#all my problems would immediately be solved..
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jraker4 · 2 days ago
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If you think American economic and military aid is given anywhere for just one reason, you're a bigger idiot than your meme would suggest, which is saying something. For instance: the region being a powderkeg that contains vital resources for the American economy in particular and the global economy in general? Not only that, your own link doesn't say what you say it says. Speaking of not reading something. You're also profoundly ignorant of regional affairs if you think the only thing keeping Egypt from attacking Israel is our aid. I suppose you think Egypt is big fans of Palestinians in general and Hamas in particular, right? They're all Arabs, they gotta be friends, amirite? Idiot. I did, in fact, read the whole article, and the part your triggered snowflake as is whining about is irrelevant to the point you're trying to make: you're claiming that 'that money should go to Americans!' What money, you tedious fucking idiot? 0.01% of our budget? OK! You get to wave your swastika-tipped wand and tomorrow your wish is granted: no more aid to Israel. We're saved! After all, America's problems are solved with a 0.01% budget bump, right? Not to repeat myself, but it keeps being true: you're a fucking idiot. The problems you claim to want to solve-relief for poor Americans (and having spent about ten seconds reading what you say, I know immediately that that is fucking bullshit, too), would not be solved by cutting foreign aid to Israel to 0. In fact, if we took back all $330b in aid they've ever received over nearly 70 years, that still wouldn't solve the problems you're pretending to care about. As for 'Muslim hordes', don't pretend everyone thinks like you, shit for brains:) Even today in 2025, proud Nazis like yourself are few and far between. Not nearly as far and nearly as few as you should be, of course, which is unfortunate. Likewise with your tedious white replacement fragile bullshit. You are right about exactly one thing, though: perhaps we'd have less antagonism from Arabic Muslim countries if we'd said a further fuck-you to refugees from the Holocaust than we did during the Holocaust, or if we'd let Arabic Muslim nations (and Iran) wipe them out more than once. I'm fine with us, y'know, not having made that choice:) Make sure you keep on whining about that, bud! You're a Nazi, after all, what else do you have to do but whine about failing to wipe out the Jews? Well, that and getting your shit pushed in by the 'decadent' West and the 'Communist hordes', I suppose. Your list of things to whine about is pretty long! I guess I find it funny that Israel exists, and being a Nazi is illegal in Germany:) There is some justice in the world, at least. That being said, I'm not Jewish, and it's not my homeland. I realize that in what passes for a brain for you, to support a group means you must belong to it, but out here in the rest of humanity, that's not always true. Make sure you keep on not learning that lesson, shit for brains:) Also, seriously? You're gonna pretend to be antagonistic to genocide? I guess in your circles, people are such stupid dickriding jackasses that they'll buy into that, but again, out here even on tumblr, if you say 'no I dress like the SS', you're not opposed to genocide. Rats in a hole? Sweetie, your cult is outlawed where it started. Israel is flying daylight missions over the capital of one of its worst enemies. Mere projection, once again:)
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Really puts "taxation is theft" into perspective.
I wonder what America would looked like if, for just a few years, they spent all that money they take actually on America. 0 foreign aid, just actually use tax dollars how they're supposed to be used for like 3 years, it'd be amazing.
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yuttikkele · 2 days ago
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HELLO I’VE MADE PAW PATROL DESIGNS!! I’ll be posting each character separately so I can talk more in depth about them, and I’m starting off with the guy himself—Ryder!
just a bit of general information for all of these designs: They’re all adults! I didn’t give them exact ages, but they’re more than likely all in their 20s. In each post, I’ll have the design featured and also some of my headcanons (in the image and in the text of the post!). In particular, I’ve given them all distinct and expanded personalities based on the little we are given in the show (cause let’s be real, they don’t have very distinct personalities). Also, they’re all Canadian except for Carlos and Tracker (though they may be Canadian too, they’re just not currently living there). I hope you enjoy them!
Ryder is incredibly skilled in numerous areas of rescue and mechanics. The people of Adventure Bay love him and rely on him for his and the Paw Patrol’s assistance for not only dangerous situations but also when a cat (or Alex) gets stuck in a tree or a chicken is on the loose.
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Growing up, Ryder had no basis for how to act in social situations. He did not know how to smile properly or say the right things. He copied the adults he saw around him, which eventually led to him being perceived as more responsible than other kids and even some adults. In a way, he was, with his high intelligence and problem-solving abilities, but he was still just a kid. When Ryder started his vigilante dog service a week before his tenth birthday, the town immediately became dependent on him for his help, already recognizing him as a trustworthy authority figure. Ryder has been happily serving Adventure Bay and the surrounding areas for many years, for better or for worse. Despite his aversion to human interaction, Ryder deeply cares for everyone and feels a sense of duty to the town and any surrounding areas.
Ryder’s reputation as a completely capable, happy, heroic leader comes mostly from him masking 24/7 to the public, his friends, and even the pups. He knows he’s more intelligent than the townspeople, so he puts himself on their level when he presents himself to them so that he is seen as more relatable and approachable. He does not want to seem cold and unreachable or act like he is superior in any way. When he gets a call about something really trivial, he does not act like it is. On the inside, Ryder is a deeply passionate and caring person, but he is not very social. He forces himself to be social in order to appear amiable to everyone and build relationships with them. He is freakishly good at masking, much like he is freakishly good at doing everything else he does, so he very rarely if ever slips up, even if he does want to bash his head into a wall sometimes. But, ultimately, if it were up to him, he would lock himself up in his workshop and not come out for a week.
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dwslvr · 4 months ago
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i really feel like dean winchester whimpering in my ear would fix me..
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"Ty?" she whispered. "Ty, I-" - Livvy's Final Words "I would never let anything hurt Ty," he said. "You see, I-" - Kit in Queen of Air and Darkness "Kit," he began haltingly. "I thought that you - I thought that it would be-" - Ty after raising Livvy in Queen of Air and Darkness
WHAT WERE THEY GOING TO SAY, CASSANDRA!!!!!!!! After TWP she needs to reveal how these sentences ended. It's a need, not a want.
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gh0st-4ss · 1 year ago
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Living Dead Girl
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pixlmonkeys · 2 months ago
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can’t wait to fail my standardized tests 🦅🦅🦅🦅💥💥💥
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need to shell out for a new laptop before the end of the year - for a lot of reasons but mainly bc support ending for win8.1 makes fixing the current beast rather pointless :/ (and. admittedly. there is a lot to fix. she's old and she has suffered.)
but my current beastie is from the last gen of laptops with a disc drive and the thought of using an external/usb disc drive is enough to make me cry tears of blood
#really though it is time to upgrade#and i hate to say it because she /runs/ fine it's all hardware issues w parts that can absolutely be replaced#but if i can't use it to run the programs i need then shelling out the money for those parts would ultimately be a waste#but also the fact that this machine that runs fine is no longer worth fixing bc some google-based bullshit just won't support win8.1 anymor#is ALSO a fucking waste & a pile of planned obsolescence bullshit! and i hate it!#but uh. even though she runs fine and she totally does. she does need. uh.#new keyboard (only 1/3 of keys work; currently use usb keyboard)#new trackpad ribbon cable (trackpad does not currently work; using external usb mouse)#new power button and connecting ribbon cable (turning it on involves opening it up and causing an intentional short-circuit every time.)#(a problem largely solved by simply never turning her completely off- except she also needs)#a new battery (current battery does not charge at all; machine needs to be constantly plugged in or it shuts down immediately)#...ok i might be the 'this is fine' dog about this#but i am still upset! that i will no longer have a disc drive inside my damn laptop.#that's the disc drive's natural habitat; that's where it should be; it's weird and offputting to have it connected via usb!#ack. why do tech companies fuck everything up.#and that's without getting into the way new devices offer less harddrive space so people will use the fucking cloud or whatever???#yeah sorry no i'm not using your goddamn data mining corporate off-site storage i want to keep my shit on my own goddamn machine#go to actual hell if you're trying to sell me a pc with less than at least 500GB of storage i swear to fuck#...in essence you could say the whole process is leaving me rather grumpy
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luxxid · 2 years ago
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i need a growth spurt
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whoslaurapalmer · 4 months ago
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.......well if i wrote the ROOM on the box. that would make numbering them easier between rooms
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exopelagic · 5 months ago
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my players don’t know it yet but the adventure we’re doing rn is me being silly goofy bc they hadn’t made their characters in time for me to plan around them. now that I Know Things the game can really start
#we’re at probably the halfway point of a mystery thing which is about to leave the mystery phase#one more session of them figuring out Most of the Things and getting to do some investigating#and then I’ll throw them at a heist they don’t get to plan#I’m seeding a few things for them to follow when we move on bc this is self contained and I’m gonna sit down with them for worldbuilding#bc I wanna make sure we’re playing smth fun they all get to choose#man dnd is fun but it’s Hard. I was shitting it abt pulling off a mystery and they’ve been really into the start-middle but#now I need to make the end satisfying and that’s not easy#we’re playing tomorrow night and that’s terrifying bc I like. vaguely know what’s gotta happen and the direction they’re headed but#the end last session was very open bc we were running late on combat which makes it hard to plan for#sidenote but in a group which isn’t the biggest fan of combat. was incredibly surprised when the guy who asked for more of it was the one#finding the way out of it. like I’d planned a fun encounter for them early bc I knew the later one would be simpler (WAS NOT) and instead#he locks them up and threatens them with fire. which like. sounds on brand and it is BUT I WAS EXPECTING HIM TO PUNCH THEM#so glad they didn’t take the bait bc it would’ve killed them the EASY encounter I’d planned ALMOST KILLED THEM#I did learn that the trick to keeping it interesting is always having more than one thing happening. it can’t just be a fight#there’s gotta be another equally/more important thing than killing this dude. keep the stakes high and make choices more important#and I guess actually possible to make a choice by introducing an option other than Fucking Kill This Dude#which reminds me I do have to figure out something else interesting in the woods. damnit I thought they’d only be there once OH HOLY FUCK I#I HAVE AN IDEA >>>>>>>:) I love you random questions players ask that I gotta bullshit for that turn into surprise tool to help us later#that solves two problems in one go but might make this game even longer. that’s probably fine I was worried abt session 4 running short#but yEAH they have backstories now. I can build a whole game around one of them this could be so fun if we keep it going#improvising is also significantly easier than I expected once I get into it as long as I have a framework for how this works and a directio#last session my planning happened in the 30 minutes before I left + the 30 minute walk to get there and it worked great <3#no immediate problems but a number of surprise tools to help us later that I knew I’d figure out eventually#all the pieces are there now we just gotta put them in the right place. so excited for tomorrow#dnd tag#luke.txt
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dewgongs · 9 months ago
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:stare:
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eowyntheavenger · 1 year ago
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Americans, these are things we are NOT saying in 2024:
"Voting blue won't solve anything." Yes it will: if enough of us do it, it will solve a problem called Trump's second term in the White House. We unfortunately live in a two-party system. If you refuse to vote, you're effectively voting for Trump. I shouldn't need to explain this to people, yet here we are.
"It doesn't matter who's president. Both candidates are the same anyway." No, they are REALLY not. Biden was never my first choice, and his shipments of arms to Israel are despicable, but don't try to tell me even for a second that a second Trump term would be the same for the world as a second Biden term.
"But voting blue won't fix [fundamental underlying problem in America]." Voting for Democrats cannot fix every issue, this is true. But by saying this and ONLY this you are discouraging people from voting by making them feel hopeless. Voting is one of many tools in our arsenal, not the only tool, but an important one, and it does matter.
"You shouldn't vote blue, you should do [other thing] instead." See above: you can vote and protest and organize at the same time. It's not either/or. You can do it all. Stop discouraging voters from exercising their rights under the guise of leftism.
"Voting is just legitimizing government power. It makes you part of the system." Literally just shut up. Women and people of color didn't fight for their voting rights to have you say things like this. If you live in America and you can legally vote, then you should fucking vote, and vote blue. There is no neutral option.
"Voting blue just makes you complicit in [this bad policy]." Inaction, and allowing Trump to have a second term, is worse for the entire world than any Democrat policy. Yes, even that one. Voting is not about finding a perfect unproblematic candidate. It is about choosing the lesser of two evils.
"Voting doesn't work because—" STOP IT. STOP DISCOURAGING PEOPLE FROM VOTING.
You know who wants you NOT to vote? Trump supporters, that's who. You should be suspicious of ANYONE who is suggesting that your vote doesn't matter, or that both candidates are the same, or that Biden's policy on XYZ means you shouldn't vote for him. Trump supporters aren't trying to get your vote by saying, "Vote for Trump!" They're trying to get your vote by DISCOURAGING YOU FROM VOTING AT ALL.
I don't like Biden either, but Trump is unequivocally worse. Voting doesn't fix everything, but it is the minimum fucking requirement of living in a democracy. Voting for president has real, tangible, immediate impacts on people's lives, and choosing not to vote is not the rebellion you think it is, it is just relinquishing your voice. So fucking vote. THIS IS A GROUP PROJECT AND DAMN IT WE ARE NOT FAILING BECAUSE OF YOU.
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selfcarecap · 10 months ago
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Practice [L.H]
pairing: Logan Howlett x reader
summary: Your roommate Logan lets you practise giving a blowjob on him for your date with another guy.
warnings: smut, 18+, oral sex (f&m receiving, reader’s first time), Logan is a liittle mean but just a little and he gets softer towards the end, spitting,  jerking off, Logan keeps his socks on I think it’s hot okay 😭😭, Logan calls reader bub, baby, good girl, pretty girl; Wade is mentioned but I’m imagining a younger Logan than in DP&W
word count: 3.2k (this was supposed to be a drabble lol idk what happened)
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“Who’s the lucky guy?” Logan asks from the sofa as you walk past him in your pretty date outfit. You’ve got some time left before your date but you decided to get ready early in a bout of nervousness.
“This guy I’ve been seeing,” you tell him, trying to seem nonchalant. You haven’t yet mentioned to Logan that you’ve been on a few dates. He spends a lot of time in his room, away from you and Wade, and he just never happened to be there to hear about your dates.
Logan mutes the tv. “What guy?”
“Met him online.”
“And he’s so good to you that you get this pretty for him?”
You smile at his indirect compliment and sit down next to him.
“Yeah, he’s nice. I… I think we might go a step further today,” you feel your cheeks heating up, “I’m kind of nervous.”
You see his jaw clench slightly, “If he’s a good guy he shouldn’t make you nervous.”
“I’m not nervous because of him, it’s just that it would be my first time. And I don’t want to be bad.”
He chuckles and leans back, “You won’t be bad. Just make him go on top.”
Logan isn’t taking your hint, so you take a deep breath to gather your courage. “What if he wants me to go down on him and I don’t know how to do it? Will you…” your voice falters as his eyes meet yours.
“Will you help me?” you stutter and Logan immediately begins to smirk. Embarrassment spreads through your body.
“Help you how?” He asks, smug.
It’s too late to go back now. “Well, I don’t know. Like, explain how it works or.. you could show me?” you shrug.
“You probably know better than me how to find porn online.”
“No, I mean show me on you.” That’s all the courage you can muster for the day and you wonder if you will even have the strength to look back into Logan’s eyes. He solves that problem for you, putting a finger under your chin and pushing it up so you’re looking at him.
“You wanna suck my cock?” He sounds annoyed and you immediately want to die.
“It wouldn’t have to mean anything,” you look at his cheeks, his nose, anywhere but his eyes, “I just wanna know if I’m doing it right. It’s okay if you can’t cum, I just want to practise.”
Logan scans your face for a sign of discomfort – other than your embarrassment – but he doesn’t find any. His features soften, “You really wanna go down on me, bub?”
You nod quickly, “For practice.”
“Mhm, for practice.” He’s mocking you, but all you can do is ignore it.
A thrill shoots through your body at his next words: “C’mere then.” He spreads his legs, clothed in jeans that strain around the thickness of his delicious thighs. You can see the outline of his abs through his tank top. You can’t believe this is happening – you’ve had a crush on him since you saw him for the first time.
Logan beckons you between his legs and you move to sit on the carpet, its fluffiness stopping your bare knees from hurting. Your short skirt rides up your ass and you pull it down self-consciously despite what you’re about to do.
“You sure about this, bub?” Logan asks again from above you. You gulp when you look up at him. How does he look even better from below?
“Yeah,” you assure him, your panties already growing wet. You sit down and try to patiently wait for instruction but you end up squirming. When you look back up at Logan he’s got one of his eyebrows raised.
“You don’t know how to open a belt either?”
“Well, yeah but don’t we have to–” your mouth starts to water when the rough clink of his belt interrupts you. He’s all but ripping open his belt; he unbuttons his jeans and takes out his hard cock. You almost get goosebumps.
“Oh,” you say.
“If a guy likes you, he doesn’t need any time to get ready. Foreplay is just to get the woman nice and wet,” Logan tells you, although you’re barely listening. All you know is that you wouldn’t need the foreplay either, you’re uncomfortably wet, trying to get friction against your legs that are folded underneath you.
Logan watches you stare at his erection, “Take your top off. I like seeing your pretty face but that’ll make it an even nicer view.”
“But I’m not wearing anything underneath,” you thumb at the thin straps of your top.
He smirks, “even better.” He reaches down to pull the top up by your waist but then hesitates.
You nod but Logan rolls his eyes. “Use your words.”
“You can take it off,” you say but you nevertheless put your arms in front of your tits when he pulls your top over your head. 
Logan chuckles, “Baby, I’ve been dying to see your tits since I first met you. You really think you gotta hide?” The nickname makes you melt and your arms immediately drop to your sides. 
You sit up straighter as Logan lets out a low moan, “God, look at you. So fucking perfect.” He reaches out to grope your tits almost clumsily. His cock bobs in front of you as he leans down to touch you and you feel yourself getting addicted to him already. You just want to start.
With a last rough squeeze of your tit, Logan leans back. “Wet your lips,” he instructs. You lick your lips.
“Wetter,” he says, and your eyebrows crease in confusion as you lick your lips again.
Logan huffs, spits into his hand, and smears his spit over your mouth, “There. Don’t you look fucking pretty like this.” You just about purr against his hand and then push against it with your cheek.
You place your hands on either of his knees and lean in to kiss the tip of his cock, all swollen and ready. You immediately feel the urge to go further but your shyness takes over, so you keep pressing wet kisses to his length.
“God,” Logan groans, leaning his head back in pleasure as you keep kissing, and you start to use some more spit.
“Look at you, don’t even need me to tell you what to do,” he pulls his arms behind his head smugly, like an asshole, and you smile, getting shy again. You kiss along the underside of his cock some more, getting more desperate with every second.
“What now?” You ask. 
Logan softly smiles at you for a second, pulling his jeans and boxers further down his thighs. You pull them off completely as he pulls off his top. He’s naked in front of you now, except for his socks, and you take a second to appreciate all the broadness and his muscles. The hair from his chest all the way over his abs and down to his cock is begging for you to kiss every inch of it but you force yourself to focus.
Logan takes his cock in his hand to lift it out of the way, and slowly starts to jerk off. His eyes go to you and then to his balls, and you get what he wants you to do. Still, he gives you one word: “Lick.”
You move forward, inhaling all his manly smell, instinctively going to press another wet kiss to his cock. You let spit pool in your mouth and begin to lick all over his balls, feeling the heaviness of them on your tongue.
“Take as much as you can, baby,” he rasps, continuing to jerk off. You almost slap his hand away – you want to be the one making him feel good – but you stop yourself.
You do as he tells you, opening your mouth to cover as much of him as you can, the warmth of his balls against your tongue making you drool.
“Yeah, baby, juuust like that. That’s a good girl,” he breathes heavily.
Your pussy clenches around nothing at his words, and you have to take a deep breath to focus on anything but the wet ache between your thighs.
His balls move against your tongue from his jerking off, and you gently suck on the skin, moving around a few inches every few seconds. But the movement from his hand on his cock is becoming distracting and, without thinking, you instinctively push his hand away. 
He stills and then smiles, lifting his hand away. He lightly leans his elbows on the back of the sofa to the sides of him. 
“You can start sucking my cock now if you’re ready, baby. Been doing such a good job.”
“I don’t know if I can take all of it,” you pout. Even just imagining his dick down your throat feels too much, though not in a bad way. He’s just so fucking big. 
“Just take as much as you can. I bet you can take more of me than you think.”
His words motivate you. You go up slightly on your knees, carefully wrapping your hand around his cock. You spit on it, letting it slowly slide down the sides as you begin to spread it with your hand. 
Logan huffs out a laugh from above you, “So adorable. You don’t need to be so careful. Here, do it like this.” He wraps his much bigger hand around yours and he starts to jerk off with your hand, showing you how rough you can be as he starts to fuck your fist. 
You clear your throat, “Can I use my mouth now?”
He bites his lip, “Ready when you are, baby. Just breathe through your nose and relax.” Oh, you’re relaxed. Being between Logan’s meaty thighs is the best you’ve felt in your life. 
You press another kiss to the tip of his cock and part your lips to take him in your mouth. The first second you feel the heaviness of his cock on your tongue is like heaven. Logan lets out a low moan and you look up to find his eyes already on your face. He looks like a god from below, his muscles starting to glisten with a thin layer of sweat.
Opening your mouth wider, you take more of him. You start to jerk him off where your mouth can’t reach but you do your best to go as deep as you can, moving up and down with your wet mouth.
The feeling of Logan’s cock in your mouth is addicting, and the quiet sounds he is making even more so. 
“Doin’ so good for me, baby,” he whispers, voice weak. You look up into his eyes as you suck his dick, spit starting to run down your hand, and a smirk spreads on Logan’s face.
“Such a pretty girl,” he leans his head back.
Your jaw is starting to strain because he’s so big but you never want to stop doing this. You swallow down the taste of his precum and can’t wait to actually make him come. He’s starting to pulse in your mouth, abs contracting with every time your tongue moves.
You’re wondering how much long–
“Y’gonna make me come, baby. Gonna come so hard,” Logan moans, and you figure he’s warning you but you want nothing more than his cum in your mouth.
You put in all the effort you can, sucking Logan’s cock further down your throat, cheeks hollowing. You start to feel him at the back of your throat, spit spilling from your lips.
Logan groans, and then he’s filling up your mouth, pumping his cum down your throat as you eagerly swallow. You look up at him through your lashes, taking in his face, his eyes shut and mouth hanging open in pleasure as a long, almost pathetic, groan comes out.
He’s coming longer than you’d expect, coming in your mouth in sticky ropes, a hand guiding the back of your head. You still pout when he’s finally drained and he slowly pulls his hips back.
Logan sighs a last breath of pleasure and holds his hand in front of your mouth. “What?” you ask.
“Spit.”
“Uh, I swallowed,” you say.
“Really?”
You stick out your tongue for Logan to see your empty mouth.
He smirks. “God,” he huffs, “so fucking perfect. C’mere.” He pulls you up to the sofa and sits you on his lap, your bare chest against his. Logan pushes his mouth against yours, kissing you like he’s filled with a new desire, as if you didn’t just make him come.
You don’t get to kiss him for very long though, because he pulls you to lie down on the sofa, turning so your legs are spread around him.
“‘m gonna show you what it’s supposed to feel like for someone to eat your pussy. Just so you know your date is doin’ it right, ‘kay?”
What date? You almost ask. You remember for a second but then, looking at him, all of your thoughts are replaced with Logan again. “Yes,” you nod hornily, “Please.”
“There you go, got you even saying please now. You want it that bad, huh?”
All you can do is nod as he pulls down your skirt and panties. He almost goes cross-eyed when he sees your pussy for the first time.
“God, baby, you coulda said something. Such an eager little thing. You got that wet from having my cock in your mouth, hm? Gonna make you come so good, yeah?”
You nod again and he bends down to press another sloppy kiss to your lips, kissing down your neck and stopping at your chest, “Can’t get enough of these,” he plays with your tits, desperately grabbing at them like a man seeing a woman naked for the first time.
He smiles up at you when he realises how much time he’s spent at your chest, pressing a last kiss to your sternum before placing one of his big hands on your tit and kissing further down. You assume he’s going to stop before he gets to your pussy, just to tease you, but he kisses all the way down from your belly button to your clit, starting to make out with your pussy.
“Logan,” you moan, your hand flying to his hand on one of your boobs.
“Feel good?” He asks, and you almost faint when you look at his head pushed between your thighs. He looks exactly right, as if this is where he was meant to be the entire time.
“Mhmm.”
He chuckles against your pussy, tongue darting out to play with your clit. The ache between your legs starts to get worse with him there, and you feel your pussy clenching around nothing.
Logan smirks and pushes your thighs further apart with a rough hand. He starts to gently rub your clit, and you’ve finally got the friction you’ve been needing this entire time. You’re already close. 
You let out an involuntary moan as he pushes his thick middle finger inside you, and you grip his hand on your tit harder, and he squeezes you there, lovingly. 
“I got you, baby,” he says into your pussy before starting to fuck you with his finger, pushing another one in as he begins to rub a sweet little spot inside that you can never reach yourself. 
He leans in to start licking your clit again, circling it with his tongue and, ever so slightly, beginning to suck. 
You’re so close, the waves of pleasure almost, just almost, flooding over you. You squirm, your knees pushing together, held open by his broad shoulders. 
Logan sucks harder, fingers fucking into you with your clit pulsing against his tongue. 
It only takes a few more seconds of Logan’s mouth on your pussy for you to come. Pleasure explodes within you and floods your entire body as you arch your back, pushing further into him and his wet mouth and thick fingers.
Logan doesn’t stop until you’re satisfied and your legs go numb around him.
He grins at you, biting his lip to stop his smile from spreading too far, and he presses a kiss to the middle of your belly, squeezing your tit gently before letting go. You feel cold without him there.
With your legs still around him, you instinctively pull him in and he lies down next to you on the sofa, gently caging you against the back of it to give you the more comfortable side as he balances on the edge.
“You wanna know how good you taste?” Logan asks, not waiting for an answer before he kisses you. You slide your hand behind his neck to pull him in, tasting yourself on his tongue.
He stops kissing you. “So.. you still going on your date?”
You feel your cheeks getting hot, “What if I told youuu…” you twirl a strand of Logan’s hair that’s hanging over his forehead, “that there never was a date. Or a guy.”
Logan breaks out in a smile, “You were too shy to ask me to fuck you so you made up an entire person?”
You hear the key turning in the lock in that moment, and even though you’ll be covered by the back of the sofa Logan shields you with his hands as best as he can, reaching for your clothes.
Wade comes in and you immediately sit up, holding Logan’s hand and forearm to your tits to cover them.
“Guess what happened?” you squeal at Wade.
Wade’s eyes go over to you and then to Logan, and he drops his bags of grocery shopping to jump up and down, “Was it my plan? I told you my plan would work!”
You grin, “It was your plan.”
Logan looks between you and Wade, rolling his eyes but he’s unable to hide a smile.
“It was a good plan, right? I told her she could just ask you out but she was too shy so I told her to make up a guy she’s dating,” Wade explains.
“Alright,” Logan laughs quietly, “Now fuck off so I can fuck my girl again.”
Wade’s eyes go wide and he says what you’re thinking, “My girl? I’d faint if he called me that. You owe me,” he points at you.
You blow a kiss at Wade and he pretends to catch it, pressing it to his lap. You roll your eyes and smile, waving at him, “You heard him, we’ve got stuff to do.”
The almost animalistic smirk Logan gives you when Wade is gone should scare you, but it only makes you want him more. He picks you up in his arms, carrying you to his room. You can’t wait for what’s to come.
-
P.S. Logan thinks good girls reblog and comment on the fics they enjoy 🩷🫣
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littlcdarlin · 4 months ago
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Event Horizon
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summary: When you start university to do your master’s in physics, you are more than surprised to meet your professor: Joel Miller, an old friend of your parents' who moved away years ago. word–count: 15k warnings: professor kink, power imbalance due to Joel being reader's professor, illegal relationship (overage & consenting), dbf!Joel, big fat age gap (unspecified but written with early 20s & mid 50s in mind), unprotected piv, just overall daddy issues (no use of the word daddy)
note: Okay, time to tell you I am a big nerd and studied physics in uni. Truth is, I quit to pursue a career in the arts, so my knowledge of masters level physics is...a little rusty. Please be lenient with me if I messed anything up. Also, I know most people hate physics, but I promise Joel makes it hot. Warning: explanation of the Dirac equation as foreplay. Also, I'm European and have no fucking clue how the American education system works but I don't care enough to do research. Enjoy <3333
event horizon noun ASTRONOMY a notional boundary around a black hole beyond which no light or other radiation can escape. a point of no return.
Uni felt different at eighteen, when everything was about moving out, drinking beer at frat parties, and kissing boys who didn’t grow up in the same town you did. It was an exciting time, the degree itself fading into the background of all sorts of new experiences, but now that you’re doing your masters, you plan on focusing on your your grades more than on partying.
You enrolled in a new university, farther away from home, with a better physics program, and although you’ve grown up considerably, you still feel that tingle of anxiety you did when you first walked to your dorm, fresh out of high school. This time you won’t have to share with another student, spending your saved money on a bit of privacy that is a single dorm room, but still, you wonder if you’ll make friends here, or if you’ll spend your night hauled up alone, watching trash TV and crying because you’re lonely.
The room is small, blank, but functional with a bathroom you share with another student and a small kitchenette, and immediately you dream of all the ways you could decorate it. You didn’t bring much, just a big suitcase and a few boxes your Dad dropped off earlier. You feel slightly guilty for leaving your parents behind, but the relief outweighs the guilt – you won’t have to come home every Sunday for dinner, visits will be scarce. You love you parents, but the distance is much needed.
You get to unpacking your clothes, reveling in the fact that you can listen to music without headphones in your very own space. You could do it in your underwear, or naked, you could sing and dance along, and nobody would be bothered by it. It’s going to be a tough two years, the program you chose more than challenging, but a childish sort of giddiness fills you – no roommate to be considerate of, no parents to visit and take care of every week. This time in your life is about you, and only you – your career, but also your well-being. You promise yourself to do what makes you happy, instead of looking out for everyone else all of the time, and you’ll start by ordering Thai food and watching the trashiest movie with the hottest actors you can find on the little flatscreen you brought with you.
***
Your first lecture is Computational Physics – the one you’re looking forward to the least. The reason you decided to study physics at all was the predictable logic behind each problem, but the more you studied, the more complex the problems got, until they were impossible to solve analytically. Now you get to solve fluid dynamic equations and simulate quantum systems on a Monday morning instead of having a peaceful cup of coffee and taking a walk around campus.
The lecture hall is big, and you pick a seat that is neither too far away to be able to read the professor’s notes, nor close enough to immediately be pinned as an over-eager teacher’s pet. In the end, you plop down next to a girl who’s sitting alone, something about her shaved head and countless earrings making you think she wouldn’t make fun of you even if you didn’t understand a single thing all lecture.
"Okay if I sit here?", you ask somewhat timidly, trying hard not to sound too much like an eleven year old Ron Weasley boarding the train to Hogwarts.
"Please," the girl answers, "I don’t know anybody here."
"Did you move here, too?"
"Yeah, I’m from New York."
"You look it," you say with a smile, eyes drifting over her clothes and jewelry.
"Thanks…I guess?", she answers, her grin revealing a charming gap between her front teeth. "I’m Alva."
You introduce yourself, thankful to have found someone you can stick to already. Throughout the lecture you find out that apart from being much cooler than everyone else in the room, Alva has a biting sense of humor, and a near endless knowledge of computational physics. You make a mental note to ask her to study together, her explanations much easier to understand than the professor’s.
The two of you spend your lunch break together, and you tell her a little bit about yourself, but way too soon it’s time to go already – you have Advanced Quantum Mechanics in a different lecture hall. This you find way more interesting, basic quantum mechanics was one of your favorite lectures during your bachelor’s degree. As Alva and you sit down, you find yourself hoping you’ll be able to help her out this time, or you’d feel like a leech for making her help you with Computational. She doesn’t seem bothered, though, and keeps babbling happily about a band she recently discovered.
"– Britpop, but they only put out two albums. I think they were like a student band or something? They’re wildly underrated, I’ll send you a song, their debut is called The Sun Is Often Out."
Your thoughts start to wander off a little, eyes drifting over the old-fashioned chalkboards, when the door at the front of the lecture hall opens, and a tall man walks in – a man you recognize.
"Holy shit," you whisper, interrupting Alva’s rant about the Longpigs, and she turns her head to look at what you’re staring at.
"Damn," she says with a grin, "if I wasn’t gay, I’d want a piece of that."
"No," you snort, "I know him. He’s my Dad’s friend."
Alva opens her mouth to say something, but at that moment, Joel Miller steps forward, checking to see if the microphone is working, and introduces himself to the hundreds of students in front of him. His voice is deep, and as warm as you remember it, but that’s where the accuracy of your memories ends – your childish brain failed to register the tanned forearms and rolled up sleeves, the carelessly styled curls, the perfect side-profile. He’s got grey streaks in his hair now, which should send you into a crisis about time passing and your own little life being finite, but instead it makes your stomach swirl with something dangerous. Joel Miller, the Joel Miller, who organized backyard barbecues with your father and bought your favorite vegan sausages when your Dad rolled his eyes at you, who made strawberry lemonade instead of lemon, because he knew you preferred it, who helped you with your physics homework when you were graduating high school and didn’t rat you out when he caught you smoking at seventeen – he’s handsome.
There’s still a familiarity about him, the way he moves and talks, although it’s unsettling to see him in such a different environment. You’re used to band-tee-Joel, beer bottle and tongs in his hands, a breezy smile on his face. He looks different here, in a white button-down, with a stern expression on his face, as he’s reading the names on his list to check attendance. When he calls Alva’s name and she raises her hand, his eyes flicker upwards, but he doesn’t look at you. Still, your stomach lurches. If you listen carefully, you can detect that southern twang in his voice you’re sure most people would miss, and it fills you with satisfaction to know you’re the one who knows him best in this room – you’re sure half the lecture hall must see how attractive he is.
When he reads out your name, there’s a surprised lilt to his tone, and your heart threatens to skip a beat.
"Here."
Your eyes meet, and although his expression doesn’t change, he holds your eyecontact for a second too long. Alva nudges your side and grins.
Your plans about outshining Alva and returning the favor of helping with a lecture are quickly buried by Joel Miller’s beautiful hands – thick fingers holding a piece of chalk almost tenderly, twirling it around when he isn’t writing on the chalkboard. You vaguely register him introducing the Dirac equation, but as interesting as you would normally find it, your thoughts are stuck between memories of barbecues and the realization that you will have to call the man who taught you to drive Professor Miller.
If Alva notices your wandering mind, she doesn’t comment on it, which you’re thankful for. You do notice her throwing you a couple of knowing glances, as you copy down what Joel is writing down, mixing up gamma, delta, and the Dirac spinor.
"Alright, so you all know how Schrödinger’s equation works great for quantum mechanics, but it doesn’t play nicely with Einstein’s relativity, right? That’s a problem because electrons move fast, sometimes close to the speed of light, so we need an equation that respects both quantum mechanics and special relativity. That’s where Dirac steps in."
He’s still got that warm way of explaining things your Dad never managed when you needed help in high school, like he enjoys clearing things up for people. He’s a born teacher, patient when you panicked in the car because you confused the clutch and the break, persistent when you wanted to throw your physics book against a wall. Look, kid, think of it this way: Push harder, it moves faster. Make it heavier, it’s harder to move. If you apply a force F to an object with mass m, it will accelerate a. That’s why your Dad’s car takes longer to stop than your bike. Even now, he manages to make a far more complex equation than Newton’s second law tangible.
"Dirac's equation is like the grown-up version of Schrödinger’s equation. It explains how particles with spin-half, like electrons, behave when they move at relativistic speeds. The gamma mu matrices make sure the equation works in four-dimensional spacetime, meaning three space dimensions plus time. The psi is a spinor, which is just a fancy way of saying that an electron isn’t just a simple wave function, it actually has spin built into its nature. Now, can anyone think of a situation where we would need to use this equation instead of the regular Schrödinger equation?"
Nobody raises their hand, most people still busy with writing down Joel’s complicated notes, and as if on cue, his eyes are on yours when you look up from your notebook. He raises an eyebrow, and you see the corner of his mouth twitch almost imperceptibly. Then, he calls your last name, a formal Miss dripping off his tongue as if he hasn’t called you kiddo for most of your life. It’s almost like he’s making a joke only the two of you are able to understand, and the thought thrills you to your bone. Two can play this game – you smile back.
"Sure, Professor Miller. You’d use it for studying high-energy particles, like electrons in particle accelerators, because it accounts for relativistic speeds. It’s also needed for situations where particles are created or destroyed, which Schrödinger’s equation doesn’t cover."
Again, his eyes linger on yours, and his slightly amused smile turns into a more genuine one at your answer. You let out a relieved sigh.
"Exactly," Joel answers, his attention on the rest of the class again, "Someone payed attention during Basic Quantum Mechanics. Now, here’s where it gets wild. When Dirac wrote this down, he realized it naturally predicts antiparticles, meaning for every electron, there should be a mirror-image particle with opposite charge, which we now call the positron. That was a huge deal because it wasn’t something people were expecting, it just fell out of the math."
For the rest of the class, Joel doesn’t continue that little game between the two of you, but whenever he asks a question, his gaze flickers over you, and your stomach gives an embarrassing little jump. Alva grins whenever this happens, but for most of the class she’s busy following Joel’s explanations.
"I want you to read up on today’s lecture," Joel says at the end of the lecture, and writes down a few page numbers on the chalkboard, "and solve the problems I mentioned earlier. Attendance isn’t mandatory, we’re all adults here, but I urge you to come if you’re interested in graduating in the next three years. Trust me, it’s easier to just do the work here than in your dorms. Now, enjoy the weather, see you Monday."
You and Alva pack up your things, and before she can ask you which class you have next, you pick up your backpack.
"I’m gonna say hi to him," you tell her, nodding in Joel’s direction, "my Dad and him go way back."
"Sure," Alva says, a cheeky smile on her face, "it’d be rude not to."
"Meet you outside?"
"I’ll be at the vending machine. Go get him," she jokes, and you snort.
Joel is packing up his course materials when you make your way down the steps and to his desk, but he looks up when he hears you coming towards him, and immediately his face splits into a smile. If you were anywhere else and ten years younger, he’d probably ruffle your hair.
"Good lecture," you say, "Dad didn’t tell me you’re teaching again."
Joel puts his piece of chalk into a tin box and nods.
"I don’t think he knows. You know how it is, we never get around to callin’ and I haven’t been home in a while."
So this is a new development, perhaps even Joel’s first semester back at university, too.
"What about the contracting? Don’t you miss the…pipes?"
He chuckles at your lack in basic contracting knowledge, his eyes not moving from yours.
"Ah, that was always Tommy, he just needed a little help. Company’s doin’ well now, though, so he’ll manage without me."
You think you remember Tommy – a man good-naturedly chasing you and the rest of the giggling neighborhood kids with a harden hose – but the memory is too vague to be sure it’s really him.
"You’ve grown up," Joel says, almost accusingly, and you shrug and smile. "Doin’ your master’s already. How come you’re familiar with Dirac?"
His accent is much thicker now that it’s only the two of you, and you notice a hint of pride when he asks about your correct answer to his question during the lecture. The satisfied feeling it gives you is still the same as when he high-fived you after your drivers test, or when he patted your back after you solved a problem for school without his help.
"Summer reading," you admit, trying hard not to sound like a nerd, "Basic Quantum Mechanics was my favorite lecture as an undergrad."
Joel smiles at you, and puts his notes into his leather bag. He slings it across his shoulder, and nods towards the door.
"How would you like to grab a coffee and tell me all about what’s been goin’ on with you and your old man?"
Your eyes flicker briefly over his hand, gripping the strap of his bag, and you raise an eyebrow.
"What’s the policy for staff having coffee with their students, Professor?"
Joel holds your gaze, the corners of his mouth twitching.
"I’m actually not sure, Miss, I’ve never had to check before."
He’s playing along, and it feels dangerously blurry – yes, he’s your Dad’s old friend, your childhood neighbor, but it feels like more than just joking around.
"Does that mean I’m your first, then?", you ask, voice sweet and close to flirting now. The smile freezes on Joel’s face, and his gaze becomes almost calculating.
"Am I yours?" he asks you softly, and the double-meaning behind his question isn’t lost on you. You feel a thrilling pang in your stomach – Joel Miller is flirting with you.
***
You do end up getting coffee after you tell Alva you’ll meet her later, Joel reassuring you it won’t get him into trouble, and you’re fascinated to see he still drinks it black. What fascinates you even more is that you remember how he takes his coffee, and you wonder why your brain filed this fact away as important, not to be forgotten.
"So, when did you graduate? Sorry I missed it."
There’s honest regret in his voice, which surprises you. Joel was always a warm person, but you figured he cared for you as much as he would have for any kid living across the street.
"Last June," you tell him, dropping a sugar cube into your cappuccino. "I spent the summer working, and now I’m here."
"How d’you like it so far?"
You give a nervous chuckle, torn between the honest truth and pleasant small talk. You opt for the former – this is Joel, after all, not some stranger.
"To be honest with you, I oscillate between enjoying my freedom away from Mom and Dad, and being scared shitless by starting over somewhere new," you admit, looking at your coffee. You haven’t told people about your fear, and it feels good to finally admit it – the grip your parents have had on you makes your newfound freedom almost uncomfortable.
"What d’you mean, startin’ over?", Joel asks, his voice strikingly gentle. You sigh, and shrug.
"I know the distance is good for me, but it was comfortable, just doing what my parents expected of me. I had good grades, nice friends, and just the right amount of drunken nights for them not to worry about my social life too much," you explain, "and now it’s like…there’s so much room to be someone else, cause they won’t see it anyway."
You look up, embarrassed to have spilt your guts like this, but Joel looks thoughtful, his thumb moving along the handle of his coffee cup.
"Sorry," you mutter, "I know they’re your friends, but they can be…"
"Overbearing?"
You smile at him gratefully and he smiles back.
"Look, I know your parents pretty well. They love you to bits, but as an adult I imagine it must be stiflin’.“
"Yeah," you sigh, grateful for his understanding, "I feel like I don’t know who I am when I’m not…their kid."
Joel nods, and sips his coffee, apparently pondering what you said.
"I promised myself I would only do what makes me happy while I’m here," you tell him sheepishly, as if it’s a secret, and Joel laughs.
"Well, I’m not expectin’ you to hand in any homework, then."
You grin, too, and shake your head. It’s surreal, Joel being your professor, and you wearing your heart on your sleeve for him.
"Don’t worry, Professor Miller, I’m not dropping your class."
"You’d better not, it’d really hurt my feelings," Joel says, eyes trained on yours. Again, that blurriness set in motion by the change of his role in your life: neighbor to professor to – what?
"What about you, though? This your first semester here?"
"Second," he tells you, "but I still don’t feel at home. Once a Texan, always a Texan, I guess."
You cock your head and watch him drain the last of his coffee, the cup tiny in his hands.
"What?" he asks you, curiosity evident in his voice.
"You look so different," you say, and Joel scoffs.
"Well, that’s real nice. Know I’m not thirty anymore, but geez–"
"No," you say with a grin, "it’s not that. I don’t know, I’ve just never seen you teach before. Or dressed this nice – I remember you mowing the lawn in a Fleetwood Mac shirt, not checking attendance in a button down."
Joel’s cheeks go slightly pink, and he scoffs again.
"Well, I can’t show up here in a band tee, can I? Gotta dress the part," he mutters.
"I get it. You suit it," you tell him, if only to see that blush appear on his face again. He looks up at you, holding your gaze for a couple of seconds, then he shakes his head.
"What were the odds of us meetin’ like this, huh? I gotta call your father and tell him."
Something about that bothers you, you’d prefer for your parents not to know. You like sitting here with Joel, reminiscing the old times, without anybody getting a peek in.
"Or not," he says gently, seeing the expression on your face.
"Sorry," you say, "course you can tell him."
"You apologize a lot," he tells you, and you fight the urge to say sorry once again. "It’s okay, I’m not tellin’ anyone, kid. ’S just you n me."
That pang in your stomach again, and you nod.
"Alright," you answer, "just us."
You get a refill for the two of you, and a blueberry muffin to split, which feels strangely intimate, but Joel pats his stomach and jokes about keeping an eye on his figure, so you grin, and ask the barista to cut it in half. Joel asks you about your friends, and you tell him about Alva.
"Oh yes," he says and swallows a bite of the muffin, "that punky lookin’ kid who sits next to you?"
"Yeah, she’s nice. Haven’t really met anyone else."
"Geez, I’m not keepin’ you from findin’ frat boys to hook up with, am I?"
You laugh, the idea of sitting here with a twenty-something year old kid named Cole or Josh instead of him so absurd, you can’t help it.
"No," you tell him, "I’m honestly enjoying the fact that I don’t have to have someone else in my dorm anymore."
"Well, that’s a relief to hear," Joel says, "they’re all dipshits."
You remember him telling you something similar about the boys in high school, and it makes you smile. He’s still got that protective streak, then.
"To tell you the truth, I’m glad you’re here," you say quietly, "if I’m not making any friends, I can come crying to you."
Joel watches you for a couple of seconds, not laughing as you intended, but taking your words seriously.
"Course you’ll make friends. Give it a couple of weeks, and you’ll have forgotten all about physics cause you’ll be skippin’ classes left and right to hang out with people."
You don’t tell him, but you think it’s very unlikely you’ll skip any of his classes. Still, you appreciate his words and how confident he seems to be in your ability to open up to people.
"Well, will you give me the answers to your exams if I skip your class?"
"No way," he says with a cheeky smile, the crinkles around his eyes prominent. "I don’t do preferential treatment. You wanna split another blueberry muffin?"
You grin.
"Thought you were watching your waistline."
"I am, that’s why I’m only eating halves."
***
Your afternoon with Joel leaves you on a high for the rest of the day, feeling much less lonely now that you’ve had a conversation beyond the usual so how many siblings do you have? and where did you do your undergrad?
You start spending your lunch breaks with Alva and some friends she made in another lecture, all of whom are very nice. In the evenings you all go to see a movie or have dinner together in any of your dorm rooms, and although you walk around campus holding out one eye for Joel, you don’t see him for the rest of the week. There is always a nudge of disappointment in your stomach, when you glance in the direction of his office, and the door is closed, but you’re so busy, you don’t dwell on it too much. The days pass in a blur of new lectures, swapping music with Alva, and evenings spent as a group of six, and suddenly it’s Sunday again. You aren’t too sad the weekend is already over, and you know exactly why you’re looking forward to Monday, but you don’t allow yourself to think about Joel any more than you can help.
In the afternoon, while you’re doing Joel’s assignment for the next class, your mother calls, and you answer the phone with a mixture of feelings.
Hi, my darling, how are you doing?
"Hi, Mom. I’m good, just doing my work for tomorrow. How are you?"
Good, good. How was your first week? Did you meet anyone nice?
Hah, if she only knew. It feels deceptive, not telling her about Joel, but you like that for now, he’s just yours.
"Yes, this girl called Alva. We and some guys hang out a lot, there’s a cinema near by, but the lectures are pretty hard, so we only have the evenings off."
Well, I’m glad you found some nice people! Dad says hi, he’s making dinner. Anyway, baby, we miss you terribly. Do you know when you’ll be coming home?
"I just got here, Mom."
You sigh so quietly your mother can’t hear it, guilt already nagging at your heart. Sunday is the day you would usually be coming home for dinner, and you know it’s no coincidence your parents called you now.
Of course, you’re right. It’s just not easy for your Dad and me, you know? You’ve never been this far from home, and you’re our baby.
Yeah, you think, your adult baby. You sigh again.
"I don’t know if I’ll come this month, I’m still sort of settling in. But I’ll let you know if there’s a free weekend next month, alright?"
Sure, that sounds great. Will you send us some pictures of your friends, and your room?
"Sure," you say, but it bugs you that you’re giving in. Already, you’re breaking the promise you made yourself, and letting your parents further into your life here than you’re comfortable with.
"Mom, I gotta go, I’ve still got some problems to solve and I’m meeting Alva for dinner soon."
Okay, darling, enjoy your night! And make yourself heard. I love you!
"Love you, too! Talk soon."
Your kind, clingy mother, whose greatest pain is not knowing if you’re safe. In a way you miss her, and you feel guilty for being annoyed. Still, you know you have to gently nudge her away from you, or she’ll suffocate you one day. It makes you angry with yourself, because you know your Mom would have liked nothing more than to hear all about your week, but as soon as she asked you a question, you felt like your seventeen year old self again, getting yelled at because you stayed up past your curfew, and your parents didn’t know where you were.
Tears of frustration spring to your eyes – the mix of feelings too much for you to handle. You wipe them away with the back of your hand, breathe in shakily, and try to focus on your assignment again, but now you’re riled up, and the tears won’t stop.
It’s hard for you to deal with disappointing your parents, forcing them away when they would like nothing more than to know everything that’s going on in your life. So, instead of preparing for Joel’s lecture, you cry on your bed, feeling lonely and angry with yourself for hurting them. You know your reaction is disproportionate, but everything you kept buried while you lived close to your parents comes bubbling out of you.
You call Alva, tell her you have cramps because of your period and just want to stay in bed. She’s understanding, asks you if there’s anything she can do, even offers to bring you takeout or a hot water bottle, which makes you feel all the worse for lying to her. You decline her offer, tell her you’ll meet her Monday morning. In the evening, you regret not letting her bring over a real meal, eating cold pasta in your underwear, tears still running down your face and making your head pound.
***
On Monday, you feel slightly better, your headache is gone and your face isn’t as puffy as you expected it to be. Still, you’re in a solitary mood, and are glad to find Alva is able to keep up an entire conversation virtually by herself – you just grunt from time to time, or give noncommittal movements of your head in vague agreement. You hope if she notices your bad mood, she just thinks it has to do with your period.
Computational Physics is hell – you dislike it on the best of days, but guilt ridden and tired, you’re barely able to pay attention at all, and the professor’s handwriting is so bad, you end up copying down Alva’s notes instead. She’s kind about it, slides over her notebook at an angle that makes it easy to read, and you make a mental note to thank her for being so kind to you while you’re offering nothing but a scowling expression all day. Maybe you’ll cook for her, or make a mixtape of your favorite songs, just to show her you’re interested in being actual good friends.
Lunch passes easily, as always you sit with Alva and the guys, and there’s enough people for you to stare at your mashed potatoes and repeatedly stab them with your fork instead of eating them. They taste like flour mixed up with water, and you dream up your father’s Sunday dinner instead, but it does little to help with the taste.
"So, you lookin’ forward to flirting with Miller in front of the whole lecture hall again?" Alva asks you, as you’re making your way to said room. You glare at her, but can’t help the corners of your mouth twitching.
"Wasn’t flirting with him," you answer, kicking a pebble, "I grew up across the street from him, I’ve known him practically my whole life."
"Whatever you say, grumpy," Alva teases, nudging your shoulder with hers. You’re overcome with a rush of gratitude for the way she treats you, persistently kind and humorous. You chuckle, your mood lifting slightly.
"He’s probably been waiting for you to turn legal," she continues, and you groan.
"Gross, Alva, he’s not a creep."
"I’m just saying, if your little connection gets you the answers to his tests, you could sell them and become rich."
"I already asked him, he said no," you say darkly, thinking of the nights you’ll have to spend studying to pass his exam. This makes Alva laugh her brilliant laugh, and you can’t help but smile, too.
"Damn," she grins, "I’d try if he wasn’t a guy."
You snort.
"You try with Professor Carter, I need the answers to Computational," you suggest, wiggling your eyebrows suggestively.
"You’re joking, but I bet once you get her out of her frumpy cardigans, she’s a real–"
"Okay, stop," you grown, the image of Professor Carter taking off her cardigans worse than her keeping them on – if possible. Alva giggles.
"I’ll help you with Computational," she says, "if you help me with Quantum Mechanics."
"You’re good at both," you argue, and Alva shrugs.
"Not like you, though. I spent like four hours doing Miller’s assignment last night."
You want to tell her you didn’t do it at all, but before you can open your mouth, she spots a friend in the crowd, grabs your arm and drags you over to him.
The three of you sit down together, closer to the front than the week before, which gives you a direct line of sight to Joel’s desk. When he walks in, your stomach jumps – he’s wearing a tie today, a dark burgundy or blue, you aren’t sure from this distance, flecked with specks of white. Again, his hair is styled in that carelessly disheveled look you like so much, and the image of him putting gel in it makes you smile. He gets out his materials for the lecture, and looks up, his eyes finding yours – you smile and he gives a small nod. Again you’re struck by how different he acts in front of the class, how serious he seems. You think of his laid back manner when you had coffee, and struggle to make the images align. Joel clears his throat, and the chatter around you stops.
"Quiet, please, everyone. Thank you. So, last week, we found out that Dirac’s equation predicts the existence of antiparticles. But instead of just accepting that, let’s think deeper—mathematically, what feature of the equation forces this conclusion?"
Joel jumps right into the lecture, and just like last week, nobody raises their hands – you curse the people around you for their lethargy, because sure enough, Joel’s eyes land on you. Before you can shake your head to signal to him not to ask you, he calls your name.
"If I remember correctly, you were already familiar with Dirac’s equation last week. What would you say, what does the existence of negative-energy solutions tell us, and why couldn’t we just ignore them?"
You wish you could answer him, know he asked you because he was sure you’d know the answer, perhaps hoped your enthusiasm for the subject would get the rest of the students to participate more, but you didn’t do the assignment, and you’ve already half forgotten his question. You swallow.
"Um…I…I’m not sure, Sir," you say, watching the way his brows furrow, and looking down at your notes. Alva shoots you a curious look, and when she sees your expression, she raises her hand. You’re thankful to have Joel’s attention diverted, feeling like a fool in front of hundreds of students you’re trying to make friends with.
"Dirac’s equation gives positive and negative energy solutions, and at first, the negative ones didn’t make sense. Dirac suggested they represent antiparticles, like the positron, which he predicted. The idea was that electrons could, like, jump into these negative-energy states, creating a hole that looks like a positron, which was later confirmed experimentally," Alva explains instead of you.
"You're close, but electrons don’t actually 'jump into' negative-energy states. Instead, Dirac proposed that these states are already filled, forming what he called the Dirac Sea. A positron isn’t an electron jumping down, it’s actually a 'hole' left when a negative-energy electron gets excited to a positive-energy state. That distinction is important because it explains why positrons have the opposite charge. Good answer, though, thank you Ms. Bennet."
Joel’s eyes flicker over to you again, but you show no reaction, and he continues with his lecture without asking you another question. Alva glances at you inquiringly, and you sigh.
"I wanted to do the assignment yesterday, but my cramps were really bad," you explain quietly, and she nods sympathetically.
"Call me next time, I’ll send you my answers," she whispers, and you smile gratefully. It seems you really hit the jackpot in friendship when you sat down next to Alva.
***
After Joel’s lecture, you and Alva make your way over to the vending machine, because it has the sour patches she likes, and in her own words she’ll combust if she doesn’t eat some right fucking now.
"Shit," she curses, "they’re stuck."
"Let me," a voice comes from a behind you, and when you turn around, Joel is smiling at the two of you. "Took me a while to figure this thing out, too."
Alva steps aside, and Joel bangs his palm against the side of machine. You jump, but the sour patches make their tumbling way down to the dispenser.
"Great! Thanks, Professor Miller," Alva says, ripping the bag open and offering it to the two of you. To your surprise, Joel takes her up on it, and Alva grins at you.
"You were quiet during today’s lecture," Joel says tentatively, when he’s swallowed his sour patch "everything alright?"
You glance at your shoes.
"Um, yeah. I wasn’t feeling well yesterday, and I left your assignment for last, so…I didn’t do it."
Joel’s expression grows worried, and Alva glances between the two of you.
"Hey, I’m meeting Max for coffee," she tells you, "see you later?"
"Yeah," you answer, grateful she’s granting you this time alone with Joel, "see you, Alva."
When she’s gone, Joel is still looking at you with that worried look on his face, and you sigh.
"Sorry about the assignment," you say, "won’t happen again."
"I’m not worried about the assignment," Joel says earnestly, but then he turns his head, and you know he doesn’t want someone listening in. Sure, you can be seen chatting in the university cafe, but this conversation is rapidly blurring the lines between scholarly and – something else.
"I…have some materials in my office that might make it easier for you to catch up with the lectures again," Joel tells you, and you understand the underlying meaning. Let’s talk in my office.
"Thank you," you say, relieved, and Joel nods, eyes still glued to yours, brows still furrowed. You walk to his office making smalltalk about the lecture, which to anyone listening in would seem like a normal conversation between a professor and an interested student.
Joel opens the door to his office for you, and lets you step in first. It’s small, cramped bookshelves on the walls and a sturdy desk in the middle that is littered with notes, pencils, books, and a couple of old coffee mugs. You notice he put part of his books sideways onto the shelves, which you find weirdly endearing. This is the Joel you know – clutter and warmth.
He closes the door behind you, and you turn around to watch him drop his bag and walk over to the kettle in the corner of the room.
"Coffee?"
"Please," you sigh, "if you don’t have anything stronger."
He raises an eyebrow, but doesn’t answer, just turns on the already filled kettle, and gets two clean cups for the two of you.
"I only have drip coffee," he tells you, "I don’t drink that crap the machines brew up."
"That’s fine, I enjoy the medieval feel of it."
"Watch it," he answers, a smile tugging on his lips, "don’t insult my coffee filter in front of me."
You grin, and walk over to his bookshelf to have a look.
"So, what’s going on?" he asks you while pouring the boiling hot water over the coffee grounds. Again, the Joel you remember – empathetic, but unusually direct. You sigh, turn around and shrug.
"Mom and Dad called yesterday, and I could tell they missed me, but I just…I cut them off after two minutes."
Joel places the cups on his desk, and leans against it. His sleeves are rolled up again, and when he crosses his arms, you feel that familiar pang in your stomach.
"And now I…I don’t know, I feel so guilty, Joel. They’re not even being dicks about it, but I just know they’d prefer for me to check in with them more…and the worst thing is, I know it’s not a big deal. They’ll get over it, they’ve got a good life without me constantly in it, so I don’t know why my stupid brain can’t just let this go, you know? One I miss you, darling, and I’m reduced to this pathetic mess, instead of just, I don’t know, getting my shit together."
You shake your head and clench your teeth, once again embarrassed to come crying to Joel about your parental issues, but he’s the only one you can tell. Sure, Alva would probably listen, but you don’t feel like explaining your family to a near stranger. Joel just gets it. Joel knows you.
He’s looking at you, arms still crossed, and for a second you worry he might not want to hear about your little breakdown, but then he sighs.
"You have your shit together all of the fuckin’ time, kid, I think that might be the problem," he tells you quietly. "You’ve always been so hard on yourself."
He’s right, once again he sees what you struggle to show the world, and his words make tears spring to your eyes. You will your eyeballs to suck them back in, but of course, Joel sees.
"Hey now," he says, taking a tentative step towards you. One tear drops from the end of your lashes and down your cheek, and the dam is broken again – they come spilling in floods. Joel crosses the room in a second, and there is a slight moment of hesitation between the two of you, before you bury your face in his chest, and let your restraint fall. You cry quietly, feel him wrap his arms around you, as he rocks you back and forth.
"You’re alright," he tells you, "Shhh, it’s okay, you’re alright."
"S-s-sorry about the assignment," you manage, and Joel’s hand starts stroking your back.
"Jesus, kid, stop worryin’ about the fucking assignment," he tells you, voice low and worried. "You don’t gotta be so strict with yourself. You’re doin’ just fine."
He smells so much like home, you think you might never stop crying.
"I don’t know what’s wrong with me," you hiccup, "One week here and I’m a mess already."
You feel Joel rest his chin on your head, and his arms tighten around you.
"There’s nothin’ wrong with you, you hear me? You hold yourself to high standards. Creates pressure, kid."
As always, he’s right of course – you want to excel academically, you don’t want to hurt your parents, you want to stay true to yourself and do what makes you happy, you want to make friends without compromising your grades. It’s impossible.
You breathe in shakily, your eyes closed, face buried in Joel’s chest, and for a second he is all that exists – just Joel, all around you, pulling you to the earth. Slowly, your breathing calms, Joel still rocking you soothingly, holding you close.
"There we go," he mutters, when your chest stops shaking, "that’s good."
When you pull away from him, he puts his hands on your shoulders to really look at you, and although you’re embarrassed by your outburst, you’re glad he doesn’t shy away from you.
"I want you to start being a little more lenient with yourself, alright? You don’t need to worry about an assignment on top of everything."
His hands are rubbing your shoulders, his eyes are kind and warm.
"Maybe not about yours, but I have like five other lectures –"
"Okay, so try to stop worrying about my assignments, just mine. Won’t bite your head off if you don’t do them, and I’ll only ask you questions when you raise your hand, alright? In fact, for the rest of the term, I want you to hand them in late."
Despite yourself, your lips pull up in a small smile.
"That’s silly, Joel," you say softly, but he shakes his head.
"It’s not silly, it’s practice to get you out of your comfort zone."
You consider his words for a moment. You do keep a pretty tight reign on yourself, and just the thought of doing every assignment late makes your skin crawl with anxiety. But when will you get another chance to step out of your comfort zone as safely as now, with Joel? He’s offering you a way to try it without actually risking your grades. And who knows, perhaps it actually will take a little bit of pressure off of you.
"Okay," you answer, staring up at Joel with puffy cheeks and teary eyes. "Alright."
He smiles at you, but he still looks worried and you wish he’d pull you close to him again. It’s such a relief to have this sort of human contact with someone who really knows you.
"Feel better?"
You sigh, and nod.
"It’s just a lot, you know, uni and my parents, and every social interaction feels like such a chore, cause I don’t know people yet. I feel like I’m not even relaxed when I’m asleep."
Joel hesitates for a moment, before he speaks, but when he does, he sounds determined.
"Come over tonight, I’ll make us somethin’ to eat, and you don’t have to worry about talkin’ to anyone. We’ll watch whatever you’d like. You still enjoy those crappy horror movies?"
You smile at the shared memory – Joel letting you use his living room to watch slashers your parents didn’t want you to see. One summer, when the heat was so stifling you barely went outside, you practically lived at his place, and when you’d seen all the DVDs he owned, he got you more from the video store.
"I do," you say quietly, the fact that Joel remembers more important to you than his proposal to spend the evening together. You feel significantly less alone, all of a sudden.
"Alright, then. Be over at seven,“ Joel tells you, and you nod, wiping your wet face with the back of your hand.
"Thank you, Joel," you say, and hug him again, because you don’t know how to tell him in words what you’re feeling, and his big, warm body against yours feels more than soothing.
"Course, kid. Just don’t tell Alva, or they’ll fire me."
You smile, your arms still wrapped around his neck, as he holds you.
"But I don’t wanna get you in trouble, what if–"
"No," Joel interrupts you, "no what ifs. No worryin’. I forbid it."
And you accept it, leave it to Joel, because he tells you to – because you don’t have any room in your head for more worries, and because you trust Joel not to do anything reckless. You trust him, period.
***
You text Alva you’re having dinner alone, that your cramps are still acting up, and you do feel slightly bad for lying, but you would never risk Joel’s job. The idea of having dinner with him at his place should make you nervous after your change in feelings about him, but you’re just looking forward to having a meal with someone who knows you, and lets you be yourself.
Joel asked you to be there at seven, so you spend the rest of the afternoon in your dorm room, wondering if you should change your outfit or if it would seem desperate – in the end, you keep the jeans but change into a blouse instead of a sweater. The part of you that stares at Joel’s forearms during class now wants to look pretty for him, so that he’ll ask you over again. You know you’re being ridiculous, but it doesn’t stop you from putting on your nicest perfume.
You’re ten minutes early, so you sit in your little second hand car and try not to panic. You know Joel is merely trying to be a good…friend? Ex-neighbor, Dad’s best friend turned professor? There’s no real etiquette to cling to in this situation, for either of you, and although you’re positive Joel doesn’t have any ulterior motives with you despite his flirting, you know he could lose his job if someone finds out you went to his house. Even if you just watch slashers together the way you did ten years ago. It makes you anxious to know he’d risk something clearly important to him for just that – he moved to a different state, quit his old job, started over completely, and is now willing to endanger that new life just because you’re stressed. At the same time it seems ridiculous anyone could forbid the two of you to spend time together after having known each other your entire life. The thought is absurd, and still, you need to be careful.
You get out of the car before you start to hyperventilate, and ring Joel’s doorbell – it feels strange for him to live in a new house. He opens the door with a smile, and absurd relief floods your veins when you realize he’s wearing an old Led Zeppelin shirt and a pair of worn jeans. This is your Joel.
"I come bearing gifts," you announce, stepping into the house.
“Christ, where did you get this?”, Joel asks, taking the six pack of beer from you, so you can take off your jacket. “I didn’t know they sold Shiner Bock outside of Texas, I’ve been survivin’ on Bud”.
“Brought it with me,” you explain, “figured it’d help if I got homesick, you know, in multiple ways.”
You grin, and Joel shakes his head good-naturedly.
“Old enough to drink, well I’ll be damned. I remember when you begged your Dad to let you have a coke and he asked me if I thought the caffeine would stunt your growth.”
“Did it?”
“It might’ve,” Joel says with a chuckle, “but he didn’t let you have it.”
“Well, he isn’t here now, so let’s put those in the fridge.”
“No," Joel mutters, “no, he ain’t.”
While Joel puts the beer away, you take a look around his living room – despite your reservations about the new house, it reminds you of his old place. It’s got the same masculine and warm feel to it, dark wood, books all over the place, no bells and whistles. Joel is a practical man, and it’s charmingly etched into every part of his life – except for his new work-look. The room isn’t as cluttered as you remember Joel’s old house back in Texas, but you assume he hasn’t had time to accumulate clutter yet. No old newspapers are lying around, no birthday cards stacking up. You wonder if he’s lonely here, teaching all by himself, hundreds of miles away from the place he last grew roots in.
“Do you miss home?” you ask him, when he comes back from the kitchen with two bottles of beer in his hands. He looks at ease, much more himself than back at university. His jeans are faded, his shirt a little too big on his already broad frame, and his hair is clean and curly the way you like it – no gel twisting it into all sorts of un-Joel-like styles. Warmth floods your chest at the sight of him taking a swig of his beer. His crowfeet are a little more pronounced, and his hair has more grey strands than it did back home, but he’s still got that distinctly warm, no-nonsense feel to him.
“Sometimes,” he answers, offering you the second bottle. Your hand brushes his when you take it from him. “But I’m pretty busy here, you know, got a whole lotta lectures to plan, papers to grade and that sort of stuff.”
You nod, and sip at your beer.
“Have you…you know, met people? Made friends here?”
Joel plops down on the couch, and smiles up at you.
“You worried about my social life?”
You shrug, and smile almost timidly.
“You know me, kid, I like bein’ by myself.”
That’s true, for as long as you’ve known Joel, he’s been alone. You know he has nieces and nephews who adore him, and your Dad mentioned a woman once, but it must have been at least twenty years since they were together. You wonder why Joel doesn’t seem to want that sort of a domestic life, surely many women would be happy to let him put a ring on them.
You walk over to the window, and watch a blackbird tug at a writhing worm.
“Have you met someone at uni you wanna be by yourself with?” you ask with a small grin, turning back to find Joel already watching you. “I heard Professor Carter’s still single.”
“She’s very intelligent,” Joel says earnestly. You give him credit for not laughing about his colleague, and suddenly you feel bad for calling her frumpy with Alva. “But I think I’ll leave her to her simulations. Why am I bein’ interrogated?”
“Sorry,” you mumble, and glance out of the window again, “just making conversation.”
“Your turn, then,” Joel answers, and takes another swig of beer. “Any frat boys catch your eye? Or frat girls?”
You glance at him, a smile on your lips, and raise your eyebrows.
“Hey, I don’t discriminate. I thought, maybe Alva…”
“No,” you answer, feeling fond of him for considering the possibility. “Alva’s a friend. The guys are…well, they’re frat boys.”
 Your voice carries enough disgust for Joel to laugh.
“Right,” he says, and his eyes are warm when they meet yours again. “Just us two loners, then."
“Cheers,” you say with a smile.
“Cheers.”
***
Joel’s cooking is a mystery to you – he loves to eat, and when he does cook, it’s always delicious, but he only ever makes one of five dishes. Again, that practicality shining through. Why try something new if you’ve perfected your routine? He made pasta for you, wasn’t sure if you’re still vegetarian and makin’ your Dad’s hair fall out, and you smile into the neck of your beer bottle, when you watch him drizzle dressing onto a carefully arranged side-salad. Throughout dinner, you tell him how much you love it at least five times, because you can tell he put effort into the meal. You know it’s not technically a date, but having a dinner he made just for you, in his home – it feels like one.
You steer the conversation away from heavy topics like your parents. Although Joel offered you this evening to make you feel better, you want to spend it with him rather than in your head, so you ask him about books and music, about his lectures, about Tommy and the kids. You like watching how his face lights up whenever he talks about something he particularly loves. Joel is a quiet man, but you found out years ago it isn’t shyness, but a disinterest in most mundane topics – he doesn’t like gossip or superficial small talk. When he tells you Tommy made him godfather of all of his children, the pride is evident in his voice, and you don’t have to fake your enthusiasm, although it amuses you, too – Tommy loving his big brother enough not to consider anyone else.
"She calls me uncle Joe," he tells you with a chuckle, "Can’t pronounce her Ls yet, but I’ve considered legally changing my name."
When you’re done eating, you help him clear the table, but when you reach for the sponge to do the dishes, Joel shakes his head.
"Let me do that later, kid. You wanna watch a movie?"
So the two of you plop down on the couch with a bag of M&Ms and another round of beer, and Joel hands you the remote.
"Go wild," he says, chuckling when you excitedly turn on he TV to open Netflix.
"Wow, a streaming service? I thought you’d just hoard DVDs for the rest of your life."
Joel huffs, and instead of answering, he leans forward, and reaches for something under his couch table. When he turns his head, he’s got glasses on his face, thick-rimmed and black, and so startlingly sexy, you almost drop the remote.
"You…you’ve got glasses?"
"Yeah," he answers, his eyes meeting yours, and you swallow. "When your eyesight deteriorates, that’s when you know you’re gettin’ old."
You hum but don’t answer, just hold his gaze for a second and look back to the screen. You try to ignore the familiar pang in your stomach at the sight of Joel in his new glasses, and skip through movie after movie, mumbling seen it, seen it, that one sucks, seen it, until Joel reaches over and snatches the remote from you.
"Hey–"
"I can’t read anything if you skip through them that quickly."
"You’re not supposed to read, you’re supposed to go with the vibe of the cover."
He glances at you with furrowed brows.
"Okay, sorry, didn’t know you’re a filmbro," you grumble, but it’s almost entirely fake – you couldn’t be annoyed with him, not when he pushes his glasses up his nose, and carefully considers which button to press on the remote.
"I don’t know what that means," he answers, and starts reading the description of a romantic comedy about Christmas.
"I’m not watching that."
"You don’t even know what it’s about."
"It’s September, Joel."
He huffs again, but finally reaches the horror movies. Surprisingly, it doesn’t take the two of you long to pick one, and the thought of two hours of brainless, scary entertainment on a couch with Joel makes you practically melt into his couch.
You can feel Joel’s eyes on you during the opening credits, so you glance over and he smiles.
"Comfy?" he asks, his voice hoarse from relaxation.
"Yeah," you answer, and smile when hands you a blanket. He’s not exactly close to you, but it still feels a little intimate when you spread the blanket out and offer him the other end. He moves over a little, so that the blanket covers his legs, and when you concentrate you can feel his body heat next to you, so you try hard not to – and instead get lost in the movie.
It’s not particularly good, but the story does get under your skin a little, and when there’s an unexpected shriek, you violently jump and instinctively move closer to Joel. He chuckles, but doesn’t give any reaction to your arm suddenly pressing against his. He doesn’t move away, either, so you don’t, fear suddenly not being the only thing bubbling up in your stomach.
"Jesus," you mumble, the creeping music making you anticipate another jumpscare. You’re right, it does come, but prepared though you are, you still wince, and turn away from the screen slightly. Out of sight, out of mind. Joel turns around, too, and when he sees your widened eyes, he grins.
"How’s that Christmas movie lookin’ now?"
"I’m not scared," you say, and there is some truth to it, "I’m just not good with jumpscares."
When the next one comes, you can’t help it, you clutch his arm next to you, your nails digging into his firm muscle, and Joel glances at you again.
"Sorry," you say quickly, letting go of his forearm now marked with five tiny crescent shapes. "Jesus, Joel, sorry."
"It’s fine," he says, and the amusement is evident in his voice, "you sure you’re into this? There might be some cartoons–"
He stops talking when you glare at him, but his mouth is twitching under his beard. You’re determined to watch the entire movie, and you try not to let any reaction show, wanting to prove Joel wrong.
There is one particularly scary scene – it’s not necessarily violent, but the music and shaky camera movements make your pulse race, and you turn your head slightly, so as to look at something else. Joel glances at you again, but he doesn’t laugh this time, just puts a heavy hand on your shoulder. It’s grounding, the warmth of it, how his thumb digs into your muscle and his fingers spread out over your back and neck.
"You don’t gotta force yourself to watch this, kid," Joel says gently, all teasing humor gone.
"No," you say stubbornly, but move even closer to him. His touch is a welcome distraction from the movie, and although you know it’s stupid and reckless, you lean into him, and Joel puts his arm around you. It’s closer than you’ve been to him except for hugging, and your heartbeat starts to quicken for all the wrong, non-horror reasons. When you flinch, Joel tugs you against his side, and it feels natural to hide your face in his shoulder.
He was never touchy with you, or anyone for that matter, so something must have changed. You wonder if he’s trying to comfort you, or if you might not be the only one who can feel that strange pull between the two of you.
When the movie ends, Joel regrettably removes his arm from around your shoulders to switch off the TV, and although you’re slightly disappointed, you scold yourself for expecting something else.
"Not bad," Joel says with a small smile, and pushes his glasses up his nose. "Very brave."
You scoff, but feel the corners of your mouth twitching, too.
"I used to be less of a wimp, but I guess you soften with age."
"You’re twenty-three," Joel argues, "that’s young."
Yeah, too young. Too young to lean over and kiss him, or climb into his lap, or expect anything other than paternal care when he’s got his arm around you. You look at your lap, all of a sudden feeling stupid and silly for having dreamed up an absurd fantasy about the man in front of you.
"Hey," Joel says gently, "what’s wrong?"
"Nothing," you say quickly, "nothing, I had a really great evening. Thanks, Joel."
You can tell you’ve confused him, but he nods, doesn’t question your sudden change of mood, and stands when you get up from the couch.
"Anytime, kid. You call me if you’re havin’ a bad time, alright? My door’s always open."
He’s so kind, so recklessly, stupidly, lovingly kind, and all of it is directed at you. You curse yourself for it, but again you feel that familiar burn in your eyes. Joel reaches out and easily pulls you towards his big body, hugging you the way he did in his office just this afternoon. He doesn’t ask you what brought on your tears, just lets you cry into his Led Zeppelin shirt that smells so much like home, like a childhood you won’t get back to. You remember whiffs of that smell when you were watching movies on his couch while he was at work, too pissed off at your parents to spend the summer at home. This scent was there when you attended a neighborhood barbecue after fighting with your father and Joel grilled some vegan sausages for you without comment or question. He’s always looked out for you like this, quietly, without demanding an explanation, just a solid, comforting presence in your life.
Your tears stop after a couple of minutes, and you take a step away from Joel, wiping your face. He looks so worried again, brows all furrowed and arms hanging limply at his side. Didn’t he flirt with you, though? Didn’t he prepare dinner for you the way a date would, ask you about your dating life, ask you to coffee? You don’t think you would be able to handle another evening like this one not knowing what Joel really thinks, so in a moment of hazy recklessness, you lean up.
His eyes meet yours, all warm and strangely unguarded, but before your lips brush his, a hand on your shoulder stops you. Without saying something, you move away from him, and nod to yourself, his reaction all the information you needed.
"Sorry," you say very quietly, not managing much else now that you’ve humiliated yourself in front of the only person you really know in a six hundred mile radius. Joel runs a hand through his soft hair, and inhales deeply.
"No," he says, his voice a little strained, "no, don’t be. I just…Jesus, kid."
He rubs his palm over his beard in such a familiar way, your chest aches a little. It’s ridiculous how much you want to touch his face, to feel him again, skin on skin. So you don’t turn and run the way your embarrassed heart is telling you to, just watch him collect his thoughts, standing in front of him like a wet and beaten dog.
"Look," he begins, "I won’t say I’m not flattered, but that’s…it’s a bad fuckin’ idea. It’s…it’s chaos, and on top of that most people would argue it’s wrong."
You swallow. You know all of this, have turned it over in your head ever since you stared at Joel’s rolled up sleeves for two hours on that first Monday, but hearing him say it makes your stomach churn.
"Yeah," you mutter, and trace Joel’s shadow with the very tip of your foot, "yeah, of course. Sorry I put you in that position, wasn’t right."
Your face still feels puffy, and you know you’re probably all red and pathetic looking, begging Joel for scraps of his attention, but all of a sudden, he lifts his hand up to your face, and cups it in his broad palm. His thumb strokes your cheek, and when you meet his eye, the expression on his face is tender.
"It’s alright," he tells you softly, "I can see you worryin’ at the speed of light in that pretty head of yours."
Something in your chest flutters at his words, at the rough and warm cadence of his voice. He reads you so easily, one turn of your head and he knows you’re lost to your thoughts.
"I shouldn’t have let myself toy with this idea," he continues, and your stomach flips. "I should’ve realized you’d pick up on it. It’s on me, alright? It’s on me not to start anythin’."
You can hear the implication – I’m the adult here. It’s not what you want to hear, but just the mention of Joel toying with this idea, as he put it, is enough to lift your spirits. So you weren’t crazy.
"I’m an adult," you say weakly, never having felt more like a child. Joel nods.
"You are, but I’m still in a position of power here. Be wrong, to abuse that."
His thumb is still moving over your cheek slowly, making it hard to think straight.
"So dinner and a movie doesn’t abuse it?"
You don’t want to argue, you don’t know why you keep disagreeing with him, and the way his face falls, you wish you hadn’t said it.
"No, it…it does, you’re right. Jesus, of course it does. I don’t blame ya for bein’ ang-"
"I’m not angry," you say softly, and tentatively turn your head in Joel’s hand. You press a kiss to his palm, his warm skin pressed right against your mouth. "I’m not your student, Joel. I mean, of course I am, but I know you. It’s different."
Joel’s eyes are glued to your face, and he looks so conflicted you wish he’d just throw you out of his house, if only to solve his dilemma.
"It’s still wrong," Joel mutters, his eyes glued to your lips since they brushed his skin "even if you take away the fact that I’m your fuckin’ professor. Your Dad…"
"My Dad is half a continent away and finds a way to be unhappy with whatever choices I make, so I might as well make the ones I want to."
The very first day, before you even met Joel, you decided to do what makes you happy while in university, and although this certainly wasn’t what you had in mind, you know it’s what you want. The only thing you want, in fact.
Joel sighs, and tucks a strand of hair behind your ear.
"Joel, I’m not trying to…look, if I’m wrong about this, just tell me, but I feel…I just wanna be close to you all of the fucking time," you say quietly, "and it’s okay if you don’t, really. I just…I want you to know it’s not nothing to me."
Saying I don’t just want to hook up with you would feel too straight forward or crass, but you think Joel gets the gist of what you’re trying to say, and he closes his eyes briefly. You study his face behind his glasses, the wrinkles and freckles from years in the sun. You do feel anxious about his answer, but whatever it is, you’re glad you told him. It’s out in the world now, the way you feel when he holds you, and he can do with it what he pleases – you’ve handed him the reigns.
"I…I know what you mean. Me too," he says very quietly after a beat, his eyes open and looking directly into yours again.
A triumphant pang of affection pulses through you, and you put your hand over Joel’s, which is still resting on your cheek. He looks conflicted, but his other hand holds your waist now, and tugs your smaller body closer to his again. He’s solid as a brick wall in front of you, and you figure you’re allowed to touch, so you rest your hand on his shoulder.
"What am I gonna do with you?" Joel mutters, and strokes your lower lip with his thumb. If you had more guts, you’d let it slip into your mouth, but you’re still afraid he’ll pull back if you make a wrong move, so you just let him caress your mouth tenderly.
"Whatever you’d like," you answer just as quietly, and you know it sounds sexual, but you mean it in every way – if Joel wants to be nothing but your professor, you’d take it, and if he wants to keep you here in his house indefinitely, you’d let him. Joel keeps looking at you, taking you in as if he’s considering whether the risks outweigh whatever magnetic or gravitational pull the two of you have between you.
"Stay," he say after a while, and although his face looks slightly regretful, his voice is determined, "just…sleep here tonight. I like havin’ you here."
You want him to kiss you, to pull you onto his lap on the couch, to take you upstairs right now, but Joel seems to be restraining himself, so you just nod.
"Me too," you whisper, echoing his words back to him, and for just a second, his thumb digs into your lip a little harder, but then he pulls away.
"Testin’ my goddamn restraint," he mutters, and takes a step away from you. "I’ll get you something to sleep in."
***
Joel gets you one of his band tees you love so dearly, and just the idea of being enveloped by something that smells like him all night makes it a little easier when Joel tells you he’ll take the couch instead of inviting you to sleep with him in his bed.
"No," you say softly, "it’s fine, you just sleep in your bed, Joel. I’ll take the couch."
He looks critical, so you offer him a soft smile.
"I don’t know if your back could take it," you tease, and he seems torn up between laughing and frowning. In the end, he just shakes his head, mutters something that sounds a lot like bad fuckin’ idea, and gets you a blanket and pillow.
He brings you a clean toothbrush and towel, let’s you use his bathroom (you look at the shower the entire time you’re brushing your teeth, trying hard not to think about what Joel looks like using it in the mornings), and when you’re done changing, you unlock the door again.
He’s there, sitting on the edge of his bed, his eyes trailing over your form in his much too big shirt. It’s long as a dress on you, coming down to your naked thighs. Joel visibly swallows and gets up from the bed.
"You got everythin’ you need?"
"Yes. Thank you, Joel."
There’s a beat of silence and you almost think Joel’s about to cross the room, but he just runs his palm over his beard the way he always does, and nods.
"Alright. Just shout if there’s…well, you know. I’ll be here."
"I will."
"Alright. Okay…goodnight, kid."
"Night," you almost whisper, voice soft, and right before you reach the door, Joel clears his throat.
"I…you were right about dinner and the movie. I wasn’t just tryin’ to be friendly," he says quietly, and your stomach swirls. Before you can walk over to Joel and do something about it, he sighs.
"Sleep tight, sweetheart."
Sweetheart.
***
You wake to the sound of something dripping, and when your eyes flutter open, you can see Joel’s back from the kitchen. He’s wearing his work outfit again, a white button down and dark pants, sleeves rolled up. It smells like coffee, and with a smile you realize he must be brewing his beloved coffee – no machine, just a filter. He looks broad, even from your spot on the couch, and you enjoy peeking in on him. You study his movements, the way he reaches for a cup, how his fingers absentmindedly drum on the kitchen counter while he waits.
When he turns around, his eyes find yours, and he smiles.
"Mornin’. Did I wake ya?"
"’S fine," you yawn, pulling the blanket up to your chin, not yet ready to get up. "I have classes at ten anyway."
"’S eight," Joel tells you, "Coffee?"
"Yes please," you answer, and stretch your limbs under the blanket.
Joel brings you a cup, complete with a little bit of milk and sugar, and you move your feet so he can sit down on the couch.
"Sleep well?"
You sip your coffee, let it burn your tongue and close your eyes at the taste. When you open them, Joel’s gaze lingers on your face.
"Yeah," you answer, "thank you for…you know."
He nods, takes a sip of his coffee, and looks at his lap. He looks like he wants to say something, but he’s very quiet, and you feel anxiety bubbling up in your stomach.
"Joel, do you want me to leave? It’s fine if you do," you ask him softly, not wanting to make things awkward for him. It would be rational of him to ask you to leave, the smart and ethical thing to do.
"No," he answers quietly, still not looking at you, "I want you to stay."
Stay? On a Tuesday morning, after you almost kissed him and he told you he couldn’t do that, after you spent the night on his couch? When you have classes in two hours, haven’t showered yet, are half naked and wearing his clothes, on his couch under his blanket? When you’ve got friends wondering where you are and probably ten unanswered messages from Alva?
"Alright," you say, agreeing as easy as breathing.
Finally, he looks up, and his expression is so conflicted you reach out for him. Your hand finds his and you squeeze it. He keeps looking at you, his hand limp in your grasp, as if any movement of his muscles would incriminate him.
"You shouldn’t," he tells you earnestly. "Stay, I mean. You shouldn’t stay."
"I know."
You don’t let go of his hand. He doesn’t move his away.
"It’s a really, really bad idea," he adds, and you’re not sure who he is trying to talk out of whatever this is. "It’s risky. Could blow up both our lives."
"Yeah," you say, and watch him sip his coffee, "okay."
Then, a tentative flex of his fingers against yours, and finally, he’s squeezing your hand just as tightly, and before you can process what that means, Joel is leaning over you, dangerously close. Your breathing quickens, you register how soft his hair looks, how strong his hand is. He leans in further and you sit up a little, still cocooned in his blanket. His face is close to yours, his eyes fiery with something you can’t pinpoint, and you sigh, when he closes the gap between you.
He tastes of coffee and toothpaste, and you wish you’d gotten the chance to shower, but the thought disappears almost immediately when you hear Joel groan. His kisses you languidly, deeply, and your fingers come up to his beautiful arm, barely wrapping around half of his biceps. He cradles the side of your face, pulls you closer, makes your stomach clench with need. It feels inevitable, the way he touches you, like you only exist in a physical form to be touched by him.
His free hand peels the blanket off your body, lets it slide to the floor without ever stopping his the kiss, and you moan softly, when his hand touches your waist. The sound makes him break away, stare down at you, pupils blown wide.
"Fuck, you look good in my clothes," he mutters, nudging your jaw with his nose, and pressing a kiss there. "You should really, really go home."
Your head falls back slightly to give him better access to your neck, and he brushes his lips over your pulse point. Your heart skips a beat.
"I – I know," you breathe, fingers digging into his arm. His beard scratches your skin deliciously, and it takes everything in you not to whimper or beg. Joel’s hand slips under your shirt – his shirt – and instead of finding your waist again, he digs his thumb into your hip, stroking the fabric of your cotton panties. The fire in your stomach burns brighter, and you almost buck up into him. Joel Miller, the Joel Miller who until recently had a key to your childhood home, who lent it to you whenever you forgot yours inside – he’s sucking bruises into your skin, and toying with your panties. It’s dizzying, his familiar voice when he hums in satisfaction, even rougher than usually.
His fingers trace the waistband of your panties towards the front, until they find a small, silky bow, and Joel groans. He doesn’t take your underwear off, doesn’t even touch you where you need him the most, just keeps playing with the little bow, until your hips twitch without your permission. A little lower, and he would be able to feel how wet you are, how wet you have been all night. You didn’t do anything about it, not while you were a guest in his house. It would have felt wrong. You can’t imagine anything feeling more right than Joel’s mouth and hands on you, though.
"Jesus," Joel curses, "I should stop bef–"
"No," you whine, all dignity turned to hot air by Joel’s fingers, "please, Joel, please don’t stop."
He curses again, and moves his big body so that he’s not just hovering above you, but actually on top of you, your thighs falling open for him easily. At the movement, his shirt hikes up your thighs, and you know you’re basically on display for him, your soaked underwear leaving little to the imagination. He’s still fully clothed, his perfect button down all wrinkled now.
"Look at you," Joel breathes, lightheaded with desire, "this all for me?"
So he saw, when you moved to accommodate his broad form, saw how soaked you are, knows you ruined your panties just because he kissed you.
"Yes," you breathe, "yes, please–"
Before you can beg further, his finger presses down on your clit, and he watches your face contort in pleasure, as it shoots up your spine. You whimper, staring into his eyes, and he stares right back, as you start to grind your hips against his palm.
Your head feels blissfully empty, all worries about this relationship, uni, your parents, gone from you with a simple, practiced movement of his hand. The whimpers keep falling from your lips, and Joel curses.
"So beautiful," he mutters, "tell me what you need, angel."
It’s not a question, it’s an order.
"I – fuck, I need you i–inside," you groan, and Joel’s lips find yours again.
"Yeah? Need me to fuck you good, even though they’ll throw us both out?"
It shouldn’t turn you on. You’re jeopardizing both your own and Joel’s career, and he’s turning it into dirty talk. Still, your pussy doesn’t lie, and the way it throbs for him, aching to get him inside, makes all doubts disappear from your mind.
"Yes," you answer, unable to say much more as Joel keeps drawing tight circles into your clit.
Your hands drift from his arms towards his front, and Joel curses, when you paw at his belt buckle. It takes you a second, but then it’s open, the sound of the metal exciting you – it sounds like a promise.
Joel finally tugs your panties down, and for a second you’re self–conscious about not being clean shaven, but the second he sees you bare and glistening for him, his fingers dip into your folds, gathering your wetness with no hesitation.
"Fuck me," he groans, bringing his hand up to his face and tasting you, holding eye–contact the entire time, "prettiest pussy I’ve seen in my life."
You twitch under him, dragging your gaze away from his eyes and to his fingers. A moan escapes you, your hands have gone slack on his waistband, and Joel smiles down at you. Then, he does the same motion again, drags the tips of his thick fingers through your sticky arousal, but instead of sucking them clean himself, he holds them up to your mouth. His eyes burn, when you wrap your lips around them without a moments hesitation, and he feeds you your own slick.
"Taste so sweet, huh?"
You don’t answer, just swirl your tongue around his fingers, and suck on them. Joel watches your mouth intently, lets you take your time.
"Good girl," he praises you, and you clench around nothing, "so fuckin’ needy for me."
He drags his fingers from your mouth, and finally pushes into you, the stretch much tighter than with two of your own. Your head falls backwards, and Joel curls his fingers.
"No, baby, look down here," he orders, and immediately you lift your head again, and watch him pump two thick digits in and out of you. It’s dizzying to think it’s the same hand that waved to you from over his fence for years and years. You feel a coil building in your stomach, and you moan.
"Fuck, Joel," you moan, his name leaving a delicious aftertaste in your mouth. His beautiful forearm flexes with every movement, your slick is dripping down his fingers, and those damn sleeves are still perfectly rolled up.
With a few more curls of his fingers, you gush around him, barely having time to warn him, and he praises you, calls you his good girl, drags his fingers against that spongey spot inside of you until you see stars.
When he slips his fingers out of you and holds them up to your face again, you clean them up with your mouth as Joel watches with bright eyes. To think that he’s the same man who taught you Dirac not twenty-four hours ago – already, you want him inside again. When you’re done, he fumbles with his own clothes, and you watch him this time instead of helping.
"You look so good like this," you mumble, eyes raking over his broad form, "Professor."
His eyes snap up to yours, and you grin.
"Fuckin’ Christ, kid," he mutters, popping open the buttons on his shirt, "you can’t say shit like that."
"You don’t like it? You know, I watched you during your lectures and dreamed about…well, about this."
His expression is unreadable, but if you’re not mistaken, his hands move even faster now, and then he shrugs out of his shirt. You almost moan at the sight of his naked torso, so broad and solid.
"You need to pay attention in class," Joel answers, as he opens his pants. Your breathing grows a little shallow when he reveals his boxers underneath, his bulge huge.
"Can’t," you mumble, "not with you looking like this."
He chuckles at that, at the honesty and need in your answer.
"Don’t worry," he says softly, "I’ll fuck it outta you. Won’t be needing’ me in class, not if I’m still leakin’ out of you."
Your lips part, your pussy clenches – a smile tugs on the corners of Joel’s mouth at your reaction. He drags down his boxer shorts, and your eyes snap towards his cock, so thick and dripping in precum. You whimper, you can’t help it, and Joel’s smile widens.
"We’ll make it fit, baby," he says, reading your mind, and then bends down and kisses you again. You try to tug your shirt upwards, but Joel’s hands find your wrists and he holds them tight.
"No, want to fuck you in it," he breathes against your lips, and you press your hips upwards until he groans. He pumps his fist over his cock a couple of times, and aligns it with your entrance.
"Deep breath, baby," he mutters, and you obey, staring up at him as he starts pressing into you. It’s tight, much tighter than his two fingers, and your eyes glass over with pain, but Joel goes slow. His hand strokes your tummy, helps you relax, while he pushes on consistently. You feel like he’s punching the air from your lungs, eyes wide with the stretch of him, as he nips at your jaw and neck to distract you.
"Know it’s a lot, but you can take it, angel."
"Y-yes," you moan, and screw your eyes shut, "please don’t stop, Joel."
 Joel’s breathing is ragged with restraint, and suddenly his hips snap forwards – and he’s fully buried inside of your tight body, nestled right against your cervix.
"Back to Joel, are we?" he teases, and gives you a couple of seconds to get used to him. You whimper and claw at his arm.
"I – ah – I’ll call you Professor Miller ’f you want," you slur, as he starts dragging his cock out of you again. You tremble under him, the feeling almost more intense than when he pushed inside of you.
"Yeah? That get you off? Or – fuck–  is it the fact that I’m friends with your parents?"
It really, really should be a turn off, to be talking about your parents right now, but the way Joel says it, the way he points out just how debauched it is what you’re doing – you can’t help but moan. You blush, too, can feel the heat in your face, but you’re tired of being ashamed of wanting him the way you do.
"Both," you answer, and this time Joel groans, his hips snapping into you at a rougher pace. The head of his cock hits your spot every time, and you let out little sounds of pleasure with every drag of his cock, unable to form a coherent sentence. Joel’s hand finds your clit again, rubbing circles as his other one pressing down on your stomach.
"Feel that?" he asks you, and you do, you feel him all up in your guts, "you take it so well baby, take all ’f me."
"Yes," you answer, eyes glassy with pleasure, "want all of you, Joel."
He bites your shoulder, keeps rutting into you, and soon you feel another orgasm building.
"Close – ah – so close," you whimper, and Joel speeds up his thrusts just slightly. You clench around him, right on the edge.
"Come for me, angel, give it to me."
You do, your hips bucking, back arching.
"Ah – fuck, Joel, Prof–"
"Say it," Joel orders, fucking you through the waves of pleasure.
"Professor."
He comes, too, twitching deep inside of you and spilling rope after rope of come. It feels right, like you’re his. His groan is rough, his thrusts sloppy, and you feel your pussy spasm around him in a third, weaker orgasm, or maybe it’s just aftershocks from your second. You’re limp underneath him, letting him use your body how he needs to.
"Fuck," he curses, "did so good for me."
He slips out of you, and you can feel his spend drip out of you. You’re weak, soft like jelly, sweaty and entirely satisfied.
"Jesus," you breathe, when he falls down next to you, his couch mercifully being big enough.
"Yeah," he answers, "Jesus."
***
Turns out, Joel Miller is a dirty talking bastard during sex, and a big softie afterwards. He makes you tea, strokes your hair while you sip it, then carries you up to his shower and gently washes your body his his sponge. Throughout, he’s quiet, and you wonder if it was too much, the mention of him being your professor, of your parents, but you’re too afraid to ask. He brushes your forehead with his lips when he dries you off, and pulls another of his shirts over you head. Your panties are entirely ruined, it’s all you’re wearing.
When you’re clean again, and relaxed, Joel pulls you onto his bed, wrapping you up in his arms.
"Did you…was that too much?" he asks you softly fingertips tracing over your thigh lazily.
"It was just right," you answer quietly, and he hums.
"You didn’t feel like you…I mean when you called me Professor, you wanted to do that, right?"
You look up at him, and press a soft kiss against his jaw.
"Of course, Joel. Wanted everything we did, I promise."
He nods, but you can tell there’s still something bothering him.
"You know that’s not what you are to me, though, right?" Your voice is soft. "You’re just Joel."
He brushes the top of your head with his lips.
"I mean it," you press on when he doesn’t answer, "it’s like a costume, Joel. I know it’s your job, but it’s…I don’t think of you as like, an authority figure or something. I just thought you looked hot in that slutty shirt."
"Slutty–?" he sputters and you laugh.
"Sure, you know, with your sleeves rolled up, and that first button popped open."
"’S not slutty."
"You showed your forearms. Half the lecture hall felt like a victorian man seeing ankles for the first time."
Joel makes an exasperated sound, half amused and half offended.
"I mean it," you say again after beat, humor gone from your tone, "and it’s not just sex to me. You know that."
"Yeah," Joel answers slowly. "’S more to me, too."
It’s a hell of an admission.
"What are we gonna do?", you ask quietly, and Joel sighs.
"You’re gonna go to class," he says, voice dark, "and I’ll try very, very hard not to call your father and tell him I’m fallin’ for his daughter."
You bury your face in his chest. With anyone else, it would be too much, too fast, too intense. But this is Joel. It’s not fast if you’ve known him your whole life, is it? You kiss his chest, and he seems to understand.
"We’ll figure it out," Joel says quietly, pressing a kiss to your hair.
For a second you do want your parents to know, want them to see that someone does treat you like an adult, want to look them in the eye and say I’m with Joel now and there’s nothing you can do about it. I have my own life now and it includes this kind man. It’s childish, you know it is. You lean up, catch Joel’s mouth in a kiss.
"Yeah," you answer, “We’ll figure it out, Professor.”
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urdreamydoodles · 3 months ago
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Hi hi!! Hope your day’s going well!!
I adore the krakoa headcanons you have for the x-men, how willing would you be to do something similar for mcu characters?? Idk if there’s an equivalent though, if not it’s no problem ❤️
MCU CHARACTERS X FEM!READER
A year after your death, you are resurrected and reunited with your lover
Characters: Tony Stark, Steve Rogers, Natasha Romanoff, Bruce Banner, Clint Barton, Bucky Barnes, Sam Wilson, Peter Parker (Tom H.), Stephen Strange, Thor Odinson, Loki Laufeyson, T'Challa, Marc Spector, Steven Grant, Jake Lockley, Scott Lang, Wade Wilson, Logan Howlett, Matt Murdock, Frank Castle, Benjamin "Dex" Poindexter, Wanda Maximoff, Pietro Maximoff & Erik Lehnsherr
Requests are reopened since I'm going to have surgery for my scoliosis...yes, it's bad news, it's a major operation, so I need your requests to feel better. PLEASE SEND ME REQUEST. I don't have surgery for another four months so I have plenty of time since I'm at home! I can't wait to see all your ideas, I LOVE YOU <3
Tony Stark
- Tony Stark, the man who could build a new world with his hands but could not stop them from shaking when they lost you. He spent a year in ruins, laughing too loudly at parties that could not fill the silence you left behind, drowning in half-finished projects where your ghost lingered in the curve of every wire. He never stopped talking about you—not to his friends, not to himself, not to the night. You were the equation he could not solve, the loss he could not engineer his way out of.
- When he sees you again, standing in the flickering light of his workshop, the wrench in his hand slips, clattering to the floor. He doesn’t move, doesn’t breathe. His mind, sharp as ever, gives him ten different explanations, each more impossible than the last, but his heart—his battered, grieving heart—gives him only one. “Tell me I’m dreaming,” he says, voice hoarse, because the alternative is something he cannot afford to believe.
- And then you speak, and the walls he built to keep himself from shattering crumble in an instant. He is across the room before he knows it, hands gripping your arms, your face, tracing the proof of you. The ache in his chest is unbearable, but not from pain—it is the sheer weight of having you again. “They told me I was crazy,” he murmurs against your lips, against your skin. “Guess they were right.”
- You are back, but time has moved without you, carving deeper lines into Tony’s face, dulling the arrogance that once carried him like armor. He watches you like you might disappear again, fingers always brushing your wrist, your hip, the pulse at your throat. He doesn’t sleep much—he never did—but now, when you wake in the night, he is already awake, watching the rise and fall of your breath as if it is the only thing tethering him to reality.
- He brings you everywhere, makes no excuses for it. “My ghost, my rules,” he says when someone questions it. He builds new suits and doesn’t let you out of his sight, not when danger is near, not when a single misstep could take you away again. He has never been a man who believed in second chances, but for you, he will believe in anything.
- The world thinks he is Iron Man, but you know the truth: Tony Stark is just a man who loved and lost and refused to let death win. He holds you like a miracle, like proof that he was right to fight for the impossible. And for the first time in a long time, he is not afraid.
Steve Rogers
- Steve Rogers has always known loss—has carried it like a second skin, worn it like a name he could never leave behind. But losing you was different. It was not the cold silence of the ice, nor the distant ache of time slipping through his fingers. It was immediate, brutal. It was your blood on his hands, your last breath against his cheek. A year passed, and he carried on because that was what he did, because that was what you would have wanted. But he stopped looking at sunsets. Stopped drinking coffee the way you used to make it. Stopped believing that the world could ever feel warm again.
- When he sees you again, standing in the doorway of the safe house, the shield strapped to his back feels heavier than ever. His breath catches, his heart stumbles, and for a moment, he wonders if this is some cruel trick played by an enemy who knows exactly where to cut him open. But then your lips part, and you say his name, and the sound of it is like the first breath after drowning.
- He moves toward you slowly, hesitantly, as if one wrong step will shatter the illusion. His hands hover over your face, your shoulders, trembling with the unbearable need to touch, to feel, to know. And when you don’t disappear, when you are warm and real beneath his fingers, something inside him breaks. His arms crush you to him, his breath shaking as he buries his face in your hair. He is crying, but he doesn’t care. “I held you,” he whispers. “I held you.”
- After that, he does not let you go. The world calls him Captain America, but to you, he is just Steve—the man who wakes up in the middle of the night just to press his forehead against yours, the man whose grip tightens every time you reach for his hand, as if to reassure himself that you are not a dream. He does not know how to make peace with this miracle, so he does not try. He simply loves you harder, holds you closer, refuses to waste a second of the time he was so cruelly robbed of.
- He is more protective now, but it is not the suffocating kind. It is the quiet, steadfast kind, the way he always positions himself between you and an open door, the way he memorizes the sound of your breathing while you sleep. He does not speak of the past year unless you ask, but when you do, the grief in his eyes is something ancient, something that will never fully fade.
- Steve Rogers has always carried the weight of the world, but with you beside him, it is lighter. You are proof that even after all the battles, all the sacrifices, the universe still has kindness left to give. And he will spend the rest of his life earning it.
Natasha Romanoff
- Natasha Romanoff has survived on borrowed time for as long as she can remember. She has lost, she has bled, she has walked away from battlefields without looking back. But losing you was different. It was the one wound that did not heal, the one loss she could not turn into fuel. She did not cry. Did not speak of you. She simply moved forward, faster, harder, with reckless abandon—because if she slowed down, even for a second, she would have to feel the hollow space you left behind.
- When she sees you again, standing in the shadows of a dimly lit alley, her knife is in her hand before she even registers what she is seeing. Her body reacts the way it was trained to, but her heart—her traitorous, fragile heart—stutters in her chest. “No,” she breathes, shaking her head as if denying it will make it any less real. “No, I buried you.”
- And then you step closer, into the light, and she sees the familiar curve of your smile, the warmth in your eyes. She drops the knife. It clatters against the pavement, forgotten, as she crosses the space between you in two strides, her hands fisting in the fabric of your jacket. Her lips crash against yours, desperate, searching, as if she can taste the truth in the way you breathe against her mouth.
- After that, she is different. Softer, in ways only you will ever see. She touches you constantly—not in fear, but in reverence. A hand at the small of your back, fingers trailing over your wrist, knuckles brushing against yours as if reminding herself that you are here. The world may question, but Natasha has never cared for the world's judgment. You are hers, and she is yours, and that is all that matters.
- She does not let you fight alone anymore. Not because she doubts your strength, but because she refuses to feel that kind of loss again. She watches you when you sleep, when you move through a room, when you laugh. She memorizes the details she once took for granted—the exact color of your eyes in the morning light, the rhythm of your voice when you call her name.
- Natasha Romanoff has spent a lifetime making peace with ghosts, but you are not one. You are flesh and blood, a heartbeat beneath her palm, a warmth she never thought she would feel again. And this time, she will not let you go.
Bruce Banner
- Grief is not an emotion Bruce Banner can afford. He has spent a lifetime suppressing, locking away the parts of himself that feel too deeply, because feeling too much is dangerous, and losing you nearly ended the world. The Hulk roared in agony that day, the earth itself trembling beneath his wrath, but even in his most furious state, even as he destroyed everything in his path, you were gone. And no amount of strength, no amount of science, could bring you back.
- He stopped fighting after that. Retreated. Isolated himself in a place where no one could see the way his hands trembled when they weren’t balled into fists, where no one could hear him whisper your name like a prayer, a question, a plea. He stopped shifting into the Hulk—not because he was afraid, but because the monster within him had nothing left to fight for. There was only silence, only the ghost of your touch, only the unbearable weight of having lived when you did not.
- So when you return, standing before him in the quiet of his lab, he does not react at first. His mind, trained to doubt, to question, to disassemble and understand, tells him it cannot be real. That the chemicals in his brain are firing incorrectly, that his grief has finally shattered him in a way no transformation ever could. But then you say his name, and it is not just sound—it is gravity, it is a force pulling him from the abyss.
- He crosses the room in a single breath, hands hovering over your face, your shoulders, your waist, unable to trust his own touch. He is afraid to break you, afraid to break himself. And then your fingers slip into his, grounding him, reminding him that this is not a hallucination, not a cruel trick of his subconscious. You are warm, real, here. And just like that, the weight he has carried for a year crumbles to dust.
- After that, he does not leave your side. He watches you sleep, not because he doubts, but because he cannot waste another second of the time he was so certain he had lost. He builds new defenses, new protections, because if death could not keep you, then neither will any enemy foolish enough to try. He teaches himself to trust happiness again, to allow himself to feel, because with you beside him, it is no longer a danger—it is a gift.
- Bruce Banner has always been afraid of his own power, but with you, he is not afraid. He is a man, not just a monster, and for the first time in a long time, he believes in the possibility of a future. A future where he is not alone. A future where he is not running. A future where you, against all odds, are still his.
Clint Barton
- Clint Barton has never been one to dwell. The life he leads does not allow for it—grief is a luxury, mourning a weakness, and the only way to survive is to keep moving. But when he held you in his arms, felt the last shudder of breath against his skin, something inside him shattered. And he did not put the pieces back together. He let them fall, let them burn, let the silence swallow him whole.
- The others saw him continue—heard his sharp wit, watched him loose arrows with deadly precision, saw the same easy smirk that had always been there. But they did not see the empty spaces where you used to be. Did not see the way he avoided the places you had loved, the way he drank in solitude, the way his hands curled into fists whenever someone mentioned your name.
- So when you return—when you step into the dim light of his hideout, when your voice cuts through the silence he has lived in for a year—he does not believe it. He grips the bow at his side, tension in every muscle, because this is a trick, a trap, an illusion designed to destroy him completely. But then you move closer, and the way you look at him—the way only you ever have—makes the doubt in his mind fracture.
- And then he is there, hands gripping your waist, your arms, his forehead pressed to yours as he exhales a breath he did not know he had been holding. He does not ask how, does not ask why. He only pulls you closer, lets himself collapse into the only thing that has ever truly felt like home. His fingers are tight against your skin, unwilling to let go, unwilling to lose you a second time.
- After that, he is different. Lighter, in ways only you will notice. He is still Clint—still sharp, still reckless, still throwing himself into danger without hesitation—but there is a warmth now, a flicker of something that had long been extinguished. He touches you constantly—not in fear, but in reassurance. His hand on the small of your back, his fingers brushing against yours, a quiet, wordless promise that he will not take a second of this for granted.
- Clint Barton has always been a survivor, but he did not truly live until you returned. And now, with you beside him, he has no intention of losing that again. He is yours, wholly and completely, and this time, no force in the universe will take you from him.
Bucky Barnes
- Bucky Barnes knows the taste of loss better than most. He has drowned in it, clawed his way through decades of it, watched everyone he has ever loved slip through his fingers like sand. But losing you was different. Losing you was not the slow, creeping erosion of time. It was a blade to the gut, a wound that never closed, an ache that settled deep in his bones and refused to let go.
- He did not grieve the way others did. He did not cry, did not rage, did not seek solace in memories. He simply stopped. Stopped talking, stopped trying, stopped allowing himself to feel anything at all. Because feeling meant acknowledging the gaping wound your absence had left behind, and that was not something he could survive.
- So when he sees you again, standing in the doorway of his apartment, he does not move. Does not breathe. His mind—trained to expect deception, to anticipate betrayal—tells him this is a trick. But then you step forward, and the way your eyes soften when they meet his, the way your lips part in a quiet whisper of his name, makes the world tilt beneath his feet.
- And then he is there, crossing the space between you with the kind of desperation that only comes from losing something you thought was gone forever. His hands tremble as they frame your face, his breath shuddering as he drinks in the impossible reality of you. He does not trust words, does not trust his voice to hold steady, so he simply presses his forehead to yours, breathing you in, grounding himself in the proof of your existence.
- After that, he does not let you go. He does not speak of the past year, does not tell you how empty it was, how he spent every night staring at the ceiling, waiting for sleep that never came. He only shows you in the way he touches you, in the way he holds you closer at night, in the way his fingers linger on yours as if afraid you might vanish again.
- Bucky Barnes has spent a lifetime being taken, being controlled, being used. But you are the one thing that was his, the one thing that was real, and now that you are here, he will fight for you with everything he has. You are his salvation, his anchor, his second chance at something he never thought he deserved. And this time, he is never letting go.
Sam Wilson
- Grief is a weight Sam Wilson carries well, but carrying it does not mean it is light. It sits in his chest, heavy and unmoving, an ache that never quite fades. Losing you was not a clean wound—it was jagged, raw, a battlefield farewell written in blood and breathless whispers. He held you, watched the life slip from your eyes, and still, somehow, he had to stand up. He had to keep fighting. Because that’s what you would have done. That’s what you would want.
- But wanting and doing are not the same thing. He laughed in public, told stories that made others grin, carried himself with the same easy confidence. But alone? Alone, it was different. He spoke to you sometimes when the night was too quiet, when the wind sounded too much like your voice. He ran until his lungs burned, trying to chase the memory of you, knowing he never really could.
- So when you stand before him, alive, breathing, real, the world does not feel like the one he left behind. His first instinct is denial—a trick, an illusion, a cruel joke played by something with too much power and not enough mercy. But you look at him, and there’s something there, something he recognizes too well. Love. History. You. And suddenly, the weight in his chest is gone.
- He moves before he can think. One step, then two, then his arms are around you, his head buried in your shoulder, a shuddering breath breaking from his lips. His grip is tight—too tight, maybe—but he doesn’t care. He needs to feel you, needs to know this isn’t a dream he’ll wake from. He says your name like it’s the only word he remembers, his voice thick with everything he couldn’t say when you were gone.
- After that, Sam is different. Lighter, freer. He still fights, still leads, still carries the burdens of the world on his back—but he does it with you at his side, and that changes everything. He touches you constantly, a hand on your back, fingers brushing against yours, small, quiet reassurances that you are here, that he did not imagine this.
- Sam Wilson has lost many things. He has seen friends fall, watched the world tear itself apart. But this? This is something he never thought he’d get back. And now that he has you, he swears to himself—he’s not losing you again. Not now. Not ever.
Peter Parker (Tom Holland)
- Peter Parker does not know how to exist in a world where you do not. The pain is not sharp, not a clean wound he can stitch together with time. It is suffocating. Slow. A weight pressing down on him, stealing the air from his lungs, making every step feel heavier than the last. He was holding you, talking to you, and then you were just… gone. And nothing he did, no amount of strength, no web-slinging through the city, no late-night patrols could change that.
- He keeps going. He has to. That’s what Spider-Man does. That’s what you would have wanted. But some nights, when he is alone, when the mask is off and the world is quiet, he feels like a boy again—small, lost, powerless. He whispers apologies into the dark, tracing the memory of your touch, trying to pretend he still remembers exactly what your voice sounded like. Because he’s terrified he’s forgetting.
- And then, one day, you are there. Standing in the shadow of a flickering streetlamp, watching him with the same eyes he never thought he’d see again. At first, he doesn’t move. He can’t. His brain refuses to process it, refuses to accept this impossible, beautiful reality. And then you smile—small, hesitant, you—and he breaks.
- He crashes into you, arms wrapping around you so tightly it almost hurts. His breath stutters, hands shaking as they press against your skin, your hair, anything that proves you are real. “You—” His voice cracks. “You died.” And it’s not an accusation. It’s a question, a plea, a broken whisper of disbelief. But you are warm, solid, here, and he holds onto that with everything he has.
- After that, Peter is clingy. He doesn’t mean to be, but he is. His fingers find yours without thinking, his arm curls around your waist at every opportunity, his webbing pulls you to him when you step too far away. He is afraid—afraid this is temporary, afraid that one day he’ll wake up and you’ll be gone again. But he also smiles more, laughs louder, lives in a way he hasn’t since he lost you.
- Peter Parker has lost so much. But this? This is a miracle. And Peter—Peter is going to make sure he cherishes every single second of it. Because this time, he has you. And that? That is everything.
Stephen Strange
- Stephen Strange is no stranger to loss. He has lived through pain, through heartbreak, through the destruction of things he once believed unshakable. But losing you—that was something else entirely. That was not just loss. That was devastation. It was the kind of pain that settled into his bones, that made the world feel quieter, colder, less.
- He did not weep. Did not rage. Did not crumble beneath the weight of it. Instead, he buried himself in his work, in his magic, in the relentless pursuit of something—anything—that could fill the void you left behind. He scoured the multiverse, searching for answers, but found only silence. Death, it seemed, was absolute. Even for you.
- So when you stand before him, alive, whole, untouched by the grave, he does not react at first. His hands twitch at his sides, eyes sharp, mind racing through a thousand possibilities, a thousand explanations. This must be a trick, a deception, some cruel game played by forces beyond his understanding. But then you speak his name, and the way you say it—the way only you say it—breaks him.
- He crosses the room in three steps, hands cupping your face, searching for any sign of illusion. But there is none. There is only warmth, only life, only you. His breath stutters, his fingers tighten, and for the first time in a long, long time, Stephen Strange allows himself to feel. His lips crash against yours, desperate, searching, as if trying to convince himself that this moment is not slipping through his fingers.
- After that, he is possessive. Not in a way that is suffocating, but in a way that is unmistakable. His cloak wraps around you when you are cold, his hands find yours beneath temple robes, his magic lingers in the air around you like a silent guardian. He does not say it—not outright, not often—but you know. You have always known. He cannot lose you again. He will not.
- Stephen Strange has faced the impossible, has bent time and reality to his will. But this? This is the greatest miracle of all. And he, a man who once scoffed at faith, finds himself believing in something again. Because if the universe had any mercy, any kindness at all, it would let him keep you. And this time, he will fight for that with everything he has.
Thor Odinson
- Grief and gods have never mixed well. Mortals mourn with time, with rituals, with whispered prayers to the sky. But Thor? Thor does not know how to grieve in a way that does not tear the world apart. He held you as you died, cradled you against his chest, his hands helpless against the tide of fate. The sky wept with him that day—thunder cracking, the heavens splitting open in rage, the storm inside him unfurling with no battle left to fight.
- He left Earth after that. It was too loud, too full of life, too painfully real in your absence. He searched for answers in the stars, in old myths and forgotten magic, in the whispered promises of gods who had lost more than he had. But the truth was simple: not even the might of Thor, not even the power of Asgard, could bring back the one thing he truly wanted. So he drank, and he fought, and he laughed too loudly to hide the fact that he was breaking.
- And then, one day, he turns, and you are there. Standing in the golden light of the Bifrost, impossibly, beautifully alive. His breath catches in his throat, Mjolnir slipping from his fingers, his entire body frozen between disbelief and desperate hope. “This is a trick,” he says, but his voice is hoarse, unsteady, as if saying the words out loud might make them false. But then you smile, and he is undone.
- He crosses the space between you in an instant, crushing you against him with a force that nearly knocks the breath from your lungs. His hands tangle in your hair, his forehead pressing against yours, and his chest heaves with something between laughter and a sob. “You have returned to me,” he whispers, reverence in every syllable. And then he is kissing you, fierce and unrelenting, as if proving to himself that this is not some cruel jest of fate.
- After that, Thor does not let you go. Not truly. His arm is always around your waist, his hand always at the small of your back, his eyes watching you as if you might disappear the moment he looks away. He tells you, constantly, in grand declarations and quiet murmurs, how much he loves you, how he will never lose you again. You are his greatest treasure, more precious than any throne, any kingdom, any power the cosmos could offer.
- The God of Thunder has lost much—his home, his family, pieces of himself that may never fully return. But you—you are here, in his arms, alive once more. And Thor, a warrior who has fought countless battles, swears that he will fight against gods and monsters alike to keep you at his side.
Loki Laufeyson
- Loki knows loss better than he knows himself. He has lost love, trust, family. But losing you—that was different. That was a wound he could not charm away with silver-tongued words, a pain he could not outwit or outmaneuver. You died in his arms, your fingers curling weakly around his wrist as the light in your eyes faded. And for the first time in his life, Loki Laufeyson was powerless.
- He did not rage. He did not scream. Instead, he withdrew, wrapping himself in silence and solitude, retreating into the shadows where grief could not be seen. The world continued without you, and he played his part well—smirking, deceiving, spinning tales as if he were not hollow inside. But in the quiet moments, when no one was looking, he traced the ghost of your touch on his skin and whispered your name like a prayer.
- So when he sees you again, standing before him in the flickering candlelight of some forgotten sanctuary, he does not react—not at first. His body stills, his breath catches, and his mind races through every possibility, every cruel illusion that could explain this. But then you speak his name, soft and familiar, and something in him shatters.
- He reaches for you hesitantly, his fingers brushing over your cheek as if expecting you to dissolve beneath his touch. And when you do not—when you are warm, and real, and here—a sharp breath leaves his lips, and he pulls you against him with all the desperation of a man drowning. His grip is tight, unyielding, as if trying to convince himself that you will not be stolen from him again.
- After that, Loki is different. Not softer, not weaker—if anything, he is more dangerous, more cunning, more willing to do anything to ensure you remain by his side. He keeps you close, always within reach, his sharp wit reserved for those who dare to threaten what is his. There is no force in the universe he fears, no power he will not challenge, if it means keeping you safe.
- Loki Laufeyson has never believed in fate, in mercy, in second chances. But you? You are proof that even the most broken of men can find something worth living for. And this time, he will not lose you. Not to death. Not to gods. Not to anything.
T’Challa
- T’Challa was a king before he was a man, a warrior before he was a lover. But you—you—were the one thing that belonged solely to him. With you, he was not a ruler, not the Black Panther, not the protector of a nation. He was simply a man in love. And then, in a single moment, in the chaos of war, you were gone. And he—T’Challa, the unshakable, the wise, the just—fell to his knees, holding you as the life slipped from your body.
- He did not mourn in ways the world could see. There were no public displays of grief, no speeches of loss. He carried the weight of your death in silence, bearing it with the same quiet dignity that he bore every burden. But in the stillness of his chambers, when no one was watching, he let the sorrow take him. He traced the last place he had held you, whispered your name to the night, and wondered if he would ever learn to breathe without you.
- So when he sees you again, standing beneath the glow of Wakanda’s golden lights, his heart stops. His breath catches. And for a moment, he is afraid to move—to hope. But you step forward, your eyes locking onto his, and everything else ceases to matter. The world falls away, and there is only you.
- He crosses the distance between you in a single step, his hands cupping your face with reverence, with disbelief, with a depth of emotion he has never let himself show before. He does not ask how or why. He only whispers, “My love,” as if speaking the words aloud will make them real. And then he kisses you—slow, deep, a promise, a prayer, a thousand unspoken words pressed into your skin.
- After that, T’Challa is your shadow, your shield, your unwavering protector. He does not smother you—he respects you too much for that—but he watches, always. His fingers linger against yours in quiet moments, his gaze softens whenever you speak, and when he holds you at night, it is with the quiet, unyielding certainty that he will never let go again.
- T’Challa has lost many things—his father, his home, pieces of himself in battles fought for the greater good. But this? This is something sacred. And a king who has been given back his heart will protect it with everything he has.
Marc Spector
- Marc Spector has never been good at losing people. He has lost too much, buried too many, carried ghosts in the hollows of his ribs and the shadows of his mind. But losing you—watching you die in his arms, feeling your body grow cold as his own blood soaked into the ground—was something else entirely. It didn’t break him. It obliterated him.
- He stopped pretending after that. Stopped holding himself together, stopped fighting for anything beyond survival. He threw himself into missions with reckless abandon, took every fight as if he was begging for someone to land a fatal hit. He couldn’t sleep in your bed, couldn’t bear to hear your name spoken aloud. He tried—Khonshu knows, he tried—to find a way to bring you back. Bargained with gods, hunted down forbidden magic, but nothing, nothing, worked. So he gave up. He accepted that this was his punishment, his curse, to keep losing the things he loved until there was nothing left of him.
- And then—then—you were there. Standing in the doorway, alive, whole, looking at him like you weren’t a phantom haunting his grief. He didn’t move at first, didn’t breathe, convinced you were another trick of his fractured mind. But then you spoke—soft, hesitant, like you weren’t sure if he would even want you back. And the moment your voice reached him, Marc snapped.
- He was on you in an instant, his hands on your face, your shoulders, your arms—anywhere he could touch, anywhere he could convince himself you were real. “Tell me I’m not dreaming,” he whispered, voice shaking, breath unsteady. And when you smiled, when you nodded, he kissed you—desperate, bruising, like a man drowning who had finally found air.
- After that, Marc is different. Not softer, not gentler—he has never been those things—but determined. He refuses to let you out of his sight for too long, refuses to take a single moment for granted. The nightmares don’t go away—sometimes he wakes up reaching for you, convinced he’s lost you all over again—but you are always there, grounding him, reminding him that miracles exist.
- He still fights, still follows the path Khonshu carved for him, but now, there’s something else driving him. Not vengeance. Not guilt. You. You, alive and breathing, laughing in the golden light of morning, rolling your eyes when he gets in one of his moods. And if he has to fight every god, every monster, every force in the universe to keep you by his side? So be it.
Steven Grant
- Grief is a lonely thing. And for Steven, it was lonelier than most. He didn’t have Marc’s rage or Jake’s cold detachment—he just had absence, an empty space beside him where you used to be. You had been his bright thing, his sunbeam, the warmth in his life he never thought he deserved. And then, in a moment of violence and blood, you were gone.
- The flat was too quiet after that. He still made tea for two, still caught himself turning to tell you something, still found little reminders of you everywhere. Your books on the shelf. Your perfume lingering in the air. A sweater you’d stolen from him, draped over the back of a chair. He couldn’t let go, couldn’t move—just existed, stumbling through the days with a polite smile and eyes that held too much grief.
- And then, one evening, as he shuffled into the flat with the exhaustion of another day spent pretending he was okay, he saw you. Standing there, real as anything, watching him with that soft, hesitant look you always had when you weren’t sure how he’d react. He didn’t even think. Didn’t question. Just dropped whatever was in his hands and ran to you.
- “Oh, love,” he breathed, his voice cracking as he cupped your face, pressing his forehead to yours. He was crying—of course he was crying—but he didn’t care, didn’t even try to stop. “I—I thought—oh God, I thought I lost you.” His hands trembled as he touched you, as if afraid you might disappear if he wasn’t careful. But you didn’t disappear. You were here. And when you kissed him—gentle, reassuring—he let out a broken, disbelieving laugh.
- After that, Steven becomes more himself again. The light comes back into his eyes, the warmth into his voice. He tells you every day how much he loves you, how grateful he is that you came back. He holds you for hours sometimes, murmuring little things against your skin, afraid that if he lets go, the universe will take you away again.
- You are his miracle, his impossible, wonderful second chance. And Steven, the man who never thought he was enough, now knows one thing with absolute certainty—he will never take you for granted again.
Jake Lockley
- Jake doesn’t grieve the way others do. He doesn’t sit in sorrow, doesn’t cry himself to sleep. He compartmentalizes, shoves it all into a locked box in the back of his mind and throws away the key. When you died, he didn’t break down. He didn’t scream. He just acted. Found the ones responsible. Made them pay. Made everyone pay.
- He convinced himself that was enough. That revenge was all he had left to give you. But when the dust settled, when the blood was washed from his hands, there was nothing. Just an emptiness so vast it threatened to swallow him whole. He became a ghost, slipping through the world unnoticed, unseen. He only spoke when necessary, only acted when called upon. If Marc and Steven noticed how much darker he’d become, they didn’t say anything.
- And then—then—you were there. Sitting in the backseat of his car like you belonged there, like you hadn’t died in his arms a year ago. He slammed on the brakes so hard the tires screeched, his pulse roaring in his ears. He didn’t turn around at first. Couldn’t. His hands gripped the steering wheel like a vice, his knuckles white with tension. “Not funny,” he rasped, his voice low, dangerous. “Not a game I wanna play.”
- “It’s not a trick, Jake,” you whispered. And that was all it took. He turned, his breath catching as he finally let himself look. Let himself believe. And the moment he did, something inside him snapped. He surged toward you, pulling you into his arms with a desperation he rarely let himself show. His face buried in your neck, his breath shaky and uneven, his body trembling as if the entire world had just shifted beneath his feet.
- After that, Jake is ruthless about keeping you safe. He doesn’t care how you came back—only that you did, and that nothing will take you from him again. He’s always watching, always waiting, always a step ahead of any potential threat. He doesn’t say it out loud, but it’s in the way he tucks you close against him in crowds, in the way his fingers ghost over your pulse like he’s memorizing it.
- Jake Lockley is not a good man. He never claimed to be. But you—you are the one thing that makes him want to be. And if death couldn’t keep you from him, nothing else will either.
Scott Lang
- Scott never truly believed in happy endings, but he believed in you. He believed in the way your laughter could turn an ordinary day into something extraordinary, the way your hand in his made him feel like maybe—just maybe—he was enough. Losing you shattered him in ways he didn’t even know were possible. You died in his arms, your blood on his hands, and in that moment, he stopped believing in miracles.
- He tried to hold it together for Cassie. He smiled, told jokes, did his best to pretend he was okay. But he wasn’t. His apartment felt too big without you, the bed too cold. He found himself talking to the empty air, half-expecting you to answer. The worst part was the moments right before he woke up, when his brain still tricked him into thinking you were next to him, breathing softly in sleep. And then he’d open his eyes and reality would sink in like a knife to the gut.
- When he sees you again, it’s like the universe plays a cruel trick on him. He blinks, rubs his eyes, thinks he’s hallucinating. But then you smile, that soft, knowing smile he dreamed about, and everything collapses. He doesn’t think—just moves, just grabs you, just feels. “Oh my God,” he breathes, his voice shaking, his arms wrapping around you so tightly he might never let go. “Tell me this is real. Please tell me this is real.” And when you nod, when you whisper his name, he lets out a half-laugh, half-sob against your shoulder.
- Scott becomes clingy after that—not in an overbearing way, but in a you-can’t-leave-me-again way. He constantly reaches for you, constantly checks if you’re still there. He makes up for lost time—cooking you breakfast (badly), taking you on spontaneous road trips, making you laugh until you can’t breathe. Every moment is precious now, every second a gift. He refuses to waste a single one.
- He tells you everything he couldn’t before. How much he missed you, how much it hurt, how many times he caught himself looking for you in a crowded room. He never wants to take you for granted again. Every night, he holds you like you might disappear in the morning, presses kisses to your skin as if he’s trying to memorize you all over again.
- Scott Lang doesn’t know why the universe gave you back to him, but he doesn’t care. All he knows is that this time, no force in the world—no villain, no bad luck, no cosmic cruelty—is going to take you away from him again.
Wade Wilson (Fox)
- Wade doesn’t mourn like other people. He doesn’t wear black, doesn’t cry softly in the night. No, Wade’s grief is ugly, loud, chaotic. After you died, he became worse—more violent, more reckless, more unhinged. He threw himself into fights he knew he couldn’t win, hoping—praying—someone would finally land the killing blow. But they never did. His healing factor cursed him to keep living, to keep hurting.
- He talked to you like you were still there. Made jokes to the empty side of the bed. Left your favorite snacks untouched in the cabinet. The others tried to check on him—Weasel, Domino—but he just shoved them away with a laugh, a joke, a bloody fight he walked away from without a scratch. “I’m fine,” he’d say, voice hollow behind the mask. “Totally normal levels of depression. Probably a seven out of ten. Maybe an eight. Who’s to say?”
- And then, one day, you walked through his door. Just like that. No fanfare, no dramatic music—just you, standing there, looking at him with that same familiar amusement in your eyes. He froze. Blinked. Looked down at the bottle of vodka in his hand. “Oh,” he muttered. “Guess I finally drank myself into hallucinations. Took long enough.” But then you said his name, your voice real, and everything inside him broke.
- He tackled you before you could even take a step closer. Knocked you onto the couch, onto the floor, onto him, his arms squeezing so tight it was a miracle you could still breathe. “If this is a dream, I swear to Ryan Reynolds’ beautiful abs, I will murder my subconscious,” he babbled, his voice cracking. He touched your face, your arms, every inch of you, just to be sure. And when you laughed—when you really laughed—he just lost it. Full-on ugly sobs, face buried in your neck, refusing to ever let go.
- After that, Wade is worse—but in a different way. He never shuts up about how lucky he is. Clings to you, wraps himself around you like a human (questionably clean) blanket, dramatically declares that if you ever die on him again, he’ll personally go to hell and drag you back himself. He texts you every five minutes when you’re not around. If you so much as sneeze, he’s already googling life-threatening illnesses.
- But beneath all the jokes, the over-the-top antics, there’s something soft there. Something raw. Wade Wilson doesn’t believe in happy endings. But he believes in you. And if the universe was kind enough to give you back to him, then maybe—just maybe—he’ll finally start believing in second chances too.
Logan Howlett (Fox)
- Logan is no stranger to grief. He has lost more people than he can count, buried more loved ones than he dares to remember. But losing you—you—was different. It wasn’t just another loss, another name on the long list of people the world had taken from him. It was the loss. The one that finally made him want to lay down and never get up again.
- He disappeared after that. Vanished into the wilderness, into the places where no one could find him. He drank himself into oblivion, picked fights with men twice his size just for the chance to feel something. The nightmares were worse—your face, your voice, the way you reached for him as you died in his arms. He could still feel your blood on his hands, still hear your last breath. There was no escaping it. No running fast enough.
- When he sees you again, it’s not dramatic. It’s not loud. It’s silent. He turns, expecting an enemy, a threat—only to see you. Standing there. Alive. His breath catches in his throat, his heart hammering against his ribs like it’s trying to break free. For a long moment, he just stares, his jaw clenched so tight it aches. “No,” he finally rasps. “No, that ain’t possible.” But you just step closer, your hands trembling, your eyes pleading. “Logan,” you whisper. And something inside him snaps.
- He moves before he can think, his arms wrapping around you with the force of a man drowning who has finally found solid ground. He buries his face in your hair, breathes you in, his whole body shaking. “If this is some kinda sick joke,” he growls against your skin, “I swear to God—” But you just hold him tighter, and he finally—finally—lets himself believe it.
- After that, Logan is fiercely protective. More than before. You are his second chance, his proof that maybe—just maybe—the world hasn’t taken everything from him. He keeps you close, always within reach. He doesn’t talk about the time you were gone, doesn’t say how lost he was without you—but you see it in the way he touches you, like he’s making sure you’re still real.
- Logan has lived a long life, filled with too much pain, too much loss. But now, with you back in his arms, he thinks—just for a moment—that maybe, maybe, he finally has something worth fighting for again.
Matt Murdock
- Grief became a quiet shadow in Matt’s life, a presence that never left. He carried it with him in the way he adjusted his tie, in the way he spoke to Foggy and Karen like he was fine when he wasn’t. He still went out at night, still fought in the streets, but the fire inside him had dimmed. He no longer fought to save the city—he fought because it was the only thing that numbed the ache of losing you.
- He whispered your name in his prayers, his voice breaking over the syllables. In his apartment, your absence was louder than anything else. He reached for you in his sleep, his hands closing around nothing, waking up with an emptiness so heavy it stole his breath. He let the guilt drown him—because you died in his arms, and no matter how many bones he broke or how much blood he spilled, he couldn’t change that.
- When you return, he knows it’s you before you even speak. The world is full of sound, full of heartbeats, full of voices—but yours? Yours has always been different. His entire body stills, his breath hitching in his throat. He listens, waiting for the trick, the deception, because he knows what death feels like. But then you say his name, and the world tilts sideways.
- He moves without thinking, reaching for you, his hands trembling as they trace over your face, your hair, your lips. “You’re real,” he breathes, almost afraid to say it. “You’re real.” And when he finally lets himself believe it, when he pulls you into his arms and holds you so tightly it aches, he lets out a broken sound—somewhere between a sob and a prayer.
- After that, Matt is different. He refuses to let you go alone anywhere, his protectiveness manifesting in quiet touches, in the way his fingers always seek yours. He’s softer now, more open with his emotions, because he’s lost you once and he won’t make the mistake of taking any second for granted.
- At night, when the city is quiet and his scars ache, he traces over your skin as if memorizing every inch of you all over again. “I don’t know how I deserve this,” he whispers against your hair, his voice raw with devotion. “But I’m never letting you go again.”
Frank Castle
- Frank has always been good at loss. Not because he accepts it, but because he survives it. Losing you, though? It was a different kind of wound, one that never stopped bleeding. He didn’t cry. He didn’t scream. He just became colder. The world lost all color, all meaning. He didn’t live after you were gone—he just existed, a weapon with no purpose but destruction.
- He stopped talking. Stopped caring. The men he hunted became nothing more than names on a list, their deaths nothing more than numbers. He never said your name, never spoke of you, because acknowledging you were gone would break something inside him that even he couldn’t put back together.
- And then, one night, you stand in front of him, breathing, alive, looking at him like he’s still the man you loved. He doesn’t believe it at first. His grip tightens around his gun, his entire body coiled and ready for a fight because this? This is cruel. And yet—your eyes. Your heartbeat. The way you whisper, “Frank?” like it’s his name that brings you back to life.
- His hands shake as he reaches for you. He touches your face like it’s something fragile, something that might disappear if he presses too hard. And when you don’t, when you lean into his touch with a softness he thought he’d never feel again, something inside him shatters. He pulls you against him, his grip almost desperate, his breath ragged. “I lost you,” he rasps against your hair. “I lost you, and I didn’t—I didn’t know how to keep going.”
- Frank becomes your shadow after that. He’s gentler with you than he’s ever been with anyone, but that protectiveness? That fire? It’s stronger than ever. If anyone so much as looks at you wrong, they won’t live to make the mistake twice. But with you? With you, he is something softer, something almost human again.
- He doesn’t pray, doesn’t believe in fate. But at night, when you sleep beside him, warm and real, he presses a silent kiss to your forehead and whispers, Thank you. He doesn’t know who he’s thanking. Maybe the universe. Maybe you. All he knows is that this time, he won’t waste a single second.
Benjamin "Dex" Poindexter
- Losing you broke Dex. And when Dex breaks, he destroys. He tried to keep it together—tried to pretend he could move on, that he could keep living without you—but the anger, the madness, the unbearable emptiness inside him only grew. The world felt wrong without you. He felt wrong. He stopped sleeping, stopped feeling anything but the burning need to punish whatever took you away from him.
- He lost control after that. Killed without hesitation, without remorse. Let his mind spiral, let his demons win, because what was the point of fighting them without you? You were his anchor, the one person who made him believe he could be more than the monster inside him. Without you, he had no reason to pretend anymore.
- When he sees you again, he doesn’t react the way most people would. No tears, no disbelief. He stalks toward you, his entire body trembling, his breath uneven. His fingers twitch like they’re reaching for a weapon—like he can’t decide if you’re a dream, a trick, or something worse. “You’re dead,” he says, voice flat, empty. “I held you while you died.” And then, quieter, almost desperate—“Tell me this is real.”
- The second you touch him, the second your fingers brush over his, he breaks. He surges forward, his arms crushing around you, his breathing ragged against your skin. “Don’t leave me again,” he whispers, his voice shaking. “Please. I can’t—I can’t do this without you.” And for the first time in a year, his mind is quiet. The rage, the spiraling thoughts, the unbearable emptiness—it all stops the moment you’re back in his arms.
- After that, Dex is obsessive. He always had that trait in him, but now? Now it’s even worse. You are his, and he refuses to let anything take you away from him again. He follows you like a shadow, sleeps with his arms locked around you, memorizes every detail of your body just in case the universe dares to rip you away from him again.
- There’s a darkness inside him, one that never truly fades. But with you alive, with you real, that darkness is tempered by something softer. Something dangerous. He’s not just a killer anymore. He’s yours. And if anyone tries to take you from him again? He’ll burn the whole world to the ground.
Wanda Maximoff
- Grief clung to Wanda like an old, tattered shawl, woven with the ghosts of everyone she had ever lost. She had thought she had reached her limit—that the universe could take no more from her than it already had. But then it took you. And that, she realized, was the cruelest cut of all. She had survived wars, watched cities crumble, lost her family, her brother, her home. But losing you? That was the first time she felt herself break.
- She became something else after you died. A ghost walking through her own life, untethered from the world. The wind carried whispers of you—the echo of your laughter in a marketplace, the ghost of your breath against her skin in the moments before she woke up alone. And the anger—God, the anger. She lashed out when she fought, red energy sparking at her fingertips with a ferocity she couldn’t contain. She wanted to hurt the universe the way it had hurt her.
- And then, like an answer to a prayer she had never dared to whisper, you stood before her again. At first, she thought it was another cruel trick, another illusion meant to unravel what little remained of her sanity. But then—then she felt you. Your heartbeat, your warmth, the undeniable reality of you. And the moment that truth settled into her bones, she collapsed into you, shaking, weeping, hands clutching desperately at your arms, your shoulders, your face.
- “You were gone,” she sobbed, burying herself in you like she could merge her soul with yours. “I—I felt you leave me.” And for the first time in a year, her magic did not rage. It did not spark and burn with untamed grief. It simply was. It curled around the two of you like a shield, like a silent promise that she would never let you be taken from her again.
- After that, Wanda became something softer, but not weaker. She still held the storm inside her, but now, it had purpose. Now, it had you. She held you like she was afraid the wind might steal you away again, always touching—fingers brushing over yours, arms wrapping around you in sleep, a protective hand against the small of your back in public. She had lost everything before. She would not lose you again.
- At night, when the world was still and your breath rose and fell against her chest, she whispered things she could never say in the daylight. Apologies, promises, prayers in a language she had almost forgotten. And when you stirred, murmuring her name, she simply kissed you—deep and slow, like she could pour her very soul into you, like she could make you stay this time.
Pietro Maximoff
- The world never felt fast enough after you were gone. Time slowed into something unbearable, something suffocating. Pietro had always outrun grief before, always left it in the dust, but your death? That was a weight even he couldn’t shake. He stopped joking. Stopped running for fun. The world lost its color, its spark, its meaning. What was the point of moving quickly when you weren’t at the finish line anymore?
- He tried—he really tried—to pretend. To act like he was okay, to throw on that smirk and tell people, “Eh, I’m fine.” But Wanda knew. She saw it in the way he sat still for too long, the way his hands trembled when he thought no one was looking, the way he lingered in places that reminded him of you. His speed was once his escape, his freedom. Now, every step forward only took him further away from the last time he held you.
- And then—then he sees you. And for the first time in his life, he can’t move. He just stares, his heart a violent drumbeat against his ribs, his breath caught somewhere between a sob and a laugh. “No,” he whispers, blinking rapidly, because this has to be some sick joke. “This isn’t real.” But you are. And the moment you take a step toward him, he snaps.
- He moves too fast, too desperate, grabbing you like you might vanish if he lets go. His hands cup your face, his lips press against every part of you he can reach—forehead, cheeks, hands, lips. “You’re real,” he gasps between kisses, between shaky laughter and choked sobs. “You’re—you’re real.” And suddenly, the world isn’t slow anymore. You are his new gravity, the only thing keeping him from spinning out of control.
- After that, Pietro is obsessed with feeling you close. He picks you up just to hear you laugh, carries you even when you insist you can walk. He talks more, filling every silence with his voice because silence is what haunted him for a year. And he touches—not just because he wants to, but because he needs to. Holding your hand, leaning against you, brushing his fingers over your cheek just to remind himself you’re here.
- And at night, when he curls around you in bed, his heartbeat thrumming like a song against your skin, he whispers things he’s never said before. “I thought I lost you forever.” “I never stopped looking for you.” “If you ever leave me again, I swear I’ll outrun death itself to bring you back.” And when you tell him you’re here, that you’re not going anywhere, he presses a lingering kiss to your shoulder and finally—finally—lets himself breathe again.
Erik Lehnsherr (Fox)
- Erik was already a man carved from loss, molded by grief, his soul tempered in the fires of tragedy. Losing you was not just another wound—it was the moment he snapped completely. He did not rage. He did not weep. He simply became something else. Harder. Colder. More dangerous. Without you, there was no reason to hold back. No reason to believe in anything but vengeance.
- The world paid for your absence. He became relentless, his war against those he deemed responsible for suffering escalating beyond reason. He did not believe in mercy anymore—because if the world had shown you none, why should he? But in the rare, silent moments when he was alone, when his hands were still for once, he would stare at the space beside him and feel something that terrified him. Emptiness.
- When you return, he does not react as a man should when seeing his lost love brought back to life. He does not run to you. He does not whisper your name like a prayer. He simply stares, cold and unreadable, his mind calculating every possibility—illusion, manipulation, deception. And then—then you reach for him, and the moment your hand touches his, his composure shatters.
- His hands shake as they frame your face. His breathing is shallow, his eyes burning with something unreadable. When he speaks, his voice is low, trembling with something dangerous. “Who did this?” he demands. Because someone had to bring you back. And Erik Lehnsherr does not believe in miracles. But when you smile—when you whisper, “I’m here, Erik”—his fury dissolves into something broken, something human. He kisses you like a dying man gasping for air, his hands gripping you as if afraid the wind might steal you away.
- After that, Erik is ruthless in his protectiveness. He keeps you close, watches you with the sharp gaze of a predator waiting for the world to try and take you again. But in private, in the spaces where no one else can see, he is something else. His hands are reverent as they hold you, his voice is soft when he speaks to you, and his nightmares—the ones filled with loss—fade when you press a kiss to his temple.
- He does not believe in peace. He does not believe in forgiveness. But he believes in you. And that? That is the only thing in this world he will not let go of again.
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hedgehog-moss · 3 months ago
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I'm happy to announce that Dru is no longer alone! Spring is here, baby chicks have hatched, and so I was able to get two new hens.
The first one (who, as per tradition, will receive a name on the day she lays her first egg) is your average red hen, already old enough to defend herself against hazing; and she seems very congenial to boot. It took some time for Dru to warm up to her former coopmate when I first brought her home, whereas she seemed to like this one immediately. She inspected her from every angle and deemed her very satisfactory.
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From day one they were glued to each other all day long! It's sweet how the new, young hen seems to observe everything Drusilla does, which plants she decides to eat, etc, then earnestly imitates her. I bet Dru enjoys having such a studious disciple.
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Dru and Louise used to sleep in the laying boxes rather than on the perches; each of them had laid claim to a different box so that they spent the night in separate cubicles with a wall between them; in contrast, when I went to check on them the first night, I found Dru and the new hen huddled up together on the same perch.
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Moreover, when it came to seeking shelter from the elements, Dru and Louise used to sit on opposite sides of the outdoor table—whereas, when it snowed a little on Day 1 after the new hen arrived, I found her and Dru hiding under the table on the same side, quietly and companionably clucking to each other.
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At which point one of my friends bravely said out loud what everyone was thinking:
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And, I mean, the new hen just came out of her egg this year so the age gap with 5yo Dru is probably problematic in chicken years, but also this reminded me of the most wholesome image that lives in my computer (which balances it out):
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But I did mention that I got two new hens. I wanted both of them to be 10-12 weeks-old, but unfortunately the neighbour I bought them from only had one hen left in this age range. He said I could take a younger chick, and I was reluctant at first because I didn't want her to be attacked by the older hens—I could keep them separated until she grew up a bit but wouldn't she get lonely?
(This is a complete digression, but while making small talk with this neighbour I mentioned that I've had a lot going on since the beginning of the year and I was a bit exhausted, and he said "Oh, you need some birch water" and took me to the nearest birch and offered me a drink from the tree. I loved this—every time I mention any kind of ailment to a neighbour, they all have their Elixir of Choice that will solve all my problems, be it special honey as a cough remedy or whatever homemade concoction they personally swear by.
So I went home with two bottles of birch water, and promised I would have a glass every morning.)
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But let's go back to chickens. Like I said I didn't want to have a smaller chick along with two older ones, because chickens can be quite mean to more vulnerable members of their coop, but then I went to look at his young chicks and quickly developed a soul connection with one of them. She seemed solitary and had a glint of existential anguish in her eyes that I identified with. So I took her home.
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I also liked the fact that her feet are currently longer than her body.
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As expected, the older hens are pretty rough with her, so the chick currently spends the nights in the greenhouse where it's warm, and in the morning I transfer her to the coop.
Every morning I have to slalom between a dog and a cat during the Transfer of the Chick.
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She gets a supervised visit with the other hens so they get to know each other, then I let the older hens out and the baby spends the day in the coop, where she can walk around and forage safely by herself.
I initially let her have access to the indoor part of the coop, but then realised that her tormented temperament resulted in her hiding from the world in the dark all day long, so I now close the little trap so she'll spend the day downstairs.
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It was obvious that she longed to look at the world but was too anxious to do so on her own, so I gently placed her on the roof of her coop so she could have a better view of the pasture, with the llamas and donkeys grazing in the distance, and it blew her little mind.
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I also worried she might fail to learn important chicken social codes if she didn't spend enough time with other chickens as a child (and she didn't seem very good at socialising with her age peers to begin with) so after letting her adapt to her new home for a bit I decided to take her out of the coop, on a leash (so she wouldn't run away into the woods), for some more supervised socialising.
The other hens were fairly nice to her, they seemed less interested in hazing her when everyone was outside of the coop, but her anxiety got the better of her and she just curled up into a tiny ball and tried to disappear.
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If I were a hen in a coop, even an adult one, I would be intimidated by the other hens, especially the ones who are very close friends like Dru and the new girl seem to be, so I sympathised, and deposited the little chick on the outdoor table where I was about to have my afternoon tea. I gave her some grains to eat in my saucer and, like any self-respecting chicken would, she immediately stepped in it and made a mess.
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She looked a lot more confident and adventurous on top of the table! I figured, since the other hens were foraging around the table while clucking to each other, this still counted as socialising, from a safe distance, for the little one. She was a bit wary of Pandolf at first, who was going round and round the table like a fluffy shark, hoping to get a glimpse of this new animal, but once she realised he just wanted to rest his long nose on the table and look at her adoringly, she stopped paying attention to him.
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And after thoroughly exploring the table, trying to taste my mandarin and then my tea, having a look at the book I was reading and then at the other hens below her—and chirping her opinions continuously the whole time—she slowly ventured onto my lap and fell asleep :')
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