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#also been thinking of an Emily as the antagonist thing
sillysiluriforme · 3 months
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So glad you liked the other Chloe submission, thanks for the informative and entertaining response and the kind words from the comrades!
As before no worries if not interested but I did have a couple more thoughts, though be it these one's likely relate very specifically to teen Chloe so may not be useful/interesting but still.
Oh quick aside:
Not sure how prevalent Sabrina is, but the fact we see her dad encourage her master servant dynamic with Chloe, because it fits his definition of being "Useful" to society and how... Low key unhinged Sabrina can get about her usefulness not being utilized or acknowledge (Like with Marinette) is very interesting. Her & Chloe finding each other in canon is just like two people with hilariously complimentary but deeply unhealthy ideas forming a circular relationship of mutual self destruction.
Anyway, an interesting thing to me is how while Chloe does replicate the abusive behaviors taught (Andre) or demonstrated (Audrey,, Gabriel & Emilie) to her, she had already softened them without any real moral or empathic guidance.
Andre: He explicitly taught her cheating, extortion & threats are moral goods, and she does use them to try and win at things. But she doesn't actually utilize them that often or with as much intensity.
& like her father she uses money/gifts to compensate for shitty behavior but unlike him does, ya know, do things with Sabrina & is invested in their relationship outside of Sabrina's use as a tool.
& while she did use Sabrina as a shield in Zombisu, she also protected her in Ladybug, so its at least mote mutual as I cannot envision Andre doing anything for Chloe that really risks him.
Audrey: She's been impersonating her mother for years in a bid to earn her love but it didn't work until someone else made Audrey decide it was worthwhile & even then didn't seem to amount to much.
So while like Audrey she is antagonistic, haughty and rude, Chloe did actually demonstrate the ability to feel guilt (Zombisu but others too) & when Akumatized in the early series was not terribly murderous.
Compare that to Audrey who happily mulches her husband and daughter despite AKuma usually avoiding hurting their loved one's outside of indirect harm done by their warped attempts to protect.
Gabriel & Emilie: She clearly fucking hates that Adrien is making friends with people she hates and who hate her and is possessive of the relationship.
Yet until everything goes to hell, she doesn't really do much to try and stop him or undermine said relationships either. That is to say, she's already far less possessive & controlling than Emilie of Gabriel are.
Conclusion: So yeah while definitely not good, she had seemingly without much if any guidance, already made the abusive traits she picked up less toxic than those demonstrated by the adults around her.
Note: Also I always feel compelled to note this, but it is low key creepy Andre has been rewarding Chloe for impersonating his wife.
Like even if he's just instinctively recreating the dynamic he had with Audrey; not sure on that as they do seem to argue a lot.
Or is just using Chloe as an emotional crutch/ego-soothing proxy for Audrey's approval... Its still deeply messed up & unhealthy.
you're so smart @clemnoir was right you deserve sloppy head
I love thinking about child development when it comes to fictional characters, it's so fun...Also i don't care how much the show tries i will never have empathy for andre i hope he explodes into a fine mist
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remidyal · 4 months
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Outstanding antagonists after Junior Year
This post is as much for myself for fanfic purposes as it is for any speculation regarding a Senior Year that may never happen and even if it does would be I think at an absolute minimum three years and more likely 4-5 down the road, but I wanted to round up the known potential antagonists remaining out in the world, roughly ranked in order of known hostility:
Chungledown Bim. Certainly the MOST hostile of opponents, we know he's not dead post-Boy's Night (whenever Boy's Night is supposed to fit into the Quangle) because he's on Fabian's nemesis alert.
Arianwen Abernant. Evidently she has recovered her magic, probably while Cassandra was corrupted into a more Nightmare King-ish state. She was pretty pissed at Aelwyn and Adaine the last time we saw her over the whole death of Angwyn thing; I somehow don't think being chased around Sylvaire by the vand will have improved her mood.
Bobby Dawn. The full extent of his involvement in the Junior Year plot is uncertain, but he sure as hell wasn't helping things. Also some real potential hate between him and the party over the Sandra Lynn thing; while Fig might be gone in a Senior Year I'm going to ignore that for these rankings and in any case Sandra Lynn still lives with Kristen and Adaine regardless, so I think that conflict would be born out. I also think there's a strong case for a clash of pantheons style story going on in the background, and Bobby here would be front and center on the Sol-Helio-maybe Galicaea side.
Kalina. I don't necessarily think Kalina actually IS a traitor to Cassandra the way that Kristen thinks and Ankarna thinks; I almost believe that her turning up at the end of Junior Year was a reaction to them deciding to hunt her, in fact. That being said, while I think Kalina is fully team Cassandra, I also think (and even understand!) that she is most definitely NOT team Kristen, who did let Cassandra kind-of-die and now is splitting her attention. So what's Kalina's play now? I think she's going to try to push for Bobby Dawn to add Cassandra back to the Sol-Helio-Galicaea pantheon, which would be to her a much more stable foundation to keep Cassandra alive on than Kristen.
The Automatons that are going to be hunting Fig. Yes, these are self-evidently a way to excuse that Fig won't be around to help out if there's a senior year and Emily chooses to not play Fig. They're also kind of hilarious, especially since they open up all kinds of questions like 'wait did Sandra Lynn spend her first year of adventuring fighting off killer statues of Arthur Aguefort?' They'd be higher except they're only hostile to 1/6th of the Bad Kids.
Gertie Bladeshield. Also only hostile to 1/6th of the Bad Kids at present, though Cassandra knows if any of them speak up in Kristen's defense she'll probably swear a vow of emnity to them too. Could probably be made up with via a sincere apology, or at least by setting her up with someone.
The Court of Stars and Princess Nara. Now we're into the dubiously hostile territory, because this might not lead to actual conflict, but if there IS a clash of pantheons between the Sol one and the Ankarna-Cass one then the most obvious fight other than Cassandra is over where Galicaea ends up. The members of the Court of Stars we met this season seemed much more, um, I'll use the word chilled out than Angwyn and Kir of last year, but it still feels like a mercurial thing.
Arthur Aguefort. I've been saying for a very long time that the only boss fight that makes sense for a Senior Year IS to have to fight Arthur Aguefort himself; it doesn't even necessarily have to be a 'he's evil' sort of thing, but could just be a 'you're the best party we've had in centuries and I wanna throw down'. He dropped some hints at it in the finale, of course, too!
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lakesouperior · 11 months
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🐻🐤🐰🦊 just some thoughts on the fnaf movie
🐻the attention to detail that was put into it, with all it’s little details and easter eggs. the posters in the background, (and i haven’t seen anyone bring this up), the guy who got face-mauled by the cupcake wearing a midnight motorist t-shirt. the spring lock scene. the fact that scariest of all the jumpscares (of which there weren’t a lot but it’s kind of for the younger demographic ig they can’t make it too bad) was freaking balloon boy. the highest kill count going to MVP Carl the Cupcake. this is what i mean when i say movies from established franchises should be made by fans, for fans.
AND THE MATPAT CAMEO. HIS ACTING ISNT EVEN BAD AND EVEN IF IT WAS I EOULD STILL LOEV ITTT DVDNFB
🐤 you can tell they put a lot of thought into the child actors. abby is phenomenal. the five missing children? properly creepy and sad looking.
🐰 characters were all really well written and entertaining. the karen aunt, for all that she is an antagonist and very much hateable, still manages to be funny. even background characters are hilarious, like Doug for example, and don’t even get me started on the friggin matpat cameo i nearly screamed in the movie theater.
🦊 vanessa and mike are naturally each other’s narrative foils (and stand-ins for respectively Michael Afton/Elizabeth Afton (MichaElizabeth if you will) and Charlotte Emily imo), and them saying the same line, the “that’s two jobs”, mike at the beginning, and vanessa at the end, TO THE SAME CHARACTER?? TO THE BIG FUCKIN BAD HIMSELF??? WHO THEY BOTH HAVE DEEP HISTORY WITH???? literally this is good writing. i’m not saying the movie is perfect because it isn’t, but this is good writing.
🐻 and vanessa, as much as she kind of is, doesn’t feel like a coward because her worst fear does come true. her own father, the person who she thought the world of, tries to kill her as soon as she steps out of line. her fear wasn’t unjustified. she spent her entire life under his control — has literally never known anything else, and to still rebel after so long must’ve been the hardest, most terrifying thing in the world but she still did it because she’d grown to care for mike and abby.
and this is what i mean when i quote that one post: “strong female characters ≠ characters who are female and punch good, but strong female characters = well-written female characters” like yeah, vanessa’s an antagonist, or an anti-hero i suppose, but she’s still, once again, likeable and mysterious and funny. and the “bring her here again and i’ll fucking shoot you”?? that was probably her first act of true rebellion, aside from telling mike more than she should’ve about the pizzeria.
🐤 mikes arc is a very obvious “let go of the past and learn to cherish the present” which isn’t exactly revolutionary, but i think it’s done quite well though it could be improved a bit. and as much as you think he is an absolute cabbage head for telling them they could have abby for even a second, but you still, once again, get it.
our man’s running on like two hours of sleep and also meds, finally getting to see his baby brother up-close and even touch his face for the first time in probably more than a decade of blaming himself, and then getting told he could go back and see his parents again, the grief over who he probably hasn’t been able to process since he had to take care of abby when they died (possibly even took his own life in the father’s case if he’s supposed to be a henry stand-in like i think and doesn’t that just make it fifty times worse)
and it’s set up that he wants that perfect family back, the kind that he had during his childhood, that abby never got to experience.
and maybe he feels guilty for that. maybe he thinks, in his sleep-deprived and grief-ridden mind, for only a moment, that she would be better off, since she seems to like the animatronics and their ghost children better than him and he still feels like he doesn’t know how to raise a kid.
🐰 speaking of abby, for once Child Character in the horror movie isn’t just there to do some stupid shit for Plot Reasons (cough, The Curse of La Llorona, cough cough). i mean yes, she does go with them at the climax, but she has been given no reason not to trust them and considering the fact that they are other children, it would honestly be more suspicious if she didn’t trust them (also we’ve been shown she doesn’t really have friends before the end, so they’re also her first and only friends, no wonder she’s clinging to them) plus she’s been left alone with the aunt she does not like, possibly still believing mike is abandoning her. you get it.
she’s also very entertaining in her sassiness. like “are you here to arrest my brother?” or “yeah, love you too bro, kinda don’t wanna die tho, can we leave?” literally i can’t stand kids in general, but especially so in in horror movies, but i would give my life for abby.
🦊and the drawing thing? it’s beautiful and sad and really hammers home the fact that these monsters, however scary they have been made by their brutal and cruel deaths, they were, and are, just children who didn’t deserve to die and communicate the same way children like abby do. it also makes abby herself relevant to the plot and actually useful.
🐻and about abby; i have my own Theory there. we know she wasn’t in the picture during Garrett’s disappearance, which means she’s at least twelve years younger than mike. it’s actually quite common for couples who are going through a rough patch to have kids to try to fix it, which i think is what happened here, made even more possible if they also had her as a sort of replacement for Garrett. this, as i said earlier, makes mike’s indecision all the more understandable — if abby doesn’t just look a lot like Garrett, but was actually supposed to be him and would’ve never existed if not for the tragedy.
but that’s Just A Theory. 🐻🐤🐰🦊
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anthurak · 11 days
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How do you see Lilith being portrayed as a character in the future? Particularly when it comes to her relationship with Lucifer and Charlie as well as whatever deal she had with Adam and her potential connection to Alastor? I for the most part view her as a morally grey sort, having genuine love for her family and wanting what’s best for them but also willing to do some messed up shit do what she feels is best for them and herself.
Oooh, yeah this is a good one. Mostly because it lets me talk about a few theories I’ve never gotten around to discussing :)
I think Lilith is basically going to end up being Charlie’s big ‘Ideological Antagonist’ and ‘Shadow Archetype/Foil’ for the story. Note that I specify ‘antagonist’ and not full on ‘villain’ because I think Lilith is NOT going to be a character Charlie needs to ‘defeat’, but rather prove wrong.
The key thing about Lilith is that I think she ultimately wants the same thing Charlie does deep down: To protect Hell and its people and stop heaven’s extermination/oppression of Hell. I think we’re going to find out that just as Charlie has HER plans and ideas to help her people and stop the extermination, Lilith has her own ongoing plans. Indeed, I think this is EXACTLY what led to Lilith disappearing seven years ago and is tied up to what exactly she’s doing in Heaven now.
However, whatever plans Lilith has will not only directly conflict with Charlie’s, but also represent a dark, much more ruthless foil to Charlie.
For example, whereas Charlie might be working to establish some kind of peace with Heaven via working with sympathetic angels like Emily and Serpentious, Lilith is at the same time scheming to undermine and ultimately DESTROY Heaven from the inside. Which in turn is what brings the two into conflict.
And of course, it’s also made clear from the outset that Lilith is doing all of this out if love. Love for her people, love for Lucifer and most of all her love for Charlie. But at the same time, Lilith is unable to forgive Heaven for what they did to her, Lucifer and her people in Hell.
Ultimately, I think Lilith is going to represent the darker, more ruthless foil of Charlie. Driven by the same good-hearted motivations, but twisted by guilt and trauma that she’s never been able to let go of. Which incidentally would make her a very nice foil to Vaggie as well, continuing the trend of both Charlie and Vaggie having parallels and foils to both Lilith and Lucifer.
Speaking of which, I imagine Lilith and Lucifer, as well as their estrangement, will likewise be acting as a foil to Charlie and Vaggie. Showing us that Lilith and Lucifer went through similar relationship problems that Charlie and Vaggie had/will-have. And not only showing Charlie and Vaggie pointedly NOT repeating the mistakes of their predecessors, but also helping Charlie’s parents get back together.
Basically, as I’ve said in other posts, I think Hazbin Hotel is setting up a major theme of ‘children/next-generation not repeating the mistakes of their parents/predecessors’ with Charlie/Vaggie to Lucifer/Lilith, and potentially the rest of the ‘Eden Quartet’ with Emily and Lute as parallels/foils to Eve and Adam.
As far as how Alastor factors into all this, at this point I’ll admit that I’m now thinking the one holding his leash isn’t Lilith, but rather Roo/Eve. That being said, Alastor having disappeared at around the same time Lilith did is obviously NOT a coincidence, though I’m thinking it hints less to any connection between Lilith and Alastor, and more to some kind of connection/collusion between Lilith and Roo/Eve.
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steam-beasts · 7 months
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SLoTLT talk
Tbh I kinda disliked STH in this movie. SLoTLT was a fantastic movie, don't get me wrong but STH was the only character who I feel was a bit too mean in it. I understand he's a controller so he has to be strict and bossy, but he didn't even let Thomas explain ANYTHING of what happened.
When Thomas derailed Gordon's coaches, he tried explaining to Sir Topham Hatt what happened and likely due to panicking, he ended up blaming Emily and Gordon. Also, the whole thing wouldn't have happened if Gordon hadn't teased him. Did STH ever think to ask around for what happened?? He could've asked Annie and Clarabel, or even James or the workers!
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Also, about Thomas's behaviour; there's people who complain that Thomas is too dickish in the movie, but...isn't that kinda part of his character? Thomas has ALWAYS been a cheeky prick, and if you look at the Unlucky Tug's movie ranking vid, he mentions that SLoTLT is where Thomas's personality is TOTALLY CORRECT. Yeah, he was also in the wrong for the incident at Knapford, but again, Gordon set him off into a cheeky mood. I reckon if Gordon hadn't said anything, Thomas probably wouldn't have done that. Emphasis on probably.
Also, I can I just say that the antagonist, Sailor John is absolutely RUTHLESS?! He blows up Knapford station, he wacks Thomas in the face with an ore and throws live dynamite at him! It's not sugar-coated in any way. I'm also sure he abuses Skiff?? He stomps on his deck, kicks him and threatens him. That's pretty dark, in fact the whole Sailor John part of the movie is dark.
I wish people talked about the movie and this villian more. One more thing; if you've ever looked at the wiki about him, it says he was originally part of the Royal Navy! This guy has lore.
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definitelynotriana · 9 months
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Hey we just got the Disventure Camp All Stars Intro!
It was so good and they improved so much when it comes to animating the scenes :D
Let’s see what we found..
- So it starts off with Emily pushing off Oliver, Marcus and Nina. So by that I’m guessing that Emily is going to be an antagonist, she doesn’t seems very nice. And will probably cause more drama between the contestants.
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- And JAMES AND LAKE LETS GO!! These two seem to get along pretty well. I reckon Aiden, James and Lake are going to be a power trio like Hunter, Ally and Tess last season.
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- Speaking of Hunter and Ally, I think they might’ve had an issue that happened before the season started. They also could’ve started dating are now becoming extremely toxic and hostile towards each other. And they must be really loud for Fiore to making them to shut up.
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- Also I reckon that Fiore and Alec’s arguments and issues haven’t been resolved, from this photo I predict that he’s just telling her all the things that make her a “mistake”, and I don’t think Fiore cares just by seeing the look on her face
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- Miriam is on the look out immediately, considering that she was the winner of season 1, and her age. She’s probably thinking that people are going to target her, (which I don’t blame her for) and is probably looking for an immunity totem. I don’t think she’ll make it far though.
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- Now the 2 antagonists, Yul and Grett. From the poster of Grett we can already tell that this will discuss weight loss, and her happiness and stuff. This relationship will most likely be toxic since well, Yul’s in this relationship. It’s either that Yul forced her to lose weight to keep dating her or Grett did it for her own happiness and Yul and Grett are actually a good couple, (though I doubt it.) Most likely, Yul will probably use Grett to get further in the game.
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- The look on Jake’s face! I really hope he gets a redemption arc this season and makes it far this time, I thought Aiden and Jake would be friends but from this intro I really don’t think so anymore, hopefully I’m wrong? Anyway, seems like Tom and Aiden become friends, although I don’t think Tom and Aiden will start dating considering Aiden already has a good boyfriend. And by Ashley’s concerned face (not this photo), I reckon she’ll try and help Jake from getting jealous.
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- We got a new trio!! And Ellie and Gabby! I never thought that Tess would be into painting, but it would be great for these three to get along this season. Especially away from the Ally and Hunter drama.
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- Also the way James looks at Aiden!! So cute, also since when were Aiden’s eyes so round?? It looks different, or is it just me?
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- And the season 1 cast! I think Jake is going to have some insecurity issues about Tom, considering that his trust has been broken many times. But I hope that Ashley and Miriam would help them (especially Jake) to be a better couple ❤️
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- Connor and Riya being center stage! I bet they’re the main couple, I think over the time before the season Riya got famous and became rich, although from this shot she seems to be fame hungry or whatever you call it.
- Also James and Aiden are holding hands! I love them, Ellie and Gabby have their usual stare and stuff, and Grett and Yul as a couple too.
That’s all for now! And also congrats on finishing reading my very long predictions based on the amazing intro! Thank you Odd Nations Cartoons for working so hard!
You won’t hear from me for a couple days because I’ll busy for the next few days so I hope you understand if I don’t reply to anything for the meanwhile. I’ll maybe post again after Christmas next week!
See you next time!
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skygemspeaks · 1 year
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thoughts on episode 7 of opla!
given that arlong park is supposed to be the climax of the east blue saga, i'm a little tiny bit disappointed with how this episode played out, especially given how standout episode 6 was. some of the disappointment comes from me not liking some of the creative choices they made with it, but some of it is also just the limitations of the medium
emily rudd's performance of nami, especially during the scene where she's stabbing her arlong tattoo, was absolutely phenomenal. all the actors in this show have been doing such an awesome job so far, but at the end of the day, there's no way it can really stand up to the manga and anime versions of this same scene. oda is a masterful artist, and the way he's able to depict such raw despair and grief has always been one of my favourite things about his art. and one of the things about animation is that they're able to exaggerate certain expressions and body language to give more of an emotional impact, in a way that real humans can't really do, so i feel like in some ways, live action is always gonna fall short. so far the live action has been doing a good job of adapting the story in a way that plays to the medium's strengths, but i do feel like this was a rare L for them. and that's not to say the episode wasn't well done! because it really was. i think that in this case it suffers from having to try and live up to the source material.
i'm not sure how i feel about them having nojiko not knowing about nami's plans. i think one thing that i really liked about this arc in the manga was how all the villagers knew nami was trying to buy back the village, but they were being hostile to her because they knew how hard it was to do what she was doing, and if it ever got to be too much for her, they wanted her to be able to turn her back on them without feeling bad. they didn't want her to feel obligated to save them. that's neither here nor there though, and it did open up a chance for them to have a heartfelt conversation and make up.
i've seen some people upset that Hachi wasn't part of the arlong park arc, and i was a little sad we didn't get to see him too, but i do also think that it makes sense as a creative choice. so far when you look at the storytelling choices they've made with this series, a lot of their decisions seem to come from the mindset of "don't assume we're going to get more seasons, but lay down a bit of subtle groundwork just in case we do" and this seems to be one of those choices. in the event that we ever do make it to the sabaody archipelago, hachi is going to become a friend, and it's going to be easier to get the audience on his side if he wasn't one of the antagonists that was enslaving nami's village. in the event that we do get to sabaody, i'm assuming we're gonna get some flashbacks to nami's childhood when he WAS with arlong, but then he left before the canon timeline because he couldn't deal with how awful arlong is? i don't know, but that's just a guess. the manga had the leisure of slowly winning the audience over to his side by the simple fact that we were able to spend so much time with him, he was around for many chapters and we were slowly able to get attached. but the live action is going to have a much more limited run time, so we won't have the time to do it that way. this decision is just a bit of a shortcut. that's my reasoning at least
the flashbacks were well done! i like how sweet genzo seems, and bellemere's actress did a good job. she had big mom vibes. i am a bit surprised that they did actually show bellemere slapping nami. i would've thought they'd cut that out. glad they didn't though!
the prosthetics for the fishmen were AWESOME! i'm so so so glad they decided to go practical effects instead of doing it all with cgi, they look fantastic
i LOVE how they gave arlong park more of a waterpark/amusement park vibe. it calls back to the fact that it's heavily inspired by sabaody park, and that, paired with arlong being very defensive when he perceives that he's being looked down on by humans because he's a fishman, work together to show that all of arlong's behaviour is stemming from a place of hurt, and a lifetime of alienation.
i like seeing helmeppo and koby slowly becoming friends! i was really surprised when helmeppo bought a drink for koby, and then it was pretty funny when koby just couldn't help but blurt out that luffy is garp's grandson. they're growing to become pretty good partners
zeff and garp's conversation was good! loved the mention of jaya, and also i think the two of them make good parallels. both grand/parents to some upstart pirates - one of them trying desperately to cling on to his grandson, the other one having to practically push his son out of the nest. zeff tries to convince garp that sometimes you just gotta let go and let your kid tread his own path, but garp still isn't ready to hear that, and maybe he won't ever be ready to hear that.
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random-krab · 9 months
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I know you're not the biggest fan of Emily Wilson (Me neither) but I'm curious about what you think
Both the Odyssey and the Iliad would've been performed orally by court poets while playing an instrument. Most likely with a lot of pauses and dramatic flare as it's a performance.
Not only does Emily Wilson have extreme bias, she also translates it like it's meant to be READ.
The thing is, neither of these epics were originally meant to be read, always spoken. I think THAT'S part of the reason why it feels so "strange" when I read it alongside the fact that yeah, she's got clear bias. Taking away a lot of the "dramatic flare" to make it simpler to read takes a lot AWAY from these poems!
You Anon are correct, She writes it almost as if it is a novel or a story meant to be read to oneself. I think that's something many modern writers need to correct while translating Epic Poems in general. If it wasn’t for her cherry-picking, biased perspective I do believe that maybe I wouldn’t be so harsh but with the novel-like writing and her choosing to gloss over or paint certain characters (Like Agamenmon or Calypso) in a certain light feels wrong. I’ve mentioned before how much I don’t like her glossing over/minimizing Odysseus’s assault several times but It should be mentioned what she does to Agamemnon while also common is so very incorrect and upsetting. Do not get me wrong Agamemnon is a frustrating character but it’s not fair to write him as some sort of villain. There is truly no villain in the iliad other than the circumstances of war itself. If you look through the Iliad you can find at least one line that makes almost every single character and hero a frustrating and or horrible person. Agamemnon is a confusing, interesting, complex hero, is he the antagonist of Achilles at various points? Yes. But so are Diomedes, Odysseus, Ajax, and practically the entire Greek army. At the highest point of Agamemnon and Achilles' rivalry, Achilles turns his back on everyone by not helping during the war. But yet Emily’s translation makes it seem like Agamemnon is some antagonistic villain who hurts his people, From as far as I know there is no point in which it is mentioned that Agamenom is a bad king to his people in other translations. She wants to build emotion and drama but creating drama but villainizing a character is no way to do so.
I hope that answers your question(?) and I’m sorry for that whole tirade lmao 
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Again thank you so much
Here’s another scene from Adam got redeemed.
I never talked about a character who has a huge role in this.
It’s the middle of the night. Also it takes place two days after Lute and Emily’s fall, and a week after Adam’s, both Lute and Emily came to the hotel (not like they have an alternative place to stay)
Emily, trying to find her room: I didn’t knew they made this place this big.
She walks through an hall she has never seen before and she hears someone shout from one of the rooms.
Lilith’s voice.
Lilith: -MESS UP THIS BADLY?!
It confuses Emily, why was she this angry?
Emily comes closer and listens more, she knows this is bad but curiosity takes over her.
Her ears then catch a voice she hoped she’d never hear again.
Sera: Don’t you yell at me! How was I supposed to know he couldn’t be saved? You should’ve been more careful about him and Lucifer!
Lilith: The only reason I agreed to your stupid plan was that you promised you’d keep Adam out of Hell! Away from Lucifer!
Sera: We have more serious issues than you getting back with him!
Lilith: You think THIS is why I’m this angry? Can’t you see how doomed Heaven is going to be?! Now, Lucifer is going to take mine away and give Adam a King title! No one will stop them to cause an uprising against Heaven in Hell!
Sera is quiet, Lilith continues.
Lilith: Not to mention you lost all the trust Heaven people had on you! Soon, maybe the archangels would realize the fuck is going on and get rid of you!
Sera: …I won’t let that. No one will fall to Hell again. I’ll make sure of it.
Emily backs away from the door, horrified and deadly concerned of what she just heard.
YAY LILITH IS A BITCH TOO!
She came back to Hell 2-3 years ago but has never showed anything antagonistic.
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Hehehee evil bitches working together. Emily do the right thing here.
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makshu · 7 days
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Kamaitachi songs that I think fit JSHK characters
Hello there! I thought about making this post because many of this artist's songs remind me of JSHK
–> Well, but who is Kamaitachi you ask me? Kamaitachi is a Brazilian singer and composer who writes songs on a variety of themes, the most common being romantic and horror themes. His musical style is varied, with indie, rock, blues, pop, jazz and others in his composition.
–> In addition, Kamaitachi created his own universe in his songs, having connected songs telling a story such as 'Bob', 'O Sono de Emily' and 'Sr. Sono'. The name Kamaitachi is inspired by Japanese folklore, where "Kama" means cuts and "Itachi" means weasel, representing the sweet and sour crowd.
Well, now that you know him, let's get to the songs and characters! :)
Hanako-kun with 'O Fantasma'
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'O Fantasma' translates to 'The Ghost', this song reminds me of Hanako not only because of the name, but also because of the ghostly and melancholic melody. The song demonstrates an internal struggle and a search for redemption. In the song, the lyrical self wants to remove a part of himself, which would be the "ghost", a part that haunts him. The part that reminds me most of Hanako is this one:
I was never an angel
I didn't even have wings to fly away
From what afflicts me
But I was once a demon
And I had to die
To learn how to live as a human being
The theme in general fits very well with Hanako, besides at the end of the song the lyrical self apologizes to someone dear to him for everything that happened. Promising to change and to no longer let the "rays of the past" haunt his life and everyone else's. Remembering Hanako with Yashiro or even with Tsukasa.
Tsukasa Yugi with 'O Sono de Emily'
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'O Sono de Emily' translates to 'The Sleep of Emily'. The song features themes of friendship, fear and a plan beyond the tangible, featuring the lyrical self as a little boy named Bob who tries to reach out and befriend a girl named Emily. It's also shown that they are "shadows" and that Bob wants to keep Emily with him. This song reminds me a lot of Tsukasa's relationship with the entity, both in the old and new timelines. Unfortunately, I can't really develop the similarities since we don't know much about how exactly the entity works. However, we do know that Tsukasa makes friends with the entity. The song has a more intense and somewhat sinister melody, as if it were on another plane, and Bob's lines are kinda unsettling.
The song fits very well with Tsukasa's aura, as it presents a very powerful childlike entity that conveys fear of the unknown, just like Tsukasa in all its versions.
Nene Yashiro with 'Alice' (tw: drugs)
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'Alice' alludes to the character Alice from "Alice in Wonderland" bringing a dark meaning that has been used several times, that Alice was under the influence of illicit substances and hallucinating everything she saw. Supernatural things are not things that people normally see, you shouldn't see things that don't exist, but Yashiro does. It wouldn't be so absurd, if we put it into reality, to imagine that Yashiro would be under the effect of something. The song brings up the theme of drug addiction and its terrible consequences, and yet, Nene, who truly sees supernaturals, has also had consequences (mostly psychological). And let's be honest, to an outsider, Yashiro really does seem to be hallucinating.
Tsukasa Yugi with 'O Treco'
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'O Treco' translates to 'The Thing'. the song presents a dark and enigmatic narrative, where the lyrical self describes the unexpected and disturbing visit of a mysterious man.
I had to put him back on the list since this song really suits him as a mysterious antagonist (and there are many edits of him with this song).
Tsukasa is an enigmatic and unpredictable figure, always appearing out of nowhere and giving many jumpscares to the characters. However, most of the time he actually has an "invitation" when he appears, which is a deep wish made by a supernatural. I think the song suits him very well, especially in this new reality, where he's a bizarre and disturbing child entity, presenting the unknown and danger in the face of those who face him.
Hanako-kun and Aoi Akane with 'Às Cegas no Monte'
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'Às Cegas no Monte' translates to 'Blind On the Hill' and the song brings a reflection on the journey of life and the relentless search for happiness. This song reminds me of them in the "To The Far Shore" arc due to the literal meaning of the song since we follow a "train" throughout the song. Throughout the lyrics, it's possible to observe many similarities, such as a train that runs without stopping, something that reminds us of dawn and the desire to still want to be happy even if "it's not the time to be happy."
In its meaning, the song presents the search for happiness, which is something that both Hanako and Aoi seek, even if it's almost impossible to achieve, and it's also about the journey of life, or in this case, the journey that has ended. The song has a calm melody, but it manages to bring a weight to certain phrases and this vibe reminds me of the two of them at the beginning of this arc, a heavy atmosphere but they still try to avoid it by talking about what their lives were like.
Hanako-kun and Nene Yashiro with 'Carnaval'
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'Carnaval' which translates to 'Carnival' is about longing and desire, intertwined with the hope of reunion. The song features a lyrical self who misses the other person and who always asks if his partner is okay, indicating that perhaps they haven't seen each other for a while. And in the chorus, the song uses a metaphor, saying that the kiss of this person reminds him of Carnival (a typical Brazilian party) because of all the excitement and effervescence that this party brings.
This all brings out the essence of Hananene, this concern for each other, the occasional separations and the desire. And also all the little moments apart where count the minutes until they meet again. The song features an upbeat instrumental that creates a good vibe and brings a feeling of happiness, especially when you think about your loved one. Really a very good match with these two.
Hanako-kun and Nene Yashiro with "O Sol e a Lua"
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'O Sol e a Lua' translates to 'The Sun and the Moon' the song addresses, in a poetic and figurative way, the relationship between the celestial bodies Sun and Moon, presenting the feeling of revealing oneself and mutual protection. Demonstrating love and how both are important to maintain life. In addition to the music having references to other spatial aspects.
I know that the sun and moon are concepts mainly attributed to the twins in JSHK, but considering romantic dynamics, Hanako and Yashiro fit perfectly into "sun and moon". Hanako is the moon being the most mysterious and serious side of the relationship and Yashiro is the sun being the most cheerful and lively part of the relationship.
I put them back on the list because this song is very hananene coded and I don't know how to explain it other than just saying "it suits them".
Well that's it for now, I hope you enjoyed this list and if you give the songs a chance I'll be happy too! Kamaitachi is a very plural and unique artist, and I really appreciate his work.
Thanks for reading ^^
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the-knight-of-destiny · 4 months
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Okay, so long long ramble under the cut about the nature of Ratgrinder Discourse™, I'll preface by saying that I don't want any of this to get hostile with anyone, because I think that's frankly silly to do over a webshow. That said I am also open to critical discussion so if anything I say doesn't make sense, or doesn't track I'm open to critique on it! Obviously spoilers up to Episode 19 of Fantasy High Junior Year underneath. Also it is a VERY long post, several pages, so don't click read more if that'll be overwhelming/too much at once. I just had to get my thoughts into words.
So, this will be long but I'll try to break it up. For clarity I want to establish my main point and give a quick TL;DR here, so here's the short version, long version even further below. My main points are as follows: 1: It is okay to not be happy with how a narrative is going in a show/story you enjoy. Critique is not hate, if anything it's a form of praise in a way. People wouldn't be having such long and frequent discourse about D20 and it's current season if they didn't feel strongly. 2: Similarly, we as an audience have a very different perspective of the entire story unfolding compared to the Intrepid Heroes/Cast. I think a lot of people jump to assumptions about the cast's thought process when that really isn't something we can gauge beyond what they say in episode and on Adventuring Party. 3: For me at least, even if I am left unsatisfied by an ending it doesn't ruin the fun I had in a work. Now if you just wanted my bullet point thoughts without elaboration, there they are! The rest of this is going to be an insanely long ramble (seriously, exit now if you aren't up for that, it's pages long) that I don't expect anyone to read, but I like to get my thoughts outta my brain. ---------------------------------------------------------------------------
So, in regards to the Ratgrinders dying in the fashion they have, there's been a lot of discussion on literally every place there is to discuss Dimension 20, Twitter, Tumblr, Reddit, I'm sure other places as well. Really it all comes back to one thing, Dungeons and Dragons is a game, but Dimension 20 is a show. We as viewers have some level of narrative expectation, now for everyone that's different. Some folks have specific hopes for plot and character arcs. Others just want a general vibe, but the cast are players. Sure they are performers, but they are players in a game in equal measure. I've alluded to this before but a lot of the sincere vitriol to antagonists thus far (and especially the Ratgrinders) comes from the fact that the players have been fully immersed in a world and as characters where the Ratgrinders have been a constant thorn in their side for tens of hours of play time. Obviously one can still not like how they've engaged with them (I'm still not sure how exactly I feel about it,) but a lot of it is coming from that distinct perspective. When Fig took Ruben out, she specifically was frustrated because she 'wasted her season' on him. There's a meta level of Fig being angry with Ruben as a character who shares a world with him, versus Emily being frustrated as a player that a lot of her in-game actions did not hash out. That's actually totally natural, by the way. The interesting way that DnD serves both as a narrative of the characters in the setting, but also of the players rolling dice is part of what makes actual play like Dimension 20 so interesting. It's why I think SOME of the disappointment with Brennan and the Intrepid Heroes comes from a strange place, we literally cannot experience the story the same way the cast have. We get a week between chunks of story, they film the episodes in batches. We can think for as long as we want about our critical thoughts, they have to improv on the fly. We get to watch the Ratgrinders as antagonists in a story, the IH are actively hindered in their gameplay by the Ratgrinders as enemies.
That said I would be lying if I said I wasn't worried about some aspects of Protagonist Centric Morality™ in this. Oisin having a mildly flirty conversation with Adaine once when he had ulterior motives is a deeply awful manipulation, but Fig catfishing Ruben the better part of an entire year is her trying to reach out and understand him (?). Kipperlilly threatening to desecrate Eugenia's grave is deeply fucked up, but Riz openly advocating mutilating Oisin's body for tactical reasons, and Fabian loudly declaring he intends to do the same to Ivy for literally just his own self-satisfaction are 'fun unhinged moments'.
Before I go on, obviously the Ratgrinders are the bad guys. They're taking part in an evil plan, they've done villainous things throughout the season, especially very recently, etc. This isn't some argument that the Bad Kids are secretly the real monsters or something, obviously not. I just think it's odd that people read into the Bad Kids' actions in the best possible light at all times and the inverse for the Ratgrinders. This protagonist centric morality also comes down to the true reason behind any and all of Fantasy High's villain redemption. Ragh gets redeemed because the player characters think he's possibly useful and/or endearing. Aelwyn gets redeemed because she personally helps Adaine. The only one that Brennan really pushed forward on his own was Zayn, who they barely engaged with. People compare the Ratgrinders to Penelope and Dayne a lot, and understandably so. However I think this is sort of the complication and in my opinion, the silver bullet to understanding what's actually happening with the Ratgrinder's narrative place, Dayne more specifically. He does very little evil on screen. I mean, he injures Fabian and is most likely the one who killed Zayn, but comparatively to Aelwyn, he does almost nothing. He gets killed without so much as a thought, and in a fun (?) parallel to current Ratgrinder discourse, does actually have his body desecrated after death by Fabian. Because he hurt Fabian personally. Aelwyn gets forgiven of doing a lot of terrible shit (and this isn't Aelwyn hate, she's like my favorite NPC.) because it didn't directly affect any of the Bad Kids besides Adaine, and even the bad stuff that did affect Adaine can be sort of off-loaded onto their parents. So it's why I say this discourse is tough, people inevitably say "Well, the Ratgrinders are villains, of course they'll get killed." And this isn't inherently a wrong statement, they look at the bad things the group is doing and understand they must be stopped, why are people upset clearly bad guys get beat and/or killed in DnD games? Because they aren't actually getting killed in such brutal ways because they're bad guys, it's because they personally annoyed or hurt the Bad Kids. This is also why Ratgrinder fans often feel both frustrated and vindicated at once (I speculate, but I feel it's a safe assumption,) because on a meta level Kipperlilly is literally right. Her friends and likely herself are getting ripped to shreds because they crossed the special protagonists, because they started to really frustrate the Intrepid Heroes. The Bad Kids have forgiven atrocities before, but the Intrepid Heroes are really quick to dismiss and kill people they find annoying.
The ultimate example I feel of this, is Mary Ann. Ruben gets blasted into hell because his actions personally annoyed the players, Ivy gets stabbed to death while being repeatedly insulted and threatened with mutilation because her actions personally annoyed the players.
But Mary Ann is the one they all think they can redeem or save, because her personality is more cute and endearing to the players. That kind of says it all better than I ever could.
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imthepunchlord · 1 month
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Here's the thing, Felix is problematic yes but I didn't mind it??? It even made his character more interesting to me???
Some of it (like him trying to kiss ladybug) was just ew, but most of it was amazing??? He's basically the curious cat Adrian was supposed to be. Since he entered the story and stirred the pot, the show has been pushed forward so much!!!
He found out about everything happening in the Agreste mansion, was deeply horrified by most of it and at the end made a deeply selfish decision that benefits him. He then used his miraculous to go on a fucking power trip with a dance number to boot. And he's the fanon favorite to pit against any character as a competent, smart and classy opponent, no Lila dumb down magic or Chloe daddy's influence required.
He's awful but he's fun awful.
He is!
I have watched some clips of him, really only his intro ep, and yeah, he was really fun. it was the first time in a while I was having a blast watching a character on this show. I do think part of it is that he's the official first "mean boy" to come in, as a lot of the guys are sweet and charming, they do have their moments but it's not usually acknowledged to be an issue. Felix immediately sets that tone though of being an antagonist and not supposed to like him (which he's such a breath of fresh air, he was pretty enjoyable as a character).
Yeah, I wasn't crazy about him trying to kiss Ladybug without consent, but unfortunately that's something we just can't get away from given that Chat does try to move to kiss LB without consent, it's probably something Felix did in the PV days, and it's something older concept Marinette has tried to do as well.
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But yeah, he also progressed things that no one has been able to do in 4 seasons, specifically Adrien who lives with the show's villain and discovered a Miraculous related book but never questions it. Come on, Adrien, what are you doing with your life?
So Felix progressing things was appreciated.
But there were a few things I didn't like.
One was canon Felix bringing in the concept of the feather babies, I really don't like the concept of the sentikids, especially with how they went about it. Given that Emilie we knew for sure was the only one using the Peafowl to make sentis, for a period of time, I was actually afraid of the possibility that Adrien and Kagami were going to technically be siblings as they came from the same creator. Also I got the impression that Emilie made herself twins, picked her favorite of the two, and passed the other onto her sister.
With nothing being clear on the feather babies for a while, there was so much "I don't like this" I was feeling.
Two were his actions in the s4 finale. Now, I didn't watch it, it's just based on what I've heard, which didn't include anything of his reasoning (if it was even given), but I felt it really clashed against Felix based around his first few eps, and defining him as a smart, clever character.
So Felix is defined by having a dislike of Gabriel, which is understandable given that Gabriel is an ass, didn't attend his brother-in-law's funeral and show support to extended family, and refused to hand back the family heirlooms that it sounds like Emilie just took and made to be their wedding rings. And then Felix finds out that Gabriel is HM, who threatens Felix and his family.
So, defining Felix to be smart and disliking Gabriel, does he:
A. Approach Ladybug/the heroes about this, as the enemy of my enemy is my friend, and it could be a quick way of getting Gabriel handled, or Felix could potentially get a Miraculous out of this given Ladybug has a record of handing out Miraculous and she gave one to freaking Chloe of all people despite nearly causing a train accident.
B. Make a very stupidly reckless deal with Gabriel, trading 15 Miraculous that he probably has limited knowledge on what they can do over for 1, which Gabriel will know he has, and just hold faith that Gabriel will not come after Felix with his 16 Miraculous to reclaim the one that is pretty OP and useful and he knows where it's located.
Hearing that Felix does B was very baffling. Especially as he does this after Gabriel has threatened him and has a magical jewelry to power him and have an edge over Felix, what Felix logically should do is find his own Miraculous ally or get a means to have a Miraculous himself to even the odds.
His best bet is with Ladybug, which I will say, she probably wouldn't trust him, but she's the safer option than believing he can make a deal with Gabriel and believing that Gabriel will keep his word. Which I know it seems like Gabriel catches Felix when he tries to steal the two brooches, which if that's when a deal was made, I would probably vote having Felix act as a double agent. Ease in the idea that he's going to help the heroes, but right now, the villain has a literal blade over his head.
Also, I feel like his actions done in the s4 finale, make a lot more sense if it was Lila. Lila who actually has a grudge against Ladybug and works with HM. It would be in her own interest to get HM those Miraculous, not Felix.
While I don't get the impression Felix has a grudge/dislikes Ladybug, even if he did, it just doesn't make sense for him to help Gabriel over her when she could be his greatest ally against his uncle.
I think he was a great and needed inclusion the first few eps, but s4 fianle and from what I hear s5, he wound up dropping the ball as a character. At least for me.
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Sera is definitely gonna try and fail to control the exorcists next season. They were supposed to stop a war from hell and they have done the exact opposite. Unfortunately she has been hands off in managing them and the only one they are loyal to is Adam who she controlled betterish and he is dead.
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Greetings.
Apologies for the delayed response.
I find the character Sera interesting. She clearly set up to be an obstacle of an antagonist for the series. But as problematic as she is, to the point she know it felt wrong that it needed to be kept a secret, she believes she doing the right thing.
She didn't sign the go ahead for yearly massacre for fun. She felt it was necessary and her duty to protect the pure, good unsinned) souls of Heaven coming to harm from an uprising. So she made the hard decision to allowed the yearly massacre while trying to keep her hands as clean as possible from it.
Sera is definitely gonna try and fail to control the exorcists next season. They were supposed to stop a war from hell and they have done the exact opposite.
I think Sera will call a ceasefire by emily urging, at least temporarily if not permanently as she figure out Sir Pentious and his redemption. (all while kept under secret). So the war 'ended'.
However Lute wants vengeance and will continue the unsaction war. I sure she would rally the remanding exorcist or trick them into fighting without Heaven's blessing. Just like you said, they were loyal to Adam. Lute was Adam trusted right hand woman. The Exocist will look to her to lead them. Not Sera. But Sera decrees will weigh heavy on them if they heard it. I assume Sera will decree it to Lute and expect to pass the message to the rest of the troops which they may not got that information. Which is still in line of the "Hands off" method as you mention. She doesn't want to sully her hands with such things.
Or Lute manipulated and convince Sera for Lute to carry out a secret mission with a team.
Sera will pretty much be at odds at everyone. Mainly Emily and Lute. Both of which trying to appeal to Sera of their goals. Emily trying to bring peace and aid the hotel and bring more redeem sinners and prevent more souls from being double dead.
Lute wanting her revenge but passing her revenge as devine rebutrion for Hell uprising and killing the first man. I think Sera would even try to give a few comforting words to Lute about Adam but it just angers Lute more.
Side note: I really want Lute to stumble upon sinner Adam and nearly run him through during her mourning rage and attempting genocide. It be deliciously angst and drama filled.
But back to Sera. I think season two we just see Sera steadily losing control of the situations and everything that it stresses her out. Sera would be adamant against Emily's views. Because Sera doesn't want to be wrong about the exterminations. Because if she was wrong...then she agreed to thousands upon thousands of souls to death without their second chance. Sera also kept trying to shut Emily down everytime Emily tries to bring a subject up. Because Emily questioning everything about Heaven. Which is dangerous. It causes angels to fall and she can not have Emily fall because Emily questioning Sera tough choices and the consequences that came from them.
Eventually Sera will turn a leaf and stand beside Emily. Trusting in Emily and her decision. Heaven all about faith right?
However, Sera might have to stand beside everyone because a powerful enemy threatens everything (Roo)
Either way, Sera is antagonist but she's not a villain. She just a overprotective control freak who went about it the wrong way and now starting lose her grip on that control.
I haven't really been looking but I know there are fan art and fics (I haven't read any) of sweet innocent Emily falling. But I think having Sera fall be so much more impactful. Sera fully realizing her consequences of her choices and seeking help from Charlie, Lucifer and the hotel after she ruled it there's no proof of her hotel to work. Only to tell them in person that it does work. Which is a huge reveal to the hotel as Sera made sir pentious ascend a secret until now. Sera being humbled by it all and apologize to Lucifer for her and Heaven treatment of him. Lute possibly leading unsaction extermination during the time Sera fell. Doesn't that sound like a fun read?
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velvetjune · 4 months
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Alan Wake Night Springs DLC spoilers and thoughts:
This is very vague, but this really was the most Remedy thing to ever exist. My brain exploded at some point from Everything. Good game—you can tell those developers had the time of their life making all this. looking forward to the Lake House as something more serious and similar to the main game/tone.
Episode one with Rose was the best! Stunning from the start until the end and had the funniest moments in any Remedy game. [Rose voice] “𝖎 𝖜𝖎𝖑𝖑 𝖕𝖗𝖔𝖙𝖊𝖈𝖙 𝖞𝖔𝖚”
That fanart was SO good and could’ve been drawn by any irl Alan Wake fan. I can’t even say another or act like it’s embarrassing because I also think Alan is hot. So. Same Rose.
Bad boy Scratch being a werewolf.. Cat boy Alan (and the fucking Nightmare on Elm Street crop top fanart of him) being comically weak and in distress.. Rose dipping him at the end was unbelievably hilarious. Reject alpha male Scratch and embrace wet cat Alan. Every few minutes I had to remind myself that Alan technically wrote this,, his mind,, his perception of himself is incredible
That episode also was fun all around to play. Endless ammo and fun effects with the automatic shotgun. Rose slowly getting covered in blood. She’s already one of my favorite characters after this—she’s cringey in the best (and scarily realistic) ways. I support her
Episode 2: wish this one was longer because I missed Jesse and her awkward and aggressive conversations with others. I thought Dylan would pop up at some point, but of course Alan wrote himself into this twist ending. Couldn’t stop laughing with that. It felt just like the Night Springs eps of Alan Wake 1 lol.
I had the most trouble with some of the sections of this game, but it was fun, mostly just felt like a fool for not initially understanding it. The secret agency and clear references to the Board and FBC were everything. It was just Control: Coffee edition.
Episode 3: Death Rally Tom !! I was beyond happy seeing this. Always nice to see more Zane.
I’m not very familiar with Quantum Break outside of the general story and beginning, so the last episode was So Much. Initial thought: Please no Jesse and Tim in Control 2. It’s almost certainly supposed to be because of Quantum Break, but that version of her waiting for Tim came out of nowhere for me lol (also 😔 because I either want her to be with Emily or not get with someone at all—Control Jesse is so far from Beth Quantum Break/Lisa imo). The “but maybe…” multiverse romance was. whatever. cheesy but in a more negative way.
Another thing that makes me somewhat relieved this is the whacky DLC is that it does address a lot of the vague unanswered questions of the game in the typical sci-fi way (and probably a big win for theorists), and I want to keep that away from most of the main games. I like not knowing things lmao. It’s not a huge deal and I love all the crossovers/realities, but I want future AW (if 3 happens) and Control games to still largely focus on the mysterious horror without anything too definitive or distracting. I’m mostly okay with it here because this is Also an episode written by Alan and hosted by Door, so it’s not reliable—even if I’m sure this is what Remedy envisions when writing these games.
^ something something “In a horror story the victim keeps asking why, but there can be no explanation and there shouldn't be one. The unanswered mystery is what stays with us the longest and is what we'll remember in the end.”
However looooved how the third episode changed the style of the game repeatedly. The very last scene where the words form the writers room and Alan before it abruptly ends was great and the standout of the ep.
I’m not going to try to unpack all this, but it’s interesting how Alan and Door present themselves as being these largely antagonistic forces in this DLC. They’re an underrated duo (the two Masters of Many Worlds). Everything felt like it was Alan purposefully trying to imprint on these realities and influence things in his writing, making certain things parallel his life and circumstances. Reminded me of him attempting to get the irl Koskela brothers to kill each other to get out of the Dark Place. Hard to tell what’s really the truth.
I like Door too much to be scared of him. The jump scares were nicely paced throughout and the echoes of Tim/Shawn/Jack fighting him were interesting.
The tribute for James McCaffrey at the end was emotional and lovely.
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maplebitts · 7 months
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With hazbin hotel going on a hatius for a while I figured I’d come up with a list of things I (personally ) hope to see in season two so uhh here’s what I have so far:
//POSSIBLE SPOILER WARNING FOR SEASON ONE OF HAZBIN HOTEL //
-some Emily and sir pentious moments (like just showing him around heaven and stuff like that) I feel like they would have a funny yet wholesome dynamic
- rivalry between Lucifer and Aalastor, Dosent even need to be the main focus of the episode just in the background or like a side plot, there quite literally canonically on the two sides of the new hotel it’s giving serious divorced dads vibes
- some backstories I think it be cool at least for the main cast I’m curious to learn more on how they died and such I think it’s been confirmed that were gonna see more on sir pentious and how he died so we have that going but out of the main cast I’m hoping we can learn more about nifty past since not a lot on how she died is known (also Lucifer I’m aware we got one at the beginning but I’m still curious about the silly guys past)
- possibly eve (or rue) showing up ? I’m curious on what happened to eve I think most people assume she’s in hell I’d be perfectly fine if eve ended up being  an antagonist
- some family episode, what I mean by that is like seeing the family members of some of the main cast like angel dust either his twin who is in heaven apparently or his other family members, or Lucifer and the other arch angels (would they be considered family?)
- not sure if this is still a possibility but Emily becoming a fallen angel it could still be in realm of possibility if there’s still argument within heaven and sinners being redeemed OR Emily making the decision to go down and speak to Lucifer probably having to go to Lucifer for help regarding the redemption of sinners or some big heaven issue idk it’s 1 am currently
-just Lucifer screen time in general ( can’t get enough of this silly guy he’s my favorite character what do you expect)
-Lilith finally coming down from her beach vacation and just randomly showing up at the hotel and Charlie and lucifer just being surprised and her acting like it never happened personally I hope some angst comes from this like she literally just abandoned her daughter and her husband some kind of non positive reaction has to come from them? Also the reason why she left (I’ll probably make a separate post regarding this more I have to many theories under this category) I also have a small unfortunate feeling that poor Lucifer is going to be forced to pick between his daughter or his wife because if Lilith really intends to put a stop the hotel this feels very possible
This is all I have at the moment might add more later <3 also your more then welcome to share your own thoughts and theories in the replies or reblogs sorry if this was a lot
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thebroadcast · 8 months
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"One of the main six is going to die" - an opinion piece
Again, a show-relating rant of sorts! I do apologize for that, but the static that I call my mind just will not stop producing. Hence I will subject you, dear reader, to my very own take on a very sensitive matter. Hence, blanket TW for discussion of d*ath. In the cusps of the season one finale of HH, I have seen plenty of discussion on the topic of "who is going to die" - following an age-old (/h-jk) statement of the creator that "one of the main six is going to die". There seems to be a common conception that this will be happening now - which we do not know for sure, even if this is going to happen at all is not certain! - and the discourse mainly revolves around Vagatha and Angel Dust, with some speculating about Charlotte or possibly Alastor dying. If we stick with the common idea that the death is going to happen in the finale of the first season (which I am not completely sold on!), all of these could be compelling story-defining events, lending new and deeper motivations for those around them to oppose Heaven - but they would also be terribly boring because they are so overt!
Thus, I want to revisit two ideas with you, dear reader.. who are the "main six" in question and what does "dying" mean for each of them?
For the first one, I do not believe that the addressed "main six" are the main cast of the show or even the main characters living in the hotel! Eight characters are living there currently (Charlotte, Vagatha, Alastor, Nifty, Husker, Angel Dust, Keekee, and Pentious) and while, yes, dear Nifty and Keekee have been more of a supportive staff for now, again, this would be too overt. I will offer you a different reading.. how about the main six characters developing the plot and conflict of season one - the possibility of rehabilitation, redemption, and the opposition of this idea? Would not a death in this rank have a much bigger impact on the narrative..? I present to you, dear reader!
- Charlotte - the leader of the rebellion forming, the spokesperson for the worth and rehabilitation of Sinners. Her death could be a tragic rebirth, thrusting her into her Becoming and the Blooming of her powers. - Adam - the leader of the Exorcists, her direct foil and antagonist. His death could be an escalation of the conflict and/or the gateway to the introduction of an even Greater Evil.. we don't know what Exorcists really do all year long, and what if they keep the Greater Evil at bay? (Hints for Roo, possibly, and/or the things not written in ink). - Vagatha - the fallen Angel, protector of Charlotte, her partner and confidant. Her death could be a rebirth as a true Demon or Angel again (redemption through sacrifice, perhaps?) or a permanent fixture to support Charlotte's drive for justice. Also, why is no one talking about the possibility of HER having killed the Exorcist? - Lute - the second in command to the Exorcists and Adam's companion, as Vagatha's foil. Her death could be just as much a trigger to violence for Adam and the Exorcists, pushing the conflict to a new level. (Also, as a little side note.. we have seen her face. That cannot be a good sign! Also, what are the LED screen helmet designs all about? I cannot stop thinking about it!) - Emily - the Seraph who comes to the same conclusion as Charlotte, that Heaven has to be a lie. Her death could be a reprise of the Fall of Lucifer, her joining the main cast in the fight against the double standards of judgment to make right of what is wrong. - Carmilla - the Sinner (and possibly fallen Angel, seeing all the thematic ties she shares with Vagatha) who seems to know that Heaven cannot be trusted, but speaks for the status quo to remain unchanged - her call to conservation is a foil to Emily's drive to change. Her death would shake up the Overlords, possibly opening up the scene for the Vs to spark the fight on their front.
In my humble opinion, Lute and Carmilla would make the most compelling candidates for the character to die, if this is to happen in the finale of the season. The potential impacts of their deaths could be magnificent while also omitting the sacrifice of characters that bear the possibility of age-old, deep conflicts and developments yet to be seen. What do you think?
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