#also what did he mean my creators left and made you all

[foxes-that-run]

But Daddy I Love Him

Daddy I love him is an Ariel quote, when Ariel gives up her voice for love. Taylor has given up love for her voice (career), but also not spoken up for what she wants most. But Daddy I Love Him is a continuation of a theme of how fame and fandoms have affected Taylor's personal life. What I love about this song is it sounds like an older Taylor Swift song, she embraces a country sound and speaks her mind.

While the parallels to the reaction to a relationship in May 2023 can be seen, this overlooks much of her experience with this behaviour. I don't mean to say it is not an element, but it is far from a complete story to say it is about ending a 3 week relationship with someone about whom she also said "And I'll forget you, but I'll never forgive" on the same record.

In her NYU Graduation address in May 2022 Taylor had part of the concept in this already swirling in her mind, a full year before she dated Matty Healy:

Having journalists write in-depth, oftentimes critical, pieces about who they perceive me to be made me feel like I was living in some weird simulation, but it also made me look inward to learn about who I actually am. Having the world treat my love life like a spectator sport in which I lose every single game was not a great way to date in my teens and twenties, but it taught me to protect my private life fiercely. Being publicly humiliated over and over again at a young age was excruciatingly painful but it forced me to devalue the ridiculous notion of minute by minute, ever fluctuating social relevance and likability. 

What Taylor is referring to is the treatment by the media and fandoms throughout her career, but this was never more of an issue than 2012-2014. Nothing is a terrifying as a teenager on fledgeling social media. This TikTok creator describes it perfectly:

From tabloids, twitter, tumblr, even people who looked like Taylor were abused.

So yes, Harry has had and worn t-Shirt with the song title for years, and yes they have both dressed up as Ariel. But that is not all that makes this song about Taylor loosing her love over fan behaviour... it's because she did. She lost the love she wrote 1989 including "This love left a permanent mark / This love is glowing in the dark"  about. And it continues today, there are a lot of people who still call Harry's partners vile names and think it is OK to treat others poorly because they suggest he could care for someone. I think anyone who's read this far knows exactly what I mean, probably first hand.

This affected Taylor the point the Clean Speeches on the 1989 Tour were on this topic, every night she talked about bullying, self worth and holding onto love.

The 'Daddy' is not just the fans and media, but probably her team also. I think the varied shapes in the CDs are to show this comes in many forms and roles, not just one experience. As Taylor said to Rolling Stone in 2014 before 1989 was released:

Lyrics

[Verse 1] I forget how the West was won I forget if this was ever fun I just learned these people only raise you To cage you Sarahs and Hannahs in their Sunday best Clutching their pearls, sighing, “What a mess” I just learned these people try and save you ‘Cause they hate you

For the international fans like myself 'How the West was Won' is a 1960's film about American colonisation. I think the opening 2 lines do 2 things, place us in a country setting and also tell us Taylor cares more about speaking her mind than what may be higher bigger goals.

The second half of this verse goes on to set out that it is fans who are approaching her love lost as trauma porn, and I am here for it.

I also note the cage reference, Taylor (and Harry) have a long theme of being caged or trapped by fame, she has a literal cage in her Nashville apartment, he has a cage tattoo and they have used cage, glass boxes, fishbowls, snowglobe imagery. Here she points out the fans are not really there for her, they are seeking to control her.

[Pre-Chorus 1] Too high a horse for a simple girl To rise above it They slammed the door on my whole world The one thing I wanted

The pre-chorus furthers that the final straw has been broken, she's been cornered by fans to give up something she cares for.

Vigante Shit "Ladies always rise above / Ladies know what people want / Someone sweet and kind and fun /The lady simply had enough"

Is It Over Now? "I was hoping you’d be there and say the one thing I’ve been wanting, but no"

That is the only time Taylor has sung about ‘wanting one thing' before. This also reminds me of the Delicate Behind the Scenes, where she said she got a note from a lover and wants to be with him but realises 'it can never be him'

[Chorus] Now I’m running with my dress unbuttoned Scrеaming, “But, Daddy, I love him I’m having his baby” No, I’m not, but you should see your faces I’m telling him to floor it through thе fences No, I’m not coming to my senses I know he’s crazy, but he’s the one I want

In the chorus Taylor acts out a churlish child yelling at a father. The 'daddy' is many roles, her actual parents, fans, media and probably record company and PR people who told her she could be with the one she loved, throughout her life. She says the matching line to Harry's Kiwi, which has the same meaning.

Taylor 'floors it through the fences, fed up and unwilling to listen. This is great imagery, to break through fences, and also as metaphorical fences that have been placed around what considered acceptable for her. Cars are also a Haylor theme, including Run below and often used as a metaphor for their love escaping as it is here. (All I know is that you drove us off the road / Let’s get out of this town, drive out of the city, away from the crowds)

Is It Over Now?: Was it over when he unbuttoned my blouse?

Run: And my so-called friends, they don’t know I’d drive away before I let you go

In Kiwi Harry yells a tabloid line followed with it's none of your business. In his Harry's House ONO complete with pointing at the camera and crowd. Taylor also referenced these same tabloids headlines in the Reputation magazine.

Kiwi "I'm having your baby / It's none of your business"

[Verse 2] Dutiful daughter, all my plans were laid Tendrils tucked into a woven braid Growing up precocious sometimes means Not growing up at all He was chaos, he was revelry Bedroom eyes like a remedy Soon enough, the elders had convened Down at the city hall

In the second verse Taylor establishes that she has gone everything asked of her:

Style - "I got that good girl faith and a tight little skirt"

Style - "So it goes, he can’t keep his wild eyes on the road"

Yet is denied freedom and the elders decree the match is unsuitable. I think the elders are her team. She describes the muse as chaos and revelry. This is very reminiscent of the I Knew You Were Trouble introduction poem, but while in 2012 Taylor was contrite and said it was too much she now revels in the revelry:

"And the crazy thing is I don't know if I'm ever gonna feel that way again, but I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, how can the devil be pulling you toward someone who looks so much like an angel when he smiles at you? Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him it was losing me"

[Pre-Chorus 2] “Stay away from her” The saboteurs protested too much Lord knows the words we never heard Just screeching tires and true love

The 'daddy' has now forbidden the love, this is reminiscent of Love Story: "And my daddy said, “Stay away from Juliet”

[Chorus] And I’m running with my dress unbuttoned Screaming, “But, Daddy, I love him I’m having his baby” No, I’m not, but you should see your faces I’m telling him to floor it through the fences No, I’m not coming to my senses I know he’s crazy, but he’s the one I want

'Crazy' and Madness are a Haylor theme, particularly in the Blank Space music video, and these lyrics

Wonderland "And in the end, in Wonderland, we both went mad"

Kiwi "She's driving me crazy, but I'm into it (Oh) and "It's getting crazy, I think I'm losing it, I think I'm losing it"

But many more songs:

[Post-Chorus 1] I’ll tell you something right now I’d rather burn my whole life down Than listen to one more second of all this bitching and moaning I’ll tell you something ’bout my good name It’s mine alone to disgrace I don’t cater to all these vipers dressed in empath’s clothing

I love the last line, vipers dressed in empaths clothing, that is exactly what they are.

[Bridge] God save the most judgmental creeps Who say they want what’s best for me Sanctimoniously performing soliloquies I’ll never see Thinking it can change the beat Of my heart when he touches me And counteract the chemistry And undo the destiny You ain’t gotta pray for me Me and my wild boy and all of this wild joy If all you want is gray for me Then it’s just white noise, and it’s just my choice

The only time Taylor has described someone as wild in lyrics is in Style "So it goes, he can’t keep his wild eyes on the road"

Afterglow "Chemistry until it blows up"

I love the end of the bridge, elsewhere on the record Taylor describes her long term relationship as grey, staid and boring. For many years some fans have shoehorned this person into lyrics because they want to see themselves in her, as they settle down they want her too. From my point of view some rather loud warning signs in songs were overlooked, or seen as 'she's remembering the past/when they first got together' to avoid accepting she was unhappy and wanted out.

Out of the Woods "The rest of the world was black and white But we were in screaming color"

[Verse 3] There’s a lot of people in town that I Bestow upon my fakest smiles Scandal does funny things to pride, but brings lovers closer We came back when the heat died down Went to my parents and they came around All the wine moms are still holding out But fuck ’em, it’s over

This verse is where I think it becomes clear than the 2023 lens is at best reminding Taylor of a past love, because that relationship never came back. Matty has said they never dated in 2014, there was no controversy around her attending concerts then. They dated for a few weeks then stopped talking, and of story.

However Harry and Taylor did sing about a hidden relationship for years. In fact Taylor wasn't connected to anyone else in a serious way for three years. In particular

Wildest Dreams: I said, “No one has to know what we do”

This Love "This love came back to me, oh, oh, oh"

I know places : "Somethin' happens when everybody finds out / See the vultures circling, dark clouds" and "we're bulletproof I know places (Hide) and you know for me, it's always you"

…Ready For It?: "Island breeze and lights down low, no one has to know"

I Know Places TV's lyric video for got a very TTPD themed look.

[Final Chorus] Now I’m dancing in my dress in the sun and Even my daddy just loves him I’m his lady And, oh, my God, you should see your faces Time, doesn’t it give some perspective? And, no, you can’t come to the wedding I know it’s crazy, but he’s the one I want

Taylor is asking her fans, parents, media if they have grown up, from when they were teenagers playing with her real life, do they have perspective and willing to accept that she loves someone of her choosing?

And no, they can't come to the wedding, but I bet they have Eras Tour tickets....

[blitzythefanvergentpitsterthings]

Sooooo.....this will be next episode right?

[colleendoran]

Great Big Good Omens Graphic Novel Update

AKA A Visit From Bildad the Shuhite.

The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.

Gaze upon the horror of Bildad the Shuhite.

You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.

Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.

 Go me!  

This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.

Not complainin', just sayin'.

Anyway, I started out the gate like a herd of turtles, because  right away I got COVID which knocked me on my butt. 

And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.

Not complainin' just sayin'.

This set a few of the assignments on my plate back, which pushed starting Good Omens back. 

But hey, big fat lead time! No worries!

Then my computer crawled toward the grave.

My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.

There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.

At the time, I was still on rural internet...which means dial-up speed.

Whatever you have for internet in the city, roll that clock back to about 2001.

That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.

Welcome to my gigabyte hell.

The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.

All of this was super expensive in terms of money and time cost.

But I was not daunted! Nosirree!

I still had a huge lead time! I can do anything! I have an iron will!

And boy, howdy, I was going to need it.

At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.

I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.

Even the accountant got $250,000 a month to shut down the business, while creators got nothing.

That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.

Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.

I know everyone says that, but I mean it. I had a bad feeling.

Then there was news.

I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news. 

It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.

Then I got the official bad news.

Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.

Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work. 

I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.

"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.

So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.

Then I got back to work, and hoped for the best.

Eff this guy.

Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.

I didn't even know there was such a thing. 

There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.

I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful  eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.

What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.

Hi Ho.

Ulcer is on the right. That big green blob.

I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work. 

Just cut it out and get me back to work.

And now I wondered if I was going to lose my ability to work anyway.

Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.

The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way. 

Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.

I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry. 

To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.

I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.

I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.

I have never been more grateful in my life.

Neuralgia sucks, by the way, I'm still dealing with it months later.

Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.

Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.

Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.

But again...lots of lead time still left, go me.

Then I finally got my surgery.

Which was not as happy an experience as I had been hoping for.

My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."

Which was super not fun news.

Eff this guy.

The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.

The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.

By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.

I'd already turned most of my social media over to an assistant, and I'm glad I did.

But the next surgery was what really kicked me on my keister.

All in all, they took out an area the size of a baseball. It was  hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.

After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.

Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.

Naturally, I wasn't getting anything done during this time.

But at least my main hospital is super swank.

The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.

So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.

Nearly tore off my damn nostril.

Eff this guy.

Anyway, it was a bad year.

Here's what went right.

I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings,  enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.

Thanks to everyone who ever bought one of my books.

No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.

So, yay.

My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.

I got to ring the bell.

I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.

I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.

After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.

Within two weeks, I returned to normal work hours.

I got rural broadband, jumping me from dial up speed to 1 GB per second.

It's a miracle.

Massive doses of Vitamin D3 and K2. Yay.

The new computer works great.

The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.

I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.

I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.

More time for real life.

While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.

OK. Rough year. 

Not complainin', just sayin'.

Back to work on The Book.

And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks. 

[mcu-coworkers]

Enough for you

Summary: You realized that maybe Miguel isn't who you thought he was.

Word count:1k+

warnings: Sad reader, Sad Miguel:(

Tag list: @ahopelessromanticwritersworld  @munixumai  @deputy-videogamer  @blueberry-thrawn  @neteyamsluvts  @um-well @stinygirl009​  @marcswife21 @maladaptivedaydreamingbum​  @juleshadalittlelamb​  @taygrls​  @tanchosanke​  @chuckle-nuts​

A/n: Hello everyone and welcome to part two of “you?” I will most positively be making a part three coming very soon! Thank you all for reading! (I listened to the sour album while writing this series rough drafts)

Parts: One  Two^ Three Four

Credits to the creator^

That night you cried yourself to sleep.

Partially because Miguel completely shot you down and partially because you left your friends and suit forever.

You couldn't bear to bring back the suit or go back to HQ knowing what you knew.

You could never face Miguel or any spider again.

You wanted to so desperately let it all go and forget.

But above all else there was a city that needed you and you’d always be there for them no matter what heartbreak comes your way.

In this moment, you wished you were as heartless as miguel.

Back at HQ Miguel was looking through endless security footage on all possible earths miles could have been on.

Truth was he needed a second pair of eyes.

“Lyla.” he barked out.

“Yes, boss.” she responded, appearing on his shoulder.

“Call y/n.” he said, pausing the footage to rub his eyes.

He could take advantage of this time to apologize.

“No can do.” she replied being short with him. To be fully honest Lyla had also had enough of his shit.

“What? Lyla it wasn't a question go get me Y/n. Now.” he said, not having the energy to deal with her jokes.

“No. Miguel, you don’t-” she tried again but he cut her off.

“Fine.  I  ��ll go get her my fucking self.” he said swinging towards the door.

“She's gone, Miguel. And it's all your fault.” Lyla said behind him.

He froze,“What?” finding your watch and your suit he stopped thinking.

“She quit. Not just the spider society, she quit being a spider entirely. Because of what you said.” Lyla finished.

“ I   didnt-  I   didnt mean it..” he said, clutching your suit in his hand.

“Well you said it anyway and it hurt her.” She responded, “And if  I   were her  I‘d probably never come back too, she deserved better Miguel. Why did you lie?” she asked confused as to why he denied himself the chance of love.

“ I   was angry  I   wasn’t thinking straight.  I  didn’t mean it.” he said barely above a whisper.

“Yeah well you sold it as far as keeping up an act goes.” she said, sighing.

Miguel could always fix his mistakes. This would be a first.

Sighing he stood straight and turned back to his desk.

Miguel had a decision to make, you or the fate of the multiverse.

It's like he said, there's no room for that kind of stuff for guys like him.

Once again he was right.

“Get Ben and Jess in here and have them start with earth 42.” he said, sounding more defeated than ever.

Still, he was clutching your suit as if you were still in it. Your scent lingering.

“Yes, boss.” was all Lyla could muster up at the moment.

Her artificial heart was breaking for the both of you. He was so close to telling you she could feel it.

It just wasn't his strongest moment.

Neither was this one as he took out his anger on the poor monitor that happened to be in his way.

Back at home you laid in bed trying to find the motivation to get back up but the truth was you didn't want to.

Everytime you tried to create a new suit you just heard Miguel's abusive words like it was the first time all over again.

And it just made you want to hide under the blankets forever.

Your spidey senses went off and then there came the portal.

You knew it wasn't Miguel, he could never.

“Hey webby? You alright in there?” you heard.

Peter.

Taking the covers off you came face to face with an exhausted Peter and a sleeping May Day.

“Heard what happened at HQ  just wanted to check in if that's okay.” he added wondering if he could take a step closer.

“ I   really screwed it up this time pete.” you said wiping the tears away for the millionth time.

God you felt pathetic.

“No way kid, that was all him. You know that right.” he said sitting next to you.

“ I   should’ve been there. But even if  I   was, I don't know if  I‘d be on his side. Miles is just a kid, We’ve all been there right?” you asked. Thinking this way makes you feel guilty.

You should stand behind Miguel at all times.

But now what did it matter you’d never step foot in HQ ever again anyways.

“You're allowed to think whatever you want. He can't take that from you.” Peter reassured me.

He was right.

“You think you’ll ever come back?” he asked, he almost entirely knew the answer but he still held out hope for you.

“ I   don't think so Pete,  I‘m sorry.” you said looking down in shame.

The reality was you could never face him again.

“Don’t be  I   wouldn't stand for that either  I  ‘m pretty sure a lot of us are done for too anyways but listen, you’re never going to be alone.” he said putting a hand on your shoulder.

“If you ever decide to come back not just as spider woman, but to the society, just know you have people in your corner.” he said, giving you a warm smile.

“Thanks pete.” you said as he stood opening a portal.

“Hey pete?” you called out.

Turning back to you he waited for you to continue.

“Don’t ever stop sending me Pictures of May Day. I need my daily serotonin boost.” you said with a soft smile earning yourself a chuckle in return.

“Never kid.” he said as he walked his way into the portal.

A soon as he was gone you went back under the covers and took a deep breath.

Peeking your head out from under the cover you looked at the picture you had framed on your wall.

It was of you receiving the key to the city.

Your city, the one you saved day and night.

Whenever it called for you.

You earned that key the same way you earned the title of spider-woman.

And you weren’t gonna let some words take that from you.

Wiping the fresh tears away you got out of bed putting Miguel's words in the back of your head and got to designing.

You were bigger than his words and you’d prove it.

In that moment you promised you’d make him regret ever  making you feel like you’re not good enough.

One day he’s gonna feel sorry for himself.

And one day you’ll be everything to somebody else.

And he’ll be the one who's crying.

Yeah, one day.

*If you’d like to be added to the tagslist just let me know I am more than happy to :)

[ystrike1]

I hate doing this but there's drama in the horror webtoon community and I have to vent.

Do NOT support Hanza_art

If you don't want to be spoiled/involve yourself in a toxic situation do not read further.

My Deepest Secret was infamous for its overly miserable plot twist ending. The main character turned out to be "crazy" and "delusional". Somehow that protagonist was capable of living a normal life and being a serial killer at the same time. This character never got real professional help, and they were left to suffer in their delusions.

The horror community is often wary of authors that portray mentally ill people as unsalvagable or monstrous. Personally, I was horrified.

The backlash was horrible because the plot twist made no sense in general. In addition the story was marketed as a romance and by the end nobody had paired off. I felt my time was wasted, and I was disgusted by the way the "true villain" was discarded for the crime of being mentally ill.

When Hanza returned with a more level-headed protagonist and a more violent psychopathic villain....some readers gave the author another chance.

I don't blame them. Paranoid characters like Rozy are very interesting! Especially as main characters!

Hawa, the secondary female lead, grows out of her "naive victim" stereotype as well. It's very satisfying to watch. It was tied together nicely by the handsome villain, Adam.

Adam is extremely evil and irredeemable. When the story begins he is a serial killer who targets "innocent, sweet" girls like Hawa.

Rozy is overprotective and she doesn't trust men. In fact she's a known man hater. The characters are all adults, so their character traits and desires aren't just quirks. They are all deeply flawed people.

It was a very promising start.

Plus, it wasn't marketed as a romance so I was sure it would be written better! The weakest part of My Deepest Secret was the romance (by the end I mean) so yay!

Or not...

I do not keep up with TGU on a regular basis. The plot slowed down considerably and I noticed a worrying trend. Frankly, I'm not shocked by this immature behavior in the slightest.

Every single male character in TGU is a sexist abuser who harbors violent thoughts about women.

Hanza is very good at writing scary, irredeemable, sexist pigs that belong in jail...but it was a worrying trend all the same.

Adam was a smart, handsome serial killer who liked to hide in plain sight. By about chapter fifty he was alot dumber, and I cannot stress this enough.

Every male character that associates with Rozy or Hana turns out to be a stalker or harasser. The kind that would get charged in real life.

That kind of hatred towards "all men" is worrying in a thriller comic, and it was very annoying.

I wanted Rozy to outsmart Adam.

I don't want to watch her and Hana be abused by multiple men (mostly former friends!).

I came for the girl boss mystery, and I got alot of sexism instead. What a slap in the face.

Past a certain point I was only checking in to see how bad the story had gotten....and...yup....the male police officer helping Rozy is also a weird guy.

............first of all that's boring.

Second of all it's insulting.

Hanza hates toxic romance, and it shows, and that's perfectly ok. It's not for everyone, but Hanza has built their entire career on top of sexy murder men...so their attitude is extremely hypocritical and annoying as heck to watch.

"I hate toxic romance but I'm also going to sell suit merch of Elios and Adam."

Like, what did you expect?

Hanza is an adult creator, and they do know who they're catering to.

At this point they are absolutely insulting the fans that pay their bills, and that's unacceptable.

Authors are public figures now. They have been since the Facebook Era. Random internet trolls should not influence how you speak to your fan base. I understand that working for Webtoon is brutally hard, but Hanza is a popular artist despite their fumbled first story.

It's like watching somebody blow their nose on a golden ticket.

TGU was their second chance. A very generous second chance, that got great reviews in the beginning.

I'm astonished that Hanza somehow managed to concoct another dud plot twist. Their rude attitude has to be the nail in their coffin. They should not get a third generously funded chance.

Don't interact with their posts.

Don't review bomb the webtoon.

Don't give them any more attention.

They've made more than enough money off of fans they clearly don't respect.

Every creator worth their salt knows trolls and super perverts are only 0.05% of any given Fandom.

If Hanza wants to spit on the 99.95% fine.

Just don't give them any more money or support. That's the only punishment fans have the right to inflict.

Why am I so upset?

Well, as you can see Hanza posted spoilers. They spoiler bombed Twitter because they don't want to finish TGU.

That's right. On top of insulting everybody who paid for this comic they also don't want to finish. Despite the fact that the story reached its climax recently. The girlboss alliance is finally forming against Adam but...too bad I don't wanna write it (suckers).

The sibling plot twist is just abysmal as well.

Shame on you Hanza.

You damn well know that this sibling plot twist is completely out of left field and unexpected. (and boring. I am convinced you are trolling your fans.)

The shipper trolls and the edgy Rozy/Adam fans had no idea it was coming before you randomly spoiled it.

For the record I don't ship anything in this lackluster comic, because I know better. Again, My Deepest Secret was marketed as a Romantic Thriller and then there was zero payoff. Sure, this one isn't a romance, but I don't think anyone signed up for every guy on the block being evil. Just the guy upstairs. Since the story isn't even about love I never imagined so much drama would come out. It feels very pointless and petty. Every time I hear about this artist it's a drama issue and I can't help but think they're part of the problem. Their recent behavior on social media hasn't left me with any other options.

Hanza, you are being manipulative and childish on purpose because you don't want to finish what you started.

You pandered to horror and toxic romance fans on purpose just to get money.

You spoiled a story millions of people have been reading regularly just to satisfy your childish need to bully your own fans.

You took their money.

You signed your contract.

Nobody made you do it.

If you really are super conservative and you think romance must be pure LEAVE US ALONE, and go write pure romance.

Nobody is stopping you, but you wanted to milk more money out of people you don't respect.

It's sickening, and I'm happy that TGU will never get a physical release.

You don't deserve a dime of that money.

Shame. On. You.

[cherubfae]

Alastor's Lament || Jack Skellington!Alastor x Sally!AFAB!Reader

What if all this power as an Overlord has grown tiring for Alastor? Sure, he likes it. But can he even hope to yearn for something different? Could helping the hotel be his missing piece? Could you?

tags: gn!afab!reader, half-ragdoll!sinner!reader, Jack Skellington!Alastor, hurt/comfort, loneliness, implied abuse, blood/gore, protective!Alastor, friends to lovers

a/n: Tim Burton still has some of my favorite films and I'm also going to be working on a Victoria/Victor Al x afab!reader, so please look forward to that! ^~^ Sally's Song belongs to Disney!

From his little corner of Hell, Alastor could see the pale white moon embedded in the red sea sky from his radio tower. On a rare night where the moon could be seen so clearly, it left a deep sense of melancholy within his chest; even his dead heart ached.

All of his years as an Overlord seemed to drain him. Bartering souls had been his greatest pleasure, and sure, he was rather powerful but now that he had all this power; what was it worth to keep gaining? He was already one of the most feared. He sought out a new career path, to become Hazbin's hotelier to rehabilitate demons! It gave him a spark of interest that had been lost in him for centuries. Everything came easy to Alastor. Everything except you.

What a simply fascinating creature you were! Able to unstitch your limbs and sew them back together good as new! He considered you one of his dearest friends, a lovely thought always lingering in the back of his mind. Yet time and time again you seemed to slip away into the night before he could say anything, or even thank you for the lovely vintage wine you'd gifted him. Like a whisper in the dark, you had disappeared.

Not even Rosie had seen you. Which was growing more and more worrisome with the more the hours ticked on by. Where could you have gone? Were you alright? It was an uncommonly chilly night in Hell, thanks to an ice demon casting a spell over the lands as of recent. It was certainly no weather to be out and about in if one could help it.

The Radio Demon was aware of the unsavory living conditions you kept living with your adopted father and self-appointed 'creator' (which was wholly untrue), Dr. Twisttike, having invited you to live at the Hazbin Hotel. Even Charlie, Princess of Hell, had cordially invited you but the two were unaware of just how tightly you were bound to an over- controlling demon. One who claimed that he made you, therefore you were his.

Shaking his head, Alastor fretted over his blueprints for a new radio tower design, yet that inescapable feeling of dread continued to gnaw at his bones like a starved dog. He runs his hand over his face, down the red pinstriped suit, stopping to adjust his black buck shaped bowtie. Its glimmering red eyes blinked. This will simply not do. He needed to find you.

Hidden away, locked inside of your 'room' once more by the demon who held your chain so tightly, you weep silently to yourself. "And will he see how much he means to me?"

"Will you stop that dreadful singing?" Dr. Twisttike hissed, grasping your glowing pale blue chain and yanking you harshly. You fall to your knees, scraping your hands against the dirty concrete. Red abrasions collected on your palms, threatening to break the surface of your skin. "Your lover boy, Alastor, won't be coming for you, dear. You think you can keep up with a demon such as him? Look at yourself. You can't even keep your stitches together. Next time I make a ragdoll, I'll make one out of proper cloth and not flesh like you. All you do is cry and bleed." Clicking his tongue, he leaves you crying on the cold ground.

With your knees tucked to your chest, you sigh. That brute of a man--demon, oftentimes left you more undone than anything else did. Constantly pulling apart your stitches and not letting you put yourself back together. He almost let you catch fire a few weeks ago. Sure, none of this could kill you. But that didn't mean that it doesn't hurt when it happens.

Standing to look out your window, you hum to yourself. You could see the peak of Alastor's radio tower from here, the full moon rising behind like a great beacon. An immense sense of longing filled your body, you hoped he was looking at the same moon and feeling the same way as you. With a gasp, you slip through the partially opened gap and allow yourself to fall to the cobblestone. More abrasions and bruises from, your blood coagulating from your missing limbs.

Plucking out a needle from behind your ear, you begin to sew yourself back together, hissing softly around a particular tender area. Standing on rather wobbly feet at first until you break out into a sprint before your Overlord can know you've left. Your other arm was left behind, but you couldn't be bothered with that now. You needed to get away, heading towards the highest hill of town, near Alastor's tower.

Alastor frantically searches around town. There's still no sign of you anywhere. Dread continues to eat away at him, until he finds himself standing outside the gates of your home. The dread boils away into anger. Your sweet scent lingers in the air mixed with the scent of blood and fear. You were hurt. Bleeding. He wills himself to calm down, his claws bending through metal gates as he pushes them open with brute force.

"Ah, Alastor! Welcome, welcome, come in my dear boy!" Dr. Twisttike's serpentine tail swishes behind him, allowing the tall redhead into the cramped and dingey house.

Even for Hell's standards, the old and decrepit house was absolutely deplorable. A sulfuric musty smell hung in the air, damp with black mold and cobwebs clinging to every viable rafter.

Tension wafted through the air, Alastor's scarlet eyes turning into radio dials. In an instant, he's turned into his full demon form, mouth sewn by green stitches. A glowing green chain wraps taught around Dr. Twisttike, sending him to the ground with a harsh thud.

"Where are they?" Alastor's neck cracks at an ungodly angle, the echo of screams surrounding him. When Twisttike fails to speak, Alastor yanks the chain harshly, his heeled shoe slamming down onto the demon's claw, snapping it clean off. Black inky blood oozes from the putrid wound. "I won't ask again, good man. Where are they?"

Dr. Twisttike rasps, "Upstairs! Their bedroom! Please, stop!" Alastor snaps his fingers, the demon's limbs and extremities are bound by glowing green rope.

Alastor thunders up the spiral staircase. "My dearest! Are you here?" His eyes are frantic, wild. His ears stand alert, waiting for any sign of your lovely voice calling out to him. The only answer he receives is a perplexing silence. He rounds the corner to enter your door lies and snarls. "A cell? You keep my darling in a goddamned cell?"

Blowing the door off the hinges, Alastor surveys the small, cramped room. There's a bare bed with a single flimsy blanket and ragged old pillow. Small splatters of bloodstains stain those sheets. A tiny dresser to the right of the bed holding a single analog clock that seems to have stopped working long ago. The walls are bare of any color and character, with peeling paint and black mold scuttled around the corners of the ceiling like soot sprites. Everything he knows that you love and adore does not reflect in your room. There was no personalization, there was no you. It's uncomfortably damp. It was nothing short of a miracle that you weren't sick.

"You pitiful creature, keeping my beloved in such conditions. Why I should--," Alastor's sentence does in the back of his throat, noticing something half-hanging out the window. A dismembered arm, the thread of your stitches caught on a rusty nail. Carefully expecting it, he gently traces the stitch marks. "Hmm, it appears I have no more use for you, Dr. Twisttike."

A sickening squelch echoes throughout the house as Dr. Twisttike's body splatters all across the walls. Alastor's slithering tentacle removes itself from the corpse, shaking off the blood before retreating into his back. There isn't much left of the poor fool other than the remains of his guts and brain matter. Alastor carefully dabs his cheek free of blood, holding your severed arm close to his chest. He exits, form swallowed by darkness and shadow. Behind him, the home ignites into hellish green flames.

It did not take long for Alastor to find you. You nearly took his breath away. Your gaze is so beautiful and forlorn, sitting on a hill with the clearest view of the large full moon. The silver light casts delicate shadows against your skin as you hum a soft song to yourself. What a true, ethereal beauty you are.

"My dearest friend," rumbles Alastor, his tone a delicate purr. You stand in surprise, which quickly melts into a delicate smile. "If you don't mind, I'd like to join you by your side. Where we can gaze into the stars," Alastor gently reattached your arm, green magic carefully sewing it back on you.

"And sit together."

"Now and forever."

|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024

"For it as plain as anyone could see, we're simply meant to be." With a gentle embrace, Alastor presses his lips to yours, tugging you into his arms and off the chilly ground.

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

[tsuyomegyaru]

This is sagau/ au cult content. There are no warnings today! Also, this sketch is made by me! So if you want to use it, please credit 💛 also not edit because im lazy :3

What a strange feeling

While the traveler and paimon were exploring a deep cave they stepped into a tall sculpture, the sculpture seems old, parts are missing while the same time has cracks almost everywhere, the figure seems holding something to the air...

Aether decides to take a closer look, with a clearer vision he notices how the part where the heart sits its just an empty hole, while the hand of the sculpture holds the heart while crying, a thread of golden blood connected to the heart and falling down the arm... it was obviously the creator…

Aether was taking back, usually when it come to portraits of the creator, teyvat always make sure to capture the beauty of the creator...  This sculpture conveys pity, even if its expression is neutral.

“Paimon never saw this sculpture before! Paimon wonders why is hiding here...” paimon says while also looking closely, but then paimon notice that papers where everywhere, while some were soaked with water others where intact... there’s was one who was wrapped carefully with a ribbon, it seems that someone left it on purpose.

Paimon grabs the folded paper and give it to the traveler “Here!” Paimon says, the traveler unfolds the paper, it reads.

“While taking my heart out, my only thought is to maybe one day see once again the light of my own people and myself, while I know my final days here on my planet are getting closer, I can’t stop feel pity for my people... knowing they will think I die... the truth is I will never perish... although... my memories will fade away.. perhaps that’s my destiny after all... if I ever remember who I was once before, it will be in another reality far away from teyvat... an outlander...”

There was more to read but the letters faded away... Aether and paimon were shocked, was the creator who wrote this? If not, then who thought it was a good idea? And in the case that it was the creator then, why?

“It’s weird...” paimon says, “No one knows why the creator disappeared... although... it is said that the creator was always with someone beside them, but one day they requested to be alone while walking on the lands of teyvat, they were nowhere to be seen...”  paimon was confused but then Aether says.

“Then... what really happened? They knew all along they would be gone, but why or by who?.. an outlander? What does this mean...” Aether was questioning everything at this point, perhaps the creator knew that he would wake up after 500 years? But when did the creator write this? …it was before his sister was here or after?

What a strange feeling..

[yanderecookierunkingdom]

HIII ITS ME AGAIN, i’ve got another idea for you, that you make a little drabble about.

so the time line is like before the yan!beasts got corrupted, or like post-corruption or something, reader is a very overpowered cookie but timid and shy in a way, including considerate and kind, they wants to help people they genuinely loves and cares about (including the beasts), therefore this also makes them a people pleaser/push over, so they keep theyre power secretive

after a while, reader started to see a shift in theyre personality and how they started to resent cookies that didn’t have the same power as themselves, and how they are being kinda possessive/obsessive towards reader, and more really unhealthy behaviors, but of course, like the fool they are, reader decided to ignore those red flags, cause it’s better then having literal no one (said by reader)

anyways when days pass, more things start to change, they start becoming more malicious towards other common cookies, how they cause more chaos and other stuff, of course reader is a bit too delusional to care… till the witches/creators came, saying they need to trap them for good, of course you retaliated (verbally), saying how you care for them and other stuff, and you won’t go through with this, and they tell reader something that will really open theyre eyes to the world, pointing out the actions the beasts do and how shitty and bad they are (including some things they say, how they treat reader etc) how bad their intentions truly are, after this reader was really upset about them, they might be delusional but not THAT delusional, so i think you can vison what happened next now, they advise a plan to get them in a place where the witches can trap them, using reader as a bait, then once it’s done, reader left, no matter how many pleads or yells the beasts through at them, reader didn’t turn back, not even to glance at the prison that they brought themselves upon, as reader walked off, they made a vow to themself, a promise to never be fooled and manipulated like that again, to never pretend to be something they aren’t, after that, they became a whole entire different cookie (woahhh character development, anyway imagine them having a more bayonetta like personality/mindset and strength and speed?) maybe a little crossing of paths once the beasts get out of prison

(also i recently just learnt I HAVE MY OWN TAG? idk why it just made me feel special)

You have?? Such?? Good ideas?? Never stop sending in requests, I love all the ideas you always come up with!!

You were a cold Cookie, with no one really knowing why. You hardly trusted and tended to be very suspicious of Cookies of power. To say it took you ages to even think of trusting the Ancients wa an understatement.

You were heavily against the idea of going to Beast-Yeast, yet you eventually relented. Not for yourself, but to make sure that none of them got manipulated like you did.

You were completely ready to throw hands when the Beasts showed up. To stay you were pissed was an understatement. Somehow, they were convinced they were the victims! Because their fun was cut short!

Shadow Milk Cookie is the biggest instigator. He still thinks you're a pushover and portrays you as such, only to be completely confused when he sees you decimate that animatronic. That was.. a change in the script he didn't expect.

Burning Spice Cookie and Silent Salt Cookie are both taken aback by how ready you were to fight them. Guess that shy part of you was gone!

Eternal Sugar Cookie used to lovebomb you a lot whenever you were still shy. She's surprised to see it no longer works, but doesn't mean she still won't try!

Mystic Flour Cookie is the only one who realizes that you're no longer the same pushover. However, it doesn't mean she won't try and use you for her own benefit again.

[musings-of-a-rose]

First sentence fic game!

“I don’t understand why you can’t leave things unbroken, myself included!”

Broken

Pairing: Frankie Morales x wife!reader

Word Count: 670+

Rating: Mature - 18+ ONLY!

Warnings: Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story. 

**If you want to be added to the taglist, join here or let me know!

❤If you enjoy the fic, please consider giving me a warm beverage! (It is not required in any way!)

→Tell Tumblr this should be shared with others by reblogging! That's what the algorithm loves (it's how it works here. I don't make the rules!)

**Reader is not described

Main Masterlist

Frankie Morales Masterlist

“I’m so sorry, querida.”

“It was supposed to be just a few days.”

“I know. I’m sorry.”

“I didn’t even want you to go in the first place!”

Frankie is quiet for a moment before sighing. “I know. I should have listened, but-”

“But you just do whatever he tells you to do, right? Whatever Tom wants?”

“He was my leader for so long it’s just habit.”

I roll my eyes. “Don’t give me that shit, Frankie. You’re a 43 year old man.”

His eyes fill with tears and for one second, I want to drop this argument, run to him and hold him close, tell him everything will be alright. But I promised him I’d never lie to him, cover my emotions, that I’d always be upfront and honest no matter how hard it is, so instead I stand my ground.

“I begged you not to go, Frankie. Begged. You left me. You left us,” I gesture towards our daughter’s bedroom across the hall. “You almost made me a widower and not for the first time! But then you almost made her fatherless. How could you do that?”

“I went to get the money to make a better life for you both.”

“Please. You went because Tom told you to and Santi batted his stupid eyelashes at you and you couldn’t say no.”

“That’s not it at all. I want to take care of you. Both of you!”

“I don’t give a flying fuck about money, Francisco! I only cared about you!”

“I lost my job, querida. What do you expect me to do?”

“Not get yourself killed! You’ve put me through so much hell, and then I got pregnant and you did it again with the drugs, and then you up and disappeared for nearly 2 weeks to Colombia on some..some…heist or whatever! You could’ve died in those mountains and I’d have never known-”

“I know, I’m sorry querida-”

“I don’t understand why you can’t leave things unbroken, myself included!” I sit down on the bed, burning my face in my hands as tears roll down my cheeks.

Frankie walks over to me, hesitating before putting his hand on my leg, rubbing small circles into my exposed skin. I let him do that for a few moments before I lean my head on his shoulder. Immediately, he shifts towards me, pulling me into his broad chest and embracing me as I cry, heaving tears that are so no classy as I let out all of my fear and worry and anger from these last 2 weeks. I drop my hands and bury my face into his chest, inhaling his scent and feeling the warmth seep from him into me, grounding me and comforting me as he’s done so many times before. 

“I thought you’d left me forever, Frankie.”

He squeezes me closer. “I almost did. But I fought for you, for our daughter. I had to get back to you. I was so scared I wouldn’t make it, but I fought. I love you, querida. I will always fight for you. And I’m sorry for…everything.”

He holds me in silence for several more moments before speaking quietly, brushing his lips across the top of my head as he presses a kiss into my hair, inhaling my scent.

“Please don’t leave me.” He says it with such a small voice, almost no hope behind it, like he’d understand completely if I did. I sit up, my hands moving to cup his face, scratching the little patches in his bead. Frankie sighs into my touch, briefly closing his eyes before opening them, his eyes wide and worried.

“I could never leave you, Frankie. I just need you to be on our team. Talk to me when you’re having a hard time. I didn’t sign up for only your good parts. I want all of you. Ok?”

Relief floods his face, a small smile pulling at his lips. “I promise, querida. I love you so much.”

“I love you too, Frankie.”

—----

General Taglist:

@frankie-catfish-morales @chaoticgeminate @janebby @astoryisaloveaffair @balekanemohafe @greeneyedblondie44 @hoeforthefictional @marvelousmermaid @hauntedmama @giuliarogers @icanbeyourjedi @wretchedmo @sunnshineeexoxo @livingmydreams13 @adventures-of-a-noodle @sara-alonso @theewokingdead @punkerthanpascal @giggly-otter @f0rever15elf @phandoz @dirtytissuebox @gallowsjoker @lovesbiggerthanpride @sarahmilesbendrix @booksarekindaneat @mrsudontknowme @swol-bear @charlispersonallyhell @xoxabs88xox @amneris21 @gooddaykate @alindeluce @avengers-fixation @paintballkid711 @harriedandharassed   @ladykatakuri @marrianena  @practicalghost @withakindheartx @batdarkladyvampir @justanotherkpopstanlol   @mermaidxatxheart @alexxavicry @ichigodjarin @justreblogginfics @sullyosully @kmc1989 @veryprairieberry

[ladyluscinia]

What Exactly Did David Jenkins Say?

Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.

But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...

Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.

Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.

(Listed in chronological order from oldest to newest - post contains spoilers below the cut)

Pre-S1

Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link

Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"

Post 1x01 - 1x03

Polygon - March 5, 2022 - with Tasha Robinson - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."

About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."

Mashable - Mar 5, 2022 - with Belen Edwards - Link

About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."

On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."

About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"

Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""

Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""

Post 1x09 - 1x10

Decider - Mar 24, 2022 - with Kayla Cobb - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."

About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."

About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."

Collider - Mar 24, 2022 - with Carly Lane - Link

On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."

Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."

Discusses history and kissing scene

Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."

Is Lucius dead? - "You got to wait."

EW.com - Mar 25, 2022 - with Devan Coggan - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"

Polygon - Mar 25, 2022 - with Tasha Robinson - Link

Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."

Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."

Discusses kiss scene filming and the national moment around gay rights

What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."

TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link

Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."

Discusses historical inspiration

Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.

The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link

Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"

Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"

Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."

Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."

On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."

Discusses masculinity and piracy as an escape from that

Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."

Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link

Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."

Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."

EW.com - Dec 13, 2022 - with Devan Coggan - Link

Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."

Pre-S2

Collider - Oct 2, 2023 - with Carly Lane - Link

Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."

Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."

Discusses adding more female characters

Discusses S2 needle drops including "This Woman's Work"

Discusses 3-season arc

Post 2x01 - 2x03

Mashable - Oct 5, 2023 - with Belen Edwards - Link

Discusses fandom response to S1

About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."

Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link

Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."

Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases

Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."

Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."

Discusses importance of the mermaid scene

Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link

Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."

Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."

Discusses historical divergence

Discusses matelotage and pirates as weird outsiders

TV Guide - Oct 5, 2023 - with Allison Piccuro - Link

About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."

Discusses playlists he makes

Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."

Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."

Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"

On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."

About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."

Discusses the A Star is Born aspect of seeking fame / retiring

Mashable - Oct 7, 2023 - with Belen Edwards - Link

About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."

About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."

Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link

Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"

Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link

Short tease on leaning into the love triangle

About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."

Post 2x04 - 2x05

IndieWire - Oct 12, 2023 - with Sarah Shachat - Link

Discusses directing and show creation

"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""

"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"

PopSugar - Oct 12, 2023 - with Victoria Edel - Link

About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."

Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"

Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."

Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."

Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""

Variety - Oct 13, 2023 - with Hunter Ingram - Link

Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."

Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."

Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."

Discusses adding historical pirates

Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."

Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."

Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."

Polygon - Oct 14, 2023 - with Tasha Robinson - Link

Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."

Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"

"The second season is more overtly about romance, and more a relationship story."

Energizing aspect of fan reaction

S3 is about "love is work"

Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link

About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."

Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."

Discusses the A Star is Born aspect of seeking fame / retiring

Discusses Zheng Yi Sao

Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."

Post 2x06 - 2x07

Mashable - Oct 19, 2023 - with Belen Edwards - Link

Discussing drag performance in 2x06

"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."

Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link

Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""

Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""

Discusses Jim x Archie

Discusses 3-season arc

Polygon - Oct 21, 2023 - with Tasha Robinson - Link

Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect

Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."

About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."

Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"

Post 2x08

AV Club - Oct 26, 2023 - with Saloni Gajjar - Link

Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."

Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."

Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point

Discusses parallels, Republic of Pirates, and Zheng Yi Sao

Short bit about fan response

Collider - Oct 26, 2023 - with Carly Lane - Link

Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."

Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."

Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."

Discusses Republic of Pirates / music parallels from premier to finale

Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."

Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""

"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up

EW.com - Oct 26, 2023 - with Devan Coggan - Link

Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."

Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."

Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."

Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."

Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."

Variety - Oct 26, 2023 - with Hunter Ingram - Link

S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."

Discusses the draw of a "Golden Age" and it's ending

Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."

Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link

Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."

"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."

Discussing Con O'Neill & Rhys Darby acting

Jenkins confirms the season was always 8 episodes due to budget cuts

About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."

Teases S3 revenge against Ricky and going to the Americas

Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link

About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."

Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."

Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."

Discusses adding Zheng Yi Sao

Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."

Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"

Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed

Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."

Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link

Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."

Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."

Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."

Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."

On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."

Vulture - Oct 28, 2023 - with Sophie Brookover - Link

Discussing Izzy as a "father figure" and his S2 send-off being a priority

Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."

Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"

Third season about the work of a relationship between still damaged main characters

Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences

About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."

Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."

Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link

Discusses historical premise of S1 and easing into the romance

Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."

Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."

Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."

Discusses diversity staffing

Discusses performative masculinity

Discusses Izzy's death, happy endings, and openness to S3

[thedensworld]

Mind Date | H.Js

Pairing: Joshua x Reader

Genre: suggestive, fluff

Words Count: 900

Summary: Joshua has the power of mind control, enabling him to get anything he wants by influencing people's minds. Suddenly, he meets you, someone he can't control at all.

Joshua stepped into the entrance with confidence. The restaurant waitress welcomed him and immediately guided him to his table. They informed him that the other person hadn't arrived yet, to which Joshua responded with a hum and a nod. As Joshua sat at the table, he stared at the waitress, sending her a signal to leave him alone.

"Please let me know if you're ready to order," said the waitress before leaving Joshua alone. Joshua looked at his watch; 7 minutes had passed since the meeting was scheduled, which said a lot about the woman he was about to meet.

Joshua was no stranger to blind dates. Honestly speaking, his beloved mother had arranged hundreds of blind dates for him. No, it was liberating. Joshua might have attended ten dates by this year, and it hadn't even hit July yet. The women's backgrounds were also varied, and he didn't understand how his mother had met or found them. Joshua still remembered the last woman he met, a lovely woman who worked as a model. Nothing was wrong with her; it's just that Joshua never found any of them interesting enough, and he wasn't ready to be in a relationship. So it was part of his strategy to send a signal for them to reject him. It was his strategy for everyone he met through blind dates.

"Stop using your power on the girls, you're so mean, Josh," his mother once said when she realized it was odd for all of them to reject her son. Her son was a vice director of Hong Group, for heaven's sake; he's handsome, and she definitely raised him to be a gentleman.

Joshua chuckled, "then you should stop manipulating them," fully aware that his power came from her.

"Mr. Hong?" A woman approached him. He smiled and stood. It must be you, Park Y/n, the only daughter of Park Gicheol, a national politician. Joshua extended a handshake and let you sit across from him.

"Nice to finally meet you, Ms. Park. I've only seen you in internet articles. Congratulations on your exhibition," Joshua mentioned, presenting a little research he always did before his blind dates. You looked at him in the eyes before letting out a chuckle. Your eyes shifted to your watch.

"It's nice to know you did a little research. However, my work is just to sell them. All the masterpieces were made by the creators," you explained and gave him a smile and a nod.

Joshua tilted his head, "okay.." He paused and nodded, "you're welcome?" he said with an inquiring tone. Your brows raised, "thank you."

Joshua chuckled as he raised his hand to order. He smiled at the waitress, mentioning his order, then looked at you. 'Let's have you order a salad, and we can talk about that,' Joshua thought before he heard you say, "Make that two. What is your best wine?" You asked the waitress with grace. Joshua stared at you before the waitress finally left.

"At least I'll have a proper dinner tonight," you mumbled to him, giving him another smile that Joshua couldn't quite read the meaning of.

He cleared his throat, steering the conversation in a new direction, "So, how did you come to know my mother? She's eager to introduce us," he queried.

You nodded, "Ms. Hong is a regular in our gallery. She's a VIP, in fact," you divulged.

Joshua offered a nod of acknowledgment. He ventured further, "So, did you come here to formally fulfill a VIP's request?" He was convinced this would catch you off guard.

To his surprise, you responded with a soft chuckle, "You're not?" This unexpected rejoinder momentarily caught Joshua off guard.

Joshua let out a jittery laugh before slowly nodding his head, "have to do whatever people want me to do, right?"

You shrugged, "I don't know about you. But yes, some are like that." Before Joshua could respond to your words, the food arrived.

You began to savour the food and continue the talk. Joshua's mind began to wander. He contemplated trying a playful tactic, hoping to gently steer the conversation in a direction that might provide an easy way out for both of them. He decided to say something lighthearted that he could later use as an excuse when talking to his mother.

"So, tell me," Joshua said with a sly smile, "if you could have any superpower, what would it be?" He watched your reaction carefully, wondering if this playful question would lead the conversation to a different path.

However, to his surprise, you seemed unfazed by his attempt at redirection. Instead, you met his gaze with a knowing look in your eyes. It was clear you had caught on to his strategy. You responded with a playful tone of your own, "Well, Mr. Hong, I suppose I'd choose the power to see through clever tactics and witty excuses." You smirked, giving Joshua a sly grin.

Joshua couldn't help but chuckle at your response. He admired your perceptiveness and appreciated the fact that you didn't let his attempt at manipulation slide. It was refreshing to meet someone who could hold their own in a conversation.

Joshua found himself genuinely intrigued by your honesty and how deeply you involved yourself in the conversation. He listened intently as you described your work as an art curator, your passion for supporting artists, and the challenges you faced in the industry.

In turn, he shared insights about his position as the vice director of a major company, the responsibilities he held, and the innovative projects he was involved in. He was surprised at how easily the conversation flowed, finding common ground in their dedication to their respective professions.

As the evening progressed, the two of you continued to chat, your banter becoming more playful and genuine. It was evident that there was a mutual respect forming between you, based on your shared interests and the ability to navigate conversations with wit and honesty. As the evening came to a close, Joshua couldn't help but feel a sense of intrigue and curiosity about the woman sitting across from him. It was a blind date unlike any he had experienced before, and he found himself looking forward to the possibility of seeing you again.

"If you want to see me again, then let me pay for the dinner. You can pay the one later," you said as you sipped the wine in your glass.

Joshua laughed, "Alright, you read my mind," he jokingly stated. But you looked at him seriously, as if to convey that you were being zero jest.

Joshua's laughter faded as he met your serious gaze. He blinked, processing your words, and then a hint of realization dawned on him. The atmosphere shifted as he finally understood the whole situation.

"Maybe I do," you mumbled, confirming his suspicion.

"No way," Joshua responded, a mix of surprise and intrigue in his voice.

"I do, Joshua. And you need to stop trying to use that mind control power, on me." you stated firmly.

His eyes widened in genuine surprise. It was rare for someone to call him out so directly. He took a moment to absorb your words before offering a sincere nod. "Alright, fair enough. No more mind games, I promise."

*

"I'm going to be a grandma?!" Joshua's mother exclaimed, her joy palpable at the news that emerged after two years of your relationship. She eagerly began listing all the things she envisioned doing with you—pregnancy yoga, shopping for adorable baby clothes, engaging in deep parenting discussions. Joshua, however, couldn't help but roll his eyes, growing weary of his mother's dramatica agenda.

"Wait!" She suddenly halted, a spark of realization crossing her face. "Does that mean your children might inherit your power?" Her curiosity was piqued, having once experienced this with Joshua.

Joshua couldn't help but smirk. "Yeah. Just picture it, Mom—controlling and reading minds. My kids might turn out to be super villains in the future."

You simply shrugged, sharing a knowing glance with Joshua, before giving him a playful fist bump. "Yeah. Cool."

[alchemania]

“Don't you hate her?”

Furina turned, eyebrows raised in confusion. “Huh?”

“Your creator. Don't you hate her?”

The girl pondered a moment, looking unsure. “I..don't know.”

“You should,” he asserted. “All this time you had to suffer alone, for what?? People who didn't even care about the real you?? People who were ungrateful and selfish and only cared about themselves, at the end of the day??”

“Not everyone is like that,” Furina protested, shaking her head slowly. “I ..did suffer, but it all worked out in the end. Besides, I wouldn't be here if it wasn't for her-”

“The same could be said for my mother,” Wanderer interrupted, eyes flashing. “I came into being because of her, but that doesn't make her a good person, or a good parent. She hurt me. These two facts can coexist. Focalors created you, yes, but she also subjected you to 500 years of suffering where you couldn't confide in ANYONE or risk losing everything. Wasn't that awful?? Wasn't it a horrible time? You were all alone living on a hope and a prayer, and if it went wrong, it would have been all for nothing. You were a means to an end, and what do you have to show for it? Sure, everybody was saved and all was well, but now you're just - a person, and people hate you for what you did, people hate you for what you DIDN'T do. Was it worth it?? Are you satisfied?”

“I am,” she nodded, after a beat. “Because, this is what I was created to do. And, I'm free now. I don't know what I'm going to do, but at least my life is mine. I can do whatever I want. I can live.” Wanderer's jaw clenched, and Furina frowned, nervously. “..why are you so angry?”

“Because SOMEONE has to be!” he shouted, voice cracking. “I mean- I heard about the trial, they were gonna kill you- they lured you there because you wouldn't talk, right? And then after everything, did anyone apologize to you or- praise you, for all the hell you went through? Anything??”

“.. Neuvillette is taking care of me.”

The pain on Wanderer's face was almost palpable, at that.

“..anything else?”

“.. it's fine," she tried to appease. "It's not like I serve any purpose anymore. Like I said, I did what I was created to, so I'm not of any use and-”

“Stop.”

“..what?”

“STOP- talking like that,” Wanderer snapped, eyes suspiciously glossy. She sounded so much like him, who he used to be, and it hurt so badly.

A blank sheet of paper has infinite potential, but it is nothing as long as it is empty, he'd said, a good while ago. He'd been wrong about himself, and Furina was wrong now.

“You're not just - what you were made for. You don't - what happened to you is wrong. You're not DISPOSABLE now that everything is over.”

“It- it was for everyone's sake, compared to my suffering, it's obvious what's more important! I had to save them! It’s what I was born for! It doesn't matter -”

“It DOES,” he yelled, eyes glowing an almost neon icy blue, and she startled. “Stop acting like your suffering was something that was necessary. Stop acting like it was just for the greater good. That doesn't matter! The fact of the matter is that you suffered, and you were hurt, and you're STILL hurting! And- barely anybody is there for you..your creator, she should have been there for you, she should have protected you, but she didn't. She didn't. And you - you have every right to be angry with her, for not being there for you. For you being unable to live, until now. It was wrong, even if it was, as she claimed, for the greater good. Don't defend her.”

"She loved me-"

"And she left you, so not enough."

Just like my mother ..

“...Wanderer,” Furina ventured, worry all over her face.

“What?”

“You're crying…”

..oh. He hadn't even noticed, but his cheeks WERE wet, and he put a hand to one with a start, quickly scrubbing at his face. “Ah-” and he pulled his hat over his face, to hide it.

“..it was a lot. I often wondered when everything would end. I wanted, to tell someone so badly what was going on,” Furina admitted, and Wanderer looked up, eyes red from weeping. “There were a lot of times I didn't think I was going to make it, but. But I did, and, and everything was okay.”

“But are you?”

There was a long pause, and the two of them stared at each other until Furina slowly shook her head no, hot tears streaming down her cheeks.

“See? You're - we're both so messed up, from everything, and no one was there,” Wanderer almost whispered, looking out the window. "No one was there to help. ..You're strong as hell, I'll give you that. If I was in your shoes, I don't know if I would have made it. It seems people are stronger than I've given them credit for..”

It was something that surprised him, again and again.

“I just don't understand why you care..”

“.. I don't know why I do,” he shrugged. “Maybe because you remind me of myself, and. It hurts, looking at you and feeling like I'm looking in the mirror. But someone has to be in your corner and -”

“And you want to do that?”

A pause.

“..Well, if you don't stand up for you, no telling who will.”

“You don't have to cry over me. I'm -”

“If you say you're not worth it, I am going to bodyslam you,” Wanderer growled, eyes flashing, and Furina put up her hands.

“I wasn't going to! I was going to say that I will be okay. Not now, but. Eventually. I'm healing. I promise. There's people who care, like you.”

Wanderer fell silent then, looking away, and she reached out and squeezed his hand. “Thank you. I'm still wrestling with - with what I want to do and where I'll go but. It's nice to know that I'm valued just for existing.”

“That's all you need to be valued,” he muttered, looking to the floor. “You don't have to prove the worth of your existence. It's fine to just be.”

“..are you talking to yourself, or me?”

He looked to her then, expression unreadable, and she smiled sadly, in understanding. “Both is good. It's okay to just be. We're here, and we'll be okay.”

“Yeah,” Wanderer whispered, giving a shaky breath. “..we will."

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/739381076510785536/so-it-seems-our-flag-means-death-has-not-been#notes

I liked OFMD and I'm sad it's not getting renewed, but I agree that the fandom was especially toxic, even by the standards of currently popular slash-heavy fandoms. I wanted to read fic after s1 ended the way it did, and I read a little bit, but along with it having all the tropes that I can't stand in a lot of what is currently big with the MSF crowd (and that I'd been happy to have a reprieve from in my current main M/M fandom), the toxicity of the online fandom discourse made me quickly realize it was one that I was going to discuss among my current-friends-from-other-fandoms who also watched it, and my sister who watches it, and pretty much ignore the rest of the Internet. It was such a perfect storm of everything awful, from people who are overly invested in it to an unhealthy degree (I think I realized I wasn't gonna be active in the larger fandom around a month or so before the s2 renewal announcement, when I saw earnest PSA tweets telling people to "stop threatening suicide in HBO's replies if they don't renew OFMD"), to bombarding and parasocial obsessions with the creators and actors, to all the classic "anti" and purity police crap that plagues anything that gets popular on here.

The fandom it reminds me the most of, honestly, is Yuri on Ice fandom at its peak in early-mid 2017. Again, a show I love, but a fandom I absolutely do not miss. In some ways they are kind of similar shows: ones with canon M/M romances where they were not billed as that, and they were hinted from early on but people didn't trust it due to years of dealing with queerbaiting, where that sort of thing slowly crept up on people and then became the defining feature of how it was discussed everywhere. I wonder if there's a particular level of insanity that that type of thing breeds in its fans - or maybe, more broadly, "canon M/M with a large female fanbase." Like, you don't see this kind of thing in canon M/M stuff that's mostly watched by queer men rather than women, but there are shades of the insanity I also remember from Glee fandom (I was more active on the F/F side of things there, which had its own unhinged drama, but the Klaine vs. anti-Klaine stuff was so explosive that it was hard not to notice it if you were anywhere in that fandom, like a mushroom cloud in the distance). But YOI and OFMD do seem very... singular in the particular kind of obsession that they generate.

And I really wish people would shape the fuck up, because if they're going to act like this over and over again, that's just going to de-incentivize showrunners to make shows like this for that audience.

Driving Con O'Neill off Twitter was one of the worst parts of it, too. There was something so refreshingly earnest about how much he embraced the fandom, even the weirdest parts - saying with regard to NSFW fanart that "art is art" and retweeting stuff like his character in a crop-top that said "babygirl." It was so nice to see an actor who didn't usually have that kind of following embrace it wholeheartedly rather than steering clear. ....And then people had to be awful and creepy and obsessive and he left Twitter. I bet he's going to be a lot more skeptical of dealing with fans in the future!

--

It's not just the canon m/m aspect: it's the wholesomeness.

Yes, yes, they're all evil pirates, I agree, but watching S1 did give me the feeling of something that was supposed to be very progressive and light-hearted in particular ways. I don't think that's bad, but it does tend to attract some very over-sensitive fans with some very rigid expectations.

It's sadly par for the course that one of the random side character actors is the fun one and people are jackasses and desperately want the leads they ship to be the fandomy ones and/or just start creeping on any actor they can get a reaction from.

[casinogutz]

About c!wilbur and c!tntduo.

I wanted to state my views and my personal opinion on the cwil character and also ctntduo as a whole. It is completely fine if you don't agree with these.

With the wilbur situation going on I understand why people would not want to think about tntduo or the character anymore because anything associated with him might make people think of everything that's happening and has already happened. And I understand, it's a gross feeling. But I think most of tntblr can agree that, this feeling is eventually going to gradually pass. The harm done by ccWilbur will never go away, but the pain fans (and not only) feel will fade with time.

With this, I do believe that cwilbur can be separated from the creator. They are different people. It is not the characters fault for what he did. The cc can control the c, but the c can't control the cc. I don't find it incredibly right to hate on the character for something the creator did. And since dsmp ended, the creators have basically abandoned the characters and left them into our hands, the community remaining. That somewhat makes them our ocs, and we can choose to edit and remove whatever part of cwil that feels too similar to the actual person. I do believe people can still like cwilbur and enjoy ctntduo, even if it will take time. I get why this right now might feel wrong or gross to think about, and that's completely fair. But I do wish and believe that that might change in the future.

I was going to start posting ctntduo content on here, but because of this, I'll wait a few weeks. Maybe even a month. It doesn't feel right to post stuff like that right now. I'll wait until people affected and fans alike hopefully feel better from this whole situation. I encourage people who still want to keep cwil or ctntduo to do the same.

It is completely reasonable to drop the character and ctntduo as a whole because of this situation, some people will never be able to look at anything he's made or he's part of the same again because of what he's done. I do hope that people who loved the cc and still love his character don't blame themselves for supporting what he did, we would have never known. He played his cards so well that nobody even thought to bat an eye. And that's what is severely disturbing about this situation to me. Because this once again proves that you can't trust ANYONE, especially not content creators. You do not know what goes on behind the scenes, you do not know what goes on inside their minds. You only see what they want you to see.

ALL my support goes to Shelby and I am by absolutely NO MEANS on Wilburs side and will never be. Support victims.