#also QUALITY IS SUBJECTIVE TO THESE CATEGORIES

[aroaceleovaldez]

a quick helpful reference guide:

Children's books - Target demographic is generally up to like age 10 - basically elementary school and below, for us Americans.

Middle-grade books - Target demographic is approximately middle schoolers (ages 11-15).

YA (Young Adult) - Target demographic is about 15-20ish year olds, so high schoolers and early college.

There is such thing as "upper middle-grade books" (targeted more towards the upper range of middle grade, so middle schoolers going into high school) and other such more specific intended target demographic age ranges within those groupings.

What these ranges mean is that the books differ in how they present subject matter to be appropriate to the intended audience demographic. Obviously, books geared towards younger kids are going to be shorter, use simpler language, and present concepts in ways that are easier to understand for younger children. As the target age demographic increases, the length, word choice, and presentation of topics will become more complex. The actual subject matter within the book itself is unrelated to this classification system for the most part - the books are graded on what's presumed appropriate for that age-range in terms of how children learn and their presumed literacy and reading comprehension at that age, rather than the topic itself.

Rick Riordan is a middle-grade author, and his books are usually middle-grade - including the entirety of the Riordanverse and Daughter of the Deep. The only exception is The Sun And The Star, which is loosely either upper middle-grade or YA, as Mark Oshiro is a YA author and co-authored it.

[mostlysignssomeportents]

Amazon's bestselling "bitter lemon" energy drink was bottled delivery driver piss

Today (Oct 20), I'm in Charleston, WV at Charleston's Taylor Books from 12h-14h.

For a brief time this year, the bestselling "bitter lemon drink" on Amazon was "Release Energy," which consisted of the harvested urine of Amazon delivery drivers, rebottled for sale by Catfish UK prankster Oobah Butler in a stunt for a new Channel 4 doc, "The Great Amazon Heist":

https://www.channel4.com/programmes/the-great-amazon-heist

Collecting driver piss is surprisingly easy. Amazon, you see, puts its drivers on a quota that makes it impossible for them to drive safely, park conscientiously, or, indeed, fulfill their basic human biological needs. Amazon has long waged war on its employees' kidneys, marking down warehouse workers for "time off task" when they visit the toilets.

As tales of drivers pissing – and shitting! – in their vans multiplied, Amazon took decisive action. The company enacted a strict zero tolerance policy for drivers returning to the depot with bottles of piss in their vans.

That's where Butler comes in: the roads leading to Amazon delivery depots are lined with bottles of piss thrown out of delivery vans by drivers who don't want to lose their jobs, which made harvesting the raw material for "Release Energy" a straightforward matter.

Butler was worried that he wouldn't be able to list his product on Amazon because he didn't have the requisite "food and drinks licensing" certificates, so he listed his drink in Amazon's refillable pump dispenser category. But Amazon's systems detected the mismatch and automatically shifted the product into the drinks section.

Butler enlisted some confederates to place orders for his drink, and it quickly rocketed to the top of Amazon's listings for the category, which led to Amazon's recommendation engine pushing the item on people who weren't in on the gag. When these orders came in, Butler pulled the plug, but not before an Amazon rep telephoned him to pitch him turning packaging, shipping and fulfillment over to Amazon:

https://www.wired.com/story/amazon-let-its-drivers-urine-be-sold-as-an-energy-drink/

The Release Energy prank was just one stunt Butler pulled for his doc; he also went undercover at an Amazon warehouse, during a period when Amazon hired an extra 1,000 workers for its warehouses in Coventry, UK, in a successful bid to dilute pro-union sentiment in his workforce in advance of a key union vote:

https://jacobin.com/2023/10/the-great-amazon-heist-oobah-butler-review

Butler's stint as an Amazon warehouse worker only lasted a couple of days, ending when Amazon recognized him and fired him.

The contrast between Amazon's ability to detect an undercover reporter and its inability to spot bottles of piss being marketed as bitter lemon energy drink says it all, really. Corporations like Amazon hire vast armies of "threat intelligence" creeps who LARP at being CIA superspies, subjecting employees and activists to intense and often illegal surveillance.

But while Amazon's defensive might is laser-focused on the threat of labor organizers and documentarians, the company can't figure out that one of its bestselling products is bottles of its tormented drivers' own urine.

In the USA, the FTC is suing Amazon for its monopolistic tactics, arguing that the company has found ways to raise prices and reduce quality by trapping manufacturers and sellers with its logistics operation, taking $0.45-$0.51 out of every dollar they earn and forcing them to raise prices at all retailers:

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

The Release Energy stunt shows where Amazon's priorities are. Not only did Release Energy get listed on Amazon without any quality checks, the company actually nudged it into a category where it was more likely to be consumed by a person. The only notice the company took of Release Energy was in its logistics and manufacturing department – the part of the business that extracts the monopoly rents at issue in the FTC case – which tracked Butler down in order to sell him these services.

The drivers whose piss Butler collected don't work directly for Amazon, they work for a Delivery Service Partner. These DSPs are victims of a pyramid scheme that Amazon set up. DSP operators lease vans and pay to have them skinned in Amazon livery and studded with Amazon sensors. They take out long-term leases on depots, and hire drivers who dress in Amazon uniforms. Their drivers are minutely monitored by Amazon, down to the movements of their eyeballs.

But none of this is "Amazon" – it's all run by an "entrepreneur," whom Amazon can cut loose without notice, leaving them with unfairly terminated employees, outstanding workers' comp claims, a fleet of Amazon-skinned vehicles and unbreakable facilities leases:

https://pluralistic.net/2022/04/17/revenge-of-the-chickenized-reverse-centaurs/

Speaking to Wired, Amazon denied that it forces its drivers to piss in bottles, but Butler clearly catches a DSP dispatcher telling drivers "If you pee in a bottle and leave it [in the vehicle], you will get a point for that" – that is, the part you get punished for isn't the peeing, it's the leaving.

Amazon's defense against the FTC is that it spares no effort to keep its marketplace safe. As Amazon spokesperson James Drummond says, they use "industry-leading tools to prevent genuinely unsafe products being listed." But the only industry-leading tools in evidence are tools to bust unions and screw suppliers.

In her landmark Yale Law Review paper, "Amazon's Antitrust Paradox," FTC Chair Lina Khan makes a brilliant argument that Amazon's alleged benefits to "consumers" are temporary at best, illusory at worst:

https://www.yalelawjournal.org/note/amazons-antitrust-paradox

In Butler's documentary, Khan's hypothesis is thoroughly validated: here's a company extracting hundreds of billions from merchants who raise prices to compensate, and those monopoly rents are "invested" in union-busting and countermeasures against investigative journalists, while the tools to keep you from accidentally getting a bottle of piss in the mail are laughably primitive.

Truly, Amazon is the apex predator of the platform era:

https://pluralistic.net/ApexPredator

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/20/release-energy/#the-bitterest-lemon

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

[literaryvein-reblogs]

Poetic Genres

Whereas a poetic "form" defines the way a poem arranges sounds, rhythms, or its appearance on the page, a poetic "genre" is something like the poem's style. Many poetic genres have a long history, and new poems almost always seek to explore a new aspect of the traditional style and thus to redefine the genre in some way. The following list is a selection of the major genres of poetry.

allegory A narrative with two levels of meaning, one stated and one unstated.

aubade A song or poem greeting the sunrise, traditionally a lover's lament that the night's passion must come to an end.

ballad Broadly speaking, the ballad is a genre of folk poetry, usually an orally transmitted narrative song. The term "ballad" applies to several other kinds of poetry, including the English ballad stanza, which is a form often associated with the genre.

blason A Renaissance genre characterized by a short catalogue-style description, often of the female body.

cento A poem composed entirely of lines from other poems.

dirge A funeral song.

dramatic monologue This might be called a "closet soliloquy": a long poem spoken by a character who often unwittingly reveals his or her hidden desires and actions over the course of the poem. The "I" of the dramatic monologue is very distinct from the "I" of the poet's persona. Robert Browning was a master of this genre.

eclogue A short pastoral poem; Virgil's eclogues are one of the first examples of this genre.

ekphrasis Originally a description of any kind, "ekphrasis" is now almost exclusively applied to the poetic description of a work of art.

elegy This genre can be difficult to define, as there are specific types of elegiac poem as well as a general elegiac mood, but almost all elegies mourn, and seek consolation for, a loss of some kind: the most common form of elegy is a lyric commemorating the death of a loved one. Greek elegiac meter, which is one source of what we know as the elegy today, is not normally associated with loss and mourning.

epic A long narrative poem that catalogues and celebrates heroic or historic deeds and events, usually focusing on a single heroic individual.

epigram A brief and pithy aphoristic observation, often satirical.

epitaph A tombstone inscription. Several famous poems end with the poet writing his own. (See, for example, Thomas Gray's "Elegy in a Country Churchyard" or W.B. Yeats's "Under Ben Bulben.")

epithalamion A song or poem that celebrates a wedding.

fable A brief tale about talking animals or objects, usually having a moral or pedagogical point, which is sometimes explicitly stated at the end. Aesop and la Fontaine are perhaps the most famous fable-writers.

georgic The agricultural cousin of pastoral, a georgic is a poem that celebrates rustic labor.

hymn A song of praise.

invective A personal, often abusive, denunciation.

lament An expression of grief.

light verse Poetry that is mostly for fun: this can mean anything from nonsense verse to folk songs, but typically there is a comical element to light verse.

lyric This genre encompasses a large portion of the world's poetry; in general, lyrics are fairly brief poems that emphasize musical qualities.

masque Courtly drama characterized by elaborate costumes and dances, as well as audience participation.

occasional verse Poetry written with reference to a particular event.

ode A long, serious meditation on an elevated subject, an ode can take one of three forms.

paean A song of joy or triumph.

palinode A recantation or retraction, usually of an earlier poem.

panegyric Poem or song in praise of a particular individual or object.

parody A comic imitation.

pastoral Originally a poem that depicted an idealized singing competition between shepherds, "pastoral" has come to denote almost anything to do with a rural setting, although it also refers to several specific categories of the genre. Associated genres of varying synonymity are idyll, bucolic, eclogue, and georgic.

psalm A sacred song.

riddle A puzzling question that relies on allegory or wordplay for its answer. Riddles are often short, and often include an answer to the question posed, albeit an unsatisfying one. The riddle of the Sphinx, which Oedipus solved, is a particularly famous example: "what walks on four legs in the morning, two at midday, and three in the afternoon?"

romance An adventure tale, usually set in a mythical or remote locale. Verse forms of the romance include the  Spanish ballad and  medieval or chivalric romance.

satire Ridicule of some kind, usually passing moral judgment.

tragedy This genre originated in ancient Greek verse drama and received extended treatment in Aristotle's Poetics, which made the downfall of the main character one of the criteria for tragedy. The genre has since expanded to include almost anything pertaining to a downfall.

verse epistle A letter written in verse, usually taking as its subject either a philosophical or a romantic question.

If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!

[leog4u]

Adult Gaming Survey Results!

Hey, hey! Here's the results of that survey on adult games I set up a while back. I was blown away by the amount of responses, totaling at 1,159! After reading every write-in, I've made a little write up with some analyses that adult game devs could chew on. I think it's also interesting from an audience stand point, so give it a read! The link above goes to the survey results, so you can see the percentages and write-ins for yourself. Oh also here's a link to the top 12 favorite adult games of the responses, so you don't have to count the 591 answers yourself.

As a reminder, this is a survey for adult games. Search any game in the response list at your own risk. Minors go do something else.

And with that out of the way...!

How often do you play adult games?

Something I noticed was quite a few replies mention very large gaps between adult game sessions. I'd like to drill down on this, because paired with respondents mentioning not know how to acquire adult games, this lack of awareness might lead to less opportunities for playing adult games.

The flip side to many responses in “Other” mention binge bursts, followed by long periods of no adult game activity, it might just be a case of adult life lacking free time. 

How long do you expect an adult game to be?

A relief to game devs, there’s no major expectation for an adult game to be pulling JRPG playtime numbers. A majority would rather play a game that does what it sets out to do at its own pace, rather than hitting a target goal of X hours and be subject to poor flow and padding. 

How long is an adult gaming session?

A majority spend over an hour, with time set aside to do said adult gaming. While “till i finish” could be less than an hour, it’s still a designated time set aside to play an adult game.

What’s interesting is the responses in the “Other” category that go into detail, if the goal is to just get off, it’ll be quick. But if a game has plot and gameplay, like some kind of video game, then it’s likely they’ll take more time as they’re now being entertained in the way a video game does.

When it comes to art, what level of quality do you expect?

Again, something that should come as a relief to adult game devs. There’s not a big expectation of painted, master quality art that would be hung in a museum. People want something that gets the idea across and something fresh. 

The style should match the actual content of the game. Too many times I've played a game with the most facebook friendly mobile game style, and it just feels like it's distracting from what the game is trying to actually do.

It also would help if when a potential customer scrolls down the itch.io adult game page, their eyes don't glaze over at art that looks like every other game on the market.

Do you buy your adult games?

A problem that is highlighted here is the lack of ability or knowledge on how to buy adult games. Storefronts hide the settings needed to see adult game options, which actively lead to a lack of knowledge on how to purchase. 

A majority of the “Other” category mentions it being a combination of spending money and playing free games.

Another point to note is that some mentioned that they will pirate with the intention of spending money later. A free demo, like some mention seeking out first, can help devs avoid piracy, since some people use pirated games as a demo when none is available to see if the game’s worth it.

Another note, which unfortunately won’t help the devs affected, but when non-english games aren’t available in english or on english storefronts, some respondents feel that the only way to play is by pirating. It’s difficult to get the numbers, but I’d be interested in seeing how well japanese adult games on steam that have been localized for english speaking audiences are doing, since that previously wasn’t an option for japanese adult devs until very recently.

How important is writing in adult games for you?

This was actually a surprising result to me. Adult games primarily advertise their art. How much of it there is, how well drawn it is, if it’s animated or not. So seeing 77% of respondents cite good writing as one of the most important parts to an adult gaming experience really changes what the priorities should be for an adult game dev. 

While some would skip writing, either to get to “the good stuff” or just to skip over bad prose, some have an actively worse experience with being shown bad writing.

How important is animation in the porn scenes?

A recurring sentiment in the “Other” category is that if the animation is bad, don’t bother. 

Combined with the majority of 67.1% saying that animation is optional, I think adult game devs are safe to not prioritize it unless their game is the kind that needs it to function, like a side-scroller. It drains a lot of money and resources, especially for a first time project.

Even the live2D tweening has little payoff with these numbers considered.

How important is voice acting in the porn scenes?

Similar to animation, voice acting is a nice feature to have, if it’s done well. Otherwise it can feel tacked on, or worse, detrimental to enjoying the game.

With 50% not caring or actively muting, I think it’s safe to say that it’s a “nice to have” and resources should be focused on other things like writing and gameplay.

How important is sex sound effects in the porn scenes? (moaning, wet slapping, squelching, etc)

What’s really fascinating is that the sound effects and audio design are more appreciated than the voice acting. If I had to pinpoint a difference, it’s that bad delivery can ruin a scene, but a sound effect is far less intrusive.

What genres of porn games do you like the most?

The genres chosen were a combination of which were the most populated as well as recent trends. A large amount of write-ins were expressing that simulation games were a favorite. 

Now comes the question, is the number one favorite genre RPGs because that’s the best genre for an adult game, because it’s a genre people enjoy playing for gaming’s sake, or because a massive amount of adult games are made in RPG Maker? I think it’s a little bit of columns A, B, and C.

When it comes to adult games, what matters more?

People are here for porn, but that doesn't mean they're here for just porn. They want a good delivery vehicle for the porn. Both parts of this sentiment mean that there's one thing you should avoid more than anything and it's annoying padding and grinds. They bought your game, there's no need hide a nipple behind five hours of gameplay. Likewise, it's not very good game design to give the player everything at once, as I've mentioned before.

There are several draws to adult games. It's intimacy in a safe, virtual environment. It's making bonds with characters the player falls in love with that end with a climax, or two. It's exploring kinks. And it's blowing off some steam by getting your rocks off. These should be considered when designing a porn game.

Does a kink you enjoy influence if you buy an adult game?

In the future, I would rephrase this question as asking how much your kink factors into buying a game, rather than what was presented. As it stands, “I buy things if they’re good” isn’t that interesting or valuable of an insight.

Respect to the small slice that don't buy shit unless it has their kink in it.

Does a kink you dislike influence if you buy an adult game?

Making more extreme or polarizing kinks optional enables the developer to explore said kinks while allowing the player to avoid uncomfortable situations. As long as it’s clear what’s optional and what isn’t on the product description, this seems to be the preferred method. 

What’s your stance on AI art?

A landslide stance. This can be attributed to politics: there is a hardcore stance against any and all AI. That aside however, when it comes to selling a product to a consumer, why would they want a product they know was made with no care or effort? Where else were corners cut? AI in porn games are usually used to generate the art and writing, the most important parts (according to the survey) to the porn game. It's where you want the most care and attention, not the opposite.

What aspect of an adult game do you care about the most?

Players care about the porn in their porn games. This isn’t a surprise. Audio being ranked so low also isn’t a surprise considering the previous results. But, what is interesting is how gameplay is ranked highest in the “important” category, past art and writing. I interpret it as “come for the art and writing, stay for the gameplay.” 

Talking Points From the Free Form Responses

Replayability and customization are gameplay features people value, which can be reflected in the amount of responses citing games such as Corruption of Champions and Degrees of Lewdity as their favorites.

Porn games are really unique because you need to list out its content. We're used to spoilers being a bad thing in marketing materials, but for porn its mandatory. A customer needs to know: what's the degree of sexual content, is it cheese cake, is it gay, is there dub-con, is there inflation, the list goes on. Nobody will be mad to know that something they don't like is in something. Well, some people will be, but it's a lot worse when it's a surprise. Also consider, it stops comments asking if there's content like pregnancy in your game or not.

I can not understate how important customization is to a number of people, wanting the body and pronouns they have to be reflected in the player character. This gives text based games a bit of an edge, since it's significantly less resource intensive to accommodate for all these different identities in text vs having to make art assets for every configuration and body type.

There’s a general lack of knowledge on where to actually get adult games. This is due to social media sites making it difficult for adult content to be shared, as well as limited market places for adult content. Epic Game Store has a ban on it, despite allowing for full on con-artist projects like NFT and Crypto games, while Steam requires some settings to be changed that aren't advertised. However, Steam's new feature to hide games definitely helps gamers feel more comfortable acquiring adult games since their friends won't have to know when they're jerking off.

Woman focused content that doesn’t involve non-con is lacking. Meanwhile, a lot of adult games that feature a woman protagonist that does consent either have her be bimbofied or a literal succubus, rather than an actual character that wants sex like their male counterparts. These male counterparts could be extracted from their porn game and placed in any other fantasy story and get along fine, so why not women?

Don’t forget to add a gallery to your game.

[tieflingkisser]

On Palestinian Children's Day, 200 Palestinian children held in Israeli detention

RAMALLAH, Thursday, April 4, 2024 (WAFA) – On the occasion of the Palestinian Children's Day, prisoner advocacy groups said today that more than 200 Palestinian children are currently incarcerated in Israeli prisons, including 23 children from the Gaza Strip detained in the Megiddo prison, where they are subjected to enforced disappearance. According to the prisoner advocacy groups, this represents the only available data regarding detained children from Gaza, with the actual number potentially even higher. The prisoner institutions pointed out that this year has seen heightened bloodshed against Palestinian children. This comes against the backdrop of the ongoing all-out Israeli aggression and genocidal war on Gaza. Since October 7th of last year, child prisoners have faced retaliatory measures imposed by the Israeli occupation on various categories of prisoners in all prisons. Initially, this involved isolating child prisoners from the outside world entirely, separating them from each other within the prisons, confiscating all electrical appliances and supplies from their cells, cutting off hot water, seizing their clothes, and providing minimal and extremely poor-quality meals.   Prisoner institutions further elaborated in their statement that imprisoned children have been subjected to retaliatory measures used against male and female prisoners. According to testimonies from recently released child prisoners, the occupation has isolated them from other prisoners and sections since day one. Multiple testimonies also document brutal beatings endured during their time in detention. Statistics and documented testimonies from child prisoners indicate that the majority of detained children have been subjected to one or more forms of physical and psychological torture.

[moons-of-dewclan]

As requested! I recently finished the tortie patterns file, and am now sloowly tackling the white patches file. After that all that remains will be scars/injuries and accessories!

You would need the dev version to run the mod, since I needed to touch scripts to add the new poses. There's one for each age category - so far the apprentice one has been a fan favorite!

All screenies are of the random "start a clan" selection!

i didn't know that more clangen poses would improve my quality of life, but i found out today THESE ARE SO GOOD for a split second i was like 'haha i want to do some poses' and then it hit me like a truck that you have to REDRAW ALL THE PATTERNS? YOU'RE A FORCE TO BE RECKONED WITH MY FRIEND also somewhat unrelated to the subject but FLAMECHIRP.. is the best name...

[youremyheaven]

The Ugliness of Venus

every planet is associated with certain key themes but being under that planetary influence means to experience its very opposite. the extremes of anything is a meeting point for its opposite.

venus is the planet associated with love, beauty, harmony etc therefore it is unsurprising that venusian influence also subjects one to cruelty, ugliness, disharmony, violence and malevolence.

TW: this post will contain mentions of sexual harassment, rape, violence, murder, massacre, genocide, death, suicide among other things so please beware!!!

in my observations I have often found that Venusian natives are often cruel, callous, ugly (i mean this to refer to their actions/behaviour and not just unconventional appearance because "beauty" is a sum of appearance and traits- what we call Venusian refinement) hurtful, jealous and utterly lacking the charisma and hospitality for which Venus is known.

it is disturbing to think of how soooo many well known and notorious sex offenders have HEAVY Venusian influence in their charts. think of any celebrity who has had a sex scandal and they usually have Venusian placements. it's intriguing that no other planet shows up as much (in my personal observations).

Why is Venus so brutal, cruel and embracing of the darkness/ugliness of humanity?

All 3 Venus nakshatras, Bharani, Purvaphalguni & Purvashada are Ugra (meaning cruel or brutal, this is a 7 category classification in vedic astrology) nakshatras.

Ugra naks are known to be action-oriented go-getters and people who are very self-motivated and determined. Any quality can manifest in good or bad ways, so the shadow aspect of this determination and motivation is often ruthlessness, callousness, selfishness and arrogance.

This is also the reason why Venusian naks suffer. Venus seeks refinement, so an individual who does not filter out their own darkness but instead indulges in it, is inviting wrath. More than any other planet, Venus punishes its natives quite harshly and publicly. So many people who have been known to be horrible people, have been exposed, shamed and punished publicly have Venus influence.

Venus energy must be handled with care. Since Venus is love, it has a quality where it loves blindly, completely and without judgement but discretion and judgement are necessary in life. It is not good to be absolutely consumed by someone or something without considering the good and evil inherent in it. This makes Venus natives prone to evil simply because they don't see it as such. They think of it as the depths of their understanding of love, beauty and harmony. Beauty in its extreme however is grotesque, its ugliness, its frightening. Think of all those IG models who have the same face, there is a blandness to their cartoonish perfection to their proportions, it fails to evoke feeling, it fails to be memorable because true beauty is distinct and flawed, its intensity, depth and exaggerated proportions because Venus is not mild or lukewarm, it like to go overboard. Think of Angelina Jolie, her big forehead, large cheekbones, strong jaw, big protruding eyes, its a face that calls attention to itself, its not simple or readily accessible, its the opposite of the IG face where beauty is reduced to ordinary everyday blandness. True beauty is individuality.

Venusian natives are often preoccupied with good and evil, the holy and demonic, heaven and hell, this emanates from a deep understanding of contradictions and the need for their existence. Opposites are an illusion, everything is one. Goodness in its extreme is evil and the extremes of evil touches upon goodness.

So now I'll discuss certain specific examples:

Mao Zedong- Purvashada Rising

He was responsible for the deaths of close to 40 million people who died due to starvation, forced labour and others executed by the state due to their opposition of its policies.

Saddam Hussein- Bharani Sun, Venus in Revati (exalted)

Him and his party used violence, killing, torture, execution, arbitrary arrest, unlawful detention, enforced disappearance, and various forms of repression to control the population. Kurdish people were systematically persecuted and massacred using tear gas.

Hussein was publicly executed for committing crimes against humanity.

Hitler- Purvashada stellium (Moon, Jupiter and Ketu), Mercury and Venus in Bharani

I need not elaborate on who Hitler was and what he did bc we're all very familiar with him but yeah he was a Venusian. He died by suicide.

Stalin- Purvashada Mercury Amatyakaraka

I do not wish to elaborate on Soviet war crimes but Stalin had millions of people die, from starvation, torture, indentured labour etc

R Kelly- Purvashada Sun & Mercury

He is a pedophile and convicted sex offender

Marilyn Manson- Purvashada Sun

He's been accused of assault and rape on more than one occasion.

Idi Amin- Purvashada Sun

Idi Amin was popularly known as "The Butcher of Uganda." Amin overthrew an elected government in Uganda with a military coup, using lessons from the British colonial army. He declared himself president and ruled ruthlessly from 1971-1979. Once in power, Amin started mass executions of the Acholi and Lango tribes. In 1972 Amin forced 80,000 Asians to leave the country, which caused the economic collapse of the country since many were business owners. It’s estimated that through his rule, Amin killed at least 300,000 civilians.

Elon Musk- Purvaphalguni Moon

Sexual misconduct charges, labour law violations, treating his employees like trash and being an insufferable asshole on Twitter among other things. Nobody makes $100 billion without exploiting 100s of millions of people.

Jimmy Saville- Purvaphalguni Moon, Mars in Bharani amatyakaraka and Ketu in Purvashada

He was a pedophile who abused numerous children over the span of 50yrs

Peter Townshend- Purvaphalguni Jupiter & Rising, Ketu in Purvashada

He was found trying to access child porn sites

Chris Brown- Bharani Sun & Moon

He's abused several women, most famously, Rihanna

Here's some examples of people who have risen to prominence by playing ruthless people.

Kathy Bates- Mars in Purvaphalguni amatyakaraka

She is best remembered for playing the psychotic nurse in Misery

Anthony Hopkins- Purvashada Sun

He is best known for playing serial killer Hannibal Lecter in Silence of the Lambs

I know this is a very polarising topic and to any Venusians reading this, I sincerely do not wish to spread hate or cause harm, I am only trying to point out some of the things I have noticed. Does this mean every other Venusian you encounter is a serial killer in disguise? No Are all Venusians bad people? Also no. I thought it would be interesting to shed some light on the darker side of Venus which is seldom addressed if at all. Please do not take any of these observations too seriously and do not use astrology as a tool to propagate hatred towards yourself or others.

[soracities]

how do you know when you're getting good at poetry? everybody dunks on halsey and rupi kaur's poetry, and i never really got why and idk if that's what i sound like

Honestly, I don't think there's ever a point at which you "know" you're getting good at poetry--I think "good" and "bad" are kind of vague and amorphous (and distracting) categories that don't do much in helping us understand the feel and impact of certain writing, chiefly because they can also be deeply subjective. How a poet views a particular work and how a reader views it will be very, very different because their relationship to the work is different. I also think "good" is a sort of external category that does not (or should not) carry into the act of writing itself--when you make "is this good?" the chief consideration as you write, you're not actually present in the writing: you're focused on the finished product, not the process, but the process is the most important thing: that's where the poem actually meets you. I think growth, in writing, is less about knowing if you're "good" in this regard, and more about being able to have confidence, or simply just trust, in the writing as it happens.

There's a famous saying somewhere that a work of literature is never "finished"--it just stops. I think skill, when it comes to writing, lies in recognising where this point is, in learning and developing how you navigate what it is you want to say, and how you say it. Some poems, eventually, reach a point where you can take them no further and you know there is nothing more to be said in them or through them. Some poems reach a point where you can take them no further, but there is still something left to be said in them. Those poems get revisited, worked, and reworked again, until they (maybe) get close to the first category: this may mean you work on them for a few weeks, or for years--but either way you are prioritizing the process of making the poem, not how it will be received. "Is this a good poem?" in my view at least, is not really the relevant question--what's relevant is "is this true to what I wanted to say?" Leonard Cohen famously wrote over 100 drafts of "Hallelujah"--I don't know if the central question for him here was just a matter of his skills as a songwriter.

Regarding Halsey and Rupi Kaur, I've only been able to read Halsey's poems through previews on Google Books so I don't know what other people's critiques are--based on what I saw, though, I don't know if it makes sense to criticize their quality as "poems" when she is primarily a songwriter and a lot of those poems wound up as songs. I'm more familiar with Rupi Kaur's writing, though, and others like her (Atticus, Michael Faudet etc), and while I have a personal policy of not getting into Kaur online (there's an ask here which is about as much as I'm willing to say regarding my feelings on her writing)--I can get into this trend or poetry "style" as a whole. And to be honest I think the chief issue here with poetry like this is that poetry, by definition, involves a deep and intimate relationship with language: this holds true regardless of whether the poem is simple, or complex, whether it's 5 lines long or goes on for 50 pages. As I said in that previous ask, it's not something you can reduce to a formula, nor is it a matter of mere reportage or a collection of statements: what makes a poem has nothing to do with line breaks (prose poems exist), but everything to do with how the language moves, how the language of a poem engages with its own content, with itself, and, as a result, with the reader.

The kind of work that proliferates on Instagram does not have that kind of engagement with language--they are, to me, pieces of information more than anything else. They reduce language to a series of stock phrases that act, not as actual words, but as images (and I don't mean this in a visually evocative way). It tries to evoke something that requires a thoughtful and sustained examination in order to be expressed, by surpassing the reality of what that examination actually requires. It tries to ape the effect of a powerful poem without the work that goes into actually being able to make that kind of a poem in the first place: and that work is a sustained encounter and confrontation with the language used and its relationship to what it tries to convey, in understanding that words are not interchangeable blocks you move around willy-nilly but that they have weight and intention, that they interact with each other to build up an idea or a feeling or a landscape in the most accessible way (insofar as language can make anything accessible, at least). But this is rarely, if ever, felt in IG poetry because it refuses to recognize or respect the demands and requirements of the medium it uses.

And because it is lacking in this engagement and recognition, these poems are also, for the most part, lacking sincerity--and this, to me, is one of the most crucial things when it comes to writing. I recall one IG poet whose work was in the same class as someone like Atticus, but I also recall one of his poems which genuinely moved me--and it moved me because, unlike everything else on his account, that poem felt sincere: the structure and the language wasn't any different to anything else he wrote, but in reading it, it was not a question for me of whether it was "bad" or "good"--what made the impact was that it was honest: and the difference showed. You can't come into a poem with ulterior motives. You can't come into it without an understanding, or respect, for the language you use. I'm absolutely not policing what people should or shouldn't read, and I'm not saying people are wrong for liking these poems, either, or that Halsey, Kaur, Atticus et al., are wrong for writing them. Expression is expression, and what speaks to you speaks to you. And to be honest, it is a different kettle of fish when you are writing something purely for yourself (and I think allowing yourself to partake in any kind of artform, without worrying about needing to be good at it, is deeply important for the human spirit)--but because they are putting their work out publicly, if we are going to be evaluating what they write and how they write it, that evaluation has to be rooted in an understanding of the art form they intend their work to be a part of.

For me, these are the main issues I have with these writers and their work and why I just do not like them. But I also want to stress that, ultimately, what you sound like in your own poems, anon, does not matter as much as being sincere to yourself does. As I said, I don' like using terms like "good" and "bad" and I think that often they're fairly reductive (and sometimes outright pointless) categories to use when we talk about and assess poetry--more than anything else, the key to building a robust and informed discernment when it comes to poems is to simply just read--read a lot of it and read widely. The broader and richer your repository of poetry (and literature in general) is, the more informed you are when it comes to all the different ways language can move through a poem, and all the different impacts it can have as a result. It deepens and enriches your understanding of all the different ways of looking at something, questioning something, expressing something. Your vocabularly grows and deepens; your net of associations--visual, linguistic etc--strengthens. And when this understanding grows you are able to place the things you read into a much wider and far more informed context. And this in turn allows you to grow as a reader and a writer. I hope this helps you a little, anon 💕

[feudalconnection]

Get Ready...!!

It's the start of the 3rd Term 2024 Inuyasha Fandom Awards!

We hope everyone has had a good start to the year! A huge shout-out to everyone who participated last term and made it such a huge success! We look forward to all of the amazing new fanfiction and fanart to be shared with this beautiful community! (If you have not received your award banner for last term, please reach out to one of the mods asap!)

At the end of last term, the voting form also included the possibilities of the Roulette Categories for this term, and we have taken the top choices for both Fanart and Fanfiction:

The Fanfiction Roulette Category for this term will be Best Friendship Portrayal. This is defined as: A story that has a primary relationship between two characters that have qualities of trust and intimacy. Revolves around a strong bond and mutual affection.

The Fanart Roulette Category for this term will be Best Improved Artist. This is defined as: Two illustrations of the same artwork that showcase the improvement an artist has made. The most recent image of the set should be posted within the last three years, and it must be a redraw of one of the artist's older works.

In addition, we added a Roulette Romance category for both Fanfiction and Fanart. This term the pairing chosen will be Best MirSan Romance (Miroku x Sango). This will be a category for both Fanart and Fanfiction.

For Fanfiction, it will be defined as: Stories that have developed a believable romance between Miroku and Sango. "Believable" is subjective, and it is up to those nominating/voting to draw their own line on that quantifier and vote their "Best". This includes canon universe and AU/AR settings.

For Fanart, it will be defined as: Any romantic depiction of Miroku and Sango.

The original Best Romance categories will remain, so all non-InuKag or MirSan pairings, including LGBTQ+, can be nominated into that category. All other pairings will be up for voting again next term.

If it wasn't mentioned above, chances are it hasn't changed. Please be aware that the moderators always take suggestions regarding how the awards are run and category changes into consideration, and each new term may bring about new changes. You can read up on the most recent FAQs, Rules of Eligibility, and Categories for more information [these links are only available on desktop].

For ease of access on mobile, the FAQs, Rules of Eligibility, and Categories can be accessed through this link.

As nominators, please make sure that each term you take a peek at our list of creators who can’t be nominated to make sure you are staying current with who is eligible to be nominated.

Here you can find the mobile-friendly link for all current nominations for this term.

The 3rd Term 2024 nomination period will begin on September 1st and go until the end of the day September 15th. Please send your nominations in through the submit button! If you have any other questions or concerns, please don't hesitate to send in an ask or reach out to one of the mods! We are also frequently available on the FC Discord!

Mods: @classysassy9791, @ruddcatha, @dchelyst, @the-lone-huntress

Please reblog to spread the word of the start of the new term!

[uva124]

HAEDUS, NAOS AND NEMBUS BACKSTORY (MY STARBOYS)

Well these last days I've been thinking about my three beloved stars and I wanted to give them a solid backstory, it's not the final story (I'll probably change some things) but this is what I have planned in mind:

First of all I'm going to explain how the stars work in my world:

POWER CATEGORIES:

Not all stars have the same qualities or powers, some are born being powerful and others are born with a weaker magic, of course they can improve it, but it would take MANY years considering how long a star lives, besides this wouldn't make a big effect you know? So here not all stars are those kind and divine souls like the Pinocchio fairy, or incredibly cheerful and energetic like others, here the more you are born with a great talent the more respected you are going to be:

WISHING STARS: These are the most respected type of star, only they are allowed to come down to earth to help people who wish them because they trust they have the ability to take care of themselves down there without being discovered, because if anyone discovers them, it could bring great danger, they also serve as a guide to the newborn stars who are learning about their world.

AVERAGE STARS: This type of star can help people fulfill their dreams, but they can't come directly down to earth, they would be responsible for those “lucky breaks” that happen in Disney movies lol.

WEAK” STARS: Here belong my two little boys Naos and Nembus, they were not blessed with the greatest power, usually they were to some extent despised by other stars, others simply pitied them, however, they can still see what happens down there in the worlds, and these two little ones have not ceased to be fascinated by what is down there.

I also have to point out that star powers become emotional quite often, the stronger the emotion they feel, the more out of control their magic will be. Now you may be wondering “what category does Haedus belong to?” oh man this guy is special but not in the best sense of the word: CORRUPTED STARS (BLACK HOLES?):

In this world there are also corrupted stars, they are the ones that have already reached the time of their death or on the other hand they have lost their own control and their own magic has consumed them inside, this can be unleashed in several ways: not controlling your emotions, dark magic spells, among other magical things I guess.

That usually happened to wishing stars because of their incredible power, but it was very uncommon so everyone in the star world was pretty calm regarding the topic….huntil a certain star appeared.

STORY OF HAEDUS: My boy my poor boy, believe me I'm going to make they suffer in this rewrite 😊.

He was born as any normal star but with the difference that he had a HUGE power without exaggerating it too much, no doubt he has the potential to be one of the best wishing stars no? Well not really, they power was quite big but also dangerous if not handled carefully because as I said the management of magic is also emotional, and if this child could not contain himself he could unleash the worst and this was known by the other stars that already had some time of life.

Asia that Haedus was very energetic, almost like @rascalentertainments star (who is also doing a wish rewrite if you want to go read it is this profile :D), but he couldn't help noticing how when he approached the stars they looked at him in a strange way, they seemed uncomfortable or even scared, but of what? He commented this to the wishing stars, some simply avoided the subject or in a way to comfort him told him that they looked at him with “respect” (respect? If that means no one wants to get close to me then I don't want it).

In the end Haedus had a real friend, one that actually liked spending time with him and not simply out of fear or “respect”, he was the only star that truly accepted him, but it all fell apart one day that if only Haedus could remember clearly he would make sure he wouldn't make the same mistakes, all he knows is that he hurt him, He doesn't know how or when but just by seeing the look of his friend full of fear and confusion in his direction he knew he could never forgive him, not even he himself could forgive himself, he lost his only companion, and not only that, he also lost the last bit of sympathy that the other stars had for him, now he could only see the anger, fear, pity and disgust in the eyes of the stars.

I also have to add that many times Haedus asked the wishing stars when it would be his turn to come down to earth, however he never received a clear answer, only scoldings and warnings from the people and how dangerous they could be for him (imagine that maybe they manipulated him like mother Gothel did with Rapunzel), however he did not believe them, He really had no one to hang out with, Haedus just stared at the different worlds in front of him (all fairy tales) he was not really impressed by the forests or kingdoms, he liked they home and especially the magic, for that reason his favorite part was to see how the stars helped people to fulfill their dreams, he really had the illusion of being seen as help instead of whatever the stars were telling him.

He spent some time being good alone, he was getting used by this point to the stares he was constantly receiving (and by the way the murmurs of the stars “can't they at least try to hide?" ), everything was normal until he found two quite young stars, by their aura it seemed that these were twins or something like that, he would have given him the same when he noticed how the other stars looked at the little ones…… It was quite similar to his situation, the days passed and he noticed that yes, the two little stars were ignored and despised, he even saw how some older stars were bothering them, that was it, Haedus approached and as usual they ran away from him, then the two little brothers started to thank they, he felt good after years of being rejected but he thought that would be all until they discovered they “reputation”.

It wasn't like that at all, after that day the two stars (who introduced themselves as Naos and Nembus) chased Haedus like little ducklings chasing their mama paw, this was quite strange, Haedus tried to push them away however it didn't work, eventually he grew fond of them and suddenly his world wasn't so bad after all, these children were his only company, he will not let anything happen to them, he will not let anyone hurt or despise them again, he will protect them at all costs (although these little ones still insist on being nice to everyone even after they have been insulted).

One day Haedus simply reaches they limit, he tries to force his smile for they little brothers but he simply can't hold it in any longer, there has to be a way for the three of them to be accepted in their home, without mistreatment, without having to listen to them, without having to run away…… maybe if he tries to prove that he can be of help as the wishing stars?

So yes, Haedus at this point plans to somehow escape to one of the lands to help grant someone's wish, so the other stars will see that he is not dangerous, that he can control himself and not become a monster, and so they will also respect Naos and Nembus. (Besides as much as they have tried to keep the humans out of the way our starboy still has the illusion of being able to help

Unfortunately the plan does not go as planned. Not at all. First it turned out that Nambos and Nembus had snuck in with him like the naughty children he was (even though the overprotective side of Haedus stressed to them that this time he needed to do this just so no one would get hurt, better safe than sorry). Then something VERY WEIRD happened, in short what happened was the scene when Giselle is transported to the real world only much more terrifying and creepy.

literally Haedus is watching how they most precious people are being covered by green glows while Naos and Nembus don't know what is happening while they panic and cry calling for their big brother, only for the three of them to fall forcibly into a world they were NOT supposed to be in, besides is it their illusion or did they hit something before they reached dry land?

this is what happened lmao, I'm reusing the joke about Starboy almost crashing into Asha, only here it really happens and my girl is knocked unconscious for a few minutes (how did she survive? disney magic)

First meeting:

Well …… the first impressions were not very good, I have to emphasize that in my wish Au asha is from the modern world like the one here, also at that time she had just had one of her worst emotional lows (That's Magnifico and Amaya's fault) and Haedus had just suffered a panic attack while trying to process how the hell they got there and where they are and above all who brought them here?

The only thing our two main characters can agree on is that they are confused, scared and frustrated. Haedus is simply debating whether to fly away with his two little brothers or ask the human how the heck she brought them here and what she wants them for?

I'm still debating how to continue this sequence, but Asha and Haedus certainly don't get along very well, but they both come to the conclusion that they should stay together, Asha simply feels guilty that it's probably her fault that they are on earth and also because she wants to return to her normal life. On the other hand Haedus only accompanies her to guide them in this strange world that is nothing like the ones he had seen before from heaven, and also to find a way to return to heaven.

Also I have to say that Naos and Nembus are very kind and try to see the best in people and that each one should have the chance to fulfill their dreams, even if they are too weak stars they want to help in some way, all this results in them entering in trust with Asha very fast and empathize with her, also this new world makes them very curious and they want to explore it all (even though they are giving Haedus a heart attack every time they accidentally put themselves in danger).

In the middle of the movie we see how Haedus finds the appetite for the little things in life even without magic, and above all he manages to make some real connections, here he is not seen as someone unpleasant, eh he even gets to develop certain feelings for Asha that he tries to deny.

In short we see his development from being someone distrustful of people in general who doesn't understand how people can be happy without magic to someone who appreciates ordinary life and how he can still trust people, and that he doesn't always have to keep everything to himself.

I have to emphasize that Haedus has always been taught to keep his emotions to himself because if he explodes at some point even the stars don't know what will happen, that scares him, he doesn't want to hurt anyone, he doesn't want to be what he was always told he was, he doesn't want to be a monster, he just wants to be accepted, so if keeping everyone safe means repressing his emotions with jokes and a confident attitude, he will gladly do it, as long as his little brothers are safe and don't worry about him.

FINAL COMENTS

This post is just me rambling about my main ideas for these three characters, I will gladly accept your opinion if you want to write it! that's all for now bye :D✨✨✨

@oh-shtars @signed-sapphire @annymation @emillyverse @chillwildwave

(I hope you don't mind me tagging you😅 , but I wanted to share with you these ideas I've had for a few weeks now, I hope you enjoy reading them!)

[queenlucythevaliant]

Okay, here we go. Rating literary allusions in Taylor Swift songs:

The Outside: "I tried to take the road less traveled by /but nothing seems to work the first few times/am I right?"--Starting off pretty well! She tried to take the road less traveled by, but it didn't make any difference. 8/10

Love Story: Whole song allusion to Romeo and Juliet-- All those 2008 jokes about Taylor not having read R&J weren't funny then and they aren't funny now. It's a fun, satisfying subversion. However, I am going to dock points for the fact that Romeo and Juliet aren't a prince and princess, just rich. 7/10

Love Story: "You were Romeo/I was a scarlet letter"--Is the Juliet character in "Love Story" being publicly shamed? Did she do something scandalous? There are zero other lines in this song to suggest that she did, and a fair amount of evidence that she didn't. This allusion confuses rather than clarifies and tbh this is the one people should've made fun of in 2008. 2/10

New Romantics: "We show off our different scarlet letters/ trust me, mine is better" --Hooray! She figured out what the book is about! This is a beautifully executed allusion, where "scarlet letters" represents a mark of something shameful which, in a fun subversion, is being shown off with pride. Fits the song really well. Most improved award, 11/10

Getaway Car: "It was the best of times, the worst of crimes" (A Tale of Two Cities) -- Goes in the category of "fun wordplay, but doesn't really mean anything deeper" 5/10

This Is Why We Can't Have Nice Things: "Feeling so Gatsby for that whole year" --This is a perfectly serviceable allusion, but not a super interesting one. Sub "Gatsby" out with "nostalgic" and the song wouldn't change at all. She could've done a lot more with the reference, given the subject matter of the song. 6/10

cardigan: "I knew you/tried to change the ending/Peter losing Wendy" -- This works! You get a sense of Betty losing her innocence and choosing to leave James and of it being inevitable somehow. Plus, it imbues the song with a lovely fairy tale quality. 10/10

illicit affairs: "take the road less traveled by/tell yourself you can always stop" -- To take the road less traveled by is to do something risky, unpopular, or unfamiliar, not just to take a route through town where you won't run into people. Not totally egregious, but the regression from Debut is disappointing. 4/10

invisible string: "and isn't it just so pretty to think/ that all along there was some/ invisible string tying you to me."(The Sun Also Rises)--Ugggggh. Okay, so "Isn't it pretty to think so?" is this sad, tired, ironic note in The Sun Also Rises. Brett tells Jake, "We could have had a damned good time together" and Jake says "Isn't it pretty to think so?" because their whole situationship was never going to work. It's not a positive thing; it's pure, bitter Lost Generation irony. Completely out-of-place in a song about how two people we're supposed to believe will actually work as a couple. This one drives me nuts, and I don't even like Hemingway. 0/10

happiness: "I hope she'll be a beautiful fool/ who takes my spot next to you" (Gatsby)--Saying this about an ex's future SO is so... off. Like, the reason why Daisy hopes her daughter will be a beautiful fool is because it's easy. The two situations have nothing to do with one another, and not in an interesting way. 1/10

The Albatross: whole song allusion to "The Rime of the Ancient Mariner," but most notably "She's the albatross/ she is here to destroy you"--The albatross in the Rime is a good omen. The Mariner shoots is for no reason, and the albatross's death is the ostensible source of bad fortune. I wrote a whole separate post on this here. That said, culturally "albatross=bad omen" is common enough, so whatever. 3/10

I Hate It Here: "I will go to secret gardens in my mind/ people need a key to get to/ the only one is mine" -- I like this one a lot. Exactly the right vibe for the song, trying to escape something miserable by going somewhere pleasant. The key is a nice touch. Poor Archibald. 10/10

The Prophecy: "I got cursed like Eve got bitten" --No Taylor, that's not what happened. Famously, Eve was the biter in that situation. 0/10

Cassandra: whole song allusion -- correct me if I'm wrong (I haven't actually read the Illiad), but my understanding is that Cassandra died fairly far into the Trojan war, and not by burning. 4/10

[canonkiller]

Hi, I'm trying to do art commissions, but no one has commissioned me yet. Do you have any advice for attracting customers?

I wrote a lot of words for you in hopes that at least some of it will be helpful, so I'm putting the bulk of this answer below a read more to save people the scrolling. The quick and easy two tips that I find people forget to do the most are:

Is your art easy to find? Having a pinned post with a tag for your art, a link in your bio, or an art-focused / reblog-light blog (like this one!) make it so that people know you draw, and knowing you've been posting art for a while makes you less likely to be a scammer.

Is your commission info easy to find? People can't buy things that they don't know you're selling; clear and accessible links to your prices and terms are important.

Now for the real bulky meat of advice giving, where I say a lot of words that may or may not be relevant:

I have a lot of advice, but I do want to say before getting into it:

A lot of selling art (especially in a non-industry setting, like with social media commissions) is luck.

There is no one size fits all method for selling art, and it's best to go with what feels right to you (I'll go more into this later)

Tips for selling are not necessarily tips for creating, and there will be advice in here that I don't apply to myself. Determining what you do and do not implement is something you should decide for yourself and your work flow.

Your art not selling doesn't mean nobody cares about it.

Personally I think the idea of intentionally curating a single subject demographic of Customer and Consumer for your work is limiting and doomed to burnout in a non-industry space. I will also touch more on this later.

Now for the rest of it in varying orders:

✨ Attracting Customers

This one is going first because you mentioned it specifically. It is kind of vague though, by nature of the term, so what I advise doing is specifying.

When you are thinking of a customer, are you trying to appeal to:

People who will buy pre-made art products? (Pins, stickers, prints, etc)

People who will buy custom work? (Commissions for specific subject matter)

People who will buy art resources you've created? (Fonts, bases, texture packs, 3d models etc)

There's also frequency: a repeat customer of custom art will usually be appealed to more by a wide range of options (like illustrations), while you might get more single-purchase customers if you only offer a limited range of options (like only icons).

Demographics also, of course, play a substantial role in just custom art commissions; furries get lauded as high spenders, but they're also a huge community that is focused around OCs, so by statistics alone they will have more people with spending money and will be frequent customers of people drawing OCs. A narrower audience means fewer people, but often the spread of the people within that audience is the same - and at the end of the day, selling an art piece only requires one other person, it's just a matter of happening to find them.

The follow up question is of course the finding: the average artist in fandom spaces selling commissions does not have the platform or budget for an ad campaign. This, however, is also its own category:

✨ Posting Online

Right out the gate: anyone who has told you that just drawing x thing is the way to get easy money is wrong.

"If you draw more fan art, you'll -" wrong.

"Nobody cares about that, you should be drawing this instead -" wrong.

"if you need to sell fast, just sell porn -" wrong. And also re-evaluate your perceived lack of quality or value about the subject.

The things you will be able to create easily and consistently will be the things YOU, SPECIFICALLY, like to create. It is also entirely impossible that you are the only person on earth to have ever liked those things, which means that if you create them, there are people out there who will enjoy them.

It feels itchy to be like "and those people are Potential Customers", but it is true; your work will resonate with people. They will want you to create it. It is vitally important to your own well being that the things you create, that you want others to enjoy, are things you enjoy as well.

(This is also why the "just draw porn" joking advice that gets tossed around is particularly fucked up. You as the artist should not feel forced into drawing things you aren't comfortable with, and the vast majority of customers for explicit content also don't want the people making it to feel forced into doing so. It's basic consent. I have strong feelings about this.)

If you are creating things and putting them out into the world, they will find an audience. That audience may be one singular person! The number does not matter, because that's still a person who - again, sucks to frame ig this way - has the potential to buy things from you.

If you're constantly chasing a bigger follower count, more interactions, etc etc for the future, it can genuinely be pretty taxing on the people who want to support you in the present. When you enjoy someone's work, and want to support them, being told constantly that that support is not good enough is frustrating. Trying to follow your work should not lead to seeing more "likes are WORTHLESS and NOBODY reblogs my things" posts than it does art. You are a person making things to share with other people, and you have to remember it or you will burn yourself out into a desiccated husk.

TL:DR consistency is key and the easiest way to be consistent is to just draw whatever the fuck you live drawing in whatever ways you want to draw it, and then slap it on the internet somewhere and Keep Doing That

✨ The Actual Commission Information

this one is just factual really. A lot of artists have really shitty commission sheet layouts, because advertising graphic design and illustrative art are different skill sets. That's fine. You don't have to remake the wheel. A good commission sheet should include:

More images than text (if you can't see what the examples are when zoomed out, you have to rearrange or cut down on words)

Examples organized by price / type, and clearly labeled

Your personal favourites for examples - one really strong example piece is better than twenty tiny images of work you think is just "okay"

Contact information - having a method that works WITHOUT a social media account (email.) Is important and way easier to keep organized, imo

A SIMPLE list of strengths (the things you draw the best) and things you won't draw (common example: mechs). You do not need to list every fandom or subject matter. Limit yourself to a top five.

A clear and easy to type link for your terms of service. Carrd, and sites like it, is good for this. This will go into details about your process, what you will and won't do, permissions granted to the commissioner (like "no, you can't make an NFT with this"), your privacy policy (saying you won't sell commissioner details to third parties), and other stuff. You do not want to have all of this on your original post, because it should be thorough and you want your main post to be showcasing your work and not your legalese. Here's mine as a reference; if you have trouble writing your own, feel free to copy from it and make the necessary alterations for your work.

✨ There Was More I Was Going To Write But I Forgot

I have a different document of commission related talk here, which is also incomplete but in a different way. It's in my nature. Hopefully some combination of this and that can be useful to you. Sorry if they're not. I love you have a nice day

[themadlu]

Astarion's Star Elf Background Headcanons

In collaboration with the lovely @spacebarbarianweird!

A bit of a less popular take on Astarion’s background headcanons—I know it is generally accepted that he is originally a moon elf from the Faerunian upper class, but, between in-game trivia and developing my own stories, a different idea came up. 

I’ll outline why I think the Star Elf headcanon fits the sassy elf, and how it plays into his storyline.

Obviously, this is all done for the shits and giggles, so every headcanon is valid, and I’d love to hear about different takes on Astarion’s origins!

Race: Star Elves

Star Elves, or Ruar-tel-quessir, have only recently returned to Faerun due to repeated attacks by an extra-planar entity on their home-realm of Sildëyuir. 

Because of their prolonged absence and reclusive communities, Star Elves are not familiar with most of Toril’s customs and history. In Sildëyuir, they had no contact with most other species (such as humans, dwarves, halflings, gnomes, etc.), and they prefer to keep to themselves once in Faerun too. 

They are particularly wary of humans, as their misuse of magic and warmongering tendencies were what caused Star Elves to flee Toril in the first place. 

They consider themselves better than most other races, only getting along with other elves. They fear for Moon Elves and half-elves who mix with other species, and they consider them overly-generous and too naive. 

As such, Star Elves tend to come across as aloof and cautious. (I know this may not sound like Astarion at all, but bear with me).

Their moral alignment is purely chaotic, with a majority of them being in the chaotic good or neutral categories. 

Physically, Star Elves share some traits with their fellow Moon Elves: light skin (check) and gold, red or silver (check) hair. 

However, Star Elves have grey or violet-coloured eyes with gold flecks in them (imagine an Astarion with violet eyes!).

Star Elves are also taller than other elves, standing between 5½ to 6 ft tall, with a slender build.

They are also considered extremely beautiful by human standards, much more so than any other type of elf. 

Astarion’s Background as a Star Elf:

Right, let’s talk about objective things first: physicality. 

Astarion fits the Star Elf type quite well: 

He has silver hair, light skin (given he is still the palest of the bunch even after he is well fed).

He fits the height range at 5 ft 9.

He has a slender body (a bit too built for an elf, but that is likely Larian knowing what sells),

Most importantly, he is strikingly handsome. Exceedingly so, more than most other elves in the game. 

As there is no confirmation about pre-vampirism eye colour, in my head he used to have violet eyes. I think that would have made him stand out in Baldurian society even more. 

Which gets me to the more subjective part of personality and backstory. 

Aloof and cautious may not be the first qualities that come to mind thinking of Mr Sass, but work with me. 

Someone aloof is not overly friendly, being cool and distant instead. Is Astarion friendly? I mean, genuinely friendly to people, and not forcing himself to look eager because he is forced to do so by Cazador or by circumstances? 

He threatens Tav as soon as they meet, is snarky with everyone else for a good portion of Act 1 (and with some even during Act 2 and 3), and at the end of game party he keeps mostly to himself.

Ultimately, Tav is the only one he seems comfortable enough to be open and friendly with, and that requires a lot of trust, care and work (especially for good-aligned Tavs). 

As for the cautious side, he is a bloodthirsty little shit who loves a good fight, but he doesn’t strike me as someone who would throw himself into desperate situations (without proper compensation at least). 

He disapproves of Tav doing things for free or forcing him into situations where the risks are too great, often stating that ignoring those needing help is the easiest thing, they just need to ‘look away and keep walking’. 

His inherent racism towards other races (ehem, gnomes) can be a result of spending his early years in a very secluded environment.

He presents himself as someone loving life luxuries, but I think that's his Baldur's Gate, more constructed persona. He seems just as happy to fondle about in the dirt TWICE, despite claiming he is not used to it. Maybe he's not as upper class as he wants to appear.

Granted, these traits may be a result of him being a glorified sex slave subject to unimaginable torture for 200 years, but I think his need to be have the upper hand in power dynamics existed before his undeath too.

The chaotic nature is evident, and I headcanon he starts off as chaotic neutral, starts leaning into the evil side as he gets corrupted by power first and by abuse after, then he can either get back to chaotic neutral with a good-aligned companion or become fully chaotic evil as the Ascendant. 

And this leads me to the actual backstory.

Astarion’s Backstory:

Larian originally set Astarion out to be a noble, then changed his background to charlatan and, in some lost character sheet, courtesan (fancy type of prostitute). I’ll stick with the final charlatan/courtesan version. 

Astarion was born somewhere in Faerun in a community of Star Elves. 

His family was of poor background, having fallen out with the leaders of the enclave.

That, paired with the isolation of the community, prompted Astarion to leave his home in his early 20s, slightly earlier than usual for elves. 

He wanted more from life than being stuck in a reclusive society and being looked down upon from others. He wanted to live a comfortable existence, be wealthy, be admired, and to achieve that he needed one thing: power. 

He headed to Baldur’s Gate (convincing fellow travellers to let him on their carts, horses, etc.) with nothing more than the clothes on his person, attracted by its reputation as a multicultural hub brimming with opportunities. He did forge some documents proving he already had some basic qualification to enter law school (not sure reclusive elves issue any), completed his studies and started a career as magistrate. 

During this time, he quickly realised how his looks were one of his biggest strengths in forging alliances. He had been complimented before, but most Star Elves are beautiful, so he was not as universally admired as he was in Baldur’s Gate. He used and abused this knowledge, flirting with individuals from many other races (gnomes aside, he has standards) and genders, enjoying the perks his smooth persona got him (money, status, promotions) and revelling in the adulation of his admirers.

He became even more power hungry, signing laws because they would benefit him or his upper class acquaintances rather than the general population. He was ready to do anything to achieve his goals. 

It was in one of the many soirees he attended that he came across Cazador (or rather, Cazador noticed him). The Vampire Lord saw an astonishingly handsome, young and inexperienced elf who could work most people around his manicured slim fingers and immediately singled him out. Studied him. I don’t think he introduced himself before turning him; rather, he gathered information about him via his connections and learned he was an up and coming magistrate, an outsider, conveniently with no family or stable relationships who would miss him or go look for him should he disappear. 

We know Cazador is a machiavellian villain, so he probably found a way to convince Astarion (through a bribe and pulling at his dislike of lower class vagrants) into signing a law forcibly evicting the Gur from the land they settled on, on the basis of it belonging to some patriar or noble and therefore their permanence being illegal. Cazador knew retaliation would be swift, and I bet he probably even had someone tell the Gur which magistrate had them kicked out. 

Cazador waited nearby while Astarion was being brutally assaulted, chasing off the Gur thugs to claim his prized future spawn. He didn’t need permission to bite Astarion and turn him, but he asked likely because he knew he would never turn down a chance at eternal life and because it would be another way to torment him later (‘Remember boy, I gave you the grace of my gift, you begged for it!’). Probably, Astarion’s last words as a living elf were, ‘Do…any…thing…please’. 

After becoming a spawn and suffering centuries of abuse, Astarion forgot about his past, himself and his family. He doesn’t even remember what type of elf he is (Moon or Star). His parents may still be alive, but with their life being secluded from the outside world, it is unlikely he will come across them in their lifetime.

[vaniri]

Dangerous Thing [Minthara Baenre x drow Tav]

Parties in Menzoberranzan can be exhausting. During one of these, Minthara decides to slip away and spend some quality time with her beloved woman.

----- Rating: E Category: F/F Word Count: 3 243 Warnings: sexual content, oral sex, drow women in love

----- As always, big THANK YOU to @ugh-my-back for helping me polish my work 🖤

-----

Minthara never liked parties.

It didn’t really matter which one of Menzoberranzan’s noble houses hosted them, or why they were thrown – it was rarely anything other than a display of host’s wealth and power, an excuse to flaunt their prosperity (sometimes only alleged) and, more importantly, remind the other houses of their position in the City. What really mattered about these parties was how they ended: who managed to raise their status and who got viciously murdered, who learned the darkest secrets and who vanished without a trace. Hardly any party in Menzoberranzan could go without at least one intricate intrigue and some blood spilled. It was a cruel and dangerous game the high society loved to play and despite Minthara being quite proficient in that (she was taught well and by one of the best), she hardly ever enjoyed getting involved in all that mess. It was all so damn exhausting.

Tonight’s evening was pretty peaceful so far though, but Minthara knew that she should never let her guard down. She had learned that the hard way. Polite smiles often hid malicious intentions. Every hand lost from her view, even for a short while, could potentially try to stab her in the back before the end of the night. The game was always on and to lose was to die. And she was a Baenre, daughter of the most ancient and influential house in Menzoberranzan. Life had already taught her that as a significant and illustrious figure she sure was, she should have always expected people to plot against her and target her in their scheming to get power and influence. And that she should always be prepared to fend off their attacks.

Despite her justified suspicion and wariness, she did not stray from getting involved in social activities in order to avoid getting people’s attention. She mingled with the guests, exchanged hollow-hearted pleasantries and forced smiles, joined discussions and shared her thoughts, carefully worded, on their subjects - as someone of her status was expected to do. But something else seemed to occupy her mind, as her eyes were clearly looking for something, or rather someone, searching the crowd for the only face she wanted to see tonight. The only reason Minthara attended all these parties: her beautiful lover, the most perfect woman in the entire Underdark (and probably also the World Above). She had to be there tonight, she would never miss the opportunity to learn the newest rumors and listen about the scandals involving the most notable members of Menzoberranzan’s society. And, most importantly, she would never miss a chance to see Minthara.

She finally saw her, standing among some young girls Minthara didn’t recognize, probably novice priestesses or some less important daughters of not very important mothers. Their eyes met for a brief moment, a hint of playful smile flickered across her face and Minthara already knew she had something wicked in mind. She watched her politely excuse herself and walk towards the ballroom exit, beckoning Minthara to come with her. Minthara followed her without a moment of hesitation, keen to have some respite from all that socializing and pretending, her eyes glued to the captivating figure moving gracefully before her.

Her lover looked stunning that evening. Her long wavy hair, white and lustrous like the finest spidersilk, was tied in a loose low bun, with several small braids adorning her head. Her well-fitted dress, quite revealing but still covering all the parts a decent noble lady should’ve had covered in public, clung to her perfect form, accentuating her beautiful shapes. Its deep red color corresponded wonderfully with her smooth gray skin and her intricate jewelry, made of the finest materials found in the Underdark. She looked like a literal goddess. And even moved like one, climbing the stairs leading to the upper floor of the mansion with such lightness and elegance she seemed to be floating above them.

Minthara was absolutely mesmerized by that sight. They haven’t seen each other for days, whether because of her family duties, or her lover was simply avoiding her on purpose to whet her appetite before the party – Minthara had no idea. But she missed her a lot and seeing her now, so beautiful and irresistible, made Minthara want her more and more with every passing second. She needed to touch her, taste her, feel her squirm under her body and hear her moan her name. She had to remind her who she belonged to.

She couldn’t contain herself any longer. When her lover reached the top of the stairs, she closed in on her with three long strides and pinned her to the nearest wall, her body on hers. She leaned in to steal a kiss, but her woman stopped her with her hand covering Minthara’s lips.

“Patience.” She whispered softly, dragging her finger along Minthara’s lower lip. Her voice was calm, and so was her breath, but her lustful gaze betrayed her desire.

It was very rare for Minthara to not get what she wanted. Usually it was very simple, all she had to do was pull the right strings and just wait. People loved to fawn on her and throw themselves at her feet. They were ready to do anything to please her, hoping to earn her attention and win her favor. But not her beloved. This one was bold enough to defy her, tease her, say no to her demands and make her beg for what she wanted. And that’s what made Minthara so crazy about her.

But she would never let anyone know how much this woman has bewitched her. And certainly she would never make it so obvious in front of her. She had an image to maintain. So despite the overcoming desire to devour her right here and now, Minthara reluctantly pulled away from her, giving her a sign to lead the way, wherever she wanted to take her.

Her lover took her hand and guided her down a dark narrow corridor, humming some cheerful melody under her nose, her excitement palpable. Minthara didn’t interrupt her, enjoying the familiar tune and waiting patiently to see where this whole jaunt would take them in the end. Finally, after what felt like ages, they stopped in front of one of the many doors and her beloved opened them quickly, revealing a relatively small, sparsely decorated but still fancy-looking room with a large bed in its center. She gave Minthara a quick glance, a playful smile tugging at her lips, and, without a warning, she shoved her inside.

Minthara didn’t have time to protest because her lover pushed her against the wall and closed her lips around hers, finally giving in to her desire. Minthara did not resist, she hungrily returned her kiss, aching to feel her whole. As her tongue explored her lover’s mouth, her hands quickly found their way under the fabric of her dress, finally free to roam her entire body.

“I love when you’re so eager you don’t know where to put your hands.” The woman teased between kisses, groping Minthara’s ass and pressing her pelvis hard against hers to feel even more of her. She moaned softly when Minthara’s hands reached her breasts, fingers rubbing her already hard nipples in a slow, circular motion.

“I missed your body so much. I want to touch you everywhere.”

“I missed yours too. I want to see it, in all its glory.”

With Minthara’s hands still occupied with her chest, she unfastened her dress herself and then gave her a gentle but suggestive push, prompting her to do the rest of the work on her own. Minthara begrudgingly took a step back and swiftly slipped her dress off her shoulders, letting it fall on the floor. Her smallclothes joined it right after. She was standing there proudly, completely naked, watching her lover circle her like a starving predator did its delicious prey and take in every inch of her exquisite form. Minthara knew her body was absolutely ravishing, slender but firm, covered in faint freckles and several dark scars, each a proof of her grit and endurance. But seeing what a mere sight of it did to her beloved, how it filled her with fascination, adoration and unadulterated carnal desire, feeling her lustful gaze burn on her skin – it boosted her self-confidence even further.

Without a word, the woman took Minthara’s hand and led her towards the bed. Still fully dressed, she ensconced herself by the headboard and motioned Minthara to join her there. Minthara obediently crawled to her and let her seat her between her legs, back against her chest.

“Let me show you how much I adore you.” Her lover whispered in her ear, peppering it with hot kisses, her arms wrapping around her waist. Minthara purred softly, enjoying the attention her lover's lips were giving to her ear and neck, and the coolness the fabric of her spidersilk dress provided to her heated skin.

Her woman knew all the right spots on Minthara’s body and lavished them evenly with attention and care. She started off safe, with her ears, neck, shoulders and belly, kissing and massaging wherever she could reach, making Minthara melt into her touch. Her palms moved down to her legs, thumbs rubbing her inner thighs, closer and closer to her groin, then left to caress her sides. Every brush of her fingers made Minthara shiver, every touch made her ache for more. Her beloved had her fully at her mercy, exposed and vulnerable, and she was happily using the power she was given. Normally it would have scared Minthara to be like that, to give herself to someone entirely - without fear of getting betrayed. It should have scared her. But not with this woman. She trusted her completely, with her body and soul. And she was certain she was putting herself in good and loving hands.

She let out a quivering sigh when her lover’s palms cupped her breasts, then a loud moan when her fingers focused on her sensitive nipples. She pinched and rubbed them interchangeably, her mouth nibbling her earlobe, and Minthara felt the throbbing heat between her legs grow more intense with every second. Her beloved could have made her come only by fondling her breasts (actually she had done that before, several times, that skilled woman), but that wouldn’t satisfy Minthara tonight. She wanted her hands on her most sensitive parts, she needed her to touch her properly. She rubbed her legs together, trying to give her already dripping pussy some much needed friction, but her lover kept her in place, biting her ear to remind Minthara that she was in charge now.

“Patience.” She reminded her.

Finally, after a long and delicious while of playing with Minthara’s tits, one of her lover’s hands found its way between her legs. Her slender finger slid between her slick folds, rubbing her already swollen clit and Minthara felt her orgasm build up rapidly in her abdomen, every stroke sending waves of bliss throughout her body. She let out a surprised moan when her beloved circled her entrance and slid a finger inside, dragging her juices out and smearing them all over her bud to add more slickness and make her sensations even better. She stroked her clit with short, quick motions, adding more pressure when she wanted to make Minthara wail and reducing the intensity of her ministrations when Minthara was enjoying herself too much. She knew well how to dose her pleasure and how to make her a squirming mess.

Finally, when she decided she was done teasing, her hand picked up the pace, and with the other hand still playing with her already overstimulated nipples, Minthara couldn’t hold back any longer. She came hard, crying out her lover’s name, succumbing to the overwhelming pleasure rushing through her body like a thunderwave. Her cunt throbbed intensely, walls contracting rhythmically around two fingers her beloved slipped in her to finger her through her orgasm.

She held Minthara tight until she came down from her high, stroking her hair and murmuring sweet words of affection in her ear: how much she meant to her, how much she loved to worship her body and hear her cry her name like it’s the only word she knew. And all these terms of endearment that could have them both tortured and maybe even killed, if anyone caught them saying these to each other. My passion. Source of my joy. My one and only. My love.

Hearing all these things, uttered by the woman she adored so much, made Minthara’s heart flutter. She turned around and pressed her lips against her lover’s, eager to show her how much she reciprocated all these feelings. Their kiss was fierce and messy, and Minthara couldn’t resist playfully biting her lower lip as her hands dealt with the skirt of her dress, tossing it aside and revealing her beautiful toned thighs. She made her way down her lover’s body, kissing every exposed part of her  skin until her face buried between her legs, where she tugged her already damp underwear aside and spread her folds, giving herself full access to her dripping core. Minthara planned to tease her a little first, but the scent of her arousal was too enticing and made her want to devour her right here and now. So she pressed the tip of her tongue against her clit, then slid it into her and tasted her arousal, purring contently at the wanton moan her action elicited.

She lapped at her sweet spot, reveling in all these lovely sounds her woman was making. She was always a delight to please, so vocal and responsive, and so direct with her needs. She guided Minthara’s hand to her entrance, prompting her to slip a finger inside and Minthara happily complied, purring contently when her lover ran her fingers through her silky hair. She held her head, keeping her mouth where she wanted it most while Minthara thrust deep into her in a slow steady pace, adding another digit for more stimulation when one felt like nothing in her needy cunt.

Minthara focused her full attention on her clit, sucking and licking the overstimulated bud, feeling it throb against her tongue - an undeniable sign she was close to her release. Her fingers pounded into her dripping hole, picking up the pace as her lover rutted feverishly against her hand, begging her to fuck her harder. She came moments later, with Minthara's name on her lips, her pussy contracting fiercely around her fingers, covering her entire hand with her juices.

Minthara pulled her fingers out and licked them clean, savoring the taste of her lover’s essence, locking her eyes with hers. She looked exceptionally delectable, with her cheeks flushed and those full rosy lips parted. Some strands of her hair had fallen loose from her previously tidy bun, now framing her face and somehow making her even more beautiful. She reached to Minthara, hand still shaking after her intense orgasm, and held her cheek, whispering her name so tenderly and with so much fondness Minthara couldn’t contain emotions that surged through her. The familiar feeling of warmth and elation was swelling somewhere in her chest and she couldn’t even try to pretend she didn’t know what that sensation was anymore.

It was a very dangerous and unwise thing for a drow to develop feelings for another and give themselves to them, fully and genuinely. Especially for one from a house like Baenre. Minthara was usually very cautious and extremely picky when it came to trusting people and letting them closer. Not too close though, as life had already taught her that most of these people wanted to be in her favor for their own personal gain and would turn against her in an instant the moment planting a knife in her turned out more beneficial. She already had several scars to prove that statement. She had to learn how to see through people and read their motives, play them as she wanted, to always be one step ahead of them and their plotting. And never get attached to them. Of course she had made some mistakes, but after learning her lesson all her lovers and so-called friends became nothing more than a temporary entertainment, a moment of fun with no strings attached, and she was ready to get rid of them without batting an eye the moment she noticed their intentions were vile. That's how she managed to survive so long in the treacherous high society of Menzoberranzan.

But her relationship with this woman was different. She was different. Selfless and sincere, from the very beginning. She never asked for anything, other than affection and honesty, and offered the same in return. She’d proven her loyalty to Minthara, more times than she could even recall, and earned her full trust. It started off as an innocuous affair, based on their carnal desires and yearning for connection with someone, even for a short while. But it lasted for years now and Minthara already knew their involvement had long ago turned into something deeper. Meaningful. Dangerous.

Her common sense demanded Minthara to kill that woman the moment she noticed the change. She should have destroyed the object of these feelings and the bond they shared, before it corrupted her mind and ruined her completely. But one look in her lover’s warm eyes was enough to make Minthara realize that she was already beyond the point of saving. And it didn’t scare her, as she had already come to terms with her own feelings and accepted her weakness in full.

Love like this was a rare thing in the Underdark. It should have been cherished, not fought.

“Hey, where are you?”

“Hm?” Minthara snapped out of her musing. Her love was visibly amused, watching her with curiosity in her eyes.

“You were lost in your thoughts. What were you thinking about?”

“You, of course.” She gave her lover’s crotch a quick peck and put her underwear back in place.

“No need to think about me, I’m already here.”

Minthara crawled back to her and snuggled up against her chest as her beloved pulled her into a loving embrace. She found comfort in her smell, relaxing completely while listening to her heartbeat, strong and steady, enjoying her hand tenderly stroking her head.

“Stay with me here. I don’t want to go back to the party.” Minthara purred, content with her current position and reluctant to change it.

“They’ve probably noticed our disappearance already.”

“Good, they may be noticing it for a bit longer.”

Her lover chuckled lightly, then her expression suddenly sobered.

“Your mother-“

“Knows I came here for you and you alone.” Minthara cut her off. “She has more pressing matters to attend to today than tailing me and making sure I behave, trust me.”

“I do trust you, Alurlssrin.” That word always made Minthara’s chest swell with warmth, so many emotions rushing through her mind. An undeniable proof that her lover felt the same. “But please, don’t complain to her later that you missed the entire party because I kept you in bed all night and didn’t let you go. She didn’t believe you last time and she won’t believe you now.”

It was Minthara's turn to chuckle, until her lover pressed her lips against hers to finally silence her.

She would never dare complain about that.

[communistkenobi]

This is going to be an extremely messy post, but I’ve been grappling with the argument that “fascism” is nothing more than an exceptionalised label for the cyclical political crises of capitalism, as opposed to an actual historical force in and of itself - just as capitalism has cyclical economic crises which are necessary for its continued functioning, fascism represents the political crises of capital, a bulwark against class consciousness and socialist organising which threaten capitalist rule. Fascism does this by instead emphasising a racial or national consciousness, using white supremacy and the promise of property to divert people away from class consciousness. In Anatomy of Fascism, Paxton talks about how important the promise of property ownership to Italian peasantry was to establishing fascist rule there - class mobility up into the middle classes was used in concert with racial/national politics to stop people from identifying with the proletariat (“homeowners are too busy to be communists,” to paraphrase that American housing developer I forget the name of atm). This is especially weaponised against Jewish people, who are framed as having no national affiliation and are thus eternal outsiders to the bourgeois Christian homeland.

I have encountered a lot of definitions of fascism. The most productive and evocative definition I’ve found is Cesaire’s - colonialism come home. He was speaking of Europe when he said this, saying that Hitler was only doing what Europe did overseas. But what does this mean for settler colonial states? There is no “home” for colonialism to return to for countries like the United States or Canada, because this colonial process has to constantly and at all times maintain itself upon indigenous land in order for the state to continue to exist. The colonialism is always home, always domestic (while also obviously being exercised globally through imperial domination and violence, especially in the case of the United States). Are these states essentially fascist in conception? If this conclusion is true (which I’m leaning towards yes), is “fascism” a useful analytical category at all? If we speak of the political processes of capitalism when we speak of fascism, can we simply just call it all capitalism? It would be like if we called all periods of economic crisis “collapsism” and partitioned these periods of depression or economic instability into exceptional circumstances divorced from the history of capitalism (which we already have done with The Great Depression in the 1930s, or the 2008 Financial Crash - these are exceptional periods where something “went wrong,” where the system “failed”). Sitting with this conclusion for a moment, calling these processes fascist is to divorce them of their material history, to decouple them from the violence and exploitation inherent to capitalism, and to ensure that any analysis of fascism does not conclude with a call to abolish capitalism - for if fascism is merely an interruption of normal capitalist democratic functioning, then preventing future fascisms does not require the abolition of the current economic and political system.

I’ve been engaging with this essay recently, which calls liberals the “left wing of fascism,” and argues that liberalism, far from providing an alternative to fascist rule, instead provides a stabilising quality to it, acting as a stop-gap to the more destabilising right-wing bourgeois elements of capitalism. And despite these conclusions I still find fascism a useful label, both because I think it has a lot of strategic value to engage with particular historical periods (such as right now) as fascist - fascism as a label has widespread recognition, if not widespread understanding - and also because it provides a neat shorthand for the historical process of capitalist political decay. 

Anyway I’m talking this all out publicly because I’m in the process of reviewing a lot of literature on the subject for my PhD, and I keep coming to this conclusion - that fascism is not “real” in the sense that it cannot be divorced from capitalism itself, and in fact is a necessary process to the continued functioning of capitalism - but I’m having a hard time seeing what analytical limitations this conclusion produces. I have so far been the most persuaded by post-colonial and Marxist accounts of fascism, but I wonder if multiple definitions of fascism are still strategically or analytically useful to use in concert with one another, even if I disagree with them

[absolutebl]

This Week in BL - New & Old Tropes Galore

Entirely subjective yadda yadda. Organized sorta by favs in each category.

Sept 2023 Wk 4

Ongoing Series - Thai

I Feel You Linger in the Air (Fri grey) ep 7 of 12 - occasionally I forget that Yai is like 20 and this is his first love affaire. That poem bit gave me very Goethe vibes. Lots of doomed lesbians in this ep. Doomed love in general. Frankly? I was hoping for more oil less sad. Also, these two are making some v stupid mistakes. Also: MORE boys dancing.

Finally... who was it wanted a rain kiss? You got your rain kissing here, okay? No umbrellas to be had, apparently.

Dangerous Romance (Fri YT) ep 7 of 12 - I love them so much. They are so darn adorable. I like how forthright Kang is. Boy has no game and is such a dork but at least he's enthusiastic. I love the “my boyfriend smells good” trope that BL is into these days. I’m into it, too. The bff enemies drunken bathroom shenanigans was v funny. Also @heretherebedork your boys are couple dancing all over the damn place this week.

I guess we get the boyfriends ep next week?

Hidden Agenda (Sun YT) ep 12fin - The conflict really kind of wasn’t in this last ep. But I guess it was a fine, if not a particularly strong, ending. I wish we’d had the family conflict threaded throughout the series. It would have felt like a deeper more honest drama and the actors could have handled it. They’re ready. How pretty were Joong’s single picturesque crystal tears? Honestly, it's been lovely, boys. Not at all memorable, but lovely.

Quick pitch Hidden Agenda: 

A relatively simple and harmless old-fashioned style university Thai BL, that started out Cyrano de Bergerac style but then drifted away into forgetfulness. It felt like it could have fit into the En of Love universe, except that it was high quality GMMTV with very pretty makeup. I enjoyed it for what it was, it's just that wasn’t much. 8/10 RECOMMENDED

Naughty Babe (Sat YT) ep 5 of 8 - Am I mostly watching this for Est and annoyed he doesn’t have a pair? Yes. (Am I writing a whole revenge plot in my head: "seduced to the good side by my enemy's hot bodyguard" with him and the Tem character? Yes. Yes I am. But that’s way too KinnPorsche for this show.) That said, MaxNat really are a great pair. Nice that Dio is figuring out how evil his own family is. Weirdly, I kind of like this speculation that if gay marriage were legal rich families would use it for arranged-marriage power plays. Can you imagine what China would do with this concept if they had access to it? 

Love in Translation (Sat iQIYI) ep 7 of 8 - The morning after was sweet, I do like it when we get these scenes in BL. FYI no one misgendered Bojji except the caption writer. The screaming "discovery" scene was adorable. And I am very much falling in love with all of the side characters. I also love how aggressive Yang is, like he stepped out of a 2016 Chinese BL into Thailand. And I adore the main brother relationship.

I have to say, this is going to be a difficult BL for me to review. I didn’t like the first 4 episodes but it seems like I’m going to love the final 3. I’m actually really looking forward to the finale next week. Boy, do I feel strange about this. In other news, is it just me or is it weird to get a gay kiss from Ngern almost 10 years later? How late is too late for smooching a boy? 

Never too late...

Absolute Zero (Thai Weds iQIYI) - from 2021, Studio Wabi Sabi and New Siwaj finally brings us this “time loop to prevent tragedy” romance based on the novel of the same name. I think we can expect this to be sad (so it will likely slide down my list as I become more confident about this). Mix is a great actor, so I’m not worried about that aspect, but I am warning you this won’t be your classic fluffy Thai BL. It’s a bit slow moving for me so far. Meanwhile, a revelation:

Thai high school BL is all about the hands. I blame Love Sick.

FYI the outdoor movie they watch is Love of Siam Thailand’s first real queer movie, also featured in My Only 12%.

I'm in trouble, Ongsa is such a sunshine cutie and Sansoon is so lost and sad. Pretty sure I won’t have the patience for 12 episodes of this, but I’ll stick with it for now because a pair like this is yaoi-induced catnip for me.

Only Friends (Sat YT) ep 8 of 10 - Ah, Ray, baby, you can’t get what you want if you want the wrong thing. Also, corruption charges much? Is Ray turning into Ton or is that just me? I still hold that Jenny’s is the only story I actually wanted. Although, I did enjoy the two bi boys bonding over Freddie. GMMTV sure is making good use of Title now that they got him away from Wabi Sabi and I’m NOT mad about it (4 shows & counting). Under ordinary circumstances, I probably would have dropped this show by now. But something keeps dragging me back.

My Universe (Sun iQIYI) Right Time Right You ep 6 - This couplet ended up feeling like an amateurish short. It was interesting in that way shorts can sometimes push into unusual territory, but very slow. My favorite so far, but that’s not saying much since we've only had 3. Kinda amorphous ending. 5/10 watch it if you have nothing better to do. Next week's looks pretty but silly: You Are My Soulmate.

Venus in the Sky (Tues iQIYI) 5 of 10 eps - I don’t understand the bit with the girl, car & eyebrows. Was that all just ad copy? This show is so bad I’m mostly fast forwarding now. I mean the leads are cute and earnest but that’s it. NO SINGING! And... nothing happened this ep. 

Ongoing Series - Not Thai

Kisseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 7-8 of 13(?) - Buckle up I got A LOT to say. Ep 7 was the boyfriends ep! Look there’s a a lot of problematic going on here by western standards: age gap (FYI age of consent in Taiwan is 16) + teacher+student, but if you’ve been reading this blog for a while you should know that Taiwan likes both high heat and taboo content (and so do I) plus (unlike Mame) they just lean lube into those kinks. And I, for one, am delighted. I talk about taboo in terms of age gap here and stepbrothers here. I’ve never done teacher/ student because we don’t get it often enough (insert sad face). These are not things that I’m going to complain about or rehash, so, moving on...

I found a lot to love about ep 7: tie grabs, smiley kisses, communication, being held down, younger aggressor, AND preliminary research= all good things. They even brought in morning aftercare, and shared trauma! I love a show that’s both unexpected yet entirely classic Taiwanese BL. I love that the family appeared as a plot device and then disappeared again. It’s all highly amusing.

Gaga dropped ep 8 a week early, I’m assuming this was a mistake since they skip next week. But hey! 

Ep 8: def uhaul lesbians. Also cute queer fam moment. Ring finger biting = v hawt. Then of course it all goes south. Tres romantic means of taking the rap, gotta say. No one does gay sappy quite like Taiwan. Also, now we know why he loses his memory and Ai Di has to go in after him. Honestly, I’m not pleased to see yet another amnesia trope raise its ugly… head (why so many this year?). But it seems to be this year's trend. 

And I know there is more trauma coming, but in classic Taiwan fashion it’s all gonna be fine in the end even if that HEA is chaotic and entirely unearned. Don't worry, all. We good.

You Are Mine (Taiwan Fri Gaga) eps 4 of 10 - Oh noes, sunshine has a cold. And not from the rain... just, like, a normal cold. Amazing. But then when baby gets kidnapped, daddy gets v mad. Honestly, I am charmed by the show. It is very old-fashioned "domineering CEO puts little lady up against the wall" and it’s Taiwan, and thus I am not mad about it. This is what we would be getting from Mainland China if China we’re still making pulp BL. I am disposed to simply enjoy the utter "80s bodice ripper but gay"-ness of it all.

Bon Appetit (Korea Weds iQIYI) 1-2 of 8 - from 2022. If you have premium icky VIP you can binge it all now. I don’t, so instead I’m watching it 2 new episodes every Weds. Struggling heartbroken loser-ish office worker who lives off junk food + sunshine neighbor who loves to cook (from his past with a long-held crush). Also there is a "love class" element. Why does Korea like this conceit so much? Do their universities really engage in socialization training? Gotta say I’m getting whiffs of stalker... but only whiffs. Basically, this show is going poster child “way to a man’s heart is through his stomach“. Bit too much flashback, but I like that our chef is open about liking a boy, and I like that they remember things differently and in alignment with their own egos. And I like that we got a confession already. Ah KBL, it is nice to watch something that MUST move plot quickly. 

My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 6 of 8 - Jealous weatherman is ridiculous. Japan = queen of “why don’t you guys just talk?” 

Mr Cinderella 2 (Vietnam Sat YT) ep 2 - Ba Vinh & Minh Thao reprising their roles as Dung & Khoa what do we think? 8 eps? 10? We got the stepbrothers (or whatever they are) backstory. Also My Prettiest Cat-boy does certifiable nutcake v well. Psychopath looks hot on him.  

It's Airing But...

Crazy Handsome Rich (Sun Gaga) ep 3 of 10 - The sound. No. DNF 

I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) - Adapted from the manga, childhood best friends: The cool, smart one who’s good at everything, and his average, dorky friend who struggles. Always by the other’s side, but not together in the way they truly want to be.

Unfortunately I Cannot Reach You, in classic JBL fashion, could not be reached. 

In case you missed it?

Viki dropped Our Dating Sim the movie. I didn’t notice any extra footage and they took out all the in game/high school flashback stingers. At first, I didn’t really miss them but by the end of the movie I really did. So this is going to be one of those rare KBL instances where I recommend sticking to the original series over the repackaged movie.

Next Week Looks Like This:

Upcoming October BL

10/1 Can I Buy Your Love From A Vending Machine? AKA Sono Koi, Jihanki de Kaemasu ka? (Japan cinema release in-country only) - This one is a movie from Japan so in customary fashion who tf knows when (or if) it will get international distribution. Salaryman Ayumu Koiwai just can't tear his eyes away from the strong, muscular man as he checks on the stocks of the vending machine in his office.

10/5 If It’s With You AKA Even If I Fall In Love With You AKA Kimi to nara Koi wo Shite Mite mo’ (Japan Gaga) - from MBS a live action adaptation of Kubota Maru’s manga ‘君となら恋をしてみても. Amane has stopped loving people due to trauma until he meets Ryuji. At first Amane just wants to play with Ryuji but… feelings. I am assuming 8 eps and rumored to be taking Weatherman's spot so that date is likely wrong.

10/6 What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) - 4th installment in this series (1st series, 1 special, 1 movie prior) about a lawyer who lives with his boyfriend, a hairdresser, and cooks for him. Season 2 will follow the couple as they enter their 50’s. Slice-of-life drama adapted from a beloved manga series of the same name.

10/6 My Beautiful Man: Eternal AKA Utsukushii Kare Eternal (Japan movie Viki & Gaga) - This is the 3rd and final installment the series. The 2nd season didn’t blow me away the way the 1st did, but I still liked it. I'm looking forward to the finale. I hope we get character growth for a change.

10/31 SHADOW (Thai VIU ????) - this is a horror BL featuring ghosts and other paranormal elements in a high school setting. I'm not wild about Thai horror (or horror at all, but if it must be done in BL let Japan do it). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools.

October? Bump Up Project AKA Bump Up Business (Korea ????) - BL staring OnlyOneOf that released(??) as a movie in July but is now being recut and reissued as a series. Stars NineMill and from Idol Romance bulled as a love story between a trainee who is about to debut and a celebrity from the same agency (based on a webtoon). OnlyOneOf have been auditioning for this since Libido IMHO. You can watch me chronicle their BL MV work in this post. Idol Romance will do sad but can do good kisses (Wish You, Nobleman Ryu, Once Again, Kissable Lips, Poongduck 304, Tasty Florida, Tinted With You) but I don't think we will get any in this. After that OmegaX Shoulder bullshizz buisness I am very wary of this show.

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).

THIS WEEK’S BEST MOMENTS

There was a ton of truly great stuff in this week's Kiseki, but this was hands down my favorite. (Pun intended.)

Oh and the neck kisses of course.

I LOVE HIM your honor.

GMMTV's ongoing love affair with the scent trope.

Calling out out new couple's dance trope. (Both Dangerous Romance)

(Last week)