#all agony

[bethanydelleman]

Jane Austen Charted #3

Wentworth’s Persuasion Graphed

X Axis: Time

Y Axis: Emotion Level

Possible Emotions: Agony, Hope, and Half Agony, Half Hope

[devilcatdarling]

There is truly no greater love than taking your most adored fictional character and throwing them into the emotionally-devastating angst fueled trash compactor and pressing every single button on the machine just to see what will happen

[sketchy-scribs-n-doods]

the four horsemen of Queer Agony

[soranker]

HAPPY DUNMESHI DAY!!!!!!!!!!!

[microvibing]

eepy:)

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[rileyclaw]

i caught hunter’s moving castle disease because of mike’s huntlow art

[lokh]

guess who got into dungeon meshi a literal week before it ended

[crunchy-rocc]

guys i would put in a microwave just to watch them spin around in there

[nyxofdemons]

actually fuck the moon deal fuck healthy communication. stolas looking like he's about to fly off the handle? blitz SMILING about it?? the bedroom eyes and feet kicked up on the dash??? fuck problem resolution brother i'm ready for season 3 to be their hatefuck era

[aropride]

[reallilystuff]

dogpile!!!

alt version below readmore ooo spooky

they sleebgy......

[dreadark]

kills me how han sooyoung is always the one both kim dokja and yoo joonghyuk look to when they want someone to kill them

kim dokja gets her to do that in the strongest sacrifice scenario, and of course when he becomes the 73rd demon king she has to be the one that starts it and yoo joonghyuk in the 1863rd turn, as well as in the museum during the epilogue always forcing the knife to her hand

but she ends the story by writing orv to save kim dokja... and inadvertently saves yoo joonghyuk as well

[itsnicsalad]

agony of a witch>>>

[carnivalcarriondiscarded]

i saw them in the cookbook pages and Immediately thought of this meme:

[mochifiction]

Not a Transformers post but Hozier released his album and no I’m not sane or okay. I wanna talk about Butchered Tongue because there’s barely any discourse about it and I am absolutely inconsolable about it. While there are a lot of elements/ central themes of Irish colonization and the preservation of Irish language and inherently history/ culture with it, as a Person of Color, I was so deeply moved. It is a song of beautiful mourning, of sorrow in the blood and scars that run through the dying of or absolute death of a language. However, it is also a celebration and expression of admiration and awe over the strength and perseverance of language and those who wield it. Every verb, noun, accent, rolling of the tongue. Every simple sound, letter, article. All of it is an act of defiance of the voice to the oppressor. It is a fibre of being healing the deep wounds inflicted by the colonizer. Every utterance screams “We are here and we are moving onward even while still bleeding.” Even then, Hozier still captivated the grief that comes with the fact that…not all cultures have that. Not every community has the ability to learn their languages. Some are gone entirely. Some stopped being passed down for the sake of survival and assimilation. The anguish that comes with a bloody tongue, one that cannot speak what it was born to utter, to scream to sing…it’s a feeling difficult to put into words. To have this song in the Circle of Violence not only brings to light the physical violence against the Irish in their colonization, but the invisible consequences of such brutality on the colonized. The murders and scarring didn’t stop at flesh. Even some languages that survived didn’t escape without scars and wounds, infused with the languages of their colonizer (ex- Tagalog having pieces of Spanish in it). This was a love letter and kiss of praise yet also a funeral dirge to those wounded by colonization, and I have never sobbed so hard over a song before. It stirred such deep grief in me that I cannot explain.