#actions? i don't know. i may have to think about it some more...

[eustassslut]

🌈~

Hi c': I saw that your requests were open! I was wondering if it's possible to request a Luffy, Law, Kid, and Zoro(separately)(if you can't add Zoro, that's fine!) with a s/o that's basically deemed a Nobody? They have no devil fruit, no special Haki skills or some super power hidden gift. The most they can do is doodle every now and then and that's it.

The main prompt is basically their "Nobody" s/o doodles their boyfriend(s) in their spare time, and gifts them the drawings c': They know that it may not do much, but their love language is showering them in drawn sketches of them(almost like a little kid aha)

Luffy is the biggest hype-man and supporter of any hobby you might have.

He regularly asks the other Strawhats for advice on what art supplies to buy you with his left over money.

He also keeps every sketch you've ever given him in a special box that he asked Usopp to make him so they're kept dafe. Will ask you to paint on the box so its extra special.

If you ever showed him any new sketches or doodles you've done, he'll beg you to let him keep them as well.

Whenever you draw him, he gets really happy and becomes even more hyper than normal. He'll be desperate shows everyone on the crew the doodles you've made of him.

Wants you to draw him doing literally everything, from going to the toilet and holding a bug to him as a bug and eating meat.

Repeatedly makes you promise you'll draw him reaching Laughtale and becoming King of the Pirates.

Luffy also boasts to everyone who will listen about you and randomly starts up conversations with strangers or his allies about you and your art supplies.

Frames everything...or he tries to before Nami tells him they have no space to store it all.

Carries some of drawings and doodles you've done of him everywhere so he can show off if he has a chance, he'll be fighting an old enemy and will pause to ask if they want to see something cool.

You have a fan in Crocodile now though who is quite invested in your art journey; but you're not sure if that's because of the rumours he's your boyfriend's parent or if it’s because the older man just enjoys art.

But if anyone was to interrupt or insult you by calling you a nobody or implying he deserves better, he'd go completely feral and has to be pulled away by you so he doesn't try to fight them.

Strong believer in earning the right to have dreams and earn a reputation for your skills so he doesn't really care if you're seen as a nobody (he still hates hearing it said to you or him though) because he used to be one as well when he started his journey.

Luffy is nothing but your biggest fan and he hopes everyone will one day see the same value and talent he sees in you.

Law acts like nothing you do effects him and that you don't get under his skin, but it's always obvious upon looking closely at him just how flustered he gets each time you hand him one of your drawings.

Will just say "thank you, it's lovely" or "thank you, you're so talented my love" and give you a kiss before putting it in his desk draw, showing he appreciates it but not on the same scale as Luffy or Kid.

However, you will later find your drawings pinned to his fridge or tucked away in medical textbooks as Law uses them for motivation to work hard so he can impress you in return.

Law struggles a little bit to show love for you, having lost so many loves ones so young but he tries his best to show through his actions that he thinks you're talented and that he really appreciates being given anything you do.

Gets drunk on one occasion and cries to you about how he's scared he'll forget what his family looked like overtime, then cries harder when you ask him to describe them so you can draw them for him.

Keeps the sketches of his family and Corazon on his desk, next to a drawing of you and him since he wants everyone he loves to be together in one place.

Very much a man who uses his actions to prove he loves you and sees your talent. He'll clear out some of his medical books for any books on art he can find and always makes sure he cares a sketchbook and materials for you in case you want to draw.

At the end of the day Law loves you for you, he doesn't care if you have no devil fruit or if you're perceived as a 'nobody'. He probably even prefers that you prefer quietly sitting nearby or on the Polar Tang because it means he always knows you're safe.

He's not like Luffy though and he will not try to fight anyone if they called you one to his face but he would threaten them and reassure you in private that you're not a nobody, instead you're the most important person in his life to him.

The king of insanely loud cringe worthy support and also gift giving back to support your hobby.

When you first show you like to draw, Kid would clear out some space in his workshop so you can have your own studio to quietly draw if need.

He sees quality time together as very important so he wants to quietly sit and do your respective hobbies together; pausing to show each other what you're both doing and exchange compliments.

Will try to copy any doodles you do and make metalwork versions out of them. Definitely makes you a necklace with a metal copy of a doodle you drew of you and him kissing.

Encourages you to paint on his bedroom walls if you want to and also to draw on tables.

Insists you sign all of your sketches and doodles so they're official.

Claims he needs to make sure he has the biggest art collection so that when you become famous he will be extra rich and he can add art collector to his long list of achievements (aka his crimes).

Definitely calls you the worst nicknames you've ever heard in your life, like his gorgeous talented artistic boopsie bear and the ball wrangler of all art. Genuinely means them as compliments to uplift you as well.

Loves giving you excuses to draw so he gives you awful prompts out of the blue and a time limit.

Kid will ask you to draw his crew so he can always have proof they sailed together and keeps those drawings in his bedroom.

Will try to frame everything he can like Luffy would, but he does have limits and eventually just invests in a big set of drawers designed for storing art.

Refuses to steal art supplies because he believes in supporting artists so he makes sure to take you art supply shopping and then leaves tips.

Casually has a very good reputation now in the art world and they all really admire you for winning him over with your art.

But thoughts and prayers for anyone who ever calls you a nobody, they're about to get beaten up almost to the brink of death. It's a bold decision to say anything about you in front of him.

Kid doesn't care if you're seen as weak or powerless and art is seen as the only thing you have going for you. He likes being able to keep you safe and protect you but recognising you're not strong (especially compared to him since he's literally a beast) is very different to seeing you as a nobody.

Zoro is probably such a mess when it comes to supporting your hobby but he's trying his best for you and at the end of the day you know he sees you as the most important person in his life.

I feel like the first time you draw something and give it to him, its a doodle of Chopper and him on a napkin at dinner and when you sheepishly give it to him as a way of showing your affection he'd accidentally use it.

Just so oblivious that he does not realise why everyone at the table is staring at him in horror and you look like you might laugh or cry. Eventually looks down and apologises so much when he notices, claiming the stains on it make it even more special because it adds to value??

Does not understand art at all.

Zoro can tell that you're talented though and recognises your passion so he tries his best to support you with verbal praises and his actions.

However, he's so emotionally constipated its insane; literally does not how to express his affection for you without either being a sassy little bitch or just coming across insane.

Like you could mention you like roses and he'll come back the next time you dock with a full rose bush he's torn out of someone's garden by its roots, but then say you can throw it away if you want. He's just a weird feral man.

He'd probably learn how to make paper so you could have drawing materials (he also has no money so he has to adapt to the obstacles ahead).

Commissions you to draw several new horrific wanted poster versions of Sanji to torment the blonde with. Sanji can't get mad at you though because he thinks you're talented and likes that you get to practise.

Is very similar to Kid and likes when you sit in the lookout nest and quietly draw whilst he trains beside you. He does pose a little because he knows sometimes you like to draw him and he wants you to get his best angles.

Tries to call you talented every time he talks about you or talks to you. Zoro is very verbal about how incredible you are.

Will not tolerate anyone calling you a nobody (he will beat them up if you want him too) and it hurts him the most if you call yourself one because he knows what its like to feel inferior to those stronger.

You don't need to fight anyways since you have him but if you want to learn he'll teach you in exchange for more horrific Sanji doodles.

Your talent is more then enough to eventually earn a reputation anyways so who cares if you can't fight or you're weaker.

King of pep talks and reminds you constantly you don't have to be strong to be important, you just need to believe in yourself.

No matter what he's always in your corner and supports you in his own silly weird ways.

buy me a coffee | ao3 | tiktok

[lyinginmeadow]

Shadows will guide you home | Azriel × reader

Summary: Some fae don't like the idea of the Archerons turning into high fae and reader being one in unfamiliar city makes a perfect opportunity for an intervention Warnings: acotar related violence, not super descriptive, language, slight angst Word count: 1.4k a/n: Hii, this is my very first fanfic, please remember to be kind. <3 Also English is not my first language so it may be a bit rough.

Being another Archeron sister was quite exhausting. The constant comparison between you ever since you were born created a dark place deep within you. After years of being poor, starved, and uneducated, the family regained their riches back thanks to Feyre. The cost left you empty, breaking your heart into a million pieces. You wanted your sister back more than anything, you would return your newfound lifestyle to have her with you again. Taking lessons together, sharing laughs, and pretending as if everything is normal. As if she never left and their father hadn't left them to starvation.

Instead, the Gods were laughing in your face as you with two of your sisters were changed and thrown into the world of high fae. While you got your sister back, there were matters to be taken care of. Leaving you alone in a city and with species foreign to you. You had met the inner circle while you were still human. They were nothing but kind to you then, but you assumed that was because you were Feyre's sister. Now they haven't paid you much mind because their hands were either full with court business you didn't understand or your sisters. You were left scarred inside while pretending it hadn't affected you as much.

''Are you listening?'' Asked a pretty blonde in a red dress, Mor. ''I'm sorry, I just spaced out a little. What were you saying?'' You smiled, red creeping up your cheeks. ''You are free to explore the city, you don't have to feel caged inside.'' She returned your smile. ''Oh, I don't feel like that. I...I guess it's kind of strange to be here. Is there an apothecary around here?''

''Yes, it's in the square just next to the bridge you can’t miss it,'' Mor replied. ''I must go, but I will see you during dinnertime.'' She smiled for the last time as she disappeared into thin air. She came by just to invite you as per Feyre's request. Your sister knew you were too polite to decline any offer and without it you would probably not show up.

''Right.'' You mumbled under your breath as you looked out of the window. In the reflection, you caught the sigh of a shadow. You whipped around to see nothing. Signing, you turned to the window again thinking about certain Illyrian familiar with shadows. When you first met him, he was like a rock that you could lean onto while the queens invaded your home. You talked, feeling an instant connection and thought he felt the same. You didn't remember what happened during the changing process, your brain blocked the memory altogether. But after waking up in Velaris, he didn't seem to notice you, rather seeking the company of your older twin sister.

You knew it wasn't rational to feel hurt by this, but that didn't stop your heart from throbbing. Exhaling a deep breath you went to explore the city as Mor suggested, feeling sick of your little pity party.

After hours spent in the city, it was starting to get dark. Nights here were magical, but your fear of them only amplified during years spent in the dark streets trying to provide for your family by any means necessary, so you tried to hurry back to the house. Taking a turn into an ally wasn't a choice you wanted to make, but panic started to take over every action your body made. Looking around you knew you were lost and didn't know where to go next.

''Looking for something?'' You whipped around with shock in your eyes. ''No, but thank you. My partner is just around the corner.'' You smiled politely your instincts kicking in as you lied smoothly. A shadow caressed your skin as if to soothe your worries and disappeared. You didn't have time to think about it more as the man standing in front of you stepped closer. ''Are you sure? We could help you, Y/N.'' Another dark figure from behind you said so near you could feel his breath on your neck. ''I don't know who you think I am, but that is not my name. And I do not need help from strangers. So let me pass.'' You tried to will your voice not to tremble, but it was of no use. You were starting to give in to the panic rising within you. ''And we don't need humans becoming high fae and highjacking our court. But here you are.'' Said a male in front of you while pulling out a knife. “This will send the message." Continued another one next to what you pressumed was the leader. One againts three were not the odds you prefered.

You had no idea how they found out your name or how they knew of your fate of becoming fae. "Feeling threatened by a female?" You knew getting a rise out of them was not the smartest idea. But maybe it could gain you valuable time for someone, anyone to notice. Velaris was supposed to be peaceful after all.

"You think you're funny, huh? We'll see if you'll find the knife just as entertaining." The male behind you pulled your hair harshly earning a scream from you. You didn't understand how they could blame you for something you had no control over. “Watch the alley, will you?” The male infront of you ordered the one standing next to him as he lifted his hand to your face. The knife danced lightly on your cheek leaving you defenseless. "Just so you know, maiming your face will be a pleasure." He whispered to your ear as he increased the pressure on the knife drawing blood.

The whole alley turned pitch black. You had fae senses, but the dark was completely impenetrable yet familiar. You could only feel your hair being released, knife falling to the pavement, followed by screams and scratches on the stone. You were paralyzed, terrified, and unable to move. The dark had you in its claws and you could feel your breath getting more and more quick. ''How dare you hurt her ?'' A deep familiar voice took you out of your panic. There was no answer to his question. Only whimpers.

The shadows slowly dissolved letting in light from the main streets. There was no one here anymore. Only blood and scratches deep in the stone indicated a struggle.

Azriel appeared in front of you his hands gently grazing your untouched cheek. ''Don't look at it.'' His voice hoarse. You inhaled his scent making you instantly relaxed. ''Are you hurt?'' He asked worry lacing his voice. You gave him a shake of a head not trusting your voice. ''Lies. Shaken. Blood.'' Hissed hushed voice, startling you. ''I am not lying. I am just fine.'' You pushed Azriel away looking around for the source. ''You can hear them?'' Azriel frowned examining you.

''Look, I am sorry you had to bother with this. I know there are a lot of things to be done and I should have known how to protect myself-'' He stopped you from rambling with a thumb to your lips. His previous question forgotten. ''No one has a right to assault you. It is not your fault. Velaris is supposed to be safe. I promise that no one will harm you ever again.'' He left you completely stunned. ''Now, could you please show me where they hurt you, so we can heal it?'' Azriel asked slowly removing his thumb from your lips. Leaving you wishing it could stay there for a bit longer. You pushed back the hair that was covering your healing cheek. ''It's already healing. My abilities do come with very fast healing. As long as I don't use my powers much. I am just a bit shocked, that's all.'' You admitted looking to the stone path. ''Let's get you home then." He offered his hand which you gladly took your heart threatening to jump out of your chest.

''Look, Nesta started training with Cass and a few priestesses joined her. It is a way for them to regain their power and help them with their struggles. I was thinking that maybe it could be something you would give a try?'' Azriel asked as he led you through the house to your bedroom. ''Oh...I think I would like that.'' You smiled. Silence enveloping you again.

''Thank you, Az. For today and the offer.'' You looked down standing infront of the door to your bedroom. ''There is no need to thank me. But you should get some sleep.'' He looked at your door and then down the hallway. ''I will be right next to your room if you need anything. So please, let me know.'' He gave you a look of urgency and you gave him a nod even if you knew you would not. He probably knew it, too. ''Goodnight.''

"Goodnight."

[oristian]

So how come we can tell that Elain wants azriel and is attracted to azriel but Eluciens claim they need Elain's POV to confirm she doesn't want Lucien??

Idk it's almost like thoughts and acts and verbal things she has said matter?? It's almost like... we don't need everyone and their mother's POV to tell very basic information??

Y'all acting like she is a complete black box just because we don't have her POV yet 😭😭

What if I said "oh we need Lucien's POV to tell he actual feels a bond and didn't orchestrate a fake mating bond to claim an Archeron sister after she got made?"

"But he wouldn't do that"

How am I supposed to know he wouldn't!! We don't have his POV either 🤪 he could be Koschei for all we know 🤷🏻‍♀️

And nobody better fucking bring up Feyre hating Rhys or Nesta kicking Cassian in the balls. Their words differed from their actions. They might've SAID they hated their love interests at the time, but their ACTIONS differed. Anyone who genuinely thought Feyre hated Rhys or Nesta hated Cassian is literally just lying atp because come on what do you mean you didn't pick up on that?? Nesta was willing to die for Cassian and Feyre was literally thinking Rhys was the most beautiful man she had ever seen. Be so fr.

Elain's actions match her words. We don't need her POV to know that.

Good morning! This might be a long response, so hope you enjoy!

Elain Archeron is a book character. Books follow standards enacted by the stricture of narratives, and how stories are told overall—in short, the reader is being told something through a book. A story is told through settings, dialogue, characters, et cetera. While the reader may be able to create their own theories, pick up on literary devices, and generate predispositions, until the reader is fully informed by the intent of the author on page, it is speculation.

When people claim that we need Elain’s POV to understand how she is feeling towards Lucien, that is very much true. There is a plethora of reasons as to why she shifted her composure around him between ACOWAR and ACOSF. From asking if he is alright and inviting him to Velaris, to shrinking around him? Until we are in her inner monologue and seeing what she is seeing, the reader can only speculate. Is she now very horny for him, is the mating bond chafing when he’s around, did she have a vision of their future, is she wildly attracted to him, et cetera? The same way that people claim she is in love with Azriel is the same way we claim we need her POV—neither is true until Elain confirms it herself with her own thoughts, feelings, and words.

Now, I want to bring up “thoughts, actions and verbal things,” because, more often than not, it is misconstrued. The only instance where the reader might be swayed to believe that Elain feels anything for Azriel is the almost kiss in the bonus chapter. However, we only had Azriel’s POV. Compared to Wings and Embers bonus chapter with Nessian, the reader was lacking the female’s POV. With Nesta and Cassian, we read that both were feeling the pull towards each other in that chapter. In ACOSF, we were limited to just Azriel—why is that? As for the other lines of dialogue that are seemingly connected to Elriel, those are regarding Graysen. “I don’t want a male,” would also be applied to Azriel, no? “And that love would trump even a mating bond,” is about Graysen.

I have been asked before how I can confidently ship Elucien when Elain seemingly lost her “newfound boldness,” and, “shrunk in on herself,” when Lucien came during Solstice. While I do understand how some people can read that as a negative for the ship, I once again have to say that we do not know why either of those actions happened. There has been zero indication that Lucien is forcing himself on her, is bad for her, and/or is disrespecting her wishes, so why has Elain suddenly started acting like this? This is why we claim that we need her POV for all of these unanswered questions.

Essentially, Elain is a blank sheet of paper. Could she stay this newfound meek personality and live all her days in a small cottage with a garden, or will she revert back into her old personality and become the socialite that she once was? While the reader can understand some of her character, she is still more shifted towards the background and is lacking the substance that a fleshed out POV and aligned character development would offer to her. This is one of the reasons why so many people seemingly dislike her character, because she has not been able to explain her actions. This was similar to Nesta.

The example you brought up with Lucien and the bond needing clarification actually was solved very quickly in ACOMAF. When Feyre unleashed Helion’s spellcleaving magic and broke the bonds in Hybern, she would have broken any fake mating bond tied to Elain and Lucien. Feyre has also been inside of Lucien’s head while he was experiencing the tug of mating instincts. Elain has felt the tug of the bond and Lucien was able to experience her from the inside due to the bond. They both have experienced mating behavior towards each other. The reader has had a snippet of Lucien’s POV.

Feyre, Nesta and Elain are all similar in how they were reluctant to accept the bond at first—the only difference is that Elain is fully aware of the bond before she accepts it. Feyre and Nesta were stuffed into forced close proximity with both of their mates, which also differs from Elain, and her sisters also had access to their mates before they turned fae. Elain met Lucien the night she turned fae and had very little alone time with him. Feyre and Nesta both experienced firsthand the chaffing of the bond while being so close to their mates for so long, but Elain has not. Elain was in love and engaged to Graysen and was now suddenly tossed a fae male as her mate, while simultaneously losing her humanity? It is only reasonable that she would not be jumping for joy over this new revelation.

SJM is an author that uses similar patterns across her entire body of work. To say that we cannot compare how she wrote Feysand and Nessian to Elucien in the same series makes no sense to me. Now, I do believe that you have contradicted yourself in your paragraph regarding Feyre and Nesta. I agree, while they may have claimed that they wanted nothing to do with their mates, their actions showed the reader otherwise. Elain is similar with Lucien, however, she has not once said that she hated him, wanted him gone, wanted to reject the bond, et cetera. Anything she has said against wanting a fae male was because she wanted Graysen and to return to her mortal life. Her actions towards Lucien have included worriment for his safety, relief that he is alright, inviting him to Velaris, keeping all of his Solstice gifts, the half step, et cetera. Someone who planned on rejecting the bond with their mate would not have done any of the above.

If the reader does not need Elain’s POV, why would she need an entire book? If her thoughts, feelings, and actions are fully explained from another’s POV, why would she need to explain herself in her own inner monologue? She already has hobbies, friends, a lover, a home, joy, purpose, and family—what would be the point of her having a book?

I so hope I managed to answer your question. Have a good day!

[frozen-orbit]

Being unaware sometimes has its perks. Because i didn't know what the title of TDP season 7 was when i first watched season 6, and i went through the whole thing wondering what it would be, cause all of the primal sources had been used already. It was not until episode 9, when Aaravos explained what was needed for the spell to free him from the pearl, and he mentioned an object related to each primal source and then said that it also needed love, that i thought "Well of course! Season 7 is gonna be 'Love'! That's it!". And then... well... i found out i was not quite right 😭................................ Or was I? 👀👀👀👀

I don't think this was unintentional. In fact, the more i think about it, the more i realize how closely related both of the concepts of love and dark magic are within the story. I know at this point of the show this might be obvious, but hear me out.

There's this idea of what love is, that has been constantly portrayed throughout the series. Sacrifice. Quotes such as "i did what i had to do", "i would do anything for you". We hear these kind of phrases and many of us immediately associate them with love, whether it is romantically, platonically, filially, etc. But also, almost all of these quotes have been said in the show referencing the act of dark magic.

And what does dark magic require? The unthinkable, atrocious actions, sometimes betraying your own morals for a greater good. Oh, but isn't that admirable? Isn't that romantic? To have someone destroy themself in order to save you? Why, that's the greatest act of sacrifice anyone could do! They did it for love!

This may be a distorted idea of what love is, but we can't deny the fact that these kind of actions are perceived as acts of love, both in our society and in the TDP storyline. And it's really interesting because those are like opposite concepts: love is good, dark magic is bad; love is life, dark magic is death; yet somehow, they've managed to put them together and the line between one another has become so blurry. Are they really that different? If any despicable action could be done in the name of love, wouldn't that be just as dark? Wouldn't that also corrupt one's soul?

Honestly, i'm so excited to where the writers would go with this, but i don't know if it'll be that much in the face. My guess is that some character would do some huge sacrifice that would divide opinions on whether it was an act of love or an act of iniquity. What do you think?

[archivalofsins]

Addendum (September 23, 2024 5:03pm )- It was brought to my attention by a concerned friend inquiring if something had happened yesterday that this post can come off as complaining about a fandom issue of some sort. Because of how often "Don't be like x" (in particularly Futa) has been used in regards to ongoing Milgram fandom incidents.

It was not my intention to invoke those sort of alarming past experiences for anyone that may have come across this post. My intentions when writing this were to interrogate the prevalence of that phrasing when it came to Futa as a character while including the prisoner paired with him known for bullying as well.

To put it in a plain and jovial way- These are my feelings in regards to this topic in a meme format,

Since I have now been informed of how emotionally disruptive this phrasing can be given the things it's been associated with in the past at least within the tumblr Milgram community I will be putting it under a cut with one more addendum further down that uses the same phrasing.

Once again saying to not be like Mu.

It's easy for individuals to understand why they shouldn't be like Futa. In a lot of ways, not many people would see their actions as being similar to his even when they are. This is why I stress not to be like Mu either.

Because it seems to me that a lot of people are comfortable with being bullies as long as they convince themselves they were the victim first.

A trait that's present throughout both Futa and Mu's narratives. Even if not many people recognize how emotionally manipulative, insidious, and abusive this sort of behavior is socially.

Because just like with these two, some will convince themselves it's the other parties fault for doing something wrong first.

That the person who did something wrong should just,

"You apologize if you do something wrong, you learn that even before words, don't you?"

Q.09 Do you want to apologise to the person you killed?

Mu: I think the person who did something wrong first should apologise first.

These two are simply not as different as some fans like to tell themselves. They are both reactionary bullies. Just because one goes on offense (attacks) and the other defense (cries/deflects) doesn't make one any better than the other. That's why they both got into codependent relationships with another prisoner over the first trial intermission.

Both Amane and Haruka provide them with something. Giving Futa and Mu hope and help in a difficult situation. Along with something to do with themselves to prove their own worth. They also both took on a naturing and protective role in Amane and Haruka's lives. Making the other their main priorities as of the second trial.

23/07/05 (Mu’s Birthday)

Futa: Oi, you. Is he ok? He’s not even left his room lately.

Mu: You mean Haruka-kun? Hmm. Yeah, probably. I’ve been bringing all his meals to him so he should be fine. Isn’t that great of me?

Futa: Hah? Who the hell says that sort of thing about themself. ……ah, no, well, right now I understand a bit. When you’re feeling down, it’s nice to have someone who relies on you and accepts you. The rest of us can’t really understand you from where we’re standing. But well, if you’re Haruka’s “salvation” then I guess it really is great.

Mu: Salvation……? I don’t know what you mean. Futa-kun, you don’t sound like yourself. Did you hit your head or something? Oh, wait, you actually did, didn’t you. Ahaha. Ah, putting that aside though, did you know it’s my birthday today?

Q.02 What do you think of Haruka?

Futa: I can’t afford to be worrying about other people at the moment. Anyway, he’s not a little kid.

This is also why one of my first posts discussed them together. They were both even abandoned by their groups,

"Everyone else was having fun, weren't they? What about them?! Why is it just me?!"

Q.18 Do you regret anything?

Mu: I think maybe I should have chosen my friends a bit more carefully.

Q.11 Who do you want to see right now?

Mu: I miss my friends too. But most of all, Papa and Mama.

Yeah, don't be like either of them, actually.

This is not a healthy thing to strive for. The only difference between them is that Futa takes the orders, and Mu gives them. Aptly portrayed in the relationships they've formed over the course of Milgram.

Also, a bully is a bully regardless of if they cry about it. Women have been weaponizing crying for decades. Stop pretending like this is a brand new undiscovered form of manipulation it's not.

Addendum (September 23, 2024 5:03pm ) continued: Also it was not intent to specifically call to attention Mu's characters flaws or take any digs at people who relate to her. Saying things like don't be like x character can be inconsiderate towards individuals who relate to that character a lot especially if it's something done on a consistent enough basis.

These are once again my feelings on that in meme format.

[tanadrin]

I'm watching season 5 of discovery while I work on this map, and I think my verdict of DIS is that conceptually it is solid Star Trek. It gets Star Trek, like in the abstract. Obviously the last 3 seasons are a lot better than the first two, both because they escape prequel territory and because it just takes a ton of Trek shows two seasons to find the sweet spot. But the writing never really lives up to the ideas. So, so many of the character beats feel completely paint-by-numbers, with painfully generic dialogue, and I find myself mostly skipping over those scenes to get to the high concept SF or the action sequences. The actors really are doing the best they can, and visually it's gorgeous, and it throws out a ton of fun ideas into the Trek universe (though IMO it relies too much on overt callbacks to old Trek, it's not unique in this regard--SNW does this too, it might just be the curse of a long-running franchise). But man. The character writing is frequently not good! The emotional dialogue is frequently not good! And I don't know why; it's not like Star Trek doesn't have this stuff, rich character interaction has been there since TOS and the Bones/Kirk/Spock triad. But even back when you would have, like, Random Character Never Mentioned Before From Someone's Past showing up in an episode only to die horribly, from the older and more episodic Treks, the dialogue around these characters was still more believable and more compelling. And you'd think the more serialized nature of modern Trek would give you more room to build on and use these character dynamics.

I wonder if in part it's the decline of writers' rooms and the spec script market. Maybe something about that shift makes developing good scripts for television, and for genre TV in particular, harder. Part of me thinks it may well be the serialized format, because just like a good high concept sci fi plot often relies on a "hey-wouldn't-it-be-fucked-up-if-this-happened-randomly" idea, so too do a lot of the good character stories in older Trek--when everything has to be tied back in to an ongoing plot and significant character development has to be spread out over 10 episodes, maybe that's harder to do.

I think ultimately I feel about DIS like I feel about Enterprise--don't like prequels, do like some of the ideas, some of the characters are pretty interesting, the character arcs are kind of weak, is too bogged down in referencing other installments in the franchise, needs more Jeffrey Coombs.

[miraculouslbcnreactions]

Hello! I found this small but really interesting ask about some comments Alya made in Origins about Adrien that Imthepunchlord answered a long while ago, and I’d love to also hear your thoughts on the points that they and the asker brought up! Please feel free to put your thoughts directly in a reblog if you like the post enough to add to it instead of answering this ask since that would probably be convoluted.

https://imthepunchlord.tumblr.com/post/651542468774526976/i-just-rewatched-origins-and-i-cant-stop

(link to the post in question)

I don't have much to add. @imthepunchlord summed the issue up really well at the end of their post, "what is 'in character' is up for debate most of the time."

These kinds of character analysis questions just aren't possible in Miraculous. The characters are wildly inconsistent, so you're not taking a well crafted story and pointing out how it all flows together. You're taking a slapdash story and twisting yourself into a pretzel to try to make it all make sense. Hard pass. That's why I just focus on the character's core and ignore a lot of the nonsense that canon pulls. It's not that I want to deny canon. It's that you cannot embrace all of canon and write a good story.

However, you all know that I love to play fix it, so let's give Alya some sugar and talk about how you can write her character to make her reactions to Adrien make a little more sense. I don't think that canon has thought her through this much, but this approach really fits her character and I love it! For those who don't want to follow the link to the original ask, we're looking at this bit of dialogue:

Marinette: Okay. I get it. Good job, you three. Very funny. Adrien: No, no, I was just trying to take this off! Marinette: Oh, really? You're friends with Chloé, right? Adrien: Why do people keep saying that? (Marinette huffs; he goes to his seat) Chloé: Now do you see what I mean about respect? Marinette: I know I've seen him somewhere before. (sees images of Gabriel and Adrien Agreste on Alya's cellphone) Of course! He's the son of my fave fashion designer, Gabriel Agreste! Alya: Daddy's boy, teen supermodel, AND Chloé's buddy? Ha! Forget it.

And trying to make sense of how Alya goes from this to being the head of team Adrienette. The obvious answer is that something happens off screen between Origins and the main part of canon, but let's go a little deeper than that.

A lot of people approach Alya as a reporter. A truth seeker. A fact finder. That approach isn't wrong, it may even be how canon wants you to read her, but it's not the approach that I like to take. Whenever I have time to really flesh Alya out, I go a slightly different route.

To me, Alya is a story teller. She wants the stories she tells to be accurate, but she can easily get caught up in a narrative and forget to take a moment to check her facts. A good reporter watching the above exchange would go, "If Adrien is a bully, then why did he protest his innocence? What's the real story? Who can I talk to in order to get the facts?"

A story teller may still do that, but they may also take Chloé's earlier bullying along with Adrien being Chloé's friend and come up with a very believable story about Adrien being "Daddy's boy, teen supermodel, AND Chloé's buddy." It fits the facts that the story teller knows and they don't have a reporter's instinct question everything. They'll only start to question their version of the story once a hard fact pops up that goes against the story.

The reason I like this approach is that Alya is the chosen of Illusions. That's not a great fit for a truth seeker. Illusions is a much better fit for someone who is drawn to stories. A person who values the truth, but who isn't driven by it. A good reporter is driven by truth. A good story teller is driven by the call of a good story.

If we take that approach and look at Alya's actions in Origins, then we see that she had a story in her head and was happy to fit the pieces into that story until Adrien did something that no longer fit the story. That's when the "ask questions, get the real story" instinct kicked in, leading her to discover that she'd misjudged Adrien. It would have been nice to see that happening on screen, but Origins didn't have time for that so we're just left wondering what changed Alya's mind and making up various stories to explain it.

You can also take Origins and use it as the start of an arc where Alya learns to be a better reporter by not jumping to conclusions since she does a lot of jumping to conclusions in season one (and even does it on occasion in later seasons). But you don't need to give every character a strong character arc like that and I enjoy letting Alya be solid as-is. I tend to tone down her jumping to conclusions issues and make her more open to giving things a second look.

This is extra true because Marinette has a pretty clear problem with snap judgments, so I don't want her and Alya to have the same flaw. I want Alya to be more unique in her flaws. It's not that she jumps to conclusions, it's that she's a little too quick to stop asking questions once she has a believable narrative. It's in the same vein as Marinette, but still it's own thing. It's also still a flaw that Alya needs to work on, but in a more nuanced way where it also acts as a strength under the right circumstances such as when she's in the field and needs to come up with illusions on the fly.

I cannot say if this is what canon is trying to do with Alya. The bones of this read are there, but the bones of the reporter read are also there. I just like this read more. It doesn't drastically change Alya, it's just a minor nuance that makes her fit into her place in the story with a little more grace.

[oveliagirlhaditright]

-sighs- Why is the The Flash movie trailer so good? -cries-

[chatdae]

Grace FUMBLED Ryan! BAD parenting to preach respect and then act contrarily (ie saying she wants him to feel safe, then not allowing him any autonomy). She should've let him leave and come back... or at least explained why she didn't want him to leave before deciding (ex: 'Homelander will kidnap you', etc). She needed to let him make the decision for himself... agh. AAAAA.

And now Butcher's no use because he's committed to being evil and can't offer ANYTHING good to Ryan!!! He was so right, they NEEDED to give Ryan more space... I know the external pressures seemed impossible, but dammit, Grace, this was no way to beat the odds!

(this is about The Boys season four)

[happyk44]

It's kinda funny because w/ my Zeus kid OC (who I've been thinking about renaming as Araceli, 'cause it means altar of the sky, apparently, which I like 'cause sky-themed-ish but also like. A little bit I wanted something that meant cloud the way Coral's name means... Coral) the implication is that she takes after her father to an almost mirroring degree because I developed her and my other PJO OCs (who also all got retconned into an OG work) at the same time I was playing around with my ideas on the Big Six, and the gist at the time was supposed to show how the Big Six could've turned out if they weren't so weird.

So the dynamics of the friendship was supposed to be very similar to the dynamics of Big Six's relationship to each other (e.g. Mary having a major crush on Hera's "representative" but also being attracted to literally every other person that walked by, Nico being the soberminded big brother figure, etc). It's also one of the reasons Mary would get angry whenever someone would compare to her dad, because similarly I think Zeus would get angry if someone compared him to his dad.

And then eventually as I got older and the daydream moved around with whatever obsession I had at the time, the characters and general storyline began to change away from that in some ways but core features sort of stayed and so I ended up with a version of Zeus that ignores his daughter's pleas for help because he loves her but her pain hurts him because he can't do anything about it and it's his fault she's suffering.

She got this intensity from him, it's ingrained into the way it's ingrained in him. But he was able to rebuild the world according to his own needs and wants and beliefs. And she can't really do that. So he doesn't have any advice he can give her when she's on her knees begging for help with all the noise and pain in her head. He doesn't know what to do! It's like he can just go and rip it out of her.

But she's suffering because she's different and she's weird and she knows it and she knows it's his fault which is why she's asking but he just doesn't know and he can't handle watching her suffering and listening to her cry when there is no helpful answer to give her because "I don't know" isn't going to fix it.

He's supposed to fix things, he's supposed to have the answers. He's king of the world, by damn! He's a problem solver. He supposed to have a solution, and a million backup solutions. But he doesn't! There's nothing he can do to make the noise stop because truth be told, the noise never really stopped for him! It just got easier and quieter. So he turns away from her because he loves her and he's failing her and he can't handle that.

But also in the same breath, I think he recognizes similar aspects of himself in Jason, who isn't even asking for help, and fucking despises him for it, lol.

✨ Girl Dad ✨

[taeyungie]

hi ♡ i guess i'm back? 🥹

here's a little life update! i think you guys deserve it after my absence that lasted longer than even i expected it to last ;( i am very sorry about that. i miss everyone here and bangtan so much, you have no idea. the reason for all that is that for the past months i have been going through a lot of things and changes in my life. there were good and bad things happening, time flies extra fast, days melt into one and i didn't even notice the past half a year pass. although i think my absence was unavoidable in these circumstances i just thought that you guys deserve to know what's been up with me for the past months haha i have received a lot messages and reminders that people remember about me and that they miss me and i just want to send all of you my biggest apologies for leaving you for so long with no response, as well as all my love and gratitude! 🥺 i think i've been always fairly transparent on here so if anyone wanted to know more I'll leave some more details in the tags but basically I just hope that soon i will be able to become more active again and respond to messages ❤️❤️❤️ i hope everyone is doing great 🥰

[smol-tired-binch-blog]

*head in hands* oh God my parental issues affect my view of Kiryu

[fairuzfan]

Is there anything I can do to help Palestinians besides call my representatives and beg them to stop killing people?

This is a great question. There are a few things you can do—just off the top of my head:

BDS (Boycott, Divest, Sanction) https://bdsmovement.net/

Direct Action https://www.palestineaction.org/

Urge your University/School/Organization to put out a statement denouncing Israel

Organize a Protest/Participate in a local one

You might already be doing this but while calling your reps, tell them that as a voter, you're unwilling to support them in the upcoming election unless they urge the White House to take a stand against Israel and stop funding them

Share art/writing/films around Palestinian culture

If you're part of a union, ask them what they're doing to urge their industry leaders to take a stand against Israel + pressure the White House OR urge them to start a strike/walkout/etc if they're not doing anything already

Talk with your friends IRL about Palestine, whether in an activist capacity or watching a movie or literally anything

Reach out to a mosque to see if you can help them with anything

See if your city/state council has put out a statement in support of Gazans. If not, try to push them to do so.

Donate to Palestine Legal or Direct Action if you have some money to spare

KEEP TALKING ON SOCIAL MEDIA!!!!!!!! PLEASE!!!!!!!!!!!!

I know some of these don't feel like they have as big of an impact on helping Palestinians, but we do need to make an effort not to forget their humanity in the face of continued erasure and the media's sensationalist rhetoric.

Talking on social media and posting—while not seeming like a lot—does SO much. I know in USAmerica, it's like yelling into a void, but political analysts are saying that most of the "Global South" has completely lost any amount of goodwill it may have had the past few years. Hopefully, countries will start to put sanctions and embargoes en masse on the US and Israel soon.

Our goals here are BOTH short-term and long-term. We hope for the life and liberation of the Palestinian people, so anything that you can think of might help at some point in the future is encouraged to at least try.

If anyone else has any more ideas, feel free to reblog and add on. Thank you for asking, and here is to a liberated Palestine where Palestinians can live and thrive without fear.

[physalian]

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

[the-ellia-west]

HOW TO WRITE ROMANTIC ATTRACTION FOR DUMMIES

For anyone who wants to learn, (especially aro/ACE, aspec, ect.)

Requested by the lovely @darkandstormydolls

Alrighty! Welcome back or welcome to my blog! I'm dipping my toes back into the category of posts that gained me my exposure!

So if you're here, you want to know how to write romantic attraction/romance!

Strap in and let's begin!

(Pls spread this to people you think would benefit from seeing it, or anyone who requested it bc I forgot, ANY ASPECS)

Step one -

Your characters must admire one another at the beginning, Romantic feelings usually do not present themselves as obvious until you really think them through, meaning your characters may not notice they have a crush until it's too late

These are general statistics and light stereotypes. So feel free to not use this tip:

Male characters usually tend to notice physical things first, like body shape, hair, skin, clothing, the way their lover moves, ect

And Female Characters Generally tend to notice more small things and personality-based traits first, like their lover's humor, speaking mannerisms, shifts in expression, ways they fidget, emotion in their voice, ect.

And someone who is in love will generally show more interest in this particular person's movements, actions, words, and anything in general.

Step 2 -

The character will show more interest in sharing their love language with their lover/crush

Physical touch - People with physical touch love languages may want to hold hands, cuddle, hug, or just lean on their crush whenever they are close to them moreso than they want to with others

Gift giving - Gift givers will want to get more gifts more often for their crush, probably thinking of them whenever they see little trinkets or wanting to get them big gifts for special occasions or signs of appreciation

Acts of Service - Acts of service people will offer to do extra favors and a bunch of extra stuff they don't have to do twice as much as normal

Words of Affirmation - Flattery, they will generally flood their crush with kind words and compliments

Quality time - Quality time people will want to spend time with their crush at almost every turn, and when they want company, will turn to their crush first

Step 3 -

After a while, these urges while become very prominent and more noticeable to the person having them

They may find themselves fantasizing about their crush or having them show up in their thoughts more and more, feeling nicer and happier when they're around, or when they're thinking about them

Smiling when they think about them, cutsey little fluff thingies like that

A crush is essentially: I want to date that, I want to be near that always, I want to marry that, I want that to snuggle me (or other love languages)

Or in simpler terms: if that asked me out, I would say yes (or at least want to say yes if your character is in denial)

Step 4 -

The character's urges to be close to this person grows strong enough that they do smth about it, whether prompted by another character. Or they just don't know I how to not anymore (like when you wanna eat candy and you don't want to, but you do anyway bc I JUST NEED THE CHOCOLATE OKAY?)

(Or for Aro/Ace, garlic bread)

People who are in love are generally very prone to be all dreamy and poetic and VERY EXTREMELY BIASED towards their crush

Then Yada Yada they kiss & shit

You're welcome, BYEEEEEEEE 👋

Happy writing!

Love you! Thanks for reading, And Ghost Tumblr Mother says go drink some water and have a snack, you've earned it, and you are beautiful <333

Have a good day! :]

@blue-kyber @thisisntrocket @cosmolumine @i-do-anything-but-write @paeliae-occasionally

@supercimi @the-letterbox-archives @sunglasses-in-the-bentley @vyuntspakhkite-l-darling @artsandstoriesandstuff

@corinneglass @wyked-ao3 @urnumber1star

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)