#also i like my original character in here

[theothin]

Copying over my comment from this post since the original now has reblogs turned off:

It's interesting to consider all of this in full context of how Toshiro is framed in the scene. The argument starts with Toshiro insisting that Marcille was wrong to revive Falin with black magic and that she should go back with him to face punishment from elvish society, then get their help in putting Falin to rest. Laios argues that they can actually help Falin, and that eating properly gives them the strength to pull it off, at which point Toshiro tries to shut Laios down by throwing his past frustrations in his face. When Laios eventually overpowers Toshiro, he attributes it to his party taking proper care of themselves, at which point Senshi shows up to offer Toshiro food. Meanwhile, Maizuru expresses frustration at Toshiro's behavior, and when Toshiro talks about his out-of-the-blue proposal to Falin, Mickbell questions why he would do something like that, while Chilchuck remarks that it's the kind of world he lives in. Every part of Toshiro's position here comes across as antithetical to the protagonists and the quest we're following them on. Even other characters present don't seem to think much of his behavior here. And, while playing that antagonistic role, we see him imposing those social standards on someone who finds them confusing and alienating. The result is that the primary lens through which the viewer is encouraged to see the scene is that of an autistic person being berated for not living up to a set of social standards, and in particular not meeting the standards of Japanese society. And while a Japanese audience might find it easier to understand why Toshiro thinks the way he does, the scene is very clear in sending the message that he is wrong and that, as previous comments noted, he's been stuck in a mindset that's hurting both him and Laios. The outcome of the fight suggests that Toshiro would benefit from learning to think more like Laios about food - and I think the audience is also meant to feel that Toshiro would benefit from learning to think more like Laios about people.

And the addition from @delvinanaris:

More than that, Toshiro’s last line of that scene—expressing his envy of Laios—suggests that he, too, feels that he would benefit from learning to think more like Laios about people.

Also here's the original tweet and a great comment on it:

[schwarzkatje]

dark!orphan!ellie x nun!reader || part 3

disclaimer: alright, i'm just gonna say that this is filth in its original form aka contains SMUT that is immoral; offensive to religion if you believe and/or practice the religion implied here; it deals with power dynamics between an educational figure and a supposed pupil even though it has no age gap warning since they are basically the same age; it has violence in the form of slapping; it shows both ellie AND reader being dark characters with questionable morals. so if ANY of this triggers you, i prefer you skip for my but mostly your sake. also, not proofread srry

> for part 1 click here || for part 2 click here

"admit it, you act like a brat all the fucking time because you love it when you get punished," never in a million years would you have thought these words would have exited your mouth. nor would you have entertained the idea of breaking your vows because of something so futile like losing your temper.

except what was happening was proof of how delusional your beliefs and how fragile the rope you were walking on had both been. more specifically what was happening underneath you.

you were straddling ellie, the heels of her feet planted on the mattress and her thighs spread to accommodate your hand as it furiously flicked her pulsating clit and the outer zones of her pussy, drenched in white slick.

the other hand was feigning in her task to handcuff ellie's wrists, as it bore no real force nor did it occur to you that she could break free whenever she decided. you simply ignored it, too drunk off of nothing but a ravaging and ravenous hallucination of retribution. ellie had brought an earthquake inside you, causing casualties in the process, namely what you stood for, the light in your eyes and the faith towards god. in a regained moment of lucidity you could have recognised you were turning into the reflection of ellie's sufferings.

and god, wasn't she willing to dance this macabre tango with you and accept the pleasure that was making her delirious. her hips thrusted up, closer to your fingers, imagining they were your pussy humping her own, riding her in this exact same position that naive you had thought to be a cage for ellie.

"don't lie, you're too – fuck yeah – you're way too good at this. do you fuck the other sisters, when you are done tormenting me, mh?" the contorted expression was the perfect mask to hide the trail of jealousy implied in such an insisting enquiry and to distract from the fact that her eyes would have rolled back to her skull hadn't she been more lucid. "do you suck the pastor's cock when he comes to visit, too?"

"you wish. you wish i had so your fantasies about me get more realistic, don't you?" both your middle and ring finger were exploring the outer region of ellie's intoxicatingly warm hole, with such a slow pace that ellie feared you would stop at any time.

only one hour prior to this enactment of pure debauchery you were busing your mind with paperwork, locked in your room, locked away from ellie. you hadn't planned this.

the exact way you hadn't planned to abandon your dummy remnants of resolution as you let ellie enter your quarters. the exact way you hadn't planned to fight for the umpteenth time knowing it would have resulted in ulterior mortification for you. the exact way you hadn't planned to slap her. for the second time. completely throwing away the memory of ellie promising to make you pay for this the first time you had done it. except, ellie too had seemed to have forgotten all about this threat.

"do it again," ellie had been prompting you, daring you to do it, if not for the fact that she had trapped your wrist, actually impeding the fulfilment of what was acquiring the shape of a wish trough and through. her superior strength had proven a perfect feature to yank your entire body closer to her.

your other hand was holding the bible and you reckoned that once you had dropped it, it would have meant bending irremediably, to the point of breaking, in favour of the evil pulling that had been dancing around you throughout your entire life.

the deaf thud of the sacred text hitting the floor had rivalled with the same echoed sound of ellie's cheek getting slapped once again. the capillaries were fast breaking and the warm sensation over the beaten skin sat rather uncomfortable. not so much so as to hinder the devilish grin that ellie had no shame in sporting.

"at least now you're dropping the act of the prissy nun thinking she's better than everyone," her raspy voice had become lower, almost inaudible. but as subtle – and therefore armless – as it may have seemed, its ability to insinuate just as venom does, with blind cruelty, hadn't left space for mercy. "beating me like the other sisters when you faked compassion the moment they did it to me."

the whole context hadn't given you the chance to develop not even a semblance of pity towards ellie. no, it couldn't have found it in the midst of the scorching flames hell that was engulfing your guts. "you deserve every punishment they gave you. my only mistake was thinking you could gain god's forgiveness," you had inched closer to ellie, mimicking, without having full control over it, her tone and setting a twisted game with the loser's destruction as the prize.

"i'm yet to see how you discipline your bad kids," ellie had taken your free hand, the one responsible for the red heat spreading on half of her face, had brought it closer to her chipped lips, "since you're a sick pervert, i imagine you make them do sick shit as well. what is it? spanking? making them kneel down to eat your pussy?" the last bit of her degrading speech had been accompanied by the wet noise of her saliva coating your thumb and your thumb pressing as though it had had life of its own down ellie's tongue.

"want me to show it to you?" it must have been the devil himself that had smelt how deliciously sinfully your soul was accepting to delve into a grave without possibility to repent. everything had been lost.

"fuck– fucking slut knows hot to– oh man—," that was the agonised prize that your fingers entering ellie and pumping with no care in the world inside her pussy had won for you. there was a spot under ellie, a combination of her own cum and the saliva you had spat on your hand because depravity was the puppeteer moving and angling your strings, and you, brainless and unable to feel shame, followed along, being the only purpose of your tainted existence.

you were becoming obsessed with that sight, your pussy had long started to grind on ellie's stomach, lifting more and more of her black shirt, revealing the toned muscles that helped the friction you were ready to sell your soul to encounter.

fitting a third finger inside ellie, you moaned as though you were the one being penetrated. your teeth were munching your lower lip as a manner to deal with the inexplicable pleasure you were both giving and experiencing. like the previous things, you definitely hadn't planned not only to do this, but to enjoy it as much as an animal in heat would have.

ellie decided she had had enough and pulled her hands out of the pathetic cage that was your numb digits, reckoning they would be of more use gripping the soft flesh of your hips and helping you cover her navel with more your intoxicating precum.

"why can't you always be this obedient? why can't you be a good girl?" your now free hand found a new grip in your own hair, all while indulging in ellie's silent desire to hump harder above her. which meant automatically increasing the speed with which your fingers were claiming her fucked out hole.

ellie sobbed at your words, reading them as indirect praise, the affirmation that like a madwoman she had been searching her all life, the affirmation that frustrated her so much it made her into the shadow of herself.

"oh god please– please, forgive me... oh god, ellie– don't stop..." came out corrupted beyond salvation, tainted by your tears of pleasure and the chocked scream of the most mind numbing orgasm you have ever had, fearing your brain would never recover its sanity.

if you had been captured by the image of ellie, fucked out on the bed where you sleep, ellie too had endured a sight of her own that pushed its limit with you coming on her. it happened during the first second of your high, for this reason you understood that ellie had flipped both of you over, so that now she was between your legs, only when your clothed core met ellie's naked one.

she was humping you like you had been humping her, only with more domineering force due to the position you were in. ellie had her own release in mind and nothing else. there was only the heat stuck in her belly finally exploding with spikes making different parts of her body convulse in quick succession.

the ache of your pussy was no match to the fuelling sensation of having ellie take you like this, using you for her own pleasure after you doing the same to her, putting you in a subordinate position to have full control of what to do to you. "e-ellie come, please come," you begged and pathetically tried to confirm what you wanted by holding ellie's ass to deepen her movements.

she, on the other hand, couldn't resist any longer and with a last thrust she halted flush against you, mere centimetres away from your lips, your legs spread impossibly wide with the only intention of providing ellie with the best position to let go of her built up arousal.

her face had somewhat softened, not taking into account the frown on her forehead, her eyebrows knitted in a desperate expression, almost confused by the force with which her orgasm had deprived her of the characteristic vulgarity and witty behaviour.

she looked... vulnerable. and her lips looked so ready to be kissed and maybe even bitten or sucked. but the delirious feeling of the orgasm had wore off completely by then and anger for a further loss in dignity was covering the entirety of your thoughts. you weren't going to show any more of what you had already done.

you pushed her away, shivering in cold once her body left yours and as quickly as your trembling legs permitted you, you sat on the edge of your bed. facing away from ellie who was waiting for your next move.

"get the fuck out of my room," and with that, a deafening noise produced by the slamming of your wooden door was all was left for you to hear.

[raven-at-the-writing-desk]

Hi , miss Raven

Their is something has been on my mind for while ;

In rook suitor suit vignette he Compose a flattering poem about Crowley

While Ace and Epel was talking about how rook would compliment anyone , rook insisted that he mean every word he say .

And there's this specific weird line

"if it weren't for your presence , I wouldn't be here"

Like what do you mean?????!!

Do you think this line is hinting at the fact that rook didn't join NRC via traditional way or he wasn't chosen by the dark mirror , since he is one of the light trio

Or To the fact that he transferred to another dorm smoothly without any problem?

For some reason I started suspecting rook recently 😭

The fact he was one of the reason vil overbloted by convincing him to watch neige performance and also he is the one who convinced vil to add Ace and deuce as part of VDC team while I thought lilia and cater was a better option

I would like to hear your opinion about it 👀

Ah, so if I'm understanding you correctly... You're theorizing that Rook might be an outside agent of some kind? One that Crowley intentionally brought into NRC to facilitate triggering overblots??

I’ll try to respond to one question at a time; hopefully this will make it easier to follow along! The post got quite long, so it's all below the cut~

Beginning with Rook’s poem, and, more specifically, “If it weren’t for your presence, I wouldn’t be here”. It’s funny that you mention this line, because when the vignette first came out (in JP; the terminology used is similar to “I would not exist/be here”), people interpreted it VERY literally. As in… “Rook is Crowley’s son because he literally could not be conceived without a father! They’re even both named after birds! They have to at least be blood related somehow!” Strange how in 2020, Crowley was suspected of being Rook’s father but now in 2024 Crowley’s being suspected of being Malleus’s father. The poor headmaster just can’t catch a break 😂

Personally, I don’t think that line is implying anything strange about Rook’s enrollment. As far as we know, he did not join NRC though any abnormal means, and nor did Silver. Of the “light trio” (a label that I must stress exists within the fandom but is not endorsed by TWST), only Kalim fits the bill. Kalim was originally homeschooled, but received an acceptance letter to NRC a month into the school year. Another month later, he transferred in. As far as we know, all students at NRC (save for Yuu and Grim) were chosen by the Mirror of Darkness, even the light trio. Again, I want to emphasize that TWST does not use “light trio” or a similar term to refer to or to characterize Kalim, Silverc and Rook. We’ve gotten no formal in-universe explanation as to why those three in particular have light cosmic magic instead of everyone else’s dark cosmic magic. (This is entirely separate from meta theories, which are out-of-universe explanations for why the “light trio” exists. The popular meta explanation is that it’s because Silver, Kalim, and Rook are not twisted from Disney villains but rather “good” characters like Aurora, the Sultan, and the Huntsman.)

On the subject of transferring dorms, the option is always on the table. We see mob students talk about transferring dorms as early as 1-14:

In 6-67 (part 20 with the Pomefiore group), Vil describes the transfer process as being tedious and involving a lot of “complicated paperwork and ceremonies”. Crowley also says the process is “burdensome” in 1-20, but this phrasing is quite vague and could mean any number of things. (Burdensome to whom, the staff or the students? Why exactly is it burdensome?) Overall, it seems like transferring dorms would take a long time and require various formalities, but not necessarily be full of problems.

As long as you’re dedicated and consistently complete what is asked of you to complete the process, transferring should be no issue. I don’t think it’s a given that you’d normally experience troubles in trying to transfer. It should be smooth by default (unless the student backs out, is uncooperative, and/or fails to complete the required steps). So following that logic, I don’t think the poem line is saying anything about Rook’s dorm transfer either.

While it’s true that Rook encourages Vil to watch Neige’s performance and advises that Vil pick Ace and Deuce for the VDC/SDC Tribe, I do not believe there was malicious intent behind these actions. It’s hinted throughout book 5 that Rook’s reasoning for doing these things was to help Vil recognize the value of his “beauty” is something he gains from himself, not from the approval of others.

This is most likely Rook’s motivation for suggesting Vil observe the competition or to consider freshmen for the team. It’s exposing Vil to the contentedness that can come with imperfection or not being at the very top, something Vil fails to recognize in himself until the end of book 5. Being as perceptive as he is, Rook would have realized that outright telling Vil the moral of the week would not sway his strong-willed friend’s mind. Thus, Rook devised a more roundabout plan and involved Yuu (who, at this point, has a reputation for settling dorm-wide disputes) and co. (unpolished and clumsy underclassmen that Vil could shape as well as potentially also learn from in a reciprocal manner). Maybe Lilia and Cater would have been more technically skilled, being members of a club band and all, but they wouldn’t have provided the same opportunity for growth that Yuu and Adeuce did.

Rook is someone who has always been portrayed as a supporter of Vil’s, a good friend and a trusted confidant. He does have a nefarious side and is 100% capable of deception (like the time in Endless Halloween Night when he quickened his heartbeat to convince Sebek he was also scared and therefore was not a traitor). However, I don’t think Rook would want to betray his friends by actively harming them and putting their lives in danger (both during book 5’s overblot and immediately after in book 6’s rescue mission); he truly cares for them and wants to see them happy and healthy. (One could argue he should have voted for NRC instead of RSA to help Vil achieve his dream instead of betraying him, but that’s another discussion entirely.)

There’s no reason why Rook would go out of his way to do innocuous things like helping Epel with his UM or imparting wisdom to Deuce unless he actually cared and wanted to see them develop. Beyond the scope of book 5, why would Rook do even more innocuous things like trying to make Epel feel welcome and assisting him with learning table manners? Why wouldn’t he go out of his way to provoke Vil more often? Did Crowley hypothetically have even all of these little details down and instruct Rook to do (or not do) these things??? It sounds too far-fetched to attach a hidden motive behind everything Rook says or does. It could be as simple as “he wants to be there to support his friends”.

Before we wrap up, I’d like to quickly touch on the suggestion that Silver and Kalim too were catalysts for Malleus and Jamil’s OBs, respectively. It’s true that they were, but I doubt Silver or Kalim were aware and did so intentionally. Both seemed genuinely ignorant as to the true stress that Malleus and Jamil were under, and Silver + Kalim do not present as toxic people who would want to inflame their friends’ negativity. Of course, there’s always the possibility that Puppet Master Crowley (™) is orchestrating everything from the shadows (but I’m not going to get into the “time loop to gather all the necessary information and learn what the correct choices are” theory here www). I just don’t think Rook is Crowley’s accomplice in all of this if the time loop + intention overblots theories overlap.

This is one of those instances where I see Rook as being very honest with his intentions and because of his… generally strange character (?), his peers and players alike still suspect there is a deeper meaning to his words. I interpret his poem as nothing more than waxing poetic to expressing gratitude to the one man that makes it possible for him to be at NRC as a student: Crowley. Rook states that he wanted to give an exemplary poem using a subject that both Ace and Epel were already familiar with, so he went with the headmaster. Furthermore, we know that Rook is able to witness many wonderful and beautiful things at NRC, as well as make meaningful relationships with interesting people like Vil. He would not be able to do any of these things were he not extended an invitation to NRC—and it is for this reason that it would make sense for him to genuinely be appreciative of Crowley.

Those are all my thoughts on this matter all for now ^^ Hope it was an interesting read!

[sykosugu]

♤♢ on the run ♧♡ | five

♤ summary: she's an infamous bank robber, and he's the only detective that's been able to get close to her. he was never apart of her plans. but he's got his clutches in her and she can't let go.a geto suguru au

♢ warnings: this story will contain descriptions of violence, destructive behavior, toxic behavior, illegal activities, sexual content, death. use of weapons. forbidden romance

♧ aw: character death (not mc), blood, violence, ooc toji,

♡ currently: completed

♤ taglist: closed

♢ wc: 2.3k

♧ carlile speaks: omg we have arrived at the end of Sugu and Ruby's story. Im not sure how some of you will react to this part but I'm excited to find out! thank you all so much for the love over the course of this story. this was my first post in the jjk fandom and I feel like I was welcomed with open arms. I love and appreciate every single one of you in this community I've built. thank you all again for deeming me worthy of your time! see you in the next story! ALSO a big thank you to @celestie0 for helping me with this final chapter. I would not have done it without you!

♡: previous part | you are here

Toji Fushiguro was your best friend. Or at least you thought he was. Toji was a contact you made when you were eighteen years old, fresh out of highschool and right after your parents had kicked you out. Claiming they don’t want to enable your lifestyle. Doing drugs with your friends, until the drugs no longer interested you. Then came the shoplifting. That’s where you shined. You could steal anything. Chanel. Prada. Louis V. Any of it. What can you say, you wanted the best of the best. 

You’d been staying with some of your “friends” you’d made along the way. Friends who more so wanted you to live the life they were living; sitting at home getting high all day, but you wanted the action. You wanted to be in the trenches. Wanted the thrill of the job, not the fabricated thrill from the drugs. You wanted the real high.

Toji was someone you ran into at the right time, he needed someone to train to help with small bank heists and you needed somewhere new to stay.

Toji was there for you. He housed you, kept you fed. Kept you happy, in so many more ways than one. He gave you an immense amount of knowledge. How to keep your cool. How to handle a weapon. How to make yourself into a weapon. 

“You are your biggest asset, use it.” rings in your ears during every job. 

All of the hand to hand combat you’d learned was taught to you by him. He was the first person you’d ever unintentionally kicked their ass.

“Again,” he pants, wiping the blood from his nose on the back of his hand, a sick smile on his face. He flexes his hands before balling them back into fists, taking his standing position; arms up in front of his face.

“Toji,” you warn. “I think we got th–,” you start to object, but Toji isn't having any of that.

“Again.”

And so you do. You continuously knock this grown man to the floor. His eyes grow with adoration after every punch; every kick. He was so proud. Nobody was ever able to land a blow, much less knock him off his feet. But you were so quick and nimble, he was hardly able to keep track of you. 

You’d originally only ever used masks and weapons to rob your banks, but when you met Toji your entire perception of the way you could do everything changed. He was the one who taught you to hide most of your face. Only leave behind minor details they can use. Always follow them into the room, never be the first. And always leave last. 

Toji was beyond proud of you. That’s why when you’d met Sukuna and immediately fell for his charm, his attitude changed. He was less than thrilled. It wasn’t a shock to him that he’d fallen for you, but it wasn't something he’d planned on either. He thought you’d had the chemistry, but his timing was all off. You’d met Sukuna. He didn’t anticipate someone else scooping you up the way he wanted to. Toji wanted everything with you, he was training you to be able to reign with him, not somebody else. Toji needed a way to be close to you, so he became Sukuna’s right hand. His business partner. Working his ass off to get the position he’s in now. Practically kissing Sukuna’s ass in order to be near you. Taking job after stupid job to prove himself worthy.

If only Toji had been honest with you from the start.

Sukuna was greedy. He had everything but needed more. Craved it even. Then he met you and needed to have you too.

But you showed him up. Toji had trained you beyond what anyone had ever seen before. You made Sukuna feel small; and that just wasn’t going to fly. Sukuna wanted you to keep his bed warm more than anything since he found out you were more skilled than him. Sukuna tried his best to kill your spirit; slowly of course. Taking you off of jobs, telling you that your skillset wasn't as good as others and you were not needed anymore. He tried distracting you with money and shopping sprees that worked for a while, but you eventually run out of things to buy when you have the access to buy anything you want. He even made sure to make you question your own physical appearance by slyly flirting with other members of his team in front of you; then gaslighting you into thinking you were seeing things. 

Toji held you when you cried to him. He’d smooth his hands up and down your back as you sobbed into his chest. How he’d wish you would see how terribly you were being treated. But if sukuna found out he was speaking ill of him, he'd be dealt with. So he held out for as long as he could, but you were the first one to break. You wanted to leave and live a life of your own. Toji was so happy for you, but wanted that life with you. He’d never told you any of these things, in fear of rejection from you and in fear of retaliation from his now boss.

Toji wishes you’d never introduced him to Sukuna. Toji wishes you’d be his. Toji’s world fell apart when he found out you were making beds with a cop. The actual enemy. He thought you’d be smarter than that. 

When Sukuna informed Toji of his plan to execute you for treason, he was terrified. But he couldn't say anything. He couldn't risk losing everything he’d built, especially now knowing you’d never felt the same way about him. He assumes so anyways, claiming it was the safe assumption.

Toji knew something had gone amiss the day Sukuna went to finish the job and he hadn’t returned. Toji was prepared to take over no questions asked. He began making changes in command, having conversations with his chain when there was word of disturbances in the hall.

Once the police bore into the casino penthouse, aiming straight for Toji, he knew exactly who he was dealing with when he looked into Suguru’s eyes as he stared him down behind the barrel of his gun. 

“Toji Fushiguro, you are under arrest for the murder of Ryomen Sukuna. You have the right to remain silent…” Satoru speaks from his spot in the middle of the room, gun raised at the man seated before him.

“So, you’re the one, huh?” Toji speaks over Satoru, nodding his head at Suguru.

“What?” Suguru lowers his gun momentarily.

“You’re the one she fell for,” Toji laughs from his chair. He swirls the whiskey around in his glass before he stands, raising his hands into the air. “I didn't do this, but I’ll go down so she doesn't have to.”

Satoru walks behind him to place the cuffs around his wrists.

“You loved her too.” Suguru states. “Didn’t you?”

Toji just smiles as Satoru walks him out in his cuffs. He did. He loved you more than anything else on this planet. But he’d rather you live the life you wanted than stand in your way. It’s why he helped you leave Sukuna before. He knew you didn’t see him in that same light and he was okay with that. He was just happy to see you happy.

Suguru felt bad at that moment, but he knew he’d keep that information to himself. 

The copious amounts of forged documents, planted evidence, fake witness statements.. There was no doubt in anyone's mind that Toji wasn't the one who killed Sukuna. Everything made it seem like Toji was tired of being second in command and wanted it all. 

Toji would take whatever punishment was coming his way; he knew this was your doing. He knew you’d be broken once you found out he hadn’t attempted to stop Sukuna. Toji was supposed to be your safe haven, and he let you down. He knew that. So he was prepared to take whatever you thought was a suitable punishment for him. He’d kneel on the ground you walked on if it meant making you smile. Especially since the guilt ate him up inside for never standing up for you earlier. He swears he’d do anything to make you happy, but he cowers away when you actually need him. Toji knew he was a coward. He knew he could have done something earlier but he didn’t. 

Toji was convicted and placed on death row for the murder of Sukuna. The revenge plan you had set in motion had come to a head, you just had to do this one last job and then the life you planned with Suguru would be in the palm of your hand.

Toji’s son was your last target; you tracked him for weeks while you located the item in question: Toji’s unsealed will.

The will contains everything you would need. The numbers to multiple offshore accounts with millions of dollars. The deeds to houses spread throughout the world. Everything his kids would need beyond his lifeline.

Seventy seconds. In and out.

Suguru is outside waiting for you. Something you’re not used to. But the sense of security feels nice for once. Every job before this one you’d done alone. Having the man you’re willing to risk everything for waiting for you while you perform the most important job of your life has every nerve alight with anticipation, and also relief; Knowing he’d be there if something went wrong. Your heart could burst out of your chest in appreciation for him.

Satoru is down the street, handling the signal blocker for the alarm at the bank. Intercepting the signal is the easy part, but keeping it down for seventy seconds is the hard part. But Satoru isn't worried. 

The bank manager approaches you with keys in hand, “Safety deposit room, right?” the man timidly asks. His question throws you off momentarily. Your smug smile falls as he speaks.

“How’d you know that?” you ask, reaching for your gun.

“Stop, Ruby. We’re playing by my rules from now on.” Satoru’s voice startles you from behind. 

“Satoru, you’re making a huge mistake right now,” you warn, your hands remaining where he can see them.

“The only ones making mistakes are you and Geto.” 

“He’ll be in here once he realizes I’m taking too long. You know that as much as I do.”

“Oh, I'm counting on it,” he sneers, “Now, turn around and face me.” 

You hear the sound of his gun click, making you chuckle.

“I don’t need his help anyways,” you duck down and sweep your feet under his legs, catching him off guard and making him tumble backwards onto the floor. A big cracking sound fills the air as his head makes contact with the hard floor. “I can handle myself, you should have known that, Satoru.” 

The few onlookers in the bank unsure of what to do, the silent alarm still won’t trigger.

Satoru looks up at you from his spot on the floor, a ringing in his ears from how hard his head collided with the marble. “You won’t get away with this,” he pants out in pain, clutching the back of his skull. His gun. He needed his gun. Where? Where did it end up? His head just hurts and that’s all he can focus on. His GUN, whERE IS IT? Satoru, where is y–

“I already did,” and with that you leave him laying there, your gaze serving as a warning as you pull the bank manager in the direction of the safety deposit room. He opens exactly what you want; no questions asked.

Unfortunately, you decided no loose ends this time. The bank manager met his fate inside the safety deposit room. He begged, but only for a minute. This wasn’t like you. Look what love did to you. Love and betrayal. Everyone you had ever loved betrayed you. But not Suguru. 

Never Suguru.

Sounds of fighting pull your train of thought from the lifeless man in front of you. Making a swift exit with the paperwork tucked into your jacket, you head for the source of the sound. 

“What are you doing, Satoru? This isn’t what we agreed on,” Suguru groans from their wrestling spot on the floor. Arms are being pinned, yanked free and then pinned again. The men fight to get the upper hand.

“I told you that I took an oath to stand up to people like you and her. This isn't a game, Geto. Don't you see that?” 

Suguru stops for a moment, looking at his friend while he processes the words leaving his mouth.

“Sugu,” you call from your position, gun raised and pointed directly at the white haired man before you.

“Now, Ru!” he calls to you, turning Satoru’s upper body so his back faces you. There’s silence. So much silence that follows the shot. Suguru looks at his friend beneath him with tears in his eyes. The hurt and betrayal laced behind every feature. The life leaves Satoru’s eyes as the men lock their gazes. “I told you, you won’t take her from me.” 

He stands from his spot, walking over to you.

“Are you okay?” he asks, looking you over.

“Fine. You?” you rush out. He nods quickly. “We need to go, now,” you grab hold of one of his hands, pulling him towards the exit. 

“You know we’re about to be on the run for the rest of our lives together?”

“Are you complaining?” he asks from the driver's side, sunglasses pushed atop his head as he weaves his way through the mountainous roads.

“Of course not. Never when it's with you.”

“I love you, Ru.”

“I love you more, Sugu.”

♡ tags: @celestie0 @lostfracturess @alwaysfreakingout @shervinss @jaelahh @gojolvrr34 @shesplendl @phoenix-eclipses @nanasukii28 @mylifetold @bakuhoethotski @4y3sh4 @whereflowerswenttodie @drakenswifeyy

[choicesficwriterscreations]

Just shy of three years ago, I happily stepped in to help when @choicesficwriterscreations needed assistance with CFWC Fics of the Week. Shortly thereafter, the blog's original creator, @loricreates, was ready to step down, and along with @lucy-268 I was honored to take over and continue the great work Lori had started.

The CFWC archive provides an invaluable service to our fandom, but it was always so much more to me. It's a place where people connect, friendships are fostered, and our incredibly talented creators have a chance to be seen and appreciated.

It has been my pleasure to serve as CFWC's mod, and I'm very proud of the contributions I have made during that time. But it's also a lot of work, and lately, it was beginning to feel like a chore. That's when I knew it was time to say goodbye. I'm not going far; I'll still be in the fandom. I may even show up here to help host a special event or two in the future, but for now, I want to spend my time concentrating on other things, both in and outside of the fandom. That includes my writing, catching up on reading, and supporting each of you.

I want to thank @lorircreates, CFWC's founder, for her vision, for creating this space, and for entrusting it to me. It was an honor to take the reins from you, and I hope we've done your "baby" proud.

I want to thank @lucy-268, who was a dream co-moderator. We sure had a lot of good (and crazy) times running the blog together. I'm so glad this fandom brought us together... and we'll stay that way long after this fandom is gone. 💙

I'd like to thank @liaromancewriter, who has graciously offered to take over so that CFWC can continue. Please join me in welcoming Mal as the blog's new moderator! It makes me feel much better knowing I'm leaving CFWC in your hands!

Most of all, I want to thank all of you. Each and every one of you has made our fandom what it is. The creators who make us laugh, cry, and feel things we never expected to feel. The readers and art fans who have encouraged everyone along the way. Everyone who has ever "geeked out" over a beloved story, character, or OC together. Through CFWC, I've gotten to know many of you better, and that has been the best part of the time I've spent here.

So this is my final CFWC post... one last time! :) I can't wait to see what the future brings! 😘

[hotdogstandz]

Your art is a big inspiration for me. I love love love your sanses interpretations and Also I love Carmen!! All of ur characters (original or not) have a big, well. character. It's beautiful and amazing and I love it! <3

I’m so happy to hear that I inspire you!!! It’s so cool that ppl like my dumb little sanses……AND???? YOU KNOW ABOUT MY GIRL CARMEN???????? Hello ily, here’s some Carmen doodles I finished just for you :]

[yinyuedijun]

end notes for 'translation' (spoiler warning!):

hello <3 if you're here then it means you read my cursed aventurine fic about cultural loss and the fear of being understood. thank you for sticking it out with me! much appreciated.

i wanted to add some notes here to explain my intention with some of the details in this story, because it touched on some very sensitive subjects and I don't want to be misread:

I do not believe that dialects or any type of language variant born from displacement, genocide, or diasporic communities are somehow lesser than the “original” dialects. However, I do think first/second gen speakers that lose their language (especially for political reasons or displacement, etc) can experience a lot of anguish over it, and that’s reflected in Aventurine’s narration.

Aventurine did not believe the racist Avgin stereotype he brought up (nor would I write a narrative where such a stereotype were true). However, the stereotype happens to overlap with some of his survival traits that he hates about himself, hence he used it as part of his power play. The interaction also has some relation to the way that marginalised persons sometimes weaponize or internalise the stereotypes they need to endure, as well as what it means to be the only representative of your race, but that's a whole other subjectivity in this narrative that I will choose not to discuss.

I think this will be obvious to multilinguals so this is a note directed at monolinguals: I don't think enduring abuse in a formative language necessarily “ruins” the language and turns it into a “dialect of abuse” in the way that having a second language being violently forced upon you will. In my experience, a mother tongue is a mother tongue, and it will always hit you in a sensitive way, particularly if you are experiencing cultural loss—which the MC has, in the context of colonialism and displacement (only vaguely implied in the story but it's relevant context). Nevertheless, the MC has a much more complex, adult native-speaker relationship to their mother tongue than Aventurine does with Avgin. This is what those ending passages were getting at.

Finally, I am aware the relationship between the MC and Aventurine is unhealthy, and I hope that this would have been obvious from the narrative. I don't condone relationships like this and I think both characters should get some therapy instead of routinely gaslighting gatekeeping girlbossing each other (and themselves). But for better or worse, that is a narrative I will not write for this couple.

[1ightsen]

Maxie Infodump #1 - Little known character details from official media

I promised to post some of my maxie infodumps and headcannons, and I think I'll start it off with something simple. His official character bio that was hosted originally on the first release of ORAS (this will be ORAS Maxie focused)

here is a transcript for easy reading: "Maxie is the leader of Team Magma, the team seeking a world ideal for humanity. He pays attention to even the smallest of details, and is quite sensitive in some regards. He has a habit of describing situations in numerical terms. He possesses a cool-headed outlook, thinking that some sacrifices cannot be avoided if he is to achieve his goals." Okay, so first, after looking at the original japanese version of this page,

小さいことまで細かく気にする、神経質なところがあり、さまざまなことを数字を交えてあらわすのが口癖。 目的を果たすためなら、犠牲が出ても仕方ないと考える冷徹な思想の持ち主でもある。 The one word in here I wanted to be sure of was 'sensitive' since it can have many meanings, and the original japanese gives us some possibilities with:

Personally I think (being) highly strung is the most likely option here, but either way its an interesting character trait. And we all know he certainly builds up frustration and tension and explodes a bit like a volcano. Even if he does manage to correct himself afterwards.

~ ANYWAYS ~

Now that we have the bio, let's break it down a little and look at some fun examples of it in action! Maxie has a habit of describing situations in numerical terms. This typically comes out more when he is nervous or stressed. Here are some examples: Ill just take ORAS as an example here since this is already getting pretty long... In ORAS after fighting him at mt chimney, he lets you know in a specific numerical way, how much he fell behind:

And then again, when you battle with him and lose in the Battle Resort where he just has to let you know the situation in numerical terms by giving you the exact lose chance according to his own calculations of course:

"So the great Maxie has fallen, even when battling alongside your team... I shall commit this curious phenomenon to memory. It had less than a 1 percent probability of occurring, you know."

this culminates in a really interesting interaction between him and courtney after the delta episode. While It's pretty clear that Maxie cares for his team and especially his admins, he definitely struggles when faced with his crying admin, and being unsure of what to say, he settles with a numerical quantifier again.

He assesses the situation, and decides to comment on how MUCH courtney is crying. His "paying attention to even the smallest details" trait also ties into this habit of his, and is probably why he jumps to conclusions a little too early because of small things he's noticed. Accusing Tabitha of wanting his spot as leader, just because he disagreed with him is one of those situations.

Pokemon Masters EX has a lot of new scenes with Maxie, and I would love to talk all day about them, but I'll just pick out one here, and that's from the "A pasio Spectacle" event. In this event, Maxie overhears team break members simply say the word 'glasses' and instantly jumps to the conclusion that not only did they want to talk to him, but that they noticed his "magnificent mega glasses" and would like to hear a lecture on how they were scientifically made.

https://www.youtube.com/watch?v=rZmmaf9bhD8&t=144s here's a link to watch it, its worth it :D He certainly picks up on small details, but tends to miss the bigger picture sometimes, which is fun because I believe archie tends to do the opposite. Perhaps his mega glasses are actually designed to reflect this, because they work like horse blinders, and keep maxie looking straight ahead (trust me, I've made a pair of these, and you cannot see someone standing to your immediate side). Looking straight ahead is also relevant to his life goal, of ensuring the bright future of humanity, and as he says: "propel humanity to greater heights of progress and evolution." And that concludes my infodump regarding this one little bio that is no longer available without the wayback machine, and I just wanted to share it with any other Maxie fans out there :D Next I think I might tackle the bigger topic of how Archie and Maxie have so many fun contrasts in personality and more. and then maaayyybe I'll feel comfortable enough sharing my headcannons and theories. But only if people want more lol, I am not good at writing big posts :>

[mscytic]

I’m making my own story on A03, of like my own original characters and stuff, but was also told to post here!!

it’s a passion project of mine, and hopefully i’ll get to animate them later on.

this is Daniel, he’s the narrator or I guess, the introducer of the story

[the-remote-viewers-division]

I have an alternate pale theory…

Consider this like a ‘Pale-AU’ (i.e. I know it is probably not supported by canon, and certainly not supported by some other works like Joshua Jenkins designs, for example… also I haven’t finished reading PJÕL, so maybe my ideas will change after that) but I started thinking about it as a “what-if” situation: If there were to be a direct sequel to Disco Elysium :insert prayer hands:, how could we reconcile the multitude of different Harrys the player could create? What about the fates of other characters? Some change due to our influence, some die. How could a sequel storyline somehow accept all those possible variances? Introducing my almost-certainly not-correct pale theory!TM using a little bit of in-game info, some real-life stuff, and a sprinkle of imagination!

Caution: Many spoilers ahead.

So what is Pale -- just the past?

After you talk to the Phasmid you’re given the impression that humans/people created the pale accidentally (with thinking and memory and ideas and invention?); and after talking to Joyce you learn that some think the pale is “rarified past.” It’s all pretty nebulous, but I think that the pale being a product (or a by-product) of the human mind/memory is close to what could be accepted as the canon origin of the pale:

INSULINDIAN PHASMID - The pale, too, came with you. No one remembers it before you. The cnidarians do not, the radially symmetricals do not. There is an almost unanimous agreement between the birds and the plants that you are going to destroy us all. YOU - Wait, the pale is human made? INSULINDIAN PHASMID - It is a nervous shadow cast into the world by you, eating away at reality. A great, unnatural territory. Its advent coincides with the arrival of the human mind. YOU - I don't have that kind of power. INSULINDIAN PHASMID - You are a violent and irrepressible miracle. The vacuum of cosmos and the stars burning in it are afraid of you. Given enough time you would wipe us all out and replace us with nothing -- just by accident. YOU - ...how? INSULINDIAN PHASMID - We suspect it will be something like the oxygen holocaust that wiped out anaerobic life 2.6 billion years ago -- when organisms first started breathing. Only much worse. CONCEPTUALIZATION - Instead of air, you exhale thoughts. There are no trees that eat thoughts.

JOYCE MESSIER – "Some say the damage stems from extreme sensory deprivation. Others argue that pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter." JOYCE MESSIER – "They call it *the blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even... The human mind becomes over-radiated by past." YOU – "Who says and who argues?" JOYCE MESSIER – "The logical positivists say -- the dialectical materialists argue."

An effect of the Pale is “entroponetical crosstalk" which you can experience when you use the doorbell intercom outside the whirling and hear the woman speaking from Tricentennial Electrics a long time ago, and additionally the old pale driver also talks to you about how she’s experienced the past in the pale, like the assassination of Dolores Dei. Both are snippets of human past:

KIM KITSURAGI - "It was a recording trapped in the circuitry. From some ancient tenant. This sometimes happens. Shall we conclude here? We have other mysteries to solve." YOU - "I do have one mystery that still needs solving... the radio ghost in the Doomed Commercial Area's electronic doorbell." SOONA, THE PROGRAMMER - "The creepy woman!" She slaps her forehead. "We were wondering about that when we worked there... but I had completely forgotten about it ever since!" SOONA, THE PROGRAMMER - "It must be entroponetic crosstalk. The one you get in radios and long-distance calls... Now it makes sense, with the pale right on the doorstep." KIM KITSURAGI - "Incredible..." the lieutenant murmurs. "This would also explain why we get it on the police radio all the time." YOU - "Entroponetic crosstalk?" SOONA, THE PROGRAMMER - "It's quite common actually. When the signal gets routed through pale, all kinds of irregularities take place. You may hear snippets of someone else's conversation, or the voice of your former lover, or an echo of an event that took place 100 years ago." SOONA, THE PROGRAMMER - "Pale is a shroud of memories and it doesn't really distinguish to whom those memories belong to. You could hear anything."

PALEDRIVER - "You don't need to turn back time. The pale is already churning with it. As the tide of pale rises, so does the past. Someday both will cover the whole world. That's it. That's the story." PALEDRIVER - "They say there is a point -- one that *I* have not crossed -- in the pale superdeep. If you stray too far off course on the U41-A, or in Lomonossov's Land... where every step you take is one step further from home, no matter the direction." PALEDRIVER - "It's a point you cannot come back from. Your mind becomes so radiant with the past -- there is a flip." She flicks the ash from her cigarette. "Instead of writing, it erases memory. Nearing some kind of..." She shakes her head. "Indescribable *finale*." PALEDRIVER - "Like Gabriel Buenguerro in 'Segure-me, Paraíso'..." She nods and smiles, unkindly. "You're the opposite of me then. I remember everything -- even the things I never knew." YOU - "Things you never knew?" PALEDRIVER - "The smell of liquor on Gabriel's lips after the shoot. In the motor park. The roses on the day of Franconegro's coronation. On the grand stairs of Raehl. The smoke from the fowling piece, when Dolores Dei was shot..." PALEDRIVER - "The look on her face -- like an orgasm. The wound in her chest. My hand in my father's hand..." She closes her eyes, her eyelids trembling. "Except I never had a father. And I never shot Her Innocence Dolores Dei." .. PALEDRIVER - "Thought insertion? *Dithering*? The Graad-Katla Magistral?" She savours the lungful. "It's more than dangerous -- it's *sad*. But... at first I had to make a living. Now..."

So you’d think Joyce’s theory checks out, it’s all history/memory---BUT! I did the moralist political quest my first play thru, and when you are trying to contact the airship you also get radio crosstalk from the pale.

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. Something about the lieutenant's words, directed at you, but not *you*... YOU - "It's really coming down, now that you mention it." KIM KITSURAGI - "Mention what?" YOU - "It's cold, like you just said." KIM KITSURAGI - "I didn't say anything, detective." KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." HORSEBACK ANTENNA - An uncomfortable silence falls over the connection. KIM KITSURAGI - "... It's been a long winter... Long and cold..." YOU - "Are you going to tell me you didn't say *that*, either?" KIM KITSURAGI - "I promise you, I didn't, even though it certainly *sounds* like me..." The lieutenant seems to wince at the sound of his own voice. YOU - "It must be entroponetic crosstalk. It's the only explanation." NOID - "So your partner's haunting himself. Trying to warn him off his current path, most like." KIM KITSURAGI - "It's eerie, for certain, but also harmless. I just wish I could remember what I was talking about..." ESPRIT DE CORPS - Something here is eating at the lieutenant, as much as he would like to move past it.

You can even hear it if Kim is not with you:

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. You can *feel* the lieutenant's presence, even though he's nowhere to be found... YOU - "Kim? How did you get on my connection?" NOID - "Whoa, the cop's *own partner* is a radio-spooker. That's some *other core* business right there..." HORSEBACK ANTENNA - ... KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." YOU - "Kim! Answer me." NOID - "No use, man. Don't think he can hear you." YOU - "I've encountered this before. It's entroponetic crosstalk. This is a piece of the past mixing in with our signal." NOID - "What..." KIM KITSURAGI - "It's been a long winter... Long and cold." NOID - "What have you gotten us into, lawman?" HALF LIGHT - Just *run*. Unplug that headset and get as far away as you can.

YOU - "Kim? How did you get on my connection?" … YOU - "What is he talking about?"’ SOONA, THE PROGRAMMER - "I believe you mean, what *was* he talking about." YOU - "Wait, what are *you* talking about?" KIM KITSURAGI - "It's been a long winter... Long and cold." SOONA, THE PROGRAMMER - "It sounds very much like entroponetic crosstalk. It happens sometimes when sending transmissions across long stretches of pale..."

Except IT'S NOT FROM THE PAST. It is Kim talking from the future, from the fort on the island. Which hasn’t happened yet.

And it can possibly NOT HAPPEN.

You hear Kim say this stuff even if he gets shot and doesn’t come with you to the island.

During gameplay they kind of just go “huh, how strange and spooky...” and don’t really delve into it.

But that completely changes the pale right? It’s not just past, it’s also future, and not just the ONLY future, POSSIBLE future.

So, my theory is that the pale is multiverse colliding: the near pale is the places where these universes begin to overlap, and deep pale is where universes overlap to such a degree they are cancelling themselves out into nothing.

Fungal communication – mycorrhizal network

When Joyce talks to you, she talks about a fungus growing at the edge of the porch collapse. I think this fungus could be acting like a mycorrhizal network, which in our world are an underground networks connecting fungi and plants allowing them to communicate or share information. I think the fungi/spores in Elysium pop up at origin points and thrive along the porch collapse and are allowing the universes to “talk” to each other.

SOONA, THE PROGRAMMER - "I understand..." She closes her eyes. "A theory of the pale where instead of an *outer ocean* it metastasises -- like a cancer or a mould -- erupting in points *inside* the world."

JOYCE MESSIER - "An uproar of matter, darling, *rising* into the pale. Rolling. Evaporating even, a great vision. The area of transition between the world and the pale is called *porch collapse*." JOYCE MESSIER - "Imagine a grey coronal mist, cold vapour, marked by spores of an opportunistic microorganism -- a mould that's adapted to grow at the edge of the unrest. It's..." JOYCE MESSIER - She closes her eyes and breathes out heavily: "... the most *disco* thing you will ever see.

INLAND EMPIRE - The white noise turns into a wall of mist and grey mould, bubbling, sweeping over the city... it tears up buildings and raises sidewalks into the sky. It's Revachol -- at the end of the world. INLAND EMPIRE - ...and it hasn't even really started yet.

Destructive interference – “le gris”

When Lena tells you about the cryptid the Col Do Ma Ma Da Qua, you learn that they are nearly extinct because the scientists played back their own calls and since they are creatures made of sound, the recordings cancelled out the birds. They died because the signals matched and cancelled each other out.

LENA, THE CRYPTOZOOLOGIST'S WIFE - "It's the *Col Do Ma Ma Daqua*," the woman corrects her glasses. "Its name means 'thin whisper of sound'. And that's *precisely* what it is -- self-replicating sound waves, invisible and intangible! The Col Do Ma Ma is very afraid of us, which makes it incredibly difficult to track..." YOU - "Why is the Ma Ma Daqua so afraid of us?" LENA, THE CRYPTOZOOLOGIST'S WIFE - "That is a sad story." She frowns. "A group of university students assisting with the field work, in their enthusiasm for the project and, no doubt, because they were preoccupied with impressing their professors, nearly drove it to *extinction*." YOU - "Extinction?" LENA, THE CRYPTOZOOLOGIST'S WIFE - She nods gravely. "They tried to communicate with it, and had no other means but sound. So they started sending out sound waves at frequencies they thought might match the Ma Ma Daqua's. And what happens when a sound wave meets another sound wave of the same frequency, dear?" YOU - "They cancel each other out."

So... admittedly this doesn’t directly connect to the pale, but it’s illustrating the concept of signals cancelling each other out and, I'm going to say, indicates that this concept is possible in Elysium. The pale is destruction, the overlap between universes causes matter, physics, and even numbers to dissolve. The more complete the overlap, the more complete the destruction.

In conclusion...

According to my theory, the pale is the areas of the world that are affected by these fungal organisms that allow very similar, but different universes to communicate with each other, and since their 'signals' are so alike, they are being cancelled out.

So why did I force myself to jump thru these mental hoops? I think having a multiverse like this would make a sequel more possible since there are so many ways the game can be played. Any possible playthrough would be its own universe. Having a multiverse like this acknowledges and validates any play thru as 'canon,' no player will feel that they somehow played the game “wrong.”  Whatever Harry appearing in the sequel is one of the possible Harrys even if he wasn’t “your” Harry. If a character died, they died only in some of the universes, not all. Whatever world the sequel would take place in is just one of the many possibilities.

Anyway, I thought WAYYYY too much about this and now you can too. Sorry!

[soyellowcurtainsthen]

Who’s the man at the prison gate in the Pit Babe Series 2 Trailer?!?!?

Hi, I’m an idiot with an internet connection So, here is my totally accurate and scientifically sound analysis in support of my theory that it’s Pete. Grab your tinfoil hats friends and follow me down the rabbit hole.

First, I’m going to need you to turn your brain off and live in a world with me in which we won’t even consider that this is a new character who has not been introduced yet ( jokes on me because change2561 would pull this type of thing).

Now we need to narrow down the pool of candidates from our currently known characters. Obviously if our Prison throuple of Kenta, Winner and Dean are out of prison and spying on the X-Hunter squad we can safely assume the person who got them out isn’t likely to be in the inner circle of the X-Hunter team, so we can safely disregard Babe, Charlie, Alan, Jeff, North, Sonic, and Kim. Now we have three players in the running- Way, Pete and Tony.

So let’s get to narrowing this down, behold Exhibit A

Our man in black stays out of focus for most of the clip, but from what we can see it seems that this man is dressed in a suit and as we never see Way ever dressed in those types of clothes the whole season I think it’s fair to also vote him off the Island.

Now to our final two candidates, it’s time to analyse some heights baby!!! We are going to use Kenta as a control subject, height wise, for this as he is the most likely of the prison throuple to have had scenes with both the remaining candidates.

So let’s start with Tony, it’s ridiculously difficult to get shots of these two together where Kenta isn’t half a mile behind and throwing off the perspective because of that, but I tried my best.

As you can see from these over the shoulder shots, Tony and Kenta’s eye level looks to be about the same, with them being almost exactly the same height ( Tony being slightly taller at a push). With this shot also confirming that they are very similar in height to each other.

Moving onto Pete, we can see that our baby boys have a bit of a height difference, with Kenta being the shorter of the two. His eyeline whenever talking to Pete is directed upward.

Now let’s head back to the original shot of the mystery man’s back and use our new found knowledge, and attempt to solve this by using the ancient scientific method of drawing lines on pictures.

As Winner isn’t standing at full height I’m disregarding him from the experiment, much like I wish I could disregard him from the narrative completely.

So let’s draw onto our screenshot where Kenta and Dean’s eyeline should land if they were looking at someone that was of similar height to them.

And now let’s draw where their actual eyeline ends up, taking into consideration where our mystery man’s shoulders are to give us a rough estimate of where their eyeline should land if they were looking at his face, which they are.

Now as you can see from my totally foolproof scientific method, both of their eyelines are pointed slightly upward indicating that the person on the other side of the gate is taller than both Kenta and Dean. Now there is only one of our candidates who is taller than Kenta and that leaves us with only on option left… Pete.

I rest my case.

( Also just on the logical side, why would Tony get the man who betrayed him and stabbed him out of jail, like that makes no narrative sense)

[xbomboi]

YOU 🤝 ME

SCREENWRITING

Could you possibly elaborate more on your EQ movies?? I'm really interested in this Cove Sunset... 👀

oh yeah actually i would love to talk more about that! so basically i wrote two movies intended to be the penultimate and the final installment in the Equestria Girls series since that’s definitely never going to get an official ending. i wanted to tie up loose ends…

i made a poster for the second one of the two that i made a few years back right here. but anyway…

the first of the two is called “Royal Nightmare.” the premise is as follows: it’s now spring of the girls’ senior year, and rarity has made the decision to run for queen of the spring fling after being robbed by sunset she tried to run for princess years ago. but when rarity gets possessed by dark magic, sunset has to confront her repressed baggage from the past if she wants to save her friend before it’s too late.

basically, this one deals a lot with sunset’s past with rarity. the film has a mix of the events taking place in the present day as well as flashbacks to the past, being the girls’ freshman year. it covers stuff like sunset arriving for the first time, her meeting flash, how she rose to power, and what she did to rarity (i changed it up just a tad because the junior novelization is a Weird book). it also has a lot of focus on rarijack as well.

the other one, intended as a finale movie, is titled “Forever Friendship.” after finally graduating from canterlot high, the girls are about to move onto the next stages in each of their lives. however, sunset still has unfinished business in regards to herself. together, the girls set out on one last adventure to uncover the truth behind sunset’s family and the sunset from their world. but could this be end?

this one is basically, like, giving sunset closure. in it i explore sunset’s origin and the truth about the Other sunset shimmer. it has an entire conflict that revolves around a discussion of the moral dilemma that comes with having magic in the human world. at heart it’s about sunset finding her purpose once and for all. i can’t say much else without spoiling it.

royal nightmare is complete in THEORY but needs a lot of, like, extra fleshing out and possibly the addition of a few more scenes. also, forever friendship is now missing a song or two because i removed one scene entirely and instead repurposed the song for royal nightmare. also ALSO, they’re a bit old now and i approached them differently than i did when writing for ever after high. i wasn’t totally thinking about completely matching the tone and more about cinematics. it’s not that i bumped the ratings up, but i let dialogue be lengthy and… idk, nuanced? i guess? more so in forever friendship than royal nightmare, at least. and there’s probably an occasional typo in them both.

i would share them, but the thing that makes me hesitant is the fact that for the songs, i made an unlisted youtube playlist of myself singing them each just for people who read them to have reference when the scenes pop up. it wasn’t so embarrassing when it was just being shared between myself and my friends, but the audio is kinda bad and there’s no music it’s just me singing. i didn’t even have the same range as i wanted for some of the songs or the characters so i sound wonky in it. and i can’t redo it now because i’m older and my voice has dropped so that’s a no-go.

idk, maybe i could give in with enough convincing.

[class1akids]

Some thoughts about Ch 419 - character agency and origin

I'm way behind, but wanted to add my 2c on the debate relating to the AFO "twist" and what it means for Tenko to have AFO at the core of his existence. It made me think once again of the Shouto-Shigaraki parallels .

I didn't take it quite as bad as some of the fandom, because:

we kind of already knew AFO was behind it, we just didn't know the full extent

unlike a lot of people, I didn't think that Tenko being saved by vestige magic hugs, sidestepping Tomura's adult personality and going hand in hand with child!Izuku to fight the big bad would have been a good conclusion.

I also don't think that Tenko not having any agency is necessarily a bad thing. You see, my favourite character, Shouto is a lot like Tenko. His birth, his quirk, the loss of his family, every trauma that shaped him as a child leads back to Endeavor. He's born to be his weapon to use as he wishes.

His lack of agency doesn't make him a boring character. In fact, I find it fascinating how the story shows us Shouto clawing back his agency, identity inch by painful inch, until he's able to stand firm and say - so I can AFFIRM the reason for being born. So let's look at saving Shouto, because I do think it's kind of a blueprint not only for saving Tenko/Tomura, but to Tenko/Tomura rising to save others.

And if we remember Shouto's journey - yes, it starts with a moment of a hero reaching out to him, reconnecting him to his child self who was told that he can choose who he wants to be, he can be a hero.

Notice though how being reconnected to his child self, is not an insta-save. Baby!Shouto doesn't just take over UA!Shoto and erase his personality or past mistakes. Shouto himself has to do the work. He has to face his own shitty choices, like giving the cold shoulder to Inasa or not seeing his mom for a decade and try to reconcile who he is NOW after the abuse, grooming and being driven by negative feelings. Taking ownerships of his mistakes (even if the source is Endeavor) is one of the ways to emancipation.

But it's also not a straight path. Shouto experiences being faced with his childhood dream as a nerf (just like Tomura did now lose to AFO) because of the trauma and doubts he carries. He momentarily loses his will to fight.

For people who never had agency in their lives like Shoto or Tomura, the simple truth that you get to make choices is hard to internalize and the constant doubt whether it's a choice you make by yourself or are you just walking down the path your "creator" set out for you remains.

And how could it not? Shouto wants to be a hero and wants to be not like his father who is the No 1 hero now. It's a contradiction, no? And it takes Shouto 200+ chapters to come up with an answer to reconcile the tension - he wants to be a reassuring hero - something Endeavor never was. Having this goal in his mind, he's able to accept more and more of the tools his father gave him - his quirk, Endeavor's techniques, even gear that looks like his father's - because as long as he's rooted in his own will, his own goal, he gets to keep his own identity, he gets to affirm his reason.

This is why I want not some idealized child Tenko to vanquish AFO. I think it's much more powerful if the person who makes a return is Tomura (who is also Tenko, but I use Tomura as a shorthand for his adult self, the person who he has become).

And while it's undeniable that AFO is deeply at the core of Tenko's origin (just like Endeavor is for Shouto), I also think he's gaslighting Tomura when he says Tomura never made a choice. And I'm talking about the League here specifically.

The bonds Tomura created with Touya, Toga, Spinner, Compress, Twice, Magne, etc - are fully choices he made. AFO let it happen - but the League (a place for outcasts to be accepted) are Tomura's choices.

Just as for Shoto the friends he made are instrumental in him earning his agency, being able to affirm his existence and not crumble from tragedy, the LoV is the key for Tomura to start to claw back his own.

And that's why I think it's narratively desirable for them to be part of Tomura's endgame (also to mirror Deku who would be fully an OFA/All Might creation if not for the friends and allies he made for himself and who all come to his aid in the end).

The League is also the place where the Tenko/Tomura faultlines can be reconciled into a whole. Tenko's desire to be heroic (to play with the outcasts) and Tomura's desire to stand with his allies/friends (the villains). So it boils down into a moment of wanting to be the Hero of the Villains. That's Tomura affirming himself right there. This is not AFO's path for him, but it's him reintegrating everything he has become, his truths and understanding of the world, his bonds that shaped him into that childhood dream. (It's like Shouto's "reassuring hero" moment).

And I think Tomura losing himself to the trauma, PTSD, etc. momentarily is ok too. He lost the rage that drove him forward (like Shouto in the final of the Sport Festival) and is untethered right now. He will need to find a positive emotion to become his drive to take him forward.

But his power will surface with the right trigger, just like Shouto showing up at the Stain fight wielding his newly liberated fire to help Deku was the real pay-off for their Sport Festival fight. (But only after Shouto digged deep inside himself and went to face his mother, face the existence he was given and the hurt it caused to his family with the actual reality.).

I think Tomura will also need a "deep dive" to compare his perception of the world to the current reality. Is society as passive and worthless as his perception of it? The heroes all fighting together, the civilians pitching in feels like there is a change compared to the passive hero society he remembers. But I think the real trigger should be / will be the LoV coming in. Because is it true that AFO made him choose them?

The LoV despite their bonds being real and deep couldn't save each other because they were all spiralling deep in their own traumas. But now Toga and Touya also had their own moments of reconnecting with their child self and having that child's original desire fulfilled (for Tenko - a hero came, for Touya - his family watched him, for Toga - someone accepted her as normal) but of course it's not a magic solution.

Because that moment would have saved the child they were, but not enough for their current selves. They will also have to make their own choices going forward. I think all of them can find the reason to face AFO now - Toga still wants to protect the things she likes, Touya maybe able to move beyond his father's reasons and look for his own, but not from a revenge perspective, Spinner is loyal, Compress I think will also come.

How, you ask? Well, Kurogiri is still black with bits of white. He still has in him the conditioning to protect Tomura, but also infused with Shirakumo's genuine care. I think just like Oboro helped the heroes to round up everyone, Kurogiri will round up Tomura's allies.

And once they are there, Tomura will rise up to them and will be the hero of the villains, joining forces with Deku and everyone to finally finish off AFO (and maybe save his friends). Because even with the little agency he had over his life, those choices were his alone, and he will be able to root his identity in that.

[leporellian]

OH FUCK I DIDN'T THINK THERE WERE PEOPLE ON TUMBLE WHO CARED ABT OPERA HI!!!

im like. i feel like im quite opera stupid compared to Opera People(tm) but i grew up with it so ive seen a whole lot of em

my parents both work in the biz in the way where like. a normal person doesn't know who the fuck they are but i am trying to be vague bc it's extremely possible you would?

anyway point being i am SO used to this being an extremely lame secret i can't tell anyone abt (i got to be a super once and had to literally BEG my friends to come see me even tho it was a comp ticket and even now they joke abt how the fact they still speak to me after sitting through it is a sign they must REALLY like me </3) so it's SO VERY COOL seeing someone else who likes it out here in the wild blue yonder hi hi hi hi hi

hello!!! there are a great deal many of us who love opera here!!! :)

if you'd like to see more opera blogs like myself the trick is usually to go either to the tags of individual operas or to '#opera tag'- '#opera' is a bit too general and gets overrun with aesthetic blogs and the like, haha. a lot of the blogs i interact w/ are also opera blogs too so feel free to check them out

also the 'opera being this weird thing everyone makes fun of' thing is SO REAL. for much of my life, barring my late grandmother, i was the only person i knew irl who loved opera on the level i did. it was at the level that, before she saw for herself, my mom thought papageno and figaro and the rest of them were imaginary friends or original characters i came up with LMFAO. i was often bullied for it as a kid and it was seen as that Weird Stupid Thing only i liked... the fact i was visibly autistic did not help matters either. for so long i was the only one, and it was only here on tumblr that i found people who liked it the way i did- it was only really after my high school graduation that i found people like myself in person.

and don't worry about feeling Opera Stupid- i regularly feel quite Opera Stupid and i am at a theatre college working towards a career in opera dramaturgy. i think everyone feels Opera Stupid at some point (and people that never do are they actually 'opera stupid' ones...)

i hope you enjoy your stay!! welcome to opera tumblr :)

[howlidae]

hi im autistic abt the aa su gems have u considered the possibility of trucy being the steven character. and i guess zac being like greg but way worse lol

OO TRUCY STEVEN i did not actually!!! i was going to post another batch when i drew more but i actually made trucy a blue spinel who mimics the storyline of spinel in the movie :] the au has traces of the original steven universe but i also wanted it to kinda be its own thing. Def doesnt mean that trucy CAN’T be a human/steven kinda character in another timeline though. she fits that the best probably. i mostly just wanted to draw the aa characters as gems and rotate them in my brain. heres gem trucy

[jo-harrington]

Gratia. (An As Above, So Below Story)

Gratia. Charitas. Solamen. Grace. Charity. Peace. The oath of the Knights of the Holy Order.

Summary: You and Eddie-- separated by time and endless suffering--don't realize how many strings keep you connected on the web of fate. What players are there trying to cut those strings? And when will you both find out that they are unbreakable?

Word Count: 2.1k

Pairing: Eddie Munson/Fem!OC (The Knight - Written in 2nd Person POV - You/Your - No Use of Names of Physical Descriptors)

Warnings/Themes: Soulmates, Kas!Eddie, Angst, Fluff, Hurt/Comfort, Grief, Minor Character Deaths, Manipulation, Transformation, Corruption, Supernatural Encounters, Religious Elements, Criticism of Religion, Biblical and Other Literary and Pop Culture References

Note: So...originally this was going to be one long thing. A tale about the Knight and Eddie and their unbreakable bond. And I wavered about how relevant it would be to the larger story. How relevant are any of these blurbs to the larger story? But if there's anything I've learned writing AASB, it's that I'm really writing the whole thing for myself. And after finding myself in an odd state of grief that kind of just keeps getting worse over the weekend, I know that this little fic...and the two that follow...really are only going to just be for me to help me get through it, so I need to be true to myself and write them anyway. **So if you do read this, please know it can be read in tandem with As Above, So Below. And you should have at least read the Prequels, with maybe some bonus points for Genesis. Iif you've read the Hymns, this is set before Nachzehrer.**

You can find my masterlist here.

Please do not interact if you are not 18+.

“God is a comedian playing to an audience that is too afraid to laugh.” ― Voltaire

November 10, 1986

"I'm sorry for your loss."

"Thank you."

"She's not suffering anymore. Tranquilla."

"Thank you, I know. She's been sick for a long time. She's at rest now."

"Mom brought mostaccioli. And chicken cutlets. She's setting it up in the other room then she'll be over. You should get some, you need to eat."

"I'll be alright, thank you for coming."

Today was the final day that you would spend with your Nonna.

Well, a more accurate description was that they let you have it.

Let you.

Let you have one day to sit on that stiff funeral home sofa. To stare at her, unrecognizably still in her casket, as friends and neighbors swarmed to offer their condolences. To mourn with you.

But somehow also separately from you.

And tomorrow, after she was behind a cold slab of marble, you'd be off again. Creeping closer to your own death until one day you might be placed in a plot adjacent to her.

Together.

But not really.

If there was anything left of you.

It wouldn't do to think of that today though.

Today, you would sit here. Enjoy your break and bask in the remnants of her soul that still lingered in and around her body.

It brought you some comfort to feel it move the way she did.

It danced like she danced around the kitchen, the boundaries of it crinkling like the wrinkles at the corners of her eyes and mouth. A phantasmic remnant of her lovingly worried gaze was on you every now and again, creating the urge to say "I'm ok Nonnie." To lie to her, like you always did. And whenever one of her friends knelt their own aging bodies to pray at her side, you could practically see the softness of her cushion their jagged edges, comforting them.

You didn’t dare go up yourself though.

Not yet.

Not unless you wanted the Funeral Director to haul you out of the casket because somewhere deep down you just wanted to crawl into it with her and scream,

“Take me with you. Don’t leave me like I left you.”

Because you were not ok.

You closed your eyes as a phantom hand touched your shoulder, as it attempted to soothe the pain deep inside you but only managed to stir up another kind of pain. Another kind of mourning.

If only he was really there, you could ask him to take you with him too. Take you away from here to wherever he and Nonna would wait for you.

An impossible request.

The weight of the sofa shifted beside you and you opened your eyes. You expected to find Fortunata or Antoinette—two of Nonna’s closest friends who could claim a spot beside you if they truly wanted—but instead you found Gabriel’s stiff inhuman posture and expressionless face staring ahead of him at the casket.

“You could have helped her,” you said instead of a greeting. What good would a greeting do? “Healed her.”

You briefly wondered if you'd imagined the corner of his mouth quirking before he spoke.

“And if I told you I had? If I spared her a worse fate? Lessened her pain? Lessened yours?”

“I wouldn’t believe you.”

“Then I won’t tell you.”

You turned back to watch the casket with an unsatisfied hum.

Time passed and you sat silently together as you fought to keep your emotions in check with Gabriel's presence. You weren't nervous, per se; more annoyed. Angry, even. Questioning why he was here on this day out of all days.

All your life, you explained away his presence as a guardian. Unseen and unknown to everyone but you. He used to protect you or so you could recall, but as you got older that seemed to stop.

And he was more of a harbinger of doom than a deterrent of it.

Well, not doom.

Fate.

Or God's will or some shit like that. You didn't know anymore. Didn't care. You only cared about getting to the finish line. Freeing your soul of this curse. Getting your prize.

Heaven. Home. Peace with the ones you loved.

With Nonna.

With Eddie.

So if Gabriel was here, it meant something was about to happen. Something unsavory. Something...

You blinked and he disappeared from your peripheral vision suddenly, and just beyond the space he had previously occupied, stood a man in a black cassock.

Jinette approached you but you didn't give him the satisfaction of your attention until he said your name and offered his condolences.

"May I sit?" he gestured beside you.

"Seat's taken," you responded coldly.

"Ah, your mother, yes," he nodded in realization, and you watched him pull a chair up from one of the rows behind you.

You wouldn't be the one to tell him that your mother hadn't shown her face since you arrived back in Chicago late last night. She had done her duty, arranged the funeral and called you home. Beyond that her obligation was almost over; she could be free.

There had been a brief moment between the two of you when you let yourself into Nonna's flat and found her at the table surrounded by paperwork and old pictures, and you thought for the briefest second that this might be a turning point. That she might exhume whatever love she used to have for you, buried so deep in her heart, so you wouldn't have to mourn alone.

Instead she said she was sorry, then kissed your cheek and left.

And really you only had yourself to blame at the disappointment that punctuated the interaction. How could you have expected anything more than that when the bar was already set so low?

"California is a long way to come just for funeral rites," you said once Jinette was settled.

"I'm afraid that's not what I'm here for."

"Then to attend a funeral of a very devout woman," you amended.

"I'm not here for that either." You would give it to him, the remorse plastered on his features almost looked sincere. "Unfortunately, there is a very dire situation and the Order is in need of your experti--"

"No," you cut him off swiftly. "Tomorrow. You can ask me to go tomorrow. Not today."

The usual coldness of his gaze returned and he addressed you stiffly.

"You cannot refuse. Must not. This is your duty."

You turned to him, hand shooting from your lap of its own volition to grab his robe and pull him close enough that your noses practically touched.

The funeral goers around you began to murmur--your Nonna's friends whispering in fear and shame, saying a prayer to spare them of whatever wrath would befall you for defying and possibly harming his eminence--but you ignored them.

You knew you might pay for it later, but for now your rage was warranted.

"Don't lecture me about duty," you hissed at Jinette. "My entire life has been about duty. Her life too. If you want me to go? You'll beg me. Not guilt me. But I promise that the answer will still be no."

Something wicked flickered inside of you, and you wondered if you could smite Jinette. Just a little bit. If you could channel the deep-rooted grudge against your plight and let him feel the consequences that waited to befall someone who had nurtured it.

Then you felt a slight disturbance in the room.

The calm of Nonna's soul was shaken from its bliss, and you could practically hear the sharp, punishing clicks of her tongue as you fisted Jinette's robe tighter and tighter. The flame of the candles beside her casket flickered, the leaves on the flower arrangements that filled the room began to wilt, and the whispers around you got louder until they roared in your ears.

Your eyes burned with unshed tears as the feeling of Nonna's disappointment surrounded you--filled you--and you fought it for as long as you could.

But if anyone here was going to reprimand you in this room, in this world, it would be her.

You let Jinette go and fell back into the couch with your arms crossed tightly over your chest. He heaved several heavy breaths and patted his chest pathetically.

"Tomorrow," you told him as Nonna's soul and the murmurs of the people around you settled back down into a serene silence.

The tears finally fell after he left, and you closed your eyes as Eddie's ghostly touch softly wiped them away.

"Tomorrow..."

November 6, 1983

Twang.

He enjoyed it.

Twang.

Enjoyed plucking the guitar strings and letting the reverberation travel along his fingertips and into the very core of him.

Twang.

Deep down in that dark pit where you seemed to hide, every note was like a starburst of brightness and good feelings. Things so foreign and forgotten to him now, yet still so integral to Eddie Munson.

He wasn't Eddie anymore though.

So he resented the fact that he enjoyed it so much.

"Play something," you would whisper in those hidden depths, like a devil on his shoulder, and he constantly fought the temptation to follow that urge. "Play me a song, I know you know how."

He never gave in though.

Could never give in.

It was bad enough that he hid you from Henry, that he even listened to you at all. But feeling something--doing something--was better than feeling nothing in the boring, timeless eternal void of the Upside Down. So he would allow himself these brief visits to the trailer, he would tolerate your soft words and the ever-present softness of the ghost that seemed to haunt him here, so he could pluck a few twangs of the guitar strings and bask in the sparks of euphoria they would bring.

And it was enough. It had to be enough.

Then, when he got bored or hungry or irritated by you, away he would go again.

"I would argue that me being annoying is the reason you still keep me around."

He hissed at you and pulled his hands away from the guitar spitefully.

Twang.

He watched as one of the strings seemed to pluck itself and debated whether he could reach out and take a swipe at you, but there was a sudden pain beneath his sternum. Odd, seeing as he barely felt pain in this body now. He clicked his claws together contemplatively, then hesitantly rubbed at it to soothe the ache, and as he did, he felt the echoes of your soft sigh somewhere deep inside him.

He faltered for a moment, unsure if he should feel some sort of satisfaction that he had comforted you, or resentment that he had fallen for it.

He hated you. Hated your presence there. Hated that you were somehow here when you left him to this fate. Hated that you made him weak again when Henry had remade him to be strong. Infallible.

You might very well be his downfall one day.

And still he couldn't fathom being without you again.

He growled deeply and, unexpectedly, the trailer shook around him, walls clattering, remnants of knick knacks falling.

For a moment, he watched it in awe. Believed that he was the cause of it. That the power Henry had helped him unlock had been activated with his spite.

Until everything started to shake.

The Upside Down became unsettled, the very ground beneath him shifting with some seismic agitation. Roiling and churning, changing.

There was a cacophony of restlessness through the collective consciousness as all of the creatures of the Upside Down felt the disturbance. As Henry felt the disturbance and questioned its origin, because it had not been of his design.

Almost immediately, he was singled out amongst the masses, ordered to his Master's side.

Who else could find the cause of this turmoil than Henry's right hand? His loyal servant? The Beast he created to strike on his behalf, to herald in the end?

Eddie didn't hesitate.

He left the trailer and took flight swiftly and dutifully, beating his wings powerfully to get to Henry as quickly as he could.

To get away from you as quickly as he could.

You and your comfortable constant presence in the respite of the trailer.

“Do not be afraid. Our fate cannot be taken from us; it is a gift.” ― Dante Alighieri, Inferno