024.

Earl, William. "Shelving Batgirl Was the Right Decision, Says New DC Studios Head Peter Safran: 'It Would Have Hurt DC.'" Variety, January 31 2023

Couch, Aaron. "Warner Bros. Reverses Course on 'Coyote vs. Acme' After Filmmakers Rebel." The Hollywood Reporter, November 13 2023.

Ridgely, Charlie. "Scoob! Sequel Director Revealed Film Was 'Very Close' to Completion Before HBO Max Cancellation." comicbook.com, August 2 2022.

Clark, Travis. "Staffers at the animation studio Blue Sky say it's 'heartbreaking' that Disney canceled its final movie, 'Nimona.'" Business Insider, February 18, 2021.

Harrison, Mark. "Why was the Batgirl movie cancelled?" Yahoo! Entertainment, January 31 2024.

Amidi, Amid. "Warner Bros. Shelves Fully-Completed 'Coyote Vs. Acme' For Tax Write-Off." Cartoon Brew, November 9 2023.

Lee, Alex. "Why Netflix keeps cancelling your favourite shows after two seasons." Wired UK, September 28 2020.

Tyrrell, Gary. "We All Knew It Was Coming." fleen.com, February 10 2021.

"Warner Bros. Reverses Course on ‘Coyote vs. Acme’ After Filmmakers Rebel." see: 3.

Bergeson, Samantha. "Warner Bros. Will Let 'Coyote Vs. Acme' Filmmakers Shop Movie to Other Distributors." IndieWire, November 13 2023.

Strapagiel, Lauren. "Disney's First Feature Animated Movie With Queer Leads May Never Be Released." BuzzfeedNews, February 24 2021.

"We All Knew It Was Coming." see: 9

@/scottderrickson. "I think it’s absolute bullshit that a studio can and does shelve the creative work of hundreds of people for a fucking tax break." Twitter, 10 Nov. 2023, 4:52 p.m..

[staranon95]

im struggling to put words to thought about the recent announcement of Rooster Teeth shutting down after 21 years. their wide variety of content was a constant companion to me throughout my time in university and was a great comfort at the beginning of the pandemic until October 2020 (iykyk)

Warner Brothers-Discovery is seriously being mismanaged as a company. with the shelving of the already made Batgirl movie, the recent shelving of Coyote v. Acme, and many other poorly made decisions content wise, im not surprised they're axing Rooster Teeth as another means of attempting to save money and earn a little more by offering up some of RT's properties

it just sucks that RWBY will likely never finish

it just sucks that so many talented, hardworking people will be losing their jobs

it just sucks that countless hours of content will likely be lost

it just sucks that this is how it ends.

[galactic-glamour-girl-posts]

*deep sigh*

So a while ago I suggested that maybe after the Animaniacs reboot we'd get a new Pinky and the Brain movie.

And you know what?

WE ALMOST DID!!!!

According to Maurice LaMarche, a new Pinky and the Brain movie was in development, but it "went the same way as the coyote", an obvious reference to what happened to Coyote Vs Acme.

Did it become a tax write-off?

I don't think so. He specifically says "they killed it" and goes on to say "maybe it will be in development again", so what I think happened is that new management took over and the movie was scrapped, not written-off.

This seems to be that potential movie the VAs were hinting at in interviews they did to advertise season 3 of the reboot, such as the one featured in this article:

Or the one featured in this article:

Although that's just speculation, they could've just been hoping for a movie, although it does seem like the movie was in development at around the same time the reboot was coming to an end. And if that's the case, I have to assume it was going to provide a conclusion to Julia's arc...

Damn.

[mpchev]

You like reading fanfics? How about reading about fanfics? 😏

Here’s what I've read so far (or am currently getting through) for my dissertation on fanfiction bookbinding! I'll be updating it as I go until the end of July. If you have any recs to add to the towering pile or any questions/opinions about something on there, I’m all ears!

on fan studies & ficbinding ✔

Alexander, Julia, ‘Making fanfiction beautiful enough for a bookshelf’, The Verge, 9 March 2021 <https://www.theverge.com/22311788/fanfiction-bookbinding-tiktok-diy-star-wars-harry-potter-twitter-fandom> [accessed 12 June 2024]

Buchsbaum, Shira Belén, ‘Binding fan fiction and reexamining book production models’, Transformative Works and Cultures, 37 (2022)

Dym, Brianna, and Casey Fiesler, ‘Ethical and privacy considerations for research using online fandom data’, Transformative Works and Cultures, 33 (2020)

Jenkins, Henry, Textual Pochers: Television Fans and Participatory Culture (New York: Routeledge, 1992)

Jenkins, Henry, ‘Transmedia Storytelling 101’, Pop Junctions, 21 March 2007 <http://henryjenkins.org/2007/03/transmedia_storytelling_101.html#sthash.gSETwxQX.dpuf> [accessed 12 June 2024]

Hellekson, Karen, ‘Making Use Of: The Gift, Commerce, and Fans’, Cinema Journal, 54, no. 3 (2015), 125–131

Kennedy, Kimberly, ‘Fan binding as a method of fan work preservation’, Transformative Works and Cultures, 37 (2022)

Minkel, Elizabeth, ‘Before “Fans,” There Were “Kranks,” “Longhairs,” and “Lions”: How Do Fandom Gain Their Names?’, Atlas Obscura, 30 May 2024 <https://www.atlasobscura.com/articles/fandom-names> [accessed 12 June 2024]

Penley, Constance, Nasa / Trek: Popular Science and Sex in America (London: Verso, 1997)

Price, Ludi, ‘Fanfiction, Self-Publishing, and the Materiality of the Book: A Fan Writer’s Autoethnography’, Humanities, 11, no. 100 (2022), 1–20

Schiller, Melanie, ‘Transmedia Storytelling: New Practices and Audiences’, in Stories: Screen Narrative in the Digital Era, ed. by Ian Christie and Annie van den Oever (Amsterdam: Amsterdam University Press, 2018), 99–107

on folklore, the internet, other background reading ✔

Barthes, Roland, ‘La mort de l’auteur’ in Le Bruissement de la langue: Essais critiques IV (Paris: Éditions du Seuil, 1984)

Blank, Trevor J., Folklore and the Internet: Vernacular Expression in a Digital World (Logan, Utah: Utah State University Press, 2009)

Mauss, Marcel, ‘Essai sur le don. Forme et raison de l’échange dans les sociétés archaïques.’, L’année sociologique, 1923–1924; digital edition by Jean-Marie Tremblay, Les classiques des sciences sociales, 17 February 2002, <http://classiques.uqac.ca/classiques/mauss_marcel/socio_et_anthropo/2_essai_sur_le_don/essai_sur_le_don.html> [accessed 10 June 2024]

McCulloch, Gretchen, Because Internet: Understanding How Language is Changing (Random House, 2019)

Niles, John D., Homo Narrans: The Poetics and Anthropology of Oral Literature (University of Pennsylvania Press: Philadelphia, 1999)

hopefully coming up next (haven't started yet)

A Companion to Media Fandom and Fan Studies, ed. by Paul Booth (Hoboken: John Wiley & Sons, Inc., 2018)

A Fan Studies Primer: Method, Research, Ethics, ed. by Paul Booth and Rebecca Williams (Iowa City: University of Iowa Press, 2021)

Dietz, Laura, ‘Showing the scars: A short case study of de-enhancement of hypertext works for circulation via fan binding or Kindle Direct Publishing’, 34th ACM Conference on Hypertext and Social Media (HT ‘23), September 4–8, 2023, Rome Italy (ACM: New York, 2023)

Fathallah, Judith May, Fanfiction and the Author: How Fanfic Changes Popular Cultural Texts (Amsterdam: Amsterdam University Press, 2017)

Finn, Kavita Mudan, and Jessica McCall, ‘Exit, pursued by a fan: Shakespeare, Fandom, and the Lure of the Alternate Universe’, Critical Survey, 28, no. 2 (2016), 27–38

Hjorth, Larissa et al., eds. The Routledge Companion to Digital Ethnography (New York: Routledge Taylor & Francis Group, 2017)

Jacobs, Naomi, and JSA Lowe, ‘The Design of Printed Fanfiction: A Case Study of Down to Agincourt Fanbinding’, Proceedings from the Document Academy, 9, issue 1, article 5

Jenkins, Henry, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006)

Jenkins, Henry, Spreadable Media: Creating Value and Meaning In A Networked Culture (New York: New York University Press, 2013)

Kennedy, Kimberly, and Shira Buchsbaum, ‘Reframing Monetization: Compensatory Practices and Generating a Hybrid Economy in Fanbinding Commissions’, Humanities, 11, no. 67 (2022), 1–18

Kirby, Abby, ‘Examining Collaborative Fanfiction: New Practices in Hyperdiegesis and Poaching’, Humanities, 11, no. 87 (2002), 1–9

Kustritz, Anne, Identity, Community, and Sexuality in Slash Fan Fiction (New Work: Routeledge, 2024)

Lamerichs, Nicolle, Productive Fandom: Intermediality and Affecive Reception in Fan Cultures, (Amsterdam: Amsterdam Universtiy Press, 2018)

Popova, Milena, ‘Follow the trope: A digital (auto)ethnography for fan studies’, Transformative Works and Cultures, 33 (2020)

Rosenblatt, Betsy, and Rebecca Tushnet, ‘Transformative Works: Young Women’s Voices on Fandom and Fair Use’, in eGirls, eCitizens: Putting Technology, Theory and Policy into Dialogue with Girls’ and Young Women’s Voices, ed. by Jane Bailey and Valerie Steeves

Soller, Bettina, ‘Filing off the Serial Numbers: Fanfiction and its Adaptation to the Book Market’, in Adaptation in the Age of Media Convergence, ed. by Johannes Fehrle, Werner Schäfke-Zell (Amsterdam: Amsterdam University Press, 2019), 58–85

[fluffytheocelot]

Carmen Week Day 5: AU

AWW YE HERE WE GO BOIS I HAVE BEEN SO HYPED FOR THIS ONE! Sorry its a bit late lol

Anyways--

Last Wolf is very near and dear to me, it was the first fic I actually had the confidence to write, but Thief's Guide is almost completely my own. It's not based off of another series, pretty much all the worldbuilding and plot is mine. Last Wolf still follows the timeline and plot of the original show (changed and added to of course, but the original show is the backbone.

A Thief's Guide to the Zombie Apocalypse is exactly what it sounds like lol. Carmen and her friends surviving in an apocalypse while on the run from VILE and ACME, complete with a dope soundtrack.

And Julethief of course :) because i love them

This is definitely an AU I wanna write down, I promise. Uhh maybe when I get this chapter of Last Wolf out I'll start??? Maybe. We'll see lol.

Feel free to drop me an ask about it! or last wolf too lol.

Dope soundtrack:

if the song came out during or before 1986ish, then its probably something the characters would listen to (namely Carmen, jamming to cassettes she scavenges on her Walkman). anything after that would just be soundtrack/credits music if it was a show.

uhhh story info under the cut lol

Around the mid 1980s, Dr. Bellum's unnamed predecessor was experimenting with a virus that, well, turned people into zombies. The test run soon got out of hand, however, and the virus quickly spread to the entire world.

Technology pretty much stays the same. Radios, paper maps, Walkmans, stuff like that. Music and TV obviously aren't getting widespread release anymore, so anything that came out past like, 1986 doesn't exist.

(Wow Fluffy that's so unrealistic there's no way people wouldn't quarantine themselves to stop it-- *looks at 2020* nevermind)

VILE uses it as a power grab, offering people shelter, food, etc. in exchange for joining. Fun.

There's incredible amounts of chaos and violence for the first decade or so, until late 1999 when VILE faculty member Dexter Wolfe is assumed to have been caught and killed.

Two things happen: ACME arises as a direct rival to VILE, and VILE acquires a certain Black Sheep.

ACME wants to find a cure. VILE wants the apocalypse to keep going so they stay in power. VILE and ACME are both much more well known.

Black Sheep grows up in a VILE compound, learning all her important thief skills of course, as well as the skills needed to survive the apocalypse: Firearms, bows, blades, living in the wilderness, etc etc. Pretty much anything you can think of needing to know in the apocalypse, Carmen learned when she was like six lol.

She officially enrolls at about 15, and escapes at 16.

Eventually she figures out VILE wants the apocalypse to keep going and escapes into the night on horseback, with Cookie Booker's stolen hat and coat.

She's on the run for a while and eventually winds up in Ontario, where she meets a recently orphaned 12 yr old Player. The two become fast friends and pretty much grow up together over the next few years. Carmen is very protective of Player and teaches him how to survive in case anything happens to her.

They make their way to Boston, pick up Zack and Ivy, and Team Red is complete! (for now)

Along the way they eventually acquire our favorite grumpy ninja, Carmen's favorite ACME agent, an aussie electrician and a couple more surprise people ;)

Carmen also discovers she may be the key to ending the apocalypse, but is ACME really what they say they are?

[mostlysignssomeportents]

A giant grocery merger will send "inflation" through the roof

Sometimes it’s hard to know why prices are going up. Between the oil shock, a tight employment market and the climate polycrisis, is it even possible to tell if companies are using the widespread belief in inflation to hike prices? Uh, yeah, as it turns out, we absolutely can.

Yes, it’s hard to peer into the minds of executives at large companies and know whether their price hikes are due to greed or necessity. But we don’t have peer into their minds! We can just dial into their investor calls, where top execs of giant companies brag about hiking prices under cover of inflation:

https://pluralistic.net/2021/11/20/quiet-part-out-loud/#profiteering

These guys can’t help but boast about their price-setting power, whether that’s Colgate-Palmolive CEO Noel Wallace boasting that his company is “good at pricing”:

https://www.fool.com/earnings/call-transcripts/2021/10/29/colgate-palmolive-company-cl-q3-2021-earnings-call/

Or Procter and Gamble CFO Andre Schulten saying, “We have not seen any material reaction from consumers, so that makes us feel good about our relative position.”

https://www.businessinsider.com/labor-shortage-customers-higher-prices-wages-jobs-staff-salaries-employment-2021-11

The grocery barons are particularly boastful. Here’s Kroger CFO Gary Millerchip explaining why higher wholesale costs have not led to an erosion of the company’s massive margins: “We’ve been very comfortable with our ability to pass on the increases that we’ve seen at this point, and we would expect that to continue to be the case.”

https://www.wsj.com/articles/u-s-companies-bet-shoppers-will-keep-paying-higher-prices-11635067802

Kroger is about to get a lot more pricing power, because it is merging with Albertsons, a company that already bought Safeway, Haggen, Acme, Jewel Osco, Shaw’s, Pavilions, Von’s and too many others to fit in here.

But there are some companies Albertsons definitely doesn’t own, because they’re owned by Kroger: Ralph’s, Dillon’s, Food 4 Less, Fre _Meyer, Harris Teeter, King Soopers, Mariano’s, and many more. As David Dayen writes for The American Prospect, “the illusion of choice in supermarkets masks the dominance.” and this the “preposterous” $24.6b merger will produce a price-gouging juggernaut:

https://prospect.org/power/proposed-kroger-albertsons-merger-would-create-grocery-giant/

The leadership of both companies assure us that they will not use their combined might to raise prices. These are, of course, the same leaders who have been publicly boasting about their ability to raise prices thanks to their existing scale. With five giant companies controlling nearly the entire US grocery market, it’s not really a mystery why grocery prices are up 13% in the past year, while eggs are up 30.5%, chicken up 17.2% and coffee up 15.7%:

https://twitter.com/ryanstruyk/status/1580539772212502530

As Kroger CEO told his shareholders: “a little bit of inflation is always good in our business” because it lets him raise prices and “customers don’t overly react.”

The architects of the deal are the resassuringly named PE giant Cerberus Capital, who stand to make $7b from the merger:

https://www.forbes.com/sites/brandonkochkodin/2022/10/14/here-are-two-less-known-winners-in-the-kroger-albertsons-merger/

These are the same motherfuckers who bought up local hospital chains, debt-loaded them, and then threatened to shut them down at the start of the pandemic if they didn’t get massive, no-strings-attached public subsidies:

https://pluralistic.net/2020/04/04/a-mind-forever-voyaging/#prop-bets

Cerberus is also behind Spain’s rental affordability crisis, having bought up innumerable buildings and jacked up the rent, while cutting maintenance and evicting the shit out of anyone who complains:

https://pluralistic.net/2021/11/24/no-puedo-pagar-no-pagara/#fuckin-aardvarks

As Dayen writes, this merger turns on a bet: that the FTC will not block it, but rather, rely on the tired, discredited idea of “conduct remedies” — where a the companies undertaking a giga-merger have to pinky swear that they won’t abuse their market power. This always requires a monumental act of credulity, but that’s doubly true with these companies.

Back in 2015, Albertsons merged with Safeway, and promised that it would lessen its control over groceries in western states by selling off 168 stores, mostly to Haggen, a company that was “woefully underequipped” for such an expansion. Nine months later, Haggen went bankrupt, and Albertsons bought them, along with the dozens of the stores it promised to sell off, at 80% off, turning a massive profit on the scam:

https://www.economicliberties.us/our-work/courage-to-learn/

Now, Albertsons is playing Lucy-with-the-football, promising to sell off 100–375 stores as a condition of the Kroger merger. Only an idiot would trust this promise. Luckily, as Dayen writes, FTC Chair Lina Khan is no idiot. She’s turned antitrust into a “shooting war” by declaring that the age of rubber-stamped mergers is over:

https://mattstoller.substack.com/p/the-antitrust-shooting-war-has-started

Fittingly, that age began with manufactured outrage by the business lobby and its priesthood at the University of Chicago School of Economics over United States v. Von’s Grocery Co, where a 1966 grocery store merger was thwarted.

https://supreme.justia.com/cases/federal/us/384/270/

Vons became the rallying cry of the pro-monopoly lobby and their cult of low-information voters, the “Beghazi” of its day. To hear them tell of it, the insistence that grocery consolidation was bad was a mere superstition, one that made life worse for everyone in service to an incoherent ideology.

But grocery mergers are bad. They produce monopolies who raise prices on the food we need to survive. Today’s “inflation” isn’t the result of sending out too much covid relief to ordinary people — it’s the result of monopolies:

https://pluralistic.net/2022/02/02/its-the-economy-stupid/#overinflated

And the lack of capacity:

https://pluralistic.net/2022/06/01/factories-to-condos-pipeline/#stuff-not-money

[Image ID: A brightly lit grocery aisle; at its terminus, looming out from behind the frame, is the upper torso and head of Goya's 'Saturn Devouring His Children.' In the foreground is a dancing 'Rich Uncle Pennybags' from the game Monopoly; he is brandishing a grim reaper's scythe and his features are skull-like.]

[psikonauti]

Karen Offutt (American,b.1967)

Textures, 2020

Oil on Artefex ACM panel

[shefanispeculator]

Blake Shelton and Gwen Stefani Songs and Live Performances | NBC Insider

Everyone's favorite pairing on The Voice, Blake Shelton and Gwen Stefani, fell in love with more than just their Artists' music when they began appearing together on the show. And while it's a major moment in each season when the Coaches sing with their teams and then their finalists, Shelton and Stefani have gone well beyond singing together with their fellow coaches on the show.

After meeting during Stefani's first time on the show in Season 7, the two really hit it off in Season 9, began to date, and ultimately got married in 2021. In those years, the two have also opted to record and perform four songs together — including on The Voice, at the Grammys, and on TODAY.

Gwen also joined Shelton on the Hollywood Walk of Fame, getting her own star on October 19, 2023. 

So, although Season 23 was Shelton's last season on the show, there is plenty of reason to hope that he and Stefani will continue to perform and record together for years to come.

Here are some of the songs Shelton and Stefani have already made together as we patiently await future collaborations. 

Blake and Gwen's Song "Nobody But You"

Shelton and Stefani recently released an Instagram video of them performing this song on Valentine's Day, and performed it together at a benefit concert in Arizona on Feb. 10. They also performed the song at The Grammys in 2020 and on TODAY that year.

Watch the official music video the two made above.

The song was released as part of Shelton's 2019 album, Fully Loaded: God's Country.

Gwen and Blake's Duet "You Make It Feel Like Christmas"

Stefani, of course, sang with Shelton on the eponymous on her 2017 album,You Make It Feel Like Christmas, and released a music video for the song in 2018.

They also performed it during her 2017 NBC Christmas special, Gwen Stefani's You Make It Feel Like Christmas. Watch that performance above.

They've since performed it together during Season 20 of the Voice and during her December 2021 "Live from the Orange Grove" video series.

Blake and Gwen's Song "Happy Anywhere"

The couple's 2020 duet, "Happy Anywhere," was released as part of Shelton's album Body Language. In addition to performing it on the first night of The Voice Season 19 finale, they performed it during the TODAY Summer Concert Series, on Shelton's "Encore Drive-In Nights" that summer, and at the ACM awards in September.

Watch the official music video for the song above.

Blake and Gwen's Duet "Go Ahead and Break My Heart" 

The couple's first song together, however, was the 2016 collaboration "Go Ahead and Break My Heart," released with Shelton's album If I'm Honest. They performed it together on Season 10 of The Voice in May 2016, followed by a performance, seen above, in Los Angeles.

They also performed the duet that year at the Billboard Music Awards.

[spacetimewithstuartgary]

Algorithm used on Mars rover helps scientists on Earth see data in a new way

A new algorithm tested on NASA's Perseverance Rover on Mars may lead to better forecasting of hurricanes, wildfires, and other extreme weather events that impact millions globally.

Georgia Tech Ph.D. student Austin P. Wright is first author of a paper that introduces Nested Fusion. The new algorithm improves scientists' ability to search for past signs of life on the Martian surface.

This innovation supports NASA's Mars 2020 mission. In addition, scientists from other fields working with large, overlapping datasets can use Nested Fusion's methods for their studies.

Wright presented Nested Fusion at the 2024 International Conference on Knowledge Discovery and Data Mining (KDD 2024) where it was a runner-up for the best paper award. The work is published in the journal Proceedings of the 30th ACM SIGKDD Conference on Knowledge Discovery and Data Mining.

"Nested Fusion is really useful for researchers in many different domains, not just NASA scientists," said Wright. "The method visualizes complex datasets that can be difficult to get an overall view of during the initial exploratory stages of analysis."

Nested Fusion combines datasets with different resolutions to produce a single, high-resolution visual distribution. Using this method, NASA scientists can more easily analyze multiple datasets from various sources at the same time. This can lead to faster studies of Mars' surface composition to find clues of previous life.

The algorithm demonstrates how data science impacts traditional scientific fields like chemistry, biology, and geology.

Even further, Wright is developing Nested Fusion applications to model shifting climate patterns, plant and animal life, and other concepts in the earth sciences. The same method can combine overlapping datasets from satellite imagery, biomarkers, and climate data.

"Users have extended Nested Fusion and similar algorithms toward earth science contexts, which we have received very positive feedback," said Wright, who studies machine learning (ML) at Georgia Tech.

"Cross-correlational analysis takes a long time to do and is not done in the initial stages of research when patterns appear and form new hypotheses. Nested Fusion enables people to discover these patterns much earlier."

Wright is the data science and ML lead for PIXLISE, the software that NASA JPL scientists use to study data from the Mars Perseverance Rover.

Perseverance uses its Planetary Instrument for X-ray Lithochemistry (PIXL) to collect data on mineral composition of Mars' surface. PIXL's two main tools that accomplish this are its X-ray Fluorescence (XRF) Spectrometer and Multi-Context Camera (MCC).

When PIXL scans a target area, it creates two co-aligned datasets from the components. XRF collects a sample's fine-scale elemental composition. MCC produces images of a sample to gather visual and physical details like size and shape.

A single XRF spectrum corresponds to approximately 100 MCC imaging pixels for every scan point. Each tool's unique resolution makes mapping between overlapping data layers challenging. However, Wright and his collaborators designed Nested Fusion to overcome this hurdle.

In addition to progressing data science, Nested Fusion improves NASA scientists' workflow. Using the method, a single scientist can form an initial estimate of a sample's mineral composition in a matter of hours. Before Nested Fusion, the same task required days of collaboration between teams of experts on each different instrument.

"I think one of the biggest lessons I have taken from this work is that it is valuable to always ground my ML and data science problems in actual, concrete use cases of our collaborators," Wright said.

"I learn from collaborators what parts of data analysis are important to them and the challenges they face. By understanding these issues, we can discover new ways of formalizing and framing problems in data science."

Nested Fusion won runner-up for the best paper in the applied data science track. Hundreds of other papers were presented at the conference's research track, workshops, and tutorials.

Wright's mentors, Scott Davidoff and Polo Chau, co-authored the Nested Fusion paper. Davidoff is a principal research scientist at the NASA Jet Propulsion Laboratory. Chau is a professor at the Georgia Tech School of Computational Science and Engineering (CSE).

"I was extremely happy that this work was recognized with the best paper runner-up award," Wright said. "This kind of applied work can sometimes be hard to find the right academic home, so finding communities that appreciate this work is very encouraging."

[self-made-cages]

Betty (live from 2020 ACM’s cut) you will always be famous 😍😍

[evermoredeluxe]

today’s ass photo reminded me of this 2020 acm ass photo alkjhgfkd