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markrosewater · 4 months

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Elegance

Here’s my original article for Elegance.

This is a topic I’ve wanted to write about for a long time. Ironically, the words needed to explain the concept kept the column from being elegant. So I did what all artists do. I found a way to say a lot in a little space.

Enjoy,

Mark Rosewater

[NOTE: EACH OF THE ABOVE FIFTY WORDS IS HYPERLINKED. BELOW IS THE FIFTY HYPER LINKS. THE HEADERS SHOULDN’T BE ON THE LINKED PAGE. I’M JUST INCLUDING THEM SO YOU KNOW WHAT EACH LINK IS.]

ELEGANCE

Merriam-Webster’s Collegiate Dictionary has five definitions for elegance:

• refined grace or dignified propriety

• tasteful richness of design or ornamentation

• dignified, gracefulness or restrained beauty of style

• scientific precision, neatness and simplicity

• something that is elegant

The common elements appear to be dignity, simplicity, and taste.

THIS

Elegance requires thinking, but it also requires feeling. Elegant prose is judged by how it makes the reader feel. It needs to generate a sense of calm that puts the reader at ease. Everything in your writing should feel as if it was carefully positioned to create the proper effect.

Pound for pound, the writer’s greatest writing tool is the verb. Nouns add substance and adjectives add flourish, but it’s the verb that drives the sentence. Choose a strong, descriptive verb and the sentence has flair and purpose. Choose a weak one and the sentence lacks any sense of drama.

Here’s a little game to test an elegance relevant skill (based on an old game called Inklings). Randomly choose a noun. Try to convey that noun to the other players using the least number of letters possible. You’ll be surprised how much you can communicate in just a few letters.

TOPIC

One of the greatest stumbling blocks to elegance is the inability to choose a single focus. Elegance requires simplicity. Simplicity requires a single purpose of thought. This means that elegance starts before you write a single word. A good sculptor must know his image before he picks up his chisel.

I’VE

One of the common misconceptions of elegance is that it requires a writer to be fancy. Elegance though is more about familiarity than formality. You shouldn’t be afraid of friendlier language such as slang or contractions, assuming that such language adds an element of ease rather than one of laziness.

WANTED

An important element of elegance is a sense of passion. Brevity does not mean pulling away emotionally from words, but rather the opposite. When you find yourself limited to fewer words, you must pack each individual word with extra emotional punch. You are not reducing your message, simply your messenger.

A good tool in understanding elegance is studying poetry. Poetry is the most concise of all written art forms. It strives to maximize impact while minimizing expression. Each word carries the burden of evoking some essence of the poet’s message. If it cannot carry its own weight, it is excised.

WRITE

To be an elegant writer, you have to become a student of prose. You have to study the mechanics of language to understand how it can be shaped. Once you have learned how to transfer the feeling in your head into meaningful words, you are on the path to elegance.

ABOUT

Be careful not to fall in love with ambiguity. While intoxicating in its beauty, it is the enemy of elegance. Remember, the goal is not to make the reader struggle for comprehension. Rather it is to lead them to the obvious conclusion. Elegance should be used to illuminate, not confuse.

FOR

Elegant prose requires connecting with your reader. To do this, you have to understand who that reader is. Nothing should come before this task. It needs to be done before writing can begin. I like to compare this to planning a trip. Maps are useless until you know your destination.

Another major key to elegance is the understanding of the importance of the tiniest detail. Just as a chain is only as strong as its weakest link, a piece of prose is only as tight as its messiest detail. A good writer doesn’t stop at the nouns, verbs and adjectives.

LONG

Don’t confuse elegance with brevity. Elegant things are short not because they have to be but because the difficulty to craft an elegant piece of prose combined with the limitations of time forces writers to be brief. Elegant novels, for example, do exist, but they are few and far between.

TIME

To quote Roman orator (and letter writer) Marcus T. Cicero, “If I had more time, I would have written a shorter letter.”

Simplicity takes more time not less. Anyone can get a point across with ten thousand words. But a true artist can do it in ten (or possibly fifty).

IRONICALLY

Irony is a potent tool for commentary. Its genius lies in the fact that it comments not on what is, but rather on what isn’t. Like all good humor, irony makes you laugh. But like the best type of humor, it also makes you think. It’s both funny and funny.

THE

Elegance in writing is about more than words. Equally important is how the words are woven together. Tempo, pacing, rhythm – these are the tools that set the mood for the piece. Try reading aloud your text. The natural beat of language is more suited for the ear than the eye.

WORDS

To realize the power of words, you must first understand how they work. Art is expressive; words are connotative. That is, words draw their power from their ability to extract different ideas from different people. A circle is a circle, but the concept of “scary” varies from person to person.

NEEDED

Elegance is not the result of any one attribute. It is the combination of numerous factors coming together in harmony. This is why it’s such a hard skill to master. Most people can pat their head or rub their tummy. But put them together and it’s not quite so easy.

An elegant piece of prose needs to hit the reader at a gut level. Often they won’t know exactly why they like it, but they will recognize that something about the piece moves them. There are many types of writing where subtlety is lost. Elegant writing isn’t one of them.

EXPLAIN

There are many ways for you to explain an idea. The most elegant one though is not through definition but by example. By connecting your idea to one already known by the reader, you’re leaving the work of teaching to someone in the past. Education is hard. Comparison is easy.

THE

If writing is like building a house, the structure is like the foundation. Its design will dictate how the house is built. If it’s faulty, no amount of fancy brickwork will undo the damage. So take the time to ensure your structure is building the kind of prose you want.

CONCEPT

Never underestimate the power of a concept. An important part of elegance is condensing big ideas into little words. This is far from an easy task. It often takes a genius an entire lifetime to create a truly innovative concept. So take advantage of all their hard work and inspiration.

KEPT

A common barrier to elegance is the belief that only one way will work. Often a writer is unable to abandon a beloved piece of prose even when evidence demonstrates otherwise. If something doesn’t add to the larger sense of the piece, you have to learn to let it go.

THE

Readers notice things at a minute level far beyond their mind’s ability to interpret. This means that although they may not consciously notice many of your tiny details, they will do so unconsciously. Aesthetics teach us that it’s this unconscious structure that will determine whether or not it feels “right”.

COLUMN

All communicators, whether through speaking or print, need to find a voice. A voice provides familiarity and it teaches the listener or reader how to more quickly absorb the information. Elegance is all about the conservation of ideas. Having a pre-learned voice to guide you is a very valuable tool.

FROM

I’ve spent some time talking about understanding your reader. But there is one more person who is even more important to understand – yourself. Writing is about sharing your ideas with others. If you haven’t spent the time to figure out what you think, how can you possibly communicate it?

BEING

“A picture is worth a thousand words.”

Or so the saying goes. What the cliché forgets to mention is how many words a single word is worth. For example, take the word “being”. To capture the essence of what “being” represents is tens of thousands of words if not more.

ELEGANT

What is the value of being elegant? Why should you care? Elegance adds aesthetics. It evokes poetry. It grants beauty. Elegant prose draws the reader closer because it gives them something to not just learn but to admire. Good prose stimulates the head, but elegant prose resonates in the heart.

Who, what, where, when, how - all important questions. But for a writer they pale next to why. If you don’t understand the reasoning beneath the surface, the other details are irrelevant. The act of elegance is cementing the why. It’s taking the purpose and engraining it into the piece.

Elegance is a very personal thing. If something doesn’t resonate with you, there’s no way for it to resonate with your reader. Writing is an art, not a science. There is no rulebook for how things must be done. If your instincts are telling you that something isn’t working, listen.

DID

An important tool in your toolbox is time. Elegance cannot be rushed. Mental ruts only get deeper the harder you focus on them. Make sure to work time into your schedule so you are able to walk away from your writing. An hour next week is worth a day today.

WHAT

Don’t let attention to detail pull you away from having a larger sense of what you’re writing. Take this column as an example. While I spent a lot of time fine tuning each entry I never lost sight of the effect they created when all the entries were put together.

ALL

Elegance requires taking a holistic view of writing. Every word, every sentence, every paragraph is a piece in a larger puzzle. It’s not enough to understand the impact of a single element. You must understand how any two elements interact if you want to understand the potency of your text.

ARTISTS

Elegance and art are very intertwined. Both seek to achieve a similar goal: to illuminate and inspire with a conservation of expression. If you’re trying to be elegant, I think it helps to think of yourself as an artist. The instinct for the latter mirrors the needs of the former.

An important part of any writing is understanding the feeling you’re trying to evoke. And then realizing what mechanic tools you have available to evoke that feeling. Diction, verb tense, sentence length, alliteration, word flow, phonetic juxtaposition – each of these will control the mood and tone of your piece.

A writer’s life is the ultimate fodder. Don’t be ashamed to plumb your own experiences. You understand them deeper and more personally than anyone else. No painter would refuse to use his finest paints. And, as a bonus, by using your own experiences, you will become better educated about yourself.

FOUND

Don’t forget that the act of revealing is also an act of exploration. Don’t be afraid if you learn more than the reader you’re trying to educate. Writing is not an exact science. (Or even an exact art.) Often you will find that the road to salvation has a fork.

Your future is paved with your past. If you want to learn how to grow as a writer, you need to look back at what you’ve written. With time and a detached eye, your will find your mistakes become clearer. Remember that it’s failure, not success, that bests drives education.

WAY

The problem with looking for a single solution is that you’ll never find more than one. And the first one isn’t always the best. But if you’re open to the possibility that every problem has an infinite number of answers, you’ll have the freedom of choosing the solution you want.

Sentences are filled with freeloaders. Because writers seem to love overwriting. (I include myself in this camp.) Make sure to create time for the editor side of you to prune unnecessary words. If a word can be excised without any harm to the sentence, it has no right being there.

SAY

I’m spending my time today talking about elegance in prose, but most of what I’m saying is applicable in speech. The key difference is that prose has less defining attributes like appearance or tone. The key to elegant speech is making people focus on the words rather than everything else.

It’s ironic that something designed to be so simple can be so complex. But that, my faithful readers, is the joy (and mystery) of elegance. Like an onion, elegance has numerous layers that reveal themselves as you slowly peel them away. Oh yeah, and it can sometimes make you cry.

LOT

An interesting exercise is to look at each word you’re using and think about how much content is loaded in that word. Then explore what other words exist that fulfill the same role but with added content. Once you’ve found the word you can’t best, move onto the next word.

A good way to get better at understanding elegance is to look for it in every day life. I think you’ll be pleasantly surprised where and how often you find it. Study each example carefully and try to see if you can put your finger on what makes it work.

Writing is a shared endeavor. No one owns the words. If someone uses a technique that works, there’s no shame in borrowing it. Like science, writing creates technology that’s brought back to the group to spur further advancements. Elegance is hard enough to accomplish without refusing to use the toolbox.

LITTLE

How big should a piece of text be if you want it to be elegant? The answer is as big as it needs to be – and not a word more. Just think of it as playing the game Jenga. Keep pulling words out of your prose until it collapses.

SPACE

One of the most important lessons in art is learning the value of negative space, the idea that the eyes are equally drawn to what isn’t there. Prose has a very similar quality. When writing pay careful attention to what you aren’t saying. Often it will speak the loudest volume.

ENJOY

For some reason people tend to equate dignity with seriousness. And as such they come to the false conclusion that elegance has no room for humor. Ironic as humor is one of the most elegant of styles. A good joke is no longer than is necessary to do its job.

MARK

As is always true when I head off the beaten path, I am curious to hear your feedback. What did you think of this article? Was it entertaining? Was it educational? Did you actually read all fifty links? And if not, why not?

Tell me. Inquiring mind wants to know.

ROSEWATER

I couldn’t end this week’s column without my trademark closing. I mean, how inelegant would that be?

Join me next week when I go from being a letter man to a Letterman.

Until then, may you learn to appreciate now just the “what” but the “how” and “why”.

Mark Rosewater

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where-does-the-heart-lie · 1 year

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For @orange-artist ‘s ASL god AU DTIYS! (congrats on the milestone!)

This was really fun, I absolutely love drawing ethereal designs

Additional notes 👇

So i adjusted the original designs ... a bit... To draw in my style means that i have to make everything extra, sorry.

Ace:

I like the base design for Ace a lot! i looked at other posts to get more context to these outfits and i say this draping billowy pants design that i liked a lot more, so I used that instead of the ones he has in the picture.

I love his cute little star crown, i think it looks dope as hell. I wanted to bring it to other parts of him too, so I gave him an arm cuff with it, too! If i had drawn the front of him, you would also see that crown design around his waist as a belt, too.

i originally had him in a pose similar to the one he has in the original, but after i sketched out the other two poses i found he looked a little two flat, so i brought his hand out to the foreground.

I like the choice for his hair to gradient out to look like a comet! I had a lot of trouble trying to make it look Just Right, but i think I nailed it

Luffy:

I didn't change much about his design, I really just made him a little more yellow than he was before. Its hard to improve an already banger design. He's my ethereal silly guy...

I really love the idea of Luffy's scars looking like gold, that's really cool.

I wish I could've added that cold crown he has around his head, but i didn't know how to without it looking sloppy so i had to leave it out.

Sabo:

I changed so much about Sabo's design, i would like to send out a formal apology for it, I admit I went a little too ham. I had already completed the picture before i went back to look at the original post and saw the comments about how Sabo was supposed to look... discreet...... I... Did Not Make Him Discreet. In The Slightest. :DDD ehe

I needed help for Sabo's pose because i was having so much trouble with the hand, i called upon my good website friend JustSketchMe to get it right. I had this idea for the pose because i wanted the claw to look like a crescent moon, I think it looks pretty good.

I would've given him normal snakebite piercings too but i felt that the ring piercings looked more Crescent-like, so i went with that.

Moon belt. i want that moon belt. I have no outfits it would go with. but i still want it.

I love Sabo's whispies that he has in the original design, but when I put them in the art i had, it cluttered up the piece too much and I had to get rid of them. A moment of silence for the fallen whispies...

Noticing now I forgot Sabo's Cane..... oops.

General:

I shaded Luffy to be lighted by the sun, Sabo the moon, but i made Ace be the light for himself. There's some deep meaning to that, but I cant think of one right now.

I had a lot of fun drawing this, i hope i was failthful enough to the original designs even though i changed everything a lot :)

Drinking game: take a shot everytime I used the word "I", take a double shot each time i forgot to capitalize it, too. You will be Dead by the end of the post, though.

#my art #monkey d. luffy #sabo #asl brothers #one piece fan art #portgas d. ace #sabo the revolutionary #OP god au #asl au #@orange-artist #DTIYS

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akanemnon · 3 months

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Last question before I once again leave you to rest and recuperate for the rest of the hiatus.

Do you know color theory by any chance?

(And if so, can you teach me some techniques…? /nf)

Your most recently posted piece is so amazing that I can’t even put it into words. It’s cool how you can switch between styles like that. However, I hope you’re taking of yourself in the process!

If there’s anything to learn from the anon attacks, it’s that even though some people unfortunately don’t see it, being an online influencer of any sort is more of a sacrifice than it looks, and it can the tiring to the creator when others don’t understand. Im not half as popular as you are and I too am starting to feel the effects of posting almost everyday for the sake of the fans.

You’re probably the first online artist I’ve been a BIG FAN of. Not just because of your AU, but because now I’m know I’m not the only easily anxious artist out there. You’ve really inspired me, and lots of other people too, but to keep up the good work, you have to make sure you’re also okay.

Take care!

- The Kogetai Kiddo.

I know some color theory in terms of creating designs. For painting, not so much. It's a pretty complicated subject to explain, so that might take quite a bit to get into...

And no worries, I am taking care of myself and take plenty of breaks in between when I'm getting too frustrated. As for the style thing; I like to try different things once in a while to prevent stagnation. I can switch between styles thanks to practice, but changing mediums does take some getting used to. Digital painting is not exactly something I'm that good at because I don't do it that often. It takes a lot of time and energy. But it's a good challenge.

Honestly, I don't want to be titled as an "influencer" or "content creator". I'm just some person who likes sharing their work and comics that people seem to like them a lot. I'm no authority figure and I don't like seeing myself as something greater than others just because of some numbers. Numbers don't mean anything. It's the person that matters. I just wanna make art, and if it happens to make people happy, I'm happy too. Still anxiety and internal pressure can make things hard. There IS that underlying feeling of having to perform and do well. Because those are your own standards. In the end, you are your own worst critic. Anxiety is the worst, and it's an endless struggle against it. But it's possible to live with it. At some point, taking a step back and realizing you need a break is the right call.

Hoping the best for you and all the other anxious artists out there!

And with that'll be off on my last few days of break. Asks are closed now. See you back on Sunday!

(Little teaser from the next page for good measure)

#ask #twin runes #thank you #art talk #ask akane #queued post #twin runes teaser

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badlydrawnronpa · 2 months

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hi anon ty for sending the message! I did look through their blog and they very obviously use AI - I would've published the ask normally to let other people know but I decided against it in the end because after a closer inspection I noticed that all commissions are fake (besides being fake art I mean) and they're not actually scamming anyone because. uh. literally most of the blogs I saw interact with them are empty rp blogs that are blatantly controlled by them and one of the commissions I saw on their patreon was for a defunct ohsc rp blog from 2014??? Which honestly was really funny.

so yeah, they're very much not pulling any money from that, and on top of it all they posted pics of themselves sooooo yeh, not going to blast them on a blog with a big following for trying the 'i dont use ai im a real artist' but ultimately not scamming anyone out of their money. They're also not the best at like... hiding they're using AI because you can see their traditional art in other posts, and the style or experience level doesn't match at all.

I will post some of their AI stuff underneath the read more and point out the inconsistencies tho, to help out other people in spotting out ai shit (esp non artists that might have an harder time figuring things out). If you find out the original user that posted these, please don't harass them, be civil.

BTW I'M SAYING THIS NOW: if you see something I point out and say ''ah, I do that, I'm in trouble" - no you're not, if you actually draw the stuff yourself. You can see when an artist's work (and mistakes!) are genuine. Beginner's mistakes can be made by experienced artists too, but if you look at their entire body of work you can see when something doesn't add up.

to start off, I saw anon calling them out on this one so I'm just reiterating some of the points, but here's some junko 'art' they made

when confronted abt it, they said that the fingers look weird because they can't control their shaky hands and drawing small is hard. anyway if you draw digitally you can zoom in on the canvas and work on a detail as big as you need, so that excuse doesn't hold

this other post was basically what made me just say 'yep thats ai' and it was just the second 'art' post I saw from them

while taken alone they could've been a little harder to spot as AI, with them all bundled together you can easily see they came from the same prompt; the user tried to justify the inconsistencies saying it was because they were 'experimenting' with the design of their oc and gundham's scar but I'm telling you now, no sane artist fully renders four pieces that are basically the same concept while changing the design of the character just slightly in every single one of them. anyway, here's the breakdown of every piece:

another that was way easier to break down because it's so full of inconsistencies the moment you really take a look at it

also let's be real if you render art like that you're not gonna put a bright purple unreadable text on your supposed vtuber "art"

let's end this with the AI "commission" that could be harder to break down as AI if seen in a vacuum now, shall we? esp because our friend, the fucked up melty finger, isn't there

I honestly had to look for a while at this one because if you had shown it to me and I didn't see the other stuff this person posted, I could've just chalked up a lot of these mistakes to human error. Tangents between lines, scribbles for details, forgotten uncolored sections is all normal stuff. BUT we know this person used AI in all the other posts, so we know what to look at:

again, some mistakes the AI does can be also mistakes actual artists do: be sure to check the other art the user makes before throwing accusations

they also posted a fake speedpaint that is so embarassing it made me laugh but if I start pointing out inconsistencies in an AI speedpaint we're gonna be here for a long time, so.

TL;DR AI 'ART' SIGNS:

The classics: hands and fingers don't make sense, there's additional weird lines and they melt into other part of the drawing

long hair strands and other long or flowy elements can suddenly disappear behind objects and not reappear where they should

jewels, intricate details, hairpins and other accessories bend and melt into each other and other part of the design

the resolution of the image is very low and/or grainy - a lot of artists post lower res pieces online, but again: look for a pattern and combos of all the other signs

inconsistencies between multiple art posts, character designs constantly being different, sudden art style changes - while this can also be found with real artists, this is an additional tell of someone using AI, when combined with the stuff I mentioned above. humans mistakes usually have a reason for what they happen, AI makes them because it doesnt understand what it's doing most of the time

#admin post #so srry this is a long ass post #at least no real money was involved with this user but still sucks ass

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kozachenko · 4 months

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Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

#touhou project #art #fanart #sketches #sketch dump #zanmu nippaku #keiki haniyasushin #hisami yomotsu #touhou 19 #touhou 17 #unfinished dream of all living ghost #wily beast and weakest creature

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catmask · 3 months

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genuine question – and i hope it doesn't come as weird – but how do get into...pokemon? </3

pokemon universe feels so big and there are so many games and i really like their designs – both for pokemons and trainers – making ocs in this setting would be so cool but i have no idea how to. begin!

could you give some advice?

ps leaving compliments for your comic and art in general!! i really like how your pieces are so colorful! gives the vibes of some small but cozy and fun town in a videogame..

no worries!! it seriously depends on what you are interested in - gamewise, region wise, and story wise.

heres what i can say. if you like typical top-down style pixel art rpg games where you solve tile puzzles and build a little team of monsters, any of the games before x and y is a good choice. platinum is a great introduction to the series because it doesn't baby you but is still decently difficult, heartgold/soulsilver are the 'coziest' games imo but may spoil you because of how much content there is, black/white and black/white 2 are the most story-driven of the games and bw2 is probably the longest play of all the games. emerald is also great, but its genuinely a hard game even as someone whos been a fan of the series for years. i would say to start with hgss because they're my favorites, but they're so good it might raise the bar too high for all the other games pixel-art games.

if you prefer 3D graphics, but still like the 'run around catching guys and solving tile puzzles', i think sun and moon are the best of the 3D games! the story is engaging and a little more modernized so that there are actual cut scenes, i think the pokemon available are cute and the region is really pretty. i thikn after that, x and y is pretty cute! the story is less strong in comparison to sun/moon. importantly; every game in the 3D era has a new type that was not present in the pixel art era - the fairy type, so if you want to learn the MODERN type chart and balances, the 3D games are where you'd need to start.

finally, if you're not a fan of the 'catch pokemon run around region' type games, pokemon has a LOT of really awesome spin off games. my favorites are as follows...

pokemon mystery dungeon explorers of sky. its the strongest story the pokemon company has ever written, and im a big fan of the mystery dungeon style gameplay.

pokemon ranger (any ranger game!) the story and graphics are cute, and it focuses on rescuing/rehabilitating pokemon more than capturing them. really lovely expansion of the pokemon universe.

pokemon go, because its free! so if you dont want to download a rom, or sink money into a new franchise, its an easy way to get into it.

pokemon snap - this was actually my very first pokemon game i ever played! (never owned it though heha) but there was just a remake for the switch, if you've got a switch that is. the game focuses on photographing pokemon in their natural habitat, and its really quite cute. slow paced and fun if you're not sure about battling yet.

finally... if you weren't looking to get into games at all, pokemon art + fan creations are personally my favorite things in the entire fandom! artists and writers and fangame devs are the people who hold this fandom up, engaging with their creations is a great and typically free way to involve yourself... im sorry this is so long, i hope this helps!! and ppl are free to add on to this hehe

#long post #mailbox

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tootsmcscoots · 5 months

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OK, so. I'm not sure if it just isn't in my circles, but I haven't seen enough people talking about Chronos' design in Hades II and I need to point out an interesting design choice or I'm going to implode. Okay? Okay.

So what do y'all know about Kintsugi? For those who don't know, Kintsugi is an art form wherein pottery that has been broken or shattered is repaired with gold.

Here is an example of a piece, notice how the gold is filling in the cracks of the pottery, not just covering them up, rhe gold is taking the place of the broken ceramics. That is the point of Kintsugi, to highlight the fractures with the gold and show that, yes, once this was broken, but the gold made it whole again and better than before.

Now, what's some baseline knowledge about Chronos? King of the Titans, ruler of Time, ate his kids, and was torn asunder by his children with his own sickle. This is where that design choice comes in.

At first, I just assumed it was just a nice little flourish in the design, he has scars from his dismembering and the scar tissue was a gold hue because of his divine blood. But no, Chronos, over however many eons he spent in Tartarus filled in his missing flesh with gold, like a piece of shattered pottery.

It just... it just works on so many levels to me. Given his personality and self-importance, he treats his body like its a piece of fine pottery repairing it as such. It also helps to show off his overwhelming nature, these wounds that took all Six of the original Olympians, hundreds of Giants, and the Hecatoncheires to inflict meant absolutely nothing in the end, only making it so that he may be more glorious still, illuminating his wounds and showing that he is truly invincible and unstoppable.

God Supergiant is so good at character design.

(Source for Pottery below cutoff)

#hades game #hades 2 #hades game chronos #character design #hades supergiant #kintsugi #hades 2 spoilers

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valsdelulucorner · 4 months

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LOVE THE MERMAID AU FOR OBEY ME

Love em so much 🥹

Idk what to even ask about or say to be honest. my brain turns so empty when i get in the ask box haha 😅

If your asks and stuff are open then Uhmmmmmmmm i think maybe.... ... If you're not taking requests then don't worry about this! I love your stuff and also i get that burnout and needing a break from social media stuff is a thing!

Also i genuinely can't think right now... I kinda hoped that if i kept typing I'd come up with something, kinda like how sometimes rambles help with word flow but eh hhhhh.

I definitely like mermaid au obey me stuff.... And i like making arts and crafts... So maybe reactions to reader making lil stuff from either the island or shipwrecks for the mer brothers?

Also I definitely want you to know i love your stuff and i really liked your Rook Hunt drawing and i LOVE THE MERMAID AU and I'll be back if i come up with anything to say (can't tell you how long i spent just typing random words and rambling and then deleting them trying to get my thoughts and words to flow 😅 I'm so tired)

please, this made me cry😭 you are so sweet, i really do appreciate this. I've been through abit of a rough patch with college so this just made me feel better<3

~~~~~~~~~~~~~~~~~~~~~~~

Mer-brothers with a artsy MC

Ever since MC got stranded on the island and made friends with 7 mer-folk, they found out there wasn't much to do whenever they were alone and away from the brothers. So one day, MC decided to entertain themselves by going exploring, heading deep into the forest in the middle of the island only to find some players, a messy journal, a surprisingly dry pencil, a few little things of paint mixer, a sharp poking tool, and a whole box of un-rusted wire.

MC was over the moon after finding the box of supplies, eagerly taking it back to the cove through the land entrance. The brothers were just coming back from a bountiful hunt out near the reefs, each bringing in some sort of edible sea creature behind them. Mammon was the first to notice you fiddling with a box of stuff and left his meal in his designated pool, the fins on the end of his tail hiding it from a hungry beel.

His head was tilted in confusion as you fussed over a ratty looking box, wasn't the sparkly treasure chest he brought back to the cove not good enough that you had to resort to a old wooden crate? It wasn't until caught a glimpse of you already starting to bend and twist the wire that he started to get more curious, hauling himself up onto the rock and crawling over to you.

The others only notice this when they hear mammon start to stutter out words, looking over to see you holding his wrist and hand while holding the wire carefully for measurements. It doesn't take long until they are all up on the rock near your little box to investigate what you are doing, all of them asking questions here and there while you bend and twist the wire to fix around Mammons wrist comfortable. It was this moment that opened up a lot more opportunities to keep yourself entertained when the brothers where away.

The brothers would come back and randomly find little rocks painted with home made paint you made with random crushed materials mixed with paint mixer. They would find little charms, necklaces, rings, piercings and bracelets you made on your little ledge inside the cove. As much as they would like to look at your drawings, they would have to wait for their hands to dry before touching the paper.

It was when they found out you carved a little whale out of whale bone with a sharp rock where they started to try and find more arty supplies for you whenever they go out and hunt. They love seeing your little creations, they would be even more amazed if you made them a little piece for them to keep.

~~~~~~~~~~~~~~~~~~~~~~

Lucifer- He gets some cute little waist jewelry from you made from pearls, rope, and small bits of wire. He enjoys it because it helps keeps up his waist cloth like a belt, plus it makes his waist nicer. He thanked you for it and was pleasantly surprised when it kept his waist cloth up

Mammon- He was the jewelry tester so he got a lot of piercings and waist jewelry out of wire and treasures he finds. He constantly wears your little creations and even brings you little gems and treasure he finds pretty, risking it for you to make some more jewlery

Leviathan- He gets a little bracelet made of wire, shell, and little gems which complements his Ruri Chan bracelet that he found. His face turned beat red when you gave it to him, he hasn't taken it off yet

Satan- He gets some fin jewelry made from pure wire, with just one or two little green gems mammon found for you to use. The pieces fit perfectly on his sharp fins and was probably the longest you've spent on a piece for someone. He smiled softly when you were taking the measurements, he looks beautiful yet deadly

Asmodeus- He got a little necklace made from whale bone, rope, and pearls, and cute little pink gems. You carved a little flower from the whale bone and used the pink gem for the middle of it, the pearls mixed in and intertwined with the rope. Squealed when he saw it, he loved it so much and had you help him put it on

Beelezubub- You made a little tail charm for him made out of rope and shell (giving surfer dude), little pieces of wire mixed into it to make sure the shell stays on. He smiled as he now matched with belphie with the tail charm, and it doesn't get in the way of hunting so he loves it

Belphegor- You made him a necklace made out of the same material as Beels tail charm, the shells being purple instead of a orangey brown colour. He didn't realize you put the necklace on him at first until he went out hunting with beel, smiling softly as his precious new necklace caught him easy prey

Overall, they love to see your little creations and how they decorate the little cove they call home. How glad they were that Lucifer saved you that day and brought you to the island

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I love getting requests like this, its just so sweet<3 This was so fun to write about, i loved the Idea of arty MC. Sorry this fell more into wire crafts and jewelry, my friend has been showing me some really cool earrings and they became a big inspo

What should I do next?

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creatingblackcharacters · 7 months

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FAQs!

I go by Ice, she/her pronouns 💕. In case you had any of these questions, here you go:

1. "Why'd you make this page?"

I want to make the creation space- fandom to professional- more inclusive for people that look like me.

It is very disheartening when you really like something, and you see that oh! It's going to include a Black character! And then you get that character and... They're subpar. Especially in comparison to the usually white characters that have so much thought put into them. You accept them because you REALLY want that rep, but... We deserve to wholeheartedly accept our characters too, no ehhs about it.

I wanted to challenge myself, using my amateur art skills and my teaching skills, to convey to creators how that makes us feel, and little things they can do to more intentionally create their Black characters. There's more to us than adding to a diversity quota.

2. "So you aren't even a professional?"

I got 27.5 years of being a Black person on my resume 🤣 jokes aside, I am a self teaching artist. It's only been about a year for me. My more specific goal here is to use my skills to convey a perspective change towards Blackness, not necessarily a "how to do". If you want to learn the specific how-to's of drawing Black characters, there are Black artists all over Tumblr and the web that can show you. I actively encourage you to go check them out and support them, it's a great way to learn as well as to support our community!

3. "But if you're not a professional, why should I trust you?"

Well, again, because I don't have to be a professional to recognize when supposedly Black characters... Don't look like me 😅. Or, in writing, don't have any thought about me behind them. I could show my 87 year old Grandma some art and she'd recognize the issues.

But also, I personally believe that if you start from the foundations thinking about intentionally creating your Black characters, it'll make it much easier for you moving into the future. I am holding my hand out as a Black peer to HELP YOU! There are professional video games and art pieces and projects out there with poorly designed Black characters. The concept clearly needs to be introduced to the people somewhere before a million dollar project is release 🤣 But I can't talk to the people at the AAA studios. I can talk to you!

4. "I don't think race matters/should matter."

Alas, it does, everything we do is affected by our beliefs unconsciously or not- but I'm not going to waste my time and argue with you. This blog isn't for you 🤷🏾‍♀️ this blog is for those who want to take that first step to be better, both as creators and as people. 👍🏾

5. "Do you support AI?"

Not in the arts. Learn how to draw and/or write, it's very fulfilling.

6. "Do you answer asks?"

I do! However, this is a lesson based page, more than an ask based page. If I think your ask can be answered by one of my lessons, I'll refer you to that lesson. If it's an ask that's relevant to something coming up, I will answer it, but you will find more detail in the lesson coming up! I'm only one person doing this, and I can't answer every singular scenario. Also, keep in mind, if you ask me my opinion on something, I will be fair, but honest!

7. Will you be turning on anons?

Okay: right now, we've earned Anon Office Hours Wednesday 12:30pm thru Friday 6:30pm EST!

Most of this is due to the nature of what I'm discussing. Historically, these topics (and how race is relevant) upset some people, and it can get unsafe. Personally, I have no intention of allowing racists, or those who will take my advice in bad faith, to hide their faces. If you want to hate me, speak with your chest 😤👍🏾

The other part is that it is not a bad thing to ask questions! I did create this blog to be a learning opportunity. So long as you are kind to me and send me asks in good faith, I will be kind to you and reply in good faith. I'm also pretty sure I have the option to answer privately, so if you don't want your question posted publicly, You can say that.

If I get more questions, I'll update this!

#FAQs

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levisrations · 1 month

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Tw: none? Pure fluff. Modern Levi. Gn reader

Why am i thinking about you and Levi buying a home together, it’s old and needs a lot of love. So you both blow through your savings to make your dream house. You both start taking things out and down yourselves before you get to more complicated parts and that’s when you hire professionals to keep things going. You both spend HOURS and late nights planning everything, meeting with your contractors to tell them your vision to see if it’s possible.

Then when everything is rebuilt and refurbished the more exciting part begins and that’s ordering furniture and appliances. You both already had an idea of keeping things looking like the house was meant to since you both hate modern houses and white beige gray colors. Your house has a brick fireplace, intricate designs throughout the house that people just don’t do anymore. It looks like a house straight out the 1920’s but with better plumbing and electrical. And a more stable foundation.

Anyways you in particular are going nuts looking up stoves, fridges, couches, bed frames and Levi is also very much part of the decision but he lets you have a final say because of how happy you are. You’re best purchase is your classic gas stove. It has brass hardware and you’re in love. Levi loves it too. Also you get a claw foot bath tub, that’s Levis favorite thing (other than your state of the art washer and dryer WITH an agitator).

Your house feels complete. Years of saving, months of hard work, and some time sleeping and sitting on the floor and eating on trays meant to eat in front of the tv while furniture was being delivered. Oddly enough the giant L shaped couch was the one piece that took months to arrive! Levi was fed up and put his foot down and demanded it be canceled and to refund your money. But surprise that couch was then delivered in two days and got a discount. Salesman didn’t wanna lose that commission I guess.

You both created a beautiful home ready to be filled with all types of memories. Maybe you’ll start a family or maybe it will just be the two of you and your 5 cats (what a nightmare moving them in the house that car ride was filled with so much crying). Who knows what could happen in there! But you’re both 100 percent sure you’re gonna grow old in that house together.

#levi ackerman #levi #attack on titan #levi ackerman x reader #aot #levi x reader #levi aot #levi ackerman fluff #levi fluff

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florencemtrash · 1 year

Text

Hummingbird: Chapter Three

Miguel O'Hara x Reader

What if the Earth-1610 (Miles’s universe) version of Miguel’s wife was actually Miles’s AP Art teacher?

Masterlist

Warnings: Terrible science jargon

It was almost silly how quickly the world returned to normal.

Alchemax was splashed on every local newspaper, website, social media account, and TV channel for a solid week before complaints shifted to the neverending construction on the streets of New York. The subway somehow got tighter, packed bodies grumbling about the thirty minutes added to their commute after ten subway cars had fallen through a spot and landed in the Hudson river.

But the events never faded away from your consciousness. The only way you could fall asleep was by leaving all the lights on. It racked up your electric bill like hell, but you couldn’t stand seeing the shadows creep along the wall as nighttime descended on the city - it reminded you too much of the Spot’s blank face and how he managed to stare into your soul without eyes.

Then there was the growing problem of your forgetfulness. You’d never been the best at keeping track of belongings - Mamá always blamed it on your creative brain - but now everything was being misplaced. The alarm clock would disappear from the nightstand and appear in the kitchen, your sock collection was dwindling every day and never making it into the dirty hamper, for Christ’s sake you still hadn’t found your favorite yellow sneakers and it was irritating you to hell and back.

I’m losing my goddamn mind. You often found yourself thinking.

You threw yourself into work, staying in the classroom late to grade and lesson plan until the night crew got used to vacuuming around your feet. You took on extra projects at the Academy, signing up to run after-school detention and volunteering for props and set design for this year’s spring musical “The Addams Family.”

Anything to stay out of your apartment. Anything to keep you from being alone.

Three empty coffee cups mocked your bleary eyes as you sat hunched over the sewing machine after hours. Cheap black lace trailed off the table, slowly shortening as you incorporated the material into Morticia’s dress.

“Fuck!” You hissed in pain and stuck your thumb in your mouth, sucking away the blood from your fourth needle prick of the night. At this rate you’d have more holes punched into you than swiss cheese.

It was time to give up for tonight.

Before you could forget you slipped the stolen Brooklyn Visions Academy uniform from your bag and hid it in the bottom-most cubby in the storage room. The sleeping bag and pillow from your apartment were also stuffed there, ready for Miles to use whenever he needed an extra break from being a superhero. You suspected Gwen had also been sneaking by to visit Miles now that she had more freedom to explore the multiverse - hence the spare uniform.

“How’s he doing?” You’d asked Miles earlier that day. Miguel’s unspoken name had lingered on the tip of your tongue, forcing the color to rise into your cheeks. Luckily Miles knew exactly who you were talking about.

A knowing grin grew on his face, “Not too bad. He seems more on edge than usual, but I hear he’s working on his temper.”

“He’s not body slamming any more teenagers?”

“Not that I know of.”

“Good.” You paused, “If he gives you any more trouble, send him my way. I’ll give him a piece of my mind.”

Miles saluted you, “You got it.”

You meant it as a joke… but you also wanted a reason to see him again.

You were just about to switch the light off in your classroom when a flash of yellow caught your eye. Tucked behind a stack of newsprint, the vine charcoal rubbing away on your fingers as you carefully lifted the papers, was your prized pair of yellow converse.

It was too late to think about how they’d ended up so far from home, so you tossed them in your bag, threw out the coffee cups, and saved your muddled mind the trouble of figuring it out tonight.

The midnight subway car was filled with the usual Friday-night suspects - overworked nurses, loners just killing time, drunk party goers covered in more glitter than a kindergartener’s Valentine’s day card, and you.

You didn’t miss Richard, not really. What you really missed was coming home to someone and the feeling of another body weighing down the right side of the bed. More recently you’d been imagining what it would be like to come home to Miguel.

You kicked off your shoes at the bottom of the landing, shuffling up the steps and pulling off your clothes as you went, modesty be damned. By the time you face planted on your bed, hair still damp from the shower, it was nearing 2am and Miguel still hadn’t left your mind. He’d planted himself in your thoughts like a spider too high up on a wall for you to squash and too large for you to ignore.

Mercifully you didn’t have to endure the pains of a schoolgirl crush for very long. Sleep dragged you under and you welcomed it as your mind finally went quiet.

You awoke with a start, suffocating under the heavy blankets that you’d buried yourself in last night. You’d been dreaming again about the collider. You’d been dreaming about Miguel - this time in a feverish haze that left your mind in a puddle on the floor.

How was it possible that a stranger could occupy so much space in your mind? It wasn’t fair. It wasn’t fair that he’d held you like you were everything and then left without saying goodbye.

But you weren’t complete strangers…

“Aren’t you his wife?”

Miles had asked the question so innocently and Miguel hadn’t said anything against it, so it must be true. Somewhere, in some other universe, you’d been married to one another.

Are you thinking about me too? You wondered, opening your eyes in hopes of chasing the memory of him away.

…Maybe you were still dreaming, because the last time you checked you hadn’t fallen asleep under a tree in Central Park. And even if you had, you highly doubted you could have lugged your mattress and bed frame with you all the way from Brooklyn.

Oh por el amor de Dios.

The glorious thing about New York City is that everyone knew how to mind their own business. So when people saw a high school art teacher in Star Wars pjs leap for joy upon finding a $5 bill on the ground, they didn’t question it.

You were so ecstatic about saving yourself the two-and-a-half hour walk back to Brooklyn that you didn’t remember a highly important piece of information until after you hopped off the subway - you didn’t have your keys or your phone.

Joder.

Your forehead knocked against the front door of your apartment building with an audible clunk.

“Por el amor de la mierda, ¿por qué mi vida es así?” You muttered under your breath.

“Y/n?” Your landlord, Mrs. Fleming, pushed her tortoise-shell glasses higher up on her face, the thick lenses magnifying her eyes to bug-like proportions. “Oh it is you, my dear.”

You groaned, color rushing into your cheeks as you turned around sheepishly. “Good morning, Mrs. Fleming.”

The elderly woman gave you a once-over look, crocheting needles clicking together as she rummaged around in her bag for her keys, “The old walk of shame, I see.”

“What?! Wait, no-this isn’t-I’m not-”

She patted you on the back before unlocking the door and holding it open for you, “I only use the turn of phrase because that’s what you young folks call it. Ain’t nothing shameful in it. It’s good of you to get out there. I never did like Richard much.”

You were at a loss for words.

Mrs. Fleming, sprightly as she was for her age, followed you up to your apartment with her extra set of keys jingling merrily in her hands.

“Now, you have a good rest of your weekend, dear.” She said once you’d been graciously let into your apartment, “And don’t forget your keys next time!”

“Thanks Mrs. Fleming.” You said. Her amused chuckle echoed through the air as she shuffled off to her own apartment.

You sprawled out on the ground where your bed should have been, trying to even out your breathing as the reality of the morning’s events crashed down around you like a house of cards.

This can’t be happening. ¿Qué diablos me pasa?

You rolled onto your stomach, repeatedly banging your face into a spare pillow to muffle the sound of your aggravated screams.

The pillow accepted your frustration with little complaint until something in you just snapped.

All at once the pillow disappeared from beneath you and then blinked into existence by the closet allowing your face to crash into the floor unprotected.

You grabbed at your burning nose, eyes swimming with tears of pain as you registered what had happened.

“No… oh no.”

>>>

The rain beat down irregularly, fluctuating back and forth from being barely a drizzle to a torrential downpour.

You gripped an empty to-go cup in your hand, the tea you’d hoped would calm your nerves long gone.

It took you three hours to make it here. First you kept teleporting your keys away every time you touched them, futilely chasing them around the apartment. Then you’d nearly gotten hit by a taxi and teleported yourself to the bathroom of a tea shop on the Upper West Side. Miraculously your powers had quieted after that, allowing you to get on the subway and here without incident.

A familiar figure made its way down the block, hood up to protect from the rain.

“Miles!” You leapt up from your seat, racing across the street to the annoyed honking of two taxis.

“Miss Y/l/n? How’re you doing?” Miles narrowed his eyes in worry, seeing the way your fingers nervously pulled at a loose string from your sweater, “What happened to your face?” The flesh around your nose was red and tender, slowly transforming into a purple bruise.

“I’m sorry for bothering you like this, but I didn’t know where else to go.” You looked around carefully before lifting the cup in the palm of your hand.

You furrowed your brow in concentration, willing that same power within you to snap into place again.

“What’s supposed to-”

“Just-just give me a minute.”

A minute passed, and nothing. Your heartbeat quickened as you grew more and more flustered.

“Miss Y/l/n are you sure you’re ok?” Skepticism and genuine concern laced his voice.

“I’m fine!”

Snap!

The cup blinked out of existence like an old-school television that had been turned off. Miles saw it reappear over the park across the street and land on a dog walker’s head. The man in question looked up at the sky bewildered, like he expected to find God there.

Miles’s wide eyes met yours.

“Oh shit.”

He pulled you into the empty alleyway behind his building, using his spider webs to straighten the trash cans that rolled around on the ground and clear out a space large enough for the two of you to comfortably stand side by side.

He hung close to the street, Gwen’s face shimmering to life above his wrist as he spoke with his back turned to you.

“Hey, Gwen. I’ve got a situation.” He whispered into the watch.

You caught snippets of their conversation, shrinking in your coat as you tried to suppress the anxiety growing in your chest. If there was anything you’d learned about your powers it was that they tended to flare up with your emotions.

“Do you think we can trust him with this? I don’t want anything to happen to her… Yeah, yeah. No, I understand. I’ll bring her in. See you later.”

Miles turned back to you, a strained smile on his face, “Sorry about that.”

“Miles, what’s going on?” “I got to bring you into Spidey HQ. I don’t know what’s going on with you, but Miguel might.”

He unzipped his raincoat and hoodie, exposing the black and red spider-suit beneath and tugging on his mask.

Your heart gave a flip at the mention of your husband’s name (could you even call him that?). Would he be happy to see you again? Would things be awkward between the two of you?

A familiar watch flashed on his wrist as he began pressing buttons on the orange holographic screen. You’d seen it happen before, a portal of wild glitching colors pulsing to life in front of you, but that didn’t make it any less impressive. Miles stepped into it, dragging you along with him like he was just passing through any regular doorway.

He swept his arm outward, smiling at the expression on your face.

“Welcome to Spidey HQ, Miss Y/l/n.”

Your jaw dropped as you passed through the portal - an actual portal - to Miguel’s dimension.

Hundreds, no thousands, of Spider-People roamed the open air halls, some on two legs, some on four, some on wheels, and some just preferred to swing through the air on webs, catching and releasing the nimble strings with practiced grace from the walkways that crossed overhead like… well like a spider’s web.

Miguel certainly hadn’t wasted the spider concept when it came to their headquarters.

“I didn’t know there was a universe composed entirely of Spider-Men…Spider-People?… Spider…” A cat hissed at your feet when you nearly stepped on its tail as you blindly followed Miles through the crowd, “Spider-Things?”

“Sorry Spider-Cat!” Miles said as the feline grumbled, tail high in the air as it calmly leapt onto the wall and continued on its way as though gravity were only an inconvenience.

“Actually, every world has only one Spider-Person, but the Alchemax explosion last year ended up opening holes into other universes. Miguel created this place as a hub for Spider-People while everyone tries to fix the anomalies.”

“Anomalies?”

“Yeah, beings that have accidentally gotten stuck in another world.”

“Oh… yeah that makes total sense..” Your words trailed off as a roaring laugh caught your attention, “Is that… is that a dinosaur?”

You pointed at the group crowded around a cafeteria table howling with laughter. Burgers bounced on trays as the T-Rex doubled over to slap the table for dramatic effect.

“AY YO, REXA!” Miles shouted over your head, throwing his arms up wildly.

Rexa exposed razor sharp teeth in a grin and waved one short arm towards you. You returned a meek wave in return.

“That’s Rexa. She’s super funny. Just uh…” he covered his mouth before whispering in your ear, “Maybe don’t mention anything about her arms. She gets a little sensitive.”

“Oh…yeah, of course. No problem.”

Miles continued to lead you through the building, periodically taking breaks for you to catch up as you kept your eyes trained on everything except the path he’d carved in front of you. At one point you simply disappeared from view, reappearing four stories up in a psychiatrist’s office.

A tweed-suited Spider-Man jumped in his seat, dropping the box of tissues he’d been preparing to throw to his client.

“Oh! I… I’m so sorry.” You said, flustered at the sight of a sandy haired Peter Parker variant sobbing his eyes out into a spider plushie. You inched along the wall towards the door, “I’m just-I’m just going to make my way out.”

You closed the door as quietly as possible, turning around and coming face to face with Miles again. You jumped and snapped, this time landing on Rexa’s table, foot squishing her burger into roadkill.

You groaned and tilted your head up, watching Miles sail out the office window and swing his way down.

This was going to take a while.

There was no shortage of Spiderpeople to steal your attention, but finally after a few (uninterrupted) turns down pristine white hallways and an elevator ride into the belly of Spidey HQ, it was just you and Miles again.

From his lair, Miguel traced your figure with his eyes. When you caught sight of the camera in the elevator, its red pupil narrowing in on you, you smiled sheepishly and waved. The small action made his stomach flip like a schoolboy who’d been given his first kiss.

He needed to pull himself together before he saw you face to face again.

“I’m just saying, I think this is a good thing, Miguel.” Peter B. said, swinging up to the platform and wrapping an arm around Miguel’s broad shoulders. Mayday crawled out and onto the control board, pressing buttons haphazardly and closing half the screens. She clapped her hands in wonder and Miguel grumbled half-heartedly.

Once she started walking, all bets were off. She’d be an absolute menace to Spider Society. Already she liked to treat Miguel like her personal playscape, crawling onto his shoulders and tugging at his brown curls.

Her antics almost made him smile… almost.

“If she’s here then that can only mean something’s wrong.” Miguel said, keeping his eyes fixed on the screen and ignoring Mayday as she slumped over his back, slowly sliding down his chest and into his waiting arms with a dramatic sigh.

You looked tired and nervous, fingers tugging at the strings of your raincoat. A purple bruise spread out from your nose, moving with the curve of your cheekbones. Had someone hurt you?

Miguel’s blood began to boil.

“Or,” Peter bumped his hips against Miguel’s, “it could mean she wants to see you again.”

“Stop that.” Miguel growled.

“Stop what?”

Stop giving me hope.

Miguel was about to bite back at Peter and wipe the mischievous grin on his face when the doors slid open. Miles’s voice rang through the empty space.

“These are all those anomalies I was telling you about. Doc Oc, Rhino, Sandman, Mysterio. I don’t even want to know who that is.”

“Why is it so dark in here?”

“Miguel likes to brood. I think he’s part vampire.”

Miguel tossed Mayday into her father’s arms, swiftly turning around and busying himself at the control panel to distract from the pounding of his heart. A dozen screens flashed to life above the control board and Miguel concentrated on none of them.

Peter grinned like a madman. This was going great.

“Miss Y/n!” He shouted out, throwing his hands in the air before hopping off the platform. Mayday squealed in delight and copied his actions. Miguel only cursed under his breath and rubbed his temples. Leave it to Peter to be the cause of 90% of his headaches.

“Looking good, teach!”

“Ummm… thanks?” You responded as Mayday grabbed at you with chubby fingers. You didn’t have much choice but to hold her as Peter thrust her into your arms. Fear jolted through you like a lightning strike and you quickly handed her off to Miles, the poor girl frowning and continuing to make grabbing motions at you. The last thing you wanted was to make Mayday disappear from your arms.

Peter tipped his head to the side but for once made no comment. He continued to chat you up, pulling small smiles from your lips and ignoring the way you kept glancing at Miguel as his platform slowly lowered to the ground.

He had his hands on his hips, bright red and blue Spider-suit cutting a striking silhouette against the dark background.

If he’d noticed you walking into the room, he didn’t show it and you tried your best not to deflate at that realization.

“Don’t worry. He just likes to make an entrance,” Miles whispered in your ear. And some entrance that was. He stepped off the platform, back tight and straight as he moved forward with measured, even footsteps.

Miles took one step forward, angling his body in front of you with a weariness in his eyes.

Miguel stopped, face betraying nothing as he looked you up and down once.

“I never thought I’d see you again.” The words would have sounded romantic coming from someone else’s lips, but from him they just sounded dry and clinical.

“Same here.” You said. The words came out breathlessly.

“What’s happened?”

His hand hovered in the air between you two before he swiftly dropped it to his side. He wanted to reach out and touch your face. He wanted to tilt your chin upwards so he could take a good look at the damage done to your nose and make sure you were ok. Perhaps if you’d been alone he would have allowed himself to do it, but as it was, they had company.

“We need your help, Miguel.” Miles cut through the tension, “Something’s up with Miss Y/l/n. She’s got powers now - teleportation similar to the Spot’s.”

His heart stuttered in his chest.

“Is that true?” he said, desperately looking to you for answers. The Spot’s powers had made him unstable in more ways than one and Miguel shivered to think about anything happening to you.

You nodded, “Things keep disappearing when I touch them. Sometimes I accidentally teleport to places when I’m frustrated. I didn’t realize what was going on until I woke up in Central Park last night.”

Miguel turned around, muttering under his breath as his mind raced a thousand steps ahead of him.

Of all the people this could have happened to, it had to be you. He thought he’d done the right thing by leaving you alone, forcing himself not to portal to your dimension every night. His multiversal travels had taught him a thing or two about the ways things operated. Some figures, like Peter Parker’s Spider-Man were well represented across worlds. Some figures, like himself, were harder to come by.

As for you? He only knew of three worlds where you existed - in one world, his actions had led to your death and the death of your daughter. In the second, Spot had murdered you in his quest to figure out Spider-Man’s identity.

And in this one…

Well he thought he’d been keeping you safe.

Teleportation was a dangerous ability - unpredictable and difficult to control. Left unchecked you could find yourself in front of a car speeding down the highway or at the top of Mount Everest or in a different dimension altogether, constantly glitching as your molecules broke apa-

“Wait,” Miguel stiffened, back tightening as he swiveled around on his heels, “Where’s your watch?”

“My watch?” you glanced at your naked wrist, “I mean I usually just check my phone for the t-”

“No, your day pass watch. The thing that stabilizes you in this universe.”

Miles’s eyes blew open. “Mierda. Sabía que había olvidado algo.”

“How long have you two been here?”

“Maybe two hours.” You guessed.

“And nothing’s happened?”

“Is something supposed to happen?”

Even Peter B. looked concerned. Panic rose in your chest and you threatened to snap. Miguel reached out and grasped your wrist, palm sliding down until you felt the weight and warmth of his hand wrapped in yours. He led you to the med bay, Peter and Miles following closely behind.

The paper atop the padded examination table crinkled as you took a seat, watching Miguel’s broad shoulders flex and stretch as he dug an extra watch out from the back of a cabinet.

“Lyla, run a scan of Y/n.”

The woman flickered to life in front of him. “What’s the magic word?” She fluttered her eyelashes.

“Lyla.” He was in no mood for games today

“Ok, ok. Don’t be testy.” Lyla appeared in front of you, an orange scanner materializing in her hands that swept across your body with a cool touch. “Scan complete.”

“Here you go,” Miguel felt some relief pour back into his body as he fastened the watch around your wrist, hand lingering against your pulse like he wanted further confirmation that you were alive and well.

“Hey, why does she get one of the fancy ones?” Miles protested. The watch, identical to the ones worn by Miguel, Peter, and Miles flashed its face at you. It was far too elaborate and expensive to be just a day pass.

Miguel ignored him, walking over to one of the monitors and skimming through the output data.

“It took six months for Miguel to give me one of those bad boys,” The paper crinkled again as Peter hopped onto the table beside you, whispering, “Looks like someone’s got a favorite,” and earning a glare from Miguel.

Peter winked suggestively.

Miguel scowled.

Your cheeks turned a rosy red, your coat disappearing from around your shoulders and landing in a rumple at Miguel’s feet like the world’s worst suggestive gesture. Peter howled with laughter.

“No puedo creerlo.” Miguel whispered, his voice tinged with disbelief. “Lyla, am I looking at this right?”

“You sure are. Y/n’s DNA is perfectly stable. Not a trace of multiversal quantum poisoning to be found. And! Her radiation signature matches that of more than a thousand different universes. Bet you’ve never seen that before.”

“How is that even possible?”

“Hmmmm, let me think.” Lyla spun around in a digital office chair, waiting for her moment to break the dramatic pause. Miguel groaned - he would need to improve her code and tone down the dramatism. “Looks like packets of quantum energy from across the multiverse were released during the Alchemax hypercompact fusion explosion and merged with the only unaltered sentient lifeform in the vicinity.”

“Dios mio.”

At the end of her explanation she bowed gracefully, arm and fur-lined coat sweeping off to the side.

“Did you get any of that?” Peter asked out of the corner of his mouth.

“Peter, I took forestry as my science gen ed in art school and barely passed so… no.”

“Uhhh, can you repeat it for the rest of the class?” Miles piped up.

Lyla leaned forward, one hand on her hip and the other tipped her heart-shaped sunglasses onto her head.

“Y/n absorbed energy from a ton of different universes so as far as the multiverse is concerned, she doesn’t register as an anomaly. No glitching. No dying outside of her universe without a watch. No predicted multiversal collapse.” Lyla smiled. “Predicted.”

You looked less than pleased. The last month had been filled to the brim with life-altering events from finding out Miles was a superhero, to getting kidnapped and nearly dying, to finding out your variant’s husband was an all-too-attractive, brooding Spider-Man. It was getting to be too much - you were a teacher for crying out loud! Maybe you’d have handled it better if you were a crime-fighting detective, or a fancy scientist, or a millionaire with access to the latest tech and weapons. Instead you were just… you.

“Can you fix it?”

Miguel flinched at the look on your face. You were looking to him for help and for answers, but he couldn’t provide them in any satisfactory way. He’d never encountered anyone with your abilities.

The confusion and fear that came with discovering your powers - that was a journey all Spider-People went through, and they usually went through it alone.

Miguel sighed, “There’s nothing to fix, Y/n.” He said the words with a softness no one had heard from him in years, perhaps ever, “This is who you are now.”

“So I’m just going to be stuck like this forever?”

“Having powers isn’t so bad.” Peter chimed in with a small smile. “From time to time, it can actually be pretty awesome.”

You allowed a small, empty smile to grow on your lips. It was a smile Miguel was well acquainted with - the kind of smile that said I’m not fine, but I want you to believe that I am.

“I have some tests we could run.” Miguel offered up, “I can’t reverse what’s happened but maybe I can come up with something to help you control your powers, at least while you’re learning how to use them.”

You nodded, the smile turning into something real, “I would like that. Thank you.”

Peter was practically vibrating with excitement when he caught the look that passed between the two of you and the hint of hope on Miguel’s usually stony face.

He clapped his hands down on Miles’s shoulders, “Well would you look at the time? I need to put Mayday down for her nap and grab some food. You’ll learn this soon enough, but being a superhero does burn the calories.”

He hopped off the table, waltzing all the way to the door before he noticed that Miles was missing from his side. “Miles! Come join me.”

“Actually, I was going to wait with-”

“Miles.” Peter coughed into his fist, bug eyes burning into Miles until he got the hint.

“Oh? Oh! Yeah, sorry Miss Y/l/n, I forgot I told Gwen I’d meet up with her.”

You waved him off, “I’ll be fine, Miles. Thanks for everything.”

“I’ll show her how to use the watch and send her home when we’re finished.” Miguel said, pulling on a lab coat that had been draped over his office chair. He rarely had time to work in the lab, more focused on his primary duty of maintaining the stability of the multiverse, but the familiar glide of the fabric over his skin did help to relax him. It reminded him of the old days when Spider-Man didn’t exist and the multiverse was just a fun theory tossed around at company lunches.

A thin silence stretched between you two after Miles and Peter left, and you contented yourself with watching Miguel as he busily typed away at his monitor, labeled vials, and prepared the syringes. Every movement was practiced and controlled like he’d done this a million times before.

Miguel was screaming on the inside. You were close enough for his heightened senses to pick up on the honey lemon shampoo you used tinged with the woodsy scent of linseed oil. He was powerless under your gaze like an insect trapped under a microscope.

“I just need to collect some blood samples.” Miguel said, gently holding out his hand. You offered your arm up without complaint, distracting yourself from the pinch of the needle by reading the faded name tag printed on his lab coat.

You whistled low to break the tension, “Dr. O’Hara. That’s impressive. What kind of doctor are you?”

“I was a geneticist. Not the medical kind though. I worked in research at Alchemax.”

“Is that how you got your spidey powers?”

He rolled his eyes, “They’re not spidey powers, they’re acrachno-humanoid genetic augmentations.”

“Qué estúpido. Just call them spidey powers. You scientists just like to give things complicated names to feel superior.” The corner of Miguel’s lips quirked up every so slightly. The thrill of seeing any emotion on Miguel’s face lightened the feeling in your chest.

“Was it hard becoming Spider-Man?” You asked.

Miguel shrugged, wiping away the small bead of blood on your arm. “I had it easier than most. I was already looking into the possibility of combining human and arachnid DNA and I had the resources to study my powers.” Miguel paused. It had been a long time - too long - since he’d had a conversation like this with anyone. He could cast his mind back to talks with you his wife, but those had always been domestic in nature.

“The hardest part was not having anyone to talk to.” He said, finishing his thought.

“Sounds lonely.” You remarked, accepting the q-tip from him and swabbing the inside of your cheek. He collected the sample in a vial of greenish liquid and gave it a thorough shake, “Do you have people now that you talk to?”

“No.” His answer was short and to the point.

You’d touched a sore spot and you decided to prod it. “Would you like someone to talk to?”

Again, the corner of his lips twitched, “Are you offering?”

You copied his shrug from earlier, “Maybe.”

He took a few more cheek swabs and then a strand of hair. His hand lingered by your cheek, frowning as he took in the bruise on your face.

Now that you two were alone he dared to gently tilt your head to the side.

“You never told me what happened.”

Your hands flew up to your face in embarrassment and Miguel saw the tips of your ears grow red. He liked it.

“I may or may not have teleported my pillow away right before smashing my face into the floor.”

The breath left his lungs in a quiet chuckle. That sounded like something you’d do.

“But no one’s bothering you?”

“What? Oh no. No, it’s nothing like that.”

He nodded, the tightness in his chest unraveling with that knowledge. He knew you weren’t his wife and he knew that you didn’t know him well enough yet, but that didn’t stop him from caring. The truth was he liked you from the moment you slapped his shoulder and cursed at him, and it wasn’t just because you looked like someone from his past.

“This will take some time to work through.” He tilted his head towards where the tabletop machines whirred and spun, “But if I’m right, I may be able to adjust your watch to stabilize you in a specific place, not just a specific universe. It’s not a permanent fix but you won’t be waking up in Central Park again anytime soon.”

“That would be preferable.”

You moved to take off the watch and hand it over to Miguel but he stopped you.

“Keep this one. In case anything happens you can contact me or the other Spider-People,” He said, walking her through the steps of using the watch, “Headquarters is always open so if anything happens, come here.”

You nodded. With an encouraging look from Miguel you punched “Earth-1610” into the locator and then your home address.

Just like last time the portal bloomed open beside you, scattering a few loose papers on the ground. Through the portal you caught a glimpse of your living room, citylights flashing outside your window.

“Come back next week. Until we have a better understanding of your powers it would be good for us to monitor you and check that you’re stable.”

And it would be good for you to see her again.

Miguel squashed the thought as soon as it popped into his brain in Peter’s voice. He really needed to stop spending so much time with him.

You stepped through the portal and were embraced by the familiar smell of your apartment. It made you feel better about what was to come. You turned to smile at Miguel, his tired eyes lighting up ever so slightly.

“I’ll see you next week then.”

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_________ Author's note: Here's the next chapter! Let me know what you guys think of the writing and where the story is going. I'm hoping to dive more deeply into Y/n x Miguel's relationship in the coming chapters so get ready for angst and fluff!

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