#affection and mutual regard

[elitadream]

I think a gift that Luigi would give Mario for his birthday would be a wood carving kit like one of the professional ones with all the fancy tools for carving, sanding and sculpting, along with a few blocks of wood. He saved up all his money specifically for that and nothing else. And Mario can’t constrain his overwhelming joy over receiving such a thoughtful gift.

He cherishes it, truly, handles it with care and love just as he does Luigi.

AHH I love this idea so much!! 😍🛠✨️

I can especially see this ocurring as a flashback from when they were both still on Earth. Luigi buying this for Mario despite how rough times were back then, because he knows the hobby brings him a lot of joy. 🥺

"Fratellino...! You shouldn't have," Mario would gasp as he would unwrap his present, gazing down at the beautiful kit with a mix of wonder and dismay.

"Oh, hush!" Luigi would dimiss affectionately, patting the box and inviting Mario to open it. "We both know you've wanted one for ages. When was the last time you've treated yourself? You never indulge in any personal expenses!"

"Because I can't afford it," Mario would murmur with a furtive glance to their dingy appartment, giving Luigi a pointed look when the lightbulb above them would suddenly start to flicker.

Undeterred, Luigi would merely shrug and sit beside him, his eyes soft and compassionate.

"Please, take it," he would insist, with a knowing smile. "Please. I know how hard you try. I see it everyday. Saying that you deserve it would be an understatement. It was the least I could do."

Mario would grimace slightly at his brother's words, feeling a simultaneous pang of guilt and love in his chest.

"Thank you," he would finally say in quiet surrender, turning to give Luigi a fierce hug.

Much later, when they would both celebrate their first anniversary in the Mushroom Kingdom, Luigi would be elated to learn that the princess has given Mario full reign of the north wing's workshop, essentially letting him have it all to himself. While on his way to greet him there, he would huff with a lopsided grin upon thinking of how vast of an improvement this is over the meagre selection of tools he had offered him back then, but to his surprise, he would find Mario working at the nearest desk... with his kit laid out beside him. He would remember that this was one of the few objects that Mario had been very adamant about retrieving from Earth before the portal vanished, but he had believed it to be merely as a souvenir and would be confused as to why Mario would even bother still using it now.

"Seriously?" He would quip bemusedly as he would enter the room, causing Mario to break from his current train of thought with a start. "I can't believe you sometimes."

"What?" Mario would retort, a helpless smile tugging at his lips.

"Mario, half of these are worn down to a nub, and the other half is completely obsolete. Why keep a rusty old bike when you can have a Ferrari, eh?"

Luigi would nudge him with a smirk, pleased with his own comparison, but Mario wouldn't seem to find much humor in it. Instead, he would stare at the blueprint lying on the desk's surface and would shake his head slowly, his expression one of deep nostalgia and gratitude.

"The old bike has infinitely more value to me than any Ferrari, Lamborghini or Maserati ever could have," he would answer simply, his tone filled with warmth and appreciativeness.

Luigi would sigh dramatically at that, however beaming at the compliment.

"Okay, okay, I get it," he would concede with a playful roll of his eyes. "Just- promise me to use these shiny new toys every once in a while, alright? It's not everyday one of your craziest dreams come true! Might as well make the most of it."

He would ruffle Mario's hair and give him a wink before leaving him to his project, but would secretly feel very touched and a little emotional that Mario views his gift with such importance. ☺️💞

[poorly-drawn-mdzs]

He definitely meant the sword, right?

[First] Prev <–-> Next

[wolfpackmuses]

Did something today that I didn’t think would bring me such relief, yet here we are, me being relieved that I did it. Kinda feel like I got a breath of fresh air with a certain community on here, even if I wasn’t directly involved, per se.

Obviously not going to get into anything about what it is, unless you’re dying to know, but… yeah. Might work on some of my ideas for my Tokoyami Fantasy AU in a bit because I have some free time.

[babacontainsmultitudes]

i only just got on tumblr again… are you still doing the mutual bingo 👉🏼👈🏼 also hi ily

:] Yes still doing them for sure! Also hi hi hi Nyxie ily too!!! Heh, okay:

"baba how do I give off older *and* younger sibling vibes?" you just do you just do LOL ik we've talked about siblings but I always forget where you are amongst them- but if you're a middle child then this makes sense maybe. Anyways tucking you in and telling you a bedtime story about one Sparrow Oak Garcia after some mutual ranting <333

[harmonysanreads]

Thinking about being shared between Yandere!Dr Ratio and Yandere!Aventurine.

But instead of being locked up in one room, they let you roam free—or at least, as free as two of the most overbearing men will deem fit. These two have no disagreement in terms of their intentions concerning you and can communicate almost seamlessly in this regard. Be not mistaken though, neither of them are particularly fond of this arrangement, but they'd much rather shake hands on the fact that their cooperation will be mutually beneficial instead of partaking in pointless feuds.

And their theory on this is quite credible ; Aventurine is more spontaneous and inconsistent with his affections while Ratio is more grounded. Albeit, Aventurine's job contributes to this, being out on missions and tasks when the IPC demands it. As such, when he does have you all to himself, his pent up frustrations and adoration rain down all at once. He's the most susceptible to your whims, just mention the name and he'll present it to you through any means. Never forget to thank him with a kiss or something similar within the first hour though, does he not deserve it?

Consequently, you end up spending most of your time with Ratio. He prefers to keep you in his vicinity at any given moment, though hardly do you end up conversing about menial topics. If his work involves sitting down for a prolonged time, it is a rule that you must perch atop his lap and remain still. If he's heading to a bath, you must accompany him, regardless of which hour of the night it is.

You're either seen silently sitting by the side in Ratio's lectures, serving as damage control if his temper has been tested beyond limit ; or, hanging by Aventurine's arm as he flaunts you as his ‘lucky charm’ in casinos and parades you around in shopping malls.

You are not a mediator in their arguments, for you do not match their heights in intellectual factors. You do not have the final say in your cuisine or clothing if you're going out with them, though they might ask for your opinion once-in-a-blue-moon. You're constantly tossed back and forth, but you're not allowed to have a favorite, even if they may entertain the idea in playful moods. Behind one another's back, they slyly lure you to vent about how suffocatingly the other has treated you. You'd be wise to understand that it is nothing but a trap.

It's not so bad, if you have no problem being treated as a pampered pet more than a human being with autonomous thoughts, that is.

tldr: the crack image i have of this au is reader sitting very still while ratio tries to make a sculpture of them and aventurine showering money on them to piss off ratio

[ilions-end]

i finished statius' ACHILLEID. thoughts thoughts thoughts:

i knew going in it was a VERY short unfinished epic, but i didn't know it would be FUN?? if i ever get that time machine, FIRST THING i go back and find one publius papinius statius, i lock him in a room, and i'm NOT letting him out until he's finished the achilleid!

achilles is statius' BLORBO in a way neither homer, quintus nor virgil have blorbos. statius likes achilles to be strong and pretty and graceful, but most of all ENDEARING even when he fails. and he fails a lot, because this is him still figuring out how to be an adult, not to mention a prophesied legend literally everyone is waiting for to step up

the one thing that gets tiring is just how many prophecies permeate the achilleid. nothing's left to chance, there are so few unknowns. even ODYSSEUS was aware that from peleus' wedding there would come a child destined to be a central warrior in an upcoming gigantic war.

as it stands, the achilleid is more of a... thetisiad? she is very centered in the narrative (we spend more time looking at things from her point of view than achilles') and there is SO MUCH SYMPATHY for her, oh my gosh!! she loves ONE person, her son, the only worthwhile thing she got out of a traumatizing marriage, and she despairs that he's fated to die young in a silly human war.

also i'm a deidamia defender forever now. so three-dimensional, so clever!

aughhh i love how much characterization statius puts in, even in the small scenes! my favourite example is odysseus and diomedes as they walk up to lycomedes' place (literally just moving characters from A to B). diomedes teases odysseus, and odysseus is delighted to be teased. that night we're told odysseus CAN'T SLEEP because he's too excited about showing off his plan the next morning!

the unveiling of achilles is completely different from the chagrined defeat/"achilles is a fucking idiot" ways i've heard it retold! i love that it's collaborative, it's a mutual triumph. it's just as much achilles (who's been suffering in gender dysphoria hell for a year) longing to be exposed as it is odysseus LIVING for showing everyone (especially diomedes?) how clever he is. it's not just the shield and the spear and the bugle, it's odysseus playing the part of the siren, whispering in achilles' ear that he knows who he is and describing how glorious he will be on the trojan battlefield. it's achilles' grateful relief at being ALLOWED not to pretend anymore as he rips off his own dress even before the bugle calls

also it's very important to me that the moment he's no longer hunching over trying to make himself look small and inoffensive, we're told achilles is taller than both odysseus and diomedes

i KEEP IMAGINING how good statius would have made the rest!! especially because as book ii ends, achilles regards odysseus as a cool uncle; he's the guy who rescued him! i want to think statius would have put in the big mystery quarrel achilles and odysseus are said to have had early in the war, something to drastically change that affection. i want to know how statius would have handled troilus, and the gods. augh statius you roman BLUEBALLER

an assortment of story beats still revolving in my head:

chiron is such a sweetheart!! he's SO gallant with thetis, he's so affectionate with achilles. he HIDES HIS TEARS when achilles leaves, awww

statius writes out phoinix completely. as a phoinix stan i object. sure chiron can raise young achilles, but i NEED phoinix to tend to him as a baby

i enjoy how achilles EXPLODES into a mess of teenagerly hormones when he first sees deidaima. it's so funny that thetis is looking on (and we get my favourite simile of the achilleid, of a herdsman delighting in a young bull snorting and foaming at a beautiful heifer) like "aaaaand there's my son's sexual awakening. i see! well, we can use that" and THAT explains why achilles is so willing to commit to the female disguise

(listen. listen. few things mean more to me than the love between achilles and patroclus. but achilles is a teenage boy at the age when a fucking breeze will give him a boner, and deidamia is the most beautiful and the cleverest of her sisters. i really enjoy a story where achilles and deidamia are neither "fated eternal true love" or one's a sneaky opportunist. it's much more compelling that they're both knots of budding emotions and bodily feedback)

i notice that statius never uses the name pyrrha, he doesn't seem to have a fake name at all, just "achilles' sister"

lycomedes is SO honoured and proud that thetis is entrusting her daughter to him. i feel sorry for lycomedes, he seems so earnest and hasn't done anything to get tricked

the one thing i can't forgive statius for is that after spending SO much time establishing that achilles and deidamia (who knows he's a guy) are genuinely into each other, it feels like statius goes OUT OF HIS WAY assuring us that their first sexual encounter is rape. sure they talk right after, deidamia forgives him, AND i understand there are social rules that makes deidamia more "honourable" and "worthy" when she resists, but like. sigh.

aLONG with the previously mentioned interplay between odysseus and diomedes as they walk up to lycomedes' court, there's a simile where they're both starving wolves on the hunt. so sexy it's almost illegal

the feast scene is SO FUNNY omg. all of achilles' careful feminine training dissolving because odysseus and diomedes are there with their boundless masculinity for him to feed off of. deidamia practically WRESTLING achilles back down on the couch every time he forgets himself and behaves too much like a man. odysseus chatting with lycomedes SPECIFICALLY trying to rile up achilles, and then after the women have left (achilles dragging his feet and looking back, YEARNING for their male company) odysseus specifically praises the maiden's "almost masculine" beauty (because ohh he suspects. he just needs to prove it in the morning. he can't SLEEP for it)

when they depart, achilles earnestly swears to deidamia that no other women shall ever bear his children. i find it interesting as a reminder of the social rules of its era. neither of them expect achilles to be sexually exclusive, just not fathering potential heirs. which again makes me wonder about the contraceptives in ancient greece

on the ship towards aulis, diomedes begs achilles to tell them all about his feats and training with chiron, and achilles is so shy about it! who can blame him! diomedes has a WAY more impressive track record

odysseus is SO good at firing up achilles' outrage at paris even as he's just catching him up on what the war's about. and he's so pleased at how easily achilles' outrage can be directed! you KNOW that would have developed in such an interesting way AUGH THE REST WOULD HAVE BEEN SO GOOD.

[kleopatra45]

Aspects of Venus in the Natal Chart

☌ Venus Conjunct Other Planets

Conjunctions can be both positive and negative. On the positive side, they combine the energies of the planets involved, enhancing their qualities and creating a powerful synergy. This can result in heightened strengths and abilities in the areas governed by the conjunct planets. On the negative side, conjunctions can amplify challenging traits, potentially leading to imbalances or conflicts if the combined energies are not well-integrated or harmonized.

Venus Conjunct Sun: This conjunction blends love (Venus) with identity and ego (Sun), creating a harmonious alignment between personal desires and affectionate expression. The individual radiates warmth and charm, often attracting admiration and forming deep emotional connections. However, there may be challenges in distinguishing between personal needs and the needs of the relationship, sometimes leading to self-indulgence or dependency. Venus Conjunct Moon: When Venus is conjunct the Moon, emotions and affections are deeply intertwined. This aspect enhances sensitivity and a nurturing nature in relationships. Individuals are likely to seek harmony and beauty in their personal lives. They have a strong need for love and comfort, often expressing their feelings with warmth and tenderness, making them charming and empathetic partners. Venus Conjunct Mercury: This aspect enhances charm and communication in relationships. The individual expresses affection through articulate and persuasive language, fostering harmonious interactions and intellectual rapport. However, there could be a tendency to prioritize mental stimulation over emotional depth, occasionally leading to superficiality in emotional exchanges. Venus Conjunct Mars: This conjunction combines love and desire, enhancing passion and assertiveness in relationships. The individual pursues their desires with charm and confidence, often initiating romantic connections with vigor. However, it can also lead to emotional impulsiveness or conflicts arising from differences in emotional and physical needs. Venus Conjunct Jupiter: This aspect enhances love and generosity, promoting optimism and expansiveness in relationships. The individual values harmony and growth, often seeking to elevate their emotional connections through shared experiences and mutual understanding. However, there may be tendencies towards overindulgence or unrealistic expectations in emotional matters. Venus Conjunct Saturn: This conjunction blends love with responsibility and commitment. The individual values stability and longevity in relationships, often approaching love with maturity and patience. However, it can also lead to emotional restraint or fear of vulnerability, as they prioritize security and practical considerations in emotional affairs. Venus Conjunct Uranus: This aspect promotes uniqueness and unpredictability in emotional expression. The individual values independence and innovation in relationships, often seeking excitement and freedom in love. However, it can also lead to emotional detachment or sudden changes in emotional preferences, challenging the stability of romantic connections. Venus Conjunct Neptune: This conjunction enhances sensitivity and idealism in love. The individual is deeply compassionate and romantic, often drawn to mystical or artistic expressions of affection. It supports emotional empathy and spiritual connection in relationships but may also lead to idealization or confusion regarding emotional boundaries. Venus Conjunct Pluto: This aspect intensifies love and transformation in relationships. The individual experiences profound emotional depth and may undergo significant personal growth through intense emotional experiences. However, it can also lead to power struggles or obsessions in love, as they navigate the complexities of intimacy and control.

⚹ Venus Sextile Other Planets

Sextiles are positive aspects that encourage cooperation and the easy flow of energies between the involved planets. This harmonious connection facilitates smooth interactions and enhances the beneficial qualities of each planet, leading to supportive and constructive outcomes. The ease of this aspect promotes opportunities for growth, creativity, and positive developments in the areas influenced by the sextile.

Venus Sextile Sun: This harmonious aspect enhances creativity and self-expression in relationships. The individual radiates warmth and affection, fostering mutual respect and admiration. It supports emotional harmony and cooperative efforts towards shared goals, enhancing the overall enjoyment of romantic connections. Venus Sextile Moon: A Venus-Moon sextile brings a harmonious blend of emotional sensitivity and affectionate expression. This aspect fosters easy emotional connections and enhances social charm. People with this sextile are likely to express love and care in a gentle, supportive manner. They enjoy creating a pleasant, aesthetically pleasing environment and excel in nurturing and maintaining harmonious relationships. Venus Sextile Mercury: This aspect enhances communication and understanding in relationships. The individual expresses affection through thoughtful gestures and attentive listening, fostering intellectual rapport and emotional closeness. It supports harmonious exchanges of ideas and promotes a shared appreciation for mental stimulation. Venus Sextile Mars: This aspect enhances passion and assertiveness in relationships. The individual pursues their desires with grace and determination, often inspiring mutual attraction and emotional intimacy. It supports proactive efforts in romantic pursuits and encourages healthy expressions of desire and affection. Venus Sextile Jupiter: This aspect brings generosity and optimism to love and relationships. The individual values growth and mutual support, often finding joy in shared experiences and emotional expansion. It supports a positive outlook on love and encourages acts of kindness and emotional generosity towards others. Venus Sextile Saturn: This aspect blends love with stability and commitment. The individual values loyalty and reliability in relationships, often fostering long-lasting emotional connections built on trust and mutual respect. It supports practical efforts in love and encourages patient and mature approaches to emotional fulfillment. Venus Sextile Uranus: This aspect promotes innovation and spontaneity in emotional expression. The individual values freedom and individuality in relationships, often seeking unconventional or exciting romantic experiences. It supports adaptability in love and encourages creative solutions to emotional challenges. Venus Sextile Neptune: This aspect enhances sensitivity and compassion in relationships. The individual is empathetic and romantic, often expressing affection through artistic or spiritual means. It supports emotional healing and fosters deep emotional connections based on mutual understanding and empathy. Venus Sextile Pluto: This aspect brings intensity and transformation to love and relationships. The individual experiences profound emotional growth and may undergo significant personal changes through deep emotional connections. It supports emotional resilience and encourages the exploration of intimacy and shared vulnerability.

□ Venus Square Other Planets

Squares are negative aspects that create tension and challenges between the involved planets, prompting growth through conflict. This dynamic aspect often leads to struggles and obstacles that need to be overcome, pushing individuals to address and resolve the underlying issues. The friction generated by squares can be difficult to navigate, but it ultimately encourages personal development and resilience as one learns to balance and harmonize the conflicting energies.

Venus Square Sun: This challenging aspect creates tension between personal desires and the needs of others in relationships. The individual may struggle with issues of self-worth or feelings of inadequacy, affecting their ability to form balanced emotional connections. However, it also encourages self-awareness and personal growth through learning to prioritize mutual respect and emotional reciprocity. Venus Square Moon: Venus square the Moon can create tension between emotional needs and desires for affection. This aspect may lead to difficulties in balancing personal feelings with relational expectations. There can be internal conflict or inconsistency in expressing love and emotions, resulting in potential misunderstandings or dissatisfaction in relationships. Learning to navigate these differences is essential for emotional harmony. Venus Square Mercury: This aspect can lead to misunderstandings or conflicts in communication within relationships. The individual may struggle to express their affections clearly or to understand the emotional needs of others. It challenges them to develop empathy and effective communication skills in emotional exchanges. Venus Square Mars: This aspect can lead to conflicts or power struggles in relationships. The individual may experience challenges balancing emotional desires with assertive actions, potentially leading to emotional confrontations or misunderstandings. However, it also fosters emotional courage and assertiveness through learning to assert boundaries and manage conflicts constructively. Venus Square Jupiter: This aspect can create conflicts between emotional indulgence and practical realities in relationships. The individual may struggle with overextending themselves emotionally or having unrealistic expectations of others. It challenges them to find balance and moderation in emotional exchanges, fostering emotional maturity and realistic emotional expectations. Venus Square Saturn: This aspect generates tension between love and responsibility in relationships. The individual may experience fears or insecurities related to commitment or emotional vulnerability. It challenges them to develop patience and emotional resilience in forming lasting emotional connections based on trust and mutual support. Venus Square Uranus: This aspect can lead to conflicts or disruptions in emotional stability within relationships. The individual may feel torn between the desire for emotional freedom and the need for security or stability. It challenges them to find creative solutions to emotional challenges while maintaining authenticity and respect for emotional boundaries. Venus Square Neptune: This aspect can create confusion or idealism in relationships. The individual may struggle with boundaries or clarity in emotional matters, potentially leading to emotional vulnerability or disillusionment. It challenges them to develop realistic emotional expectations and to communicate openly and honestly in romantic connections. Venus Square Pluto: This aspect can lead to power struggles or intense emotional transformations in relationships. The individual may experience issues of control or possessiveness, challenging them to confront deep-seated emotional fears or desires. It encourages them to navigate emotional complexities with honesty and respect for emotional autonomy.

△ Venus Trine Other Planets

Trines are positive aspects that create a smooth and beneficial connection between the involved planets, enhancing talents and creating a sense of ease. This harmonious aspect facilitates the natural flow of energy, making it easier to express and develop the qualities associated with the planets. Trines often lead to emotional balance, inner harmony, and an overall sense of well-being, as the supportive nature of this aspect encourages the effortless integration of strengths and abilities.

Venus Trine Sun: This harmonious aspect enhances love and creativity in relationships. The individual expresses affection with warmth and generosity, fostering mutual appreciation and respect. It supports emotional harmony and encourages creative collaboration and shared enjoyment in romantic connections. Venus Trine Moon: With Venus trine the Moon, there is a natural flow of emotional expression and affection. This aspect brings ease and grace in relationships, enhancing charm and social grace. Individuals with this trine are likely to be emotionally supportive and nurturing, finding joy in creating a loving, harmonious environment. Their warmth and kindness attract positive relationships and mutual understanding. Venus Trine Mercury: This aspect enhances communication and understanding in relationships. The individual expresses love and affection through clear and thoughtful communication, fostering intellectual rapport and emotional intimacy. It supports harmonious exchanges of ideas and promotes a shared appreciation for mental stimulation and emotional closeness. Venus Trine Mars: This aspect enhances passion and assertiveness in relationships. The individual pursues their desires with grace and confidence, often inspiring mutual attraction and emotional fulfillment. It supports proactive efforts in romantic pursuits and encourages healthy expressions of desire and emotional intimacy. Venus Trine Jupiter: This aspect brings joy and optimism to love and relationships. The individual values growth and mutual support, often finding happiness in shared experiences and emotional expansion. It supports a positive outlook on love and encourages acts of kindness and generosity in romantic connections. Venus Trine Saturn: This aspect blends love with stability and commitment. The individual values loyalty and reliability in relationships, often fostering enduring emotional connections built on trust and mutual respect. It supports practical efforts in love and encourages patient and mature approaches to emotional fulfillment. Venus Trine Uranus: This aspect promotes spontaneity and excitement in emotional expression. The individual values freedom and individuality in relationships, often seeking unconventional or innovative romantic experiences. It supports adaptability in love and encourages creative solutions to emotional challenges. Venus Trine Neptune: This aspect enhances sensitivity and compassion in relationships. The individual is empathetic and romantic, often expressing affection through artistic or spiritual means. It supports emotional healing and fosters deep emotional connections based on mutual understanding and empathy. Venus Trine Pluto: This aspect brings intensity and transformation to love and relationships. The individual experiences profound emotional growth and may undergo significant personal changes through deep emotional connections. It supports emotional resilience and encourages exploration of intimacy and shared vulnerability.

☍ Venus Opposition Other Planets

Oppositions in astrology create a dynamic of tension and awareness between the energies of the planets involved. This aspect often highlights contrasting needs and urges individuals to find a balance between them. While oppositions can create challenges, they also provide opportunities for growth and integration as one learns to navigate the tension between opposing forces.

Venus Opposite Sun: This aspect creates tension between personal desires and the needs of others in relationships. The individual may struggle with issues of self-worth or feelings of inadequacy, impacting their ability to form balanced emotional connections. However, it also encourages self-awareness and personal growth through learning to prioritize mutual respect and emotional reciprocity. Venus Opposite Moon: Venus opposite the Moon can indicate a push-pull dynamic between emotional needs and expressions of affection. This aspect often brings challenges in balancing personal feelings with the desire for relational harmony. There may be a tendency to seek validation through relationships, leading to potential dependency or emotional conflict. Striving for self-awareness and balance is key to managing this aspect. Venus Opposite Mercury: This aspect can lead to misunderstandings or conflicts in communication within relationships. The individual may struggle to express their affections clearly or to understand the emotional needs of others. It challenges them to develop empathy and effective communication skills in emotional exchanges. Venus Opposite Mars: This aspect can lead to conflicts or power struggles in relationships. The individual may experience challenges balancing emotional desires with assertive actions, potentially leading to emotional confrontations or misunderstandings. However, it also fosters emotional courage and assertiveness through learning to assert boundaries and manage conflicts constructively. Venus Opposite Jupiter: This aspect can create conflicts between emotional indulgence and practical realities in relationships. The individual may struggle with overextending themselves emotionally or having unrealistic expectations of others. It challenges them to find balance and moderation in emotional exchanges, fostering emotional maturity and realistic emotional expectations. Venus Opposite Saturn: This aspect generates tension between love and responsibility in relationships. The individual may experience fears or insecurities related to commitment or emotional vulnerability. It challenges them to develop patience and emotional resilience in forming lasting emotional connections based on trust and mutual support. Venus Opposite Uranus: This aspect can lead to conflicts or disruptions in emotional stability within relationships. The individual may feel torn between the desire for emotional freedom and the need for security or stability. It challenges them to find creative solutions to emotional challenges while maintaining authenticity and respect for emotional boundaries. Venus Opposite Neptune: This aspect can create confusion or idealism in relationships. The individual may struggle with boundaries or clarity in emotional matters, potentially leading to emotional vulnerability or disillusionment. It challenges them to develop realistic emotional expectations and to communicate openly and honestly in romantic connections. Venus Opposite Pluto: This aspect can lead to power struggles or intense emotional transformations in relationships. The individual may experience issues of control or possessiveness, challenging them to confront deep-seated emotional fears or desires. It encourages them to navigate emotional complexities with honesty and respect for emotional autonomy.

©️kleopatra45

[transmutationisms]

Hey, I've been delving into anti psychiatry readings but one thing always stands out to me: if there is no underlying disease behind a depressive state, for example, how does that new paradigm not end up placing the blame on the patient? I ask in good faith as I still don't have a clear answer on that regard, and would like to have better conversations about this topic that don't end when people tell me of a close relative with depression who has seemingly had a life free of traumas that could otherwise present as depression.

-materialist (marxist) anti psychiatry identifies the root 'cause' or basis of psychological experiences in the economic and material conditions of existence. depression or other forms of distress, just like other affective states, derive fundamentally from the world we live in, our political situation, the material alienation of estranged labour that underlies 'alienation' the psychological state. this doesn't mean that resolving the contradictions of capitalism (that is, workers' revolution) will magically eliminate all sources of distress, depression, or other currently pathologised experiences. however, it would certainly resolve / eliminate some distress for some people; additionally, it is the only way to overcome the capitalist paradigm that values people by their adherence to a normative standard of ability, which is what renders depressed people (for example) economically marginalised 'failed citizens'

-keeping the above in mind, i would question whether there is really such thing as a person who 'has no trauma' ie, has no material basis for alienation, depression, or distress. capitalism is an estranging system, including for the owner class (though of course this occurs in a different way to the labouring class, and i am not suggesting that the bourgeoisie are the 'victims' of capitalism or some such)

-none of the above is mutually exclusive with the role that an individual's neurobiology plays in their subjective or psychological state. like any base/superstructure phenomenon, the relationship is dialectical, with the material base generally dominating, but both acting on and being affected by superstructural phenomena. economic and material conditions lead to subjective experiences such as depressions; these experiences are also instantiated in, reacting to, and reacted upon by the physiological processes in the brain/body. however, when we say that depression (for example) is not a disease we mean that there is no biological entity---no infectious pathogen, no 'chemical imbalance', no organic lesion, no anatomical defect or physiological malfunction---that is identifiable as a single cause or correlate of depressed states, nor will there ever be; the psychiatric label is a heuristic catch-all applied to a constellation of experiences (symptoms) that are varying degrees of disagreeable to individuals (patients) as well as to medical and state authorities

-i think it's overly credulous to the psychiatric profession to assert that calling something a disease means that no one can 'blame the patient' for it. in fact i would say it would be difficult to name a disease that doctors, state authorities, and society at large does NOT blame on patients

-i also think it's overly credulous to the psychiatric profession to assert that there is a dichotomy between neurobiological diseases and things that are individual faults or failings. in fact i would posit that most subjective experiences, including of distress, are neither

[elitadream]

Been thinking a lot lately about how Mario and Peach might have gotten to know each other better and what subjects could have brought them closer together, so here are several little headcanons I had which I’ve combined together for this one scene. 😁

- Whenever Mario mumbles to himself or thinks out loud while working alone on a project, he usually does so in Italian.

- Peach has been fascinated by the language ever since hearing it from the bros and truly finds it beautiful. 

- She adores Mario’s accent and could listen to him speak for hours.

- She learned an Italian word on purpose in the hope of catching Mario’s attention (and was secretly thrilled when it obviously did).

- She asked for possible lessons because she longs to spend more time with him and figured this was a good way to do exactly that.

- Mario was genuinely impressed that Peach could memorize something she heard only once and was touched by her will to learn.

- When around her, Mario gestures with his hands a lot and unconsciously makes all sorts of small flourishes.^^

- Peach is usually the one who initiates proximity and is just slightly less shy about standing close to him than he is to her.

- Mario’s patience and natural enthusiasm makes him a great teacher.

- They will soon develop a pattern from this and take to showing new things to one another as a recurring activity. 

I love these calm, peaceful moments so much! They’re among my favorite things to draw. 🥰

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[gothhabiba]

Some hints about evaluating scientific studies

Firstly, understand that something being published in a scientific journal (or an academic journal for the social sciences) does not automatically make it true. Publishers profit from publishing novel, eye-catching, surprising research, which means they are more likely to publish positive results than ones that didn't find a connection between given variables. This means that scientists' careers benefit when they get positive results. Certain institutions also benefit from certain findings above others (a committee for research on "obesity" that is funded by a government organisation tasked with ending it, for example, is likely to try to stretch the evidence to find a link between body weight and poor health outcomes). So how do people evaluate scientific studies, especially without being scientists themselves?

Literature reviews

Literature reviews, which aim to assemble and summarise most of the available or influential papers on a given issue, can be a good place to start when trying to research that issue. Typically, scientific studies shouldn't only be evaluated on a case-by-case basis (since even well-designed studies can be contradicted by other, equally well-designed studies), but a full survey of the different results people have gotten should be taken.

Background information and conflicts of interest

Try to find out who funded a given study. Who published the study? What do these people stand to gain from the results of the study being accepted? (For example: you might pay special attention to the experimental design on a study on whether a certain essential oil helps to reverse hair loss that was carried out by a company that sells that oil.)

In theory, many journals call for study authors to declare any conflicts of interest they may have in a special section of the paper. This section should also list funding sources. You might also look up the authors on linkedin or something to find where they're employed; also look into whether another conglomerate owns that company, &c.

Experimental design

If the study involves a survey, have the authors of the paper provided the questions that people were asked, so that you can evaluate them for potential ambiguity or confusing wording? Not being transparent about the exact wording of questions is a sign that a study isn't trustworthy.

What's the sample size? Is it large enough for the claim the study is making to be reasonable? (More on this in the next section.)

Does the experimental design make sense with what the researchers wanted to study? Are the claims that they make in the conclusion section something that could reasonably be proven or suggested by the experiment that they performed?

Does the experimental design "bake in" an assumption of the truth of its hypothesis? (For example, measuring skeletons to argue that they fall into statistically significant size groupings by sex, using skeletons that you sorted into "male" and "female" groups based on their size, is clearly circular).

How was data collected? People might change their answers to a survey, for example, if they have to speak to a person to give them, rather than writing them down anonymously. Self-reported information (such as a survey aiming to figure out average height or average penis size) is also subject to bias. A good study should be transparent about how the authors collected their data, and be clear about how this could have affected their results.

Also regarding surveys: do the categories that the authors have divided respondents into make sense? Are these categories really mutually exclusive? If respondents were asked to sort themselves into categories (e.g., to select their own race or ethnicity), is there any guarantee that they all interpreted the question / the boundaries of these categories the same way? How would this affect the results?

Interpretation of results

Could anything other than the conclusion that the authors came to explain the results of their experiment? For example, a study finding a correlation between two variables and assuming that this means one variable causes the other ("being in a lot of stress causes short stature" or vise versa) could be missing a secret third thing which is in fact causing both of those things (e.g., poverty). Check to make sure that the authors considered other explanations for their findings and ruled them out (for example, by controlling for other variables such as socioeconomic status).

Are the results of the study generalisable to the population that the authors claim they're generalisable to? For example, the results may not be true for the entire population if only cisgender men between the ages of 30 and 40 were tested. Sampling biases can also affect generalisability—if I surveyed my college to try to find out the percentage of women in the total population, you might ask "but is your college sure to have the same percentage of women as the Earth does?"

Statistics

Are the results statistically significant, or are they within expected margins of error?

Many studies provide a p-value (a number between 0 and 1) for their results. In theory, a p-value represents the chance that the study's results could have been achieved by random chance. If you flip a coin ten times (so, your sample size is 10), it's not very odd to get heads six times and tails four times, and you wouldn't accept that as proof that the coin lands on heads more often than tails. The p-value for that result would be high (that is, there's a high chance that the coin appears unfair only because of random chance). On the other hand, if you flip a coin 100,000 times and it lands on heads 60,000 of those times, that's much better evidence that the coin is not a fair one. The p-value would be much lower. Typically, a p-value lower than 0.05 is considered statistically significant.

In practice, there's more than one way to calculate p-values, and so studies sometimes claim p-values that seem absurdly low. A low p-value is not proof of a claim in and of itself. Check to make sure that the authors of the paper also provide the raw data, and not just the p-values; this indicates a concern with other people being able to independently evaluate their results, rather than just trying to get The Best Numbers.

Citations

If the study cites something that seems foundational to their claims or interpretation, try tracing it back to the paper that was cited. Does the source actually claim what the authors of the first study said it did? Does the source provide proof or support for the claim, or does it seem flimsy, like a "common-sense" assumption?

Replication

Check the studies that cite the one you're currently looking at. Has anyone else tried to replicate the study? What were their results?

What if I really, really don't want to read scientific studies?

That's fine. Not everyone is concerned enough with specific scientific questions for regularly reading scientific papers to be reasonable for them. Just keep in mind that not everything in a scientific journal is necessarily true; that profit motives and personal and institutional bias impact results (e.g. when some studies revealed a lack of poor health outcomes for "obesity," and many scientists responded by calling it a "paradox" that needed to be "solved"); and that pop science and journalistic reporting on science are subject to distortions from the same sources.

Try finding commentators on scientific matters whose output you like, and evaluate their writing the same way you would evaluate any other critical writing.

[lucreziajuan]

“Their mutual affection was based on similarity of character and outlook, and strengthened by the sense that the rest of their world regarded them as dangerous outsiders.” — Sarah Bradford, Lucrezia Borgia: Life, Love, and Death in Renaissance Italy

[fanaticsnail]

Cross-Guild Masterlist

Navigation Masterlist Here

Art link

Buggy D. Clown:

You Kissed the Clown? (15/15 Series)

An upper-class tinkerer finds herself amongst the crew of the Staw-Hat pirates. Falling within the blast of a giant flash of red smoke and captured with her crew in the claws of the Buggy Pirates; she is confronted by her flight, fight and freeze response. Immediately, she finds another way of distracting the infamous clown-captain: a passionate and disarming kiss. As time and distance fall between them, feelings of romance, infatuation, fascination and longing cling to the clown and the tinkerer in each other's absence. How could they feel so deeply for each other; they only shared one single kiss?

Happy Birthday, Pumpkin (one-shot)

Buggy longs to kiss you but always shies away in case his affection is not reciprocated. Finally, an opportunity presents itself for a consequence-free kiss and he can barely hold himself back in anticipation. Happy birthday!

I Can't Do This Without You (one-shot)(smut)

Buggy attempted to use some unusual, waxy pollen to form into a "buggy-ball". He was an idiot. He can't manage the consequences without his loyal and ever faithful crewmate to help him out.

A Small Kindness (Smut One-Shot)

A blue-haired man with a round red nose is down on his luck. He's lost everything, not a single berry to his name after being defeated again by the straw-hat crew. A small kindness from a stranger propels him to get back on his feet. How could he repay you? Surely you needed something in return.

Headcanons & Drabbles:

Soft-Dom BuggyBratty BuggyCross-Guild InterrogationThe Clown Apologises

Buggy x Reader x Mihawk:

Swing, Sway, Shag, Smimmy (Buggy x Reader x Mihawk) (4/4)

Buggy is infatuated with his prized acrobat. He issues a dance night-off for his pirate crew, choosing to "make a move" in the hopes of charming his beautiful acrobat under the hawk-like gaze of his guest of honour. Unbeknownst to Buggy, the feeling of infatuation is mutual regarding the acrobat. Can they learn to 'play nice' to woo the acrobat? Yes, yes they can.

Dracule Mihawk:

The Apprentice (6/7 Series)

Mihawk is a bitchy boss, the apprentice is his bratty underling. Professionalism, sword-mastery and affiliation for wine consumption drives their relationship.Mihawk pushed his apprentice a little too far, prompting her to submit a formal resignation effective immediately. Calling her bluff, he attempts to chaperone her towards a cellar door to begin an afternoon of wine-tasting, only to find absence at his side as his apprentice simply walked away from him. And he was angry about it.Ongoing series.

You Should Be Sad (Completed Series):

Upon rising to the title of Warlord and Worlds-Greatest-Swordsman, Dracule Mihawk began to neglect his fiancé and her desires. Unable to provide her with the one thing she truly longed for, he remained apathetic as she broke from their lengthy courtship.A decade later, and many a bottle of brandy relinquished, he drifts to Baratie in hopes of drowning away the memory of her: only to have his hopes shattered as the hired band begins to play with his ex-fiancé singing her vengeance at him.

Let Me Take Care of You (one-shot)

The personal assistant to Dracule Mihawk notices he is not quite acting himself: a small wince as he reaches for his breakfast wine glass, a grimace as he draws it to his lips and the narrowing of his eyes as he begins to slouch. Luckily for the both of them, the assistant has a resume of many a skill: remedial massage being the key element provided to the broody warlord. He reluctantly accepts their touch, longing for the burden to be released from his shoulders.

El Tango de Mihawk (one-shot)

A talented thief manages to obtain an invite to the marine ball and decides to utilize it as a great opportunity to steal from the wealthiest members of the world government. Mihawk immediately recognizes them and decides to toy with their scheming, tango dancing ensues.

The Marine's Mistake (request) (one-shot)

Something horrible occurred to rid the warlord of his signature facial hair. Cadets had gathered and began whispering in hushed tones as Garp held a seated meeting with the warlord at a table in a run of the mill tavern. A new transfer does not recognize the sleek cheeks of the handsome gentlemen and immediately decides to approach to flirtatiously engage him over a drink or two. Mihawk is amused.

My Love Mine All Mine (request) (one-shot)

Mihawk returns to his castle in kuraigana nine days after he was due to return. He finds his lover sleeping in his bed, face falling to rest atop his pillow. Soft drabble, pining, longing.

Hanahaki: The Hawk and the Fledgling (request) (one-shot) Part 2

Mihawk notices his Fledgling, an apprentice he took under his wing, has become lazy in their training. Upon one final vocal reprimand, they collapse; sputtering a cocktail of saliva, blood and... petals? Is that petals in their hand? Surely not.

The Spear and the Sword (request) (one shot)

Drabble Part 2

Mihawk is required by Vice-Admiral Garp to obliterate an approaching armada of barbaric pillagers from their attack on a marine base. As this army was not enough for him to handle alone, Garp calls in another warlord, a ferocious warrior-woman armed with a spear, to aid in his ability to complete this task with as much succession as possible with as little damage done to the defenseless base. Both begin their armed ascension, showcasing their abilities in contest to see how many troops they best by the end of battle, against how many injuries they themselves acquire in the thralls of combat.

Little Sparrow (one-shot: drabble)

Mihawk has been up with your daughter, soothing her as she experiences her leap weeks. You spend some moments with your husband as he holds her in his arms.

Sapsorrow: (9/10 Series)

Upon receiving an invitation from the lord of Kuraigana to train his wards, you never expected your career as a governess to lead you here. As your tour of the keep was conducted, a ring was slipped onto your finger: invoking an ancient curse you truly did not understand. Setting three conditions for marriage, your newly betrothed immediately made haste to complete them with you blissfully ignorant that his life hung in the balance should be fail his task.

Macule Drihawk (drabble)

When Dracule Mihawk drinks, he becomes an entirely different person. That person's name is Macule Drihawk.

Pretty Bird (series)

Mihawk is an injured avarial trapped in his raven form while healing. You nurse him back to health, and he becomes smitten with you.

Obsession (one-shot)

Many believe Mihawk keeps the knowledge of his spouse a secret because he is a private man. Truth of it is, he is simply obsessed with you and doesn't believe any other pair of eyes is worthy of meeting their gaze with your majesty.

Happy Trail (mini fic)

Mihawk is not as well groomed as he usually keeps himself. You notice, and you can't help yourself.

Sir Crocodile:

My Favorite (Sir Crocodile x Reader)

Sir Crocodile has founded a league of highly trained assassins named "The Choirs" - all coded after the nine choirs of angelic influences. You are his favorite: his prized "Seraphim" who's ferocious brutality is only outmatched by your incredible beauty. Not truly knowing if your affection is all an act to continue being paid a wage in berry, he has not made a move of his own aside from calling upon you to sit on his knee of an evening, and have you utter praises into his ear. It is only when the two other members of the Cross-Guild begin flirting does he find his limit being tested. Will he bend, or will he break?

Sands of Time: Intentions of Series

Sir Crocodile thought he was safe from the intentions of the haunting Sapsorrow Queen. His soul has been laid claim, his time is running out. How can he have a stranger fall in love with his within the year? Would she truly take his sould should he fail?

When We Wake (one-shot)

Blissfully waking within the arms of your lover, you are both struck with the thoughts of how precious you have become to one another. Whispering confessions of adoration to one another while the other slumbers, you are both completely overcome with such deep devotion.

The Duality of Sir Crocodile (NSFW drabble)

Misc Multiples:

The duality of a dominating gentleman. Spoiling and endearing, encumbering and brutal.

Warmth (One-Shot)

Sir Crocodile is out for a walk in Arabasta with his pug, and he is stopped by a curious child who desires to pet them. As you, their guardian, approaches, Sir Crocodile is intrigued by your candor.

Get Well Soon (Drabble one-shot)

You're sick, and they do their best to support you through it. Zoro, Sanji, Mihawk

Please, I'll be good (one-shot)

After rescuing you in the heat of battle, he can no longer contain his desires for you. He was so good. He can keep being good if it means you'll keep kissing him.

Koby, Sanji, Corazon, Sabo, Buggy, Shachi, Ace, Penguin

How They Kiss (drabble)

Four different kisses with all of your favourites. Where would you place them in these categories?

Hallmark Piggyback (drabble)

Short piggyback on @indydonuts post about OP characters in a hallmark movie. Drabble is for Law x reader x Mihawk - amnesia trope

You're Angry at the Tall Men: Drabble (One-Shot)

He knows what he did to earn your wrath; your fury ignited in your eyes and the flames physically tangible and searing the room with your scorn. Your brow was furrowed, your lips curling into a snarl to bare your pearled teeth at him.Buggy, Shanks, Mihawk, Sir Crocodile, Corazon, Doflamingo.

An Affectionate Embrace: Drabble (One-Shot)

It was a simple reaction, an impulse you felt organic and out of your control. Their cheek was right there, and the swell in your chest and spike of adrenaline prompted you to lunge forward and capture their cheek beneath your lips. How do they react to such a soft touch? Do they shy away, or do they respond in kind?Buggy, Mihawk, Sir Crocodile, Shanks, Benn Beckman

Forehead Kisses (short drabble)

You're being a brat because they're neglecting you. Prepare to be greeted with the forehead kiss you crave from them.

Zoro, Crocodile, Kid, Killer, Beckman, Mihawk

Interrogation (crack dialogue)

Cross-Guild crack dialogue x reader

Dreaming of You (One-Shot) NSFW

They couldn't help it. You looked so heavenly in their dreams. The way they had you wrapped around their body as a marionette in their minds, dancing for them as they awoke to sticky blankets when they jolted upright. Their thoughts got the better of them, and they are wracked with guilt. Sir Crocodile, Buggy, Dracule Mihawk

[bakugoushotwife]

kinktober day ten: breeding kink

>>> so i actually think he would be able to get his partner preggers but that's because i say so xoxo but also bc maybe ce doesn't affect the reproductive system?? idc if it does he deserves a family!

>>> starring: choso kamo x curvy!fem!reader >>> cw: breeding kink thank you, pregnancy kink, choso is obsessed w his wife hours, oral (fem), creampie, >>> wc: 2.2k >>> event masterlist:

he’ll never forget the day you told him you were pregnant. it was something he had considered impossible, to the point he never bothered wearing a condom or cumming anywhere but inside you. seeing you pregnant only made sure those things wouldn’t change. you were already so perfect to him that it was almost unnerving, even all these years of marriage in. he fell in love with you the moment he met you back in shibuya, but somehow you had become even more beautiful to him. 

he was obsessed, almost to the point of embarrassment, if choso understood the concept in regards to his love for his wife. but he wasn’t shy about being yours. it was all so new to him, the idea of fatherhood, viewing you as a mother, watching you change before his very eyes and all the long doctors appointments. he loves it though, oddly enough. especially the notion of being a dad and watching your body and mindset shift and grow. 

choso can tend to be clueless due to his rather unconventional navigation of life, but ever since he learned how to work a cell phone, the internet has been his very best friend. unfortunately, yuji can give some very…troublesome advice. choso thinks it’s a miracle he’s still alive at times. so google can help in ways his earnest younger brother cannot, giving him multiple opinions and sources on what to do and how to do it. he spends hours of his time researching how to care for you; wanting to know if it was normal to be this attracted to you while you were all moody and pouty with just the start of roundness at the bottom of your belly—the jury was still out on that one, by the way. 

one thing that was normal was your increased need for him, not like he was complaining. he loved this side effect the most, able to satiate his perverse desire to keep stuffing his already pregnant wife full, relishing in how eager and frankly nasty you had gotten. you were damn near insatiable, and choso thought he was in heaven for it. all through your first and second trimesters, you couldn’t get enough of him—and the feeling was mutual. as you grew larger and the house became cluttered with baby shower gifts and preparations for baby kamo, he continued to clock hours towards his family. he read article after article on parenting, actively assembling the nursery and searching up names with you. he was beyond joyful, still unable to believe that you were growing his son or daughter within that gorgeous body of yours, your breasts had started to swell and your hips had begun to spread. he loved every second of this: your neediness, everything about how you look while making him a father, and the way his friends circled around him and became such a supportive family. 

his thoughts bordered on crazy, a haunting desire to keep you like this all the time, lounging around the house in your pretty maternity dresses doing nothing but being waited on hand and foot; relaxing while stroking your swelling stomach. it’s what suited you best, he thinks—stretched out along the couch basking in the rays of the sun beating in through the living room window, snacking on a fruit board he made you and baby. he’s nearly foaming at the mouth, your long robe-style dress clinging to all the delicious curves of your body; the light cotton seemed to outline your heavy boobs, tight around your semi-hardened nipples. it hugged your six-and-a-half-month sized bump, your other hand resting there protectively. choso was stuck in the moment, trying to commit every detail of you to memory. he almost didn’t hear your chortle of disbelief. 

“you said what, now, babe?” you whip your head towards him, heart fluttering violently at what he uttered— you needed him to say it again. it was easy to grow addicted to your husband, building his spawn had you needier than ever. even the smell of him had you going absolutely feral level insane even though this pregnancy had been the highlight of your life so far. you thought your clinginess and desire was driving him to his own insanity, figuring he must hate tending to you and your attitude as of late. you must have just heard him incorrectly. 

“huh?” he blinked, violet eyes refocusing on your plush lips speaking to him. “what did i say?” he asks, just as confused as you are. his cheeks darken anyways, as if you caught him doing something naughty, which only makes you believe your ears were in fact not deceiving you. 

“you said you should keep me like this all time.” you chuckle, full on tilting your head towards him from your spot on the sofa. he averts his gaze as soon as you meet him, and you let out a teasing fake gasp. “my husband wants to keep me barefoot and pregnant, huh? you know that’s pretty outdated…” 

he shakes his head, embarrassed immediately. great, now you thought he was some sick perv, which isn’t completely off base, he guessed, but still! it wasn’t like that, he didn’t view you like some machine built only to churn out his kids and cook him dinner! 

“n-no! i mean—you look great like this, b—” 

“i’m just fucking around, love. i thought it was sexy.” you grin, throwing a wink his way. he clicks his tongue at you and huffs at the teasing, even though he’s definitely intrigued by the latter half of your sentence. you arch your brow, waiting for him to ask for clarification. you could see him fighting it in his head before your very eyes. the scrunch of his nose tells you that you’ve won. 

“yeah? what’s that supposed to mean?” he says from his spot in the recliner nearby, always opting to be close to you. you smile knowingly at him, humming in thought mostly for the dramatics. 

“mayhaps i enjoy the idea of you keeping me pregnant…especially if i get spoiled like this every time.” you giggle, shrugging a little bit. “maybe i’ll feel differently after i actually have this one.” you pat your tummy affectionately, and he thinks he may be drooling. you always play so coy, but he can see the way you rub your thighs together and the clouds that darken in your sunshiney eyes. he may be regularly clueless, but the one thing he knows all too well is your body. 

“hm, i think it’s because you’re a sex-crazed maniac now and know pregnancy gets you off the hook.” he deadpans, though his heart is beating rapidly in his chest and in his cock. you call his bluff, rolling your eyes viciously. 

“isn’t that the pot calling the kettle black.” you huff, spreading your legs out on the couch in a silent command. he smirks, not at all caring that you caught him. he nods a bit, holding his hands up. 

“got me. i just didn’t know how much i would love this.” he says, the husk in his voice sends a shiver down your spine. your thighs press together when he obeys your body language, rising from his seat and making his way to the couch. he sits at your feet of course, smiling so sweetly. his warm hands gently pry your knees apart, and you wonder if he knows just how seductive the look he gives you is. his chin is angled down, hooded purple eyes singing a siren song that makes your legs fall apart again and your fingers pull at the tie keeping your dress together. he growls at the sight of your exposed body, his hands rubbing trails from your knees to your hips and down your thighs again. “you’re so perfect…can you blame me?” 

you roll your eyes but wear a stupid grin at his praise, shaking your head to his question. you knew better than to be insecure over your changing body, especially with all the extra attention it’s garnered you. truth be told, you had never felt more beautiful, the life growing inside you breathing new life into your own appearance, and your husband never missed an opportunity to make you feel like a goddess amongst mortals. he would never dream of making you uncomfortable or asking you to accommodate him, so he folds himself into the space he has so that his face hovers above your shiny middle. his breath alone makes you moan, a hand flying up to cover your embarrassment. you always react like you’ve never been touched before and choso loves it almost as much as the sight of your round stomach and even rounder mounds above. he brings his thumb over you, wanting to watch you as he draws slow circles over your hardened clit. he hums, a little smile on his face as you jerk and squirm. your hips buck into his mouth instantly with cute whines slipping past your lips as your hands struggle to reach for his collarbone length black hair. he leans up a bit to help you, just the feeling of his rough thumb pad against your need turned you into a mess within seconds. 

“nngh–oh choso, feels so–mmph good already.” you gasp, hands dropping to fondle your aching breasts. he nods and sits up to spit a warm and fat glob on your cunt, his thick thumb dragging it all over your spasming need. the lewdness of his action coupled with the nonchalant way he watches, tongue poking around your hole like nothing ever happened, has your brain spinning without much effort. your hips drive into the relief he offers, chasing your orgasm like you’d never before experienced one—despite the clear proof otherwise. he allows it, never in his life would he keep you from feeling good. he’s honored to be the one who causes those pretty sounds to fill the room, to be the father of the child making your beauty so ethereal, to be the man tongue deep in your perfect pussy. “gonna–ohhhh–” 

your sweet release coats his tongue, his thumb still working you down slowly so he could relish in the face you make from sheer pleasure. he sits back up, a little more comfortable on his knees as he leans over you to give you a sloppy kiss filled with your own essence. he’s had to be much more careful since you’re getting bigger, but he doesn’t mind making sweet love to his beautiful baby mama. you wrap your arms around his neck, keeping his mouth against you while his hands are busy freeing himself from his sweatpants. you gasp into his mouth when you feel his length parting your folds and prodding at your hole. he only nibbles at your lip to tell you that he’ll be gentle, sheathing himself within your wet warmth slowly. you tense around him and relax, sighing happily at the feeling of him rocking into you at a tender pace. he moves his kisses to the sides of your cheeks, your jaw, picking up his speed until he has to sit back up properly to angle himself right. 

“more, you’re not gonna break me daddy.” you pant, hand braced on the ridges of his defined abs. he sighs begrudgingly, only because he’d been repressing the same urge ever since you welcomed him inside. he relents, lifting one of your legs to rest against his hip before driving into you a bit harder. you moan wildly and nod, nearly screaming. “god—just like that.” 

“anything for you mama, s’cute you need it hard, such a good girl letting me get a little rough.” he grunts, squeezing the hold he has on your thigh. you feel so different, still so tight and warm but with a different kind of wetness. he’s a mess too, championing himself with that nickname you bestowed upon him. his strokes are so well-timed, letting you feel every drag of his cock against you, the tip of him nailing the spot you need him most. “so perfect. you gonna let me keep this pretty hole bred?” 

you nod, the words sending you close to your tipping point. you shake your head, too gone to speak to let him know that you were going to cum. you don’t have to tell him though, he can tell from the intense fluttering of your sloppy cunt, and he’s happy to have lasted this long trapped in your clutches. you’re slapping at his stomach, legs shaking around him as you scream again, the sound so primal it sends goosebumps prickling along his skin right before he’s stuffing you full as if you weren’t already carrying his seed. you squeeze down on him, making sure he empties his balls in you. he stays there until he goes soft, and then he slumps against the side of the couch. your giggles make him perk up, his violet eyes cutting over to see you crawling towards him with a mischievous glint to your eyes. he knows he’s right when you swing your leg over his lap, angling him back inside you. 

“don’t worry—just wanna sit on it.” you titter, wrapping your arms around his neck again, pressing your body as close as you could for a hug. he twitches from sensitivity as you lower yourself back over him, but a smile spreads across his face all the same. 

“how many kids can i give you, mama?” he groans in your ear as his arms tighten around your waist securely.

[sukifoof]

hii i was talking about this on twitter so i think i will just copy paste it here cuz i’ll probably delete it there at some point <3 twitter frightens me but i love my mutuals here we are all insane about flowey in the same way

 i think saying “you’re the type of friend i wish i always had” is a really important thing for asriel to admit... this whole time asriel has dealt with so much grief and guilt about chara that it separated the actual person chara from the idealized version of them in his head who he has never stopped grieving. its a huge part of his character that hes unable to view them as they were because that’s just how his ptsd and guilt affects him. as someone who went through a similar thing that kind of grief can mess with your head and how you view yourself and the person who’s gone really badly. the pacifist route, for flowey’s character specifically, is a really good example of how grief and ptsd can make you feel disconnected from yourself, everyone around you, and like if only the person you lost was back everything would be perfectly fine again. the fact that he can admit they weren’t perfect and that he made the right decision is a huge character development that we don’t get to see in the no mercy route because he’s still convinced that this idealized version of them birthed from bereavement will make everything okay. similarly to how he believed toriel might have been able to fix him, he wants to believe there’s someone out there that could somehow return him to who he was before being traumatized, but the reality of it is this is just who he is.

his grief and trauma is a huge part of who he is like it is with real people, but it doesn’t have to be all of him. i think the emphasis the fandom puts on whether chara was Good Or Bad completely misses the point that it doesn’t really. matter i guess?? they were a kid people loved and now they’re gone. we're seeing people deal with the grief this brought and we know so little of who they are because there’s also a degree of separation about who they are to the people they loved as well. idk i hope this makes sense i think a lot about how chara is a kid who hated humanity and calls themself a demon. to me that just shows an EXTREMELY traumatized child with self hatred. i don’t know why there was ever this huge moral argument about chara when they’re literally just a kid with issues. they weren’t taught how to deal with how they felt and likely held themself in lower regard compared to the dreemurrs. its the same thing with asriel, he feels responsible for them being gone and his own trauma. he just wants a friend who can teach him to understand his grief or someone who can at least let him view the situation for how it really is

i just think. flowey is so well written but not understood very well by the fandom because the type of thing he’s gone through is kind of hard to grasp. it’s a weird situation that doesn’t have a completely black or white Is He Or Chara At Fault kind of answer. they were children. people are complicated and want someone to blame when something goes wrong and flowey directed that at himself. hes such a fascinating and well written character i love him dearly i hope u guys understand how insane he makes me <3

[project-sonadow]

My [15M] rival [15/50M] has been weirdly aggressive towards me ever since he lost his memories for the second(?) time. Should I be worried about him trying to kill me again?

Summary

A post on r/relationship_advice by u/Chili_Dog1991

EDIT 1: Stop saying I'm Sonic I'm not.

EDIT 2: Okay I am Sonic. I don't see how that matters.

EDIT 3: Stop trying to figure out which of my rivals this is.

EDIT 4: Stop telling me to contact the police about his attempts to murder me or his age. It's complicated in regards to his age but he's essentially 15 and I can already defend myself way better than the police can in regards to his murder attempts. Also the police would probably try to arrest me too because they're either useless or make things actively worse.

EDIT 5: Stop DMing me to ask how murder attempts can be fun. I shouldn't have to explain this.

EDIT 6: Stop implying I'm a masochist.

EDIT 7: Stop implying I'm an adrenaline junkie. If I just wanted adrenaline I've got tons of other people who could give me that.

EDIT 8: To everyone who actually responded with advice, thank you. I attempted to talk to him about it, we fought again, and it turns out he's been acting aggressive because he doesn't know how to show affection so he just defaults to violence. We ended up holding hands after we physically couldn't fight anymore. It was a great night and I think we're together now.

EDIT 9: Which of you motherfuckers sent this to Tails.

ORIGINAL POST

Hi everyone, using a throwaway account to make this post because my little brother knows my main and the embarrassment would kill me if he ever saw this. 

So for context, I've known this guy for a while now, at least in the context of my life. I've got a pretty hectic life and I'm a traveler, so I've met a lot of people and he's one of the few that's been able to keep up with me. Our first meeting was during a bit of a stressful time because he kind of inadvertently framed me for thievery (we look kinda alike and the police are stupid, it's not his fault but I was pretty pissed at the time) and got me arrested, so we ended up fighting about it in the middle of the street. I'm used to fighting and pretty good at it, so it was a surprise when he turned out to be basically my equal at it, which is pretty rare even among my other rivals. He got the upper hand on me for long enough that the police were able to arrest me again. I was pretty mad but also impressed. Our second meeting was even more stressful because I had just got out of jail after being arrested for the second time, and I was still angry about it so we fought again. I was about to win but then it turned out we were both in danger along with some friends of mine so we both left as fast as we could. Both of these times I could tell he was taking the fight seriously, but I could also tell he wasn't trying to KILL ME kill me. Y'know?

Anyway, in our next meeting he was definitely trying to kill me. Outright said it to my face. I won that fight thankfully, and I'm not even angry about it because a lot of people have tried to kill me over the years and also he has some kind of goal I was getting in the way of, and he didn't even succeed. He ended up changing his mind about that goal though, and when we next saw each other we were on the same side trying to deal with a mutual threat. 

And it was at that point I kind of realized I was in love. I've never really wanted a relationship because I thought it would get in the way of my lifestyle, but with this guy specifically it wouldn't be a problem. I would have told him about it, but then I thought he died and I didn't see him for a while. I wasn't too broken up about it because we only knew each other for a couple days, but I was still sadder than I thought I would have been.

He ended up coming back to life though, and he had lost his memories for the second time in his life (long story I'm not gonna get into) and he didn't really remember me anymore. I know from a mutual friend of ours that he remembered me well enough to be annoyed by my name, which made me irrationally happy, and I think he did end up getting his memories back, but when we first saw each other he definitely didn't know who I was. We fought again, it was a tie, and then we ended up teaming up to take down a mutual enemy again. 

Things have been a bit less chaotic since then. We've fought a couple more times but nothing serious, he's saved my life, I've saved his, you know how it goes. We haven't really talked about anything that happened, but that's fine because neither of us have ever been much for verbal communication and we understand each other just fine. I've tried getting over my crush on him, but that's never really worked because we see each other a lot due to our lifestyles and we have some mutual friends in common, and I like spending time with him anyways, even if we're just beating each other up most of the time.

Personality wise, he's basically my polar opposite, but we get on pretty well despite that. I think aside from my general attraction to danger and his ability to match me in a fight and a race that might be the main thing that draws me to him. I've got a lot of friends, but never one so different from me and yet so similar. He's just always been special to me.

But the main reason I'm making this post is because despite all we've been through, he still acts like we're enemies at worst and temporary allies at best. We fight almost every time we meet unless something less serious is going on, and he's pretty grumpy and mean to me all the time. I like this about him, but it does make me question if he even sees me as anything more than a rival, and I don't know how to ask him because we don't talk about weird emotional stuff. I also think that asking him directly could maybe lead to another murder attempt, which would be fun, but it's not what I'm looking for anymore. I don't mind all the fighting, but just once I'd like to kiss him on the mouth instead of punching his teeth in, y'know?