#agenda like everyone else.
A little bit of a cracky one- Soulmate AU in which when you die your soulmate dies too. Of course there are some rules, otherwise AoT would end dramatically fast, but we ain't talking about those yet.
The idea is that Eren needs Jean to stay alive. He straight up can't do his plan without Jean. That guy must survive at all cost, which sucks.
The problem? No matter what Eren does, Marco always overhears Berthold and Reiner talk and fucking dies. ALWAYS. Is like that scene is some canon event or some shit. It must happen. Is written in the stars for Marco Bodt to die at Reiner's hands (not necessarily in Trost, but is always because of Reiner.)
Cue to Eren going through multiple memories trying to somehow keep Marco alive AND still make Jean join the Survey Corps AND somehow trigger all the events in the right order to get the desired ending. Is a nightmare.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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Saw this on tt and wanted to share it
Via TikTok
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Ya'll know that Thaniel is fey, right? That's he's not really a little boy, but a magical spirit of the land? That he must be much, much older than Halsin?
Okay, good, just checking. Carry on. But pray your unhinged hate posts stay off my dash. Or it will be you feeling very self-conscious about what on God's green Earth drove you to such conclusions.
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Wow, so I haven’t been active here and for some reason…. Antis keep reblogging my art to their blogs when it has NOTHING critical related
Dudes please fuck off, I already said I moved on from critical community and want to just enjoy fandom content
You guys literally are the reason why I get nervous to critique Hazbin and Helluva because I have to get associated with haters that don’t even touch grass.
I don’t mind critical fans following me, but if your an anti that has nothing positive to say, fuck off please. And please keep my art off of your bitter agenda. Also JUST MOVE ON FROM THE SHOW IF ITS MAKING YOU THIS BITTER.
I’m not even a huge Viv Stan myself but I just wanna enjoy the show and the characters in peace.
There’s a huge difference between critiquing a show’s flaws and being a flat out hateful crybaby.
Anyways, I’m gonna share more Hazbin hotel stuff I’ve done. I had to take a break from this website due to mental health and stuff going on at home
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Okay but yin yu needs a raise this yin yu is overworked that. Where is the Ling wen needs a raise content
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Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?
Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too
Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift
Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now
Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC
Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead
(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)
And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later
I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff
And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together
And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC
Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?
And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation
Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?
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Y'all listen just because you learned something in school doesn't mean everyone else did.
idk how y'all got this idea in ur heads that we all learned the same shit when literal book bans are happening in schools across the united states and certain subjects are being banned from ever being talked about. (do not even get me started on the fact different countries have different curriculum too) Like you cannot say "You guys obviously just didn't pay attention in school and are stupid because we all learned this" like you are ignoring like 50 other options as to why people may not have learned this ranging from poorly funded school to disabled kid getting shoved into special ed classes which are often notorious for mistreating their disabled students.
I'm begging you all to understand the nuance of why certain skills and abilities aren't as widely spread as you assume they should be.
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pushing my bruce wayne has gray eyes agenda
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Any men out there wanna pretend to be my bf to get my parents off my case about marriage? I am so so serious right now.
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why is there like no content about the play puffs on here. puffs enjoyers wake up. 🙁
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a collection of random headcanons about wyll and zeph (my durge who’s romancing him):
wyll is the main party’s resident guidance-giver (thank you pact of the tome). when zeph wants to ask for it, he just reaches a hand over for wyll to take and wyll casts the spell as he takes it. zeph always makes sure to wyll’s hand a little thank you squeeze when he feels the magic hit. once they’re in a relationship, zeph reaching for wyll’s hand just to hold it often leads to wyll casting an unnecessary guidance out of habit, and the little bursts of accidental magic inevitably make both of them blush.
the two of them are very protective of each other in battle. if they’re both in melee, they almost always fight back to back. even if they’re not next to each other, they always watch each other’s backs with a crossbow bolt or eldritch blast ready for the second they notice that the other might be getting overwhelmed by enemies. zeph tends to be more obviously self-sacrificing about it, and wyll gives him a fair number of stern talks about it, but he’s noticed the darker sides of wyll’s hero act too and will gladly prove when necessary that he can give an earful just as well as wyll can.
zeph is much bigger than wyll and takes every possible opportunity to pick him up. it’s not uncommon to see wyll sitting up on zeph’s shoulders while both of them cheer after a successful fight. astarion declares this formation “the blade of frontiers and his noble steed”, and seeing the two of them approaching like that is often the first way everyone back at camp knows the day went well. karlach never complains about carrying wyll’s things so he isn’t too heavy for zeph to carry that far.
after wyll is transformed, zeph and karlach team up to teach wyll horns 101 — how to take care of them, comfortably sleep with them, and so on. (zeph happily gives him lessons on how to cuddle without them getting in the way.) they also like to take turns decorating them for him, usually with flowers they find growing wherever they are at the time and any makeup or paints they can get their hands on. they’re determined to show him that he doesn’t need to be ashamed of his new form.
in waukeen’s rest, the second wyll says that the person they’re trying to save is his dad, zeph breaks through the door and races in alongside the flaming fist. that’s when wyll first starts to realize he’s falling for zeph — when he watches zeph run straight into a burning building without a second thought, blowing right past a door that four other people working together hadn’t been able to budge, just because he heard someone inside was important to wyll.
late into the night of the tiefling party, when things are winding down, zeph realizes that wyll still hasn’t come back to his tent so he goes to check on him and finds him asleep by the water. instead of waking him up, zeph just picks him up, carries him over to his bedroll, and basically tucks him in. wyll does wake up enough from the motion to notice what’s happening, but he pretends to be asleep still because it’s cute and he doesn’t want zeph to stop. he would never admit that he enjoyed something like that, but when no one knows he’s aware of it and he can pretend he had no idea it was even happening (and he’s half-asleep enough to not care so much about that anyway)? he’s not above indulging in that comfort for a little while.
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The way they framed surfer boy pizza with Mike in s4 makes me optimistic about the prospects of smalltown boy agenda actually
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I'm a new jets fan and I am sooo curious about your post about the locket room being toxic. is it just a vibe or is there actually known fueds between players?
okay i am going to state that the majority of this is hearsay/gossip, but here's a few things i can state fairly confidently
evander kane (noted ex-jet and ex-shark, current oiler) was not liked in the locker room, at least by dustin byfuglien (who i will shortly refer to as "buff," a nickname of his)
buff was an F/D for the jets/thrashers, and an alternate captain for them as well as a perennial all-star. there is an actual photo of him flipping off evander, so this feud is the least alleged thing about the Jetsuation (jets situation). right before the pandemic buff was granted a leave of absence and then a contract termination -- the rumours about this are twofold; one, that his body was breaking down (he was frequently injured so there's almost certainly truth to this) and two, that he was Not Friends with blake wheeler/mark schiefele
mark schiefele was essentially a co-captain, from what i can tell (now that wheeler is a] stripped of the captaincy b] a ranger and c] not long for the nhl, i imagine they might Name him), and is known to be firstly, an evangelical Christian (no hate, but, like, if you don't work in the church and your christianity is more than two lines in your wikipedia page? harshes the vibes) and secondly, kind of an asshole.
blake wheeler was, up until the 2022-23 season, the captain of the jets. they stripped him of the C in the offseason. he was good friends/allies with schiefele. he is apparently at least a democrat though so that's cool. what's uncool is the uh
THE PATRIK LAINE SITUATION
it's 2016. the jets have sucked ass and now have the second overall pick. they pick patrik laine, a winger with a great shot and some serious star potential
laine is a favourite pretty much instantly, scoring 36 goals as an eighteen-year-old rookie and 44 the year after. he's not twenty and arguably one of the best players winnipeg has ever had. quiet, even-keel, fashionable.
there's some contract struggles in there, including a stint where he went to switzerland as an rfa, but he comes back, signs a very short contract, we move.
gets hurt in december, before he comes back from it he's traded to columbus.
a little bit later, rumours come out -- blake wheeler (also a winger) was jealous of his skill, wanted the ice-time and the glory, and mark schiefele, the best centre on the team, wanted to play only with wheeler, not laine. rumours say the two of them bullied him to his face, talked about him behind his back, and the then-coach (paul maurice iirc) just sat there and let it happen (although maurice has stated he regrets not intervening). after this, laine allegedly requests a trade
so yeah
beyond The Patrik Laine Situation there's just rumours of them not liking each other at all; on paper they should be a comfortable away playoffs team, a 3-seed or a comfy wild card, but in practice they're a wild-card team at best -- they were up there in the division for a few months last year, but seriously crashed and burned as soon as january rolls around. there are seemingly yearly soundbites of them going "well, we just don't like each other all that much," and everyone always seems to want out (although that might be winnipeg the city more than winnipeg the team.)
i will leave you with one old alleged anecdote: some reddit guy once went to a party (or a concert? maybe a restaurant or club?) where the jets were, and instead of socializing, talking to each other, they were apparently all just sitting around in silence not really lookin at each other at all
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i know it’s not the point of the episode, but the whole long johns debacle could have been solved early on, if hawk and trap had shared a bunk
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