#again this is an opinion

[clone-futon]

Basically Kid in every movie when it comes to action scenes

[sky-is-the-limit]

Kyle Gaz Garrick fell off a damn helicopter, hang onto a fucking rope, shooting enemies upside down while the helicopter was moving like the coolest fucking character that he is and mfs still decide not to include him in 141 content. I'm convinced that none of them played the games cause I genuinely cannot understand if you played both MW1/MW2 and still decide not include Gaz. And before you cry that people don't have to include him if they don't want to, I know? That doesn't mean I can't express my thoughts on it.

"I don't know him that well" what?! You play BOTH games with Gaz, he's literally the character you know the MOST along with Price. But you know König who's part of the KorTac faction? And include him in 141 TF content but leave out THE 141 member?

The reason why I keep talking about this is because it's kinda concerning on a different level/weird undertones that go further than fiction/game when it comes to Gaz.

P.s: fucking hell, he's so fine it hurts my soul. Till the walls turn white and all oxygen leaves my brain.

[unwisegirl]

listen like. people are totally entitled to their opinions and criticisms of the pjo show but. sometimes it’s just hard to hear/read. I know the show isn’t perfect but seeing the cast & producers talk about it and seeing the level of love and excitement theyve put into the work, idk, I feel for them having people tear it to shreds. criticising the author himself for not adapting it well when he’s doing something different with a new medium, saying they’re sorry for the kids who love the books but have to act in this “terrible” show as if these kids aren’t THRILLED by the opportunity and just so committed to giving the show their best.

(watch the behind the scenes documentary. seriously.)

again totally valid criticisms & opinions!! but you win some and lose some in an adaptation. eg. trying to expand on themes, keep a consistent tone, appeal to a broader audience (including those of us who loved the books as kids but are now!!! adults!!!), keep within budget, etc etc all these things involve some trade offs. sure some of the humour and goofiness has been lost but we also get amazing beautifully acted scenes that really expand on core themes of family or who is a monster etc etc.

speaking on a personal level I have had a hard time these past few months and this show became a genuine escape, a way for me to connect with my sister watching the episodes together, a rediscovery of my inner 12 year old who waited so long for this. and I know there are people who are like me and they had certain expectations and that’s why they’re disappointed and that’s so valid, but it’s a lot of negativity sometimes, & I just wish we could give a little grace bc making a creative thing is hard, and pleasing everyone with that creative thing is impossible, and most of all, maybe we could revel a little bit more in this unique complex piece of work that lots of people poured their hearts into with nothing but the best of intentions.

[deklo]

my interpretation of adoptive bee :’)

pls don’t repost!

[elbiotipo]

I can't do a more deep opinion on this orca thing because yeah one can say "go orcas!", it feels good, doesn't it?...

but in fact those must be very scattered cases that won't change the fact that the current situation is that ocean transport is noisy, it's everywhere, and it must be driving these very, very sensitive animals crazy. Before motors, a whale could listen to what was happening in South Africa from the Argentine coast. Now their range of communication must have dropped to only a few kilometers: moreover, all the noise must be insane. There have been studies saying that even things like lawnmowers can make permanent ear damage to small rodents, and birds have had to adapt to city noises (their songs changed to a more "natural" pattern during the pandemic lockdowns) So I can't imagine what such things must be doing to the minds of orcas, one of the animals with the most complex and intelligent behavior registered outside of primates, and extremely sensitive to sound. Can we even understand what they're going through right now.

And this is not to mention the widespread whale (baleen whales, not orcas) hunting that decimated their populations to an absurd degree. All the world is currently going through a beyond worrying trend of defaunation, but whales were particulary hurt. There were 250.000 (estimated) blue whales before whaling, and they were decimated to less than 2000. Even today, with strict conservation measures, there's around 10-25k blue whales, and that's one species. Let that sink in.

Is there a solution to this, besides returning to the age of sail and banning ocean explotation? I don't know, there might be. I hope there is.

When I read about orcas, about their behavior, about their pods with their own almost cultural quirks and even dialects, so much we don't know about them, I only remember Arthur C. Clarke, when he spoke about blue whales: “We do not know the true nature of the entities we are destroying”

[astorkes]

she might've dyed it black but the pink is still showing💘

[rosemindwrites]

It's honestly amusing to me how this year Sweden kept making fun of Käärijä, how they kept the "haha, imagine Finland would've won last year, then there'd be milkmaids, Moomins and Käärijä as interval acts, wouldn't that be crazy" attitude for both semis and the final, and then proceeded to give us these absolute bangers of interval acts:

1. A song about EBU's spoke person wanting to bang Martin Österdahl (paired with continious booing from the crowd lmao).

2. Loreen, singing two different songs which sound completely the same, with the most hideous staging on Earth (I'm sorry, Loreen fans, but it looked like she got stuck in the dentist's chair).

3. Creepy AI (?) ABBA holograms. Sorry once again, but they were hard to look at, I'm glad they weren't there for long.

You know what? I WISH there were milkmaids, Moomins and Käärijä. That would've been really fun.

[hattedhedgehog]

Keeping it a secret for so long has been torturous, but now that the game reveals are happening I can finally say that for the past few years I’ve been part of the player council for the upcoming DRAGON AGE: THE VEILGUARD!

(The only photo proof I'm able to show is of me appreciating the Arishok's huge...tracts of land at Bioware Edmonton)

At this time all I can tell you is that my role was to provide feedback to the development team to help improve the game, something which has been very special to be able to do. Now that things are in motion, I’m excited to see what gets revealed with each official announcement…

[egophiliac]

This is a very random thing, but years ago I played a game where all the fae had Scottish accents, and I’ve never been able to imagine fae without Scottish accents since.

Therefore, I think that every fae in TWST has a Scottish accent. More specifically I’m convinced that Sebek has a Doric accent, and also that Silver actually has a Cockney accent.

I’ve been needing to share this with you for a while now, and I’m curious on your thoughts here.

ooh, that's a fun idea! I do see some Scottish inspiration in some of the little aspects we get to see of the fae culture (like the Day/Night courts, although they aren't quite as. extreme. as the Seelie/Unseelie :'). so it tracks!

I do like the idea of everyone having different accents in general! not in, like, a cartoonish or stereotypical way, but like...they're from all over the world, so I think it makes sense that that they wouldn't all speak with the equivalent of, like, a transatlantic accent. (...although that would actually be amazing in its own way, hold on --)

(there is something uniquely wonderful about the idea of Silver with a Cockney accent, thank you for bringing this into the world. his whole weird mix of formalities becomes that much better if you imagine he's never said an h in his life.)

[jewreallythinkthat]

Just seen someone say "am yisrael chai" is a dog whistle.

Like a dog whistle for what? It's a Jewish term which has been around for fucking forever and literally had dnothing to do with anyone not Jewish. They really are taking our word and sayings, deciding a new meaning which is totally bogus and then punishing us for something they made up and pretended was true.

And they call us colonisers.....

[mossytrashcan]

body horror alina was absolutely wasted by netflix smh

(also, I spent two days on this, so it’d be reaaaally great if it didn’t flop lol)

[telanadasvhenan]

thinking more about the psychological aspect of solavellan, and before I start, I'd like to stress that this is NOT CRITICAL of it, I actually think it's what makes part of the dynamic interesting. My word isn't the be all and end all, however, this is just my musings on the topic :] Also, REALLY long post! so, more under the read more lol

From Lavellan's point of view, I would personally struggle to see her trusting another lover or close one again for a long time, if ever again. I don't really think people ever talk about the real impact of the things she goes through, or what solas put her through, and the hurt as a result of it. The relationship is never defined between the two of them, it's always spoken about in vague undetermined words from their companions and poetic elvish between the two of them. Are they lovers? companions? partners? it's really up to the player. Leliana says that "you were close", Sera says Lavellan is "in it." Vhenan means home, heart, it's not a word said lightly imo and he tells you he loves her by their second kiss. It's never an official thing, so how secure can Lavellan truly feel?

This could go both ways when it comes to the break up. Crestwood, as a scene, is so interesting to me because the first portion seems like a man brought to his knees by weakness for the woman he loves. The two of them never cease to touch, fingers entwined, shoulders brushing, skin to skin. It's so reminiscent of how Lavellan matches his Hallelujah cadence. They're two parts of a song singing together. It's a gorgeous scene and it's understandable how so many are angry at how it ends because the whiplash between how it starts and what it leaves you with is severe. Imagine this from lavellan's shoes.

You're desperately in love with someone at odds with your people, who is wonderful and enticing and smart. Loving solas feels like loving the whole world, like being free and connected with the stars. But you don't know what this is. And, if you thought you did, how far can you presume? Is Lavellan always on edge, scared to love him deeper and richer than he loves her? or is she in a false sense of security, assuming his affection is forever hers. So when he not only breaks away your faith and trust in your history, plus potentially the vallaslin, she is clearly deeply upset. This isn't a minor fact that simply can be swept aside. The vallaslin is important. And Solas, even with the best intentions, has hurt her. He knows it and there's a reason why he apologises (bc he wimped out on the real truth). How much more does he know about her people that he has refused to tell her or kept from her by omission? Can you imagine the embarrassment, the utter humiliation of that secret? how many memories of them together where she replays his distaste for her people in her mind, knowing that he has access to knowledge that could change her perception of her past? Its ALOT. and thats even before the breakup.

Solas is not kind about the break up. It's rushed (impulsive to me) and doesn't do their connection justice. His composure cracks in places and it's very unlike him. It absolutely blindsides the player, so imagine being in Lavellan's place, AFTER THE VALLASLIN? personally, I wouldn't have been able to function. I half suspect that a sad, calm Lavellan is also in shock or disassociation. Because how else do you cope? The lack of communication between them alone is enough to raise my eyebrows. He promises answers. He confides that she saw through his mask and doesn't tell her what was real, and what was fake. He has given her a kernel truth whilst keeping her in the dark. Everything he told her could be a false, imaginary polite mask or it could be the truth. Where does it end? Where does he begin? Where does she stand?

I don't know if everyone has experienced what it's like to be ghosted or for a friend to simply disappear one day, but it changes you. I say this as someone who has both been avoidant as well as anxious, but you never recover. Someone disappearing like that makes you doubt any reassurance that people won't just evaporate from your life. So when Solas just disappears, the game's single conversation with Leliana feels a little lacking to me. I understand that they can't really dedicate a lot to it, I get that, so I'd like to fill it in. At first, it's search parties. Solas wouldn't just leave her like that. He promised her answers. He started another mural just before they left for corypheus. He didn't intend to just leave, surely.

Days, weeks and months pass. The question is worse than the truth. Is he dead? Did he use them? Was he being truthful when he spoke to her in those ruins, or another polite mask he could hide behind? Is it better if he's dead or better than he didn't deem her worthy enough to even say goodbye? We, as the players, obviously know this isn't true, but she doesn't know that. Does your lavellan assume the worst and be overcome with grief that her one love, her heart, her home, was nothing more than a lie of omission? or is there anger there at his betrayal of her trust once more? I seriously doubt it was easy to forget or dismiss. That kind of disappearance ruins your trust with people. Something. Anything would have been enough.

Again, this is all my opinion on how these emotions would play out and DEFINITELY NOT canon nor do they have to be! But I seriously struggle to see how Lavellan could even come to heal from these wounds within even a two year time skip. By the time of trespasser, almost everyone has left her side. She's almost entirely alone again, save Cullen and Josie (and leliana if she's not divine). And thats okay: they all have rich lives to return to. But that must just reaffirm to her that no one will stay. She is alone. How does she trust again?

And then there is Fen'harel. Lavellan's reaction to fen'harel has always lacked the fear I kind of hoped would be there? I mean this isn't just a minor deity, this IS THE antagonist of her entire faith. I'm assuming that she's lost hope in the gods, even though it's confirmed to her that they're real, but that message has been a part of her since childhood. So learning that he is the dreadwolf, again not from him, but from the fragments of his past must cut her deeply.

Her love was never who he said he was, she knows this, but who is the real man? She's never known him in a context where he can truly show her. Her love is fragmented between each identity he holds. Her trust that he is who he said he is fragments with it. The knowledge that not only has he been watching the inquisition, her, for years without a single hint that he lives or is okay must destroy her. Could you imagine how insignificant you must feel to him? And he essentially affirms to her that yes, in the greater scheme of things, his love and hers are inconsequential. They cannot matter to him because he cannot strive from his path. His indulgence was a mistake. And it's undeniably cruel. I love solas and I cannot argue that he was kind to Lavellan because he wasn't. To me, there is no way to see his actions as kind. Understandable, absolutely and definitely without malicious intent.

Lavellan learns that he loved her just as deeply, if not more. He loved her with all his heart and it did not matter. She changed him and it has only brought him more pain. He loves her too much to even allow her near him, to even give himself that weakness. They are apart from each other in an endless distance, only the two of them in the world. No one else.

Obviously, each Lavellan is different, and I've made a lot of assumptions, but I think it's worth considering. How do you love someone again after all of that? How much can you rebuild your faith after what you have learnt. Lavellan has loved a "god" (I know he's not a god, but for all intents and purposes, he has the power of a god and wears an evanuris crown.) and in turn, a god has loved her. And he left her with one last embrace that will leave its mark on her forever, then he leaves once more. Lavellan is alone.

Each love after is met with suspicion, distrust and comparison. Lavellan is entirely changed. How many pieces of her can be taken away until she is no longer herself? Each person wears a new mask she cannot determine. Where do they begin? Where can she find herself?

How lonely it must be to love someone like Solas and be at the other side of an endless distance.

[katabay]

Robin Hood and Little John walkin' through the forest--

alright! so! early robin hood ballads and narratives don't have an origin story for little john, but a later ballad (robin hood and little john) does. they fight on a bridge in it, but I like looking at illustrations, so I've swapped out the bridge for that tree peaking out of the panel in the first panel bc I enjoy louis rhead's illustrations a lot.

this is some kind of introduction scene after they fight and climb out of the river!

Robin Hood & Little John (edited by Stephen Knight & Thomas Ohlgren)

[longlivetv]

The culture around creation right now is fascinating to me, because whether we’re talking a blogger with a couple hundred followers on a dying website or the biggest artist in a generation, huge groups of people seem to think that creators should mold their creations to suit the consumer and get angry when they do not. When in reality, the creator gets to decide the direction and it is on the consumer to let it go and find something else to consume if it isn’t what they want.

[kelluinox]

The sympathy for Hezbollah is disturbing. Just go full mask off and start crying for the Russians in Kursk too while you're at it

[poorly-drawn-mdzs]

Dishonourable Demonstration

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