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#altering a pattern
professorpski · 2 years
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Changing Up the Sweet Tee: Pink Worsted Malabrigo
I was explaining to some knitting friends that I made the Sweet Tee by Mary Jane Mucklestone, but that I had changed it by skipping the stranded work, re-sizing it, making it in worsted weight yarn, and adding a large seed-stitch cowl. Which raises a philosophical question: did I really make the Sweet Tee?
What I did was take her directions for a bottom-up yoked sweater and do a recalculation to shift from negative ease (i.e. skin tight) to positive ease as semi-fitted, and from DK weight yarn to worsted yarn. All of which worked out perfectly so far as the fit. I suspect that, as a long-timer dressmaker, I am so used to altering sewing patterns that I am not as intimidated as some newer knitters might be.
The only difficulty came in adding the collar which was based on the Capelet Tank by Cathy Carron which I have made before as a summer top. I had not reckoned with the much greater weight of the collar in a heavier yarn. I will explain how I coped with that later. There were comic moments.
The whole process was so satisfying, despite the stumbles, that I am now eyeing any knitting pattern anew. As the willingness to refit and alter patterns seems to have been far more encouraged in vintage knitting books, this is merely an old tradition revived.
You can find both Sweet Tee and the Capelet Tank on Ravelry which takes only a simple registration to access and is a font of knowledge via the postings by the more thoughtful makers: https://www.ravelry.com/
This yarn was the hand-dyed Malabrigo Rios called Almond Blossom which is a lovely slightly variegated pale pink which you will find here: https://malabrigoyarn.com/yarns/rios
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seaweedpraiser · 9 months
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They’re like a batch of seeds and nuts and boy…. am I a hungry hungry bird…
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kryhara · 3 months
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I think this is funny but it doesn’t look right like his face doesn’t look like how I drew it last time Arthur Lester can you just work with me pls
:((( maybe it’s just the angle idk I redrew his eyes twice and might have to redraw them again anyways yes this is a Jerma redraw
Also trying to draw him armor too but that’s also not working he’s being difficult >:(
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chirrups · 1 month
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omg!!! Dog au
I always head canoned jimmy to be a golden retriever and joel to be a tiny feral dogo
but they are clearly not here and I wonder what breed you drew them as and why you choose them to be that in the au
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golden retriever was actually one of the breeds that i was considering in the brainstorming stages (along with some terrier breeds) but i eventually settled on the good old beagle for jimmy.
to me personally, beagle fits because they and their hound cousins are just a little more plucky and scrappy than "himbo-soft" golden retrievers are stereotyped as. jimmy is brash and foolhearted to an hilarious degree so i wanted to give him a more "goofy but still a hunting dog" feeling if that makes any sense at all.
also beagles are known for baying and i think it could function as a fun parallel symbol to the canary stuff he has going on.
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and lastly, scott is a sheltie (and martyn and tango are medium-small sized breeds as well), so i wanted jimmy to fit in those size ranges and dynamics. he also just doesn't read big or small dog to me so medium size he is!
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and good ole joel is a jack russel because that breed is terror on tiny legs. joel has a truly potent amount of small dog energy with the ferocity and gaul to back it up, so he gets the jack russ because those guys are as if a rabid animal and also 200 live grenades was packed into 10-pounds worth of dog.
it was a debate on whether to give grian, bdubs, or joel the jack russel terrier as they are all (just a little) napoleon-complex personalities to me but jack russel fit joel best design-wise and i ended up finding breeds that work with the other two better
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vinceaddams · 1 year
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Changing this blog's title to "Approximately 23 Unfinished Sewing Projects" in an attempt to publicly shame myself into maybe finishing some of them.
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stagefoureddiediaz · 4 months
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As so many of you are filling my inbox asking about salad and why I found the fact they had two types of salad for dinner in the Buck and Tommy dinner scene so funny, I'm guessing you're new to the 911 fandom - Welcome if so! I am going to give you a very brief rundown of salad and Buck and Eddies various relationships, but @clusterbuck is actually the keeper of salad theory and you can find far more detailed analysis over on her blog than you’re getting from me here!!
I can't find gif of the actual salad moments so have pictures!!
Chris smashed salad bowl that he is making a salad in with his dad in season 4 (in Breaking point) - when he finds out about Ana being the person Eddie is dating.
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We have Ana turn up at the firehouse with Chris during the black out in 5x02 with 5 - yes 5 - types of salad When Eddie has his second on screen panic about Ana - when Ravi mistakes her for his wife.
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Then in 5x03 just before they break up - Eddie, Chris, and Ana are at the dining table in the Diaz house and they are eating fruit salad
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Then in 5x05 we have Taylor with her prepackaged fruit salad breakfast the she has 'made' for Buck when he gets home
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she is making a bean salad in 5x09 during the most awkward I love you scene in the history of television!
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Then we have a caprese salad in front of Natalia during the Dinner Buck cooked for her in 5x17 - when she finds out about various aspects of Bucks past and present - Taylor on the tv and Kameron turns up
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Then in 7x07 - when Eddie is daydreaming of a do over with Shannon during his lunch with Marisol they are eating a salad
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then we now have Buck and Tommy eating two different types of salad (a pasta salad and a salad salad) on their dinner date
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so basically it's become a bit of a running joke that if salad is involved with Buck or Eddie and one of their dates (especially in their own homes) , the relationship is doomed!
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spocks-kaathyra · 7 months
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making a lower decks uniform. no commercial pattern no mockup fully rawdogging it. all u need for cosplay is an infinite amount of completely unearned confidence
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buckets-of-dirt · 1 year
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Bought a whole book on how to alter any sock pattern to fit anyone properly and it turns out the big secret is actually forcing yourself to do the gauge swatch and I'm very annoyed
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donnieisaprettyboy · 3 months
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the concept of “stealing patterns” from people has always been a prevalent conversation so I’m curious.
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professorpski · 2 years
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Calvin or Claire? Vogue 1793 from 1996
The question comes from my recent spotting of a very similar draped neckline in an image of Claire McCardell from the 1950s; she was an American designer who died far too young. I like this neckline because it has the crossing of the fronts above the bust which means it neither catches the bust nor droops down too low at the neckline as many surplice or wrapped bodices can do.
True, from what I can tell McCardell’s neckline seems to have been a raised neck in the back which is easier to sew, while Klein’s acts like a shawl collar, that is, the front bodice has an slender piece which extends around the neck to meet in the back. Which is an improvement to my eye because I find it fits the neck better.
And McCardell’s dress had set-in sleeves while Klein’s are dolman. Which is not an improvement to me, as it takes up LOTS of fabric, especially when you use a fabric with nap which I did with this velour. This pattern would take up much less fabric done in a fabric without nap as you could place the pieces far more closely together. McCardell did use dolman sleeves often, especially when she was placing a cotton plaid on the bias which she liked to do. You can see how dolman sleeves would make life much easier as the matching of the plaid was then limited.
And another difference was Klein used giant shoulder pads as this dress does. Women’s wear sported giant shoulder pads starting in the late 1980s and it continued into the 1990s. It was an era when women were moving into corporate leadership and apparently we all thought we would look more formidable if we dressed like linebackers. ;-)
In any case, it makes for a very nice dress and I have made it multiple times without the shoulder pads, and without the center back zipper by always using knits which makes it easy to pull on. I added a godet to long slit at the back hem.
And then I decided to make it as a top as you can see. This palomino velour had been stuck in a box for far too long which explains the creases which should come out with the first garment washing. If you have never worked with cotton-blend velour, it is medium weight fabric, has a nap, and is soft. The nap makes you want to stroke it and also means it catches the light in subtle ways.
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averlym · 1 year
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"now, doesn't that look nice?" [insp]
#*chanting* skask skask skask skask-#vincent aurelius lin#adamandi#hello. let's talk about what's going on here! i've been tossing the idea about here wrt skin translucency ever since that post came out#(it's linked above fyi. but to quote it.) 'attempting to pursue this unachievable white ideal of the young academic; maybe leading to gory#representations of mimicry; replacement; taking on someone else's skin; altering the self'#this is primarily key in vincent and the skask; in the actual show iirc they used a jockey mask or smth? but i was thinking about the#delightful way skin is semi-transparent. and so a literal layer of skin alone would be unlikely to provide the whiteness pursued-#the under layer of the original tone would be there. so smth about the failure and unattainable.#additionally; at this point of the show the skin would have been likely yellowing or greying due to post-mortem development? so even more#Not white. from observations (as a kid;comparing skin tones?) white people have a pinker undertone (this might be. a generalisation but.)#here the lighting is yellowish to further push the difference + give the super harsh lighting that if you suspend disbelief has some hair#appear as blonde to further the ambrose-ness.#also the hair- messier on the non-ambrose side; a reference to the whole monologue about the haircuts they got#we bring to you also another episode of <i like drawing fabric folds> in the jacket symbolism! from bottom right to top left; it tracks#vincent throughout act two: the initial long jacket for standing out (nonchalance?) at ardess is removed; the yellow coat is put on- aided#here by ambrose's ghost which is represented by the hand! (it is very very slightly transparent- you can see the jacket pattern through it)#(if you look close) and then the satchel goes over it; this mimics the clothes in <oh ms reporter>#and then the Actual Ambrose jacket goes above along with the skask; following the outfit from the pyre scene at the end.#the spark/star thing is partially foreshadowing for the upcoming stabby eye trauma thing (@quincy) and partially just so i could highlight#the eye of the mask/ the place where vincent's eye probably is Behind the mask. because i liked the idea of merging faces; intersection.#back to the translucency of skin - you can kind of make out where the rest of his face is from the darker bit? aka it's not the same colour#as the skask. smth smth limited effectiveness...#tldr? face skin. jacket skin. altering appearance over time; unfeasibleness#when i was doing this i suddenly remembered covering my skin in talcum powder as a kid... hm. i'd forgotten about that.#anyways! when i posted my first ever adamandi thing i had the thought of 'this musical makes me want to paint' and surreally enough#that has proved to be so so true. and ngl i am really enjoying it? love it when the motivation to create is there haha#i will add as a disclaimer that i'm literally chinese and if the colours look off.. i did not mean to make a caricature. please be nice#that said because stage lighting tends to shift colours about a Lot i essentially used my own skin as a reference under yellow light?#so hopefully that checks out. <disappears>
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Happy Kagepro Day!!!
#kido tsubomi#seto kousuke#kano shuuya#kagerou project#kagepro#choco art#last thursday I was like “oh shit. I don't have anything ready for the fifteenth”#And then rushed to make these#there are a few things I'd like to change or adjust on some of them (like the colors on kido's) but aside from that I'm pretty happy#seto's was the hardest. first I kept trying to daw a bird for the silhouette window thing#but I kept erasing it because I wasn't happy with it#then I was flicking through my screenshots of his song's video and realized "wait. What if the tv him and little him are sitting on is the#ilhouette? Then I kept the birds but put them in a circular pattern in a way reminiscent of how the scissors and knives(?) were around him#in certain shots (btw. does anyone have ANY idea what the gossip he was getting from that bird in his introduction was?)#The background I wish I had done more with but I was drawing a blank on ideas so... the outside of Mary's house it is#kano's - in contrast - was the easiest.#I was like “his silhouette's a cat. the background will definitely be a reference to his song.”#Honestly the masks were the hardest part because it was a little difficult to get good pics of any other than the red-eyed mask#Also something looks off about him to me but I wasn't about to fight the picture so I didn't fiddle with it too much before inking#maybe his face just translates into my style weirdly#not much to say about Kido. Except I really wish I did the equalizer bars differently and will definitely be changing that if I ever get ar#und to making these digitally. Also#I'd alter the shades of colors I chose for the music staffs but that bugs me a lot less than those fri#cking equalizer bars#did I really just go on a whole ass rant about my decisions in these drawings?#I guess I did. Whoops?
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many-but-one · 2 years
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Hey! Why did I split over something not even THAT traumatic??
I'm here to tell you. :)
So, this particular discussion has come up in our system server before and it's actually something I've wanted to talk about for a long time on Tumblr because I've never actually seen someone talk about this, and I am being hit with a sudden god-like hubris at 3 in the morning, so here we go!
So your question was "Why did I just split? What just happened wasn't even that traumatic. I've been through so much worse in the past, I don't even feel that stressed. What the hell? Am I just making this new part up?" and on and on. The idea that only the most awful and traumatic things are what cause splits in DID (especially later in life, after the childhood trauma window of 7-9ish has ended and especially in adulthood) is actually incredibly false, and I am about to explain why.
Note: This is about traumagenic DID systems, so endogenic systems, please stay off of this post thank you. :) /not mad
Note number two: I do want to get out of the way, that all parts DO split for a reason, there's no parts that exist for no reason (even if the reason doesn't seem relevant to you now, it may have been relevant at the time of the split, OR may have been somehow relevant to your brain even if it doesn't make sense to you now.) So I want to make it really clear that splits do not occur only because of hyperfixations. There typically has to be something going on for a split to occur, and hyperfixation alone will not cut it. Alright, now that I've got that out of the way, let's talk about how DID brains run on patterns.
DID brains run on patterns, like I said. All brains do, actually, but DID brains take it to an nth degree because these patterns that it learns are what help it stay alive in a distressing and traumatic environment during childhood. Our brains are remarkably plastic and they will do whatever is necessary to survive a given situation. It's why something like DID can even exist.
So what kind of patterns do we typically see in brains with DID? Well, the easiest one is that a lot of people with DID have pretty similar alter "types" or "roles." This is just a widespread pattern that you see across a large demographic of systems. It's why terms like "gatekeeper" and "protector" and "caretaker" exist. Because nearly all DID systems have parts that fill those roles, even if those roles aren't filled in the most "traditional" sense. DID is rarely random, every part exists for an express reason, and that reason is almost always symbolic in some way, even if it doesn't seem like it now. Once you start learning trauma memories and WHY parts exist, you very quickly start to see the symbolism and sometimes it is absolutely fucking terrifying, to say the least.
What other patterns are common?
Well, patterns we see in our own system and in other systems are something quite literally called "splitting patterns" which are more common in polyfragmented systems but not exclusive to them. This has various ways of showing itself, and the user @foreverfragmented made a post awhile back that I'm having a really hard time finding, HOWEVER I did screenshot the section about splitting patterns when I first read it, attached below:
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Wow that photo ended up bigger than I thought it would be. lol. Anyway. Those are another example of splitting patterns. (Note: in the original post, FF talks about how some of the terms above were coined by them or other systems, so not recognized medically, however I think they were worded perfectly which is why I shared them here.)
Another few examples include alter templates (AKA, splitting the same alter over and over in varying iterations), the same parts going out for the same types of trauma every single time, and why certain alter roles very often have the same "flavor" of personality.
For example, gatekeepers are often considered a bit cold and distant, and can be very analytically minded and rarely react purely on emotion alone. (I feel like the most common gatekeeper Myers-Briggs has gotta be INTJ...that was a joke, lmao.) This is typically for a reason. You have to have a certain mindset and a certain way of handling things to be able to properly manage a system. And this is not to say all gatekeepers are this way, but the pattern of a LOT of gatekeepers being like this is not unnoticed. Our DID specialist could tell pretty early on that our primary gatekeeper (James) was a gatekeeper long before he ever told her he was simply because of how he held himself, how he spoke about others in the system, and how much he despised her for "stepping on his toes"😂 They work together much better now, FYI, but it was rough in the beginning.
An example of alter templates in our system in particular is what we call the "Michaels." They were some of our earliest alters, and our brain was like "hey this guy is working really well, so I'm just gonna keep doing it." And it worked! Then, when trauma shifted to something completely different but in the same vein (CSA) our brain once again attempted to use this "Michael" template. It didn't work quite the same. And so our brain had to figure out these new patterns, which it was fucking desperate to do because we were going through some heinous shit that it could hardly even comprehend. I've learned that basically every blue-eyed white-haired motherfucker in here was a Michael copy at one point, but had elaborated into some other version that suited its job more.
Now, for the example that is going to actually help me explain the answer to the question posed at the very beginning of this post: alters who go out for the same things over and over.
So, depending on splitting tolerance, or whatever you happen to be going through in your childhood, you will likely have various "groups" of alters that handle certain things. If you had a particularly tumultuous childhood with several varying types of traumas, you will probably have several of these groups. And depending on length of trauma time, severity of trauma time, and levels of support during trauma time, these groups may be very large.
For example, if you had a situation like domestic violence (DV) happening in your household, you will have a part or parts dedicated just for DV, and if you also had CSA going on, you will have a separate group of parts (or a single part) who handles only the CSA. Unless your system is quite small and you have alters take multiple types of abuses, this is pretty commonly the case. [Note: want to say this is not subsystems unless these groups are highly separated via either amnesia barriers or inner world (IW) barriers, and have better communication with each other versus the rest of the system. The definition of subsystem gets a little funky, but we're not talking about that. Just wanted to make that clear. You can have groups of alters without them being subsystems.]
"Okay, so yeah, you're right. I have alter groups for [insert various traumas] what does that have to do with me splitting over [insert mundane thing that isn't even really traumatic]?"
Continuing on the "DID brains run on patterns" line of thinking, if your brain has patterns set and understood for the various traumas that you lived through in your childhood, usually up until teen years or adulthood, your brain knows what to do when those traumas occur again. The patterns are set. It's why it's super common for people with DID who experience SA in teen or adult years and don't end up having a split. Unless they have an extremely low splitting tolerance or the situation is extremely unique, the brain will just recycle what it already has. No need to go through the literally massively painful and traumatic experience of splitting again for something it already knows how to handle. This being said, the part that experiences this might end up splitting at a much later date if this trauma is far too difficult for it to handle, this is also common because sometimes it's "easy" to handle the trauma in the moment because they're used to this flavor of trauma but the processing of said trauma afterward can be just as traumatic and can cause a split.
Same if your father was super abusive to your mother, or vise versa, and you happen to have an abusive partner. That pattern is known and comfortable. That's what professionals mean by "DID systems are more likely to be victims of abuse than perpetrators." They return to the comfortable patterns, which, with DID, equals abuse. Things outside of those patterns are dangerous and confusing to navigate and the brain will avoid that at all costs.
However, and this is the answer to the question. What happens when something happens that the brain doesn't recognize in its "pattern database"? I'll give an example.
Say you were very high achieving in school. This is pretty common of systems who were diagnosed in adulthood, so far as I've seen. You likely did really well, had really high marks because your parents expected it of you or were abusive and angry if you didn't constantly constantly succeed in their eyes. This can also reflect in sports, clubs, musical talents, etc. This pattern continues on in adulthood. You push yourself very hard to be high achieving. Whether this be in a college setting, a work setting, etc. You are likely often doing well in those fields pre-system discovery, at least. Post discovery often leads to the "spiraling" phase, which sucks but again that's not what we're discussing.
So, say you have a job. You're hella good at it. You are always receiving praise, you are always getting raises, your reviews are always hella good. You're like "okay yeah, I'm good at this job, so I'm going to apply to a higher paid position in the company that just opened up."
And then...you don't get the job. Well, that sucks. Better luck next time, right?
Wrong. Well, not entirely. That's completely true. But that's not how your brain is actually processing this, is it?
You might tell yourself "oh well" but in your high achieving brain's POV, it's like "WHAT THE HELL IS GOING ON???? WE DON'T DO THE FAILURE STUFF!!! WHAT THE F***!!!" And it might panic, and several alters might panic, and the host might panic, and suddenly they're spiraling out of control over something that is mildly disappointing at best. Because WE DON'T HAVE A GUY FOR THIS?! We have a guy for SA, we have a guy for DV, we have a guy for medical trauma, we have a guy for bullying, etc. But we don't have a guy for REJECTION?! AHHH! [splits a part just to handle rejection.]
In adulthood, I've noticed both in myself and other systems I frequently speak to, these highly specialized parts are more commonly split in adulthood. Because while patterns are super helpful in childhood when you're experiencing the generally same shit over and over, in adulthood or even late teen years, there's so many effing unknowns that the brain is just like "what the actual fuck is this, this doesn't follow the fucking SCRIPT you guys. The PATTERNS?? Do they mean nothing to you??"
DID is a disorder that is incredibly helpful for survival in childhood and is an absolutely miserable crutch to live with in adulthood. And that's not me saying it super sucks all the time, but the disorder is not meant to happen, it shouldn't have happened, and coping with it without therapy and proper integration of parts and memories just makes adulthood kind of a hellscape, to be frank. There are tons of positives, I am so thankful, don't get me wrong. But there are a lot of downsides too.
So, to kind of drive home some examples of things that can cause a split that might not even be inherently traumatic based on my own experience and the experiences of some folks in our system server:
-(TW: mild NSFW in this one) We had our first consensual sexual experience when we were 19. We didn't have a guy for that. Everything we'd ever experienced throughout our childhood and teen years was not consensual. So when we were having consensual sex with our girlfriend, we were losing our mind because we didn't have this pattern integrated. So we split a guy whose literal only job was "consensual sex" and he was pretty much made to be the "perfect partner" for our girlfriend.
-We have a part whose only job is to play video games. We didn't know why until we realized he was fronting during stressful family gatherings and was playing videogames to pass the time until they were allowed to leave.
-We have a part that split only to handle our irrational fear of getting sick with a deadly illness right around COVID lockdown time.
-We had a part split just to internalize the feeling of "going to hell" due to our religious beliefs at the time.
-We have a lot of parts that split just to hold feelings of anger, sadness, or fear, even in adulthood. This is common in situations where anger or showing emotions was not allowed in childhood, so if the brain decides that's not allowed, when a part gets overly angry they might split a part to hold that anger, which then typically gets buried deep down.
Note about the above example: Trauma therapists often say that anger is one of the last emotions processed when processing traumatic events. Which is why "anger holding alters" are so so so fucking common. Kids and teens and adults get angry and if that's not allowed in some way shape or form, the brain will suppress it. It's also why it's common for people with DID to be able to "turn off" emotions or if triggered, will have a sudden intense burst of emotions (typically anger or frustration) because of how intensely repressed emotions often have to be just to survive living in a toxic environment that would cause something like DID. When you were a kid, you couldn't cry in front of your parents because you would be ridiculed or punished. So you will "turn it off" and go hide to cry later. But if, as an adult, you never let yourself "go cry later," that shit will build up and cause those intense emotional breakdowns, even after something that's considerably smaller scale than what you're used to. Kind of considered the "straw that broke the camel's back." You can be having a shit week with horrible thing after horrible thing and you're doing really well at "shutting it off" especially when around others, because god forbid you let the mask fall, and then suddenly you can't open a cheese stick or you can't find your keys so you might be late, or there's a stain on your shirt right before work, or the entire contents of your bag get dumped onto the floor of your car because you had to brake too hard...and that's when the breakdown happens.
Anyway, to get back on track, there are probably a plethora of other ways a system could split that seem mundane or "not that traumatizing" or alter roles might be super hyper-specific and the reasoning for that is because ✨patterns✨ We love to see it. /sar
Hope this was helpful! If you have further questions, feel free to hit up the ask box or the replies. :)
-Dori🌹
(Again, endos please don't interact, this is not for you. This is for the folks whose DID was caused via childhood trauma. These patterns likely would not exist in someone whose system didn't form from repeated traumas.)
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vincentbriggs · 2 months
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Good afternoon Mr.Briggs (if i may call you such) Been a fan of your content since 2019 and have loved to see you evolve over time with both your technique and skill. Have you ever done a video about men's breeches/pants? My beloved does a lot of plays/theater, and with the lovely shirt tutorial you've posted, I would love to at some point make him some breeches to go with it. I'm sure you have many ideas in the works, simply curious! Thank you so much for all the wonderful knowledge and style you've given us over the years 💖
On a similar note, are we allowed to make fanart of you? Some people aren't comfortable with receiving drawings of themselves so I wanted to ask.
Hello! Thank you! No, I have not yet made a video on breeches or pants, alas. (An easy fact to observe, since I've only made 13 videos so far!) But someday!
I have no idea when I'll get to it. It is on The List, but it's a very long list and breeches aren't a super high priority at the moment, so I doubt there'll be a breeches video for quite a while.
I think it fairly likely that I'll end up doing a fall front pants video before I get around to a breeches one, but I never can tell what will grab my attention first. I had planned on doing the shirt video two videos ago, but then buttonholes and striped gloves jumped up and said "Hey! What about us?"
Since I just finished the shirt tutorial, I feel like working on more fun and silly things for a while before I do another big video on a wardrobe basic. I'll want to film a lot of different pairs of pants for the pants one, so as to show a variety of different options for things.
(I'm working on another fairly short video right now, and am just about to start filming another one, but only the patrons know what they are! Or, they will when I do my monthly update post at the end of July. They already know what the other long term non-sewing video I'm picking away at is.)
Somehow I haven't made an in depth blog post about how I do pants or breeches either, alas! I've really been neglectful of my blogspot in recent years.
(I do have a blog post about how I do fall plackets though, which should be helpful.) (Also, Nicole Rudolph has a video on sewing breeches.)
Oh my, sure that's fine! I'd be quite flattered, thank you!!
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tj-crochets · 9 months
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A little baby moose!
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age-of-moonknight · 2 months
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“Incarnate,” Vengeance of the Moon Knight (Vol. 2/2024), #7.
Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
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