#actually wait i have a draft about this

[sleepless-in-starbucks]

i love replying to comments on my works because i write 'thank you!!' when really i mean 'i would give my soul for you. in battle you have my favour and my sword'

[ineed-to-sleep]

Just guys being dudes

[odd-chips]

Here's a big post of some of my doodles of [Cap'n and crew] that I haven't posted yet! Couple are comics, couple are shitposts, you know how it goes.

(Also have some extra character tidbits beneath the cut!)

Cap'n (she/they) has become a Spongebob-adjacent "married to the job" type with sprinklings of "they are not immune to rose-tinted Company propaganda". Cartoonishly loyal to work, she's more upset about lying to the boss about her condition over actually becoming a monster on work time (though she isn't particularly a fan of being a monster, either).

Skeets (she/her) was already implied to be pretty optimistic and curious, but I've doubled down on this. She's constantly curious about entities and the state of her co-workers, asking questions and absorbing new information. She's also extremely lucky when it comes to encountering entities.

Mav (she/him), as implied by her nearly leaving Cap'n behind in the first comic, has become a "I won't hesitate, bitch" bitch. Split second decisions aren't an issue for her, she WILL shoot first and ask questions later. (She also now has a gambling addiction, haha. LOVES betting credits on things)

Kid (he/him) is now Irish. I will not elaborate. He's kind of literally the same otherwise. He's also in major inherited debt because of a Company-caused clerical error, but don't worry about it.

Uh. That's about it, I suppose!

[batbabydamian]

🐱 Nightwing #110 rambling AKA wailing about how Dick and Jon love Damian

backtracking to 2 weeks ago in Titans #6 for a sec when Dick expressed how he wanted to look for Damian - it was nice to get a nod of Dick being concerned, but i was a bit bummed he didn't start a search. and i get it, the world needs saving, Dick's gotta do what he has to!!

different writer/story, but this line popped into my head the moment Babs said Earth needs the Titans

Damian means the world to Dick!! the Titans can take care of the literal world without him for a bit!!

but ykw it's fine since this issue proved me wrong, and Dick looks for Damian anyway!! 😭 basically "the world's still in danger but my brother needs me right now" this was just the start of the issue and i fell to my knees THEY BOTH REALLY DROPPED EVERYTHING FOR DAMIAN

the part where they plan to wait out Damian's match was so funny to me because Dick keeps repeating to Jon that they shouldn't engage, but then Dick just goes "NEVERMIND i'm going in" 😭 he couldn't stand watching Damian be hurt anymore i'm weeping

with context this is actually so sad for Damian orz otherwise i just wanted to say i love these drawings!! it's just a really cool page to me - i love the posing, especially in the hands/claws!! the intense expressions!! also so efficient in showing how the match escalates with Damian quickly overpowering Gail (along with seeing Jon's dread 🙁)

THEY WERE SO WORRIED ABOUT WHAT THIS WOULD DO TO DAMIAN 😭

just more panels of Dick and Jon worrying over Damian :')

DYNAMIC DUO 2.0!! and ofc they have a dramatic entrance haha

HEAD IN MY HANDS...CRYING... i'm assuming Damian's hands are still supposed to be covered in blood since the first thing he thinks about when he returns to being human is what he had done without his control. and this bothers him to the end of the issue 😭 (HIS EXPRESSIONS EVEN WITH THE MASK ON 😭)

not sure if it's intentional, but Dick's speech to Damian in B:WFA ep 113 is kinda brought to canon here through both Dick and Jon

this was a sleep deprived reactionary rambling, so not much thought is left in my head lol i was hoping for some cute cat Damian shenanigans, but i'll happily take Dick and Jon being protective over Damian! 🥺

one last duo pic for the road :)

[ratatatastic]

SASHA LUNDY CLUTCHING ONTO EACH OTHER FOR DEAR LIFE HELLO

THE INHERENT ROMANTICISM THAT IS IN BURYING YOUR FACE INTO EACH OTHER AND CRADLING ONE ANOTHER'S HEADS

CAN YOU HEAR MY WAILS?????? CAN YOU HEAR THEM AT HOW LUNDY IS SQUEEZING SASHAS WAIST??? HELLO?????

[hauntingsofhouses]

yeah taimizu IS toxic and off putting actually ‼️‼️🗣️🗣️🗣️

EDIT: TO BE CLEAR THIS IS A POST IN FAVOUR OF TAIMIZU!!! I AM A DIRTY TAIMIZU SHIPPER!!!!!

[moongothic]

WAIT WAIT WAIT HOLD THE FUCKING PHONE

So normally we only get fullblown, extended and dedicated flashbacks for heroic characters in One Piece, the characters who we're meant to root for. The literal only TRUE exception we've had to this rule was Big Mom's flashback. Even fucking Doflamingo's flashback was tied to Law and Rosinante's

So the fact that we haven't gotten a single fucking GLIMPSE at Crocodile's backstory is?!?

Like sure, we haven't gotten like a Moria flashback, but you know, he literally told us all we needed to know himself, AND we got to see glimpses of him in the Wano flashbacks. Arlong didn't get a flashback of his own, but he did get to cameo in Fisher Tiger's flashback. And Rob Fucking Lucci got a flashback that was 6 whooping panels long

BUT CROCODILE?? Not only do we know almost Fuck All about his story, but also have never gotten as much as a glimpse at it? But his backstory has been HINTED and TEASED at multiple times??

GUYS. FELLAS

Like. I am SURE the "Full Backstories for Heroes Only" rule is going to get broken again, but with Imu and Blackbeard already there just BEGGING to have their beans spilled, can we even be sure Sir Fucking Crocodile is somehow going to become A Villain So Dangerous To The Narrative that he ALSO should also recieve a Full Fucking Backstory?? For his Nefarious Schemes?? AT THIS POINT??

Y'all

I think it's more likely Oda's been saving up Croc's backstory because it might just completely recontextualize his entire character

[batsplat]

Oh im obses whit your blog like you are such a great historian on vale and love the way you analys stuff admire the way of writing all of your toughs in such a corent way 🩷🩷🐹

this is so nice, thank you!! okay so this ask was initially sent in response to this post about how marc knew what a dick valentino was to his rivals and appreciated/wished to emulate that side of him, in particular in the context of copying the jerez pass. and... well, there is one more follow-up post to that I did want to make. it didn't really work within that post because it's pretty speculative, but I think it's fun! here goes

so you know argentina 2018, right, big drama, reconciliation over, bla bla (I promise this is going in a more fun direction, stick with me here). there's a bit of marc's post-race media scrum that I am a wee bit obsessed with. or well, two specific lines, one in english (0:00) and one in spanish (1:02) - I've included the full responses for context, but in this post I'm really only interested in those two lines

in english:

But he was in the past also 25 years old, and will remember, everybody.

and in spanish:

He has also been 25 years old and, well, I hope that people also remember.

... 25 years old, did you say?

okay, look, fair warning. the rest of this post is going to be reading too much into what was probably an off-handed comment - even if, I'd just like to point out, it is something he felt the need to say twice. but let's just have some fun here, and read too much into it. as a treat

so obviously the most generic way to read this is him saying 'well valentino used to be really aggressive on-track too, so people shouldn't be criticising me more than they did him'. thing is, I wouldn't say there was that much of a noticeable decline in how aggressive valentino was being, and 2017 did still feature some major scraps where valentino very much got his elbows out (cf assen and phillip island, I included a bit more detail on this in the marc race rec post). sure, valentino did increasingly have his reservations about some of the behaviour of younger riders, so maybe he was less aggressive now relative to the field... but I just don't feel like that's quite what this line is implying. it's also not about valentino making 'mistakes' in general, because there would have been no reason to refer back to past-valentino in that regard... the 25 year old version of valentino was considerably more error-free than the 39 year old

so then, my theory is that it's about valentino's controversies! that's what people "will remember", right - it's not the general style of riding, not just innocent mistakes, it's the times when valentino caused a bit of a stir on and off the race track. now, again, you could go the generic route here and say 'ah well maybe marc is just thinking of all the mess valentino got himself involved in when he was younger, from getting into a fist fight with max biaggi at age 22 to pissing off casey stoner through his aggressive riding at laguna at age 29'. but let's say for a moment that marc was thinking a bit more specifically than that... after all, if we're just talking about valentino controversies in general, surely marc should be able to think of a rather more recent example where valentino, like marc at argentina 2018, caused another rider to crash and was subsequently penalised for his riding? of course, marc probably didn't want to bring up that particular controversy - but it's still interesting he feels the need to refer back to a younger version of valentino at all, the fact that this crossed his mind in the first place to make him bring it up unprompted while making his case. so maybe when marc, who is after all a known valentino rossi fan, refers twice to what valentino was like at "25 years old"... he is in fact thinking of what valentino was like when he was 25 years old. and in what year would that be? well, here's the thing. it would be 2004

readers of the sete post can probably guess where I'm going with this, but let's just take a moment to review what specific on-track incidents marc could be thinking of here. let's give him a little bit of extra leeway in terms of the age, even though I trust marc to be more on top of the exact age gap than valentino was in times past. let's throw in one year either way, so 2003 to 2005, and draw up a list of any particularly controversial races valentino was involved in. here's what I've got:

assen 2004 - valentino executed a hard overtake for the win on the last lap on sete gibernau. he's not in complete control and almost loses the front at the next corner, which would have taken them both out

qatar 2004 - after his team rubber up his grid slot the night before, valentino gets slapped with a back-of-the-grid penalty. he ends up crashing out of the race and burns his relationship with sete in the aftermath

jerez 2005 - at a time when their relationship is already very chilly, valentino and sete engage in another duel. valentino executes a block pass with contact at the final corner and is booed by the crowd

motegi 2005 - the first chance to seal that year's title, and one valentino would very much have liked to take to spite honda. an unwise overtaking attempt on melandri leaves both on the ground

so, my guess is that neither assen nor motegi were really big enough controversies to fit the bill, though maybe they stuck in marc's mind as instances of 'reckless riding' that he includes in a more generic internal understanding of young valentino rossi. we do of course know for a fact that marc was more than aware of what happened at jerez 2005, not least because he, you know, directly copied that move twelve years later (again, link to the relevant post). like marc in argentina 2018, valentino barged into a rival in rather controversial fashion, and obviously it also made the relationship between him and said rival deteriorate still further. sure, you can't really argue the move was 'as bad' as argentina 2018, but as far as I'm concerned it has the same general vibe

you know what else has the same general vibe? here's a race description for you:

a 25 year old rider is sent to the back of the grid for a reason they consider unfair

they proceed to deliver a phenomenal performance even by their lofty standards, quickly working their way up to a position that seemed unattainable to them

they barge a rival out of the way in their impatience, reaching back to apologise for the move

the race ends poorly for them and they fail to score any points

afterwards, their relationship with a rival is ruined as a result of the events of the race, and the whole thing remains a lingering controversy for years to come

one race that fits this description is, of course, argentina 2018. the other is qatar 2004. there's obviously plenty of details that are significantly different - valentino's move on barros is less egregious and far less controversial, and his race ends in the gravel rather than with a post-race time penalty. still, that start of valentino's? the impatience? the post-race fury? the repercussions this race had? come on, look at the race footage I included in the qatar post and tell me there's not a little bit of a shadow of that qatar fury to the argentina recklessness

this is a point I snuck into the marc race recs post, where I included this excerpt from a post-argentina 2018 write-up:

phillip island 2003, hm? as it happens, in the qatar post, I did include a bit of the autobiography that compares those two specific races:

so, phillip island 2003: a performance that made everyone wonder just how much valentino had left in reserve to draw on whenever he needed it. what valentino is saying here is that this performance wasn't a result of him holding back in all the other races that year - this was speed that was accessible to him only in that moment because he was so angry. so yes, maybe it's a valid question to wonder what would have happened at phillip island 2003 if it hadn't just been the ghost of his bike that had to pick its way through the stragglers. then again, valentino says it's not just rage that does the trick for him - it's controlled rage... which is all well and good, except when you lose control

and see also:

that's what argentina 2018 is all about, isn't it? it's a performance that's rooted in impatience, in restlessness, in frustration - where marc tuns his "rage into pure speed", as valentino would put it, in a hubristic dismissal of the rest of the field. ideally, the two of them channel those emotions to spur themselves on to special, signature performances... but sometimes, it gets the better of them. it got the better of marc that day in argentina and cost him the tentative peace with valentino. at qatar, it could have cost valentino the title

(also shades of this in jerez 2020 - an error sets the stage for some extraordinary pace before it all goes wrong) (catalunya 2003 is a fun more compact nephew to that race without the unhappy ending)

now, look, am I saying that marc was really referring back to qatar 2004 specifically, a race that had happened fourteen years earlier, when making an off-hand remark in a post-race media scrum as he tried to do some damage control in the wake of one of the most controversial races of his career? well, no. he could have been! but it's unlikely. maybe he's shit at maths and was actually thinking about laguna 2008 after all. still, I would like to once again point out that he felt the need to mention valentino's behaviour at age twenty five not once but twice. he's telling us that he wants people to remember what valentino was like at that age, and in the most literal sense I am doing what he's asking for. surely it's worth at least noting that there just happens to be a race where valentino was at that exact age and his temper overcame his rationality, leading to him making a costly error... surely it's worth acknowledging this...

even if marc wasn't actually obliquely referring back to that race or indeed any of the races I mentioned above, of course the parallels between valentino's foibles and marc's are in any case interesting. it speaks to how they get those special performances out of themselves, the similarities in how they operate in that regard... but of course also in how they both sometimes stray rather close to the limit, how they repeatedly flirt with crossing the line. a stubbornness and a hubris and a rage that can sometimes lead to disaster for the both of them. and another thing - who knows if marc was thinking about qatar 2004, but he must have been thinking about something. that's the point of that jerez post, right... marc is valentino's successor in so many ways, he has fashioned himself in valentino's image - and he keenly grasps and remains aware of all the different aspects of that legacy. he's the most accomplished of valentino's students and he felt strongly that what he did in that race in argentina was in some way comparable to what valentino himself had been doing at his age, part of the same tradition even. yes, to some extent marc is obviously accusing valentino of hypocrisy here: how can you judge me when you were once young and foolish too? his tone isn't exactly filled with remorse either, is it, he's pretty feisty in that media scrum! still, there's something more to it... something almost poetic to the whole thing, wouldn't you say? valentino had just accused marc of ruining the sport - and in response marc wants people to remember that they are just the same

[2hoothoots]

i was having a chuckle to myself last night about Gristol, and how his plans are basically:

Restore Ford Cruller's memory

Find Maligula

???

Profit

but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.

[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]

like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.

...is what i thought, but then i remembered this line:

[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]

and that's kind of interesting, right?

to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:

"Little Gzesaravich! Have you come to pay for your father's sins?"

my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.

so what is going on here?

in Fatherland Follies, there's this line in the ride narration that stuck out to me:

"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."

other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.

the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.

[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]

i mean, look at this stuff! he had a whole conspiracy board and everything!

we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.

like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.

i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.

[potatobugz]

is anybody else, like, disappointed about cassandra's introduction in season 3? forgive me if im missing something but in s2 cassandra went by they/them and was written and implied to be nonbinary, only for them to retcon that in the next season.

like dont get me wrong its their character and they can write them however they choose but still... it kinda sucks :(

[secretmarial]

Sportarobbie children based on this; this; and pure vibes:

Imagine them as siblings. Do it. I’m crying with laughter liSTEN

[icewindandboringhorror]

boy in silly sitting positions compilation

[toasteaa]

I don't know what's been going on with me recently but like...there's this tiny shred of guilt that I'm not doing anything really engaging on here anymore? Like, my creative block is fading out (finally), but I haven't drawn or written anything substantial recently and I feel really weird about that. Not just for you all looking at my blog, but also just in a creative bust kind of way.

There are ideas and themes and such that I would love to play with or dabble in, but I keep stopping them because they're either too self indulgent or there's no visual work to go with it. I don't really know how to describe it? Like I feel like I've been lazy creatively speaking recently when I COULD be getting more ideas out, but it's about the same ship all the time and idk, I also feel like I've gotten to the point where I'm talking too much again? Not that anyone here has made me feel like that and I have asks that I need to answer so I KNOW I'm not talking too much but I'm!!!! Being splashed with the self conscious and self critical and imposter syndrome buckets and I need them to stop!!!!

[alluralater]

"say it don't spray it." nah open that mouth nice and wide, babygirl. i'm about to spit some facts in it

[lelianaslefthand]

this is sending me so bad 😭 “mother is serving” and “shar is serving deity realness” why did he say that 😭😭

[hecatesbroom]

Another fic?? You bet! I almost finished this about 4 weeks ago, when I got sidetracked by the Dorothy gets dipped fic, so I finally managed to add the finishing touches here :) it's been in the works for about 3 months (off and on; many different projects got in the way) so I'm happy to finally be able to say it's done! (after that final edit at 3 am I posted about last night lol)

Summary

When Blanche announces that she thinks she's pregnant, each of the girls deals with it in her own way. (They find each other in Rose's bedroom in the end, for one reason or another.) // an exploration of S02E01: end of the curse, and what happens in between