If megumi asked uzhsjdhshd omg I totally see it tbh him wanting you, but I don't think megumi would ever ask yuuji to share you, in any type of way at all. (not trying to push my own hc here!!) I feel like yuuji himself would be the one asking megumi. Yuuji knows that he's yours just as much as he knows you're his. And he loves you too much, a lot, it's purest type of love he has ever felt for anyone. And megumi is his best friend, he loves him just as much, right? Yes, not the same love between you and him ofc but yes. And I have no idea what they were doing but yuuji's just says, kind of out of the blue, that he'd let megumi fuck you. The reason being exactly cause he knows you're his, and you're just so so good that he needs to have someone to talk to (about you and always so respectfully) and who better that his best friend?
you’re opening the pandora’s box that is itfs + reader…. god…..
okok i agree. if you’re dating yuuji, megumi would never ask, yuuji would be the one to bring all three of you together. definitely because he loves you and you’re his, and he loves megumi too, so it just makes sense that his two favorite people also get to have each other—but also, yuuji can tell megumi likes you, and he can tell you think megumi is attractive and since yuuji’s so nice, what kinder thing to do than to set you two up so he can watch (: he definitely enjoys being the mediator, also enjoys the somewhat awkward air between you and megumi, how yeah, maybe it’s a little taboo that the two of you are about to make out while you’re boyfriend watches, but yuuji likes that too… also he likes knowing that you both like him. like how lucky is he that his best friend and his girlfriend adore him so much :(( you two together makes so much sense in his head, because he talks to megumi about you, and he talks to you about megumi, and now, he can just pour all his love for both of you out at the same time
but also…. i’d like to think that yuuji’s maybe not so nice when it’s the other way around—when he and megumi get together first, and you’re megumi’s best friend. he’s not mean, but he does like to tease... how naughty of megumi to ask out yuuji knowing he’s still got a crush on you, and god does yuuji like to tease him about it :/ jerks him off and taunts about how he knows megumi’s dirty little secret—that he’s in love with his best friend and fantasizes not just about having you, but about watching his own boyfriend fuck you too…
yuuji knows megumi would take his feelings for you to the grave if he could (he’d have done the same with his feelings for yuuji if yuuji wasn’t the one to ask him out), but where’s the fun in that! you and megumi are sooo cute together after all, so yuuji doesn’t mind trying to get you two to confess to each other too. uses his proximity to megumi to get closer to you, takes advantage of his bubbly disposition to be physically affectionate with you, uses megumi’s feelings to his advantage to tease, to wink, to smirk whenever you and yuuji hug a little longer, when he texts megumi that he’s meeting up with you for lunch, when he gives you his jacket and doesn’t ask for it back… there’s so much fun in watching megumi blush and whine and get off at the thought of his best friend and his boyfriend together. and the thing is, yuuji genuinely does like you, too, he sees what megumi sees in you, and he thinks megumi is crazy to have not asked you out before, but he supposes everything happens for a reason, because now, this way, yuuji gets to be there and watch it all happen under his guidance. there’s something about the power, about being the bridge between you two even though you and megumi have known each other for much longer, about being in control of a dynamic that could have, but wouldn’t exist without him…
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hiiii… i wanted to ask more about this particular val scene where mc and her talk about that portrait and mc is a bit stuck on the word husband and wants val to know theyre not a man. can i ask what inspired that type of convo? i wanted to know if it’s something you’ll touch up on again? is this underlying feelings mc had before their entombment… worried that val sees them as a man just because mc is masc? cause i know that’s kind of broader discussion in the lesbian community iirc….. was that why you wanted to incorporate it? this ask has so many questions LOL but basically i wanted to say i was intrigued and it did made me think more on those type of dynamics (thinking back to those resources you rb’d a while ago that go more into depth about diff things in the lesbian community)
oh boy get ready for another long-winded answer from me!
a lot of the feelings mc has about their gender are inspired by Leslie Feinberg's work (mainly Stone Butch Blues)
Feinberg was someone who lived & passed as a man for years of hir life, and wrote a lot about the complexities of hir gender and what it was like being a "gender outlaw."
there was actually a scene in particular from sbb that kinda put the kernel of an idea in my mind that led to this narrative of the mc feeling overshadowed by Standard and anxious about being perceived as a man. it's towards the end of the book when Jess (sbb's protagonist) meets Ruth (a trans woman that Jess falls in love with)
Jess offers to help Ruth carry groceries up to her apartment, and Ruth takes this the wrong way & is offended, partly because she thinks Jess is a man.
One Saturday afternoon I found her clutching two huge bags of groceries and fumbling with the downstairs front-door lock. I pulled out my key.
“Here, let me.” She didn’t say thank you. She hurried ahead of me on the stairs.
“Can I help you carry those?” I offered.
“Do I look weak to you?” she asked.
I stopped on the stairs. “No. Where I come from it’s just a sign of respect, that’s all.”
She continued up the stairs. “Well, where I come from,” she called out, “men don’t reward women for pretending to be helpless.” Once I heard her apartment door close I kicked the stair in anger and frustration.
later, after they get to know each other better, they have this interaction:
I laughed and picked at my salad. “Do you know if I’m a man or a woman?”
“No,” Ruth said. “That’s why I know so much about you.”
I sighed. “Did you think I was a man when you first met me?"
She nodded. "Yes. At first I thought you were a straight man. Then I thought you were gay. It’s been a shock for me to realize that even I make assumptions about sex and gender that aren’t true. I thought I was liberated from all of that.”
I smiled. “I didn’t want you to think I was a man. I wanted you to see how much more complicated I am. I wanted you to like what you saw.”
i think the inspiration here is quite obvious, hahaha. i figure anyone that's read sbb can sense the similar through-line here in my work. though the conversation between mc and Valentina has a much different tone.
there's another scene later as well after something happens to Jess and she has to have her jaw wired shut. she's working at a new job and is unable to speak, and she's also passing as a man at this job. she overhears some of her female coworkers talking about her and they refer to her as a "creep" and speculate that she's always watching one of them. Jess overhears all of this and then walks out of the job, goes home and pulls the wires out of her mouth herself:
After I was sure I’d gotten the last piece of wire out of my gums, I rinsed my mouth with whiskey and then drank the rest of it so I could sleep without remembering how Marija’s words had stripped me of my humanity.
butches & gnc women still face this kind of dehumanization; compared or likened to men in a derogatory way, accused of being "heteropatriarchal," the predatory stereotype of the fat ugly lesbian, and on the other side they're also hypersexualized, especially online and in queer spaces. butchphobia is a specific kind of misogyny that hits from all sides, even from the people that are supposed to be a part of your community. and this attitude especially effects trans women and women of color, who are already experiencing all of these things due to transmisogyny and racism.
i also really wanted to use this to touch on the kind of gender essentialism that we see in a lot of these cis feminist discussions - to these women at this job, Jess had committed no real crime other than being quiet and being the “wrong” kind of man. something about this scene has always stuck with me and really bothered me, but it's hard to put into words; on one hand i can admit i have probably been one of those women who made some kind of similar remark about a man i barely knew, but i've also been someone on the receiving end, too, because of the way i look. the mc in blood choke is put into this box, but they can't fit in, as someone who has been on both sides and doesn't really understand where they belong because of it; how can she stand beside Valentina or Hana or Clear when they might see her as a perpetrator, someone who can't be trusted? how does this mindset harm both the women and the men of the council and everyone in between? how can we break this cycle?
one of the films i mentioned recently when talking about the character designs was The Same Difference, which is specifically about the Black lesbian community and the discrimination within that community based upon gender roles (though this is not something limited to just the Black lesbian community)
a lot of the women in that doc talk about the boxes they're put in as AG or stud lesbians - they can't have their hair long, they can't wear makeup, they can't do this or that, they have to be aggressive and hard or else they're not real studs. they discuss stud on stud (or butch4butch) and how other lesbians look down on those types of lesbians, as well as the disdain for bisexual women for "betraying" the community. it explores the way misogyny and the patriarchy still oppress these women and forces them into this restrictive gender role despite their refusal to adhere to the other role originally assigned to them, and the way racism specifically intersects and exacerbates it for Black lesbians. there's a stud that's an exotic dancer and wears a weave, and a lot of other studs have a problem with this because a weave is "a female thing." another section follows a pregnant stud, and how the community shuns her for that, because she "dresses like a man and acts like a man" so why is she getting pregnant when she should be "the man"?
mc doesn't remember how they felt before entombment, but waking up they feel this need to prove themselves - both in that they are hard and aggressive like a butch should be, but also in that they want to be this person for Valentina or Clear or Hana (or all of them) that is safe and comforting. but they aren't sure how to do that when the world perceives them as this one specific thing - as a husband, as Standard, as a man, specifically this man who hurt Valentina.
of course we've already seen this to not be true of the companions with the last chapter as the mc learns more and spends more time with everyone. but this is kind of the foundation of where this whole idea came from. it started with my novel & i chose vampires for that story & this one because there is a long history of lesbian vampirism (and also because it's sexy) but there's this "curse" that both Hana & Valerie talk about in their respective stories, the first one being the racism she's had to face, the transphobia, along with this alienation and perception of lesbians as predatory and conniving and aggressive, as vampires, which i just think really lends itself to expanding upon these issues lesbians & trans women face both in general and within the community.
anyways if you want to read more i suggest Stone Butch Blues, which you can get for free on Leslie Feinberg's website, as well as S/he, by Minnie Bruce Pratt, available on the internet archive, Gender Failure by Ivan E. Coyote & Rae Spoon also on the internet archive, and you can rent The Same Difference for $10 on vimeo.
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You talked a little while ago about why you don't think Shidou would make a good father to Amane (agreed) and proposed the idea of Mahiru adopting Amane. That's cute but I want to tell you about my post-MILGRAM headcanon:
Amane joins the Kajiyamas
Not Fuuta specifically adopting her, but like him taking her back to his family's house. I'm sure they'd have a spare room
I think people don't think about Fuuta's homelife much, or if they do they take Fuuta's one interrogation question where he calls his dad an old fogey and assume its like, abusive
And don't get me wrong, I don't think the Kajiyama household are perfect. Fuuta' beautician sister surely hasn't helped when it comes to Fuuta's body image issues and I'm betting they're all a bunch of tsunderes too embarrassed to say they love each other
But in a series where most of the abused characters are still convinced their abuser loved them/acted out of love. Seeing a guy not be afraid to call his dad a loser is almost a green flag
I think it'd be good for Amane to not necessarily be adopted as the lone child to a single parent but get to be introduced to a very different style of family unit from her own
One where its normal to express different opinions or disagreements or even have arguments and not have it be the end of the world
Amane already has a snarky side to her, I bet it'd flourish in a brash household like the Kajiyama's (or at least how I imagine them to be)
OOHHH wait I love that so much! >:O
I agree -- I never interpreted Fuuta's family as abusive or harmful, just not super close and struggling a bit after his mother left. (And yeah, all as openly emotional as him😭) They seem stable and very capable to taking in a extra, very well-behaved child. Assuming Fuuta is the way he is because of them, that atmosphere of being very honest and forward would work well for her. They say things as they are, little by little pointing out the harmful parts of her worldview. Like you said, none of them make excuses about harmful behavior stemming from love, so she'd get a really healthy dose of truth in that area. She never feels coddled or treated like a baby. They care for her while treating her very maturely.
I absolutely love how well she and Fuuta get along, with that snarky side to her that you mentioned. It would allow her to fit in well in the new household, getting the sense of belonging she'll lose after leaving the cult. Also, seeing how Fuuta and his sister let things slip and aren't perfect sons/daughters, she'll be able to relax about earning a parent's love through perfect behavior. She'll probably stay exactly the same, but her stress about it will fade <3
I doubt Fuuta's father can ever replace the hole she'll have from her own father, but the addition of an older sister will be huge. Amane will never get the feeling her mother is being replaced, but the woman will still fill the gap of the older, same-gender role model she needs. Her beautician job may throw Amane at first (being an indulgence in vanity), but it isn't as in-your-face as other careers. I think she could definitely ease Amane into accepting it, and over time, accepting her own personal "indulgence."
Plus, her moving in would also be really good for Fuuta! I think he'd recognize there's a ton of fun things she missed out on, and that heroic side of him outweighs the part that cringes: he gripes and groans about going to "kid places," but he's always the one to announce "I can't believe you've never been to __, we're going right now!!" This allows him to touch grass leave the house and experience his own life to the fullest. He's able to channel his desire to help society into a healthier outlet. Also, seeing her studying habits and plans for the future might even inspire him to do the same. (might.) He becomes the stereotypical good big brother, though of course he denies it viciously...
I have recently been going insane over their friendship so I'm completely taken with this idea OUGH thank you for telling me ;-----;
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21. Friends hear through hotel walls? (Arabia and Ivy) for the WIP Ask Game !!!!!!!!!
Send me an ask from my WIP List and I'll post a little snippet or tell you something about it!
Ack sorry in advance this one is... Not Fun??? *hides under my desk* idk where this idea came from but I ended up writing it as a way to feel more comfortable writing Arabia/Ivy (there's nothing quite like putting character's in a crisis to get to know them better I guess??). Anyways, idk if I'm gonna post this one because everyone will banish me to angst jail and attack me with hammers and mean comments haha. But uh, here you go?? Enjoy???? (abuse tw)
Arabella curls up into a ball with her back against the headboard, trying to make herself as small as possible, trying to get away from the awful sounds coming from the next room, now entirely unmistakable as Satine’s boyfriend hitting her while she begs for him to stop.
“You’re okay, Bella,” Ivy murmurs, momentarily covering the receiver with one hand while she rubs Arabella’s leg with the other. “They’re on the way. They’ll be here in a few minutes. It’s going to be okay.”
Arabella shakes her head; she can’t seem to stop trembling, but it feels like it’s happening to someone else. Something glass shatters next door and Satine sobs and Arabella thinks she’s going to be sick right here on the mattress. Nothing about this is okay. She wants to lean closer to her girlfriend but she can’t seem to make herself move; besides, everything inside her is screaming at her to get away from everyone. Arabella covers her ears and squeezes her eyes shut tight, trying to block out the sound of her friend’s suffering, feeling guilty all the while that she has this option.
There’s another loud thump from next door and Satine’s voice cuts off mid-scream. Ivy drops the receiver, her hand stilling on Arabella’s knee. For a moment neither of them moves or even dares to breathe, both imagining the worst. It turns out there is a more horrible noise than her friend’s cries for help, and that’s them going abruptly, horrifically, bone-chillingly silent.
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