#also the fic is like 1 scene

[mayxo-hxh]

Im about to get controversial.

Out of chrollo, illumi and hisoka, hisoka is canonically the least likely to flirt to get anything he wants, if at all.

A lot of people think he's a natural flirt but I fear I couldn't have disagreed more. He only "flirted" a single time and that was solely to piss off machi, knowing she'd never agree. Hot take? He would've never asked if he knew she'd agree.

Also, bro's the biggest humanphobe in the anime. He keeps his distance from everyone. The only human physical contact he ever made was through fighting people. (If you're a person thats interested in seeing more evidence, I have an entire long thread about it on twitter that I do plan on posting here soon)

so u cannot give me 1 reason for hisoka to flirt with someone at a random bar but chrollo and illumi? i can think of a few.

chrollo, he already canonically flirts to get what he wants. straight up goes on dates gets a suit and shit. he has no reputation among the general public that hes concerned of that isnt the spider. Illumi? He's a manipulator. I HIGHLY doubt he never flirted to get something in his life from people who are too easy to win over. He's someone that wouldn't care what people think of him. He's also anonymous. People have no idea who tf he is anyways. If it affected the zoldyck reputation? Thats a different story.

Hisoka? he would fucking NEVER. Him specifically? HE HAS A REPUTATION. And whats that reputation? That hes an absolute disgusting freak that no one should dare to approach. He kills people. He fights live and makes sure the audience is always disgusted and weirded out by his actions and performances. You look at him and you should immediately look away and pray he hasn't seen you.

So riddle me this. If his entire shtick is making sure everyones afraid of him and avoids him, then why the hell would he get himself a reputation that makes him approachable????

Why would he get himself a reputation that makes you, as a person who only ever heard of him picking people up, want to approach him.

On top of that, I just.. don't see him picking random people up..??? random weaklings that dont even know nen????? he literally treats them like trash that inconveniences his time. You're saying he'd EVER give them the privilege of sleeping with him???

And then you'd say, oh so he'd sleep with strong people! HERES THE THING. Why would he sleep with them..... when he can fight them. Him getting off from fighting comes NOWHERE to actual sex. What people don't understand is that he gets off to killing people and seeing them crumble in front of him when they realize theyre going to die. Torturing people to death. What's... that got to do with like. yknow. actual sex bro 😭😭😭😭😭😭

this turned into a huge rant probably but do you know how genuinely depressing it is seeing a unique character like hisoka that gains lust through FIGHTING and KILLING reduced to. sex addict in fics. Like. be so fucking serious right now. He called himself a FIGHT ADDICT in the manga. Can I see more of him actually spending his time killing and fighting people instead of whatever the hell bros doing with a random npc.

Anyways this is also why I hc him as asexual/demisexual NEXTTTT

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[carolperkinsexgirlfriend]

Steddie Upside-Down AU Part 87

Part 1 Part 86

Mom’s hovering in front of the door, a knife in her hand, trying to get the rest of them to get away from the window. It’s not working. If anything, Max’s nose only presses more firmly to the glass with every request she makes.

Will’s hovering just behind her, desperate to keep Steve and Eddie in his line of sight. He can just barely see the wisp of a curl through the side window of the van, bouncing as Eddie moves around inside.

He squints, trying to keep the hair in sight as the movement becomes more erratic.

Will hears glass breaking just as he loses sight of Eddie entirely, wisps and all.

He rushes past his Mom, using the weight of his body to open the door, even as she stands in the way. It’s almost involuntary, a compulsion to follow the thread that Eddie’d pulled him by.

“Will, don’t!” she cries, but it’s too late. He’s out, and through.

Mike calls after him, too, and there’s the sound of tennis shoes stampeding out of the house behind him. Will only hopes he’s not leading them all to their impending doom.

Bodies slump into the driveway, none of them human. They’re like if the Demogorgon had followed a different evolutionary chain. Dustin would find it fascinating. Will just wants Eddie and Steve back.

Wayne’s still standing sentry, looking out across the street, waiting for more monsters to creep in from the darkness, Barbara by his side.

Shielding the entrance to the van, is El.

“El!” It’s Mike, because it always is. He sounds so genuinely elated that something curdles and dies in his throat. He swallows it down, hopes it decomposes in his stomach, so he never has to look directly at it. “You came!”

El smiles, happily at Mike, then around to all of them. “Of course.” She looks over at Max, and she’s frowning now, that way she does when she doesn’t understand something. It used to happen all the time. Now, it’s rare.

Will doesn’t care, can’t when Eddie’s too quiet in the van somewhere Will can’t see. He pushes past her, too.

There’s a misshapen, monstrous foot sticking out of the broken window. He stares at it for a second before swinging the door open. It wrenches the foot strangely, makes it crack and tear with the resistance of the door before it breaks free, black blood flowing like the thing’s still alive. 

It stays still. 

Will looks past it, and finds Eddie’s pale face.  

There’s glass in his hair, and his palms are bleeding where they’re held in front of him, but he’s breathing. Alive. And he’s looking up at El like she’s answered all his prayers. Will and Eddie have been sharing the same prayers from the same broken pews for so long that for a second, Will thinks Steve is back. 

He scrambles over the dead thing blocking his entrance. It’s cold against his palms, flesh barely giving as he crawls hand over feet atop it. But, Steve’s still just sitting there, blinking, Carol huddled into his side like he can protect her, even like this.

“Steve needs your help,” Eddie says, plaintive. Begging with both voice and unblinking eyes, gaze locked on El’s own until she breaks it to look at where Steve still sits, unbothered.

Her brow furrows, eyes squinting like she’s peeling off layers of skin and meat to get to whatever’s underneath. “He’s lost?” she asks.

Carol is squinting at El like the words aren’t clicking for her. She looks back to Steve, then back to El, brow furrowing with anger.

Eddie nods. Will clears his throat. “Not like last time,” he clarifies. “He’s here, but his mind isn’t.”

El nods, decisive. “I will help.”

“What the hell are you all talking about!” Carol demands, even as people scatter around her, setting up for El’s latest rescue mission. “He’s right there!”

She’s not looking at Will, though. She’s looking at Eddie like it’s all his fault. Still, when Steve doesn’t say anything, her lip wobbles as she turns and asks, “right Steve?”

He doesn’t answer, even as she calls again. Will looks away when she bites her lips, eyes wide.

It’s easier this time. They don’t have to break into the school, don’t have to find a pool. El just sits cross-legged in front of Steve on the carpet, careful to stay away from the broken glass and the dead thing. Mike covers her eyes with Wayne’s flannel while the man himself switches the radio dial until he finds one with enough white noise to satisfy.

He can’t quite tune out the murmured conversation between Eddie and Carol, though, no matter how hard he tries. Eddie explains, in clipped, emotionless words, that something, one of the monsters from the other place she’d just gotten a taste of, has taken over Steve. 

“But we’re getting him back?” she asks, voice shrill and breaking, contrasting with Eddie’s own even tone. A veteran to the newbie in the warzone. 

Will, suddenly, feels terribly old. 

“Quiet now,” El demands. 

Eddie looks away from Carol without answering. There is no answer to that question when they’re all subsisting off hope, and not much else.

“Tell him we’re coming, okay?” Eddie asks. He’s looking down at his own bloody palms now, like he can’t bear to look at their last bastion of hope and wait for it to flame and go out. 

“Ask ‘im how to stop the thing taking ‘im over,” Wayne interjects. 

Eddie’s lip wobbles. Will knows how he feels. He doesn’t want Steve to know, if he’s in there at all, that they don’t know what to do. Neither does Will. He wants to save Steve. He always wants to save Steve.

But, Eddie finally looks up, meeting Will’s eyes before nodding. The movement knocks a tear free, but his voice sounds clear when he says, “Ask him how we kill the fucker.”

El nods, shoulders settling as she reaches out to take Steve’s hand. The white noise blankets them all. Will settles down to wait. 

That’s what they always do, when Steve is dying: they wait. This time is no different. 

Part 88

Taglist: @deany-baby @estrellami-1 @altocumulustranslucidus @evillittleguy @carlprocastinator1000 @hallucinatedjosten @goodolefashionedloverboi @newtstabber @lunabyrd @cinnamon-mushroomabomination @manda-panda-monium @disrespectedgoatman @finntheehumaneater @ive-been-bamboozled @harringrieve @grimmfitzz @is-emily-real @dontstealmycake @angeldreamsoffanfic @a-couchpotato @5ammi90 @mac-attack19 @genderless-spoon @kas-eddie-munson @louismeds @imhereforthelolzdontyellatme @pansexuality-activated @ellietheasexylibrarian @nebulainajar @mightbeasleep @neonfruitbowl @beth--b @silenzioperso @best-selling-show @v3lv3tf0x @bookworm0690 @paintsplatteredandimperfect @wonderland-girl143-blog @nerdsconquerall @sharingisntkaren @canmargesimpson @bananahoneycomb

[paperglader]

this is my official request for some rhaenicent fanfiction featuring protective older brother gwayne hightower being a little shit to alicent's romantic prospects and alicent being too amused by it

[uncleardyn]

man i love that character. you know, the deeply paranoid author who made a pact with a dark entity that ultimately ended with him stranded in another dimension separated from his loved ones for years at a time? takes place in the pacific northwest? has twin imagery associated with him and a reoccurring specific piece of symbology related to the unfortunate situation they're in? doesn't ever explain the reasoning behind his actions and instead just kinda goes "bro trust me"? yeah he also wears an outer layer of clothing with elbow pads on it, that one.

[a-whole-lot-of-things]

i love dead boy detectives to death, and hope with all my being that we can Somehow pull off getting it back (through netflix or otherwise)

but honestly if we cant? if we get stuck at where we are now forever? i honestly think ill miss the potential s2 soundtrack the most

[carnivalcarriondiscarded]

"i have to go to sleep" i say

"i really have to go to sleep" i say again, four hours later

[astrobei]

if thinking about grunge will byers is a disease i don’t want to get well

[hidey-writes]

Day After Day | 日复一日

25k | T | Weilan | Case Fic, Undercover Married, Grief

Shen Wei swallows. “And this is why you asked me to—” he makes a vague gesture that means go undercover as your husband “—pretend with you.” Zhao Yunlan comes to a stop, eyes on Shen Wei. “That’s why the cover is a married couple. The reason I’m asking you is because there are no other options for people to go undercover with.” Shen Wei scoffs to give himself an excuse to look away. “You certainly know how to flatter someone, Zhao Yunlan.” Or: Four Haixingren disappear for two months after a stay at a romantic mountain retreat. Shen Wei and Zhao Yunlan book a weekend there to find out what happened.

it's finally here!!! my beloved fic for the 520 day guardian reverse exchange! this was written for trobadora, who gave me the most delicious set of ideas to fit into a story. it was so fun.

i have no idea how to describe this fic, frankly - this is, hands down, the most complex and most heartwrenching and most incredible thing i've ever written in my entire life.

here is a list of some things in it: a kiss, a mystery, a change of heart. old chinese people, dark energy world-building, lesbians, big-time character parallels, forgery of documents, rainstorms, rowboats, lollipop symbolism, [redacted], bedsharing, grading, the stupidest undercover name ever. zhao yunlan described with so many light metaphors. shen wei being the most shen wei i could make him.

read Day After Day | 日复一日 on ao3 here!

[walkingstackofbooks]

This wasn't MEANT to be a Garashir fic, dammit.

Fellas, is this too gay?

"Garak wondered if this was the last time he’d see that beautiful smile directed his way."

This is just what they're like in canon, right?

"Garak. The Cardassian was completely infuriating, and yet Julian couldn’t say he regretted any part of their afternoon. He’d been provoked, driven to anger; Gark had torn at his pain like it was a newly healed scab, twisting Julian’s emotions around frightfully. And yet, there was something about his arguments with Garak that always made him feel so alive, in a way that little else quite managed. "

The trouble is they're definitely pining for each other in season 3 at the very least and I can't switch that off in my fic just because it's not the focus 😅

(Once again, Garak was not even supposed to be in this fic. He just sauntered in during Day 3 and has proceeded to dominate Day 4 because what else would he do?)

(He's not invited to the braiding party though. I'm sorry Garak. I'll write one with you and Keiko and Julian another time.)

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: MARS (PART 1)

Featuring: Cmdr. Sophie Shepard, Maj. Kaidan Alenko, Lt. James Vega, and Dr. Liara T'Soni Sophie, I don't know what you are- or who. Not since Cerberus rebuilt you. For all I know, you could be their puppet- controlled by The Illusive Man himself. Mass Effect 3: Legendary Edition (2021)

[charlesemersonwinchesteriii]

Sorry if someone's already made this poll I am just DYING to know if anyone else finds it hard to believe, as the show seems to expect us to do, that he entirely failed to notice both these things.

Speaking for myself, I can accept the possibility that Julian was clever enough to hide his enhancements from even a trained spy, especially given his decades of practice at it. But personally I just cannot believe Garak didn't at least suspect something was off when Julian got replaced.

[solar-halos]

i’m coming for another one of yall this mood board monday. this one is for you and me on the rock by @the-sun-and-the-sea

[sillyfairygarden]

Of all the works you've published on your ao3, which is your favourite, and why? :D

hi nonnie ^_^

auugh this is such a hard question but if you are asking for one… right now it’s “no number exists for griefs like these” which is my secret life fic about scar & pearl.

if you’ve read my other works with these two characters you know they are. my favourites to explore. and secret life was SUCH a fantastic palette to paint them on with their stories being so. augh. augh. family guy death poses.

i loved writing a different side for them… scar’s bloodthirst and pearl’s inevitable loss of joy… and for portraying the unreliability of scars internal monologue. the way he separates himself from the consequences of his actions from his POV but feels abandoned regardless.

> honestly it was a fun challenge writing the tasks as this somewhat unacknowledged, inner monologue rather than an exterior hand guiding him to victory. there’s a short exchange that ultimately got canned where scar + pearl acknowlegde with each other that there’s a greater force at play? but i decided it was a distraction from the greater story i wanted to tell, which is that scar himself was the catalyst to his isolation and loneliness.

but i love ya :p so heres the scene:

but yeah this fic was sooo self indulgent to me. i loved writing scar on his girlfailure arc <3 and ANY excuse to write about pearlescentmoon is one i will take. they’re my personal dress up dolls and i love putting them in situations.

[displacedbias]

[pre-gala]

Ted couldn't help but envy his twin sometimes. He was pretty lucky in ways Felix never even seemed to notice. Lucky in other ways? No, that would be an outright lie. But in his sense of fashion, his taste for higher class clothing, and etiquette, and language, and... all that other stuff Ted personally found boring-- were all things Fe absolutely thrived in. Ted only barely managed to learn it just because he was going to inherit their father's company, and even then, he'd hated every second. Felix on the other hand, had no reason to learn it better than Ted ever could, but he did. He had a real talent for it. And it was probably another case of doing it in the hopes he'd earn their dad's favour for once, but Ted could tell Felix did actually enjoy that stuff too.

The kindergala again... Ted shifted himself on the couch he was sitting on. --Well, 'sitting' was the wrong word. He never liked sitting still for too long with the restless energy he had, and now he was hanging upside down, back draping over the cushions, legs up on the backrest. 

It was a shame that Penny couldn't come this time. Something about being busy with the numerous afterschool stuff she'd begun taking up, and Ted understood. After all, he had MMA, music lessons, and business classes, but that was enough to juggle with the gala going on too. Besides, he could probably plan some other date with Penny, just the two of them. That'd be nice. But he was really hoping he could go on a double date, now that Felix was finally ready to ask someone out this time. No matter; he was gonna wingman the heck outta him and Ozzy, and hopefully they'd have as great of a time as Penny and himself had. ...The last thing he wanted was to see his twin sad. Yeah, no, Ted had already decided this gala was gonna be fun no matter what!!!

But still, Ted didn't entirely want to come alone either. It was a masquerade party this time around, wasn't it? ...It was kind of a no brainer as to which one of his friends would enjoy that the most.

Calling up Alice to invite her turned into a nice conversation, which turned into Ted immediately setting off to go to her house. She was such a creative person, always bursting with ideas he'd never even thought of. All he did was complain about the dress code, how much he hated wearing stiff, fancy tuxes and suits. He had plenty of those in his closet, thanks to the typical Huxley dinner parties and company balls that Ted was forced to attend as the son that Mr. Huxley had put all his hopes on since the moment of his birth. Eugh. But he really liked Alice's ideas-- much preferred them, really-- And she mentioned having some clothing in her possession that might work.

"Why not wear something else?" Alice had suggested during the phone call, "If you don't enjoy wearing formal clothing, then don't. It is a masquerade, yes? Masks are an important part of the attire, indeed, but that's just one component of it. Costumes are another big part of it. Actual costumes, not just suits and ties; although there is a lot of that in the modern day."

Ted blinked. That was news to him. "Like, Halloween costumes?"

"...Hm, well, somewhat?" Ted could hear Alice's voice teetering on how to answer that, "Sure, I suppose. Like Halloween costumes, but with a level of decorum."

"So no dressing in Spongebob foam suits?"

"I suppose you could. I don't see why anyone would stop you, but traditionally, no." Alice rejected solemnly, not even a hint of getting out of character, refined and composed, "Regrettably, Spongebob was not invented long 'til the eve of the 20th century. But I am sure aristocrats would have loved to have Spongebob costumes as their main mode of dress for masquerades, had that materialized in their time." Ted stifled a laugh as he listened to Alice continue on, "No, no, I have a proposal which should find you leagues better."

"Oh?" Ted asked, moving to sit right-side up on top of the couch's back, trying to see if he could fit in between the space between the couch and the wall (He could not). "I'm all ears!"

He could practically hear the way Alice's eyes sparkled when she got really into her fantasy, fae court, riddling, bone god roleplay kinds of scenarios she'd get super into. Especially when other people played along. "I beseech that you should don yourself a rogue of yore. One who is stealthy, perceptive, and skilled. Agile, cunning, and quick-witted-- Such a role is what would contend best to the likes of you, Theodore Huxley."

Even after knowing Alice since kindergarten four years ago, he still sometimes struggled to understand her fancy-speak. This however, actually wasn't too bad this time. "A rogue? I know what that is! Those are, like, the thief guys in D&D, right?" Ted thought about it some more, nodding to himself, "I bet they dress pretty comfy, 'cause they gotta move around a lot, too. Yeah! That sounds perfect for me! ...Uh, so, how do they dress anyway? Are they fancy enough for the gala?"

"I can exert my magic, if you wish it, to add some ‘fancy’ elements necessary. Depart for my dwelling, and you shall be bestowed garments fit for Robin Hood himself. Certainly, I have something in here to spare. Some old costuming from plays, and whatnot." Alice paused for a second, "...And you've already set off, haven't you? The wind whispers so."

Oh. She could hear the wind through his cellphone. "Right, sorry. It is pretty windy today, huh...? That's distracting. Tell you what, we can just talk more when I get to your place! See you then!"

"Then I await your presence. Godspeed." Alice hung up. And Ted was already on his way, glad he finally didn't have to wear some stupid stuffy Huxley outfit to a fancy party for once.

[velvetwyrme]

So I saw the instrument ask and I hope this is cool to drop this question I’ve been puzzling over. If not just ignore this. I don’t have anyone else to theorize with.

I read a fic where all the au! Skeletons end up in the og world on the surface (classic scenario.) They use nicknames for each other but they have to register “legal” names with the government (for jobs and licenses etc.) Sans and Papyrus are already taken so they use other font names as for it. Ever since I’ve read it I can’t decide what names each would go by and I want your opinion.

There are only two I’ve decided on:

Swapfell Sans - Garamond

Underfell Papyrus - Roman (from times new Roman obvs)

But I’m going crazy trying to decide on any others and I seek your counsel.

I have a list of possible fonts but I don’t want to drop it on you because this ask is already kinda long but if you do want it I’ll send it. Sorry again for the text dump.

IT'S ABSOLUTELY ALRIGHT <333 I'd love to see if I can help out any :o!! (*grabby hands* GIMME LIST. I LOVE LISTS.)

What are your criteria and thoughts for picking fonts👀? Is it just Vibes or are there any specific reasons for the ones you've chosen so far :?

I really like Roman for UF!Papyrus... sharp, tight and snappy- full of straight lines and points... free of frills and loops but still stylish in it's own right! Also somewhat disliked in certain spaces PLUS it has the inherent correlation between the Romans [empire] and UF!Papyrus' role in the royal guard !

Tangentially related, I found an article by the NY Times (coincidence? I think not!! /lh /j) that's just all about Garamond (the font), and it's especially fun to read with the context of Swapfell!Sans

"And where some see elegance, others perceive fussiness. There’s a stereotype associated with the sort of person who loves Garamond: The Garamond Guy, if you will, is irritatingly uptight, so certain of his own profundity that his words must be conveyed with the weight of a 500-year-old French typeface."

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